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00:00:01Good morning.
00:00:03The White Rush has begun.
00:00:05It's been a while.
00:00:07Mr. Furutachi, nice to meet you.
00:00:09Nice to meet you, too.
00:00:11I thought you were going to read the script,
00:00:13but I was wondering why I had to read it.
00:00:15I was so nervous.
00:00:17I thought I had to read it,
00:00:19but my mouth was getting heavy.
00:00:21Why?
00:00:23I've been watching you closely.
00:00:25I've been watching you closely.
00:00:27I think you're treating me like a lazy old man.
00:00:29Please stop it.
00:00:31I don't like hearing you say those little things.
00:00:34You skipped to the point?
00:00:36I want you to come back,
00:00:38but can you sit over there?
00:00:40Mr. Toyosaki, you are a broadcaster,
00:00:42but you don't seem nervous.
00:00:43but you don't seem nervous.
00:00:44No, no.
00:00:46I'm sure there's something going on.
00:00:48I want to do this for a long time.
00:00:50Do you have any chance to meet me?
00:00:52No.
00:00:54If I go to the dressing room,
00:00:56I think it was natural for him to do that, but when he said he was a freelancer, I felt like my eyebrows were moving, and I was like, what?
00:01:08I wonder if the way women use each word is wrong or right.
00:01:16I wonder if it's a conspiracy.
00:01:20Furutachi-san, what do you think when you appear on other hosts' programs?
00:01:27I think it's a big mistake, but there are a lot of places where I make mistakes in Japanese.
00:01:34The other day, I said I felt uncomfortable.
00:01:37There were a lot of comments saying,
00:01:40Ha ha ha ha ha, you're being noisy.
00:01:42So I feel uncomfortable.
00:01:44No, I don't feel anything right now.
00:01:47You just have to look at that today.
00:01:50It's hard to talk about today.
00:01:52How many words did you notice in the ending?
00:01:56How many words did you notice in my Japanese?
00:01:59Please tell me with a word.
00:02:03This program is a wide show where celebrities who are usually scooped gather to talk about their personal opinions.
00:02:13On the 11th, a special parliament was convened to elect a prime minister.
00:02:22It was the first time in 30 years that the Liberal Democratic Party had a majority vote,
00:02:28but once again, President Ishiba of the Liberal Democratic Party was elected prime minister.
00:02:36However, in order for a small number of parties to realize their policies, the cooperation of the opposition parties is essential.
00:02:44The catchphrase to increase the number of handholds is to hold a re-examination of the 1.3 million-yen wall.
00:02:56The Liberal Democratic Party, which has increased the number of handholds by four times in the last election.
00:03:04On behalf of the Liberal Democratic Party, Yuichiro Tamaki, who was highly anticipated, was outraged.
00:03:12About five hours before the election of the prime minister,
00:03:17he held an apology meeting on the issue of women.
00:03:23What was reported this morning is almost true.
00:03:29I sincerely apologize to many people all over the country for their expectations.
00:03:39I'm really sorry.
00:03:43Takamatsu City, Kagawa Prefecture
00:03:47Takamatsu City, Kagawa Prefecture
00:03:52Takamatsu City, Kagawa Prefecture
00:04:02I think there was a part that was mentioned in the report to my wife that I would meet her on October 30.
00:04:10People who can't protect the people closest to them can't protect the country.
00:04:14That's exactly what my wife said to me.
00:04:18The body was paying attention, but there was no voice asking for a resignation at the meeting of the House of Representatives.
00:04:25The House of Representatives, which will hold an election in the summer of next year,
00:04:29The House of Representatives, which will hold an election in the summer of next year,
00:04:36The House of Representatives, which will hold an election in the summer of next year,
00:04:41On the other hand, there were critical opinions.
00:04:44It was decided to conduct a new survey at the Parliamentary Committee of the Party.
00:04:49Politicians and the ruling party,
00:04:53The party that is swayed by the female scandal of He-Man,
00:04:57Nagata-cho is in chaos.
00:05:01Mr. Furutachi, first of all, on November 11,
00:05:04Mr. Ishiba, who had the primary election, was elected to the Prime Minister.
00:05:10Mr. Ishiba, what do you think of the Ishiba Cabinet?
00:05:15The Ikkyo era has been going on for a long time.
00:05:19When I say that I have seen a storm of strong dissolution in the self-government,
00:05:24I'm glad that the National Assembly has grown.
00:05:27I see. As a result of this election, the self-government did not develop.
00:05:31For the people, there is a concern that they should decide quickly and resign.
00:05:34I have to look at that.
00:05:36But I'm glad.
00:05:38Because I have to mix up various opinions.
00:05:41By extending the 28 seats of the National Assembly this time,
00:05:45A wall of 1.3 million yen,
00:05:47A policy that could not be done by the self-government alone,
00:05:51Maybe it can be realized.
00:05:53What do you think?
00:05:54No, it's difficult.
00:05:56With this, Mr. Tamaki had a disadvantage.
00:05:58After all, I think the self-government will come.
00:06:01Oh, I see.
00:06:02Up to 1.78 million yen,
00:06:04It's a limit of 7 to 8 trillion yen.
00:06:06Even the local government is angry.
00:06:08It's a 4 trillion limit.
00:06:10So it's about 1.13 million yen.
00:06:14That's the kind of reality.
00:06:16You don't have to say that in your mouth.
00:06:18On the contrary, during the election,
00:06:21He said he would make a wall of 1.3 million yen up to 1.78 million yen.
00:06:25After all, this negative news came out.
00:06:28After all, I can't give up there.
00:06:31You can also think of going to Tsuyoki.
00:06:33There are some places where I want you to do that.
00:06:36Have you ever met Mr. Toyosaki?
00:06:38Yes.
00:06:39Mr. Ishiba was said to be a member of the local government.
00:06:42He has a lot of things he wants to do.
00:06:45And he has a very strict opinion on politics and money.
00:06:49I had a very good impression of him.
00:06:51After all, if you join the government,
00:06:53You can't say what you want to say.
00:06:56I was very shocked.
00:06:58That's why when Mr. Hatsuji took the last time,
00:07:00I was rooting for Mr. Ishiba.
00:07:02If I were in the position of Prime Minister,
00:07:05I didn't know how much the words would change.
00:07:09But the election is over.
00:07:11The support rate is also very low.
00:07:15I think it would be nice if you could do what you want to do.
00:07:19I'm looking forward to it.
00:07:21I'm wondering if you can show me from here.
00:07:24Mr. Toyosaki, what do you think of Mr. Ishiba?
00:07:26Has he changed recently?
00:07:28I've heard a lot of people say that.
00:07:30But he didn't change his opinion.
00:07:32He became the Prime Minister for the first time.
00:07:35That's why the post has changed.
00:07:38It's a little different.
00:07:40The Prime Minister is a prime minister.
