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00:00You're going to the factory?
00:19Yes, I was thinking of stopping by the store before going to the office.
00:22Well, then we'll talk.
00:25No, tell me. I have a couple of minutes.
00:28If you have a couple of minutes, that's enough.
00:31The truth is, I don't know.
00:33Well, try it. You have a minute and a half left.
00:38Before, I talked to my father and I found him a bit strange.
00:42If by strange you mean ashamed and guilty,
00:45I think it's fair for him to feel that way.
00:48Yes, and a bit melancholic.
00:50Melancholic?
00:53We were talking about when we went on an excursion with our mother to the mountains of Toledo.
00:59I don't remember that anymore.
01:01Or maybe I'm trying to erase all the memories in which Father seemed like a normal father.
01:06Those were very happy times.
01:09It's called childhood, Andrés.
01:11Yes, I guess. Our family has never been so united since then.
01:15No, and Jesus and Father will take care of that.
01:17Totally.
01:20So?
01:22I'm fully aware of what they've done.
01:25And I'm the first to condemn them.
01:28But?
01:30Well...
01:32I can't help feeling pity for them.
01:35And I'm very angry because they don't deserve it.
01:38It's good that you feel compassion for them.
01:41That's what sets us apart.
01:44But pity? No, Andrés. Because they don't deserve it.
01:48It's the first time I've seen him aware of his mistakes.
01:51It's normal for him to realize.
01:53Because for a while now, they've all come to light.
01:57Each and every one of them.
01:59I see.
02:01The point is that he mentions you as an example of having made a mistake.
02:06Me?
02:08Yes, and when he wanted to ask you what he meant, he didn't want to give details.
02:12It's as if he didn't want to talk about it.
02:14I see. Well...
02:17And I see that you don't want to talk about it either.
02:23Well, Marta, I won't bother you anymore.
02:25Two minutes have passed. Don't worry.
02:28No, Andrés. Wait.
02:30It's ridiculous for Jesús, the person who can hurt me the most in the world, to know.
02:35And for you not to know.
02:38Marta, you're scaring me.
02:41The truth is that if you don't want to tell me something, don't worry.
02:46I'm going to tell you because I love you.
02:50And because with Jaime I learned that sharing confidences with someone who also loves you is good.
02:59I hope you're up to it.
03:03I don't even know how to start.
03:08You see, I'm not the person you think I am.
03:13What does that mean? I don't understand, Marta.
03:18That I've fallen in love with a woman.
03:21And she's in love with me.
03:31Espartito, can you get me a coffee?
03:35Yes.
03:42Is something wrong with you, Gaspar?
03:45I can tell you're a bit on edge.
03:48Well, more than on edge, I'm thinking about Dolores.
03:52And I'm disgusted, really.
03:54Oh, the newspaper ad?
03:56Don't worry, man. Do you know how many letters you'll have received?
03:59It will take some time to read them all.
04:02No, no, but she has already answered me and everything.
04:04She has? Come on.
04:06I have the letter here.
04:08And what does it say? Can I see it?
04:11Yes.
04:12If you've read it so many times, I could recite it to you.
04:16Let's see.
04:23Gaspar, please, she's telling you beautiful things.
04:26I especially like this part where you've made me fly with my imagination.
04:32I see, I see.
04:36I've never made anyone fly, but not with my imagination,
04:40not without imagination, not at all.
04:43Congratulations, Gaspar.
04:46Boy, cheer up, she's answered you.
04:49Yes, that's the problem, Fina, that's the problem.
04:52After reading the letter, I think I've gone a little too far
04:56and I think I've messed up.
04:59Why? What have you done?
05:02Have you written to her again?
05:04I sent her another letter yesterday.
05:06Well, it's okay. What did you write to her?
05:10I... between the nerves and the rush, well...
05:15I think I've gone too far.
05:18How far?
05:20A lot, Fina.
05:22A lot.
05:24I asked Tassio for advice and let's say he gave me wings.
05:28Come on, he insisted that I ask for his phone number,
05:32that he send me a recent photo of him, come on, and all that stuff.
05:38I never imagined that you...
05:41Anyway, that...
05:43Well, it came up.
05:45I wasn't looking for it, I assure you.
05:48That's why I feel it's...
05:51it's a real love.
05:55For God's sake, say something, you're killing me with the silence.
05:59I admit I have a lot of questions to ask you,
06:03but I'm going to sum it up in one.
06:08Are you happy with her?
06:11I've never been so happy in my life.
06:14Then there's nothing more to talk about.
06:16It's time for you to answer those questions that I have.
06:23Thanks to you for trusting me.
06:26You have all my support.
06:30You know I'm a great defender of forbidden loves.
06:34In fact...
06:35In fact, you preach with the example.
06:40Marta, there's something else.
06:43Maybe I'm being imprudent, but...
06:46I know her.
06:50Of course you know her.
06:55It's Serafina Valero.
06:58Nuestra Afina.
07:01For God's sake.
07:04With how sensitive and observant you are, you hadn't noticed.
