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La Promesa Ep 448 Completo:
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La Promesa Cap 448
La Promesa Ep 448
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La Promesa 448 Completo
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00:00This is a story about a woman who has been in love for a long time.
00:03She has been in love for a long time.
00:06She has been in love for a long time.
00:09She has been in love for a long time.
00:12Julia told me everything.
00:14Everything.
00:16Although, of course, you asked her to shut up, right?
00:22Well, the poor thing thought that since you and I get along so well,
00:25I would be used to such stupidity.
00:30I don't know.
00:31Hanna and you, brothers.
00:33Please.
00:36Did she tell you that?
00:37Don't tell me she made it up.
00:39Curro, where did you get that absurdity from?
00:42I don't know. The truth is that I ...
00:43Don't deny it to me.
00:45Curro, why would Julia have an idea like that in her head?
00:47Lately I don't understand you. I don't know what's wrong with you.
00:49Look, Martina.
00:51I know it's going to sound crazy,
00:53but Julia has had to misunderstand me.
00:57Well, that's the last thing I needed to hear.
00:59No, but it's the truth. No ...
01:01Curro, no. Stop. Stop. Stop.
01:04If you're going to lie to me, don't tell me anything.
01:07Because I'm not Julia.
01:10I know you.
01:13I know you a lot.
01:15And you can't fool me.
01:19It's just that I don't intend to fool you.
01:21Yes.
01:22Neither you, nor Julia, nor anyone.
01:24Well, of course.
01:26Do you think it's a lie that you killed the captain?
01:57Look, my relationship with Mr. Manuel and my job have nothing to do with it.
02:03But put yourself in my situation, Hanna.
02:06How am I going to give orders to the woman who shares the bed with the next Marquis de Luján?
02:12I am not the lover of any man, Mrs. Petra.
02:15And as a keymaker, I should know that I sleep in my room,
02:18the one I share with María Fernández, and in my bed.
02:20I don't want to be a keymaker.
02:22And as a keymaker, I should know that I sleep in my room,
02:24the one I share with María Fernández, and in my bed.
02:28If you are not his beloved now, it is because Mrs. Jimena passed away.
02:31And you no longer have anyone to cover the scandal.
02:35What are you insinuating?
02:39That maybe now you won't sleep with Mr. Manuel.
02:43But you have done it before.
02:45Otherwise, you wouldn't have him as enchanted as you have him.
02:52Do you know what I'm telling you?
02:54That we are going to have a party to forget all our problems.
02:58And for you to have a better snack than the one I had organized for you, Manuel.
03:04What are you crying about?
03:06Nothing, it's nothing.
03:09With that blister, you won't need to moisten your clothes to iron it.
03:13Well, lately I've been sensitive and I want anything, nothing more.
03:18I see.
03:19And that anything has happened now.
03:22What do you think?
03:24That it's the Marquise, right?
03:26You don't listen to that woman.
03:28She is so jealous because she is going to marry you to her son.
03:30But that was the idea.
03:33It's not because of the Marquise, it's because of Mrs. Petra.
03:36No, if it's not one, it's the other, don't fail me, huh?
03:40And what has Maria Mandrago done to you now?
03:42What, because of the curtains she ironed yesterday?
03:44No, it's not because of the curtains, it's because ...
03:46Because of my relationship with Manuel.
03:49And what does she have to say about the two of you?
03:52That she doesn't care about him?
03:53That's why she can't shut up.
03:56You have to let it out. Poison, right?
03:58Otherwise you wouldn't be like this.
04:01She told me she wasn't going to give me homework because ...
04:05Because I sleep with Manuel.
04:07But that's a lie, because you sleep with my Vera.
04:10Yes, Maria, that's a lie, but what is true is that I ...
04:13With Manuel, well ...
04:16You know. And she has thrown it in my face.
04:19Well, but she was jealous.
04:21Because that woman ...
04:23She hasn't looked at her or touched a man ...
04:25In years.
04:27Yeah, but I feel dirty.
04:29And I feel like I'm sinning.
04:31Well, under a priest, you sin for the same thing.
04:34But like me, and like many others.
04:39The fact is that he also invented poor Mrs. Jiménez, so ...
04:43So that woman, in order to hurt, doesn't leave anyone in the inkwell.
04:48Yeah, Maria, but ...
04:50There are things he said were true.
04:52And I think he's right.
04:54That woman is a spy and she knows where it hurts.
04:57But don't let her make a fool of you, huh?
05:00Yeah, but I don't know if I can.
05:03Well, when she tells you something, you tell her that you told the pan to the case.
05:07That she criticized a lot, but it's good that she had a son out of marriage.
05:11And here I am the case, right?
05:13You are a woman who is in love with a man.
05:15And that, Hanna, is the only thing that matters.
05:18Girl, but that's very easy to say.
05:20But when, all of a sudden, that woman corrals you and starts telling you all these things ...
05:23No, but it's that this Jesus Christ can't even throw a dagger at him.
05:26I mean, that he will have sinned like this. Like this.
05:31Well, you know what? I don't care.
05:33Even if she doesn't give me homework, I'm going to look for them if necessary.
05:36I'm going to keep working.
05:37Well, if she gets angry, you lie to Feliciano.
05:40May God have him in his glory.
05:42That he has no father.
05:43María, I'm not going to tell him that.
05:45Well, when he gets angry, you move away.
05:47But you think you're not doing anything wrong for loving Don Manuel.
