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04:20Is Wang Xiao Xue not here anymore?
04:23Why hasn't the photo been put down yet?
04:25Yes.
04:26Actually, it should have been taken down.
04:29But everyone has always thought
04:31that leaving the photo here
04:33is also a kind of nostalgia for her.
04:36Teacher Xi, let's go to the office.
04:38OK.
04:39Let's go.
04:40What happened to them at that time?
04:50Don't get me wrong.
04:52I didn't mean anything by it.
04:54I just want to know
04:57what happened at that time.
04:59Because I think
05:00this matter has a great impact on An Lei.
05:03You also know
05:04that I have been giving them psychological counseling.
05:07I want to know more about An Lei.
05:09Can we find a better way
05:11to help him?
05:14Actually, An Lei is not like what we see.
05:19He is a cold-blooded person.
05:23And he has always felt very guilty
05:25about his wife's death.
05:28He thinks
05:29he caused his wife's death directly.
05:34Xiaoxue!
05:41Xiaoxue.
05:42Xiaoxue!
05:53Zhiyang.
05:55Zhiyang.
05:57Zhiyang.
05:59Zhiyang.
06:01Zhiyang.
06:02Zhiyang.
06:09What's wrong with you?
06:10Are your eyes uncomfortable?
06:14Mr. Xu is here.
06:15I won't talk to you.
06:17OK. You can go back to work.
06:21Hello, Mr. Xu.
06:22We are all waiting for you.
06:23Please.
06:24Let's go upstairs.
06:27Mr. Xu is here.
06:29Hello, Mr. Xu. My name is An Lai.
06:31Hello.
06:32Mr. Xu.
06:33Please sit down.
06:34Please sit down.
06:38Mr. Xu, we invited you here today
06:40to help us verify
06:41if this painting is real.
06:43Look.
06:45I heard that this painting
06:46sold for 13 million yuan
06:48and created the highest record
06:49for the sale of five paintings
06:50in my city.
06:52I just want to ask, Mr. Xu,
06:54is this painting worth so much money?
06:57If I had the money,
06:59I would sell it without hesitation.
07:01Are you saying that
07:02this painting is real?
07:05Let me tell you.
07:08The paper is right.
07:09The ink is right.
07:12The technique is also right.
07:14Look here.
07:15And here.
07:17There are also many
07:18stamps of collectors.
07:20I can't be wrong
07:22with my decades of experience
07:24and vision.
07:27Zhang Wenbo
07:30is really good at stealing.
07:33If there is nothing else,
07:35I will leave now.
07:36Okay.
07:37Mr. Xu, thank you.
07:39Thank you very much.
07:40It's a good painting.
07:41Take care.
07:42Okay.
07:43Take care, Mr. Xu.
07:44Take care.
07:45You guys go ahead.
07:46Mr. Xu, take care.
07:47Take care.
07:48You guys go ahead.
07:49Mr. Xu, take care.
08:18This painting
08:19is exquisite.
08:21After my examination,
08:23I dare to say responsibly
08:25that this is the best painting
08:27I have ever seen
08:29in my life.
08:44Gufei, Gufei.
08:45Get up.
08:48Is there anything wrong?
09:15Hello.
09:16Hello.
09:17I bought you some snacks.
09:19Where are you?
09:20I'll send it to you.
09:23I'm in the center of the house now.
09:25How about this?
09:26Send me to the office.
09:27I'll be back in a minute.
09:28That's fine.
09:29Bye.
09:30Bye.
09:47What's wrong?
09:48I'm sorry, Lu Ming.
09:49I have something to do.
09:50I have to go out for a while.
09:52Can you use my cell phone
09:54to take some pictures of the painting for me?
09:57Okay.
10:17Here you are.
10:18Okay.
10:19I'll be back in a minute.
10:20Okay.
10:22See you later.
10:46I'm sorry.
11:10I'm sorry.
11:11I have something to do with Lu Ming.
11:12Sorry to waste your time.
11:13It's okay.
11:14It's getting late.
11:15I have to go back now.
11:17You don't want to eat?
11:18I don't want to eat.
11:19You can eat whatever you want.
11:22I have to go now.
11:24Bye.
11:44Bye.
12:09Guo Fei.
12:11I just sent it to you.
12:13It's okay.
12:14You don't have to worry about it.
12:43Lu Ming, I have a discovery.
12:48Look at this pattern.