07:08I'm sorry, but your description exceeds my sensibility.
07:13Well, forbidden is forbidden for a reason.
07:16We can't let the four winds blow as we'd like.
07:21I see.
07:25Come here.
07:33What a big heart you have.
07:36What would I do in this family without you?
07:46A photo, Gaspar.
07:48What a bad taste.
07:50When will you ask Tassio's Gagnan for advice?
07:53Well, ex-Gagnan, who is now married and transformed.
07:56Yes, a Lord Timeless, I'm telling you.
07:59Well, you can't deny that at least he knows what's going on.
08:02Come on, he's had more girlfriends.
08:04What hair does he have on his head?
08:06Maybe, but he hasn't met any of these girlfriends by letter.
08:09Well, he wrote a very nice one to Carmen.
08:12Yes, and with the letters to Sonsoles, it's good that he helped me too.
08:16A poet. All you have to do is look him in the face.
08:19He's a troublemaker, Gaspar.
08:21He's a Don Juan who works well at short distances.
08:26But a relationship by letter is very different.
08:29And what do you know about these things?
08:34Well, I know more than you think, Gaspar.
08:38I'm sure this woman wanted a little more mystery,
08:43seduction, a little slow fire.
08:47Well, as if with the slow fire, I'm going to end up retired,
08:50more than just one, and with a lot of letters in the drawer.
08:53Gaspar, stop, please. Don't be so exaggerated.
08:55I don't want that, Fina.
08:57I want a love now, now. I can't wait another year.
09:00Yes, but you could have waited a couple of weeks.
09:03Do you know how many idiots have written him letters?
09:07And I'm sure your first letter
09:09was one of the few that had reached his soul.
09:12You think?
09:13Well, of course. And now with this second one...
09:17After reading it, I'm sure he's sent it straight to the blacklist.
09:22He's pissed off with all the letters, come on,
09:24and he's never said better.
09:27I don't know. Should I put a candle to Santa Rita or...?
09:31No, no, no, no.
09:32You better put a cross to Tassio,
09:34because he's a sentimentalist and he's a leftist.
09:37Come on, give me a break.
09:41When necessity squeezes, Fina squeezes.
09:48Of course.
09:52Mr. Pedro.
09:54Good afternoon, thank God. Are you visiting the colony?
09:56Well, I came to see my son,
09:58but today he's too busy to see me, so I'm leaving.
10:00I have the car waiting at the door.
10:02It's great news that you've been hired here again.
10:04Yes.
10:05As you should know,
10:06the dispensation of your sanctity has arrived much earlier than expected.
10:08Yes, it seems so.
10:09I understand that for you and Mrs. Inés,
10:11Mateo's resignation has not been a pleasure.
10:14It wasn't for you either,
10:15but once you've made the decision,
10:16it's best to do it as soon as possible, don't you think?
10:18Well, yes.
10:19And it must be said that the Lord loses a model servant,
10:21but wins a marriage that is loved, in spite of everything.
10:23In spite of everything.
10:24A very elegant way of referring to an illegitimate son.
10:27Claudia is a good girl and very devoted, by the way.
10:29But, unfortunately, she will have to deal with the stigma of doubt all her life.
10:32Here, everyone will have to deal with their own.
10:34Otherwise, they will ask my wife,
10:36who is still troubled by the matter.
10:38Where it seems that they have not had so many doubts has been in the Vatican.
10:41Doesn't it seem strange to you that they have already been so diligent and fast?
10:44Strange? I don't know.
10:45You will know better than me.
10:46No, I confirm it.
10:47A papal dispensation is never resolved in a few weeks,
10:49as has been the case.
10:50Could it be that Mateo has a guardian angel who protects him?
10:53It could be.
10:54Or, in more prosaic terms,
10:55perhaps that guardian angel is from this world
10:57and has interceded for him in the offices of the Archbishop?
11:01Are you referring to a kind of godfather?
11:03Exactly.
11:04You're not hiding something from me, are you?
11:06Why has your good name come to my ears in Toledo's diocese?
11:10Well, you flatter me.
11:12My influence there is minimal.
11:14Well, especially with the primate cardinal,
11:16who is the one who could have accelerated the procedures in the last instance.
11:19I don't understand.
11:20However, I know from Mateo
11:22that you have had a certain friendship with the cardinal.
11:25Well, we have met once in a beneficial act
11:27and we have a good relationship,
11:29but I don't call it friendship.
11:31Sometimes cordial relationships are more fruitful than intense friendships.
11:36That's true.
11:37It shows that you are a great connoisseur of the human soul.
11:40Yes, and I also know what a father is capable of to help his children.
11:43Let's see, let's not confuse things.
11:46One thing is to bring up a certain subject,
11:49in front of the appropriate instances,
11:51and another, very different,
11:53to demand a certain treatment of favor.
11:56The latter would never be done by a gentleman of your class.
11:59I see that you have understood it perfectly.
12:01Let's leave it at that, it has been the work of a stranger,
12:04Angel de la Guarda.
