• 2 weeks ago
はじめての美術館 2024年12月8日 KOBEとんぼ玉ミュージアム
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00:00JIN OJISAN TO KIRARI CHAN GA AATO WO JIYUU NI TANOSHIMU BANGUMI HAJIMETE NO BIJUTSUKAN
00:25TANBO MO SOU DA SHI
00:28TANBO NE
00:30TOSENBO MO DA
00:32TOSENBO
00:34KAKURENBO MO NE
00:36KAKURENBO HONTO DA
00:37KANGAETE MIRU TO NIPONGO TTE
00:39MOU GA TSUKU TANGO OOI TO OMOANAI
00:42KORE TTE IROIRO NA SETSU GA ARU RASHIN DA KEDO
00:45BOTCHAN NO BOU TOKA
00:47BOTCHAN NO BOU
00:49SUIMEN NO MEN TIYUU KANJI
00:51MOU TE YOMU JA NAI
00:53BOU GA HENKA SHITA MONO DATTARI SURU RASHII YO
00:56SOYOKOTO KA
00:57JA SA
00:58YUNBO TOKA
00:59MANBO TOKA
01:00JANBO TOKA NE
01:01ATO ONE BOX TOKA NE
01:03SUIKOTO JA NAKUTE
01:06TONDEIRU BOU GA TONBO NI NATTE
01:10TONBO KAWATTA
01:12SOU NANDA
01:13TONDEIRU BOU KARA TONBO TONBO NANDANE
01:15YATTO ATTA YO
01:16WAKATTA?
01:17AKATONBOU TOKA
01:19SHIOKARA TONBOU TOKA
01:20ITOTONBOU TOKA MO SOU DA NE
01:22ZEMU TONBO NO HANASHI JA
01:24TAKETONBOU TOKA TONBO DAMA MO SOU DA NE
01:26TAKETONBOU WA WAKARU KEDO
01:29TONBO DAMA TEN NO WA NANI?
01:31TONBO DAMA SHIRANAI NO?
01:34KYO TONBO DAMA MI NI KO
01:37DEMO TONBO GAERI WA NASHI DA ZE
01:40CHOTTO MATTE YO
01:43SONNA WAKE DE FUTARI GA YATTE KITA NO WA HYOUGO KEN
01:47KOUBE TONBO DAMA MUSEUM
01:52Hello.
01:54I'm Kirari Murayama.
01:55I'm Rijin Akagi.
01:56Nice to meet you.
01:57Nice to meet you.
01:58I'm Miyamoto, the director of the Koube Tonbo Dama Museum.
02:01Nice to meet you.
02:02Nice to meet you.
02:04What kind of museum is it?
02:06It's a museum of glass, starting with Tonbo Dama.
02:10Glass.
02:12TONBO DAMA
02:20What is Tonbo Dama?
02:23It's very beautiful.
02:25It's very beautiful.
02:27This is Tonbo Dama.
02:29Tonbo Dama.
02:31What is Tonbo Dama?
02:34Tonbo Dama is a glass decoration.
02:37It's called Tonbo Fukugan in Japan.
02:41I see.
02:42It's not only in Japan?
02:44It's made all over the world.
02:46Tonbo Dama is only called Tonbo Dama in Japan.
02:50In the Edo period, there were many patterns,
02:53such as mikan dama and suji dama.
02:56It's been around for a long time?
02:58Yes.
02:59It was made in Japan in the Nara period.
03:01That long ago?
03:03It must have cost more than 1,000 yen.
03:05Yes.
03:07Tonbo Dama was very popular in the Edo period.
03:10It was used as an accessory,
03:13such as a gold bag holder and a kanzashi decoration.
03:16It was a very familiar art.
03:19You can experience making Tonbo Dama
03:21at the demo workshop here.
03:23Would you like to try it?
03:25I'm fine.
03:27No, no, no.
03:29Don't say that.
03:33You want to try it, don't you?
03:35Yes, I do.
03:38Now, the two of them are on their way to the workshop.
03:43After choosing the base color and pattern,
03:47they start making Tonbo Dama.
