⚫ SE CONOCIÓ CUÁL FUE EL ÚLTIMO DESEO DE LÍA CRUCET ANTES DE SU MUERTE
👉 La gran reina de la movida tropical, Lía Crucet, murió este jueves 28 de noviembre a los 72 años tras padecer un grave diagnóstico de cáncer bronco-pulmonar.
👉 Seguí en #AndinoYLasNoticias
👉 La gran reina de la movida tropical, Lía Crucet, murió este jueves 28 de noviembre a los 72 años tras padecer un grave diagnóstico de cáncer bronco-pulmonar.
👉 Seguí en #AndinoYLasNoticias
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NewsTranscript
00:00Tropical music, who passed away in the last hours at the age of 72,
00:04had been transferred to a hospital in Mar del Plata
00:06for a lung cancer, right, Alberto?
00:09Yes, three years ago he had been mentioning a lot
00:11what was the state of health of Lía Cruzet
00:13located in the city of Mar del Plata.
00:15Her own daughter, Karina, was the one who,
00:17on social media, got to know the news
00:19of Lía's death.
00:21The Queen of the Bailanta, as she had been baptized,
00:23but her origin had not been music.
00:25She had started as an actress, as a baby,
00:28in different movies, television channels,
00:31and theater magazine, where she was part of
00:33cast headed by Tristán, Porcel, Marrone, Olmedo.
00:37Her artistic career took a turn
00:39and she dedicated herself to the Bailanta,
00:41transforming herself into the most important
00:43female figure in the country.
00:46In the year 2021 she had a home accident.
00:49From there they started with many problems,
00:51weight loss, hospitalization,
00:54even in a geriatric hospital to have the
00:56most immediate interventions, and yesterday
00:58the sad news of her death.
01:00Well, there we are accompanying Mar del Plata
01:02with Adrián Mauchi, and I understand that
01:04his son Ezequiel is there. How are you both?
01:07How are you, Guille? Yes, we are here
01:09in the auditorium, in Calle Luro,
01:11between Olasábal and Funes.
01:13Here, well, it is open for anyone
01:15who wants to get close to say goodbye to Lía
01:17can do it, and we are with Ezequiel,
01:19son of Lía, who we thank for wanting
01:21to spend a few minutes with us.
01:23Ezequiel and Guille are already listening to you.
01:25We are here for whatever you want.
01:27Thank you, nothing more, because
01:29at this moment it is the only thing
01:31that can get me out and say
01:33we accompanied my mother until the last moment,
01:36she was surrounded by love,
01:38I never left her alone,
01:41I did not allow myself to leave her alone
01:43at any time, because of the moment
01:45I was going through, because I know
01:47calmly that if something like this
01:49happened to me, she would also
01:51never have left me alone,
01:53but that is the reality,
01:55my mother already caught this
01:57in less than a month and a half,
01:59they detected it so quickly
02:01that nothing could be done
02:03because of the weak state
02:05she already had,
02:07just as you detailed,
02:09this has been going on since 2021
02:11with quite a few problems,
02:13but now it was like the grace shot,
02:15it was that they discovered this
02:17and in a month and a half
02:19she left an international
02:21hospital,
02:23she entered another,
02:25the doctors told me the same
02:27that it was going to happen
02:29at some point,
02:31that she was going to atrophy
02:33every time a little more
02:35and well,
02:37the truth is that she was asymptomatic
02:39until the last moment,
02:41because she did not suffer,
02:43she did not feel pain,
02:45the doctors told her,
02:47does something hurt you,
02:49as I had said with the note
02:51that I had made with Ventura
02:53a long time ago,
02:55I was going to die fighting
02:57and she literally died fighting
02:59until the last moment,
03:01like the warrior she was,
03:03yes, tell me.
03:05I remember that note,
03:07you said at the beginning
03:09to thank the people of the company
03:11and I think there are a lot of people
03:13who have to thank your mother
03:15who has marked a leadership
03:17in tropical music,
03:19very closely linked
03:21with men,
03:23because it gave rise
03:25to many women
03:27being able to integrate,
03:29but she marked the way.