05:53Thanks for always encouraging me.
05:56I told the pan to the case.
05:58And now I'm the pan, right?
06:01You also encourage me a lot when I'm sad.
06:04Because that's what friends are for.
06:07Exactly.
06:08And now let's go, come on.
06:10Mr. Pellicer is waiting for us in the kitchen.
06:12Because Mrs. Catalina wants to tell us something.
06:15Well, maybe he'll get married soon.
06:17That's another thing.
06:19Step on the altar with a pregnancy pump.
06:22María.
06:24Come on, let's go.
06:25No, no, it's just that ...
06:28I'm not in the mood.
06:29And besides, I have a lot of plans, so if Mr. Pellicer asks you, tell him that ...
06:33I'm very busy.
06:35Okay.
06:37But the party we're going to organize will come, right?
06:40We do it for you.
06:43I'm sorry.
06:44It's just that I don't have the body for parties.
06:48But you guys have a good time.
06:52Well.
06:54But don't let Maria Mandrago get on your nerves, huh?
06:59No, come on.
07:05Come on.
07:25Matina, daughter.
07:27What's wrong? You look so thoughtful.
07:32It's because of work.
07:34Have you two gotten angry?
07:36Yes.
07:38Why?
07:42It's an unimportant discussion.
07:44How are you?
07:46No, tell me.
07:48Because it seems to me that this discussion with work is altering you.
07:50No, no, it's not important. It's really an animosity.
07:53Martina, I'm your mother.
07:55I know you perfectly and I know when you're not well.
07:57So please tell me. What happened today?
08:03It's just that I'm not in the mood for work.
08:08I argued with...
08:10with your fiancée.
08:12With Ignacio?
08:14Why?
08:16It's late. I'm going to bed.
08:17No.
08:18No, Martina.
08:20I want you to tell me what happened.
08:25It's just that...
08:26Did he do something, daughter?
08:27No.
08:28No.
08:30You know that I try to avoid any confrontation with that man.
08:33So what happened?
08:39He thinks that if you're close to him, it's my fault.
08:44What does that mean?
08:46I don't know, but he thinks I'm getting in the way to put her against him.
08:50Who does he think I am?
08:52Please.
08:53Does he think I'm a puppet that anyone can manipulate me?
08:56I don't know, but...
08:59He didn't believe me.
09:03And he threatened me.
09:06Did he really threaten you?
09:11Martina.
09:14He reminded me of my stay in the asylum.
09:17And he told me that...
09:19that if he was about to send me to jail once, he could do it a second time.
09:24And I've been left as white as you are.
09:26Well, don't worry.
09:28Because that won't happen again.
09:31You don't know how angry I've been with him.
09:35Yes.
09:36I can imagine.
09:38I'm going to have to talk to him, Martina.
09:40No.
09:41No, no, no.
09:42No, please.
09:43I'm not going to let him treat my daughter like that.
09:44Mother, I don't want him to talk or tell him anything.
09:47I don't want to.
09:48I'm tired of this situation.
09:49I really don't want him to go back there.
09:51No, no, no.
09:52I don't want to.
09:56Are you sure, Martina?
10:00You're the one who has to be sure about your wedding.
10:04And you don't have to worry about me.
10:08I just don't want this situation to get worse again.
10:12Don't worry, because I'm not going to let anything happen to you.
10:15Never.
10:16Do you hear me?
10:17Never.
10:18Do you hear me?
10:19Never.
10:32So, the bottle is uncorked.
10:34That's right.
10:35And go serve the glasses.
10:37We've never had that wine down here.
10:40We only get Peleón wine here.
10:42The one that goes in a bottle.
10:44And it's really good.
10:46This wine is very rare in Spain.
10:48It's a French Bourdeuse.
10:49Let's make a toast.
10:51López, pour me a sorbito.
10:55Am I late?
10:56Excuse me, I was carrying a few things.
10:59Isn't Miss Espósito coming?
11:01She'd like to, but she has a lot of work.
11:03She had two drawers full of sheets and clothes from the Marquise.
11:08Gentlemen.
11:10Good morning.
11:12We've gathered you all because Pela and I wanted to inform you of something that is very important to us.
11:20We're going to be parents.
11:23That's great news.
11:25It's great news.
11:29I can imagine you were informed.
11:32And I understand that the situation is not very normal because, well, we are not married.
11:37Don't worry, miss.
11:38A child is always welcomed with joy.
11:40That's right.
11:41And that's why we wanted to share our happiness with you.
11:46Well, on behalf of the entire service, we congratulate you.
11:49We are very happy for you.
11:51Yes, congratulations.
11:52It was about time there was a child in the palace.
11:56Well, if you don't mind, let's toast to that child, our son, who will soon arrive.
12:02I've seen that you've already served the glasses.
12:04I've made that wine from the winery because it's very special.
12:08And so special, miss.
12:10Thank you very much for giving it to us to try.
12:12You deserve that and more.
12:14For your discretion, your support and for always being there.
12:20It smells strong, the wine.
12:22López says it's from Abajo, right?
12:25Yes, he's my age.
12:27My father bought many when I was born.
12:30With the intention of serving them on my wedding day.
12:32But he has more, he's not married yet.
12:34Yes, yes, be careful, there are many.
12:37The wedding will be as soon as possible for obvious reasons.
12:41But I wanted us to have him before.
12:44For the child who will come to the promise and for you.
12:47You will see him grow up.
