klass 95 Capitulo 39 Completo en Español
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00:00This video is a derivative work of the Touhou Project. It has no relation to the original work.
00:04This video is a derivative work of the Touhou Project. It has no relation to the original work.
00:30This video is a derivative work of the Touhou Project. It has no relation to the original work.
00:33This video is a derivative work of the Touhou Project. It has no relation to the original work.
00:39Who's in the office?
00:48Oh, he didn't even make it.
00:51I was heading to the bathroom and I came here to throw something up my ass and look at how the shoe broke and look at how it turned out.
00:56I'm almost broke.
01:00♪♪♪♪
01:10-♪♪♪♪
01:20-♪♪♪♪
01:27-¡Ay, ay, ay!
01:29-¡Ay, ay!
01:31-¡Ay, ay, ay!
01:35Ay...
01:42-¡Ay!
01:43Bueno, bueno, bueno.
01:46Ya, ya, ya, ya, ya.
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09:14Mm.
09:44Mm.
10:10We don't know if he has a family, if he's married,
10:13if he has children, where he got so much money from.
10:16By the way, why didn't you invite him to the event last night?
10:19Stop it, stop it, calm down, let him eat, calm down.
10:22Oh, that journalist soul of yours, what is it?
10:31Do you want it fresher?
10:32Go ahead, go ahead, go ahead, calm down, go ahead.
10:37Journalist?
10:39Yes.
10:40The gentleman is a journalist?
10:43Cheers.
10:44Yes.
10:45That's it.
10:46Let's share.
10:51You've never eaten chicken at the Imperial.
10:56I brought you a little message.
10:58Luigi Bermudez and Carlos send their regards.
11:03Did you talk to Carlos?
11:05Yes.
11:06Do you know that Carlos is a journalist?
11:09Yes, but he didn't want to know about me.
11:12He wanted to know about you.
11:14He insisted that I tell you where you got the money from.
11:18And what did he say?
11:19I told you the truth.
11:21You had stolen it from us.
11:25Liar.
11:27I warned him.
11:28I told him that if he didn't give me all the money back,
11:32I would go to his house, I would go to the club,
11:36I would go everywhere.
11:38And you let me get bored and you touched me.
11:41No, but I gave you the money.
11:44We both know that you didn't give it to me completely,
11:47damn it.
11:48And you're right, I didn't tell you anything.
11:51I didn't tell you anything.
11:54And you're right, I didn't tell you anything.
11:56But if at this moment you and I don't go to the club
12:01and give me what I owe,
12:05I'll go quickly and tell you who you are.
12:09Calm down, I accept.
12:10Okay, I haven't given you all the money.
12:12I still have part of it, but I'm going to give it to you.
12:15But not right now.
12:16On Monday, first thing.
12:20Come on, say the name of the hotel.
12:22Come on, come on, come on.
12:24If he didn't give it to you early Monday,
12:26you already know what he's going to do, so...
12:29Ten in the morning.
12:30Eleven.
12:31Monday, eleven in the morning.
12:38Where's your laundry, dog, so you can take me?
12:40Here I am.
12:43Elber, take the laundry, please.
12:46And what is this?
12:48Oh, a little thing.
12:51Do you remember Sierra?
12:54Motosierra?
12:56He's dead.
12:58I was dead too.
13:07Greetings, I send you.
13:10Walk, Chino.
13:11Yes, Mrs. Bocitos.
13:14With that information, it will be enough
13:16for the consul to extradite Edgar.
13:18No, but wait, wait, wait.
13:20Wait, because that story is still missing legs.
13:23We need to talk about what happened at the party
13:25the night before.
13:26Ah, that.
13:29Talk about your Elbercito.
13:32Very jealous.
13:35I think we can tell more interesting things,
13:37like what happened with Shai O'Bernie and Salvatore.
13:40The agency, because that night there were more campaigns
13:42and contracts than anything else.
13:44Like the campaign of the Italians.
13:47That thing was divine.
13:49Beach, breeze, skin.
13:52And what we like the most.
13:53Romance.
13:54Romance and bestape.
