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00:00They're never gonna walk.
00:02Na na na na na na na na na na na na na
00:05Na na na na na na na na na na na na
00:08Na na na na na na na na na na na
00:17They can't be stopped
00:20Look so mean
00:30Thank you very much.
00:32Hello, hello.
00:33I'm sorry.
00:34We're starting from today.
00:35It's called Stonky Night.
00:37I got involved because I wanted to do it with someone.
00:42I'd like to confirm this with Mr. Be.
00:46Confirm, confirm.
00:47Usually, when I'm doing this kind of work,
00:51the producer says,
00:53Tsurube-san, I really want to see Lily-san.
00:56I get a proposal like that.
00:57I can't get that kind of thing on screen.
01:01If we say the same thing to each other,
01:04we'll get it.
01:07And I've known this producer for a long time.
01:11He used to be the drummer of a band called Ginnan Boys.
01:17Everyone knows that.
01:18That's right.
01:19When he was the drummer of that band,
01:23he was the vocalist of Mineta.
01:24It's still Ginnan Boys.
01:26Before Mineta came out,
01:28the three of us were playing drums, bass, and guitar.
01:31Everyone was waiting for the vocalist to come out.
01:34But that producer said,
01:36before Mineta came out,
01:38he was playing drums with just his pants on.
01:40Before he came out, he was a drummer,
01:42but when he came out, he was diving.
01:46I didn't know that.
01:47Really?
01:48That's what he said.
01:49When Mineta came out, there was no drummer.
01:52I really don't trust him.
01:56No, no.
01:57No one trusts him at first.
02:00He's not a bad guy.
02:04He's not a good guy.
02:06But I really asked him.
02:09Really?
02:10Of course.
02:11So when I met you the other day,
02:15I didn't know much about it,
02:16so maybe you don't know that yet.
02:18Maybe you don't know that yet.
02:19I was eating at A-Studio Plus.
02:22But in the case of Lily,
02:24she comes out when I'm not paying attention,
02:26even in the movies.
02:29No, no, no.
02:30I'm just saying that because I was called.
02:33I'm saying,
02:34she's Lily.
02:36She has a face like a lawyer.
02:38She has a lot of different faces.
02:40So I thought it would be nice to have a face like that.
02:42I used to talk to her for about an hour and a half
02:46at my father's house called Mugaku.
02:48At that time, she said,
02:50I want to do something you've never done before.
02:53So I went to the dressing room,
02:55and there was a gold and blue glitter jacket
02:57and a tie like this.
02:59It was a manzai performance for two people.
03:01It was a completely old manzai performance,
03:05but it didn't go well with anything.
03:08It wasn't weird at all.
03:10It just melted away.
03:12It didn't go well with anything.
03:14What is that?
03:15What kind of technique is that?
03:17What are you drinking?
03:19That's weird.
03:20Well, I didn't think it was enough to meet you,
03:23but if you do this, I can meet you.
03:25I want to meet you, too.
03:27It's not like I'm going out for a drink.
03:29It's like this.
03:31It's a lot of fun.
03:32It's a lot of fun to meet you.
03:35The other day, when I was shooting a movie,
03:38there was Mr. Davis in the mahjong scene.
03:40Mr. Davis was really late.
03:43That's right.
03:44The first scene of Takumi Saito,
03:47the first cut,
03:48was the scene where I, Mr. Davis,
03:50and J. Taro Suisaku were playing mahjong.
03:52At that time, I felt suspicious about Takumi Saito.
03:55It's normal to shoot from here.
03:58How late was that?
03:59Mr. Davis was two hours late.
04:01He was two hours late?
04:02No matter how much Mr. Davis is,
04:04he's a senior in the subculture,
04:06but this is Takumi's first movie,
04:08the first cut, and I thought it was terrible,
04:10so I scolded him.
04:12Mr. Davis was scolded by Mr. Davis.
04:15That's what happened.