12:49For his happiness in this marriage.
12:53And for you to know how to educate and love this child.
12:57That's right, for a life full of adventures.
13:00This ...
13:03This wine is spicy.
13:04Yes, Mr. Pelayo, this is a little vinegar.
13:06I was already saying that I saw the cork a little dry.
13:08Why didn't you say anything, man?
13:10No, nothing happens.
13:11That's what it's like to keep a bottle for so many years,
13:13that one is no longer a child.
13:15If you are a girl,
13:17the problem is that you must have taken a Spanish wine.
13:19And the French already carry the vinegar in their faces.
13:23Well, I suppose it's true.
13:25And the French already carry the vinegar in their faces.
13:29Well, I guess what matters is the intention.
13:31So I owe you a good bottle of wine.
13:34Don't worry, miss,
13:35we always have a bottle ready here.
13:38Teresa, go get some clean glasses.
13:40Of course, Mrs. Simona.
13:46You closed it, didn't you, Candela?
13:48Ah, yes.
13:49You will notice that the last one that ...
13:51How funny.
13:55The last one.
14:14Yes?
14:16Mrs. Arcos,
14:17have you also gone to the toast
14:19that Miss Catalina organized with Count Daniel?
14:21Of course not.
14:23I don't see why you have to toast
14:25because one has become pregnant without going through the sacrifice.
14:30I don't understand how they have given so much hype to the matter.
14:33And never better said.
14:35That young woman is dragging the good last name of the family into the mud.
14:38And on top of that, she dares to celebrate it.
14:40Of course, what I have not seen in this house,
14:42I have not seen anywhere.
14:44The man who wants to marry a maid
14:47and his sister who gets pregnant without going through ...
14:49A shame, yes.
14:50Yes.
14:51The only good thing about all this
14:53is that Miss Catalina and the count
14:56are going to disappear from here soon.
14:58Do you think they are going to break their promise?
15:00I hope so.
15:01Because I have already been quite ashamed
15:03of that shamelessness of your father.
15:07By the way, speaking of parents,
15:10I wanted to thank you for helping me with mine
15:13when you started asking me one question after another.
15:15You had me on the ropes.
15:17Yeah, well, I just did what I had to do.
15:20Santos, you have the right to know
15:23how your mother died.
15:25Yeah.
15:27But I don't know if I'll ever find out.
15:30You have to persevere.
15:33But I don't know what else to do, Mrs. Arcos.
15:38In the village, no one knew who he was.
15:41Nor who my father was.
15:43And I don't know where to start.
15:45Can you think of something?
15:47I know it's hard, Santos.
15:49But I already told you, be patient and cautious.
15:53But I can't go on like this, Mrs. Petra.
15:55What you can't do is take a false step.
15:58And you know it, Santos.
16:00Your father won't tell you anything.
16:02We have to find a way to find out the truth
16:05without your father knowing your intentions.
16:10And we'll look for a strategy, Santos.
16:13We'll look for it and we'll find it.
16:15I guarantee it.
16:24I wanted to thank you for preparing Mr. Burro's luggage.
16:27I know it wasn't for me.
16:29Don't worry. The car is ready and you can leave as soon as you want, Mr. Pellicer.
16:32Perfect. You can leave.
16:34Yes, sir.
16:45Sir.
16:47I wanted to congratulate you for your decision.
16:49I imagine it wasn't easy to make it.
16:51But you and Miss Catalina looked very happy during the toast.
16:55Happy?
16:57Weren't we?
17:02I don't know. I saw you two very committed.
17:05Happy.
17:07Really? Is that what it looks like?
17:09Of course. Isn't it?
17:11Well, no. It's not like that.
17:15I don't...
17:17I don't understand, sir.
17:19You really don't understand?
17:21Do you think it's normal to make a toast with the servants
17:25to celebrate an embarrassment that has occurred outside of marriage?
17:28For God's sake, it's all a mess.
17:31Miss Catalina's relationship with the service has always been very good.
17:34And that justifies admitting your prejudice in front of everyone as if it were normal?
17:39Well, everyone was aware.
17:42I know.
17:44But that's not the point.
17:46When something like this happens, one is discreetly silent.
17:49They don't celebrate a toast.
17:53I see.
17:55And I thought you were happy.
17:59Happy to have to raise someone else's son?
18:02Well, no, Mr. Ricardo. I wasn't happy.
18:04And I won't be.
18:06But since I was little, I was taught that appearances are important.
18:12Well, and if it doesn't make you happy, why did you decide to welcome him?
18:17To preserve my honor.
18:19What would people say if they found out that the son Catalina is expecting is someone else's?
18:25But you had already...
18:29You had already broken up with her when...
18:33Well, what happened...
18:35Yes, but then I came back.
18:37I can't go around clarifying specific dates to everyone.
18:40So the scandal is served.
18:43I understand, sir.
18:45Besides, I also do it for Catalina.
18:48I don't want her to be involved in something like this.
18:53That's because you love her.
18:56Maybe.
18:59A few weeks ago I would have told her that I loved her deeply, but...
19:03Right now I don't know what to say.
19:06And yet you're going to marry her?
19:09Yes, that's what I've decided.
19:12But I admit that I don't finish taking her pregnancy.
19:15You've already taken the first step to do it.
19:17A step that I don't know if it was a false step.
19:20I'm in a sea of doubts, Mr. Ricardo.
19:23Sir, you're not thinking of backing out?