12:05Or of Providencia, Father.
12:07Remember, the ways of the Lord are inscrutable.
12:10Amen, son, amen.
12:11Amen.
12:13So, you assure me that during the time that Julia was there,
12:16she didn't have nightmares or wet the bed any day?
12:20Yes, Sor Perpetua, I understand that the girl
12:22didn't want to participate in all the activities
12:24and that she wasn't very talkative in China,
12:26but I think it's normal, given the circumstances, don't you think?
12:30Well, anyway, that's what I wanted to know.
12:34You're welcome.
12:40I wanted to know.
12:42Thank you, goodbye.
12:45Ready to go to the cinema?
12:46Yes, I guess so.
12:48Who were you talking to?
12:50With the headmistress of the Burgos boarding school.
12:52It's just that Luz recommended that I call both centers
12:54to ask if Julia had any episodes of neurosis there.
12:57Neurosis?
12:58She pees in bed, sorry.
13:00What did they tell you?
13:02That no, that she didn't wet the bed not a single day.
13:05And Luz doesn't know why I'm going to tell her that.
13:08No, well, Luz thinks that it's likely that all that anger and anger has caused her a big emotional fracture.
13:14And that getting upset is only a symptom of her discomfort.
13:18But now they've told me in both centers that she didn't have any episodes.
13:22So, I don't understand. I don't know why it happens to her just when she comes back.
13:26Begoña, maybe her nerves are here again. Nothing else.
13:29I have the feeling that we have tried to protect the girl from everything that was happening in this house, but...
13:34Julia is not stupid.
13:37She's very moved by how little she is.
13:39I'm very happy that she's at home, but...
13:43But I can't stop thinking that Jesus is also here.
13:46And that doesn't reassure me.
13:48Begoña, I understand.
13:50But we are here with her.
13:52And we can protect her at all times from him.
13:55You know that Jesus is a manipulator. You know it.
14:00Let's do one thing.
14:02Let's give him time to see how all this evolves.
14:05Maybe what happened this afternoon is a specific episode.
14:08And it won't happen again.
14:12In fact, the only certainty we have is that right now...
14:16He's waiting for us in the garden, playing in the sea of happiness.
14:19Really?
14:21Yes, and wait for him to be among us with a giant cartridge of plushies.
14:25He's going to have a great time, you'll see.
14:29What's that about you going to the movies with the girl? I just found her in the garden.
14:34Don't you realize the scandal you're in?
14:45Hi, Claudia. Do you want an infusion?
14:47No, thank you. But I have to go back to the store.
14:50Well, sit down.
14:57Is something wrong, Doctor?
14:59No, nothing. It's just that...
15:01I just remembered that I have a procedure to do later at the dispensary.
15:05But look, tell me.
15:07What did you have to tell me so urgently?
15:10Well, you know that the works of the Kunal house are right in front of the store.
15:13Yes, and they have already told me that you come every two minutes.
15:16One day they will give you a hard time.
15:18The truth is that I can't help it.
15:21But well, what I came to tell you is that today, before going to work, I passed by there.
15:25And Albañil told me that she has started to get up on her feet and is in a much worse state than I thought.
15:30And that she's going to need help.
15:32Well, let's see how it goes.
15:34Because we don't have a penny more in the budget.
15:36Well, that's what I told her.
15:38But she told me that either we give her an assistant or she leaves the project.
15:41It's not true.
15:43Well, yes, as I told you.
15:45She says she has a project in Junclillo or something like that.
15:48And that she can't be with us on Monday.
15:51My God, this is a disaster.
15:53The project of the Kunal house is in danger.
15:55I told you.
15:57Well, I have to go back to the store.
15:59But I came to tell you that if you want, when I leave work, we can go there to try to convince him.
16:05Don't worry, we'll think of something.
16:07Well, I'm leaving and I'm also going to think if something happens to me.
16:12See you later, doctor.
16:13See you later.
16:15Hi, Alberto.
16:18Come on, father.
16:20Pegoña is his mother and I am his uncle.
16:23What are people going to think?
16:25That the girl is going to Carabino or something like that?
16:27Well, they can think that and much worse things.
16:29He's exaggerating.
16:31And you are playing with fire.
16:33But why? I don't understand.
16:35I'm sorry, but you know I'm not making anything up.
16:37And if they see you together with the girl, people are going to think badly and rightly.
16:41That's absurd.
16:43It's not a good idea, Andres.
16:45And period.
16:46Don Damián, I understand your concerns.
16:48I really understand them.
16:50Well, make them understand them too.
16:52The big head of my son.
16:59I'm sick of him.
17:01But who do you think he is to go around giving moral lessons?
17:04Andres, deep down he's right.
17:07What do you mean he's right?
17:09It's not a good idea for us to see each other in the cinema together.
17:12There are people in scruples and I don't want to expose the girl to an uncomfortable situation.
17:16Begoña, I don't think it's that bad.
17:18Never underestimate people's malediction.
17:20Andres, it's better if you go alone.
17:23No, not even talking.