13:57I know who, but I'm going to tell you.
14:01I think the flashes are already here.
14:04Lenses.
14:06And...
14:07Lenses.
14:09And the batteries.
14:11You take your cameras, you take care of that, right?
14:14Of course.
14:16This is not going.
14:17No, no, no, no, no.
14:18This is my script.
14:19I take it, of course, I need to work.
14:21But when are you going to work on that
14:23if you are going as a photographer?
14:25Well, how about I like to write when I travel.
14:27Any problem?
14:28Oh, no, no, no, no, no, sir.
14:30No problem, don't worry.
14:31Come on, I'll tell you.
14:32What happens is that Mr. Putico likes to walk
14:34with that script up and down.
14:36Well, let everyone take what they want for a walk.
14:38Well, if you don't have that overweight,
14:41I have no problem.
14:43Elenita, what about the Italians?
14:45Already? What happened, did they arrive?
14:47No, no, my girl, imagine that yesterday Andrea
14:49there in the garden was stuck to a model.
14:52I almost had to call a group to take her to sleep.
14:55Oh, I can't believe it.
14:58Look.
14:59I'm coming, I'm coming.
15:00Hello.
15:01Excuse me, excuse me.
15:02Well, and Andrea?
15:03Andrea?
15:04Yes.
15:06What?
15:08But now what did he get into?
15:09He's dead in love.
15:10Ah.
15:11Maybe he'll arrive later.
15:12Well, but the one who stayed stayed.
15:14We left.
15:15No, no, yes.
15:16I'm ready.
15:17Could we have breakfast while the hairdresser arrives?
15:20There in Santa Marta, when we arrive,
15:21we'll eat something, ready?
15:22And if the hairdresser didn't arrive,
15:24well, bad luck, we left.
15:26And you have to take care of everything, okay?
15:29Elenita, do you know what happened to the hairdresser?
15:32My girl, but I didn't call him
15:34because you didn't tell me anything.
15:36No, no, no.
15:37It's just that he can't find out
15:39that there was no budget for the hairdresser.
15:42Since there are only two models,
15:43well, let him take care of everything,
15:44do the hair and everything else, right?
15:46And the models?
15:47They already left in a van before.
15:49No, I appreciate the work, but not as a model.
15:51For that you have to work a lot.
15:52What else?
15:58Hey, but hide.
16:00What?
16:01If that idiot doesn't even take care of me.
16:03But wherever that whore is,
16:05the one who gets rid of her, there yes.
16:07No, Lau.
16:08No.
16:09If he's between you and the whore,
16:11then leave him.
16:12How about?
16:13No.
16:14Well, let's go, let's go.
16:30Let's go.
16:42Up, up.
16:43More.
16:44How much does it take?
16:45Tell me exactly what you need.
16:48I want a wild, exuberant Vanessa.
16:51That Vanessa that went crazy today in Italy.
16:53Divine, spectacular.
16:55Well, let's try it.
16:56Yes, Vanessa.
16:57If you want to become a top model,
16:59you need to work with me.
17:01And not with that little family business.
17:05Thank goodness they gave us the contract.
17:09No, let's start.
17:10Let's start with you, Andrea Vanessa.
17:11Let's start.
17:12Okay?
17:13Who are you?
17:14You are Eva in paradise, okay?
17:16I want you to be a panther and at the same time a lioness.
17:19Okay?
17:20Okay.
17:21Delicious.
17:22Beautiful.
17:30My goddess of the jungle, my forbidden fruit.
17:32That's spectacular.
17:33What a delight.
17:43Divine.
17:44I need you.
17:45Yes.
17:46Vanessa, I want one with sine here.
17:48Okay.
17:49Please.
17:51Come on, divine.
17:52Vanessa, I want you fierce, but restless, divine.
17:54That's beautiful.
17:55Violent, but discreet too, okay?
17:57Divine.
17:58Divine.
17:59That's beautiful.
18:11Violently close, come on.
18:13That's divine.
18:14That's what I want.
18:20That's beautiful, like a mythological chimbila.
18:22Divine.
18:23Divine.
