klass 95 Capitulo 40 Completo en Español
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00:00CC-BY-NATURAL-NETWORK
00:03CAPTIONING NOT AVAILABLE
00:06CC-BY-NATURAL-NETWORK
00:14Business.
00:16What's up, man?
00:18What's up, Nicolas?
00:19It's Guitar.
00:21What does the partner say?
00:23Please tell me so I'm good.
00:25I need you to answer something.
00:28You broke up with Kelly yesterday.
00:30Kelly wanted to go to the bathroom
00:33and we were close to your office, so we took advantage.
00:36But she came up with the idea.
00:38No, of course she came up with the idea.
00:40You know that when women want to go to the bathroom,
00:43it's now or never.
00:45Kelly asked you to go there, right?
00:47Yes, sir. She came up with the idea.
00:50No, no, none.
00:52And if that were the case, I'd already know.
00:55No.
00:57The only thing is that...
01:00she seemed to have seen him at the airport,
01:03but then it turned out it wasn't him.
01:07No, but no, no.
01:10No, no, no.
01:12No, no, no.
01:14No, no, no.
01:16No, no, no.
01:18No, but no, no.
01:24No, no.
01:48No, no.
02:18¶¶
02:48¶¶
03:08¡No, no, no!
03:10¡No, no, no!
03:12¡No se arranque el pelo!
03:14¡No se arranque el pelo!
03:17¡No se arranque el pelo!
03:37Angeles.
03:46But when it's our turn, just tell me and we'll catch her alone.
03:51She's not alone, man.
03:53Don't you see? The fucking thing is already here.
03:57Listen, listen.
03:58That's bad, bad, bad. What do we do, brother?
04:01What do we do, brother?
04:06Hey, listen. What do we do, brother?
04:16What do we do, brother?
04:23Let's go back to the office.
04:25As if nothing happened.
04:27And you're going to make me remember everything.
04:30Okay.
04:47Yes, Elber.
04:48I'm fed up with that bone problem.
04:50I want to pay you the money quickly, because that woman is capable of anything.
04:55Yes, of course, Edgar.
04:56It's just that it's better to be honest.
04:58Go to the cash register and get all the dollars.
05:00I'm going to pay you right away.
05:03But what do you mean, Edgar?
05:04Today is Sunday?
05:05Isn't that a lot of noise?
05:07Today is perfect, Elber.
05:08Well, Edgar, what happens is that you know that I am a very believing and fearful man of God.
05:13And today is Father's Day.
05:16So tomorrow is Monday.
05:17But early tomorrow, at the first hour, I need that money.
05:21You already know where the fake wall is, Elber.
05:24Don't wake me up tomorrow, Edgar.
05:27Oh, okay.
05:28I'll find out, I'll find out.
05:29Okay?
05:30I'd love to, Edgar.
05:32Come on.
05:44Okay, we've got everything we need.
05:46Now, hear me out.
05:47We've got to do this tonight, because tomorrow it might be too late.
05:50So get all the permits, all the authorizations, and you know where to meet me, okay?
05:55Let's do this.
06:03Miss, we're from Notimundo.
06:04Can we interview you?
06:05No.
06:06No, no, no, no.
06:07About what?
06:08Some questions we're going to ask you.
06:09No, no, no.
06:10No, no, no, no.
06:11About what?
06:12Some questions we're going to ask you.
06:13No, no, no, sir.
06:14Excuse me.
06:15It won't take long.
06:16It won't take long.
06:17Miss.
06:18But why?
06:19No, sir, no.
06:30Hey, hey, hey.
06:31Come on, come on, come on.
06:32Can you tell me where you're going?
06:34Why?
06:35Are you going to set me up with someone?
06:38I don't understand your aggressiveness.
06:40I'm just asking you where you're going.
06:43To a job interview.
06:46This Sunday?
06:47Yes, of course.
06:48There are some gringos who came from the United States and want to see my portfolio.
06:54And why didn't you tell me?
06:56Because, no.
06:57Because it's something I got.
07:01And you don't care.
07:04Why am I suspecting that Brian is back?
07:10Well, you're suspecting wrong.
07:13Oh, Mom, what are you talking about?
07:14If he were here, I would have told you.
07:17I'm talking about his mysteries, his ways out.
07:20I don't have mysteries, Mom.
07:21I have a desire.