04:17Mr. Davis said,
04:18I don't have this.
04:19What were you doing?
04:21He said,
04:22I was on a trip to Bashu.
04:24When?
04:25Because it was around 11 a.m.
04:28He said,
04:29It was yesterday.
04:31What?
04:32Where did you get off?
04:33He said,
04:34I don't know that.
04:38What is the broadcast code of BS Telecom?
04:42BS Telecom has no broadcast code.
04:46It's the same.
04:47If I and Mr. Davis were hired,
04:49I wouldn't be able to do that.
04:51I've been doing it for a long time,
04:53so I've been holding it down.
04:55I've been held down for a long time.
04:57But if I and Mr. Davis were hired,
05:00Telecom would be out of the game.
05:03I thought it was okay.
05:04Compliance.
05:06Then you two would be out of the game.
05:09This is amazing.
05:11It's up there, too.
05:13It's up there, too.
05:15It's here, too.
05:16There are about 20 people in a seat.
05:17Yes, yes.
05:19I'm sitting next to you now.
05:22I've been drinking barley tea for a long time.
05:28It's like I'm making it.
05:30I didn't make it.
05:32Every time I drink that,
05:34I think it's my job.
05:36That's what you mean.
05:37I think everyone is drinking that barley tea.
05:40There's a picture of Mr. Davis on that label.
05:43It's about this big.
05:45It's about this big.
05:47That's how much I get a year's contract.
05:50It's the least conspicuous.
05:55But that doesn't mean it's not conspicuous.
05:59That's right.
06:00It's not conspicuous.
06:02If you come to the mountains, it's over.
06:04It's like you're not coming to the mountains.
06:07If you hold it down with your fingers, it's like you're hiding.
06:11It's the most stable income.
06:17And the other day,
06:20the people around Mr. Davis are kind to Mr. Davis.
06:26Mr. Yoshinaga's brother,
06:30Mr. Ryoho Yoshioka, Mr. Nakanoi,
06:34and recently, Mr. Ayami Nakajo.
06:36I was the boss.
06:38Isn't that a little too much?
06:42And this time, I was surprised.
06:45Mr. Tomoya Harada's boss.
06:48Did you put out the proposal yourself?
06:50Do you want me to put it out?
06:53I put it out.
06:55I went to eat with Mr. Tomoya Harada.
06:59It's beautiful as it is.
07:02I'm happy with this.
07:05That's why I think it's good.
07:09It's all about the wheat tea theory.
07:14Everyone says it's good.
07:17But it's the same with Mr. Sayo Yoshinaga.
07:19They're still connected.
07:21I'm worried about my sister.
07:23Because he's my brother.
07:25I get emails from my sister.
07:27Who's your sister?
07:29It's worth being busy, isn't it?
07:33It looks fun every day.
07:35If you do that, it's double the fun.
07:38Nagi is always loose.
07:44It's like this.
07:46It's loose.
07:48I can't speak.
07:50I can't speak.
07:52I've never seen him yell so much.
07:55What did he do when he was angry with Ebisu?
07:58I think it was the loudest voice in 20 years.
08:03I'm going to do a drama.
08:08When did you do the drama first?
08:11The first time I acted was when I was 35 years old.
08:16When I was 35 years old.
08:18I was in a movie called King of Cults.
08:25It was the first time I was in that person's movie.
08:30Did you know that director Ishii was in the movie?
08:34At that time, I didn't care who I was.
08:39The first movie I was in at that time was the main character.
08:44I was the main character, and Tetsuro Tanba was the main character.
08:49It was so sudden that I wasn't nervous.
08:52What do you mean?
08:54It's a story about a blind murderer and a very small murderer.
09:01I'm neither.
09:04You're not the main character?
09:06The main character is a three-question novelist who is looking for those two.
09:11When you read the script, did you want to be in the movie?
09:14I wanted to see how Ishii was shooting the movie.
09:19At that time, I had never said a line.