18:29What's up?
18:31Let's see, Agustin.
18:32You're going too far.
18:33What is that about a mythological chimbila?
18:35Neither.
18:37It's true.
18:38Someone finally told you.
18:40Massimo, tell her something.
18:41They are spectacular.
18:42It's beautiful.
18:43I don't understand what the fight is,
18:45if they are looking divine or not.
18:47Let's see.
18:48We are doing a perfume campaign,
18:50not a sun lobby.
18:52You know what?
18:53I want to take a break.
18:54I want to drink something.
18:55Oscar, please bring water.
18:57It's in the tent and for everyone.
18:58It looks beautiful.
18:59Yes, Jair, touch them well, please.
19:05And when my mom asks me how it was,
19:07I'm going to tell her,
19:08well, water for breakfast,
19:09water for lunch,
19:10water for lunch.
19:11Carlos Jair, what are you saying?
19:14What's wrong with you?
19:16The water is healthy.
19:18Let's see, and I understand
19:19that we are tired,
19:20it is hot.
19:21Hot?
19:22What I have is hunger.
19:23Hydrate yourself first
19:24and I'll see what we're going to do.
19:26It's noon and they haven't even put on a heel.
19:28They think they're fat.
19:29The one who has to diet is one.
19:31Moni, I think we're going to have to go
19:33look for fruit or something
19:34to distract their hunger.
19:36Because if we start having lunch now,
19:38we're never going to finish anything.
19:39Hey, but are you hungry?
19:40I don't.
19:42No, no, no.
19:44Very good.
19:45Yes, those peppers are great.
19:46Very good.
19:47What peppers?
19:49Stop gossiping.
19:51Come on, do me a favor.
19:53Go distract Dulce,
19:54because she's really excited.
19:56Did you notice how Agustin spoke to her?
19:58As it should be.
19:59Is he crazy?
20:00No, sir.
20:01Rather, you go and take care of what I told you.
20:03Disappear for a while,
20:04but first of all, go get the fruit, okay?
20:06As you command.
20:08And then the man here
20:11was able to bring the fruit,
20:12distributed it to everyone
20:13and took Dulce to play on the beach.
20:16And there the best-kept secret of 96 was revealed.
20:24What?
20:48Laura, but for God's sake,
20:49close your mouth,
20:50or you're going to drop your jaw.
20:52Is he watching what I'm watching?
20:55Our Oscar?
20:56Oscar of a lifetime?
20:59He had it well hidden.
21:01No, honey,
21:02I'm not going to be able to look him in the eyes again.
21:04No, and to think that he was watching Betamax
21:06with him crouched down
21:07as if he were his brother.
21:10I just don't understand
21:11when all this happened.
21:23¿Y ESA PLACA, ENTONCES, QUÉ?
21:25¿VINO SOLO A VEZ PA' POQUETEAR?
21:27A VER.
21:28PERO USTED LO DIJO
21:29QUE ESTABA DESESPERADA
21:30PORQUE A GUSTIN LE PRESTARA ATENCIÓN.
21:32NO ME DIGA QUE AHORA LE GUSTA A OSCAR.
21:47¡ÓSCAR, HERMANO!
21:49¿QUÉ HACE AHÍ?
21:50¡SALGA A RECOGER!
22:01No vinimos de paseo.
22:02Vinimos para trabajar.
22:19¿Y AHORA QUÉ HACEMOS?
22:45No tienes ni idea.
22:46Esto es una locura, ¿y lo estamos...?
22:48We're getting everything done thanks to you, my love.
22:52Come here.
22:55Everything is happening much faster than I imagined.
22:59But what happened?
23:01You don't know.
23:03When you left, a woman arrived, an accomplice of Ergay, and they talked about everything.
23:08What did she say?
23:09Well, enough to know that we are on the right track.
23:13It's a little bone.
23:16What matters is that she made it very clear that there is a box with marked dollars.
23:21Now, the important thing is that I have to find where it is.
23:25But that's a matter of time.
23:29Now, the most important thing right now is one thing completely.
23:43Edgar, what would have happened if Edgar had realized that I put that microphone on him?
