ビルぶら！レトロ探訪 2024年11月8日 インペリアルビル
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00In the town where the old men gather, there is a building.
00:14There is the Showa-era paradise.
00:21Kajihara Zen.
00:28Kajihara Zen.
00:30Ilmura.
00:31Retro Tango.
00:38Hello, this is Kajihara Zen from Ilmura.
00:41Today, we are at the Yokohama Yamashita Park in Entenka.
00:46We are in the center of the city.
00:48Look at this. It looks like Yokohama.
00:56This time, we are in the center of Yokohama.
01:01Yamashita-cho, which is famous as a date spot, is the location.
01:08There is a fashionable tourist attraction called Yokohama Chukagai.
01:13I wonder what kind of retro buildings are here.
01:19I wonder if I should use this picture.
01:24If I don't use it, I should have gone to Hikae.
01:27For you and for me.
01:29I will use it.
01:30You don't have to use it.
01:35It's hot.
01:39It's hot.
01:41It's completely different.
01:43Zen-san.
01:44What?
01:45That building is the Imperial Building of today.
01:50Let's start from here.
01:54It's closer than I thought.
02:04If you look at this corner, you can see the Western-style foreign style.
02:12The entrance is like a foreign country.
02:17I wonder if it's because of the glass.
02:23The distance between the glass and the inside is different.
02:28There is an inner window.
02:30It's like a building in Hokkaido.
02:34This time, we will visit the Imperial Building, which was built in the 5th year of Showa, 94 years ago.
02:43It is a five-story building with a store and an office.
02:47In 2011, it was recognized as a historical building in Yokohama City.
02:52By the way, this year, the Takarazuka Kagekidan's Sumire no Hanasaku Koro was a hit.
03:00Shall we go?
03:02Let's go to a cleaning shop.
03:06Let's ask them.
03:08I don't mind if it's a prescription shop.
03:11A refreshing cleaning shop, Yamashita Choten.
03:16Hello.
03:19Excuse me.
03:20I'm wandering around the building of BS Fuji.
03:24Is this a long cleaning shop?
03:26It's unnecessarily long.
03:28Unnecessarily long?
03:29May I interrupt you?
03:30Go ahead.
03:31It's unnecessarily long.
03:33The entrance of the store is huge.
03:36It's a sleeping place for eels.
03:38It's not a sleeping place for eels, but it's hard to use.
03:45But it's just right to hang clothes.
03:50A refreshing cleaning shop that has been in business for nearly 50 years in Yamashita-cho.
03:56The reason why the store is so small is because it used to be a store in the corridor of the restaurant.
04:05The second generation owner, Haruhito Ohno, runs the store, which is loved by the locals.
04:11He started the store to save his father's life.
04:17My father was a martial artist.
04:20He was a martial artist.
04:23He was a dark martial artist.
04:25Like Akaji Maru?
04:27Do you know him?
04:30Really?
04:32This is my father.
04:34This is my father.
04:36He was a dark martial artist.
04:41He told me to take a look at the store because he was going to perform overseas.
04:46After that, I've been running the store.
04:48What did you do at that time?
04:50I was a student.
04:52A college student?
04:53Yes, a college student.
04:54World-famous martial artist, Yoshito Ohno.
04:58He performed Japanese martial arts all over the world.
05:04He was a great person who fascinated many people with his unique expression.
05:13What is your father doing now?
05:14My father passed away three years ago when he was 80.
05:17That was recent.
05:18Yes, it was recent.
05:19I wanted him to dance a little more.
05:21I see.
05:23I don't know how dark martial artists feel.
05:28I think it's a growth.
05:30No, no, no.
05:31But you want to express that, right?
05:33Yes, yes, yes.
05:34You want to express that, right?
05:35Yes, yes, yes.
05:36But there were a lot of people at that time, right?
05:40There were a lot of people.
05:41On the contrary, he was well-received overseas.