09:22But even if I hadn't said a line, I was told to be the main character.
09:27It was Ishii's responsibility.
09:31When did you first act?
09:35When I was in the movie, I was in Tokyo.
09:39Director Somai Shinji.
09:42I was the main character.
09:45But I was getting smaller and smaller.
09:48At the end, I wasn't a frog.
09:51I acted with Somai Shinji.
09:54Have you met Somai Shinji?
09:55No, I haven't met him.
09:57You must have met him.
10:00Somai Shinji is a great director.
10:02In my image, he was wearing a geta even in winter.
10:05Yes, he was wearing a geta.
10:08He was holding a stick like this.
10:11He was always putting his tongue in his mouth.
10:14Because his tongue would come out.
10:17Is there a better episode of the director?
10:20There is a scene where he puts the stick in his ass.
10:23I was very shocked.
10:25I wanted to play golf.
10:27So I stayed at my house and played golf.
10:30There was a set.
10:31There was a new set.
10:32The director told me to use it.
10:34Every time I used it, I went to the next hole.
10:37I slept and put my tongue in my mouth.
10:40What are you doing?
10:41My tongue would come out.
10:43Stop it!
10:44It's my new golf stick.
10:49I put my tongue in my mouth.
10:51I don't need it anymore.
10:53I put my tongue in my mouth every time.
10:56Then we got along.
10:58Then you got along.
11:01It was a good relationship.
11:03At that time, Kichi Nakai, Yasuda Shinda, and I got along very well.
11:11He was a famous director.
11:14He was a famous director.
11:16Even now, when other directors come, they ask me,
11:19What kind of person is Mr. Somai?
11:22I'm sure everyone will watch the movie of Mr. Somai again.
11:27I remembered this story.
11:31I don't remember the story.
11:34But I remember the story of the fishing group.
11:37I remember the story of the sailor uniform and the machine gun.
11:40I remember the story of the sailor uniform and the machine gun.
11:42I still remember the story.
11:45I can't remember the name of the person.
11:50Who do you think I can't remember?
11:56The hint is Mr. Somai and the golf club.
12:01No, no, no.
12:03It's a woman.
12:05Makise.
12:12That's amazing.
12:15It's a woman who starred in Mr. Soma's movie.
12:18I see.
12:19I thought you wouldn't answer.
12:22I was surprised because you answered.
12:24It's the scene where Makise and Ryo attack.
12:29I'm really doing this.
12:31My father says,
12:33I didn't touch it.
12:35It's from above.
12:37Wait a minute.
12:39It's not normal to say,
12:41I didn't touch it.
12:43It's from above.
12:45It's from above.
12:47It's from above the clothes.
12:49I didn't touch it.
12:51I didn't touch it.
12:53I have to touch it a little bit.
12:56If you look at my face now,
12:59Ryo will come to Rakukai,
13:01but if you look at my face, you'll be scared.
13:04I look like my father.
13:07I talked to my friend the other day.
13:11There are scenes where handsome people fall in love.
13:16If we have a love scene,
13:20what do you do?
13:22What do I do?
13:24I take care of my partner.
13:25You take care of your partner, right?
13:26That's right.
13:27Normally, handsome people fall in love.
13:29I still love Jun Fubuki.
13:32I love him.
13:33I love Jun Fubuki.
13:35Isn't Jun Fubuki's hair too much?
13:38The amount of hair is too much.
13:40I was surprised.
13:42I was surprised.
13:45I thought it was BoBo.
13:48What are you talking about?
13:50If we are in the same frame,
13:51I'll be in the same frame.
13:55Don't say that.
13:56Please say it with your wife.
13:58I'm talking about the bed scene.
14:00I'm talking about the bed scene.
14:01Usually, I'm talking about this.
14:03I'm talking about this.
14:04I'm talking about the bed scene.
14:05I'm talking about the bed scene.
14:07I'm naked in the bed scene.
14:09Jun Fubuki is not naked.