17:25If the three of us can't go, I'll sacrifice myself.
17:28But that's not fair, it was your plan.
17:30And besides, the girl is dying to be with you and you with her.
17:32Begoña, not more than you.
17:34Besides, Julia needs you now more than ever.
17:37I agree.
17:41I'll apologize to her and tonight I'll put her to bed and have her tell me about the movie.
17:55Good afternoon, Doctor.
17:57Good afternoon, Alberto. Move that shoulder.
17:59Ah, good, good, thank you.
18:01Sorry, but I couldn't help but listen to the conversation you had and...
18:05Well, I'd like to lend you a hand.
18:08Well, if it's not indiscreet to ask you how,
18:11I don't know if you know what the project of the Cuna house is about.
18:14Yes, well, I see the workers in the square and I hear what they say at the loading dock
18:19and also what you said and...
18:21And well, if they need an albanil.
18:24And what have you heard out there?
18:26What do the people of the Cuna house think?
18:28Well, there are opinions for everything.
18:30There are people who are very in favor and people who say that the mothers should be with their children.
18:35And what do you think?
18:37I think that the Cuna house is a very nice project
18:40because it will allow mothers to take care of their children.
18:44So, if they need an albanil...
18:47By chance, I don't know any of you.
18:50Be it good or fast, and above all, cheap.
18:52Well, it's not to throw flowers at me, but you have it in front of you.
18:55You?
18:56Yes, I've been an albanil, I've been a carpenter, a welder, even a plumber.
19:01All human, huh?
19:03Well, yes, the truth is that yes.
19:04So, if you think it's okay, after my shift at the loading dock,
19:07I'll be at your disposal for whatever you need.
19:10Are you sure?
19:11Look, you're going to have to work very hard for a few days for a miserable salary.
19:15Oh, no, well, if that's the case, then...
19:18No, there's no way, I'm sorry.
19:20I'm sorry, we don't have a budget for more.
19:23But thank you very much.
19:24Doctor, doctor, what I wanted to say is that yes...
19:28Either I do it for free or I don't.
19:31Yes, well, it will be my way of putting my grain of sand in that beautiful project of the Kunaz house.
19:37Really? I don't know what to say.
19:43I'm very happy that there are still men as supportive as you.
19:48Well, nothing, when I finish my shift, I'll get organized with the other albanil.
19:53Thank you very much, really.
19:54You're welcome.
20:00Hello.
20:15Hello, daughter.
20:20You don't have to leave every time I enter a room where you are.
20:24That's not why they called me that notification.
20:26Wait.
20:28You're in a hurry.
20:29They can wait, I have to show you something.
20:32I hope it's important and strictly related to the company.
20:34If not, I'd rather you kept me out of it.
20:36Well, it's not strictly professional, but I think it will be worth making an exception.
20:41What is it about?
20:42What do you think?
20:49I haven't seen this photo in a thousand years.
20:51Where did you get it from?
20:53It was transcribed, I found it in a book.
20:57Do you remember where I made it?
20:59And in another life.
21:03Of course I remember.
21:05How can I not remember?
21:07In your favorite corner of the world, as you used to say.
21:11Andrés had already told me that you were nostalgic.
21:15It was strange on Saturday that Mother didn't take us for a walk in those mountains.
21:19You left early in the morning and did not return until the sun set.
21:23I could not always go with you.
21:26But the times I accompanied you are stored in my memory as something ...
21:31I don't know, like a treasure.
21:33This day did accompany us.
21:36I remember it.
21:38There was a huge flash at first, but then ...
21:42Then a bright sun came out.
21:45That same sun could come out for you again.
21:49And in those same mountains.
21:51What is this about?
21:53Do you know Germán Hidalgo?
21:56The real estate agent.
21:59I asked him to take a look at me in that area.
22:04And he found what he was looking for.
22:07And what were you looking for?
22:09A small house, not very big, with a garden, with views of the mountains.
22:12And it also has two very good things.
22:14Do you want to know what they are?
22:16The first, that despite being in the countryside, is very well communicated with Toledo.
22:22And the second?
22:24That it is far enough away so that no one bothers you.
22:28Did you buy that house?
22:30Not yet, because I'm waiting for your answer.
22:35My answer?
22:37If you want it, the house is yours.
22:41What is this about?
22:43What do you want?
22:44Do you want to buy me?
22:46Do you want to buy my love and forgive me?
22:47On the basis of a rate?
22:49It's just that I don't know how to do things any other way, father.
22:51I'm not going to force you to do anything.
22:53I'm just giving you the opportunity to have your own house in the countryside,
22:57away from the bustle of the factory, and for you to share it with ...
23:02with whoever you want.
23:05You know full well that the only person I would share that house with is Confina.
23:12He would still be willing to buy it from us.
23:15I reaffirm what I have told you.
23:17For you to share it with whoever you want.
23:21No.
23:26He wants to keep me away.
23:27That's it, right?
23:29Keep me away from the looks and suspicions of people.
23:33You can keep thinking badly of me, whatever you want.