05:45He was well-received overseas, so it was good that he came back.
05:48On the contrary, when he was a child, he was bullied.
05:51He was so white and he danced.
05:55I can't say it here.
05:57If he hadn't become famous.
06:00Ohno couldn't say what his father was doing when he was young.
06:06But his father, who lived like himself on a big stage in the world,
06:11gradually became a dream of Mr. Haruhito.
06:20Maybe he wanted me to follow him.
06:23Was he alone?
06:25There was only one man.
06:28No, but it's cool.
06:31It's a free expression.
06:33I'm very proud that he was in Yokohama.
06:39That's amazing.
06:42Here we go.
06:44Cheese.
06:46Thank you very much.
06:48Thank you for your hard work.
06:53Let's go inside the building.
06:58There's a sign.
07:01There's a tenant sign.
07:04I've never seen such a cool tenant sign before.
07:13It's a guide that makes you feel the history.
07:17I wonder what kind of store is inside.
07:22Is this a tailor's shop?
07:26It's not a tailor's shop, is it?
07:30It's not a tailor's shop, is it?
07:32What is Bisque Doll Salon?
07:35Is it a doll salon?
07:39Let's go.
07:44Hello.
07:45What are you looking at?
07:47It's cool.
07:48That's right.
07:50I just walked from Yamashita Park.
07:52It's hot.
07:54Please go ahead.
07:57Excuse me.
07:58I'm on a program called Build Bura of Fuji of BS.
08:02Are you running a store?
08:04No, I'm the owner, Masafumi Ueda.
08:09This is Masafumi Ueda, the third-generation owner.
08:13He takes care of the building his grandfather built.
08:18What was this building like at the time?
08:21At the time, it was an apartment hotel for foreigners.
08:28What's around there?
08:30Is this the front?
08:32At the time of construction, there was a store and a reception here.
08:38That's great.
08:39I opened this and signed here.
08:43It was a reception place.
08:45The inside was a store.
08:47What's around here?
08:49I think it was sold like this at the time.
08:54I want this.
08:58Is this a cream can?
09:01I think so.
09:02The inside is a pottery and the top is a metal.
09:07This is a film from before the war.
09:09Really?
09:10Is it a Kodak film?
09:11It's a film before the war.
09:14That's great.
09:15Was there a mask in this?
09:18Yes.
09:20This is nice, too.
09:21Yes.
09:23That's great.
09:25What's this?
09:27There is a call button on each floor.
09:31If you press the switch there, it will come down electrically.
09:36When it comes down, the bell rings and says,
09:41I'm calling you on the 5th floor.
09:43Then the boy will go.
09:47I heard that this was not very useful.
09:51I heard that it was faster to ring the bell from above.
09:54But you made it anyway.
10:04In 1859, the end of the Edo period,
10:07many foreign residences were built in Yokohama.
10:14In the 5th year of the Showa era,
10:16the Imperial Building was opened.
10:20The current owner's grandfather, Yozo Ueda,
10:23built it by selling silk products.
10:29At that time, it was a foreign-only building
10:32with a bathroom, a toilet, a shower and a kitchen.
10:42However, after the war, the building was taken over by the U.S. Army
10:46and used as a residence of the General Staff to defend MacArthur.
10:57After 11 years after the war,
10:59when the building was converted,
11:01shops and offices were built as it was.
11:08The third-generation owner, Fumi Masa,
11:11has been working to revive the atmosphere of the building
11:15by displaying daily necessities from 20 years ago.
11:22Look at the stairs.
11:24They haven't changed at all?
11:26No, not at all.
11:30We decided to go to the second floor
11:33to see what the owner's room looked like.
11:37Wow, this is amazing.
11:39This is a time slip.
11:47Wow, this is amazing.
11:49This is the room.
11:51This is the guest room.
11:53There was a partition here, but it was taken.
11:57There was a bed here, right?
11:59Yes, there was a partition here.