00:07:42I'm going to fix it little by little.
00:07:45Mr. Ishiba's own administration and policy.
00:07:49I think there's something to expect from Mr. Toyosaki.
00:07:52On the other hand, what will the opposition do?
00:07:56He's gotten stronger.
00:07:58Mr. Tamaki, you say that national democracy is also a casting vote.
00:08:02If you're really bad at it, you'll get 148 seats in the House of Representatives.
00:08:06That's how conspicuous it is.
00:08:08I think that's why this happened.
00:08:10I think it's aimed at.
00:08:12I wonder how the opposition will do it.
00:08:14I'm going to put pressure on the opposition.
00:08:18I'm going to see if you're going to make solid laws and policies little by little.
00:08:22Is it a point of view?
00:08:24Mr. Ishiba, you are the representative of the National Democratic Party, Mr. Tamaki.
00:08:28So, all of a sudden, all of a sudden.
00:08:32On the day of the inauguration, there will be an apology meeting.
00:08:37In the end, I don't know if it's a bad thing or not.
00:08:40I mean, you're going to open a committee and talk to each other, right?
00:08:44That's right.
00:08:45I don't know if it's a good thing or not.
00:08:47What do you think the leader is doing in the National Democratic Party?
00:08:50On the day of the inauguration, you're going to open a committee and talk to each other, right?
00:08:57That's right.
00:08:58This is a meaningless conversation for the people.
00:09:02But on the contrary, I'd like to see how much you're talking about.
00:09:06There's no answer that it's logically decided to be bad.
00:09:09That's right.
00:09:10What's the opposite opinion?
00:09:13I know it's not good.
00:09:16You're going to do what you have to do.
00:09:18You've got 28 seats.
00:09:20You're going to deliver their voices to the public.
00:09:23You're going to make a policy.
00:09:25We should do that, too.
00:09:27Let's get this over with.
00:09:29The Standing Committee.
00:09:30The Standing Committee is a ceremony.
00:09:32It doesn't matter.
00:09:34I'm just showing you what it looks like.
00:09:36I think the National Democratic Party's crisis management is amazing.
00:09:44I asked an expert, and he said,
00:09:47Takamatsu has always been famous in politics.
00:09:53It hasn't started yet.
00:09:56When will it come out?
00:09:58It came out at this timing.
00:10:00When various forces worked.
00:10:02Of course, Mr. Tamaki, you, and the National Democratic Party knew in advance.
00:10:08Based on the crisis management of what to do,
00:10:11I thought you were a great worker.
00:10:13A woman named Takaya Ito, a member of the Standing Committee.
00:10:16It's here, too.
00:10:18What are you doing for such a once-in-a-lifetime chance?
00:10:21She's angry.
00:10:23You have to work hard from here.
00:10:25And finally, it's a little bit more of a downslope.
00:10:28In space, the only one to judge is the wife.
00:10:32That's what she said.
00:10:34By the way, everyone's going to get angry.
00:10:38I think it's vivid that Mr. Tamaki is trying to go with a relatively sorry state.
00:10:43It's like a fight god.
00:10:45I'm lifting it up while I'm angry.
00:10:48Mr. Atsushi is a commentator.
00:10:51Mr. Tamaki's commentator.
00:10:53I'm a commentator.
00:10:55This meeting was good.
00:10:58I've seen everything.
00:11:00Mr. Tamaki's meeting.
00:11:03I think it was a very good meeting.
00:11:07I think it was a very good meeting.
00:11:11I think I've been preparing a lot.
00:11:14I don't want you to get angry.
00:11:16It's bad to be bad.
00:11:18It's obvious that Mr. Tamaki is bad.
00:11:20He's the only one who gets angry.
00:11:22He's been scolded by his wife.
00:11:24I've said it over and over again.
00:11:28His wife is angry.
00:11:30I don't think there's anyone around me who can get angry about a family matter.
00:11:34Even so, he's lowering his head.
00:11:36He's been scolded by his wife.
00:11:38It's a strategy to say it over and over again.
00:11:40It's a strategy.
00:11:41I think it was a serious strategy.
00:11:43Speaking of the strategy,
00:11:47I don't think I should have said that I was attracted to him.
00:11:50I thought about how his wife felt.
00:11:53If you say it without running away,
00:11:55If you say, why did it become such a bad relationship?
00:11:57I think the fact that I stepped in was a good thing.
00:12:02I don't follow Mr. Tamaki at all.
00:12:06He said something he had stepped in.
00:12:09I think he's thinking about his wife,
00:12:14I think he's going out with a lot of criticism.
00:12:16I think he's the only one who can get angry.
00:12:18If he says it instead,
00:12:20If he says it as his wife,
00:12:22It would be bad, and if it started,
00:12:24I was like, who would accept Tamaki's words?
00:12:28If his wife would accept it, I wouldn't get mad about the defeat.
00:12:32But Tamaki was getting a bit carried away.
00:12:34Well, yeah.
00:12:35He was singing a song on the internet that wasn't good enough for the first take.
00:12:38What?
00:12:39It was called Magic Carpet.
00:12:40It was a big hit with no money and no power.
00:12:43Right, Kawasaki-san.
00:12:44He was singing, like, I'm coming to pick you up, and he was hitting the keyboard with two people.
00:12:48What?
00:12:49So I was like, this is bad.
00:12:51At that time.
00:12:53I think he wanted to use social media to increase the number of followers.
00:12:57Of course, he was being serious, but he wanted to show his private side and increase the number of fans.
00:13:07Also, I thought he was really good at the last part of the apology speech.
00:13:11Please tell us.
00:13:12Well, normally, if I were to talk about the two of them,
00:13:17I'd say, what do you mean, you were attracted to him?
00:13:21In this day and age, in the old days, politicians would say things like,
00:13:25I'm sorry I was playing with fire.
00:13:27If you say playing with fire now, it's rude to the person in front of you.
00:13:31So I think it's better to say you were attracted to him.
00:13:35Especially in the last part of the speech,
00:13:37the unruly politician would say,
00:13:39I'm sorry for the inconvenience.
00:13:42Wow!
00:13:43I think he'd bow his head and bow his head.
00:13:46When he said, I'm sorry,
00:13:48he wasn't hitting the mic stand, but he was bowing his head to the young man.
00:13:53I showed him that he was really unruly.
00:13:56He was bowing his head to the young man.
00:13:57Are you talking about the technology?
00:13:59It's like he's unruly.
00:14:01He's fluttering.
00:14:03Yes, yes.
00:14:03He was fluttering and he was bowing his head.
00:14:06It's similar to that.
00:14:07It's a good story.
00:14:09If he can't realize his policies from now on, I don't think he'll be able to fight.
00:14:13No, that's the point.
00:14:15I'm sure he'll say, I forgave you at that time.
