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Short filmTranscript
00:00and I know that it's not for me.
00:02It's for you, Javi.
00:12A single queen is not enough.
00:15That's where you're getting yourself, yes?
00:18Not a single queen
00:23who will perish in her own lair.
00:24I don't want you to drag me along.
00:29If I were your father, I wouldn't even bother giving birth to you.
00:37You're not a camper. You're not.
00:45Think things through.
00:48You shouldn't be against me.
01:00I'm not a single queen.
01:03Cassandra, let us through.
01:05Cassandra, we need to talk to the lady, please.
01:08Cassandra, Cassandra, please.
01:10How dare you come in like this? What do you want?
01:13We need to talk about what happened with Canutos.
01:21Aurora, you couldn't even be at our wedding to console Angel.
01:25I doubt you were with Demian at other times when he needed you.
01:30And sadly, Demian and I don't even know each other.
01:33Helena, please. This is not the way to talk to Aurora.
01:36I'm saying what I feel, Dad.
01:38And I'm not a kid anymore for you to tell me what I can say and what I can't.
01:41You've spent your time taking care of a stranger.
01:45Tell me, what did Angel do to win you over?
01:48And that you spend your time eating out of his hand?
01:51Because, really...
01:52Who poisoned your soul with these ideas?
01:55No one. No one poisoned me.
01:57With your actions and Aurora's, I have everything clear.
02:00Helena, please.
02:02Leave her, leave her, leave her.
02:06Helena is still very hurt and I don't judge her after everything that happened.
02:10I'm sorry, Aurora. I'm going to talk to her.
02:15Julio.
02:17Julio, you know why I went with Angel.
02:19He wasn't guilty, like the video shows.
02:25There is no deception in the face of evidence.
02:28You and I have also had problems because of your obsession to take care of Angel as if he were your son.
02:36Helena is going through a very difficult and complicated stage.
02:40She doesn't have a mother to guide her.
02:43And forgive me, but Antonio is also going through a very difficult and complicated stage.
02:49You haven't been the father of the year either, have you?
02:52Julio, on the day of the wedding I had to know the truth.
02:56Angel was very affected.
02:59And you think it was very easy for Helena?
03:05You were to blame for my friend Carlos committing suicide.
03:08I'm not guilty of anything.
03:11Get out right now or I'll call security.
03:14We're not leaving until we talk about Carlitos.
03:16And it's better if you tell us.
03:19Because I tell you once, we know a lot of things.
03:24Okay.
03:26Cassandra, leave us alone, please.
03:28Yes, Cassandra. Leave us alone, please.
03:40You manipulated Carlos.
03:43You destroyed his self-esteem and that's why he committed suicide.
03:46And we're not going to let you do the same with Luis Alberto.
03:50I have no idea about the nonsense you're saying.
03:53But I'm going to sue you for defamation and gender violence.
03:58No, ma'am.
04:00We're not raping her and we're not defaming her either.
04:03And go to the police.
04:05It will be interesting to know what you have to say about Carlos.
04:08Yes.
04:10And I should go so that the police can see the messages at once.
04:17Oh, my God.
04:19But what's wrong with you, Cassie? Why are you coming like this?
04:22No, it's just that it's already set up, Mrs. Espe.
04:24It's already set up.
04:26It's already set up? What's set up? I don't understand you.
04:28It's already set up.
04:30What's set up?
04:32The fight, the pendency, the bull, the ball, Mrs. Espe.
04:34Now there's going to be blood.
04:36Let's see, let's see, Cassandra. You're very nervous.
04:38What are you crying about?
04:40Oh, no, no, no.
04:42Surely for these moments here, Luis and Gloria must be dead.
04:44What?
04:47Well, hey, it's good that you convinced your boss, bro.
04:51I think he's very upset about everything that's going on.
04:54Well, I told him that I'm not going with Pintas anymore.
04:58I don't know, I'm afraid something's going to happen to him.
05:01I see my dad so bad.
05:04And how are you, man?
05:06I don't see you so down.
05:08Oh, bro, I have no choice.
05:10I have my Anita, Rolas and my dad.
05:13And well, if I fall and get depressed, my family will go to hell.
05:16That's right, bro.
05:18Hey, but what happened with Helena?
05:20I know that in church we couldn't do much, but you could talk to her.
05:23You already explained to her what show, the things, right?
05:26Yes.
05:28She gave Sonia the opportunity to listen to me.
05:31Do you know what I find hard to believe?