23:51If Edgar had put a finger on it, I would have sent a deployment of the entire DEA in seconds.
24:01The entire DEA?
24:02The DEA, the FBI, the CIA, the Marines, Arnold, Rambo, everybody.
24:20I thank you for existing.
24:33Hey, what's that noise?
24:43Well, don't tell me you don't know.
24:47The beer you like.
24:50Thank you, Edgita.
24:53It's your mom. She's with Edgar.
25:02Tell me, how's that agency doing? Very successful?
25:06Success is little.
25:08I didn't do that without seeing that they signed contracts, campaigns.
25:12And Elenita was on point.
25:15And what about ours?
25:16Ours is fine.
25:17Everything is already squared with Zulma so that this weekend with Bermudez comes out.
25:22But Albeiro was no longer with Carlos?
25:25And?
25:26This weekend, right? Don't you see that Bermudez already paid?
25:29And what, did you tell him face to face or what?
25:31And how else was I going to tell him?
25:33If the man wants to go out with a top model
25:35and that model has to cancel a campaign to be able to go out with him,
25:38well, he has to pay, right?
25:40Because he pays, right? Very good.
25:42And has anyone else called? Has anyone else been interested?
25:46Several.
25:47I'm going to stop calling this morning.
25:50I have to go tonight to take pictures for them to choose.
25:53Look, Najib, we do things right and I swear they're going to want to pay
25:57that and much more to go out with those girls.
25:59It depends on who they want to go out with, right?
26:02Oh no, yes, of course. Each one has its price.
26:05You are not offering any model.
26:07No, you are offering the famous model,
26:10the one who goes out in the campaign in a swimsuit,
26:13the model who goes to the party with the famous,
26:15with the people who are worth in this country.
26:17And if you want to go out with them, then pay.
26:19Yes, sir.
26:20It was time for you and me to see something of this whole business.
26:23I'm tired of seeing that everyone else makes money except me.
26:26Cheers.
26:27Cheers.
26:29Cheers.
26:36Please tell me I'm not understanding anything.
26:41What are you not understanding?
26:44That you are charging to fix the appointments with the models.
26:47But how so?
26:49What are you doing with that agency?
26:54You?
26:56I'm just finding out.
27:00It's your mom.
27:02Are you going to tell me you didn't know anything about this?
27:04What's wrong with you?
27:07How dare you say that?
27:10Besides, that's not the agency, that's Edgar and my mom, not me.
27:16What was missing?
27:18You didn't believe me.
27:20You don't know who my mom is and what she's capable of.
27:23Hey!
27:24Let me go!
27:25I'm sorry, okay?
27:26Let me go!
27:27I'm sorry.
27:30Don't move!
27:33Linda, I'm sorry.
27:36I believe you.
27:37It doesn't seem like it.
27:39Linda, I'm asking you for forgiveness, okay?
27:43I know you have nothing to do with this.
27:45I know how difficult it is for you.
27:48But promise me you won't say anything.
27:54You know everything I've been through.
27:56You know what I've been through.
27:59I don't know.
28:01Do you know where my mom comes from?
28:04Linda.
28:05How can you say that?
28:07I know.
28:08And I know you're dying to tell her everything, but you can't.
28:16I'm not going to tell her anything.
28:17I'm just going to ask her about Zulma.
28:19I'm going to get her information.
28:21I know how to do it.
28:22Kelly, no.
28:26You can't put the operation at risk.
28:33Come here.
28:38Linda, remember why we're doing all this.
28:42So we can go together, the two of us.
28:45And that you work away from all this.
28:49But if this investigation falls,
28:52I'll be sent to hell.
28:54And you...
28:56Linda, you don't get a visa anywhere in the world.
29:01It's more important than ever
29:04that that bastard Edgar falls.
29:20If Salomón says the business is good, listen to him.
29:23He's never failed.
29:25Well, in business.
29:27Because in love, the poor guy is a fiasco.
29:30And he's had the best parties in the world,
29:32but he doesn't decide. I don't understand.
29:36And I just wanted to ask you for some advice on love.