03:50We're going to make Tonbo Dama now.
03:53I'm ready.
03:54I'm looking forward to it.
03:55First, light the fire.
03:57Wow.
03:58This is the right hand.
04:00Hold it firmly from the top with your right hand.
04:02At a high position,
04:04point the tip down and heat it at this height for a while.
04:06Is it okay to heat it this high?
04:07Yes.
04:08If you don't heat it slowly, the glass will pop.
04:10Wow, that's difficult.
04:11You can't see the flame,
04:13but it's quite high up here.
04:15The glass is gradually warming up.
04:18He's practicing.
04:19I'm practicing.
04:21He heats the glass from 600 to 800 degrees to melt it.
04:25It's like an experiment.
04:27This is a sign that it's starting to melt.
04:30It's starting to melt.
04:31When this fire comes out,
04:32point your hand down and the tip up.
04:34Make it easy.
04:35Okay.
04:36If you stay still, the glass will melt and drip.
04:39When the lump starts to drip,
04:41turn it around and make the lump a little earlier.
04:45Can I let go?
04:46Yes.
04:47Make the lump earlier.
04:48Oh, wait.
04:49I'm sorry.
04:52Can you stop looking at me?
04:57It's the first time I've seen an adult and a kid.
04:59We're the same age.
05:01When it starts to melt,
05:02he makes the shape of the lump.
05:04In the past, people processed the lump with a lamp,
05:07so this method is called lamp work.
05:10I'm going to wrap it around this stick now.
05:12Is that okay?
05:13When you wrap it,
05:14you have to turn it around and around like you did earlier.
05:16You do it here?
05:17Yes.
05:18Turn it around like this.
05:19Wow!
05:21When it hardens, put it back on the fire.
05:23Okay.
05:24Keep this position on the outside of the fire.
05:28When it melts,
05:29turn it around and around and make it bigger.
05:31Okay.
05:32Let's do this much.
05:33Please hold it.
05:34Oh, I'm sorry.
05:37I'm going to burn it all.
05:38Turn it around earlier.
05:40Turn it around quickly and burn it.
05:41Okay.
05:42I'll take care of the glass.
05:43Next, put this in your right hand.
05:45Okay.
05:46There are two ways to make this ball round.
05:49Okay.
05:50Keep it horizontal.
05:52Horizontal.
05:53Turn your left hand from below.
05:55If you turn it with only your right hand, it will stop.
05:58Use both hands well.
05:59Slowly.
06:00This speed is fine.
06:01Turn it firmly.
06:02I'll release it.
06:03Do you see that it's coming up?
06:05Oh, I see.
06:06If it doesn't come up,
06:07it will look like an onion.
06:09Do you like onions?
06:10I don't like it.
06:11Well, then.
06:12Don't make me laugh.
06:13Hold it firmly.
06:14Oh, wait.
06:15It's still there.
06:17It's getting round.
06:18It's pretty fast.
06:19Okay.
06:20I'm going to put a pattern on it.
06:21I'm going to roll it with the pattern.
06:22Huh?
06:23Keep the shape as it is.
06:24Okay.
06:25Gently.
06:26Like this.
06:27Oh, it's fun.
06:28I'm going to melt the pattern on the surface.
06:30Okay.
06:31I've put a lot on the whole thing.
06:32Okay.
06:33I'll put it back on the fire.
06:34Slowly.
06:35Turn it around.
06:36Melt the pattern.
06:37It's the same speed as horizontal.
06:39A red one came out.
06:41A red one came out.
06:42Lower your hand.
06:43Isn't this good?
06:45I'm going to turn it off.
06:46Leave it alone.
06:47It's still there.
06:48It's going to be an onion.
06:49It's going to be an onion.
06:50Like this.
06:51Okay.
06:52It's getting hard.
06:53Make it round.
06:54It's melted after the fire went out.
06:56It's still melted.
06:57It's still soft.
06:58It's still soft.
06:59It's still there.
07:00It's still there.
07:01When the color cools down, it returns to its original color.
07:04It becomes greenish.
07:05Yes.
07:06It's done.
07:07The surface is already hard.