23:37Maybe I've earned it, but this gift is from the heart.
23:43Germán has told me that I have a couple of days to decide.
23:46To decide on you, in this case.
23:47So when you finish throwing all your anger at me, think of you, of you.
23:53And give me an answer.
24:17Good afternoon, Mrs. Marta.
24:19Fina.
24:21What's wrong? You're very serious.
24:23Well, more than serious, I think I'm confused, to put it that way.
24:29Why? What happened?
24:31That I've been talking to my father.
24:33With your father? About what?
24:35Didn't you make it clear to him that you only wanted to deal with him about work matters?
24:39Yes, well, he made me an offer that ...
24:41An offer?
24:43Marta, my legs are already shaking just thinking about it.
24:48He wants to buy me a house in the mountains of Toledo.
24:52A house in the mountains?
24:54Yes, a little house with a garden.
24:55He says it's very close to here, but at the same time, it's far away.
25:00Are you telling me that your father is interested in me?
25:04Yes.
25:05He says it's very close to here, but at the same time, it's far away.
25:09Are you telling me that your father is trying to buy your affection and affection in such an obvious way?
25:15I think the offer goes much further.
25:17Because he has told me that the little house is for me to live with whoever I want.
25:23Man, it would be necessary for him to check who you invite and who you don't.
25:27You don't understand him.
25:36You don't understand him.
25:38He already knows that I would only go there to live with you.
25:45Unconditionally?
25:47Unconditionally.
25:51Well, it's an advance, right?
25:54An advance is a Copernican twist.
25:57He offers us a house so that you and I are finally together.
26:02But then you have accepted.
26:05The truth is that I have run out of words, I don't know.
26:07Yes, it's normal, it's normal for you to run out of words.
26:10Let's see, knowing your father, that house could be a poisoned gift.
26:14Yes, I know.
26:16But I have seen him so affected by our distance and so sad
26:20that deep down I want to think that it is not a Machiavellian plan.
26:29What are you thinking about?
26:31Oh, Martha, forgive me.
26:32It's just that I was dreaming awake.
26:34Can you imagine the two of us living in a house in the mountains?
26:38Far from everyone, from everything.
26:40You and I alone, can you imagine?
26:42Look, it's been so long since I had the idea that this was never going to happen,
26:46that right now it's within my reach.
26:48I'm scared to death.
26:50Yes, we are already two.
26:53So what do I do?
26:55Do I accept?
26:57I don't know.
26:59It's your father, Martha, it's your decision.
27:00Why?
27:02Because if I'm wrong,
27:04it may end up being a bullshit of his.
27:08Yes, let's see, it could be.
27:10You know him better.
27:13I can only tell you
27:16that you decide what you decide.
27:18I'll be here to support you.
27:24Look, from 22 to 29 you have to pack them for that bonus.
27:28And the rest
27:30go to the loading dock.
27:32So move it, Ignacio.
27:40Well, Mr. Damián, what are you doing here?
27:43I was looking for you.
27:45The truth is that the conversation we had this morning gave me a lot of...
27:49Really, seriously, Mr. Damián.
27:51I don't have a single complaint about my job,
27:53with which I am very happy.
27:55So not a single complaint, really.
27:57Well, in that case, I can go now.
28:00But, well, Mr. Damián,
28:02you've just arrived.
28:04How are you going to go?
28:06Yes, because I don't think you're at all interested
28:09in the offer I was going to make you.
28:11Especially considering that you are so comfortable
28:14in the place where you are now.
28:16Well, but you're going to leave me disgusted.
28:18You see, the person chosen for the factory manager
28:22has finally decided
28:24to accept a job offer they made in his hometown.
28:27Well, I didn't know.
28:28Anyway, Joaquín,
28:30well, Mr. Joaquín, sorry,
28:32you can rest assured.
28:34I'll take care of the shifts and talk to the suppliers
28:36until I find someone else.
28:38Do I have to tell you everything again?
28:40What?
28:42That we have already found that person
28:45and that I have her in front of me.
28:49Me, for manager?
28:51Well, if you're willing to do it, of course.
28:55What happens is that I didn't know
28:58you were going to be in this position.
29:00The truth is that you weren't in any nest.
29:04And Tassio?
29:06Tassio what?
29:08Tassio is doing a very good job as your assistant.
29:11Isn't that true?
29:13Yes, and we value him, but not ...
29:15But what?
29:17Tassio has been raised in this factory.
29:20As the saying goes,
29:22no one will offer us more confidence.
29:25Leave Tassio where he is, he's fine there.
29:28I think it's a good solution.
29:30A patch solution.
29:32Father, that position is essential.
29:34We can't risk it just because we're in a hurry right now.
29:37Correct. I think it's worth waiting a bit
29:40until I find the right person.
29:42And if you want, in the meantime, I can take care of everything.
29:45And what has changed?
29:48Well, the impetus and the desire
29:51I've seen this morning in the canteen
29:53have convinced me that you are the right person for this position.
29:56Thank you, Mr. Damián.