07:22And stop making movies in your head, which you don't.
07:34Kelisita!
07:37What's up, Nico?
07:38What's up?
07:39Did you come for the second class or what?
07:42Yes, of course.
07:43Hello.
07:44Don't wait for me to eat, okay?
07:46There you go.
07:48How's it going, Nicolás?
07:51Well, I thought you didn't want to continue taking driving classes with me anymore.
07:58Like I saw you driving so well the other day.
08:00I said that to get away from my mom.
08:03What do you want, Nico?
08:04For you to pay for my class.
08:06I thought that was a favor.
08:08No, it's a favor.
08:09But I need you to pay me with another favor.
08:12Okay, tell me.
08:13I'm in the middle of launching my new product.
08:16A beautiful wallet.
08:17And since you have so much recognition,
08:19could you be my model for a video?
08:21Look, Nico, call me on Tuesday, okay?
08:23I have a lot of work and I can't help you right now.
08:26No, Kelisita, please.
08:27I need you to help me quickly, quickly.
08:30Look for another model and I'll help you later, okay?
08:32No.
08:34Come on, let's do something.
08:36Are you recording?
08:38Why don't you know the product?
08:41No, look, know it.
08:43Please receive it.
08:44Use it.
08:46Now that you use it, it's very important to me.
08:48What do you say?
08:49Well, I already use it.
08:51How is it?
08:52But why don't you see it?
08:53Why don't you see it?
08:54Oh, Nico.
08:55You haven't seen it.
08:56You've never been such a beautiful woman.
08:57That's it.
08:58Can I take a picture of you?
08:59Let me portrait you, okay?
09:00Just that.
09:01What do you say?
09:02Do it fast.
09:04Well, let's see, Kelisita.
09:06Oh, what a beauty.
09:07Well, another.
09:08Oh, that.
09:09That's it.
09:10Kelly, please.
09:11What a professionalism.
09:13Look, look at that.
09:17Let me go.
09:18Thief.
09:19Let me go.
09:20Thief.
09:21What's wrong with you?
09:22Let me go.
09:23Thief.
09:24Thief.
09:25Hey, what's wrong with you?
09:27Some good shots.
09:28No, I ran.
09:29I came, but ...
09:30Are you okay?
09:31Yes, yes, I'm fine.
09:32Yes? Sure?
09:34Come, sit down.
09:36Don't cut it, don't cut it.
09:37She's insecure.
09:38So terrible.
09:40I'll bring you something.
09:41Water.
09:42What do you need?
09:53Follow her carefully.
09:54She won't notice we're here.
09:55Okay?
09:58Okay.
10:01This city is shit.
10:04They just attacked me.
10:05Yes, honey, I'm on my way.
10:25Thank you, brother.
10:29Hey, Edgar.
10:30This is not the hotel of bones.
10:33Is Consuelo here too?
10:41Kelly.
10:42Is that you?
10:44Yes, yes, yes.
10:53All right.
10:54Are you okay?
10:55Yes, I'm fine.
10:56Promise me we're going to leave here
10:58and we're going to live in a quiet city, okay?
11:01I swear we're going to leave very soon.
11:05We're going to get married
11:06and we're going to have all the children we want
11:09and the house we want.
11:12Everything.
11:13I would not like to be so optimistic like you,
11:17but it seems difficult to me.
11:20I am optimistic,
11:21because this time it is no longer a matter of money,
11:24I am optimistic,
11:25because this time we are no longer alone.
11:28Edgar's days in Colombia are numbered.
11:30I'm afraid something will happen to you.
11:34Look, I'm very prepared and nothing will happen to me.
11:38I'm just going to be back there
11:40watching everything
11:41and enjoying Edgar's face
11:43when he sees that we fell and that I'm there.
11:46And how am I going to know that everything went well,
11:48that you will be fine?
11:50Because I'm going to come here
11:53and you and I are going to celebrate together
11:57and we're going to talk about everything good that awaits us.
12:01Okay?
12:05Okay.
12:07I love you.
12:11Well, now I have to shower
12:13and get ready for the operation.
12:16I won't be long.
12:23COLOMBIAN JUNGLE
12:44Brian?
12:46Are you waiting for someone?
12:49Did you order something?
12:50Did you order something?
12:56I'm coming.
12:57Who is it?
12:58Room service.
13:04Yes, hello.