03:31Yes, totally,
03:33she was a pioneer
03:35of tropical music,
03:37it was like I was talking
03:39here with my friends
03:41who have always been
03:43with me,
03:45let's say that
03:47my mother was a bisagra person
03:49at the time,
03:51she was someone who marked
03:53a path that encouraged
03:55one to get out of the mold,
03:57she was one of the first
03:59who broke the mold,
04:01sorry, I know it was protection
04:03for the minor,
04:05but before at that time
04:07you put on a short and
04:09ah, look at this whore,
04:11she was a person
04:13who paved the way
04:15for the artists who
04:17broke the prejudice
04:19in a very macho environment
04:21where before there were only
04:23male singers,
04:25there were very few
04:27who sang cumbia
04:29and were women,
04:31I must tell you
04:33after my mother
04:35a series of female artists
04:37began that marked
04:39a trend and to this day
04:41they are, to give you an example,
04:43Karina la princesita,
04:45Dalila,
04:47they are from a year ago
04:49and they left after my mother
04:51or well, a little later,
04:53I don't know,
04:55but my mother was a pioneer
04:57in that sense.
04:59Ezequiel, and what you are telling
05:01that she was a pioneer,
05:03that she paved the way
05:05for many artists,
05:07at this time,
05:09if you share the stage,
05:11I give you the opportunity to show yourself.
05:13Look, the reality is that
05:15the health issue of the day
05:17was always very hermetic,
05:19we didn't want to bother anyone
05:21because, well,
05:23everyone has their own life, right?
05:25To each one it came out
05:27from where it came out,
05:29hey, it's okay, do you need something?
05:31Yes, I have them on my fingertips,
05:33who were there from day one
05:35and who really cared
05:37about their mother,
05:39and I'm going to be grateful to them all my life
05:41because even though one has
05:43their life, everything,
05:45that they get a message
05:47or that they ask you how your mother is,
05:49it is very comforting to know
05:51that they never forgot about her.
05:53But you have no resentment,
05:55the one who called, called
05:57and the one who didn't call,
05:59there they are.
06:01No, but everyone has their reasons
06:03and one cannot judge,
06:05without a doubt.
06:07And you can't put an excuse.
06:09If you want to be,
06:11do your best to be,
06:13and if you are not,
06:15you will have your reason not to be.
06:17It's not to point the finger at anyone,
06:19it's what I think.
06:21It's very good.
06:23Let's see, summarizing,
06:25you have to say something very important,
06:27your mother left a fundamental legacy,
06:29gave many opportunities,
06:31opened many doors,
06:33it's very touching and you feel that way,
06:35so it seems to me that those of us
06:37who follow Lía's career,
06:39almost simultaneously,
06:41to our beginnings,
06:43some in journalism,
06:45we also thank her
06:47because she was very affectionate
06:49to give notes,
06:51and well, you have to remember her
06:53with a lot of affection.
06:55Yes, my mother was always a person
06:57who always liked to talk
06:59because she always watched them,
07:01she always watched intruders,
07:03her premium channel
07:05was America,
07:07she always went to America,
07:09she was always willing to talk
07:11because she loved
07:13to be worried about her,
07:15to be asked how she was,
07:17she always liked
07:19human warmth,
07:21my mother lived for and for the public,
07:23and we just did
07:25the public screening
07:27so that she could receive
07:29the last affection.
07:31Was she a believer, Lía?
07:33I know it's very difficult,
07:35yes, she was always a believer,
07:37even many people
07:39have told me that
07:41from so much faith she had
07:43in the first cancer,
07:45she was saved by that,
07:47by the faith she had,
07:49because you have to remember
07:51that she had already gone through
07:53a cancer ten years ago.
07:55So as if it were a miracle,
07:57I don't know
07:59if she was saved,
08:01but she took refuge in faith
08:03and it helped her a lot
08:05to go through
08:07what she had at that time,
08:09which was uterine cancer,
08:11or gancre,
08:13I don't remember.
08:15Ezequiel,
08:17we are going to pray for the growers
08:19so that your mother's soul
08:21is resting in peace as it deserves.
08:23We send you a hug.
08:25Let me finish with this,
08:27she is in peace,
08:29she was accompanied by all of us,
08:31my mother,
08:33I will always remember her for what she was,
08:35she was an artist
08:37of the fucking mother,
08:39you go anywhere,
08:41wedding, birthday,
08:43gathering, a barbecue,
08:45there is always a theme of her,
08:47and my mother will live
08:49for the rest of her days in that,
08:51in the photos I have with her,
08:53in the videos, in the songs,
08:55I am honest,
08:57I couldn't listen to a song,
08:59there were some guys
09:01from her fan club,
09:03could she put a song?