05:34How she forgave me so quickly, as if it were nothing.
05:37But hey, let's admit that we're late.
05:40Yes, boss.
05:42Tell him.
05:47What messages are you talking about?
05:50Some that we saw on Carlos' cell phone.
05:54What liars you are.
05:56Carlos' mom never gave them his cell phone.
05:59And they're trying to blame me for something that I have nothing to do with.
06:04And I warn you, this is going to have very serious consequences.
06:12Who entered my office, Casandra?
06:16Who did you let in?
06:19Were you the ones who entered my office?
06:22No, we never entered.
06:26And you are the one who is aborting the hen, right?
06:31Ladies and gentlemen, excuse the boldness.
06:35Boss, you have to know that the employees and I made a dance in honor of you.
06:39Play the music, please.
06:48Of course, you were the one who entered my office.
06:51I don't know what you're talking about, ma'am.
06:54But we're not going to let you take Luis Alberto down the same path.
06:57The same path that took Carlitos.
07:00A pair of idiots.
07:03They are fired.
07:08Tell Briana to prepare the liquidation of ...
07:11What are they called?
07:13These two imbeciles who are inside my office.
07:16I don't want to see them again in my company.
07:25Edgar, where are you?
07:27Why aren't you in the office?
07:29I need to see you.
07:31Run!
07:39I'm going to get tired of you.
07:43One of these days I'm going to get tired of you.
07:46Of my dungeon.
07:54Oh, Cassandra.
07:57No, I can't be anyone's dad, Cassandra.
08:02I can't.
08:09Daughter.
08:11You know I've known Demian the same time as you.
08:15That's why.
08:17And just because of that, it seemed surprising to us that they left the presidency to Aurora.
08:20But even more, my love.
08:22Let the flowers go to live.
08:24I already talked to Demian.
08:26And we agree to leave.
08:28In fact, I asked him to do so.
08:31Why don't you take things slowly?
08:34Take the plan, my love.
08:35Leave Demian alone.
08:37Think things over.
08:39No, I don't have time for that.
08:41I left many pending and I want to finish them before we move.
08:45You have a problem with me.
08:49You're upset with me.
08:52In fact, you're also angry with Aurora.
08:57Because of Angel.
08:59Dad, I don't want to talk about Angel anymore.
09:01I'm a married woman and I ask you to respect my life.
09:03Angel is already in the past.
09:05But if for the two of you it is the center of your lives,
09:08understand that for me, no.
09:10No, you are the center of my life, my love.
09:14You.
09:16Someday.
09:19I'll tell you the reasons why I'm helping Angel.
09:23Sorry, Dad.
09:25But I have things to do.
09:28Elena.
09:30Can I talk to you?
09:32Your eyes shone, right?
09:34There are 20,000 of the eagle.
09:36So that the other 20,000 do not remain blind.
09:39And the other half for when you finish the business, the work.
09:42And this time I don't want failures.
09:44You take care of hitting it.
09:46And when you finish, you paint it.
09:49You paint it.
09:51You paint it.
09:53You paint it.
09:55You paint it.
09:57You paint it.
09:59You paint it.
10:01You paint it.
10:03You paint it.
10:05You paint it.
10:07You paint it.
10:09I hope that with Demian's decision,
10:12you understand that your nephew has nothing against you.
10:15On the contrary, Demian supports you.
10:17Please, I don't want us to talk about Angel.
10:20I didn't come to talk about Angel, Elena.
10:23Elena, I want to tell you something before going to the meeting.
10:27I thought you were coming to that,
10:28because both you and my father have no other topic of conversation.
10:32Elena, I think you're confusing things.
10:35No.
10:37You forget that I've been with you all this time.
10:39You have had my unconditional support.
10:42I have defended you from Yesabel and Demian at the time.
10:46And I have been by your side sometimes,
10:49even against my own father.
10:51Angel, don't tell me, daughter.
10:54I just came to tell you that the video game project
10:56is canceled.
11:00What if they ask for the security cameras?
11:03No, Mrs. Espen, don't do it.
11:05We would be armed, but regacho.
11:07Florito, friend, calm down.
11:09If they fire us, I swear we'll find work.
11:11What am I going to tell my mom?
11:13That they fired me for being a spy and gossip?
11:15I ask you.
11:17Well, I insist.
11:19They're going to see us all in the cameras and they're going to fire us.
11:21No, no, no.
11:23Don't worry about the cameras.
11:24Well, what are they going to do now without work, young man?