14:12I hide Jun Fubuki so that I look naked.
14:15I'm naked.
14:17I don't touch Jun Fubuki.
14:20I don't touch Jun Fubuki at all.
14:24I'm naked like a tiger.
14:27I don't touch Jun Fubuki.
14:29That's right.
14:31At that time,
14:33Ken Ogata and I were detectives.
14:38Jun Fubuki was the criminal.
14:41Jun Fubuki was the criminal.
14:43Jun Fubuki was the criminal.
14:45He wrote the script himself.
14:47He did what he wanted to do.
14:50I didn't do that.
14:52I wrote what I wanted to do.
14:54I didn't do that.
14:56I didn't do that.
14:57I think all the roles are like that.
15:01Ken Ogata was funny.
15:05I was nervous at first.
15:08I was nervous at first.
15:10I ate a small daifuku.
15:14I said,
15:16I said,
15:18You looked like you were going to eat.
15:22You looked white.
15:24I said,
15:26I said,
15:28I said,
15:30I said,
15:34I said,
15:36I said,
15:38I said,
15:40I said,
15:42No, it's not like that.
15:45I had four, but I wanted to eat the third one because I thought it would be more interesting.
15:53I said, there's no way to say that.
15:56What kind of conversation is this?
15:58Mr. Ohazu is not the kind of person who can touch that.
16:01It's funny to say it.
16:04I didn't mean to say it.
16:07I was going to scold Mr. Ebisu.
16:09Mr. Ebisu!
16:12I went to a restaurant earlier.
16:16It's strange to talk about it all of a sudden.
16:19I ate grilled rice and cold noodles.
16:22It's a strange combination.
16:25It's a strange season, but there's still cold noodles.
16:30It's like the beginning of ham at the end of Matsutake.
16:36No, it's not like that.
16:39I can't talk about it.
16:43I can't say anything because I'm talking on TV.
16:48I want you to stop when you're eating.
16:50You can't talk to me that much.
16:52But you don't talk to me much in Tokyo.
16:55Tokyo, Osaka, all over the country.
16:57It doesn't matter, does it?
16:58It doesn't matter.
17:01I saw the movie, but it didn't come out.
17:06It didn't come out.
17:08I saw it.
17:11But I didn't come out.
17:14I don't think there's anyone in Japan who doesn't know Tsurume-san.
17:18When I'm at the station, there's a lot of people who don't know me.
17:23The other day, at Kyoto Station, a tall guy said,
17:29I'm a big fan.
17:31He came to shake my hand like this.
17:33There was a screen that searched for me.
17:38I said, there's no way you're a big fan.
17:42You said it.
17:44And at Shinagawa Station, there's a guy who's a fan of autographs.
17:50There are autographs everywhere in Nagoya.
17:53He said, I'm sorry, but could you give me your autograph?
17:55You're Mr. Kotaro Yoshida, aren't you?
17:57That's a common pattern.
17:59I'm mistaken for Mr. Kotaro Yoshida.
18:01I was in a hurry at that time.
18:04So I wrote Mr. Kotaro Yoshida.
18:09Then the guy said,
18:11I'd like another picture of Mr. Kotaro.
18:13I'd like this one, too.
18:15I wrote Lily Frank there.
18:20What? I don't understand.
18:22You wrote Lily Frank on Mr. Kotaro's autograph.
18:28I'm not sure.
18:30I'm not Mr. Kotaro.
18:32I'm not Mr. Kotaro.
18:34I'm not Mr. Kotaro.
18:36I'm not Mr. Kotaro.
18:38I'm not Mr. Kotaro.
18:40If you can tell the difference between things, you can do this.
18:45I'm not Mr. Kotaro.
18:47I'm not Mr. Kotaro.
18:49I'm not Mr. Kotaro.
18:51I did it for the first time today.
18:53He's a terrible person.
18:55No, no, no.
18:57Sometimes he says funny things.
18:59No, I'm not.