29:58And I assure you that I'm going to work
30:00and you'll realize that I'm worth it.
30:02I take your word for it.
30:04I had a couple of ideas that I'd like to try.
30:07I'd like to change the shifts ...
30:09Stop, stop. Don't get carried away.
30:11For now, what we want from you is that you do things
30:13as they have been done so far.
30:15Later, we'll have time to talk about those innovative ideas.
30:19Is that clear?
30:21Perfectly. I'll come up with them with a soda.
30:23Exactly. For a while, Joaquín will teach you
30:26what you have to do and how you have to do it.
30:28Perfect.
30:30Tassio,
30:32I've given you the push to get here.
30:35But from now on, you'll have to convince Joaquín and Marta
30:40that they were wrong about you.
30:43I'm not going to leave Mr. Damián in a bad place.
30:45And I assure you that I'm going to work to prove it.
30:48I hope so.
30:59Mmm.
31:06That hat man was like a shower.
31:09He kept buttering the clock.
31:11Of course. Why do you think he's called the crazy hat man?
31:15Julia!
31:17You look very excited.
31:19We went to the movies together to see Alice in Wonderland.
31:23I'm not going to ask you if you liked it because you can see it in your face.
31:25We loved it.
31:27Was it good?
31:28A lot.
31:29Have you seen it?
31:30No, not yet.
31:31Well, tell Uncle Andrés to take you to see it.
31:34He was going to come with us today, but he couldn't.
31:37He had to leave.
31:39Andrés was going to the movies?
31:40Yes.
31:41I didn't know anything.
31:42I asked him.
31:44But they took him from the factory and he had to leave in a hurry.
31:47Wow, what a tragedy.
31:49It's a good thing you three got through it
31:52in such happy company.
31:54Julia, honey, why don't you go upstairs to get changed?
31:57You have dinner with the Marinos tonight.
31:59Yes, Dina is going to pick me up.
32:01And she's going to make me croquettes.
32:03And you have to go upstairs to get your hair done and shower.
32:05You have to look like a princess there.
32:07But there's still a lot left for dinner.
32:09I can't rest for a while.
32:11Do you want us to look at the magazine together?
32:13You'll see that with your hair done, you'll know who Gracia de Mónaco is.
32:15A princess?
32:16Yes.
32:17Come on, I'll be just a little while.
32:19Then I'll go upstairs to get changed.
32:20Please, Mommy.
32:21Okay, but I want you upstairs in 20 minutes.
32:24Okay?
32:25You don't want to make Dina wait, do you?
32:26No.
32:27Come on, come with me.
32:37Let's see.
32:43Good afternoon.
32:44Good afternoon.
32:45Do you know where Marta is?
32:47She's gone out.
32:48I've closed two meetings for you that I had free and I wanted to confirm them with you.
32:52Great.
32:54One is this afternoon at 7 with the glass supplier of Aranjuez.
32:57And the other is tomorrow at 10 with the owner of the Rocha warehouses in Cuenca.
33:01Well, very good, Miriam.
33:02Because I wanted to meet Mr. Rocha to introduce myself, but you've already done it.
33:06Well, that's also part of my job.
33:08Not just to fix my predecessor's mess.
33:11No, please.
33:12No more fires.
33:14We've had enough with the quarterly accounts.
33:16Good job, Miriam.
33:36Is there anything else?
33:38Tell me.
33:40I have something for you.
33:42You'll see it's nothing original, but after thinking about it a lot, I think it will be very useful in your day to day.
33:49And this?
33:51Not now. I hope you like it.
34:00JM?
34:02Looking among the contacts of the factory, I found the store in Toledo where the serigraphies are made.
34:06Sure.
34:08But after what happened the other day, I don't know how to take it.
34:12Take it as an apology.
34:14And as a gesture of gratitude.
34:16Well, thank you very much.
34:18Besides, I know the gift is not cheap.
34:21Well, don't worry about that. They have appreciated me.
34:23I'm glad.
34:25And I'm glad you liked it.
34:27And above all, that things have been clarified between us.
34:31Well, there is still one thing to clarify.
34:35Tell me, Mr. Joaquin.
34:37Wait a moment.
34:47I can't accept your pen if you don't accept mine.
34:50You're right. It wouldn't be fair if I didn't accept it.
34:54Thank you very much, Mr. Joaquin.
34:56You don't have to thank me.
34:58I just ask you not to speak up for the company.
35:03I don't want the rest of the workers to come and complain about yours.
35:07I'm sorry.
35:09I'm sorry.
35:11I'm sorry.
35:12I'm sorry.
35:14I don't want the rest of the workers to come and complain about yours.
35:18Don't worry.
35:20We'll be discreet.
35:29What do you think?
35:31I love the color pearl.
35:33Yes, but it doesn't go well with that red hat, does it?
35:36No. I think it's a daring combination.
35:39I don't know.
35:40I've taught you Alicia's hat.
35:45You know what I'd like?
35:48That we did something together, you and me.
35:51I've missed you a lot lately.