29:40That's with me. I'm the specialist.
29:43If she's been single for 20 years,
29:45that doesn't mean she hasn't had love.
29:47She doesn't know the subject, please.
29:49I wouldn't understand that.
29:51Why?
29:52A woman like you, so beautiful, talented, successful,
29:56and so free.
29:58That's precisely why.
29:59I have a giant sign that says,
30:02I like you, I love you, but I don't need you.
30:07That's precisely the fear I have
30:09of accepting the deal with Salomón.
30:11That she thinks I don't need her
30:13or that I want to run away.
30:14And did you ask her?
30:15Well, no, because we didn't have much chance to talk.
30:18Well, you have to talk to her, ask her,
30:20and be very convincing.
30:22Because one thing is that Joaquin and Paulina
30:24left you yesterday.
30:26Be there at the party, dance, have a good time for a while.
30:29Another very different thing, when the baby appears
30:32and you're still poor.
30:34They won't even let you near them.
30:36I'm never going to be rich enough for them.
30:39That's true, if you keep training ladies like me,
30:42setting up gyms.
30:45Can I get an appointment for this afternoon?
30:48Show me.
30:49Show me how you did like this,
30:50like guardians of the bay that Laurita left, knockout.
30:53Oh, is it serious?
30:54Laura did it to you and you're not going to do it to me?
30:56Bye.
30:57Do it!
31:05I'll tell you when I tell you about the bodyguard.
31:10You know what?
31:11We'd better keep talking about Xavi and Bernie.
31:13My girl, what do you think if we send Jessica
31:16for the sweet-breathing lingerie?
31:20Jessica?
31:21I think Cinia is better for that, right, Helenita?
31:24And what do we do with Luisa?
31:26She's been out of a job for several weeks.
31:28Well, why don't we send her too for that campaign?
31:30Let's see how it goes.
31:31Hello!
31:33Helenita, how are you?
31:35Oh, Bernie, how are you?
31:37I was leaving.
31:38So, my girl, if you have any cravings,
31:40if you want something, let me know.
31:42I wasn't going to interrupt, right?
31:47My treasures.
31:49How are you?
31:51I love being able to do this without having to think so much.
31:54I know, I know.
31:56And I can't wait to be able to be together.
32:01But you know what?
32:02What?
32:03Almost.
32:04Almost, because Nicolás is getting more and more
32:08and now he's really into my dad.
32:10Really?
32:11Yes.
32:12So, for the first time,
32:14Bernie isn't the bad guy in the story?
32:17Quite the opposite.
32:19Nicolás is the bad guy and you're safe.
32:22Also, sorry, but after what I saw last night,
32:25what was that?
32:26It was so spectacular.
32:28It was cool, right?
32:30You know what I feel?
32:32That my mom is starting to see him with other men.
32:36I thought they were going to call the police
32:38and get me out of there.
32:39I'm glad they didn't.
32:43Hey!
32:47Come on!
32:50That's it!
33:02That's it!
33:07That's it!
33:13They want to see us dancing!
33:18I can't believe it.
33:19I just turned around and saw them dancing.
33:22I couldn't believe it.
33:24All I needed was for Nicolás to come up to me
33:26and tell me he was going to come to Patagonia
33:28to be completely happy.
33:32But it didn't end there.
33:35What do you mean?
33:36They kept dancing after we left?
33:38No, not exactly, but...
33:40They made me an almost impossible proposal to reject.
33:44Salomón wants me to work with him.
33:46But it's great!
33:48If Salomón wants to do business with you,
33:50because he sees the future,
33:52and he doesn't fail!
33:54That's great!
33:57Well, it's not just a proposal.
34:01Are you afraid of him or not?
34:04I don't have experience with anything other than gyms,
34:07classes...
34:08What about Jane Fonda?
34:10She got it, didn't she?
34:11All this idea of heaters and aerobics worked out great for her.
34:15She blew it.
34:16And this is that idea evolving.
34:18Much better done.
34:19Because people are not only going to exercise,
34:21but they're going to get in shape.
34:23And no one has done that.