12:01I see.
12:02The bed was here.
12:05I see.
12:06Considering the single room,
12:08it's quite a luxurious space.
12:12What's this?
12:14This is...
12:15This is definitely the manual massage machine
12:19that was used at the time of the war.
12:21What?
12:23What?
12:25Are old people okay with this?
12:31It's not bad.
12:33It's popular now, isn't it?
12:36It's better to have someone do it.
12:38It's better to have someone do it than to do it yourself.
12:41That's good.
12:43Japanese craftsmen are excellent.
12:47This is not the first time to see this.
12:52I think it's the first time for Japanese people to see this.
12:55Where was this?
12:57This was in the basement.
13:01It was left there.
13:03I see.
13:04It's nice to have your own office.
13:07It's a relaxing room.
13:09It's very relaxing.
13:10I think so, too.
13:11I envy you.
13:13You can drink scotch here and brush your teeth.
13:17That's all you need.
13:20Thank you for your hard work.
13:23Thank you very much.
13:41The Imperial Building in Yokohama has a history of 94 years.
13:47Can I take a look around here?
13:50Sure.
13:53What is this place?
13:55Keizu Architects.
13:56It's an architecture office.
13:58It's cool.
14:03Atsu Kakoya Max.
14:07It's a design office.
14:11History is displayed all over the building.
14:20There are four tenants on the second floor.
14:30This is a men's room.
14:33It's nice.
14:36The clothes are cool.
14:40It's a casual version of Ken Takakura's clothes.
14:54There are four beauty salons on the third floor.
15:00I can hear music.
15:04Yes.
15:08Is this Godfather?
15:11Is this Taylor?
15:13Can I come in?
15:15Please come in.
15:21Excuse me.
15:23I'm from Fuji TV.
15:25I was on a program called Billbra.
15:27I heard Godfather today.
15:30Please come in.
15:33It's different from the stairs inside.
15:36Yes.
15:37It's bright.
15:38Yes, it's very bright.
15:40It's good to see the fabric.
15:42I see.
15:43It's good to see the color.
15:45Is this a tailor's shop?
15:48Yes, it's a tailor's shop.
15:50Is this a tailor's shop?
15:51Yes, it is.
15:52It's a tailor's shop.
15:55Mr. Zen found a cool-looking tailor's shop.
16:03Mr. Hasei, the tailor, is making a classic suit from 1960s.
16:16He wants to make a suit that is not influenced by fashion.
16:23By the way, the music that was playing on the floor was from his record.
16:32By the way, Mr. Zen, you went to a clothing school, didn't you?
16:39This is a pattern.
16:41This is a pattern.
16:42This is a pair of pants.
16:43I see.
16:45I make clothes in inches.
16:51In England and the United States, it's in inches.
16:55In Japan, it's in centimeters.
16:58In the old days, bamboo joggers were shaggy.
17:01Yes, they were shaggy.
17:02So, the people who made kimonos were those people, right?
17:05Yes, they were.
17:06The measurements are written in inches and centimeters.
17:11In inches, it's easier to make clothes.
17:14Is that so?
17:15Yes.
17:16How much did it cost to make this suit by order?
17:22It depends on the fabric.
17:24I think it was about 400,000 yen.
17:28It's quite expensive.
17:30I see.
17:31It's quite a big decision.
17:33No, no.
17:35It's good to make a suit, but you have to be careful not to maintain the body shape.
17:42But I can fix the clothes I made.
17:46If I get fat, I can take them out.
17:48Even if I lose weight, I can pack them.
17:50Is that so?
17:51In that sense,
17:52you have the fabric.
17:53Yes, I have the fabric inside.
17:56Is that so?
17:57Yes.
17:58That's it.
17:59Don't worry.
18:00Please order.
18:04Is that it?
18:05Yes.
18:06How long have you been doing this business?
18:09I've been doing this business since 2010.
18:12I see.