07:08Even if you tilt it, the shape won't change.
07:11Make sure it's done.
07:13Let it cool down slowly.
07:15Let it cool down for 40 to 50 minutes and complete.
07:18It doesn't smoke that much.
07:19Tell me if it's coming up.
07:21I'm looking at it from the side.
07:22It's coming up a little bit.
07:23It's coming up a little bit.
07:24It's coming up.
07:25It's coming up.
07:26It's coming up.
07:27It's good.
07:28It's going to be an onion.
07:29It's going to be an onion.
07:33Since it's round, Kirari also makes a pattern.
07:36He uses a different method from Jin-Oji.
07:40What Kirari chose is this part, which is made so that the same pattern comes out no matter how many times you cut it like Kintaro candy.
07:48Let's put it quickly between the top and the bottom.
07:53Let's put it between the north and the south.
07:55Let's put it in between.
07:56It's done, so let's put it back on the fire.
07:59Please turn it with your right hand only.
08:01Please turn it with your left hand only.
08:03I haven't done it yet.
08:05It's a little hard to understand, but I'll push it in.
08:09After pushing in the patterned parts, it's time to finish the shape.
08:16How is it, Kirari?
08:17Please don't talk to me.
08:21You're very serious.
08:23It's amazing.
08:24How is it?
08:25I'm looking forward to the finished product.
08:28After this, Sugowaza glass works will appear one after another.
08:39Let's look at the works of the great glass makers in the world until the temperature of their glass balls drops.
08:47It's a vinyl case.
08:50Let's take a look at some of the world's finest glass art until the temperature of their tombo-dama goes down.
08:57Wow, there's a lot of them lined up.
09:00So this is all glass?
09:02Yes, this is an exhibition of ancient glass.
09:05So it's from a long time ago.
09:07Yes, the history of glass is old.
09:09It dates back to the 15th century BC.
09:11What?
09:12It's been around for a long time.
09:14Wow, that's a long time.
09:16It's been around for a long time.
09:18It dates back to the 15th century BC.
09:20What?
09:21Do you know how many years ago it was?
09:23It's been around for 2,000 years.
09:253,500 years?
09:26Yes.
09:27In Egypt, during the Stone Age,
09:29when the most beautiful Egypt in the New Kingdom was born,
09:32this glass was born.
09:34Wow, it's older than I thought.
09:36It's way older than I thought.
09:37It's way older than I thought.
09:38It's way older than I thought.
09:39In that era, how did they create the color?
09:43And technically,
09:45there was no gas burner.
09:47That's right.
09:48So there were a lot of things that made it possible.
09:53This is a human face ball.
09:55A human face ball?
09:56Wow, that's amazing.
09:57Wow, this is scary.
09:59But it's the same shape as the bronze ball we saw earlier.
10:01Yes, it is.
10:02And this part of the face,
10:04I think it was made by drawing the parts with a pattern
10:07and slicing them with a metal tool
10:09that Kea-chan made earlier.
10:12You put the teeth on it and buried it.
10:14That's right.
10:15The technology was already established at that time.
10:18What?
10:19If you look at this part of the mosaic,
10:23you can see the same color on the surface.
10:25Wow, it's beautiful.
10:27Even if you slice it, you can see the same pattern.
10:30Hayabusa, Cobra.
10:31These were the parts of the time, right?
10:33What?
10:34This one character.
10:35This is a hieroglyph.
10:37A hieroglyph?
10:38It's this detail.
10:39Wow, that's amazing.
10:41Even if you say you made it now, you would believe it.
10:44Even today's artists can't do this.
10:46What?
10:47So it took a lot of time and effort to make it.
10:50Rust technology?
10:51But it's amazing.
10:523,000 years ago?
10:54However, the works of modern artists are also amazing.
10:59This is an exhibition of works of modern artists from Japan and abroad.
11:02Let me introduce it to you.
11:04It's more technical than modern.
11:07That's amazing.
11:09It's a bug.
11:10A bug?
11:11Is this made of glass?
11:13It's made of glass.
11:14This work of Akatombo was made in this workshop.
11:17What?