34:24She's just like my mom.
34:26No, no, no.
34:27She doesn't count.
34:28She's a divine woman.
34:29She comes with it.
34:30She's been divine all her life, that's for sure.
34:32But since you got here,
34:33she stopped being a piece of furniture in the office
34:35to become that woman who gave it her all tonight.
34:37You gave her ten more years to live,
34:38and I'm going to be very grateful for that.
34:42So, what do we do?
34:43First, we come up with a routine.
34:45Very well thought out, very well thought out.
34:47And we put a lot of music to it.
34:49Then people are going to leave the office,
34:51running home just to dance with you.
34:53Yeah, well, but that also has a limit
34:55because I can give like four classes a day.
34:59We're not talking about giving classes here.
35:00You're not for that.
35:01What we're going to do here is make videos.
35:03We're going to produce them, we're going to record them,
35:05we're going to edit them, we're going to distribute them,
35:07and they're going to buy them
35:08because we're selling happiness.
35:10We're giving people a reason to come home.
35:12It's like the beginners' club, like my mom.
35:19And what do you want to call that?
35:21Well, this is a rumba marathon, right?
35:23A rumba-thon.
35:24I've got it.
35:25The upload.
35:26I put the video, you put the talent,
35:28and we start making money.
35:32Well, let's see, upload.
35:34And how much are we talking about?
35:35No, but don't get ahead of yourself.
35:36You have to make a budget, you have to land it.
35:39So we're going to Miami and we'll finish planning there.
35:42What do you think?
35:43Miami, why?
35:45Well, let's see, there they have all the infrastructure,
35:49all the production.
35:50For them it's easier.
35:51And besides, it's one of the conditions.
35:54He told me that I could stay at his house
35:56in what he organized for me.
35:57What do you mean he organized it?
35:59Are we talking about moving to live in Miami altogether?
36:03Chayo, I have to be responsible.
36:06A baby is on its way and I need to do something important.
36:09I mean, if you're seriously thinking about leaving.
36:12I want the three of us to go.
36:16I can't go.
36:17To see or not to see.
36:18The agency is flying.
36:21I'm waiting for a child that I don't even know if it's his
36:23or my husband's.
36:24No, wait a minute.
36:26This child is mine.
36:27My love, don't listen to your mother.
36:29You are mine, just so you know.
36:32And that guy is her ex-husband.
36:35Got it?
36:36Let it be clear.
36:37Suppose we manage to get out of Nicolás.
36:42What about my life?
36:43What about my agency?
36:45Initially, I'm leaving.
36:47A few months, while the baby is born.
36:49No, but, let's see, are you crazy?
36:52I can't stay here alone for a few months,
36:54much less right now.
36:56I need you to be here.
36:58So, tomorrow the baby is born,
37:00and who's going to be there is Nicolás, not you.
37:02No, no, but you're not telling me
37:03that Nicolás is very down with his family.
37:05Yes, but we both know
37:06that Nicolás is capable of doing anything, Bernie.
37:09I can't stay alone.
37:11You can't leave.
37:19The first one to sell me 100 wallets
37:22has his Mike's Brosby.
37:25Perfect.
37:26Don't waste time.
37:28Why are you going to the bathroom?
37:30Why are you going to wear yourself out?
37:32No, here, focused.
37:33Ready, focused.
37:34I'm at the office, team.
37:35Get to work, get to work.
37:43It's Guitar.
37:44How's it going?
37:46You got me here in full leadership.
37:48I'm with the sales force that's starting up engines.
37:52What do you mean they're just starting up engines?
37:53Guitar, what happens is that
37:54as soon as we go out with our agenda,
37:56which means that today we're going to go out
38:00with our anti-theft wallet.
38:02Do you think I'm stupid?
38:04I've been watching your damn commercial all day.
38:07Tell me something, Nicolás.
38:09How many people have called?
38:11What matters is not the number, it's the quality.
38:14And I want to tell you something, my dear partner.
38:16This has its times.
38:18Don't judge me,
38:19but only for the results I'm going to give you.
38:22Ready? Trust me, please.