13:06Brian!
13:07Brian!
13:20What the hell is going on here?
13:27What is all this?
13:29Are you going to play war or what?
13:31Are you going to dress up as Rambo?
13:33No, as Robocop.
13:37Hey, what's all this?
13:39Is this what you were spying on me with?
13:41Hello, hello.
13:42One, two, three.
13:43Robbing.
13:44Robbing.
13:46I didn't do anything.
13:48Don't worry, it's not your fault.
13:50And you be very careful when you go against her, okay?
13:53She's just pretty.
13:56Brave, yes.
13:58But she doesn't know how to spy.
14:02What do you want?
14:04I want you to tell me face to face what you want.
14:07What?
14:08Are you going to send me to jail?
14:09Are you going to execute me?
14:11Because that's what I suspect you want to do.
14:13I remember that a signal from me and this hotel
14:15is surrounded by agents from the TEA and others.
14:19In Dysger, the consul doesn't play so much.
14:23At least from that point of view, what misery.
14:28Look, consul, I understand that you are just doing your job, right?
14:33You want to grab the guitar, because you do bad things.
14:36You steal money and blah, blah, blah.
14:39And the security of the United States and all that.
14:42And that's fine, that sounds very nice.
14:44But I warn you one thing.
14:46I fall and we all fall.
14:48I am not a criminal.
14:49Here the only criminal is you.
14:51I don't.
14:52You don't.
14:53But you help me and I take them with me.
14:56Kelly, Najeeb.
14:59Oh, what a pity, right?
15:00That this story of love ended so beautifully.
15:04You are not capable.
15:06I'm not capable of what, Kelly?
15:09What are you talking about?
15:11You didn't...
15:13Didn't he tell you?
15:14Oh, my brother.
15:16I have to tell you one thing.
15:18It turns out that here Miss Kelly, Najeeb and...
15:21Well, all of us killed her husband.
15:24That's not true.
15:25That's not true.
15:26That's not how it was.
15:27Don't believe him.
15:28That's how it was.
15:29I'll tell you one more thing.
15:30If you remember that Elisita and poor man, right?
15:33That bastard in the head.
15:35You understand, right?
15:38Yes.
15:39No, no, no.
15:40No.
15:46That's why I tell you.
15:47I screw up and we all screw up.
15:51So if you're thinking of sending me...
15:54Send us to a prison far away.
15:56Well, anyway,
15:57first we have to pay for this crime here.
16:01You're not thinking that with that you're going to negotiate
16:03with the government of the United States.
16:05Not with the government.
16:06But with you, yes.
16:09Don't let him extort you, okay?
16:11Look, he just wants to avoid being extorted
16:13by getting me involved in all this.
16:15But I have nothing to do with this
16:17and he can't prove anything either
16:19with what he's saying.
16:20Don't let him.
16:21Why don't you call the DEA?
16:23If you're the one in charge here,
16:24tell them to come and take them away.
16:25Those are the details that make you fall in love,
16:27my beautiful Felicitas.
16:28Shut up!
16:29I'm going to be working in Cataluña.
16:31Anything, if you want to negotiate,
16:33I'll wait for you there.
16:34I have a couple of proposals to make you.
16:37Okay?
16:39I told you, Edgar.
16:44Consul,
16:46come there
16:48to complete the disguise.
16:52Miss Kelly is ashamed.
16:55I'm sorry.
17:05Fuck, fuck, fuck!
17:13Well, now,
17:14because this part...
17:18Did I miss something?
17:20You can think about that story
17:21and bring me the memories.
17:23Suddenly, talking about what happened would help,
17:25don't you think?
17:26Like the party night at the agency.
17:28Because that has to do with what happened
17:30after Edgar and Elber left the hotel.
17:39Do it.
17:40Start recording.
17:47Well,
17:49let's talk about the party night.
17:51All the models were there that day.
17:54The gentlemen.
17:55Joaquin was there.
17:56My dad was there.
17:57And well,
17:59Elber looked at me from afar
18:00and gave me signs
18:01as if we were inside the house.
18:18Thank you very much for getting me out of there.
18:20I wanted to give a kiss in front of all the people there.
18:23Really?
18:25How could you?
18:26Why?
18:28Are you married?
18:29No.
18:30I'm married.
18:31No.
18:32We're grown-ups.