12:51Do you think it looks like a company's logo?
12:54I also have a new discovery.
12:56Look.
12:58Under normal conditions,
13:00it is difficult for us to tell the difference between a closed pattern
13:03made of orchid with the naked eye.
13:04But after magnifying it 10 times,
13:06look,
13:07we can clearly see the distribution of the whole pixel.
13:10Look here.
13:12These lines are very different.
13:14Judging from the 11 groups of patterns we have extracted so far,
13:17this group of orchid with the naked eye
13:19is very different from the other 10 groups.
13:21In the pattern of the orchid with the naked eye,
13:23the pixel distribution of the edge lines is more even.
13:25This means that it has been repeatedly mapped.
13:34Lu Ming, can the pigment be detected?
13:37I can use a light scan
13:40and a carbon monoxide detector
13:42to analyze the paper and pigment.
13:45That's great.
13:47This case is very important to me.
13:49No problem. Leave it to me.
13:51Hmm.
14:09Chen Huan.
14:10Yes?
14:11This pattern doesn't overlap much with the clouds on the picture.
14:15We are in a hurry now.
14:17There are less than 36 hours left.
14:20We have to think of another way.
14:35Hey, Zhong Wen Wen.
14:38How can you just read other people's work notes?
14:41Can you understand it?
14:43Why can't I understand it?
14:45I am with you every day.
14:47I am a professional.
14:49Eat it. You are a professional.
14:51I brought you so many snacks.
14:57Hey, Xu Wei.
15:00Is this notebook
15:02the one I saw in the supermarket last time?
15:05Yes.
15:06Pattern and pattern.
15:08It seems that you are very careful.
15:10I have always been very serious
15:13and very rigorous.
15:17I always thought you and An Lei were rivals.
15:20But I didn't expect
15:24how cute it is.
15:25An Lei's psychological research.
15:28It seems that you are quite concerned about An Lei.
15:34What are you thinking about all day?
15:37It's impossible for me to be with him.
15:40He is just a research subject for me.
15:43How can I like him?
15:46What's more,
15:48he still misses his wife.
15:52Yo, yo, yo, yo, yo.
15:54In fact, you have been struggling with this matter, right?
15:59If he forgets his wife,
16:02can you two...
16:06Why are you so gossipy?
16:09He is the one who can't fall in love with me.
16:14Are you bored?
16:16A little bit.
16:18Then come down.
16:20Come down.
16:21Why?
16:22I still have thirty-five to do.
16:24Come on, help me to press my legs.
16:26Hurry up.
16:33Let's start.
16:36One.
16:40Two.
16:43Three.
16:44Four.
16:45Five.
16:46Six.
16:47Seven.
16:48Eight.
16:49Nine.
16:5010.
16:5111.
16:5212.
16:5313.
16:5414.
16:5515.
16:5616.
16:5717.
16:5818.
16:5919.
17:0020.
17:0121.
17:0222.
17:0323.
17:0424.
17:0525.
17:0626.
17:0727.
17:0828.
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17:1030.
17:1131.
17:1232.
17:1333.
17:1434.
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17:2444.
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17:3555.
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17:3757.
17:3858.
17:3959.
17:4060.
17:4161.
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17:4666.
17:4767.
17:4868.
17:4969.
17:5070.
17:5171.
17:5272.
17:5373.
17:5474.
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17:5777.
17:5878.
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18:0383.
18:0484.
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18:0686.
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18:0888.
18:0989.
18:1090.
18:1191.
18:1292.
18:1393.
18:1494.
18:1595.
18:1696.
18:1797.
18:1898.
18:1999.
18:20100.
18:21112.
18:22102.
18:23110.
18:24111.
18:25111.
18:26112.
18:27112.
18:28111.
18:29112.
18:30111.
18:31112.
18:32111.
18:33113.
18:34113.
18:35111.
18:36111.
18:37114.
18:38114.
18:39It's hard for painters and painters to tell the difference between real and fake.
18:43Unless you're a very close person, you can tell.
18:47There are too many artists like this.
18:50Some of them are high-spirited, some of them are hidden paintings,
18:53some of them are hidden words.
18:55Five flowers, eight doors.
18:59Okay, I got it.
19:09Oh, right.
19:11Go to the police station yourself and explain your situation.
19:15Okay, okay.
19:17Take care.
20:09How is it?
20:33Take a look.
20:43It's a little rough. It's not the same as the arrangement.