00:14:17I want you to do your best in your policies.
00:14:20And next week, we'll have a talk on the 1.3 million wall.
00:14:24Will it be 1.78 million?
00:14:26Will it settle down in the meantime?
00:14:29And one more thing, I'm sorry.
00:14:30I think the most important thing in the future flow of the National Assembly is
00:14:34how hard the opposition will work on the reform of the Politburo Restrictions Act.
00:14:40I was proud of him when he was in the Kishida administration.
00:14:43I can't talk about those things at all.
00:14:46After all, the ban on corporate and organizational funding.
00:14:50This is the plan.
00:14:52This is the only way.
00:14:53You're going to step up to that point.
00:14:55I think we have to do it.
00:14:56There was a recruit incident 30 years ago.
00:14:59I'm going to stop doing that.
00:15:01I'm going to talk to you in five years.
00:15:03That's what I've been up to.
00:15:06It's going to be a policy that's going to lead to profit no matter what.
00:15:10If you study it.
00:15:11In fact, national democracy is lagging behind.
00:15:14Other parties, such as the Liberal Democratic Party and the Liberal Democratic Party,
00:15:17are saying, let's do it, but they're not doing it.
00:15:20If all parties agree, we'll get on board, too.
00:15:25I know that the Liberal Democratic Party has decided to ban corporate and organizational funding.
00:15:30I'd like you to talk a little more about that at the committee.
00:15:35This will change the politics of corporate and organizational funding.
00:15:38If corporate and organizational funding is banned, how will it change the politics?
00:15:43For example, what I'm looking forward to in this national democracy is...
00:15:47If you look at gasoline in Tokyo, it's already over 180 yen on a regular basis.
00:15:53That's about 6 to 7 trillion yen.
00:15:55I joined an oil refinery company.
00:15:57I'm holding back about 18 yen.
00:16:01But if we withdraw the trigger information that national democracy is saying,
00:16:06Gasoline will go down by 25.1 yen.
00:16:09In the first place, there's a double-digit tax on consumption tax.
00:16:13If we do this right away, gasoline will go down.
00:16:16We're in a very tough situation with the oil and gas issue in 2024.
00:16:21We want it to get there as soon as possible.
00:16:24That's where it's going to be a waste of money.
00:16:27When we have to do that,
00:16:29How much money do we have to spend every year to get tax revenue?
00:16:35It's 1.5 trillion yen a year.
00:16:37To reduce this by 25.1 yen, we've been taking tax money so far.
00:16:41But if it's 1.5 trillion yen,
00:16:44I thought it would be better than the 6 trillion yen and 7 trillion yen we've been putting in for about three years.
00:16:49Including that, in various lobby activities,
00:16:54If there is no interest-inducing type or adhesion type that the politicians have chosen,
00:17:02It's a big change in how tax is used.
00:17:06I think this is a turning point.
00:17:09That's enough. I'll be quiet today.
00:17:11No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:17:14There's news about Matsumoto after this.
00:17:16There's news about Matsumoto after this.
00:17:18Make it clear.
00:17:33Matsumoto Hitoshi, a comedy duo in downtown Tokyo,
00:17:36In a trial that claimed that he was defamed for an article in Weekly Bunshun,
00:17:40He dropped the charges against the Weekly Bunshun side on the 8th.
00:17:45Matsumoto Hitoshi, in December of last year,
00:17:48He was defamed for sexual harassment against women published in Weekly Bunshun.
00:17:55He also filed a lawsuit against the editor-in-chief and the editor-in-chief of Bungei Shunjyu,
00:17:59For the payment of about 5.5 million yen in medical bills.
00:18:06The Bungei Shunjyu side is in a position to fight on all fronts in court.
00:18:12On the 11th of this month, a trial was scheduled to be held online.
00:18:18Matsumoto Hitoshi announced his comments.
00:18:22Regarding the contents of Matsumoto's complaint,
00:18:25He confirmed that there is no evidence of forceful abuse.
00:18:32On top of that, by proceeding with the trial,
00:18:34He wanted to avoid causing more burden and inconvenience to many people.
00:18:40He decided to drop the charges.
00:18:44Matsumoto was once at a meeting where women participated.
00:18:49If you have any unpleasant feelings or heartache among the women who participated,
00:18:56I would like to apologize to you directly.
00:19:01On the other hand, Weekly Bunshun also said,
00:19:03I would like to make a public apology to those who have been hurt.
00:19:08I decided to agree to drop the charges as a defendant in a competition with women.
00:19:13I'm posting a comment on my homepage.
00:19:17There was no agreement on the payment of the money.
00:19:20Both parties agreed to drop the charges and the trial was concluded.
00:19:27Regarding Matsumoto's future activities,
00:19:29Yoshimoto Kogyo said,
00:19:31I will let you know as soon as it is decided,
00:19:33in consultation with the relevant authorities.
00:19:37This is the news.
00:19:39Matsumoto Hitoshi was hurt by an article in the weekly newspaper.
00:19:43The appeal to Weekly Bunshun was dropped and the Bunshun side agreed to drop the charges.
00:19:52Dr. Inuzuka, Matsumoto's comment, Bunshun's comment,
00:19:55Yoshimoto Kogyo's comment also came out.
00:19:58I rarely drop charges.
00:20:01Not so much?
00:20:02I've hardly ever done it.
00:20:04In addition, it's not that the defendant is unilaterally fired.
00:20:08The defendant has to agree.
00:20:11In a sense, the defendant's side is also proceeding with the procedure.
00:20:15The drop of charges means that the trial can be held again.
00:20:18There are also cases where the defendant is showing off,
00:20:21so there are few cases where the defendant agrees.
00:20:23I felt that it was decided in an exceptional way.
00:20:26The Bunshun side agreed to the drop of charges in an exceptional way.
00:20:32Regarding the contents of Matsumoto's appeal,
00:20:34I confirmed that there was no evidence of coercion, including that there was no direct evidence of coercion.
00:20:40What do you think of Matsumoto's comment?
00:20:43Many people said that there was no evidence of coercion,
00:20:48so I think that many people were surprised that he didn't want to fight on the whole.
00:20:59Mr. Atsushi, from the end of last year, January,
00:21:04you took a little break from your entertainment activities and focused on the trial, but it's over.
00:21:10My main premise is that I still want Matsumoto to resume his entertainment activities,
00:21:19but after the appeal came out in the weekly magazine,
00:21:24Matsumoto denied that it was true,
00:21:28and since he will move on to the trial, his entertainment activities will be suspended.
00:21:34Then the trial began, and it was a trial that sued the damage compensation of 500 million yen.
00:21:41That's what I'm going to come here and take down,
00:21:43and this is what I'm looking for in the words of the assembly,
00:21:47but I'm still in a daze,
00:21:50and I want Matsumoto to come back,
00:21:54but I'm not in a situation where I can say that it was good to let go,
00:21:59so from Matsumoto's mouth,
00:22:00I'd like to hear from Matsumoto what was true and what wasn't.