19:27Well, I don't know, I can't guarantee you anything.
19:30I didn't expect to say yes to Catalina, and I have.
19:34So I understand that anything can happen.
19:37If you allow me to tell you something,
19:41decide what you decide.
19:44Try not to hurt Miss Catalina.
19:48Mr. Ricardo, unfortunately, in such a delicate matter,
19:51no matter what decision you make, I'm going to hurt someone.
20:08Curo?
20:10Are you going out?
20:12Yes, Catalina asked me to do some management for the farm.
20:16I'm waiting for them to bring me the boots and I'll leave right away.
20:21And those managements are going to take a long time?
20:24No, I hope not.
20:26Although they are a bit complicated.
20:28Can't you tell what it's about?
20:30Yes, yes.
20:31We need yucca bags to transport the wheat.
20:34And it looks like they're scarce.
20:35And you're going to buy that? Yucca bags?
20:37Well, more than buying, sister,
20:40what I want is to get a supplier who guarantees us, in the future,
20:43the supply at a good price.
20:46You're going to do it very well.
20:48I hope so.
20:49Although I'll have to bargain, and I'm not very good at it.
20:53Well, when you come back, we'll rehearse.
20:56No, I'll also take advantage of the trip to go see my mother at the sanatorium.
21:00That honors you.
21:02Although, as things are, I don't like that you're going so far.
21:05I see.
21:07Well, let's see if Manuel calms down.
21:09Because yesterday's anger was too much.
21:12Correa, he's not like that, you know him.
21:14I know, but he can't get so upset.
21:17Yeah, but you also have to put yourself in his place.
21:19He has a lot of pressure from his parents,
21:22and on top of that, there's the lock-up of Don Rómulo, which affects him a lot.
21:27I'll take care of it.
21:29Thanks.
21:39Yes, I understand.
21:41I just hope he's not as upset with you as he is with us.
21:46We'll figure it out, Carlos. Don't worry.
21:48But come back soon.
21:50I will.
21:52Goodbye, sister.
21:57By the way, say goodbye to Julia.
21:59I've been looking for her all over the palace and I haven't found her.
22:02Be careful.
22:06Have a good trip.
22:21Well, we'll have to fix a trip to this patio for the party, right?
22:24That's what I'm saying.
22:26Hanna doesn't want to go to the party, but she's up for it.
22:29Seeing how colorful it is.
22:31If you want, I can prepare some garlands with colored paper and some garlands.
22:35Like for Mrs. Pia's wedding?
22:37Exactly.
22:38They were very pretty, huh?
22:40It's a shame that the wedding didn't go so well.
22:42With that boyfriend I was expecting.
22:44The truth is that Mrs. Larre was right when it came to choosing a husband.
22:48And it won't be bad, Fario, if we put garlands on you.
22:51It's just that we already put garlands on Mrs. Pia's wedding.
22:54Ah, those are super cherries.
22:56Well, but it's better not to tempt fate.
22:59Maria, let's see if now we won't be able to use garlands at a party because they were used that day.
23:03I remember that we borrowed the gramophone from the gentlemen to be able to dance.
23:08Well, but they left it to us because it was for the wedding of the key master.
23:12But this is a little party.
23:14You lose little by asking for it.
23:16Besides, I think that if you talk to Miss Catalina, she'll leave it to us.
23:20It's just that a party without music is less of a party.
23:23Well, I'll ask her.
23:24Well, it's better if Simona does it because she has a lot of hands with the lady.
23:28And what do you want to drink?
23:29Because I can prepare a capote surra or a delicious fruit sangria.
23:34I prefer a ponche.
23:35It's what we do in my family for the parties.
23:37And that you bring that ponche because it can be prepared in many ways.
23:40It's a family secret.
23:41I can't tell anyone.
23:43Come on, Marcelo, it won't be for long.
23:45Lope, in my family we don't take these things very seriously.
23:48If I told you, I would have to kill you so that the secret would not spread.
23:51Okay.
23:52Well, don't tell me.
23:54Prepare it yourself.
23:55Well, now that Charly also has a belly, right?
23:58It's not going to be all about drinking ponche.
24:00That's true.
24:01Because as we dedicate ourselves to drinking, more than one will end up dizzy.
24:04If you want, I can prepare some canapés and an empanada.
24:09I admit that what you prepare, Lope, seems great to me.
24:12Well, let's not talk anymore.
24:13Everyone does their own thing.
24:15Very good.
24:16Bye.
24:32Can I come in?
24:35Martina, I don't know what you're asking for, if you don't expect an answer.
24:40Hello.
24:43Hello.
24:45Have you seen Curro?
24:50He's not here.
24:58Martina, what are you doing?
25:00I think it's very clear.
25:02Give you a hug.
25:04It's the best when you get so angry.
25:06Come on, get down.
25:09No, because I notice that you haven't gone too far yet, so no.
25:15What?
25:18Are you going to be nicer?
25:22Yes.
25:34I admit that I've been more risky than usual.
25:37And it's normal, considering everything you've been through.
25:41But you're making us pay fair for sinners.
25:45I'm aware of that.
25:47And we're here to help you.
25:50To support you in everything you need.
25:53I know.
25:55And I appreciate it.
25:57Because you show that appreciation.
26:02I'm fine.
26:04I'm fine.
26:07Give me another hug.
26:08You've taken the bait.
26:17We all have problems, Manuel.
26:21And the thing is to help each other.