20:47What do you mean?
20:48It's like this.
20:49Different paper crafts have created different kinds of paper.
20:52This painting uses two kinds of paper that are similar in material, but completely different.
20:58You said this painting uses two kinds of paper of different materials.
21:01Yes, the painting is made of two different kinds of paper.
21:07Look at this painting.
21:11The right side of this painting is 0.02 mm higher than the left side.
21:16That's why we look at it with our eyes and think it's strange.
21:20Our eyes don't lie to us.
21:22This painting uses the same paint.
21:25But it's different in color.
21:31I'm thinking, could it be that the person who made the painting
21:34didn't have enough paper, so he combined them?
21:38But since it was combined, it's very likely that it was made by a modern person.
21:43Modern person?
21:44Yes.
21:47Lu Ming, if it was made by a modern person,
21:50it would be a big discount in value, right?
21:52Of course.
21:56How about this? I'll go find an expert to take a look at it.
22:00Okay.
22:01Let's have a meal.
22:03Stinky rascal.
22:05Is there any new item you want me to look at?
22:08No, it's still a woman's painting.
22:11Didn't you look at it last time?
22:14I can't figure it out myself.
22:15Look at this painting.
22:17Take a closer look.
22:18I always feel that this part
22:21is a bit strange.
22:23Take a look.
22:26This Xiang Yun is a very normal thing.
22:30It's a symbol of good luck in our tradition.
22:35This Xiang Yun is hidden in your heart.
22:38You say it has it, it has it.
22:42Old Xu, I want you to
22:45carefully help us verify
22:48if this painting is real or not.
23:08Old Xu.
23:10What's wrong with you?
23:12Old Xu.
23:16120. Send an ambulance right away.
23:18Yes.
23:19To the cardiac resuscitation team. Hurry.
23:28Captain An.
23:29Why did you come to see me today?
23:32President Qian, you are the legal person of Gu Yue Art Gallery.
23:35You sold 13 million works of art.
23:38Can you explain it to me?
23:40This Gu Yue Art Gallery
23:42is a matter of minutes.
23:46I have to thank you police
23:48for listening.
23:50We didn't expect
23:52to ask so many experts and scholars
23:55to verify the opinion.
23:57This painting is actually fake.
24:00So many experts are not reliable.
24:02This is a lesson.
24:05President Qian, can you tell me
24:07where did you get this painting from?
24:10This is asking our collection department.
24:12Their manager just went on a business trip.
24:14How about this?
24:16When he comes back,
24:17I'll let him contact you immediately.
24:20We also
24:22looked at the records.
24:24This painting
24:26was sent to us by a young man.
24:29Our acquisition price
24:31is 100,000 yuan.
24:34This young man
24:36didn't leave any information
24:38when he left.
24:39We won't force anyone
24:42to leave any information.
24:44This is our rule.
24:45I hope you can understand.
24:50How about this, President Qian?
24:52Before this matter
24:53is investigated clearly,
24:55please don't leave this room.
24:57Okay.
25:00Sorry to bother you.
25:02No problem.
25:03Goodbye.
25:04Goodbye.
25:17What is the relationship
25:18between the Fruits and Vegetables Gallery
25:19and Meide?
25:20We are in a cooperative relationship.
25:22How much profit
25:24can you get
25:25from the business of the Feminist Group?
25:26Ten percent.
25:28Who is in charge
25:29of contacting you
25:30about this matter?
25:31It's Qian Dawei.
25:35Captain An,
25:37I'm sorry.
25:39I was careless
25:40and affected your work.
25:43I feel very guilty.
25:45Today,
25:46I came to apologize to you.
25:48Enough.
25:49Please sit down.
25:51We should be the one
25:52to apologize.
25:53You have to be hospitalized.
25:55How are you?
25:56Are you feeling better?
25:57I'm fine.
25:59Captain An,
26:00can I help you
26:03with the mark
26:05of Xiangyun?
26:07Sure.
26:09Mr. Jun, look.
26:10It's all here.
26:11Take a look.
26:18These are all
26:19ordinary marks.
26:20There is nothing special.
26:23Can I see the original picture?
26:25Sure. It's right here.
26:30Look.
26:39The maker
26:40is very skilled
26:41and has a sharp eye.
26:43Look.
26:44The paper he used
26:46is actually
26:47made up of two pieces of paper.
26:49Please sit down.
26:50Please sit down.