00:22:07But this is a situation where there are people who want to defend or criticize or both,
00:22:16so if you defend, you will be scolded by those who criticize,
00:22:19and if you criticize, you will be scolded by those who defend,
00:22:22but my main premise is that I want him to come back.
00:22:25How about you, Toyosaki?
00:22:27I think it's a result that no one expected,
00:22:30and I don't know how to accept it, to be honest,
00:22:35but now that the discussion between the parties is over and this is over,
00:22:43I don't think it's right for us to criticize or talk about anything anymore.
00:22:53But on the other hand, I think everyone on this show has been criticized from all angles,
00:23:04both sides.
00:23:05When I open my SNS, I see a lot of criticism,
00:23:10and I think we have to pay attention to what to do in this situation.
00:23:16How to use SNS in the future, how to get consent,
00:23:22and how to exchange drinks in modern society.
00:23:26It was also a problem that we could see where we were falling behind,
00:23:34so there is so much interest in society that we have to think about what to do in the future
00:23:40and what to do in the future.
00:23:46Mr. Bakarizumi, you've been in the show a lot, but you haven't been in the show for a year.
00:23:51That's right.
00:23:52When I read the comments, I thought it was a unique expression or a unique sentence.
00:24:00That means, after all, there is something that Mr. Matsumoto absolutely cannot give up in his comments,
00:24:08and there is something that Mr. Bunshun cannot give up either.
00:24:13I felt that it was a sentence that was made by adjusting while protecting the parts that each other could not give up.
00:24:24I think there are probably more of each other,
00:24:28but I feel that this was where we were falling behind in order to put this together.
00:24:36Mr. Bakarizumi, I feel that there are multiple people in Mr. Matsumoto's comments.
00:24:47Is this kind of comment common in this kind of trial?
00:24:53Yes, this is my guess, but I think there was a condition that the Bunshun side agreed to the removal,
00:25:00and I think there was an apology from Mr. Matsumoto.
00:25:03I think that the Bunshun side basically checks what kind of apology they will make.
00:25:10I think that they often check what kind of apology they will make to each other.
00:25:14Mr. Futai, what are your thoughts?
00:25:17What I think is unfortunate is that I should have said that I would fight if I was going to take it down.
00:25:26It's too late now, but as you all feel,
00:25:32there was no evidence that this was forced, whether it was agreed upon or not.
00:25:41This is within the Yabu, isn't it?
00:25:44I honestly thought that this was a different process if it was hurt.
00:25:49I think it's really hard for the two of you who are in Yoshimoto because of the entertainers.
00:25:56That's why I had a relationship with Mr. Matsumoto in the eyes of the third party.
00:26:01I think he's a genius as always.
00:26:03But this is different from talent, so I think it's a shame this time.
00:26:10Another thing I'm most caught up in is that I'm ready to be called old,
00:26:16but I always think that the way I play is no good.
00:26:20I can't play cool.
00:26:23Even if it's a little bit outside of Tokyo,
00:26:27if a junior entertainer brings a woman and there's a drinking party,
00:26:31even if it doesn't go beyond that,
00:26:34he's a great person who's having a party in a suite room with a bed.
00:26:40You can rent a shop and enjoy it.
00:26:42I don't know if Mr. Toyosaki meant that,
00:26:44but there was a talk about how to have a drinking party and how to think about various things on social media.
00:26:49I really feel like that shape is no good.
00:26:53The shape of the drinking party?
00:26:55I don't think so.
00:26:56Speaking of which, Ozawa from Speed Wagon and Watanabe Sensei from Crossbar Direct Attack.
00:27:06Watanabe is active now, but he's fighting against Friday.
00:27:13Ozawa is now suspended from his activities.
00:27:16When will Ozawa be able to resume his entertainment activities?
00:27:22I think that depending on how Mr. Matsumoto resumes his activities,
00:27:25the way Ozawa resumes his activities will probably change.
00:27:28That's why I'm really worried about this, too.
00:27:32So the trial has been suspended,
00:27:37but in many ways, he's moving towards his comeback.
00:27:42Whether it's possible or not, he's moving forward.
00:27:46In addition, we have to pay attention to Ozawa from Speed Wagon and Watanabe Sensei from Crossbar Direct Attack.
00:27:55We have to take care of them on this show, too.
00:27:59I understand. Thank you very much.
00:28:01I heard you have a grudge against soccer.
00:28:03You're very, very kind.
00:28:05When did you start playing soccer?
00:28:07When did you start playing soccer?
00:28:09I'll say it in a low voice.
00:28:10I'll say it in a low voice.
00:28:13Let's move on to the next question.
00:28:15A bill will be passed at the end of this month to ban the use of social media for children under the age of 16 in Australia.
00:28:25The Australian government is drawing attention to a bill banning the use of social media for children under the age of 16,
00:28:31which will be passed at the end of this month by the Parliament.
00:28:36This bill obliges businesses such as TikTok, Instagram, and X to ban the use of social media for children under the age of 16.
00:28:47If it is violated, the business will be fined a high price.
00:28:52Australia's Prime Minister, Mr. Albanese,
00:28:55claims that social media has brought about a social outage and is keeping children away from real friends and the experience of the truth.
00:29:04Social media is used as a means of self-expression,
00:29:09while it is questioned as a means of bullying and crime.
00:29:14Some states in the United States and the UK are also taking action to ban the use of social media.
00:29:23However, if a bill is passed in Australia, it will be a country-wide age limit ahead of the rest of the world.
00:29:31I think it's a good idea to pass a bill banning the use of social media for children under the age of 16 in Australia.
00:29:40I think it's a good idea to pass a bill banning the use of social media for children under the age of 16 in Australia.
00:29:43How about you, Ms. Toyosaki?
00:29:46It's a good example for Instagram, TikTok, and X.
00:29:50My child is still small, 5 years old, so I don't use social media on my own.
00:29:56I understand the feeling of banning social media very well as a parent.
00:30:01I think it's true that it doesn't stop the use of social media and is a source of bullying and crime.
00:30:07However, until now, the platform has provided an age limit.
00:30:11I think it's because the country can't protect it.
00:30:14In the case of Australia, yes.
00:30:16But when I thought about whether it would suit Japan,
00:30:20In Japan, even adults throw very bad words on social media, right?
00:30:28I don't know what it's like in Australia.
00:30:30I think it's wrong to say that children should not use it because there are many people who use bad words in this state.
00:30:38I think it's quite difficult in Japan.
00:30:40Australia is planning to develop a technology to prevent the use of social media by children under the age of 6 million yen.
00:30:50In Australia, 97% of teenagers use social media.
00:30:54The example of the trouble is bullying.