18:13Did you go to high school?
18:17Yes, I did.
18:18Did you go to a fashion school?
18:20Yes.
18:21I went to a fashion school.
18:22I trained as a tailor and became independent.
18:26Where did you train as a tailor?
18:28In Tokyo.
18:29At a shop in Aoyama.
18:31But I didn't have a salary, so I worked part-time.
18:51I see.
18:52I see.
19:51When I became independent, I didn't have a lot of money.
20:18But the atmosphere of this shop made me think that even if I didn't spend a lot of money,
20:27I could make a great shop.
20:49I'm a tailor.
20:55I'm a tailor.
21:00I admire it.
21:01This is a building with a taste.
21:07It's different from a new building.
21:11Yes.
21:12I agree.
21:13I agree.
21:14I can't change the atmosphere with money.
21:16I see.
21:17I hope you'll continue to make a great space.
21:22I envy you.
21:26I want to order a jacket and a suit here someday.
21:32Then I want to play billiards with a new feeling.
21:38I know this is an old building, but the stairs are a bit of a problem.
21:48On the 4th floor, there are nine tenants, including design offices.
21:57Oh, I saw something down there.
22:01Shall we go?
22:03Shall we go?
22:06Excuse me.
22:09I've seen you on a show called Bill Blah on BS Fuji.
22:14You're right, it's a doll.
22:16It's amazing.
22:18It's perfect for the taste of this building.
22:23Is this where you make the dolls?
22:26That's right.
22:28Can I take a look?
22:29Please do.
22:30Wow, amazing.
22:31Please take a look.
22:32What is this?
22:34It's a bisque doll.
22:36It's called a bisque doll.
22:38Wow, amazing.
22:40What is a bisque doll?
22:42It's a baked doll with a baked head.
22:46Is this a face?
22:48That's right.
22:49I didn't know that.
22:50It's made of the same material as plates and mug cups.
22:54It's called a bisque doll.
22:56Can I touch it?
22:57Of course.
23:00Look at the curve.
23:03It's like a child's face.
23:05Yes.
23:06It's so cute.
23:08It's so smooth.
23:10Is this a doll for children?
23:14That's right.
23:15In the old days, adult dolls were popular.
23:21The bisque doll was used as a mannequin when a dressmaker went to a nobleman's house and asked him to make a new dress.
23:33In 1855, the first doll from Paris was exported from Japan.
23:41The first doll?
23:42Yes.
23:43The doll with a big head was very new to me.
23:48That's why I started making dolls for children.
23:53Shall we doll, a bisque doll classroom where you can make everything from dolls to costumes to your liking.
24:03Mr. Kusakari, a bisque doll artist, has won many awards at international competitions.
24:13His face, which is made by pouring clay into the mold, changes into various expressions depending on the maker.
24:27In this classroom, not only in Japan, but students from abroad have also come.
24:35I feel like I'm getting tired of the well-balanced machine-made things.
24:46The things I make are not always in a balanced balance, but I feel an indescribable attachment to it.
24:54I don't think I'll get tired of it.
24:58There are many children in this class.
25:01Is that so?
25:02There are many children who are about 140 years old.
25:06I wonder who they are.
25:08All of them are so beautiful.
25:14Is this it?
25:16This is also my work.
25:19Really?
25:20Yes.
25:21It's very elegant.
25:26Is this the one?
25:28That's a student's work.
25:29Really?
25:32That's amazing.
25:35Is this it?
25:36That's right.
25:37She's 140 years old.
25:39But her face is totally...
25:41That's right. This is the power of bisque.
25:44It's easy to draw a big one, so I drew it halfway.
25:48Now, let's have Ms. Jen experience drawing eyelashes.
25:54I'm scared.
25:56Don't worry. I can erase it.
26:01You know...
26:02That's right.
26:03You didn't even wear glasses.
26:13This is a difficult task.
26:16It's quite dynamic.
26:20This is difficult.