26:24Not to fight.
26:28You're right.
26:34I haven't seen Curro.
26:36I don't even know where he is.
26:38Why are you looking for him?
26:41Because lately we've also had our clashes and I wanted ...
26:45to clear things up.
26:47You?
26:51And what problem do you have now?
26:55Well, it's weird.
26:57I admit that I've also been upset, but ...
27:00but ...
27:05Be what you say.
27:07Yes, you're right, it's weird.
27:10The other day ...
27:13he revealed to me that ...
27:15everything we lived in the war is costing him.
27:19All that has to be confiscated, I know.
27:23And Julia's arrival has not done him any good.
27:26He has brought him many memories and no good one.
27:29And I'm also aware of that, but I don't understand ...
27:31that if he bothers her so much, he wants to spend ...
27:34hours and hours and hours with her.
27:37Maybe I should treat her less.
27:39Or ask her to break her promise.
27:41That would solve the root problem.
27:44I think that too, but ...
27:47Curro feels indebted to her.
27:53But Curro is not to blame for Julia's boyfriend's death in the war.
27:58I know.
28:00But one thing is what happened, and another thing is how he feels.
28:04Curro feels responsible for that death, Martina, and ...
28:07he can't help but torture himself for it.
28:09Yes, but if Julia continues to spend time on the promise,
28:11Curro will continue to feed himself.
28:14But he doesn't see it that way.
28:16He feels he needs her.
28:23Listen, let's see, all we have to do is be patient.
28:26Curro is not having a good time.
28:29And our hurries are not helping him.
28:35But everything will be fine.
28:39In the meantime ...
28:41give me another hug.
28:43I'm over it, I'm dying of sadness.
28:53From what I was telling you, I was talking to Mrs. Pia ...
28:56and I told her the news about Mrs. Catalina's pregnancy ...
28:59and that she was thinking of getting married.
29:01And how did you see her?
29:03With amazement. I invited her to the party, but she doesn't feel like it at all.
29:06It must be the street, with a little girl.
29:09Mrs. Pia goes through a lot.
29:11But this is an injustice like the cup of a pine tree.
29:14I think that if she had at least come, we could have cheered her up together.
29:19When she came with Dieguito, she was very happy.
29:21I don't know why they don't want to give her her job.
29:23She's a fan of her mother-in-law.
29:25If it's not for work, kid, it's because of Mrs. Darre.
29:29Well, yes, you don't understand. You don't understand.
29:35There are a lot of idle people around here.
29:37We have stopped for a month to rest, as is done in all jobs.
29:41Okay, but don't extend the break too much, I have a lot of work left.
29:44Too much work.
29:46That's why we don't understand why the gentlemen don't want to hire Mrs. Pia again.
29:49I regret this situation as much as you do.
29:51But there is little that can be done, it has been a decision of the Marquises.
29:54And couldn't you talk to them to try to convince them?
29:59Yes, Mrs. Pia is alone in the world to get Dieguito ahead.
30:03And without a job, we don't know how she's going to do it.
30:05I don't think it's useful for me to talk to them.
30:08But if you could at least try.
30:10I already tried and it was useless.
30:12The Marquise doesn't want her back.
30:14What if you insist?
30:16No, the Marquise was sharp on this matter and did not leave even the smallest detail.
30:19But what about that woman? Why has she insisted that Mrs. Pia doesn't return?
30:23I don't know, but it's not my fault either.
30:26Anyway, don't extend the break more than necessary.
30:50Mother, what are you doing here?
30:53Don't tell me that today we also have to make the fake recipes.
30:56No.
30:58It's just that I don't understand why you told me yesterday that you wanted to leave the promise.
31:03And what's the point of this now?
31:05I've been insisting for weeks that I leave.
31:08Yes, but you were just telling me how well you were doing.
31:11Well, I'm not anymore. That's why I want to leave.
31:14But what has happened for you to change your mind in such a few days?
31:16You're so nosy, huh?
31:19Now you pretend to behave like a mother who cares about her daughter.
31:23That's not true, honey.
31:25No?
31:27What did you tell me when my brothers made fun of me?
31:30What did you tell me when I went to you crying to console me?
31:34I don't know, I don't remember.
31:37You don't remember or you don't want to remember?
31:41That happened a long time ago, honey.
31:43That happened a long time ago, honey.
31:45Well, I remember perfectly.
31:47She told me not to cry,
31:49that I wasn't weak, that I would get the chestnuts out of the fire by myself.
31:55Maybe now she's in a hurry to admit that she worked like that, but that's what she did.
32:02I'm sorry.
32:04Well, I'm more sorry
32:07that I grew up without anyone to support me.
32:11But you know what?
32:13I've learned to move on on my own.
32:16And I don't need your help anymore.
32:19Honey, listen to me.
32:22We all make mistakes, all of us.
32:27But let me make up for them.
32:30I want to help you.
32:32Tell me what happened so that you want to leave this house like this.
32:40It's for Lope, right?
32:44I've argued with him.
32:47That has happened.
32:49And what happened?
32:51That doesn't matter.
32:53The point is that I feel very uncomfortable in this house and I want to leave.
32:57Fine.
32:59And if that's what you want, I respect your decision.
33:03Look, Mom, I don't care what you think.
33:06I just ask you, please, that if you keep coming to this house, treat me like a maid.
33:13Please.
33:30Does anyone want me to serve you?
33:32At this hour?
33:34Why not?