11:18Are you using that burner?
11:19That's right.
11:20What?
11:21Wait a minute.
11:22It's too amazing.
11:23That's right.
11:24The leaves are also made of glass.
11:27That's right.
11:29This is amazing.
11:30It's a fried egg.
11:32It looks delicious.
11:33Can I eat this?
11:34You can't eat it.
11:35What?
11:36Please eat.
11:37Glass?
11:41Pepper?
11:42Pepper.
11:43What?
11:44It's even burnt.
11:46That's right.
11:47The edge is burnt.
11:48Wow.
11:51Various works are made with lampwork.
11:54There are also cars.
11:58This is a work of Paul Stancart.
12:00This is a work of a master.
12:02Wait a minute.
12:03This is all made of glass, isn't it?
12:05That's right.
12:06What?
12:07It looks like a real thing.
12:09Feathers.
12:10That's right.
12:11Feathers are transparent.
12:12Feathers of bees.
12:13I can't imagine it.
12:15There is also a tree that looks like a strawberry seed.
12:21That's right.
12:23This is a work of Josh Simpson.
12:26Josh Simpson.
12:28This is not lampwork.
12:30This is made of glass and is made in a workshop.
12:32It's a pretty big work.
12:34Is it a silver leaf?
12:36Is it a jellyfish?
12:38It looks like a world map.
12:40That's right.
12:41It looks like the earth is in it.
12:44This artist knows something strange.
12:47He has his own works all over the world.
12:50He has his own works?
12:51He has about 100 works.
12:53He seems to be buried somewhere in Japan.
12:57He is waiting for his works to be discovered.
12:59That's right.
13:00He is doing something like that.
13:05After this, we will focus on the masterpiece of the glass artist.
13:09Oh, that's great.
13:14The art club of the entertainment world.
13:17Today, we have a wonderful work from the entertainment world.
13:21Let's take a look.
13:23Hello, Mr. Kirari Katagiri.
13:25I'm Yuki Katsuo.
13:27I also do narration in this program.
13:31I'm drawing a picture.
13:33It's a fictional character, George Ocean.
13:37There are characters that I made on my own.
13:43The first one was George.
13:48Based on this original, I made a figure.
13:52I made it by collaborating with the artist Toi Kensuda.
13:59The fish is thrown to George.
14:04When George is sad and happy, the fish comes out of his stomach like tears.
14:11The original is based on this picture.
14:16The process of making figures, glass furniture, and lamps is fun.
14:25It's fun to make various shapes.
14:30I think it's the joy of drawing.
14:33Mr. Katagiri, Mr. Kirari.
14:35How do you like my work, George Ocean?
14:41It's interesting.
14:43I didn't know you were an artist.
14:46Is George Ocean here?
14:49He's not here.
14:51I'm surprised.
14:53He's been doing narration in this program for a long time.
14:56I want to touch him.
14:58It's a scary idea.
15:01When George is sad and happy, the fish comes out of his stomach like tears.
15:06You can take a picture of the figure.
15:09I want to see it.
15:10There were various colors of figures.
15:21Let's look at Japanese glass art.
15:26This is a work of glass furniture.
15:28Mr. Kirari.
15:30Mr. Ocean.
15:32Please look at it from the side.
15:33His legs are thin.
15:35There's blood on his legs.
15:37It's red.
15:39He's melting it with a burner.
15:41He's stretching it.
15:43There's a goldfish.
15:45It's beautiful.
15:48This is a work of Mr. Atsuko Amino.
15:51He looks like he's swimming.
15:54He's not in the water, but he's in the water.
15:58He's trying to stand up.
16:00Mr. Amino is here today.
16:04Mr. Amino.
16:05Hello.
16:08Did you make it?
16:10Yes, I made it.
16:13I went to the auction to see it.
16:15I made it because I thought it was beautiful.
16:18You like goldfish, don't you?
16:20I like goldfish.
16:21You like goldfish, don't you?
16:23I wanted to make a goldfish with glass.
16:30This brown goldfish has a forehead.
16:33It has a lot of flesh.
16:35It's a goldfish called Chakin.