18:35Maybe
18:37even your dad understands.
18:39It's not that simple.
18:41But
18:43at some point
18:44we'll have to tell him.
18:46You already told Edgar?
18:49No.
18:52Edgar, no.
18:55I'm about to,
18:56but not yet.
18:58But that won't be a problem for him.
19:00He'll understand.
19:03But your dad?
19:06Your dad won't like it
19:07because
19:09he doesn't know
19:10what he's talking about.
19:12He doesn't know
19:13what he's talking about.
19:14He won't like it
19:15because
19:17I didn't go to college
19:19and I'm not a dirty person.
19:27No.
19:30The problem isn't where you came from
19:33but what you do.
19:36Don't remind me of those things, Juanita.
19:41They're things I told you in private
19:47to get rid of the burden.
20:00They're things
20:02I told you
20:04to get rid of the burden.
20:07So you and I
20:11will never be able to be together
20:13in front of everyone?
20:21Maybe in another country.
20:29What do you mean?
20:30I mean,
20:32are you telling me
20:34that we're going to
20:36start a new life
20:38in another country?
20:49What happened?
20:51Did I say something you didn't like?
20:55No.
21:00On the contrary.
21:05It's just that
21:08no one has ever told me
21:09that they wanted
21:11to live a future with me.
21:15How can I say that?
21:20That's the best thing
21:21you can say to someone.
21:31Do you want to stop?
21:33Because if you want,
21:34I'm going to take a walk
21:35and when you feel calmer,
21:37more recovered...
21:40No, no.
21:42I'm fine.
21:44Are you sure?
21:46Because if you want,
21:47then you better tell me
21:49about Edgar and Brandon.
21:51Tell me.
21:53Tell me.
21:55Tell me.
21:57Tell me.
21:58You better tell me
21:59about Edgar and Brandon
22:01and when you feel better,
22:02talk about the two of you again.
22:04I don't even know
22:05why I'm like this
22:06after so long.
22:09Oh well.
22:14Let's see.
22:16Edgar.
22:18He went to Gateoublou
22:19super brave
22:20after telling him
22:21what he told Brandon.
22:26What happened to him?
22:29Tell me.
22:30I don't have much time.
22:31The gringos will be here soon.
22:33It's just that
22:35I don't want to be here
22:36when that happens.
22:38Are you afraid?
22:40No, no.
22:41I'm not afraid.
22:43I've been thinking
22:46and I'd like to give myself
22:47a new chance
22:49in life.
22:50Yes.
22:52My girlfriend and I
22:53want to give ourselves
22:54a new chance.
22:59Your girlfriend?
23:04And where is she from?
23:07If you want to piss me off,
23:08at least come up with an excuse
23:09that's worth it.
23:10Don't come up with something
23:11so lame.
23:12Don't be an idiot.
23:13No, no.
23:14It's not an excuse.
23:15It's the truth.
23:16Juanita and I...
23:20Juanita?
23:22But it's not necessary
23:23for her to spit her name
23:24out
23:25to a very special person.
23:28Juanita...
23:29Juanita?
23:30Yes.
23:31Elber,
23:32a girl like that
23:33who's going to like
23:34a guy like you
23:35is no match for us.
23:36If you don't believe me,
23:37don't believe me.
23:38But the truth is
23:39that Juanita and I
23:40are going to live
23:41somewhere else.
23:42And well,
23:44without further ado,
23:46thank you for everything, Edgar.
23:49For everything.
23:52But you and I
23:53made it this far.
23:59The gringos will be here soon.
24:08This way, please.
24:12Edgar,
24:14there's only one gringo.
24:25Consul,
24:27Consul.
24:30Is there a place
24:31where we can talk
24:32just the two of us?
24:33Send your wife
24:34to put on the microphone
24:35if she doesn't know the place.
24:37Let's go to my office.
24:41I'll stay here
24:42attending to Mr. Elber.
24:43You go and see
24:44what we talked about.
24:45Confirm when you do.
24:47One last thing.
24:48What we were talking about.
24:51Go do that
24:52and then we'll take care of yours.
24:54Okay.
24:55Mr. Consul.
25:08Tell me exactly
25:09what your proposal is.
25:11You give me the recordings
25:12and I promise
25:13not to spoil your girlfriend
25:14or your mother-in-law
25:15with the Holman thing.
25:16And everyone's happy.