09:05Yes, but I couldn't listen for 5 seconds,
09:07I was crying,
09:09it was very difficult for me,
09:11because everything was very fast,
09:13as I told you,
09:15everything was so fast
09:17that I couldn't process it,
09:19I can't believe I'm here
09:21You were an indigenous person,
09:23did you think that beyond the disease
09:25you could spend more time
09:27with your mother?
09:29The only thing I wanted
09:31was to spend the last holidays with her,
09:33and unfortunately
09:35I couldn't give her
09:37the last fight.
09:39It was close,
09:41but there is someone who decides
09:43beyond us,
09:45and as I told you,
09:47everything happens for a reason,
09:49and if she continues to suffer,
09:51there is no life.
09:53What was the last thing you told her?
09:55What do you remember?
09:57Well,
09:59she was very complicated
10:01with her respiratory system,
10:03because of the same bronchial tumor,
10:05she was about to collapse
10:07the other lung,
10:09the one she had healthy,
10:11the doctors told me,
10:13actually,
10:15they recommended me to do the sedation,
10:17because everything they were doing,
10:19let me thank the HPC team,
10:21Dr. Alassia and all the guys,
10:23who are a genius,
10:27they recommended me,
10:29well, there was Carina,
10:31me and my father,
10:33he sat us down,
10:35he told us all the pharmacological things
10:37that could be done,
10:39both ibuprofen for secretion,
10:41morphine to loosen,
10:43because he had a tachycardia too,
10:45he was having a bad time,
10:47and he told us,
10:49the humanly correct thing
10:51now,
10:53is because she is already suffering,
10:55she started to have spasms,
10:57like wanting to move,
10:59those things,
11:01and he told us,
11:03that is a sign that she is already suffering,
11:05the recommendation is to start
11:07the sedation treatment,
11:09I don't know if some of you know how it is,
11:11they start to give you a medication
11:13so that you can relax,
11:15it doesn't speed up the process of death,
11:17it is for you to be relaxed and not suffer,
11:21I asked him,
11:23before they do it,
11:25I wanted to say goodbye,
11:27both me and my wife,
11:29my wife, my partner,
11:31everything we were with her,
11:33until the last day,
11:35and the last memory I have
11:37is to be next to my partner Lourdes,
11:39who was always there,
11:41the reality is that
11:43I told her,
11:45mommy, don't worry,
11:47we are fine,
11:49you don't have to fight anymore,
11:51we are all together,
11:53you don't have to keep forcing yourself,
11:55you don't have to keep fighting,
11:57you already fought a lot,
11:59don't worry,
12:01and I love you,
12:03it's the only thing I told her,
12:05actually,
12:07I've been doing the duel,
12:09more than a month and a half ago,
12:11in each boarding school,
12:13I told her,
12:15you know that I love you a lot,
12:17that you are the love of my life,
12:19that I will never leave you alone,
12:21that I will be constantly
12:23by your side,
12:25I had been telling her for a long time,
12:27but the last words
12:29were that,
12:31but she was very loved
12:33in the artistic environment,
12:35and that is very nice,
12:37he is the best legacy
12:39that a father or a mother
12:41can leave.
12:43That's why,
12:45it's like I said,
12:47the legacy of my mom
12:49will be alive at the 15th party,
12:51at birthdays,
12:53when they play a song,
12:55that's the legacy of my mom,
12:57and that's my mom,
12:59she will live forever
13:01in music,
13:03the day I feel bad,
13:05I remember the photo
13:07of when you did the show,
13:09because that was my mom,
13:11the person they saw on stage
13:13all her life,
13:15she came down from the stage
13:17and she was the same person,
13:19always with a gun,
13:21I think I must be
13:23the only person
13:25at a younger age
13:27who was in the bullets
13:29of the whole Conurbano Bonaerense,
13:31and the son of Gladys,
13:33I don't remember,
13:35of Gladys,
13:37he must have
13:39the same record as me.
13:41I was going to tell you that,
13:43if I ask you two or three photos
13:45that you remember from when you were little,
13:47where does your mind take you?