38:23Trust me.
38:25Nicolás, do you think I have your time?
38:28Look, brother.
38:29I don't know what you're going to do.
38:31Invoke the divine child.
38:33Do a clean with salvigua.
38:35Consult your horoscope.
38:36Whatever, but I have to start billing now.
38:40Perfect.
38:41I'll do all the above and I'll let you know.
38:53Oh, what a beauty.
38:55Until the girl finally showed up.
38:58Where have you been?
38:59Aren't you going to go home or what?
39:01Oh, now don't come with the story that you care a lot.
39:04Where do I go and where do I come from?
39:06No, I do care.
39:07And besides, I was waiting for you to tell me,
39:10for you to explain to me what you're playing at.
39:12What am I playing at?
39:14How is this?
39:15That you reject an international campaign.
39:18Do you think because you're in driving classes with Nicolás?
39:21What is that?
39:22Besides, you and I know perfectly well that you know how to drive.
39:26Let's do one thing.
39:27Since I don't ask you for any explanations,
39:30then don't ask me for them.
39:32Ready?
39:33Let's see, let's see, miss.
39:34Let's see, let's see.
39:35One moment, one moment.
39:36And how can you ask me for explanations?
39:39Let's see, tell me.
39:40Tell me.
39:41Nothing, ma'am, nothing.
39:43Don't worry, she does.
39:44Don't answer me like that, Kelly.
39:46I'm not telling you this to screw you.
39:49You're the only one who's not happy with anything.
39:52You lost the north.
39:53You gambled it all for that damn consul,
39:55and you're left with nothing.
40:00You know what?
40:01Yes, I'm not happy.
40:03But because of what you're doing.
40:05We're not talking about me.
40:07We're talking about you, your life.
40:10You had everything to be a very important model.
40:13And what did you become?
40:14The gringo's girlfriend over the internet, right?
40:16What a beauty.
40:17For that fat, she would have stayed living in Barranca.
40:19It's just that you're missing that life a lot, right?
40:22What are you talking about?
40:26Do you think I didn't realize what you did one night with Zulma?
40:29Show me some respect, Kelly,
40:31that everything I do and everything I've done,
40:33I've done it for you.
40:35Don't play with me with that story,
40:36because that story already smells like rancor.
40:39I married Holman to pay the hospital bill.
40:42I don't know if you remember.
40:45I screwed up my whole life for you too.
40:49And you're doing the same thing to Zulma
40:51and who knows how many more.
40:53No, no.
40:54You don't know what you're talking about.
40:56I'm helping her.
40:58Well, brave way to help.
41:00I'm going to tell Zulma to start telling her mom.
41:15Yes, Najib.
41:16Bella is waiting for you at the studio.
41:18Thank you, Albersito.
41:19What are you doing here on a Sunday?
41:22What's up, Najib?
41:23Well, what is it that worries you so much?
41:25Tell me.
41:26What's up, Guitar?
41:28It's just that, imagine,
41:30yesterday I had a discussion with Kelly
41:32and I think she already knows about Zulma and Armódez.
41:36Yesterday I had a discussion with Kelly
41:38and I think she already knows about Zulma and Armódez.
41:44But how so?
41:45Didn't you tell me that no one had noticed
41:48that this had happened in my car?
41:49Yes, yes, but if I tell you that you already know
41:51it's because she told me clearly.
41:52What exactly did she tell you?
41:54I left her office and we met at the house
41:57and when she arrived she was all drunk,
41:59all aggressive, saying a lot of things.
42:01Those are not news, Najib.
42:02You know how she is.
42:03No, it's not just that.
42:05She's very weird.
42:06The fact that she rejects a campaign
42:08because she's taking driving lessons with me,
42:11that's not true.
42:12It's very strange.
42:14What do you mean?
42:16Edgar, Kelly knows how to drive perfectly.
42:19She learned with Holman when she lived in Nayarit.
42:22That's what happens.
42:26I went to the bathroom and I came here to throw something in the face
42:29and look how my shoe broke.
42:31Look how it got.
42:35She alone is the power of beauty.