25:18The problem
25:19is that I can't
25:20tell my people
25:21that what I told you
25:22is not true.
25:23And much less
25:24that I'm not going
25:25to give them to anyone.
25:27Oh, but you are
25:28going to give them to someone.
25:30Who?
25:34Who?
25:35Your home.
25:38Mrs. Obesitos.
25:39What do you want?
25:42My boss sent you here.
25:46Because you couldn't wait
25:47to see her happy.
25:51These are my dollars?
25:52Oh, they're heavy.
25:55And your chicken?
25:56You never lack chicken.
25:59Close the door for me.
26:02Close it, close it!
26:03Teresa Garrincha
26:04alias Huesitos.
26:06She's stubborn,
26:07a washer
26:08and an extortionist,
26:09my dear Boner.
26:11For many years
26:12she pretended to be dead
26:13and now she's resurrected
26:14from her mousetrap
26:15and is happy
26:16spending her fortune.
26:18That's the heavy weight
26:19you need to grab.
26:21No.
26:23Forget it.
26:51Both.
26:53Las dos.
27:21Please tell me
27:22you haven't sold
27:23any of those
27:24damn wallets.
27:25Well,
27:26not a single one,
27:27but very few.
27:28Imagine
27:29my infiltrator
27:30telling me
27:31that that bastard
27:32Nicolás
27:33is desperate
27:34and has fired
27:35two saleswomen.
27:36And not only that,
27:37he calls her
27:38all day
27:39to see what's going on.
27:41Wonderful!
27:42Let's see if we can
27:43break that contract
27:44he forged
27:45and get us
27:46out of the business
27:47for good.
27:48Look,
27:49man,
27:50I'm going to tell you something.
27:51I'll give you
27:52a few hours
27:53for that guy
27:54to be here
27:55at this door
27:56hitting,
27:57crying,
27:58saying that he's
27:59definitely broken.
28:00No way!
28:01Crying for Edgar?
28:02I have no compassion
28:03for that bastard.
28:05Chayo!
28:06We're going to
28:07bring Nico home
28:08and tell him
28:09that the business
28:10is ruined
28:11and that he should
28:12return the space.
28:14My love,
28:15will you do me a favor?
28:16Can you write down
28:17Nico's address?
28:19Is something wrong?
28:20I'm definitely
28:21getting him out of my life.
28:23I mean,
28:24out of the business.
28:30Well,
28:31that's practically it.
28:32Do me a favor
28:33and tell the people
28:34at the news
28:35that they won
28:36their wallets.
28:37I'm going to send it
28:38to everyone, okay?
28:39I'll ask for their addresses
28:40in a few days.
28:42Talk to you later.
28:43We'll talk later.
29:01It's so nice to see you.
29:03We came to see
29:04where my ex-boyfriend lives
29:05and to talk about
29:06our former business.
29:11Come in, please.
29:13Well,
29:14as you can see,
29:15this is an apartment
29:17for students.
29:18My idea was
29:19to demolish all of that
29:21and make something like loft,
29:22an open kitchen.
29:23Yes?
29:24To furnish it differently
29:25when I moved in.
29:26I wanted to live here,
29:27but I couldn't.
29:28Of course you couldn't.
29:30No, because you preferred
29:31to wait for me to leave
29:32to bring your lovers
29:33into my house.
29:36Joaquin,
29:38this is Juanita's father.
29:40Look, look,
29:41we're not going to stay
29:42for a long time.
29:43Raimundo understands business
29:45and knows perfectly well
29:47that your portfolio
29:48is a failure.
29:50Go tell Edgar
29:51that this is broken.
29:53No, no, no,
29:54we haven't broken.
29:55No, gentlemen.
29:56No.
29:57You brought, I don't know how many
29:58thousands of portfolios
29:59that talk.
30:01You haven't sold ten.
30:05Pay attention, pay attention.
30:06There it goes, there it goes,
30:07there it goes, let's go.
30:08In an unusual event
30:09in the streets of Bogota,
30:10the cameras of our newsroom
30:11managed to capture
30:12the right moment.
30:14Son, that's not here in front.
30:15It's in front.
30:18Oh yes, see Kelly, see.
30:20It's nothing more
30:21and nothing less
30:22than Kelly Sepúlveda,
30:23who was in front of her house
30:25when she was aborted
30:26by the criminal,
30:27who was so unlucky
30:28that the model had
30:29her anti-theft wallet.