26:24It's good to concentrate.
26:26That's right.
26:27Slowly.
26:31This is the same girl, right?
26:33That's right.
26:36That's strange.
26:38She's so wild.
26:39She looks like Umezu.
26:43That's right. She looks like a horror movie character.
26:48Hook it with a hook.
26:51Take the stick.
26:55If you do this, it becomes a doll.
27:00What do you think of the doll you made?
27:03I want to wear a T-shirt with this doll.
27:08I'm looking forward to it.
27:13I didn't expect this.
27:15I didn't think I could make a doll like this.
27:19It's interesting.
27:24Ms. Jen is walking around the Imperial Building in Yokohama.
27:30It was amazing.
27:33I didn't think I could make a European doll like that.
27:43Mugengan?
27:47Again?
27:49There are a lot of things.
27:54What?
27:57Hello.
27:58What?
27:59Hello.
28:00I'm sorry.
28:01Welcome.
28:02Why did you make this door again?
28:07I wanted to make a drawer, but it was difficult to make a bag.
28:13I made it in the middle of the door and the drawer.
28:16I made it in the middle of the door and the drawer.
28:19Can I have a look?
28:24This...
28:26This...
28:28Hold this side.
28:30This side?
28:31Hold this side?
28:33Like this?
28:34It's quite impossible.
28:37He forced the door into a drawer.
28:41What is this place?
28:46What is this place?
28:48This is a tea room.
28:50A tea room?
28:51You made the door Japanese style?
28:55Yes.
28:56Because the outside is a mansion.
28:57I see.
28:58The left side is the entrance.
29:02Whether you are tall or short, you lower your head.
29:10The tea room with a calm atmosphere spread out in front of the entrance.
29:15I couldn't imagine this.
29:19Mugengan?
29:20Hello.
29:22Why did you make this door again?
29:26I used to work in a design office here.
29:30I moved to the second floor.
29:33I thought I could do something with this space.
29:37My father used to make tea.
29:40I thought it would be interesting to make a tea room.
29:43So, this is your father's hobby.
29:47I hope you think so.
29:49When did you make this?
29:51I made this in 2017.
29:57What is this wall?
29:59Dr. Seibu, a pottery maker,
30:02made this wall with clay to make pottery.
30:11Clay?
30:12Is it clay?
30:13Yes, it is.
30:14There are various kinds of things here.
30:17There are various layers.
30:19Yes.
30:20There are various kinds of things here.
30:25It's a mixture of old and new.
30:31It looks like a tea room in an apartment complex in New York.
30:38Yes, it is.
30:39It's an honor to have you here.
30:41It's wonderful.
30:42This apartment complex was originally built for foreigners.
30:46I thought it would be interesting to reverse the history
30:50and pass on Japanese culture to foreigners.
30:54I see.
30:5690% of my customers are foreigners.
30:59Is that so?
31:00Yes.
31:01I see.
31:04If you make a reservation, anyone can experience the tea ceremony.
31:08It is popular among foreign tourists visiting Yokohama.
31:13An Australian wearing a yukata was visiting this day.
31:19It was a really good experience for us,
31:21and we liked learning new things about the culture.
31:27Ms. Zen is also joining us.
31:48When the tea is served, you come to pick it up.
31:51I do?
31:52Yes.
31:53You bring the sweets to your side.
31:56Just like you did when you came in.
31:58That's right.
31:59You rub it.
32:00I just need to reach it, right?
32:01Yes.
32:02When you reach it, you pull it with your right hand.
32:04I pull it.
32:05Yes.
32:06You pull it.
32:07You sit down.
32:08You pull it.
32:09I see.
32:10You sit down.
32:11You repeat this.
32:12I see.
32:13I see.
32:14I see.
32:15I see.
32:16You repeat this.
32:17I repeat this.
32:18Is this okay?
32:19Yes.
32:20I take it.
32:22Please give me your hand.