26:51Don't get too excited.
26:52Here.
26:56Look.
26:58The back part
27:00is made up of
27:01the old paper.
27:04The color
27:05is also made up of
27:06the original color.
27:09The painter
27:10is naturally
27:11the best.
27:13Through the decoration,
27:15the new painting and the old painting
27:17are mixed together.
27:18That's why I'm confused.
27:21Mr. Xue,
27:23can you find some clues
27:25before the ink and paper?
27:28Look.
27:29The new painting
27:31is made up of Jinzhou paper.
27:33The paper is over 100 years old.
27:36It's considered an old antique.
27:40If you don't look carefully,
27:42it's hard to find.
27:44Look.
27:45It's hard to tell
27:47if it's been painted
27:48or made up.
27:50I know
27:52Jinzhou paper
27:53doesn't have many copies.
27:56It must have been
27:58hidden by the best collectors.
28:01The price is high.
28:03As long as you have money,
28:05it's not hard to find.
28:07As long as you can find
28:08the well-known collectors,
28:10I believe
28:11you can get
28:12useful information.
28:18Mr. Xue,
28:19thank you.
28:21You're welcome.
28:22You helped us
28:24a lot.
28:26Thank you very much.
28:27You're welcome.
28:32Sorry to bother you.
28:34It's okay.
28:36Sir, I'm a police officer.
28:37Police officer,
28:38what can I do for you?
28:39Do you have
28:40Jinzhou paper?
28:41Jinzhou paper?
28:42You're right.
28:43We only have
28:44one Jinzhou paper.
28:46But we lost one
28:47a year ago.
28:48I guess
28:49we did it together.
28:52Why didn't you
28:53call the police?
28:54I was afraid of trouble.
28:56On the other hand,
28:57I may not be able to
28:58call the police.
29:00Can you tell me
29:01the situation at that time?
29:03The situation at that time…
29:05I can't tell you
29:06the situation at that time.
29:09Sir,
29:10do you have any more?
29:13I think I have one.
29:15But it's in the warehouse.
29:20Sir,
29:23this case is very complicated.
29:26And now
29:27we have found
29:28new clues.
29:29So
29:30we can't
29:31hand it over to the Procuratorate.
29:33According to our inference
29:34and evidence,
29:35Zhang Wenbo
29:36may not have
29:37a fatal stab.
29:39There are more and more
29:40evidence points
29:41at the scene of the crime.
29:43There may be
29:44a third party.
29:45And this third party
29:46is very likely
29:47to be the murderer.
29:49Can you prove it?
29:52Not yet.
29:55Zhao,
29:57we don't want to infer.
29:59The more important thing is evidence.
30:02If
30:03there is no new evidence now,
30:05hand it over to the Procuratorate.
30:07Wait until we have it.
30:16All right, all right, all right.
30:17Stop this case.
30:18Hand over the file to the Procuratorate.
30:20Director Zhao, but we...
30:21Enough.
30:22I have said it.
30:26What's going on?
30:27What's going on?
30:28What's going on?
30:29What's going on?
30:30What's going on?
30:31What's going on?
30:41Don't be emotional.
30:43Director Zhao is right.
30:45We lack strong evidence.
30:48As long as we find
30:49strong evidence,
30:50we can convince him.
30:54Come on, get to work.
31:13I'm busy.
31:15Why are you here?
31:16I happened to pass by
31:17and bought some night snacks for you.
31:19How do you know I'm hungry?
31:21By the way,
31:22I have a few movie tickets here.
31:23There is a movie called
31:24Psychology.
31:25It's very good.
31:26You must watch it.
31:27It must be helpful to you.
31:30If there is nothing else, you can go ahead.
31:31I'll go first.
31:32Goodbye.
31:41Director An,
31:42look.
31:54Changhua,
31:55call Gufei and Jiajun here.
31:57Okay.
32:00Xiaowu,
32:02take the lunch box away.
32:03Okay.
32:10Are you comfortable?
32:11Yes.
32:17Hello?
32:19Xiwei,
32:20can you come back for a while?
32:23Now?
32:27Okay.
32:32Mom,
32:33I'm in a hurry.
32:34I have to go out now.
32:35Now?
32:39Girl,
32:40where are you going so late?
32:42I'm going to the Public Security Bureau.
32:44Let your dad send you.
32:45No need.
32:46I'll just take a taxi.
32:47It's not easy to take a taxi now.