13:51I have three very peculiar photos,
13:53let's see,
13:55the first photo,
13:57I don't have it here,
13:59yes, I don't remember,
14:01but it's the first photo
14:03that they took of me in my mom's arms,
14:05when they got married,
14:07my dad and my mom,
14:09because I don't know if people know,
14:11I was adopted on the first day,
14:13I was born,
14:15and they gave me to my mom and dad,
14:17that's the first photo
14:19that I have,
14:21as soon as you enter my house,
14:23if you look with your left hand,
14:25there's that photo,
14:27that's the first photo,
14:29the second photo
14:31is when it had snowed in Mendoza,
14:33when I was 13 or 14 years old,
14:35I had never known the snow,
14:37and she hadn't been in the snow
14:39for a long time,
14:41and she told me, let's go,
14:43I had broken my dad's balls,
14:45and she said, let's go there,
14:47and I met the snow,
14:49and I have the photo of her in the snow,
14:51and the third photo,
14:53the most remarkable,
14:55I don't know if I can show it to you,
14:57do you have it there?
14:59Yes, I have it here,
15:05there it is, look,
15:07the dress with which she had made
15:09the colored shirt,
15:11of course, look,
15:13thank you Ezequiel for sharing this photo,
15:15how beautiful,
15:17and all the ones that remain in the memory,
15:19in the albums,
15:21in the heart,
15:23I'm going to take to the drawer
15:25with her, the tour,
15:27the reminiscences,
15:29that's what I'm going to take from my mom,
15:33if I tell you what I can take from this situation,
15:35I can't take anything,
15:37because my mom was so atrophied,
15:39that she wasn't my mom in the last time,
15:41she was a person who was having a hard time,
15:43and who was suffering,
15:45and she was fighting, she always fought,
15:47but in the last time,
15:49she noticed that she was tired of fighting,
15:51but what you say is very important,
15:53because you had time
15:55to say goodbye,
15:57to tell you that you loved her,
15:59that you will continue to love her,
16:01and surely she listened,
16:03I don't know if she could answer,
16:05but she surely listened to that.
16:07Yes, she was not aware until the last moment,
16:09she recognized us all,
16:11as much as my partner,
16:13as me, as my dad,
16:15luckily she could say goodbye
16:17to all her circle,
16:19to the nurses,
16:21the first special nurses,
16:23she always had her first line nurse,
16:27she always had a favorite,
16:29the nurse could come,
16:31the owners of the home,
16:33let me send her a greeting,
16:35in the last three years,
16:37they gave her the best quality of life
16:39that could be given to her,
16:41and they took care of her
16:43as if she were her own mother,
16:45and I will thank them all my life,
16:47Florencia, Veronica, Soledad,
16:49all the nurses,
16:51nothing,
16:53it is pure gratitude
16:55to those who were there,
16:57to those who accompanied,
16:59and everyone knows
17:01how it was,
17:03and the grain of sand
17:05that brought the cause,
17:07but I stay with that,
17:09to my mother,
17:11that I could say goodbye,
17:13that we were all together with her,
17:15and that we told her
17:17that she should go easy,
17:19because living as she was living
17:21was not life, poor thing.
17:23Do you have children?
17:25No, not yet.
17:27Not yet, but I hope
17:29if you ever have them,
17:31if God wants.
17:33Canine children, nothing more.
17:35Canine children,
17:37but I say this,
17:39you are going to tell them
17:41with great pride
17:43who your grandmother was.
17:45And the great person she was,
17:47and the great artist she was,
17:49and I know that the Argentine people,
17:51or Latin America,
17:53wherever my mother has played,
17:55they will remember her
17:57for what she generated,
17:59and what each song generates.
18:03My mother always sang to love,
18:05to passion,
18:07how beautiful
18:09when you love me like this.
18:11How nice.
18:13We made her smile.
18:15How nice.
18:17She was
18:19that, she was love.
18:21Of course, after
18:23the understandable tears and sadness,
18:25Ezequiel will be that permanently.
18:27The memory, singing,
18:29sharing,
18:31because also, you just said it,
18:33the tropical movement
18:35is inherent to permanent trips,
18:37going and coming back.
18:39I imagine for all the places you have been,
18:41in Argentina and abroad,
18:43because she had tours
18:45in different countries.
18:47Yes, she traveled more abroad
18:49when it was the 90s, 2000s,
18:51I am 97.