35:53I've missed you a lot too, Maria.
35:55Come here.
35:59We can watch the new TV if you want.
36:02Yes.
36:04Or I can think of something else.
36:06I've heard that this weekend there's an exhibition of raptors in Toledo.
36:11Raptors?
36:13There'll be eagles, hawks and even an owl.
36:16I love owls.
36:18Do you know who likes owls too?
36:20Who?
36:22Your uncle Andrés.
36:24We can tell him to come.
36:26This time he won't be able to say no.
36:28I'm sorry he can't come with us.
36:30That's a good idea.
36:32But your uncle has a lot of work lately.
36:35After today, he won't be able to say no.
36:38I'm sure he won't be able to say no to you.
36:50Come in, miss.
36:53You're at home.
36:56The last time I was here there weren't so many photos.
37:00You're right.
37:01A lot has changed in this house since the last time you were here.
37:05My mother and you.
37:08And this?
37:10It's Luis and Joaquín's dad, right?
37:12Gervasi, my husband.
37:14He and your grandfather founded the factory.
37:17I know.
37:19Uncle Andrés told me.
37:25And these are Joaquín and Gemita.
37:27That's right.
37:31And this is your son who went to Brazil, right?
37:35Yes, my son, Valentín.
37:39He's so handsome.
37:41Handsome, nice, intelligent, and as seductive as you.
37:46One of those people who seduce just by walking in.
37:49I'd like to meet him one day.
37:52I'm afraid that won't be possible, my love.
37:56We found out that he died a few months ago in Brazil.
38:00Dignified.
38:04I'm so sorry.
38:06It's okay, my love.
38:08Can I give you a hug?
38:10Of course.
38:12I'll tell you.
38:15Because of that idyll between Valentín and Clotilde
38:21a girl was born.
38:27A girl?
38:30No.
38:32It can't be.
38:34Julia is not the daughter of Jesus, but of Valentín.
38:39She's your granddaughter.
38:44She's my granddaughter?
38:51Julia is an Amerino.
38:54I'm sure he's well-accompanied in heaven.
38:58My mother is there to take care of him.
39:01Of course.
39:03And now come, help me finish what's left.
39:06Have you made croquettes?
39:08Croquettes?
39:10I forgot.
39:12I've only been able to make some boiled cauliflower.
39:16Well, it doesn't matter.
39:18I also like cauliflower.
39:20Liar.
39:21Liar.
39:23It was a joke.
39:25I know, it doesn't smell like cauliflower.
39:28I've made a kilo of croquettes
39:31and empanadillas.
39:33I hope you have enough.
39:35I can, I'm hungry.
39:37And for dessert,
39:40the surprise.
39:42Nutella.
39:43Thank you, Dignified, I love you.
39:45I wanted to bring you the marquesitas from Toledo,
39:47which you like so much.
39:48But when I came, they were sold out.
39:50And then I couldn't go to see if they had any left.
39:53Don't worry, Dina.
39:54The nutellas are also spectacular.
39:57And they're delicious.
39:58But tomorrow you'll have the marquesitas here.
40:00I promise.
40:02Hello.
40:04Hi, Luis.
40:06I didn't know we had breakfast for dinner.
40:09How are you, girl?
40:13I've missed you so much.
40:15I'm dying to have dinner with you.
40:16I was also dying to come and see you.
40:19Yes, yes.
40:20Come and see us and eat croquettes.
40:23Well, that too.
40:25You're a smart girl.
40:26I'm going to finish.
40:27Gemma and Joaquín are about to arrive.
40:29Let's sit down, you have to tell me a lot of things.
40:32Hey, did you make a new perfume while I was away?
40:35Of course I did.
40:37And in fact, I brought a sample for you to smell.
40:40Let me see your wrist.
40:44Tell me what you think.
40:47I love it.
40:49It smells just like the roses in my garden.
40:52You guessed it the first time.
40:54I'm thinking about something.
40:55What do you think if I make you a bottle?
40:58And you take it home later.
40:59Okay.
41:01Well, what about you? Tell me.
41:02How are you?
41:03Well.
41:04And how are your business with Pedro Carpena going?
41:07Well, Mr. Popa.
41:08You can tell that man knows what he's doing.
41:10And so do I.
41:11I have to associate with him.
41:12And Pedro doesn't associate with just anyone.
41:14I'm not just anyone.
41:16I'm his son.
41:17And that's why I have him.
41:19I just hope you don't let him down.
41:23And that you don't get involved in something big.
41:25Don't worry.
41:26I'm not going to let him down.
41:27Nor him.
41:28Nor you.
41:32Forget it.
41:34This is not the company I was expecting when I asked you out for dinner.
41:37And who were you expecting?
41:38A vagabond serving you champagne?
41:40For God's sake, Santos.
41:41I won't be able to have my two children sitting at the same table as me, having dinner.
41:46Are you serious?
41:49And Andrés?
41:50Where is he?
41:52Andrés told me he couldn't come.
41:53He had a lot to do at the factory.
41:54Wow.