30:31And see what happened.
30:33Let me go.
30:34Let me go.
30:35Let me go.
30:36What's wrong with you?
30:37Let me go.
30:38What's wrong with you?
30:39What's wrong with you?
30:40The thief had to run away
30:41and the model
30:42kept her wallet.
30:44In short,
30:45the insecurity is unleashed,
30:47but thank goodness
30:48there are wallets that love.
30:53What a beauty, isn't it?
30:56Hold on, hold on, hold on.
30:59Hello?
31:00Were you the one
31:01who planned all this?
31:02You are definitely
31:04what we directors
31:05would call
31:06a natural actress.
31:09Don't be stupid, Nicolás.
31:11I owe you my whole life.
31:13You can't imagine.
31:15Rather,
31:16when you need wallets,
31:17let me know.
31:18I'll send you,
31:19your friends,
31:20a whole box of all colors.
31:21You know what?
31:22Eat shit!
31:25They told me...
31:26Do you really think
31:27that with that strategy
31:28you're going to sell wallets?
31:29Of course.
31:30Of course.
31:31As for sales,
31:32we have to fight anyway.
31:33The fight is fighting.
31:35Call the office
31:36and find out
31:37how many have been sold.
31:38Because when you launch
31:39a commercial...
31:51Hello?
31:52Oh, Mr. Don Nicolás,
31:53I'm glad you answered.
31:54Yes, because this...
31:55Give me a second, please.
31:57Yes.
31:58Oh, they're already answering.
32:00Yes.
32:01Mr. Don Nicolás,
32:02look, the thing is
32:03that the phones
32:04keep ringing.
32:05It's crazy
32:06that you only have
32:08What are you doing there?
32:09Well, I was here
32:10at the agency
32:11doing my job
32:12as usual
32:13and the phones
32:14didn't stop ringing
32:15and I said,
32:16oh, I'm going to help you
32:17a little bit.
32:18You should be here
32:19instead of asking me so much.
32:20Yes, give me a second.
32:21Hello?
32:22Yes?
32:23They're already answering.
32:24Give me a second, please.
32:25Nicolás?
32:26Oh, no.
32:27Nicolás?
32:28Hello?
32:29Yes.
32:30Ready.
32:31Ready.
32:32Running, running over there.
32:33Great.
32:34Gentlemen,
32:35the strategy worked.
32:36I have to run
32:37right now.
32:38Excuse me.
32:41Stay here
32:42at home.
32:43Whatever you need,
32:44do it well.
32:45I have to run
32:46to the office
32:47to attend,
32:48to answer,
32:49to sell wallets
32:50that speak.
32:51No.
32:52Today we sell everything.
32:53I swear.
32:54Today we sell everything.
32:55And now?
32:56No way.
32:57Huh?
33:01Huh?
33:02Oh!
33:33Come and tell me
33:34what bothers you so much.
33:35It's not a lack of commitment
33:36or professionalism
33:37or anything like that.
33:38It's a lack of food.
33:39Did you think
33:40you were going to bring me here
33:41just to chop fruit?
33:42Wait a minute,
33:43but yesterday we ordered
33:44a huge chop.
33:45We didn't have breakfast,
33:46we didn't have lunch,
33:47we didn't eat,
33:48we didn't do anything.
33:49Oh, and this is a misunderstanding.
33:50And that's it.
33:51Maybe you're hungry
33:52because it's been a while
33:53since you've had food
33:54in your brain
33:55and something came out of it.
33:56Maybe you're hungry
33:57because it's been a while
33:58since you've had food
33:59in your brain
34:00and something came out of it.
34:01And one thing I'm going to tell you,
34:02you're going crazy
34:03because those drinks
34:04you're drinking
34:05to lose weight
34:06you're finishing
34:07is toast.
34:08Do me a favor
34:09and respect me.
34:10How dare you say that to me?
34:11If you think you're so indispensable,
34:12then what is it?
34:13Go away!
34:14Then pay
34:15so I can leave.
34:16Of course I pay.
34:17And what do you think?
34:18That you're...
34:19offended.
34:21Hi, honey.
34:23Tell me.
34:24Well, this Yair
34:25is here doing a show,
34:26that he wants to leave,
34:27that he's going to leave
34:28the whole campaign.