11:27Well, we'll find that, for sure.
11:29My mom is going to put me in a room
11:31that won't let me sit for days.
11:33Are they really hitting you, Glorio?
11:35Yes, more or less.
11:37Yes, tell me, Yesabel.
11:43Yes, yes, I'm on my way.
11:47I want to go to your office right now.
11:49No.
11:51That project was already authorized, Aurora.
11:54Do you know how much I've worked on this?
11:56This is not personal.
11:58It has to do with the cost-benefit.
12:00It's a project that's too expensive.
12:02Those budgets were reviewed and approved.
12:05I didn't review them because they were in the regional management.
12:08The decision is not only yours.
12:13Demian.
12:16Aurora decided to cancel the video game project
12:19that was already approved by the board of directors.
12:21I agree with my aunt.
12:23Elena, it was a very high budget for the benefit.
12:26Can we do a restructuring?
12:28No, it's not necessary.
12:31We're doing business.
12:33Yes.
12:35And if this decision is for the good of the company,
12:37then there's nothing else to talk about.
12:39But Demian, we can't cancel the project.
12:41We'll talk about it at home, yes?
12:43We'll talk about it later.
12:46Aunt, can we talk about it at home?
12:48Yes.
12:49Aunt, can we talk about it at home?
12:58Whoa, whoa.
13:00Be careful.
13:02You don't want to paint yourself by accident.
13:07Just the tone I asked for.
13:09Excellent job.
13:14No, don't even sit down.
13:16What I'm going to tell you is quick and I need the truth.
13:20So, no one came into my office that time?
13:24No, no, no, no one.
13:26No one, I'm sure.
13:28Besides being stupid, a liar.
13:32Did you let those two idiots in?
13:34No, no, no.
13:36I never let anyone in.
13:38And what did they want?
13:40What were they looking for?
13:42You told Aurora and Julio Cesar
13:44what you heard here in my office, right?
13:46No, no, no, really.
13:47I don't know what you mean.
13:49This is your last day in the office, Cassandra.
13:52I don't want to see you here again.
13:56I'm sorry, Mrs. Isabel.
13:59I can stop being your assistant if you want,
14:01but you can't fire me.
14:03Why not?
14:05Take your things and leave right now.
14:07Mrs. Aurora has to tell you.
14:09You can't fire me while you're pregnant.
14:13Pregnant?
14:14Yes, I'm expecting a child from him.
14:21I think you're seeing enemies where there are none.
14:25I hadn't checked the budget, Aurora.
14:27I don't even know what to think.
14:29I feel like everyone is against me,
14:32even me.
14:34And why would your husband be against you?
14:36He decided abruptly to give the company's address to Aurora
14:40when he did everything he could to get it out.
14:42I have the impression
14:44that now is when you're really going to meet him.
14:54Girls!
14:56It's so nice to see you!
14:58You don't know how much trouble they gave me for us to come.
15:01How are you, my beautiful girl?
15:04And you, Rolitas?
15:06We came for you to take you to eat quesadillas
15:08at my mom's place.
15:09Of course it was my mom's.
15:11Come on, Felina!
15:13Come on!
15:16The contract is in the name of Romualdo Garcia.
15:19And here is the copy of his credential.
15:22Yes, it's him.
15:24If he gets it, he must contact us immediately.
15:28Hello.
15:30I'm Ăngel Santos,
15:32the person who filed the complaint against Pintas
15:34for the murder charge.
15:36We're doing a record of his things
15:37to see if we can find any clues.
15:39But the owner says he hasn't been coming in days.
15:42My friends are also willing to testify against him.
15:44Yes, sir.
15:46Titi has information that I'm sure will help you.
15:48Put everything as it was.
15:50That guy can come back.
15:52And I'm going to take your statement.
15:54Come with me.
15:56Perfect, sir.
15:58We are sure that Pintas was the one who killed our friend Mario.
16:00We are not only investigating him for the crime he was charged with.
16:02Also, Romualdo is the alleged rapist
16:04of Mrs. Aurora Campero.
16:08I thought you were gone, Antonio.
16:10Julio told me you wanted to talk to us.
16:12Yes, yes, yes.
16:14Please take a seat.
16:16It's better if it's important.
16:18Because I have to move forward
16:20with the changes
16:22in the statute
16:24that Demian asked me for.
16:26I don't think there's anything more important.
16:28Well, I asked you to be here
16:30because I don't want you to have insecurities.
16:32And I don't want you to be afraid.