19:01If you look back at the recording today, you'll see.
19:03When I say anything,
19:05it's all in a perverted way.
19:08It's like converting to the ears of a virgin.
19:11It sounds erotic.
19:13I was a virgin until I was 19.
19:15We're the same age.
19:17I came to Tokyo when I was 18.
19:20It's refreshing to go back to the countryside.
19:22It's been a long time since I've had a physical relationship.
19:25If I had an ex-boyfriend, I wouldn't do that.
19:28That's right.
19:30I'm 19 years old with my current wife.
19:35My wife is a virgin.
19:37I've been a virgin for a long time.
19:40You've been a virgin for a long time.
19:42It's like a fairy tale.
19:44It's like a fairy tale.
19:46I'm still in love with her.
19:48But I don't have time.
19:50You've been on a lot of trips with your wife.
19:52That's right.
19:53You're trying to make time for that.
19:55That's right.
19:56I used to be a virgin.
19:58It was terrible.
20:00I couldn't go home.
20:02This is...
20:04It's like a hagaki corner.
20:06It's an old hagaki.
20:08It's an old hagaki.
20:13This is from Natsu.
20:15My husband is not at home.
20:17He doesn't come home every day.
20:19He's too busy with work.
20:21He doesn't do any housework.
20:23He lives in his own home.
20:25He doesn't eat with his family.
20:27He lives as a single mother.
20:29He lives as a single mother.
20:31He lives as a single mother.
20:33I'm worried about the influence of my father's children.
20:35I'm worried about the influence of my father's children.
20:37This is his home.
20:39He goes to Tokyo when he's the busiest.
20:42He used to work 17 sugars a day.
20:46He rarely comes home.
20:48So every time he comes home, his children get bigger.
20:51So every time he comes home, his children get bigger.
20:52Let's face it.
20:56You grow bigger on bed.
20:58If you look at your face...
21:00This is weird, but my face has already grown bigger.
21:02I grew up well. It's all thanks to my wife.
21:05She's strict.
21:07She's strict to the kids, and she's strict to me.
21:11But she's free to do whatever she wants.
21:15She never tells me why I can't go home.
21:18She's been like that for a long time.
21:20I guess it depends on what you do.
21:23But it's a job you can't quit.
21:25Your wife was in the same circle as you.
21:28So you just have to give up on her.
21:31I guess you could say that.
21:33It doesn't seem like it, but you're busy with work.
21:38That's why I tell my wife to wait for me.
21:44If I wait for her, she'll come to me when she wants me to.
21:53But if you don't see her often, you'll be able to get along with her.
21:59That's true.
22:02But she knows that.
22:05She knows that, but she doesn't want me to get carried away.
22:09So I've been told to keep an eye on her.
22:12If you're told to keep an eye on her when you haven't done anything wrong,
22:17you'll look down on her.
22:20I've never been told that.
22:22I've never been married either.
22:25You've been told to keep an eye on her.
22:26I was talking to Kirin earlier.
22:30She said, you're not married anymore.
22:33I said, no, I am.
22:35She said, you have to get married when you're young.
22:39So I was like,
22:41I can't do this if I know how to tell the difference between a man and a woman.
22:46That was really funny.
22:49That's a good point.
22:50I can't do this if I know how to tell the difference between a man and a woman.
22:54Please stamp it.
22:57I stamp it every time I receive it.
23:00So you're going to transform with this?
23:04That's right.
23:05I'm definitely not good at this.
23:08What should I do?
23:09Wait a minute, I'm going to do it.
23:17It's beautiful.
23:18If you stamp this, I'll give it back to you.
23:25I'm so happy.
23:28We will be sending you letters in a circular pattern.
23:33If you have any questions,
23:36please send them in a circular pattern.
23:42We will send you a special program stamp to everyone who sent us letters.
23:48We are also looking for people to watch the program.
23:51This is the only place where you can see our talks.
23:54For more information, please visit the program's website.