33:36I thought it might be a good idea to make a toast,
33:39like the one Catalina and Pelayo made at the service station.
33:44What are you saying?
33:46Well, that your stepdaughter and her son's future father
33:49have been toasting with the kids for the pregnancy.
33:53But is that true?
33:55I know it well.
33:57You see?
33:59Celebrating a dishonorable pregnancy.
34:02Who would have said it?
34:04Lorenzo, let's leave it.
34:06I was just saying it because it was striking to me.
34:10At least.
34:11When I was young, something like that would have been a cause for disdain,
34:14and now people toast for it.
34:16I think it's still a cause for disdain.
34:20At least among the people I hang out with.
34:22Not in La Promesa, Ayala, not in La Promesa.
34:24Catalina hasn't published an echo of society commenting on her pregnancy.
34:28Why would they make cartoons?
34:30Lorenzo, you should be much more careful with your words.
34:33Did I say something I don't know, right?
34:35As far as I know, everything I've heard is true.
34:37Instead of having studied in good schools,
34:40Catalina would have been educated in that free education institution.
34:44What a nest of libertines.
34:47You're not having good luck with the kids.
34:50Manuel, the spoiled brat.
34:52Catalina, pregnant.
34:54The truth is that youth is in decline.
34:56I always say it.
34:57Enough!
34:59Who do you think you are?
35:01To criticize my nephews who have the noblest heart
35:04than any of us here.
35:05Darling.
35:06No, not darling, not at all.
35:08You're talking as if you were boring old men.
35:11That you criticize young people simply for that, for being so.
35:14No, we're criticizing the acts.
35:15No, Catalina and Manuel have made a mistake, yes.
35:17Because they are human.
35:19What's wrong with any of you?
35:20Has it ever happened to you?
35:26Not to that extent.
35:27Oh, no?
35:28Do you want me to make a fool of each of your mistakes in front of everyone?
35:31Margarita, it's not to put it that way.
35:32I put myself as I want, Lorenzo.
35:34Do you really think it's right to make fun of who is going to be your family?
35:38Please.
35:39Please.
36:03Manuel.
36:05Hanna.
36:06They told me you were looking for me.
36:08Yes.
36:09You see, I wanted to tell you that I'm leaving La Promesa.
36:12What do you mean you're leaving?
36:13Where are you going?
36:15Don't worry.
36:16Sit down.
36:24Don't worry.
36:25I'm going to Villalquino to get some fresh air.
36:29I've been arguing with my parents again and I need it.
36:32And why did you argue this time?
36:35Because of me.
36:38They're still with Martín Gala.
36:42And what are you going to do in Villalquino?
36:45Well, my intention is to visit my friend Mario Valladares.
36:49It turns out he has an airplane similar to the one I want to build myself.
36:52Are you going to fly in it?
36:54I would love to try that machine.
36:57It has a very powerful engine with a rotating piston refrigerated by air.
37:01Well, Manuel, today is a very windy day.
37:04Don't worry.
37:05It's a very stable machine.
37:07It has 11 meters of wingspan and can reach 1,000 meters in height.
37:14Well, I don't think it should go up that much.
37:16And you have to be more careful.
37:19I will.
37:20I promise.
37:27You know, now that I think about it, I could do it.
37:29You know, now that I think about it, you could come with me.
37:33We could fly together again.
37:35I would love to.
37:38But for that I would have to leave my job.
37:40And I don't want everyone to think that I can do whatever I want just because I'm with you.
37:47You know you have the right not to do anything if you don't want to.
37:51I no longer know that I have the right.
37:53Even Mrs. Arcos herself has told me that she doesn't even know how to work with me.
37:59Well, soon everything will be clear.
38:01And you will have no doubt about how to treat yourself.
38:04I hope so.
38:06Because I don't like this situation in which I'm not in one place or another.
38:13Patience.
38:15In a couple of days, weeks at most, everything will be resolved.
38:19I give you my word.
38:20Manuel, I am willing to have all the patience in the world.
38:24But then I need you to do something for me.
38:28Tell me.
38:31I need you to tell me what's going on with your parents.
38:36I already told you.
38:38They don't accept that I want to marry you.
38:43Manuel, I think there's something else you're not telling me because you don't want me to worry.
38:47Listen to me.
38:50If there is any news, I will inform you on the spot.
38:53Okay?
38:54And more if it's something positive.
38:57Yes.
39:02Okay.
39:06It is normal that Mrs. Darre does not have the body for parties.
39:09I understand.
39:10But it would be good for her to come and spend a little time here.
39:13I'm sure she was going to cheer up.
39:15Yeah, but going back to the house they threw you out of must be a bitter drink.
39:20Good afternoon.
39:22Ma'am, we didn't know you were coming today either.
39:26Yes, in fact, we have not adjusted the shifts to free ourselves and be able to explain some recipes.
39:32Don't worry, I haven't come to talk about any recipes, but to bring you a gift.
39:37Thank you very much.
39:38I didn't have to.
39:39It's a little detail.
39:41Some toffee candies I made with the recipe you gave me.
39:44Thank you, ma'am.
39:46To you for the great patience you have had with me.
39:49I understand that I am not the best cook.
39:51That's true.
39:53I mean, there are better ones, but there are also worse ones.
39:57You don't have to fix it.
39:59But I think these candies have turned out very well.
40:02Try them, try them and give me your opinion.
40:06Thank you very much.
40:07Do you want one?