16:34I'm not afraid.
16:35I don't want you to have insecurities
16:37or misunderstandings.
16:39We can avoid all misunderstandings
16:41if you stop using Angel
16:43to get Aurora's attention.
16:45Enough, enough, enough.
16:47Please.
16:49What do you have to tell us, Antonio?
16:51I made you a promise.
16:53Yes.
16:55A promise that I have to talk to you about.
16:57Is it about Gabriel?
16:59Yes.
17:01You found me.
17:03You found me.
17:05You found my son.
17:35You found me.
17:37You found my son.
17:39You found my son.
17:41You found my son.
17:43You found my son.
17:45You found my son.
17:47You found my son.
17:49You found my son.
17:51You found my son.
17:53You found my son.
17:55You found my son.
17:57You found my son.
17:59You found my son.
18:01You found my son.
18:03You found my son.
18:05You found my son.
18:07You found my son.
18:09You found my son.
18:11You found my son.
18:13You found my son.
18:15You found my son.
18:17You found my son.
18:19You found my son.
18:21You found my son.
18:23You found my son.
18:25You found my son.
18:27You found my son.
18:29You found my son.
18:31You found my son.
18:33You found my son.
18:36You found my son.
18:50Excuse me, Agent.
18:52How is it that Pintas is the supposed rapist of Ms. Aurora Campero?
18:56Sorry, but I can't give you any more details about it.
18:59Do we have everything?
19:01Let's go, fast!
19:02I can't believe that bastard destroyed Mrs. Aurora's life.
19:06I want to find him, no matter what.
19:11But where did you find him?
19:13Who does he live with? Is he okay?
19:15Calm down, Aurora, calm down.
19:19Antonio, be clear.
19:21What news do you have?
19:23Are you lying to us?
19:24No, I would never do that.
19:26I just want to tell you that we're very close to finding him.
19:28Yes, but you know where he is, right?
19:32Did you see him? How is he?
19:34No, no, calm down.
19:36I just found the family that took care of him.
19:40The family that he has lived with all these years.
19:43Well, then, where are they?
19:44Come on, I want to meet them.
19:46Calm down.
19:47I want to meet them.
19:48Yes, I know, but calm down.
19:50How did you find them?
19:52I'm sorry, I can't tell you more.
19:56Our people are preparing everything, okay?
19:58No, no, Antonio, you're going to take me
20:00to this family right now because I won't wait any longer
20:02to meet my son, please.
20:04Aurora, give me a few more days, please.
20:05Be patient.
20:07The time will come, but you must be sure
20:10that Gabriel is alive.
20:13I knew it, I knew it, I knew it!
20:15My son is alive!
20:18My son is alive and he will come back to my life.
20:31You can't fire me while you're pregnant.
20:34Pregnant?
20:35Yes, I'm pregnant with Edgar's baby.
20:41What you want is to tie Edgar up
20:43like the miserable single woman you are.
20:46You have no right to treat me like that,
20:48and I'm not tying Edgar up in any way.
20:51Guacala.
20:53Get out of my office right now.
20:55After everything I did for you, you treat me like that?
20:59If you show your ugly face again through that door,
21:02I'm going to kill you.
21:04You're a mother, Isabel.
21:07I find it hard to believe that you ever realized
21:09that giving life, having a son, is the greatest blessing.
21:14Oh, don't be ridiculous, for the love of God.
21:17If you want to hear cursing, I'll talk to Aurora.
21:20Get out.
21:29It's amazing to work here.
21:31It's an excellent work environment.
21:33Thank you for convincing my dad.
21:39You'd better not betray me either.
21:49I understand that it's going to be a shock for Gabriel,
21:53but I want to know more.
21:56Did you see him?
21:57Did you talk to Gabriel?
21:59Wait a second.
22:02Angel, what happened? Is everything okay?
22:04More or less, Mr. Antonio.
22:06I left the office because the police already found
22:08where Pintas lives.
22:09Angel, don't do that.
22:10Let the police do their job.
22:12Don't take any chances.
22:14Yes.
22:15Yes, but I didn't want to worry him.
22:17Look, I'm interested in your relationship with Pintas.
22:20I don't want to be a burden to him.
22:22Yes, but I didn't want to worry him.
22:24Look, I found out something.
22:26Did you know that Pintas is also accused
22:28of raping Ms. Aurora?
22:30Wait, Angel. I'll put you on the bus.
22:33I'm with Aurora and Mr. Orrel.