32:49Send the child there.
32:50Okay.
32:51We'll wait for you at the door of the Public Security Bureau.
32:52Okay?
32:53Let's go.
32:54Okay. Let's go.
32:55Let's go.
33:00Look,
33:01I asked you to go there
33:02in the middle of the night.
33:03I don't know what's going on.
33:05Weiwei,
33:06I think your consultant
33:08is also very hard-working.
33:10I said
33:11you don't have to send me.
33:12It's just a matter of taking a taxi.
33:14I'm worried about you.
33:17It's really hard
33:18to be a police officer.
33:21I can't even rest in the middle of the night.
33:25Weiwei,
33:27I think you and Anlei
33:29seem to have some meaning.
33:32You see, you're wrong again.
33:34We just have a lot of
33:35work-related problems.
33:37We don't usually see each other.
33:39Besides,
33:40I'm still giving them psychological counseling.
33:42Meeting is also a job.
33:44Don't worry.
33:46I am.
33:47I agree with both hands.
33:49Free love.
33:50You see,
33:51we are not like
33:52those ancient parents.
33:53Deng, what do you think?
33:54Yes, yes, yes.
33:55You see, I said you didn't believe me.
33:57You keep asking me.
34:00Weiwei,
34:03you see,
34:04police work
34:05is a little too risky.
34:08Look at your dad.
34:09He was like this.
34:10All right, all right.
34:11Don't mention him to me all the time, okay?
34:21What's up?
34:22What do you want from me?
34:23I'm sorry to call you back.
34:24Come and sit.
34:31Xiwei,
34:32I just want to ask
34:35where did you get this suit?
34:38It's from Mr. Deng's company.
34:40What's wrong?
34:43Is there a problem?
34:47The logo on this suit
34:48has something to do
34:50with our case.
34:54Xiwei,
34:55can I talk to your dad?
34:58He's downstairs.
35:00Why don't you call him up?
35:01Okay,
35:02why don't you call him up?
35:14Hello, Mr. Deng.
35:15Hello.
35:16Captain An, right?
35:18You're really a talent.
35:20You're welcome.
35:21Please come in.
35:22Okay, okay.
35:25Mr. Deng,
35:26we invited you here
35:27because we have something to ask you.
35:29Is this envelope
35:30from your company?
35:31This envelope
35:32is from our company,
35:34but it hasn't been officially used yet.
35:37I want to ask
35:38who designed
35:39the logo on it.
35:41It seems to be
35:42designed by a student
35:43from an art school.
35:46Mr. Deng,
35:47do you have his contact information?
35:49Yes.
35:52Gu Fei, please write it down.
35:55139-800-6939.
36:02Go and check it.
36:03Yes.
36:04Cheng Huan,
36:05go and check
36:06if Jisuo is involved.
36:08Go.
36:09Okay.
36:25Mr. Deng,
36:26thank you for your cooperation.
36:28But there's one thing
36:29I have to tell you.
36:31Before the matter
36:32is fully investigated,
36:33don't leave this city.
36:35I understand.
36:37Can I go now?
36:39Of course.
36:40Okay.
36:42It's a good thing.
36:43Please.
36:45Call me if you need anything.
36:46Okay.
36:55Director An,
36:56I've checked it.
36:57The number
36:58has only been called once.
36:59It's Yuan He Group.
37:01Yuan He Group?
37:05Director An,
37:06there are three art schools in this city.
37:10Go and check it.
37:13We must find
37:14this student.
37:15Today,
37:16I'll go to the art school
37:17to investigate.
37:18Okay.
37:19Go.
37:20Go.
37:21Go.
37:22Go.
37:24This year,
37:25a student has gone missing.
37:26It's been three or four months.
37:27We seldom
37:28see him.
37:30I heard that
37:31he helped others
37:32to work
37:33and make money
37:34by painting.
37:35But
37:36I heard
37:37he was bullied
37:38by someone
37:39and didn't get the money
37:40to paint for others.
37:42This kid
37:43has autism.
37:44His name is Gao Xiaohu.
37:45He's good at his profession.
37:46He's good at painting mountains and rivers
37:48and making pens.
37:49Can you take me
37:50to see his painting?
37:51Sure.
37:52There is a student's painting room.
37:53There are many paintings of Gao Xiaohu.
37:55It's over there.
37:56Let's go.
37:59This is the student's painting room.
38:01The students have gone out to study.