00:30:57The spread of Gizoporno photos.
00:31:00And the challenge of a dangerous challenge that is popular.
00:31:03Let's get excited.
00:31:06So each country, the United States, the UK, France, Norway, and Australia are taking various measures.
00:31:14When I was a high school student or a college student, I started using Facebook and social media.
00:31:20I used it when I was a student and then I became an adult.
00:31:23There are people who are older than me who are not like that.
00:31:26Looking at the operation in the company,
00:31:29I think it's better for people who are not like that to use it after they become adults.
00:31:34That's what we think.
00:31:36So I think it's better to stop using it.
00:31:39But I don't think it's that simple.
00:31:41I think it's wrong to use it.
00:31:44I'm glad I used it when I was a student because I made a mistake.
00:31:49It's complicated.
00:31:51Mr. Bakarizumi, what do you think?
00:31:53Even if we limit the enjoyment of children who use it safely,
00:31:59There is an incident that must be prevented.
00:32:03I think it's better to stop using it.
00:32:05I think it's better to stop using it.
00:32:07That's why it's like this.
00:32:09For example, when I was a child,
00:32:11I couldn't go to the arcade until I was a few years old.
00:32:14In the end, there are more bad guys there than those who enjoy the arcade.
00:32:20That's how it's made.
00:32:23I think it's inevitable.
00:32:25Most people will stop using it.
00:32:30There are some people who use it.
00:32:33But as a country, as a city,
00:32:35I think it's better to say,
00:32:37Let's stop using it.
00:32:39I think people who use it will stop using it.
00:32:43Mr. Futada, what do you think?
00:32:45I understand.
00:32:47But Australia is facing a serious problem.
00:32:50It's a global problem.
00:32:52I think it's a problem.
00:32:56I think it's better to stop using it.
00:33:00There are many people who are addicted to it.
00:33:03It's like a rain shower.
00:33:05Let's put a bandage on it.
00:33:07Let's put a gum tape on it.
00:33:09I have to find out where the water comes from.
00:33:13Parents and children don't have a penalty.
00:33:17It's just coming to the company.
00:33:20It's impossible.
00:33:22I think we need to raise the technology
00:33:25to block children and young people.
00:33:29If you raise the technology and proceed at the same time...
00:33:33I think we have to do it.
00:33:35I think we have to do it.
00:33:37I feel like I'm going to explode.
00:33:41I have two daughters.
00:33:44My eldest is 8 years old.
00:33:46I want to do SNS.
00:33:50I haven't said no yet.
00:33:52The more I say no,
00:33:54the more I can't answer the question of why.
00:33:59I want to know how old I should be.
00:34:02That's how we're building our relationship.
00:34:07Do you still have a smartphone?
00:34:10I don't have a smartphone, but I have a tablet.
00:34:13Is it a tablet that you can use at home?
00:34:15It's a tablet that you can use only at home.
00:34:17There's a limitation on search.
00:34:19It's for kids.
00:34:22I don't think it's ever going to be gone.
00:34:27I think it's better for children to make rules
00:34:32about what to be careful about when using SNS.
00:34:37A long time ago, a school once lost its rules.
00:34:40If only children made the rules,
00:34:43they would be able to make the rules.
00:34:45It's a rule that we've come up with.
00:34:47It's a rule that we can accept.
00:34:49We have to follow it.
00:34:51If we think about raising awareness of the problem,
00:34:54not only should adults say no,
00:34:56but we also need a moment to believe in children and throw them.
00:35:00What about Sasaki's children?
00:35:02They're just in puberty.
00:35:04Do they have a smartphone or a cell phone?
00:35:06When they were in junior high school,
00:35:08they were able to get in touch using LINE.
00:35:12They had to give it to their parents.
00:35:14The moment they gave it to their parents,
00:35:16their parents couldn't see what kind of communication they were having.
00:35:19But parents don't want to see their children using their smartphones, do they?
00:35:26No, they don't.
00:35:28But as a mother,
00:35:30for example, I get a lot of DMs from people I don't know.
00:35:37I'm not sure how to communicate with strangers.
00:35:42As Mr. Furutachi said,
00:35:44if you don't do something about it with the world's technology,
00:35:47you'll end up touching something you don't want to touch.
00:35:51When I start watching it, I keep watching it.
00:35:53I'm an adult and I've had that experience.
00:35:56You have to be careful.
00:35:58When I watch TikTok before bed,
00:36:00I watch it for about three hours.
00:36:02You do that too?
00:36:05Mr. Furutachi.
00:36:07I wonder what it's like to watch it all the time without sleeping.
00:36:12I can't stop it.
00:36:14Mr. Inuzuka, is it necessary to step further into Japan
00:36:17and create a law on how to use SNS?
00:36:23Yes.
00:36:24If you look at the world's trends,
00:36:26you can't do that.
00:36:27Especially when it comes to sexual crimes against children,
00:36:29or bullying,
00:36:30I don't think you can let go of it at all.
00:36:33The problem is how far you can restrict it.
00:36:36As you said, if you don't do it in the real world,
00:36:38there's no point.
00:36:39Restriction is too strict.
00:36:42It's not good to do it this way.
00:36:44So first of all, it's about employers.
00:36:47For parents, it's a duty, but it's not a violation.
00:36:50For example, restricting time, restricting views,
00:36:53and restricting those who can access it.
00:36:56I think it starts with a partial restriction.
00:36:59But even if you restrict access,
00:37:02it's going to come back to bite you.
00:37:04That's right.
00:37:05It's a kind of leniency,
00:37:08but it's not necessarily a good thing
00:37:11to restrict everything.
00:37:13It's about freedom of expression.
00:37:15What will happen to SNS 10 years from now?
00:37:1820 years from now?
00:37:19I don't know what's going to happen to devices.
00:37:21I think it's going to be a time
00:37:24where we can get information with glasses
00:37:26and see what's going on with our eyes.
00:37:29With the movement of the eyes.
00:37:30It's not a tablet.
00:37:32It's going to come out here,
00:37:34or come out with glasses.
00:37:36And there's a possibility that reality will move
00:37:38and live in a metaverse, a meta world.
00:37:40If you notice.
00:37:42Australians are not allowed to use SNS
00:37:44under the age of 16.
00:37:46What will happen to Japan?
00:37:48High beam, please.
00:37:51Tori-Tetsu, which does not follow the rules,
00:37:53is challenged by a high beam.
00:37:58Don't come out of the yellow line.
00:38:01Don't come out of the yellow line.
00:38:04Everyone, safety is more important.
00:38:06Don't come out of the yellow line.
00:38:08Please come out.
00:38:09Please come out.
00:38:11This month, on the 7th,
00:38:13at JR Yokohama Station,
00:38:15a studio tour of the shooting
00:38:17that took place between railway workers
00:38:19and railway fans.