22:40Ms. Aurora, the police found where Pintas lives.
22:44Pintas?
22:46Yes.
22:47He's the bastard who killed Rolas' father, El Morro.
22:50But it turns out that he's also accused of something else.
22:54He's the man who raped you, Ms. Aurora.
22:57Wait, you said he's a guy named Pintas.
23:00Are we talking about two people?
23:02Because in Aurora's case,
23:05we're talking about a guy named Romualdo or Juventino.
23:08Yes, yes, yes.
23:09They're the same person, Alec.
23:11Pintas is called Juventino Macias.
23:13INMATE NO. 1
23:19Well, kids, in view of the success we've had,
23:23we're going to break a cup and...
23:25Everyone to their home?
23:27No.
23:28You know I can make quesadillas too?
23:31And not just that, I can make pambazos, gorditas, sopes...
23:36So you're going to take my job away?
23:39How about we ask May for permission and I'll show you?
23:42So you're going to leave?
23:44But only if Maggie lets us make some quesos
23:47and some pumpkin flowers with salsa.
23:50Come on, Maggie, please, please, please.
23:52Hey, but don't you have a commitment with Mr. Demian?
23:55Don't worry about that.
23:57The truth is that they came and my day was lit.
24:00Hey, no, but we don't want to cause you any trouble either.
24:04Oh, look, they canceled a project without telling me
24:07that I didn't cancel an appointment.
24:10ÂĄVĂĄmonos!
24:17Ăngel, come to your house. I'll catch up to you there.
24:20Just go to the construction site for my dad and we'll go there.
24:25I'm about to find my son and the man who changed my life.
24:30Just thinking that he was so close to...
24:33Yeah, yeah, yeah, calm down.
24:35I don't think this is a coincidence, okay?
24:39I don't understand you, Julio.
24:41That man, Pintas,
24:43I think he's also been after Ăngel
24:46because we found him at his house, remember?
24:49Elena once told me about him.
24:51Did you say Pintas?
24:52Yes, that's what I said, Pintas,
24:55who argued with him at Ăngel's house.
24:58He's a friend of Mrs. Victoria and Mr. Pascual.
25:02He gave me the impression that you've known them for a long time
25:05and that you're nice to him,
25:07but you seemed very strange to me,
25:09as if you weren't a good person.
25:11Then Mr. Pascual does know him.
25:14When I asked him about Romualdo, he said no.
25:17It's best to wait for him to be caught, right?
25:20I'm going to catch him, excuse me.
25:27You can't believe it, Julio.
25:29They're finally going to catch that monster.
25:33But most importantly, I'm about to meet my son.
25:43I'm very angry with you
25:45because you've been very friendly
25:47with those two clowns I just fired, and that's not right.
25:49Clowns?
25:50Yes.
25:51You mean Glorio and Aquiles?
25:52Uh-huh.
25:53You fired them? Why?
25:55See? You shouldn't care.
25:57Look at yourself.
25:58You're a young man, a millionaire.
26:01You don't know why you got together
26:03with a couple of scandalous chickens.
26:05They're two useless people.
26:06And since they have nothing better to do,
26:08now they're harassing me
26:09about one of their colleagues' death.
26:12I understand they're a bit impulsive,
26:15but I didn't think they'd tell you anything about Carlos.
26:18That's why.
26:19Don't get together with them.
26:20They don't know what to lie about or what to make up.
26:24But...
26:25have you been with Carlos?
26:27I don't have any employees.
26:30But, Isabel, Edgar is your employee.
26:34And now I am too.
26:36Can I ask you a favor?
26:39Don't make me mad, okay?
26:44Did you know they broke into my office?
26:47No, Isabel.
26:49So your friends didn't tell you anything
26:51about Carlos' messages?
26:54They didn't tell me.
26:56They didn't tell me anything, boss.
27:00âȘâȘâȘ
27:10âȘâȘâȘ
27:20âȘâȘâȘ
27:23That's what happens when you don't think
27:25about the consequences, Aquiles.
27:26What? If it wasn't me, why are you scolding me?
27:29Shout out to Glorio too.
27:30Luisillo, my mom is going to hit me
27:32because I was fired.
27:34Give me a hand, don't be mean.
27:35Wait a minute, don't hang up.
27:37Guicho, Elena is coming with us to sell quesadillas.
27:41Isn't she coming?
27:42Can I take Glorio and Aquiles?
27:44ClarĂn, we put them to wash dishes,
27:46they always need hands.