32:23Please give me your hand.
32:25Do I have to turn it?
32:27Put it on your left palm.
32:30Now, the front is facing you.
32:34If you turn it once or twice, the other side will be able to taste it.
32:39Twice.
32:40Yes.
32:41Then, you should thank me.
32:43Is this okay?
32:44Yes.
32:45Yes.
32:47Shifting it twice means avoiding the front of the bowl.
32:52That's how you do it.
32:53Is this here?
32:54Yes, avoiding it.
32:55I see.
33:00So,
33:01it's a good idea.
33:03You don't have to say it.
33:05I don't have to say it.
33:06It's a good idea.
33:10It's delicious.
33:13This is the first time I've heard of this method of making tea.
33:20I'm surprised.
33:22But it makes me feel good.
33:25It happens a few times a year.
33:28Nowadays, many people practice as a non-daily practice.
33:34In the past, it was a daily practice.
33:39I can't help it.
33:41Please relax.
33:44It hurts.
33:45It hurts.
33:46It hurts.
33:48I haven't done this for a long time.
33:54My legs are shaking.
33:59I'll kick you out.
34:12I'll kick you out.
34:28I've loved the retro atmosphere of Minato-machi in Yokohama since I was a child.
34:35When I was looking around the old buildings, I found this building.
34:41I fell in love with the atmosphere of this building at first sight.
34:46I absolutely wanted to do this.
34:58There are many customers who like retro buildings.
35:03That's where the story develops.
35:08There are also people who want to take wedding photos on the first floor.
35:14There is a wide range of people.
35:25This is a pre-production of the Imperial Building in Yokohama, which was opened in 1952.
35:33The stairs are getting narrower.
35:40There are five offices on the fifth floor.
35:49A shoe manufacturer?
35:52A shoe store?
35:57Come in.
36:00Hello.
36:01I'm wandering around the building of BS Fuji.
36:06Is this a shoe store?
36:09We make shoes and boots.
36:11Do you make shoes?
36:12Yes.
36:13May I come in?
36:14Yes, please.
36:15There are wooden floors.
36:18That's amazing.
36:19We make shoes from wooden floors.
36:22That's amazing.
36:25We cut the customer's feet and cut the wood.
36:30What's the difference in color?
36:32We put leather on the shoes.
36:34Is it leather?
36:35May I touch it?
36:36It's hard leather.
36:37It's hard.
36:38It's not different from wood, is it?
36:39That's right.
36:40Why do you make it leather?
36:42When I want to add a little more, I cut the wood.
36:48You cut the wood.
36:50You cut the wood.
36:52When I want to add a little more, I put hard leather on it and adjust it.
36:58That's a lot of work.
37:01I put leather on it because I want to add a little more.
37:07I make it once and have it worn out.
37:11If there is a reaction that this part is tight, I add a little leather and fix it.
37:19Do you make the shoes yourself?
37:22That's right.
37:23Temporary sewing is done once.
37:25Is that so?
37:26I throw it away.
37:27Throw it away?
37:29I make it with the same leather.
37:31Temporary sewing is used for clothes, isn't it?
37:35That's right.
37:36If it's leather, I can't use it if I cut it.
37:40I cut it, have it worn out, and look at it.
37:44I make a window.
37:46Like this.
37:49I write down the corrections.
37:51From there, I make the real thing.
37:53Is that so?
37:55How long does it take to make one?
37:59It's been two years.
38:01Two years?
38:03To make one?
38:04That's right.
38:05Does it take two years?
38:06I don't cut the wood for the second one, so it's a little faster.
38:10I see.
38:12Two times a month.
38:13Is that so?
38:15I see.
38:18It's all handmade.
38:20That's right.
38:21It takes time.
38:27Shirakashi Boots Maker,
38:29a small room of about five acres,
38:31has all kinds of tools.
38:33Mr. Shirakashi is a shoe maker.