00:38:21On this day,
00:38:23about 50 so-called Tori-Tetsu
00:38:25gathered at Yokohama Station.
00:38:27The target is a train running on the Yokosuka Line.
00:38:29This train has already been
00:38:31decided to retire.
00:38:33It is said to be a precious thing
00:38:35that reproduces the old coloring.
00:38:39However, in order to shoot this train,
00:38:41some ill-mannered fans
00:38:43were outside the yellow display block,
00:38:45so the staff
00:38:47warned them many times,
00:38:49but the situation did not change.
00:38:52If you do not follow the rules of the shooting,
00:38:54please use the high beam.
00:38:58The picture is good, but
00:39:00it's not going down.
00:39:02It's good.
00:39:04It's good.
00:39:06It's good.
00:39:08It's good.
00:39:10It's good.
00:39:14As a countermeasure,
00:39:16the light of the car was said to be
00:39:18kept in the high beam,
00:39:20and angry fans shouted
00:39:22inaudible and meaningless.
00:39:24In the high beam state,
00:39:26the picture does not shine
00:39:28and the train does not appear cleanly.
00:39:30This is said to be a big problem.
00:39:34After that, the manner was not improved,
00:39:36and the train started running
00:39:38with the high beam.
00:39:40JR East Japan
00:39:42wants to shoot
00:39:44with good manners.
00:39:46I can't help it.
00:39:48I want JR East Japan
00:39:50to keep their manners.
00:39:52If you want to shoot,
00:39:54you should be angry
00:39:56at the ill-mannered railway fans.
00:39:58I don't want to
00:40:00ruin the image of the train.
00:40:02Most of them are good people.
00:40:04They follow the rules.
00:40:06They are outside the exhibition block.
00:40:08They are inside the platform.
00:40:10They are doing it properly.
00:40:12They do it for people
00:40:14who do not follow the rules.
00:40:16They did it with
00:40:18the high beam.
00:40:20They are not complaining
00:40:22to the station staff.
00:40:24Some of them
00:40:26are complaining to the people
00:40:28who do not follow the rules.
00:40:30I feel sorry for the people
00:40:32who follow the rules.
00:40:34The railway fans
00:40:36have a soul.
00:40:38If an old train
00:40:40comes,
00:40:42I want to take a rare picture.
00:40:44I think
00:40:46there is a beauty
00:40:48in taking a moment.
00:40:50For that moment,
00:40:52they wait for hours.
00:40:54Some of them
00:40:56wait for hours.
00:40:58Some of them
00:41:00wait for hours.
00:41:02That's why
00:41:04the high beam
00:41:06cannot break.
00:41:08I'm glad
00:41:10there is
00:41:12a high beam.
00:41:14But I don't know
00:41:16if it's a good idea.
00:41:18I think
00:41:20it's a good idea
00:41:22to break the rules.
00:41:24It's dangerous to
00:41:26break the rules.
00:41:28I don't like the word
00:41:30TORITETSU.
00:41:32I prefer TETSU.
00:41:34I don't like
00:41:36the word TORI-KIZOKU.
00:41:38I like the word IZAKAYA.
00:41:40I like the word IZAKAYA.
00:41:42It's a pleasure to
00:41:44hear people's opinions.
00:41:46In the script,
00:41:48Mr. Atsushi
00:41:50I've heard that you don't want to be involved with people who don't want to be on the inside of the yellow line.
00:41:58I just happened to see it.
00:42:00I think he's shooting without thinking he's on the inside of the yellow line.
00:42:06He's crazy about it.
00:42:07He's crazy about it.
00:42:08He wants to shoot it.
00:42:09That's a pure feeling, isn't it?
00:42:11He likes railroads.
00:42:12But it's really a matter of life and death, so he announces it, doesn't he?
00:42:17Some of the staff members are saying, please step inside the yellow line.
00:42:21Some people are saying it in a tight voice.
00:42:23The words are polite, but the tone of the language is gradually increasing.
00:42:28And when we hear that, we wonder what's going on.
00:42:32Especially, I thought it was a Japanese person.
00:42:36Actually, I'm from abroad and I want to take the Shinkansen.
00:42:41I don't understand Japanese.
00:42:45Because it's the yellow line, so you have to smile and say, get away, get down.
00:42:51I think I can understand that.
00:42:53In my case, it's the same for Shinkansen.
00:42:55Some people do it knowing it.
00:42:57I think it's a different opinion.
00:42:59I don't think it's a good idea to choose people with techniques and send them in.
00:43:05No, no.
00:43:06You have to shoot from your own camera and your own angle.
00:43:10I don't know why, but I think it's better to shoot from above.
00:43:17I think it's better to shoot from above.
00:43:19I think it's better to shoot from above.
00:43:21The train company is like Splash Mountain.
00:43:24The best thing is to sell it at the exit of the station.
00:43:31At the exit of the station?
00:43:33At the ticket office?
00:43:36How about you?
00:43:37Do you understand this feeling?
00:43:40No, I don't know.
00:43:41It's a completely different story at the sports festival.
00:43:44I got into a fight over the location and the location of the camera.
00:43:49After all, I will see the representative camera, so I will take it there.
00:43:52Everyone, please close your own camera.
00:43:54Splash Mountain policy.
00:43:56There is also a Splash Mountain policy.
00:43:59I want you to think that it's not strange to do something dangerous like this.
00:44:03If you are a fan, you should respect the station staff as a holy place.
00:44:10Mr. Maezono, do you have a solution?
00:44:14Solution?
00:44:16I was completely sitting and relaxing.
00:44:21I don't have a solution.
00:44:23I don't have a solution.
00:44:24I don't have a solution.
00:44:26Hamler's castle present.
00:44:28I want to see it once in my life.
00:44:30I want to see it once in my life.
00:44:32I want to see it once in my life.
00:44:35I'm looking forward to the third episode of Hamler's Castle.
00:44:41I'm looking forward to the third episode.
00:44:43I've been getting to like the castle more and more.
00:44:45When I travel to Japan, I'm interested in the castle.
00:44:49I'm interested in what I've learned.
00:44:51I'm interested in what I've learned.
00:44:54I'm glad to hear that.
00:44:55I'm looking forward to your kind cooperation.
00:44:56I'm also doing the job of a castle's performance.
00:45:00I'm glad to hear that.
00:45:02I'm glad to hear that.
00:45:04Today, we will introduce you to three wonderful castles that can be seen by overlapping various conditions.
00:45:14First of all, this is Hirosaki Castle in Aomori Prefecture.
00:45:19This is one of the twelve surviving castles.
00:45:24This is one of the twelve surviving castles.
00:45:32This has not been rebuilt.
00:45:34That's right.
00:45:35We don't use the original woods.
00:45:39It's cool to see such a small building.
00:45:42Yes.
00:45:43It's small when you look at the ceiling.