16:38There's flesh here, and the dorsal fin is thin.
16:40It's hard to make a body.
16:43But the tail is fluffy.
16:46It's fluffy.
16:48It's beautiful.
16:49I made it.
16:50When I made more, it broke.
16:53Around this one...
16:56It's like a dead goldfish.
16:59It's broken.
17:00It's broken.
17:01That's right.
17:04You like goldfish, so you can't give up on that.
17:08That's right.
17:09I like meat, so I want to make a good goldfish.
17:13You like meat, so you want to make a good goldfish.
17:16Can I see you make it?
17:18Yes.
17:19It would be nice if it were simpler and easier.
17:23So, let's go to the workshop.
17:26We're ready.
17:28You're wearing glasses on top of the glasses.
17:30Are they binoculars?
17:33These are protective glasses.
17:35I'm going to use a lot of fire.
17:38Please.
17:39I'm going to use a lot of fire.
17:40I'm going to use a lot of fire.
17:41I'm going to use a lot of fire.
17:42I'm going to use a lot of fire.
17:43This is the burner we used.
17:44The angle is different.
17:46It's slanted.
17:47The flame is sharp.
17:49It's very strong.
17:51It starts from a high place.
17:53It starts from a high place.
17:55The basics are the same.
17:57This is the waist.
17:59The waist?
18:00I make it from the waist.
18:02I make a body here.
18:04It's a thin glass board.
18:08I made it with a transparent red pattern.
18:15The fire is so strong.
18:18I've never been burned.
18:21I often get burned.
18:22Do you often get burned?
18:23I don't get burned easily.
18:24Isn't it hot now?
18:26It's not hot.
18:27It's a little warm around here.
18:30It's hot.
18:31It's hot.
18:32It's hot.
18:33It's hot.
18:34It's hot.
18:35It's hot.
18:36It's hot.
18:37It's hot.
18:38It doesn't look like a goldfish at all.
18:41What's going to happen from here?
18:45I'm using a tool I've never seen before.
18:49What is this?
18:50It's a carbon handle.
18:52You can use a normal handle, but I'm using a carbon handle.
18:56A carbon handle.
18:57Yes.
18:59That's a normal cutter.
19:00Yes.
19:02Some people use knives, but I'm using this.
19:09It's a gill.
19:11A gill?
19:13Is that the face?
19:15It's a face.
19:16It's a small face.
19:19It's starting to look like a fish's body.
19:28The eyes.
19:33It's only a moment when it's soft.
19:38He's able to make the dorsal fin and pectoral fin in no time.
19:42It's an amazing skill.
19:44And...
19:46It's already started.
19:48The dorsal fin has already started.
19:51I thought he was going to make it separately and stick it together, but I guess not.
19:54There's a way to do it, but I used to do it like this.
19:58If there's a difference in temperature, it will crack.
20:01Now, it doesn't stand up.
20:05You don't have to force it on the glass.
20:06That's right.
20:07If you don't raise your arm more, it won't let you do it.
20:12He's looking at the fish.
20:15It's here.
20:17It's beautiful.
20:18It's amazing.
20:21This is the glass rod.
20:25It's amazing.
20:28The one on the base is the one we made earlier.
20:30That's right.
20:31It's the same burner.
20:33Do you want to try it?
20:34I don't think I can do it.
20:37It's impossible.
20:41A few days later...
20:44We've finished making our dorsal fin.
20:46It's done.
20:48It's beautiful.
20:50It's amazing.
20:51It's like a stamp.
20:54It's translucent.
20:56This is transparent.
20:57This is amazing, too.
20:58It's beautiful.
20:59It's cute.
21:01I made this.
21:03I saw a modern soccer player and asked him to make it in front of me.
21:07I asked him to make it.
21:09It was a difficult meeting.
21:11How was it?
21:13I was surprised at his high technical ability.
21:21I didn't know he could do such a thing.
21:26We melt glass and make it.
21:35I can't believe it.
21:37There are a lot of works.
21:39The perspective on the work has changed.
21:41KEEPER
21:54The order of work will be announced later.
22:07You

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