34:29No, no, no.
34:30No, no, no, no.
34:31How can you think that?
34:32Explain to me
34:33exactly what happened.
34:34Yair is a professional
34:35of the highest level.
34:36If not,
34:37I wouldn't have recommended him.
34:38No,
34:39it's just that this man
34:40is pretending
34:41that we give him
34:42breakfast,
34:43beans,
34:44lunch,
34:45sancocho,
34:46and food,
34:47sopa de mondongo.
34:48And we eat healthy,
34:49baby.
34:50Really?
34:51You guys succeed
34:52by pure miracle.
34:53What a horrible thing.
34:54What a mess.
34:56When you have a project,
34:57people are the most important thing.
34:59So you're going to leave
35:00your pride aside,
35:01you go with the Paisa tray,
35:03you look for it,
35:04and if you have to give it
35:05to Cucharadita,
35:06she gives it to you.
35:07But this project,
35:08you finish it.
35:09Or you're going to lose
35:10another campaign.
35:11What do you mean,
35:12another campaign?
35:13No,
35:14like Chayo gives himself the luxury
35:15of losing the best model
35:16he has.
35:17But what are you talking about, Mimi?
35:18Oh, seriously,
35:19don't tell me you don't know.
35:20Andrea Vanessa said
35:22that after this campaign,
35:24Chayo released the contract
35:26to the Italians.
35:27You can go with him.
35:28Seriously,
35:29are you going to give away
35:30the golden eggs?
35:34If you want to become
35:35a top model,
35:36you need to work with me,
35:37and not with this
35:38small family business.
35:39Thank goodness
35:40they gave you the contract.
35:42No, Mimi, no.
35:43I didn't know that,
35:44Laura didn't either.
35:45And really,
35:46that's not going to happen.
35:47And well,
35:48I'll see how I do
35:49with Yair.
35:53Sometimes these girls
35:54seem to me
35:55to be playing
35:56the doll date
35:57with that agency.
35:58Well, by the way, Mom,
35:59I have a date
36:00with Chayo's doll right now.
36:01Let's see if he finally
36:02decides to become rich.
36:03And is he doubting it?
36:05Well, if he doubts this,
36:06it's because he has no vision.
36:08Or because he's very in love.
36:12That day,
36:13already in the perfume campaign,
36:14the forbidden passion
36:15became history.
36:17Because we saw Moni
36:18beg a man?
36:20Also,
36:21but that wasn't in the photo.
36:22Instead,
36:23the photo that Agustin achieved
36:24broke the history
36:25of advertising at the time
36:26in two.
36:27Divine.
36:28The apple
36:29about to bite her.
36:30That's beautiful.
36:32That's beautiful.
36:34Divine.
36:35Beautiful.
36:36Sensual.
36:37Sensual.
36:38Aggressive.
36:39Aggressive but sweet.
36:40Okay?
36:41Divine, right?
36:43These photos are going to be
36:44a hit.
36:46Divine.
36:47I came with him
36:48all night.
36:49How do you tell me that?
36:50He's like a little brother
36:51to us.
36:52No brother.
36:53No little brother.
36:54Oh no,
36:55stop it.
36:57Divine.
36:59Sensual.
37:00Crazy.
37:01Crazy but sweet.
37:03Divine.
37:04Bite her.
37:05Bite her.
37:06Bite her.
37:07Give it to me.
37:08Give it to me.
37:09Give it to me.
37:10Do you want it?
37:11Give it to me.
37:13No, no, no.
37:14It's not that she wants
37:15you to give her the apple.
37:16What she wants
37:17is for you to stay there
37:18still,
37:19as beautiful as she is
37:20and let her bite you.
37:22Yeah.
37:23No?
37:24Well, what about you?
37:25Do you want more?
37:26Yes, I have a couple,
37:27but I'd like both together.
37:28Jair,
37:29retouch my asynia.
37:30Oscar, bring my Andrea Vanessa.
37:31But fast.
37:32That's it.
37:33I think we can go
37:34along that line, right?
37:35A line that's a little...
37:36I have a lot of skin.
37:37Take advantage of it.
37:38We can use them.
37:39I'm going with a flex.
37:40You know what?
37:41Take advantage of it.
37:42I don't want all this to happen.
37:43You know what?
37:44I'd like a top change
37:45for Andrea Vanessa.