00:45:45Hirosaki Castle is called a Sougamae,
00:45:48and it's a castle where people from the village live.
00:45:54It has a large area, but the castle is small.
00:45:58What I want you to pay attention to is this.
00:46:01It's called a Hikiya.
00:46:02What's that?
00:46:03It allows you to move the building without destroying it.
00:46:07It's an architectural method that has been passed down since the Muromachi period.
00:46:11When the stone wall needs to be repaired,
00:46:15everyone rolls up a rope and pulls it.
00:46:19This is what it looks like.
00:46:21This is amazing.
00:46:22This is interesting.
00:46:23Everyone pulls the stone wall.
00:46:25They move it little by little,
00:46:30and when the stone wall is repaired,
00:46:33everyone pulls it back to its original position.
00:46:36What a flexible structure.
00:46:38The first time was during the Meiji period.
00:46:40The second time is now.
00:46:43The construction started in 2015,
00:46:46and it will return to its original position next year.
00:46:48So now,
00:46:49there's a house in the garden,
00:46:53and you're cleaning up the foundation.
00:46:56That's right.
00:46:57I've been there in 2015.
00:46:59You've been there?
00:47:00The current castle was originally a mansion.
00:47:04I moved it to the side.
00:47:06Is it a Hikiya?
00:47:07I can't say for sure if it's a Hikiya,
00:47:10but I moved it to the side.
00:47:11You moved it to the side.
00:47:13So it's exactly the same.
00:47:16In the spring,
00:47:18as a spectacular castle,
00:47:20tourists come from all over the country.
00:47:23Here it is.
00:47:24It's beautiful.
00:47:25It's beautiful.
00:47:26There are 52 types of cherry blossoms,
00:47:30about 2,600 cherry blossoms,
00:47:32planted in Shikichi,
00:47:33which is known as the best cherry tree in Japan.
00:47:35When the conditions overlap,
00:47:37you can see this spectacular view.
00:47:39Here it is.
00:47:41It's beautiful.
00:47:42This is a phenomenon called Hanaikada.
00:47:44When the peak of the full moon passes,
00:47:46the cherry blossoms scattered on the water surface
00:47:48are filled.
00:47:50It's like a pink carpet.
00:47:54I want everyone to see this scene.
00:47:57The peak of Hanaikada
00:47:58is around the third day after the full moon.
00:48:01It looks like a stone temple.
00:48:04Actually, it's not.
00:48:06It's beautiful.
00:48:08I want everyone to see this.
00:48:10Next, here it is.
00:48:12It's Matsumoto Castle.
00:48:14It's cool.
00:48:15Matsumoto Castle in Nagano Prefecture.
00:48:17It's one of the 56 remaining castles
00:48:19that are said to be the best in Japan.
00:48:22It's one of the 12 remaining castles.
00:48:25It's also one of the five national treasures.
00:48:29Matsumoto Castle
00:48:31has a special shape.
00:48:33At this stage,
00:48:35if you notice something strange,
00:48:37it means you're looking at the castle.
00:48:39I had no idea.
00:48:40Mr. Makarizumi, do you feel something strange?
00:48:42Compared to the stones below,
00:48:46the stones above are a little protruding.
00:48:50It's a little protruding.
00:48:52It's a little bigger than the base.
00:48:55It's a place to drop stones.
00:48:57It's a place to drop stones from here.
00:48:59If there's an enemy,
00:49:01it's a place to drop stones.
00:49:03It's a place to drop stones.
00:49:05If you go up, you'll notice something strange.
00:49:08The castle is getting smaller and smaller.
00:49:11What do you think of Matsumoto Castle?
00:49:13The top floor.
00:49:15The top floor is pretty big.
00:49:17The top floor and the bottom floor are the same size.
00:49:20It's rare.
00:49:22There's no corridor in this castle.
00:49:25Hikone Castle has a corridor.
00:49:28Matsumoto Castle doesn't have a corridor.
00:49:30You're a fool.
00:49:32You're a fool.
00:49:34You're Ken Shimura.
00:49:36I thought Nobunaga Oda did this.
00:49:39You went out a little bit.
00:49:41You took a point.
00:49:44That's right.
00:49:45It's often shown in dramas.
00:49:47There's no corridor.
00:49:49It's a place where snow accumulates.
00:49:53Snow accumulates in the castle.
00:49:55It melts and the trees rot.
00:49:58There's a possibility.
00:50:00He was trying to make a corridor.
00:50:02I think he quit in the middle.
00:50:04There are various theories.
00:50:06I can't say this is it.
00:50:08If you go up, you'll find out.
00:50:10There's a place where there was a corridor.
00:50:13I don't know when he put up the board and blocked it.
00:50:18I think he changed it in the middle.
00:50:20Instead, Matsumoto Castle is called Tsukimi Yagura.
00:50:26There's a corridor here.
00:50:28It's a red castle.
00:50:31This is the characteristic.
00:50:33Three generals, Iemitsu-ko, heard that they were coming to Matsumoto Castle.
00:50:40When the general came, he wanted to see the moon from here.
00:50:45That's Tsukimi Yagura.
00:50:47In fact, Iemitsu-ko didn't come.
00:50:51He's selfish.
00:50:53He's selfish.
00:50:55He's busy.
00:50:57He's going to various places.
00:50:59He even changed the color.
00:51:01He worked hard.
00:51:03If you go there, the scenery is really nice.
00:51:05I think the moon you see from here is beautiful.
00:51:07Iemitsu-ko didn't come.
00:51:09I've interviewed Hiroye, the 19th general of Tokugawa.
00:51:16There's a novel.
00:51:18The general said,
00:51:20It's not a place where you risk your life and money to go.
00:51:25It's severe.
00:51:27He said that to Matsumoto people.
00:51:31There is a famous temple called Zenkoji.
00:51:35Some people wanted to go there.
00:51:39Some people said it was worth going there.
00:51:42It's amazing that the general came to my team.
00:51:46It's amazing.
00:51:48The amazing thing about Matsumoto Castle is this.
00:51:51There are a lot of Sama.
00:51:53I'd like to introduce you to Sama.
00:51:56Sama is a hole in the wall of a castle.
00:52:02Sama is a hole in the wall of a castle.
00:52:06There are a lot of Sama.
00:52:09It's amazing.
00:52:11It's hard to understand because it's black.
00:52:13It's hard to understand because it's black.
00:52:15I found a circle and put it on.
00:52:18There are 115 Sama.
00:52:23This is the end of the Sengoku period.
00:52:26When Toyotomi ruled Japan,
00:52:31Kazumasa Ishikawa, who was originally a subordinate of Ieyasu Tokugawa,
00:52:36He became a subordinate of Toyotomi Hideyoshi.
00:52:38It's his castle.
00:52:40It's a castle built to protect the castle.
00:52:43It's a castle full of fighting spirit.