27:48Aquiles, I'll see you at Maggie's house.
27:50I have a deal to propose to you.
27:52Okay, are you ready?
27:53Because we still have to change, my love.
27:56Demian, I want to talk about what happened
27:59at the meeting with Aurora.
28:01Yes, we'll talk about it at the meeting.
28:03What's wrong?
28:04Nothing, my love, it's just that we're running late.
28:07Did you argue with your mom about the presidency?
28:10I argue with her every day.
28:12Let's go.
28:15Demian, I'm not going to the meeting.
28:20Maggie came with the kids and I'm going with her to her house.
28:25This is an important meeting, Elena.
28:28I'm going to introduce you to key people.
28:31It will be another time, yes.
28:34We can talk about another date at night.
28:38Thanks for understanding.
28:39See you at the house.
28:45Okay.
28:54Sir.
28:57I mean...
29:08Beautiful old lady.
29:12I had to get back from work because...
29:16I couldn't go on.
29:19It's just that...
29:22I don't know how to live without you, old lady.
29:32Everything reminds me of you, my love.
29:36And I don't know what to do.
29:41Why did you have to die, Victoria?
29:44Why?
29:47Why did you leave me alone?
29:51Oh, Pascual.
29:54You don't know how happy and full I have been by your side.
30:01You gave me the two greatest joys of my life.
30:11And with you...
30:13Oh, with you, I've lived endless adventures, Pascual.
30:19And the ones we're missing, my beautiful old lady.
30:24You're going to get well.
30:26We're going to dance again like the day we got married.
30:29Do you remember?
30:32Save them for later, old man.
30:35I can't, my old lady.
30:38I can't, my old lady.
30:40The scare has always been the strongest.
30:44I can't.
31:08Come on, old man.
31:10You already know.
31:12I don't have anything.
31:18Come on, come on.
31:20You're already buried. Come on, come on.
31:22What?
31:24I'm going to hit you.
31:31Now yes.
31:33You're already dead, my little angel.
31:36You're going to pay for what you did to Rolas, the kid.
31:40What did you do to Mrs. Aurora?
31:42We already reported you, Pintas.
31:44They're going to catch you.
31:51Come on, get in.
31:54Pintas!
31:55Get in!
31:57Get in, Raul!
31:59Get in, Raul!
32:01Let go of me, bastards.
32:03If you came out just like your father,
32:07great for the ghosts.
32:09It's a shame that your time has come.
32:12Alone, dad.
32:13I'm going to kill you.
32:23Aurora.
32:25Please don't go.
32:27This is your house.
32:28Please don't go.
32:29This is your house.
32:30Julio Cesar, tell him.
32:32They can't sell this house.
32:34Think about your nephew.
32:35He's just starting his marital life.
32:38Demian has already decided to move to the flower house.
32:41So don't try to blackmail me with that.
32:44You think I don't support you and that I don't care,
32:47but I already made my statement.
32:50Aurora, that man is about to be caught.
32:53He deceived us all.
32:55He approached me and asked me for a job.
32:58I don't think he was the only one who sent the anonymous.
33:01Maybe he sent those men to hurt you again.
33:09I have a horrible feeling.
33:11Do you feel bad?
33:12Are you okay?
33:14No, I don't feel bad.
33:16Viquita.
33:19Now that you're up there,
33:23take care of our children.
33:27Don't let anything bad happen to them.
33:35Angelito.
33:36Angelito.
33:37Angelito.
33:38Angelito.
33:39Angelito.
33:40Angelito.
33:41Angelito.
33:42Angelito.
33:43Pintas si puedes, pintas comarios.
33:45De asĂ no puedes.
33:46Ay, me saludas al morro.
33:48Y también a mi comadre.
33:51Ya te cargo, maldito.
33:54Te voy a cortar las alas, Angelito.
34:07Mas no te rindes, Âżverdad?
34:09Mejor, porque asĂ el recuerdo es mĂĄs dulce.
34:12ÂĄMĂĄs dulce!
34:17ÂĄVĂĄmonos!
34:18ÂĄCĂĄllenle!
34:19ÂĄCĂĄllenle!
34:23ÂĄVĂĄmonos!
34:24ÂĄCĂĄllenle!
34:25ÂĄCĂĄllenle!
34:26ÂĄCĂĄllenle!
34:27ÂĄCĂĄllenle!
34:28ÂĄVĂĄmonos!
34:29ÂĄVĂĄmonos!
34:30Llamen a la ambulancia, por favor.