18:53I accompanied her
18:55from 2013 to 2018,
18:572019, which were the last
18:59times she worked,
19:01she did theater,
19:03here even in 2020,
19:052021 was the last.
19:072020, before the pandemic began,
19:09I accompanied her
19:11in the tour,
19:13thanks to her I got to know
19:15the north, the south, the east,
19:17the west,
19:19the truth is that
19:21with that I will be grateful
19:23all her life.
19:25Her profession demanded
19:27to be, I technically grew up
19:29on the road, from trip to trip.
19:31And Ezequiel, who did she
19:33admire or listen to?
19:35Uh, what a beautiful question,
19:37my mother was a fan of
19:39Cristian Castro,
19:41Cristian Castro,
19:43Luis Miguel,
19:45what was his name?
19:47Which one?
19:49Manzanero?
19:51Juan Gabriel,
19:53a great musician.
19:55Juan Gabriel,
19:57she was a fan of Juan Gabriel,
19:59that was her style,
20:01when she was at home
20:03she listened to those songs,
20:05Azul,
20:07she was also a fan of
20:09Ricky Martin,
20:11my mother was very Latin in that sense.
20:13Of course, of course.
20:15Suddenly she didn't sing one of her songs,
20:17but while she was with you she came out with a
20:19I don't know you,
20:21or something like that.
20:23Or the girl in the blue bikini.
20:25I sing too.
20:27Sorry for my ignorance,
20:29do you dedicate yourself to singing too?
20:31Singing is not the same.
20:33But every time you sing,
20:35you are ready to sing, you are very good.
20:37Yes, but well,
20:39one of so many years accompanying
20:41some trick gets you out.
20:43Sure, sure, but what do you dedicate yourself to?
20:45Are you in the world of music?
20:47I am now,
20:49no, I am unemployed,
20:51I have not been working for four months,
20:53unfortunately, because the situation
20:55deserved it, not being able to leave my mother alone
20:57at any time.
20:59In Mar del Plata I work
21:01in events on the coast,
21:03what are bars in massive events,
21:05I also do orders there.
21:07You are a worker.
21:09No, well, maybe.
21:11You are a worker.
21:13Yes, I am a worker,
21:15I don't have anything left.
21:17We arrived at the end of May with my father,
21:19as every Argentine has a hard time,
21:23all the watch and all this,
21:25I don't know how I managed to pay it,
21:27because the truth is that they helped me a lot,
21:29I'm going to be honest,
21:31they gave me money,
21:33people that I never thought they were going to deposit,
21:37the truth is that I didn't even ask for it,
21:39they started to give me deposits,
21:41I said, I can't believe it,
21:43because the people who were by my side
21:45knew that I was in trouble.
21:47But I keep something, right?
21:49And the reality is that I
21:51was not going to let my mother
21:53not have the farewell
21:55that she really deserved.
21:57Sure, sure.
21:59I was left with something,
22:01every time you play, you play well,
22:03you did it with your mother,
22:05and your mother somehow advised you
22:07to continue your musical career,
22:09because it is never too late.
22:11My mother always wanted to see me
22:13on stage,
22:15and I always told her
22:17that the artist of the family was her,
22:19that I was never going to steal her protagonism.
22:21Okay, but now she is not physically,
22:23but she lives in our hearts and in her songs.
22:25Isn't it the moment?
22:27Totally.
22:29And, God knows what awaits me.
22:31I really don't know,
22:33if I'm honest,
22:35what awaits me in the future, I have no idea.
22:37Now,
22:39the only thing I have left is to process it,
22:41I know that the file
22:43will fall from here in a month,
22:45she will disarm me,
22:47see the plate empty
22:49on the table at my house,
22:51and I will go to her house
22:53to spend the holidays with her,
22:55that will kill me,
22:59they are not the best holidays
23:01that will happen,
23:03but I know that she would not have liked
23:05me to be so sad.
23:07How did you see the new generations
23:09of tropical music,
23:11so different from the music of the 80s and 90s
23:13that we all danced,
23:15music that could be danced at that time?
23:17How did you see it?
23:19The music of the 90s, 2000s,
23:21like Ángela Leiva and La Nueva Camada.
23:23Of course, of musical Saturdays,
23:25I remember that was where I saw Lía
23:27on channel 12,
23:29so different from the current tropical music.