38:41Mr. Shirakashi, a shoe maker,
38:43liked the atmosphere of this building
38:45and moved here four years ago.
38:50Can you show me how you make shoes?
38:54This is a sample.
38:56Wow, it's very beautiful.
39:03This is a sample.
39:04It's beautiful.
39:06Is it a men's shoe?
39:07It's a men's shoe.
39:10It's amazing.
39:11The gloss is very beautiful.
39:15This is wax.
39:20What kind of customer do you have?
39:25I have a lot of customers from overseas.
39:27Overseas?
39:28After COVID-19,
39:30I ordered two pairs of shoes from Dubai.
39:35I see.
39:36How much are they?
39:37The boots are 600,000 yen.
39:43It's more expensive than a suit.
39:48Was it Hasei?
39:50Yes, Hasei.
39:52The shoes are 480,000 yen.
39:54I see.
39:56Do you usually sell the shoes you ordered?
40:00It's more expensive overseas.
40:02I see.
40:03It's cheaper in Japan, but it's about 2 million yen overseas.
40:08What?
40:10The shoes?
40:11Yes.
40:12Oh, no.
40:13You should have told the people in Dubai.
40:15I told them it was cheap.
40:17You should have told the people in Dubai.
40:19You should have said,
40:20I'm sorry.
40:21You should have sold the shoes at a reasonable price.
40:25But you gave me two pairs of shoes.
40:27No, no, no.
40:28You should have said,
40:29No, no, no.
40:31You should have told the people in Dubai.
40:34What is this?
40:37This is a big knife for cutting wood.
40:40Oh, it's a knife.
40:41Yes.
40:42You look like a pirate.
40:44I can kill people with this.
40:46No, please don't.
40:48Is this your teeth?
40:49It's dangerous.
40:50I can really cut people with this.
40:51Where did you get this equipment?
40:56It's a tool from 200 years ago, so I couldn't get it.
41:01200 years ago?
41:02100 years ago, 200 years ago.
41:04Where did you get it?
41:06I got it from my master.
41:08And I sell it overseas.
41:11Where does your master live?
41:13My master lives in Tokyo.
41:15I started this shop when I was in my late 30s.
41:19How old are you now?
41:20I'm 55 years old.
41:21Why did you change your job?
41:25What did you do originally?
41:27I used to work in graphic design.
41:30With a computer?
41:31Yes, with a computer.
41:34I made shoes as a bonus.
41:38Your own shoes?
41:39Yes.
41:40By order?
41:41Yes, by order.
41:42I realized that there was something I could do.
41:45It was a culture shock.
41:48And you wanted to try it?
41:51Yes, I wanted to try it.
42:12My wife supported me.
42:15But people around me were against it.
42:19They said that I was too young.
42:22I was a kid.
42:24I was a kid.
42:26I was a kid.
42:29But I was a kid.
42:32I was a kid.
42:34I was a kid.
42:36I was a kid.
42:38I was a kid.
42:40But people around me were against it.
42:44People around you?
42:46My wife's father.
43:10Why did you change your job?
43:17I was too absorbed in my work.
43:20I wanted to be a good artist.
43:25That was my goal.
43:27I didn't look around me.
43:32¶¶
44:02¶¶
44:12¶¶
44:16It was a tough road.
44:19I was 30 years old.
44:22It's not easy to get a job as a graphic designer.
44:29I quit my job and started training.
44:33But I was able to make these shoes.
44:37I was able to make these shoes.
44:42I was able to make these shoes.
44:45Thank you for coming all the way from Dubai.
44:52The next episode will take you to Aspen Plaza.
45:00Zen is dancing.
45:02You look great.
45:05Rika is experimenting inside the building.
45:08Wow!
45:09This is going to be in our mouths in three weeks?
45:13Really?
45:15It's a traditional flavor.
45:17It's like a dream come true.
45:21It's good.
45:23It's like a futuristic city.
45:28What's that?