34:34ÂĄCorre, cobarde!
34:36Te vamos a atrapar, Pintas.
34:39Es que relajarte, estĂĄs muy estresada.
34:41SĂ, estĂĄ tan tranquila por tu corazĂłn.
34:45Ay, ya.
34:46Ay, de verdad, no seas hipĂłcrita.
34:48¿A ti qué te importa mi salud?
34:50Oye, no digas eso.
34:52Claro que me importa tu salud.
34:55Ay, Aurora, ĂĄndale.
34:58Ya, no vendas tu parte de la casa.
35:01Piénsalo.
35:03O por lo menos recuerda que,
35:05por ley de mi anillo,
35:07nos puedes considerar
35:08como primeras opciones para comprarla.
35:10Porque, digo, somos familia.
35:13Ya iniciamos los trĂĄmites
35:15para que el comprador de la parte de Aurora
35:18sea Gabriel.
35:27ÂĄEdgar!
35:28Es que ya llevo como 10 minutos tocando y nada.
35:31ÂżTĂș no has visto a Edgar?
35:33Ăl no ha venido por acĂĄ.
35:34Tampoco me contestĂł nada.
35:36Tampoco me contesta los mensajes.
35:38¿Por qué? ¿Crees que le haya pasado algo?
35:41No, no sé.
35:42Pero le voy a pedir al vigilante
35:43que me deje entrar a la casa.
35:46Yo voy para allĂĄ.
35:50ÂĄĂrale, chica, sĂșbete!
35:56ÂĄĂrale, sĂșbete, carnal!
35:58¥Me luché, Gandayar!
36:00¥Me luché, me luché!
36:02Cuidado.
36:05Ya estuvo, Gandayas.
36:07Vamos a hacerle una visita al ciego.
36:11Mugres, cuintles, soplĂłn, chivarro.
36:15¿Sabes qué?
36:16Yo creo que es una excelente decisiĂłn.
36:19¿De qué decisión estamos hablando?
36:21Ah, que tu tĂa decidiĂł
36:23a quién le va a vender su parte de la casa.
36:26Adivina.
36:27SĂ.
36:28ÂżNo adivinaste?
36:29No.
36:30A tu primo, Gabriel.
36:31TĂa, Âżpor quĂ© haces esto?
36:34¿Por qué?
36:35¿Por qué?
36:36Porque, pues, es mi heredero.
36:40Entonces, se va a venir a la casa.
36:42Lo que yo pensĂ© que lo habĂas hecho
36:43porque estabas enojada.
36:44Ya.
36:45No, nos vamos a mi casa por ahora.
36:47Es lo mejor, Âżno?
36:48Uh-uh.
36:49Yo ya no puedo vivir con tu mamĂĄ.
36:51Ay.
36:53Aunque estoy cansada de tus manipulaciones.
36:55Gabriel.
36:56De que me engañes, que me ocultes cosas.
36:59Es que debĂ haberte puesto un alto hace mucho tiempo.
37:03Solo me queda decirte que si descubro
37:05que estabas coludida con Rucha,
37:08no me voy a tocar el corazĂłn
37:11y te voy a meter a la cĂĄrcel.
37:13ÂżCĂłmo me puedes decir algo asĂ?
37:16Si eso piensas de mĂ, Miriam, ya vete.
37:18Pues eso es lo que estoy haciendo.
37:20ÂżY te puedes ahorrar eso
37:22de que es una excelente idea
37:23que Gabriel se quede con la casa?
37:25ÂżSĂ?
37:26Porque no te creo.
37:27Ok, me lo ahorro,
37:29pero estĂĄs equivocada porque yo sĂ me alegro.
37:32ÂżTĂș?
37:34TĂș eres incapaz de alegrarte
37:36por el bienestar de los demĂĄs.
37:38No te alegra que pueda encontrar a mi hijo.
37:41Y también a tu mamå no le da gusto
37:44que tĂș renuncies a la empresa, Âżeh?
37:46Porque todo es mentira.
37:48Es parte de un enorme engaño
37:50que has armado con tus manipulaciones.
37:52Ok.
37:53Pero se acabĂł.
37:54Ok.
37:56Mi amor, vĂĄmonos porque de veras no tengo nada que hacer aquĂ.
37:59Mira, yo sé que no es un buen momento,
38:01pero podemos hablar, por favor.
38:05No.
38:06Necesito decir...
38:07No.
38:08Tampoco te creo a ti.