23:31And La Lila's Camada, all that.
23:33And La Nueva, how did you see it?
23:35And La Nueva, and I always saw it.
23:37The thing is that music
23:39is never something linear,
23:41it always transforms,
23:43it always changes,
23:45it can bend, it can stretch,
23:47it will always be music.
23:49When you make music,
23:51you have to achieve a message.
23:55What you are transmitting
23:57has to reach the other person.
23:59Did you understand the generational change?
24:01The social change?
24:03Yes, totally,
24:05totally,
24:07because, as I tell you,
24:09music can make music,
24:11but it can distort,
24:13it can bend, it can do whatever,
24:15but it is still music,
24:17and the real music transmits,
24:19transmits.
24:21What song do you keep from Lía?
24:27I think Que Bello.
24:29What?
24:31Que Bello.
24:33For you to understand,
24:35I want to start your career here.
24:37I know we are in the middle of a promotion.
24:39No, no, you are crazy, Andino.
24:41You are out of your mind.
24:43I know it is a complicated moment,
24:45but it is the first time
24:47that you dare to appear
24:49in front of a camera.
24:51Yes, yes.
24:53No cameras,
24:55no showing my mom's
24:57prominence.
24:59I always said,
25:01the artist is her.
25:03I say it with all my love and respect,
25:05I didn't know you,
25:07but don't look at it like that.
25:09If you say your mom would have felt
25:11the same way,
25:13you are not taking away her prominence.
25:15On the contrary,
25:17maybe you will start to complement
25:19something she did so well
25:21since the late 80s.
25:23Yes.
25:25She always told me,
25:27take singing lessons,
25:29I will pay you.
25:31Do something with music.
25:33She always liked that idea.
25:35But I always told her,
25:37you are the artist,
25:39it is like when I was talking
25:41to Adrián,
25:43I feel ashamed
25:45to talk on TV,
25:47to make myself public,
25:49because,
25:51I don't know,
25:53call me whatever you want,
25:55but I am ashamed.
25:57A tribute to your mom,
25:59who obviously deserves it,
26:01on a TV show.
26:03Would you like to be there?
26:05Would you like to sing one of her songs?
26:07Yes, totally.
26:09Everything that reminds me of my mom
26:11will fill my soul.
26:13I want people to remember her
26:15and to rescue a good moment
26:17with one of her songs.
26:19For me, that is glory.
26:21As I told you,
26:23a fan of her came,
26:25with a bunch of
26:27pictures of movies,
26:29yes, pictures,
26:31of the old women,
26:33the analog ones.
26:35And I started to see pictures
26:37of my mom's outfits,
26:39which I had already forgotten.
26:41How nice.
26:43When she wore the hat
26:45with the Arabian coins,
26:47the Arabian belt,
26:49she was also of that style.
26:51And did your mom keep those things?
26:53Yes, I unlocked a memory.
26:55But if your mom was a collector...
26:57Yes, totally.
26:59I have an exploded record
27:01of her things,
27:03which ruins me.
27:05And I told the guys
27:07of the fan club, Cristian and Ilia Montiel,
27:09who are the presidents of her fan club,
27:11years ago,
27:13I know them since I was born,
27:15they know me since I was born,
27:17they had me in their arms,
27:19to give you an idea of the bond
27:21they have with my mom.
27:23I gave them everything.
27:25I gave them medals,
27:27suits,
27:29dresses, shoes,
27:31hats, make-up.
27:33Don't lose contact with them.
27:35They are family.
27:37You have to work
27:39in a museum for Ilia.
27:41He is an icon.
27:43The guys will do it.
27:45Will there be a museum?
27:47No, no.
27:49I gave them everything.
27:51I told them to do whatever they want.
27:53If they want,
27:55this will die in my house.
27:57If they want to open a museum,
27:59to the public.
28:01Didn't you keep anything?
28:03Any prize?
28:05Nothing?
28:07I have a gold record,
28:09a platinum record,
28:11an eagle award.
28:13I must have something.
28:15But no.
28:17We had so many moves.
28:19And we had to keep a lot of things
28:21for my mom's safety.
28:23In that moment,
28:25if she fell,
28:27we kept it.
28:31But the truth is
28:33that I don't have anything
28:35that reminds me of my mom.
28:37I will always carry her in my soul.