37:46Oscar.
37:47Oscar.
37:48Are you listening to me?
37:49A change for Andrea Vanessa.
37:50But we just got here.
37:51She's just changed.
37:52Who's the one
37:53taking the pictures here?
37:54So go and bring her the top
37:55and then I'll go
37:56so she can change here, right?
37:58Go.
37:59Well, I think
38:00that's fine, right?
38:01Uh-huh.
38:07Vanessa.
38:09Don't worry.
38:12These are going to be spectacular.
38:14They're going to be divine.
38:15Spectacular.
38:17No!
38:18That's there!
38:19Oscar, move!
38:20That's beautiful.
38:21Move!
38:22But...
38:23Divine.
38:24That's divine, my God.
38:25That's spectacular.
38:28There's the campaign.
38:29No!
38:30Bravo, bravo.
38:31No, no.
38:32Not that picture.
38:33Not that picture.
38:34Let's see.
38:35Look at me.
38:36That picture, yes.
38:37It looks spectacular.
38:38I'm going to talk to you
38:39for a moment.
38:40Tell me.
38:41Tell me.
38:42What do you need?
38:43The picture is yours,
38:44but the model is ours.
38:45No, no, I don't understand.
38:46I don't understand you.
38:47What's going on?
38:48I told you about the contract
38:49with Andrea Vanessa.
38:50We lent it to her for the picture,
38:51but she's part of Class 95
38:53right now and in the future.
38:54No, I talked to Shia about something else.
38:56But she didn't tell us anything.
38:57And we are several partners.
38:59And I'm sure none of us
39:00agreed with that decision.
39:02So forget about that.
39:05It's been a year
39:06and we're still talking about this picture.
39:09It's a scandal.
39:11And that was all about the campaign?
39:13And what happened to Dulce?
39:15And Laura's wet dreams?
39:19All that can wait
39:20when we return to Bogota.
39:22Now it's much more important
39:23to know what happened to Edgar,
39:24Huesitos,
39:26and especially with Elber.
39:30Hurry up, guys.
39:31Come on, move, move, move.
39:33The door.
39:35Come on, come on, come on.
39:37The night before,
39:38just as the council had announced,
39:40Gatoblu was raided by the gringos
39:42in search of the money.
39:44Dollars that, of course, were not there.
39:46Record all that.
39:58Stop, National Police.
39:59Quiet, quiet.
40:00In a second,
40:01Huesito's idea of redoing his life
40:03was over.
40:06For now.
40:07Give me your hands.
40:08Drop those bills, drop those bills.
40:10Betrayed by Edgar
40:11and with his hands in the dough,
40:13he had no choice
40:14but to turn himself in to the gringos.
40:24Hey, Edgar, think about it.
40:26What if he gets cocky
40:27and you give us away too?
40:30If I tell you that we got rid of her, Elber,
40:32it's because that's how it is.
40:34Well, if not,
40:35I believe you.
40:37You know more about this
40:38than I do about betrayals
40:39and all that.
40:43Well,
40:44then,
40:46without further ado,
40:49I'm leaving.
40:51Where to?
40:53To live my life.
40:55If your life is by my side,
40:56don't be stupid.
40:57What are you going to do?
40:59Until now.
41:01Stupid.
41:04You don't need me anymore.
41:05Let me go.
41:07I have the right
41:09to live a normal life.
41:12My girlfriend will have a future,
41:14partner.
41:17It's been a pleasure.
41:31You are a complete failure,
41:32Elber.
41:33You are like an animal.
41:35No, you idiot.
41:36I told you to calm him down,
41:37to force him to sleep.
41:38What did you want me to do,
41:39my boy?
41:40What is your last wish?
41:42Congratulations,
41:43you son of a bitch.
41:44Shut up!
41:45Don't fuck with me,
41:46you always have hemorrhoids.
41:48Visualize one eye.
41:50Do one.
41:53You know what, Edgar?
42:04You know what, Elber?
42:07Come to Gatobla tomorrow
42:08at nine in the morning.
42:11What for?
42:13I don't want you to go
42:14with one hand in front
42:15and the other behind.
42:17So that later you don't say
42:18I'm ungrateful.
42:21I would never do that to you.
42:24You know that.
42:33No.
42:49Don't worry,
42:50I'll keep my word.
43:03Yes, I