38:10Lo siento, pero a mĂ me parece
38:12que tĂș y tu mamĂĄ estĂĄn tramando algo
38:14y prefiero no enredarme mĂĄs con ustedes.
38:19VĂĄmonos.
38:25Perra desgraciada.
38:27Tu hijo, claro que lo vas a encontrar,
38:29pero muerto.
38:31No sabes lo que le voy a hacer a su hijo.
38:33No me interesa.
38:34CĂĄllate.
38:35No quiero saber de ti.
38:36No quiero saber de ti
38:37y no quiero saber de tus planes.
38:38Me da igual.
38:39¿Y qué crees, mamå?
38:40El siguiente que se va de la casa soy yo.
38:42Ya se te puedes quedar a disfrutar de tu soledad.
38:54Los que me atacaron fueron el Pintas y sus cĂłmplices.
38:57Les dicen el Bumpy y el Wahwee.
39:00Entendido, señor Santos.
39:02Lo dejamos descansar,
39:04pero tenga por seguro
39:06que vamos a atrapar a Juventino,
39:08alias el Pintas,
39:10lo mĂĄs pronto posible.
39:11Con permiso.
39:12Con permiso.
39:13RĂĄpido.
39:14Vamos.
39:20Maldito Pintas.
39:21Vas a pagar por todo lo que has hecho.
39:24Jefe,
39:25jefe,
39:26tengo que hablar contigo.
39:30Aurora, atacaron a Ăngel.
39:32Dios santo, ¿qué le hicieron?
39:34ÂżCĂłmo estĂĄ?
39:36Ahora ya estĂĄ bien.
39:37SaliĂł de cirugĂa, pero...
39:40No, que vengas.
39:41Ăl estĂĄ descansando, pero ven, ven.
39:46Antonio, ya lo habĂa pensado,
39:47pero quiero que seas honesto conmigo.
39:51TĂș no estĂĄs buscando a Gabriel, Âżverdad?
39:53Ya lo encontraste.
40:00Apenas alcancé a Cleme
40:02para entregar estos papeles.
40:04ÂżNos vamos?
40:05Mi amor,
40:06agredieron a Ăngel otra vez.
40:08¿Qué pasó?
40:09Que no puedo creer
40:10que esté pasando esto otra vez.
40:12ÂżCĂłmo es posible
40:13que odien tanto a Ăngel?
40:15VĂĄmonos, mi amor.
40:16Tenemos que ir al hospital.
40:17VĂĄmonos.
40:18No, no, no, no.
40:19Nosotros no tenemos nada
40:20que hacer ahĂ.
40:21Julio,
40:22es Ăngel.
40:24Me necesita.
40:25Eso es lo que te estoy diciendo.
40:27Es Ăngel.
40:28No, Gabriel.
40:29No, es tu hijo.
40:30Ya fue suficiente
40:31de que cuides de ese muchacho
40:32como si fuera de tu familia.
40:34Ăl tiene a su padre, Antonio.
40:37Que ellos resuelvan sus problemas.
40:40No mĂĄs.
40:41No mĂĄs, de verdad.
40:42Te dejé pasar lo de la boda,
40:43pero ya no mĂĄs.
40:44Tienes que dejar
40:45que Ăngel haga su vida
40:46por su cuenta.
40:47No mĂĄs.
40:48Tienes que dejar
40:49que Ăngel haga su vida
40:50por su cuenta.
40:51Yo te necesito aquĂ.
40:56Dos de champiñones,
40:57por favor.
40:58Claro que sĂ,
40:59ya salen dos de champiñones.
41:02¿Por qué no rentas
41:03un local, MarĂa?
41:04Hasta podrĂas poner
41:05una fondita.
41:06Ay, fĂjate
41:07que sĂ lo habĂa pensado,
41:08pero no quiero quitar el puesto.
41:11Es el legado
41:12de doña Vicky.
41:13AdemĂĄs, pues,
41:14ya le pedà permiso al dueño
41:15y los clientes ya conocen
41:16aquĂ, no sĂ©.
41:17SĂ, pues sĂ.
41:18AhĂ vengo.
41:20Noches.
41:22ÂżDos de pollo?
41:23Claro que sĂ.
41:28AquĂ tiene.
41:31Buenas noches, gĂŒerita,
41:33exnovia del angelito.
41:40No sé si voy
41:43a acostumbrarme
41:45al mundo.
41:48TĂș y yo somos
41:49de armas
41:50tan iguales
41:53que lograron encontrarse.