28:39I think it's inevitable
28:41what we said.
28:43I had a party a few days ago
28:45and your mom always plays.
28:47She will play forever.
28:49You go to a party,
28:51you go to an old music club,
28:53you go to a new music club,
28:5515, 16, 17 years old kids
28:57always play your mom's music.
28:59She transcends the generational.
29:01She made music for all the public.
29:03And she is a classic.
29:05Classics never die.
29:07Sure.
29:09It's very difficult because we are
29:11unique and unrepeatable,
29:13but we leave disciples.
29:15Who is today
29:17the Aaliyah Crusade of this era?
29:19Uff...
29:23Artistically,
29:25Yes.
29:27I think that...
29:31Well, of the last Camada,
29:33we are talking about the last 3 or 4 years.
29:35Yes, put it.
29:37And that she is leaving
29:39a very big mark.
29:41It has nothing to do with the style,
29:43but for me it's María Becerra.
29:45Yes, yes.
29:47International awards,
29:49international festivals.
29:51Yes.
29:53With races too.
29:55Yes.
29:57Of course, totally.
29:59With a race, with several albums.
30:01Yes, yes.
30:03And the artists of the troupe were
30:05Tony, who was part of Entiendo Tu Mamá,
30:07Alcides, Ricky Maravilla,
30:09La Bomba.
30:11Did they communicate with you?
30:13Because they shared
30:15even tours.
30:17Not with me.
30:19But my dad is not
30:21to pick up the phone.
30:23But when I picked up his phone,
30:25I had to solve some little things.
30:27I saw several chats
30:29of important people.
30:31Of the environment.
30:33I don't know, to tell you,
30:35Luis Ventura, Adrian Serantoni.
30:37They love my dad a lot.
30:39For the affection they have for my mom.
30:41And because my dad accompanied her
30:43in her life, my mom.
30:45Of course, because he recorded
30:47for the family.
30:49Forty years together.
30:51What were those tropical music
30:53Saturdays.
30:55Totally.
30:57When the Fontana Rosa program
30:59was there.
31:01Yes.
31:03Of course, we are, look,
31:05you are not watching TV, right?
31:07That is the best memory there is.
31:09But we are doing a photo tour
31:11of the Fontana Jiménez, passing by
31:13Mirta Alegrán, passing by La Mosca,
31:15passing by Gazaya.
31:17And so on.
31:19In all the programs.
31:21And also raising an OASA award.
31:23What am I?
31:25Sebastián.
31:27The best photo my girlfriend had
31:29is the one with Mirta Alegrán.
31:31I'm going to show it to you.
31:33Because it may be the same
31:35that we are showing.
31:37Because the truth is that
31:39with Los Uno.
31:41Sebastián.
31:43Gladys, if I'm not mistaken.
31:45Yes, this is Gladys,
31:47Lía, Mirta, and I don't remember
31:49who was here.
31:51We have the whole photo
31:53and it's Gladys, Gladys La Bomba Tucumán.
31:55Of course, this is more edited
31:57to make it look better.
31:59Of course, your dad is also from the world
32:01of tropical music or only accompanied her?
32:05My dad was the representative of her
32:07all his life.
32:09Of all his career.
32:11So they also worked together.
32:13It was a family business.
32:17The family business.
32:19All family business.
32:23Ezequiel,
32:25thank you for this tour.
32:27Talking about the people we love
32:29and who left us physically
32:31is the best catharsis we can do.
32:33And it will also happen to you,
32:35I tell you from experience,
32:37that the return of the people
32:39will be daily.
32:41And that will fill your soul
32:43permanently.
32:45And from here I want to send you a hug.
32:47It's the first time we talk,
32:49but we love Lía very much.
32:51She has made us happy
32:53and will continue to make our lives happy.
32:55And it is the best legacy she will leave for everyone.
32:57So thank you for these long minutes.
33:01First of all, thank you for your words.
33:03Thank you all for listening.
33:05For accompanying.
33:07And for taking it seriously.
33:09Because my mom was
33:11an icon artist
33:13in Argentina.
33:15She marked a path.
33:17She marked an era.
33:21If not, it would not be heard to this day.
33:23Without a doubt.
33:25And we will pray for her.
33:27Thank you very much.
33:29Thank you all very much.
33:31Have a nice day.
33:33See you later.
33:59Bye.