40:08No, thank you.
40:09No, thank you.
40:11Thank you very much.
40:12Do you want one?
40:13No, no, no.
40:14I have already eaten enough while I was preparing them.
40:21What?
40:24They are delicious, huh?
40:26They are ...
40:28They are ...
40:29Good.
40:30They are ...
40:31They are very good.
40:33Next time don't add so much sugar.
40:36Never.
40:37They are not as sticky as the others.
40:40I see.
40:41It's just that I added a little sugar to the recipe because I like sweet things.
40:47And if you don't mind, I would have taken it out of my mouth.
40:51And me?
40:53Well, I was going to give the maid another package to see, but of course, now I don't know what to do.
40:59She's young.
41:00She has strong teeth.
41:02Surely this is not going to be dangerous for her.
41:04Well, let's see if I can find it, because the next time she comes, the promise is gone.
41:09I've heard that she wants to leave the house.
41:12Yes.
41:13Mrs. Petra has told me that she has already decided and that she is looking for a substitute.
41:18Yes.
41:19That's what she's saying.
41:20This is a first-rate house.
41:22And do you know what happened?
41:24Because she looked so happy.
41:26That she argued with her boyfriend.
41:29With Lope.
41:30And that?
41:32You know what?
41:34I'm going to eat another candy.
41:35It's so sticky.
41:38But very tasty.
41:40Come on.
41:41You're not going to tell me what you've said.
41:44You'll understand that with this ...
41:47Speaking ...
41:49It's not easy.
41:53Maybe it's time to put the cards on the table.
41:56That's what I'm going to do.
41:59Speak, Simona.
42:00Simona.
42:03Can we stop this farce, ma'am?
42:07We know that ...
42:10Vera is actually your daughter.
42:12No, but no, no, don't worry.
42:14We are not going to say anything.
42:16No worries.
42:19Even if they put burning splinters under our nails,
42:22we will not let go.
42:24No, no, no.
42:31Well, I also think that since the weather has changed,
42:35we should think about changing the curtains.
42:38Yes, we could also take the opportunity to change the carpets
42:40and the summer bedding.
42:42Okay, and where do you want us to start?
42:44Well, in the bedrooms.
42:46Starting with the bedroom of the ...
42:47Santos!
42:49Come closer.
43:00What does he want?
43:02Do you think you have served Mr. Curro correctly today?
43:05Me?
43:07As always.
43:08No, because the luggage was not prepared.
43:10And on top of that, you have not cleaned the boots to ride.
43:14But the little man has complained because ...
43:16Well, no, the little man has not complained because I have been attentive
43:18and I have sent a colleague of yours to do your job.
43:22That ...
43:23To tell the truth, by the look on your face,
43:25you didn't even know that the little man was going on a trip.
43:27It's just that if he doesn't tell me about things,
43:29I don't have to know them.
43:30Well, yes, being more attentive.
43:31Excuse him, Mr. Pellicer.
43:33The fault has been mine, that I have had him very busy because
43:36I asked him to help me lower the boxes with the winter curtains.
43:39But you want to stop defending yourself.
43:41Don't you realize that it doesn't do you any good?
43:43It's the truth, Mr. Pellicer.
43:44No, no, Mrs. Arcos, it's okay.
43:46Stop covering up your mistakes.
43:48You'll never learn that way.
43:49Don't mess with her, Father.
43:51It has nothing to do with this.
43:52Well, if it has nothing to do with it, shut up.
43:55And you treat me with more respect.
43:56Respect has to be earned.
43:57And you haven't done anything for me to have it.
43:59Don't talk to me like that.
44:00I talk to you as I please.
44:02You're a bad boy.
44:03You don't know anything about life.
44:04Nothing.
44:05I know much more than you think.
44:08I know, for example, that...
44:09That's enough.
44:10That's enough, please.
44:12What do you want?
44:14That the Marquises hear you and put you both on the street?
44:18That's enough, please.
44:26That's enough.
44:48The truth is that I'm afraid to receive you here, sir.
44:50Don't worry about that.
44:54Sit down.
44:57Sit down.
45:00How is she?
45:02Fine, given the circumstances.
45:04Are you sure?
45:06How is she being treated?
45:07I have no complaints.
45:09And even if you had, you wouldn't tell me, would you?
45:14Has the food been improved?
45:18In any case, I brought you some stew.
45:20Thank you very much, sir.
45:21I didn't have to.
45:27It's hard for me to visit you here, Romulo.
45:30You should be somewhere else.
45:33In La Promesa.
45:34How I would like that, sir.
45:35But now my residence is gone.
45:40I'm trying to end this.
45:43I went to Puebla de Tera to mediate for you in front of a friend who is in politics.
45:47Don Manuel told me.
45:48And what did he tell you?
45:50It's complicated.
45:52But that man owes me a great favor.
45:54I already asked him to mediate for Manuel at the time, but in the end it was not necessary.
45:58Fortunately, the idea remained, yes.
46:02Now, the important thing is that you get out of here.
46:07I have asked you to move your threads so that at least you are left free until the trial is held and the sentence is dictated.
46:13And you think that is possible?
46:15Well, I have given my word that you would not leave La Promesa and would go to court when you are called.
46:20Of course, sir.
46:22Well, now I just need my friend to do his job.
46:27Tomorrow I will call him again to pressure him.
46:30You don't know how hard it is for me to give him so much headache.
46:34I had to be here to solve problems, not to create them.