00:52:46I'm going to shoot a gun from here.
00:52:49You can see the number of Sama.
00:52:51When I was trying to attack,
00:52:53If there were this many Sama,
00:52:55I feel a little relieved.
00:52:57A gun will come out of here.
00:53:00The wall on the first and second floors is about 29 cm.
00:53:04It's hard to shoot a gun.
00:53:06It's hard to shoot a gun.
00:53:08The width of the inside is about 60 m.
00:53:12The distance that the enemy can't reach is 60 m.
00:53:18If you shoot from above Matsumoto Castle,
00:53:20The range of fire will increase.
00:53:23The enemy can reach this side.
00:53:25The enemy can't reach that side.
00:53:27It's a distance.
00:53:29It's hard.
00:53:31Let's stop this.
00:53:33You shouldn't touch this.
00:53:35It won't fall.
00:53:37Matsumoto Castle is like this in autumn.
00:53:42You can take a picture like this.
00:53:46Colored autumn leaves surround the castle like frames.
00:53:50You can take a picture of a miracle.
00:53:52The official Instagram followers of Matsumoto Castle are over 30,000.
00:53:56It's the top castle in the country.
00:53:59If you are interested, please follow me.
00:54:02I'm aiming for the tourist ambassador of Matsumoto Castle.
00:54:05It's hard to shoot a gun.
00:54:07It's popular.
00:54:09There are many people who want to visit Matsumoto Castle.
00:54:13I'm aiming for the tourist ambassador of Matsumoto Castle.
00:54:18If you are aiming for the tourist ambassador of Matsumoto Castle,
00:54:21Which castle do you like?
00:54:24I like all the castles because everyone loves them.
00:54:28I'm aiming for Nobunaga.
00:54:31I want to conquer the country.
00:54:32I want everyone to enjoy the castle.
00:54:34The castle is being destroyed by Nobunaga.
00:54:37It's like being dropped.
00:54:39I like it the most.
00:54:41I like it.
00:54:42I love this castle.
00:54:45This is a beautiful view.
00:54:47Beautiful.
00:54:48This is the view of Matsumoto Castle in the mirror.
00:54:51If there is no wind, you can see the water in the moat.
00:54:58This is the view of the castle once or twice a year.
00:55:02Please follow the rules and shoot.
00:55:06If you follow the rules on Instagram, you can see this picture.
00:55:10This is the last castle.
00:55:12This is Hikone Castle in Shiga Prefecture.
00:55:14This is Hikone Castle.
00:55:16This is a national treasure.
00:55:21I'm aiming for the tourist ambassador of this castle.
00:55:24This is a castle built by Iike.
00:55:27This is a castle built by Iike.
00:55:31There is a characteristic feature of this castle.
00:55:34This is a recycled castle.
00:55:37This is a castle built by recycling old stone walls, old castles, and old temples.
00:55:45This is a castle built by shortening the construction period and reducing the cost of construction.
00:55:51The reason why this castle was built in a hurry is the point of interest.
00:55:56In the battle of Sekigahara, Tokugawa won.
00:56:01Tokugawa had to watch over Toyotomi.
00:56:06Hikone Castle is a very important place to watch over Toyotomi and Osaka.
00:56:13That's why Tokugawa I was there.
00:56:17That's why this castle was built in a hurry.
00:56:20This is a castle built in a hurry.
00:56:23This is a castle built to shorten the construction period.
00:56:27This is a castle built in a hurry.
00:56:29This is a castle built in a hurry.
00:56:32The reason why this castle is beautiful is that the tiles are layered.
00:56:39What is this?
00:56:44This triangle is a tile.
00:56:46This is a tile called Irimoya tile.
00:56:49This is a tile called Karahafu.
00:56:58This is a tile called Kiritsuma tile.
00:57:02There are many types of tiles in the castle.
00:57:08There are many types of tiles.
00:57:10This is a castle with all four types of tiles.
00:57:16Is that Shachihoko on the top?
00:57:18Yes.
00:57:19Shachihoko is said to be a god of water protection.
00:57:22Shachihoko is said to be a god of water protection.
00:57:25Shachihoko is said to be a god of fire protection.
00:57:29Shachihoko is said to be a god of fire protection.
00:57:34Yes.
00:57:35Please remember this Kato window.
00:57:38This is a window that looks beautiful when you look at it from the outside.
00:57:45There are 18 windows in Hikone Castle.
00:57:48The inside of the castle is dark.
00:57:51This castle has a lot of light.
00:57:53This castle has a lot of light.
00:57:56This is a castle that doesn't seem to fight.
00:58:01This castle is full of fighting spirit.
00:58:03This is a castle that doesn't seem to fight.
00:58:08There is a hidden castle on the inside.
00:58:11When a battle breaks out, a hole will appear.
00:58:17Can you go there immediately?
00:58:19This is a hidden castle.
00:58:23I'm excited.
00:58:25Is there a lot of fighting spirit?
00:58:26Yes.
00:58:27You can see that there is a lot of fighting spirit inside.
00:58:32This is a place where you can see the view of Hikone Castle.
00:58:40There are about 1,100 cherry blossoms around the castle.
00:58:44In spring, the cherry blossoms overflow from the stones.
00:58:49Hikone Castle is beautiful.
00:58:51This is beautiful.
00:58:53I introduced you to the three castles.
00:58:57Thank you very much.
00:58:59Please visit this castle.
00:59:04Is this castle good?
00:59:06Yes.
00:59:07I haven't been to any of the castles.
00:59:09I haven't been to any of the castles.
00:59:11I haven't been to any of the castles.
00:59:14I'm very interested in this castle.
00:59:16The more I hear about this castle, the more I like it.
00:59:18The reason why the ceiling of the castle is low is amazing.
00:59:25The ceiling of the castle is low so that it is difficult to swing a sword.
00:59:30That's what you want to say, right?
00:59:31That's what I want to say.
00:59:32That's interesting.
00:59:33There are a lot of things I want to say about this castle.
00:59:38I want to study this castle.
00:59:40I want to be an ambassador of this castle.
00:59:42Mr. Makarizumi, Mr. Maezono, and Mr. Inuzuka.
00:59:46We are ambassadors of this castle.
00:59:47Are you aiming at us?
00:59:48We are ambassadors of this castle.
00:59:50I'm from Hyougen.
00:59:52I want to visit the Himejijo Castle in the southernmost area of Japan.
00:59:55That's a world heritage.
00:59:56Himejijo Castle is the most amazing, right?
00:59:58Himejijo Castle is amazing.
01:00:01It takes about 30 minutes to explain just one castle.
01:00:06If you explain the castle in a wide range of words,
01:00:09if the Himejijo Clan is serious,
01:00:12they may say that.
01:00:14They are serious.
01:00:15They are trying to bring it to Japan.
01:00:17Because they are the locals.