41:56By the way, I congratulate him.
41:57For his good eye.
42:00What do you mean?
42:01Taxio García.
42:02He hasn't been in charge for two hours and he's already told everyone about his promotion.
42:07It's normal.
42:08The boy is excited.
42:10Joaquín and I are too.
42:12He'll learn fast.
42:13I assure you.
42:14Wait, wait.
42:15My ears are shaking.
42:17Is Taxio García the new manager of the factory?
42:20Uh-huh.
42:21I've made that decision.
42:22Unilateral.
42:24As usual.
42:25Is there a problem?
42:26Yes, many.
42:27And of many types.
42:29Starting with the fact that Taxio had only been an assistant for a month.
42:32So it's a matter of time before I fire her.
42:34Good thing I'm no longer in charge of the business, sister.
42:36Because with decisions like that, you go straight to ruin.
42:39We'll have to see about that.
42:40Begoña and Julia are going to have dinner with me.
42:42If not, I'll be absent.
42:43Begoña is going down.
42:45In a while.
42:46Julia, no.
42:47Because she has to go to the house of the sailors.
42:52What?
42:53Who does that woman think she is to take my daughter when she feels like it?
42:57Whether you like it or not, she is also worthy of her family.
42:59She has the right to enjoy the girl.
43:01Don't you have a limit?
43:04You ask me that question?
43:05How dare you?
43:07Where are you going, Jesus?
43:08To get her out of there right now.
43:09The girl doesn't have to pay for it.
43:11The girl will have dinner here with me.
43:13Okay?
43:14Don't be ridiculous, Jesus.
43:15It's been a long time since she left.
43:17They'll be finishing dinner.
43:18What do you want?
43:19For the girl to have dinner twice?
43:20Please.
43:21Yes.
43:22She'll have dinner as many times as I say.
43:24Jesus.
43:25Leave me alone.
43:34When we used to race on the bike,
43:36when we were kids,
43:38I used to take them about 100 metres from the track.
43:41What is he saying?
43:42Do you know why?
43:43Because he used to deflate my bike wheels.
43:45Who? Me?
43:46Of course.
43:47And also, he used to put sticks in my radios
43:49so that I would shut up.
43:51All thanks to his bad luck.
43:52My bad luck.
43:53He only won with one leg.
43:55With one leg.
43:56Come on.
43:57Please.
43:58Hey, I have a new bike.
44:00One day, the three of us can go for a ride.
44:02Of course.
44:03Whenever you want.
44:04Yes, but be careful with this one.
44:06If you don't take care of it, it will deflate your wheels.
44:08Poor thing.
44:10Do you want more nuts, my love?
44:12I'm full.
44:14Hey, family, I have an idea.
44:16What do you think if we play a word game?
44:18Oh, yes.
44:19Come on, Simba.
44:20Take it out while I pick it up.
44:21Don't worry.
44:22But what is that?
44:23I don't know how to play.
44:24We'll teach you.
44:26It's a very fun game.
44:28Sara gave it to us.
44:29Do you remember Sara?
44:31Yes, of course.
44:32She cooked very well.
44:33She cooked very well.
44:34And she also became a good friend of Luis.
44:36Yes, a very good friend.
44:38Look.
44:40You have to pick up the letters.
44:48Good evening.
44:51What are you doing here?
44:52I came to pick up Julia.
44:53She has to go to bed early.
44:55I already told Begoña that I would take her after dinner.
44:58Haven't you finished yet?
44:59Excuse me.
45:01You have to put...
45:02Come on, you're already on the table.
45:04Hi, daddy.
45:05Hi, daughter.
45:06I hope you had a good time,
45:07but now we have to go home
45:08because you have to get up early tomorrow.
45:10Yeah, but we're going to start a game now.
45:13We'll take her when we finish the game.
45:15It's not good for the girl to get into bed so upset.
45:18It depends on you.
45:21Why don't we ask Julia?
45:23Honey, your father can take you home now.
45:26Or do you prefer to stay a little longer with us?
45:28Yes, come on.
45:29Let's mix the chips.
45:30Julia, get up, please.
45:35Come on, daddy.
45:36Just one game and that's it.
45:39You can stay with us too,
45:40to play if you want.
45:42No, I can't stay.
45:44I have things to do.
45:46But I want you back home in half an hour.
45:47Is that clear?
45:48Yes.
45:49Thank you, daddy.
45:50Shall we start?
45:52I'll walk you to the door.
45:54Well, what I was going to tell you.
45:55You have to steal eight...
45:57One more thing before you go.
45:58I haven't told you in the last conversation.
46:01Julia is my granddaughter.
46:03So she and I will see each other whenever we want.
46:06Get used to it.
46:15I have to show you all the letters that save you.
46:17Don't choose them.
46:18He's choosing them.
46:19That's cheating.
46:20I'm not choosing them.
46:21What did you say?
46:22I'm going to crush everyone.
46:23It's true.
46:24Let's go.
46:28Mom.
46:29Yes?
46:30It was seven, wasn't it?