46:37Don't talk nonsense. I do this because I want to and because you deserve it.
46:41But I'm telling you, it's not going to be easy.
46:44I don't want to create false hopes for you.
46:46Yes, sir. I know from the beginning and I knew what it meant to speak and declare myself guilty.
46:52Yes? It implied bringing your life together to help my son.
46:56And all for a crime that neither of us committed.
46:58I had to do it.
47:00No. You didn't have to do it, but you did.
47:04Now there is only one solution left and it seems to me that the only definitive one is to find the murderer of Mr. Castillo.
47:10Yes, it is possible.
47:12Yes, yes.
47:14Sir, I think it's best if you leave now.
47:19But I just got here.
47:20But I don't like seeing you here in this position.
47:24Besides, you're going to be late for dinner.
47:26We both know how annoying that is for Mrs. Marquesa.
47:30I don't care if she gets angry if it's because I've come to see her.
47:33But I don't want them to argue for me, sir.
47:37I'll go.
47:39But don't forget that you will always have my support and that I will not stop until I get you out of here.
47:44I thank you, sir.
47:46And I thank the whole family.
47:48Tell them about me.
47:50I will.
47:52Now rest.
47:54I hope to return soon and with good news.
48:02Thank you, Romulo.
48:04Thank you, Romulo.
48:41This piece reminds me so much of the dances of my youth.
48:45I didn't know her.
48:47Oh my God, those times.
48:50We spent the summer months from party to party.
48:53I had a complete dance list.
48:56And my feet were destroyed, of course.
48:59A youth of the most edifying, from what I see.
49:03He had so much energy, Ignacio.
49:05He was so full of life.
49:07And he was so unconscious too.
49:09You were.
49:11Look at me, and you still are.
49:18And ...
49:21What is this comment for?
49:23First you tell me what this is about.
49:27I don't know what you mean.
49:29You don't know now.
49:31I have the confidence in front of everyone.
49:33To defend Alonso's children.
49:35My nephews, you mean.
49:37Yes, exactly.
49:39And since it has seemed little to you to defend those gulfs,
49:42you have attacked me and Captain de la Mata.
49:44Oh well, now it turns out that I can't take you the opposite, no matter how wrong you are.
49:48Wrong?
49:49I would like to be.
49:51But Manuel and Catalina are immoral.
49:53No, sorry.
49:54My nephews are very good people.
49:56More than many of those who are here.
49:59Be careful with what you say, Margarita.
50:01Not with whom I have to be careful.
50:03It's with you, Ignacio.
50:04A wife must respect her husband.
50:06And more in front of others, is that clear?
50:08Well, look, I'm going to take advantage of the fact that we are alone to lose a little bit of respect.
50:12Because to begin with, I'm not your wife.
50:15Well, not yet.
50:18Look, Ignacio, do you know why I was taking refuge in my memories of youth?
50:23Surprise me.
50:25Well, because at that time I wanted to eat the world.
50:28I was strong, I was an idealist.
50:30And above all, I was clear that I was not going to let myself be despised by anyone.
50:34And less by a man.
50:36But well,
50:37it seems that I have failed.
50:40To despise you is to ask you to respect your husband.
50:44No, despising me
50:46is to take advantage of what I feel for you, of the love I feel for you.
50:52To do with me whatever you want.
50:54It is to use me to achieve your selfish goals.
50:57To get rid of me, Ignacio, is to manipulate me.
51:01I see.
51:02I see that you are a little upset, Margarita.
51:04We will continue this conversation at another time.
51:07There will be no other time, Ignacio.
51:11Because I'm not going to marry you.
51:14I will never be your wife.
51:17I will never be your wife.
51:24I realize that for you, Curro is a wonderful person.
51:27Julián,
51:29are you in love with him?
51:31Since your daughter wants to leave and not come back with you,
51:35I want to propose that at least we don't lose her, the two of us.
51:38Now she is hurt with you.
51:39Yes, I know, and you are right to do it.
51:41That's why I need you to talk to her.
51:43Ma'am, if your daughter leaves the promise,
51:45neither you nor I will know anything about her.
51:47Manuel has threatened to leave the palace
51:49if we do not meet his demands.
51:51What does he want? To leave out of the promise?
51:53With Hanna?
51:54And is she aware of that, ma'am?
51:56What does it matter if she is aware or not?
51:58Because I know her well and I know that few things bother her so much
52:02that she doesn't even realize it.
52:05Since I heard the news of Catalina's pregnancy,
52:08I can't help but think that it would be lucky
52:11if, for some random reason,
52:14I lost the child I was expecting.
52:18Do you think I'm becoming a disgusting monster
52:21for thinking that way?
52:23You act in a strange way.
52:25All of a sudden, so ...
52:27considerate, so ...
52:28affectionate.
52:30Well, I'm perfectly cross.
52:32You don't have to worry about anything.
52:34Okay, okay, this is where the nonsense ends.
52:38Because if you're not going to tell us what this is all about,
52:40I'm going to find out what it's like for Candela García, my name is.
52:43She's coming for you.
52:45Candela, are you crazy?
52:46Does this punch take a lot of alcohol?
52:48I'm desperate because I don't see a way out of this situation.
52:52I think you have a difficult way out, ma'am.
52:55If I've come this far,
52:57it's because I think you're the only person who can
53:00make Manuel come to his senses.
53:02Are you asking me to convince Manuel to give up on me?
53:10music