38:03So there is no one in the classroom.
38:09These are Gao Xiaohu's paintings.
38:19Hello, principal.
38:21I noticed that
38:22Gao Xiaohu's paintings
38:23are different
38:24from others.
38:27This is Jingzhou paper.
38:29It's very expensive.
38:30So it's very rare in the market.
38:33Jingzhou paper?
38:35According to our preliminary investigation,
38:37the only Luoyang paper shop
38:38that sells Jingzhou paper
38:39just went bankrupt
38:40some time ago.
38:41The one who went bankrupt
38:42is Jingzhou paper.
38:44Do you suspect that
38:45Gao Xiaohu stole it?
38:47I'm not sure yet.
38:49Here is the thing, principal.
38:50I want to go to
38:51Gao Xiaohu's dormitory.
38:54Well,
38:55it's our duty
38:56to cooperate with the police.
38:58I'll take you to
38:59Gao Xiaohu's dormitory.
39:00Thank you so much.
39:01Let's go.
39:06This is Gao Xiaohu's dormitory.
39:08This is Gao Xiaohu's dormitory.
39:19It's an art school.
39:21There are oil paintings,
39:22blood paintings,
39:24and some portraits of people.
39:28Which one is Gao Xiaohu's bed?
39:29This is Gao Xiaohu's bed.
39:38This is Gao Xiaohu's bed.
40:08This is Gao Xiaohu's bed.
40:09This is Gao Xiaohu's bed.
40:17It's Jingzhou paper.
40:19Is it Jingzhou paper?
40:20Yes, it is Jingzhou paper.
40:29Hello, Captain An.
40:30I found a student
40:31named Gao Xiaohu
40:32in Daxiang Art School.
40:34I found Jingzhou paper
40:35and the channelled version
40:36and the shrinkage of the maid's portrait.
40:38It's obvious that Gao Xiaohu
40:39had a close-up on the maid's portrait.
40:41Wait for me. I'll be right there.
40:42Okay, I'll wait for you.
40:48I'm outside now.
40:49I have something to deal with.
40:51Daughter,
40:52I saw Captain An yesterday.
40:54Here, have some water.
40:57I'm telling you,
40:58he's very good.
41:00I'm thinking
41:02if he will be my son-in-law one day.
41:05I'll be scared to death by him.
41:10You want to talk to me about this?
41:12The company is really busy.
41:13I have a lot of things to do.
41:15Daughter, daughter, daughter.
41:17Why are you unhappy?
41:19Who made you angry?
41:21Why should I be unhappy?
41:23I... I think you
41:24look unhappy.
41:28I really don't like to meddle in your company's affairs.
41:30You said this kid
41:31spent half a year for you.
41:33Why didn't you give him any money?
41:34Didn't you promise him a million dollars?
41:37Daughter,
41:38about this,
41:39I have to explain it to you.
41:41Not paying the money
41:42is the board's decision.
41:44Wait, I'll show you something.
41:53Look.
41:54This
41:55cheque
41:56I already opened it for you.
41:58Here, give it to that kid.
42:00Let him pay the cash.
42:04I think you should give it to him in person.
43:04I'm sorry.
43:06I'm sorry.
43:08I'm sorry.
43:10I'm sorry.
43:12I'm sorry.
43:14I'm sorry.
43:16I'm sorry.
43:18I'm sorry.
43:20I'm sorry.
43:22I'm sorry.
43:24I'm sorry.
43:26I'm sorry.
43:28I'm sorry.
43:30I'm sorry.
43:32I'm sorry.
43:34I'm sorry.
43:36I'm sorry.
43:38I'm sorry.
43:40I'm sorry.
43:42I'm sorry.
43:44I'm sorry.
43:46I'm sorry.
43:48I'm sorry.
43:50I'm sorry.
43:52I'm sorry.
43:54I'm sorry.
43:56I'm sorry.
43:58I'm sorry.
44:00I'm sorry.
44:02I'm sorry.
44:04I'm sorry.
44:06I'm sorry.
44:08I'm sorry.
44:10I'm sorry.
44:12I'm sorry.
44:14I'm sorry.
44:16I'm sorry.
44:18I'm sorry.
44:20I'm sorry.
44:22I'm sorry.
44:24I'm sorry.
44:26I'm sorry.
44:28I'm sorry.
44:30I'm sorry.
44:32I'm sorry.
44:34I'm sorry.

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