Se confirma la tensión entre los conductores Marley y Santiago del Moro por el prime time de Telefe. Aunque ambos han mantenido un perfil bajo, Marley ha expresado su disposición a resolver cualquier malentendido. La situación genera especulaciones sobre una posible enemistad, aunque ambos destacan la profesionalidad del otro.
Category
🗞
NewsTranscript
00:00The war that we told here last week, it came out as if it were going with Angel de Brito in Bondi, but both parties confirmed it.
00:08Marley and Santiago del Moro.
00:10Each one in his own way.
00:11Of course, each one in his own way. At the time it was for who was the owner of the prime time in Telefe.
00:16That push, that push existed, but nobody spoke. You see, both kept a profile.
00:21Telefe at that time covered the modes too. It is seen that Marley got tired, about to be a father for the second time in January.
00:27His daughter is born.
00:28Marley never gets angry.
00:29No, he stepped on the stick.
00:31He said it. He said it, so do you want to hear it?
00:33Yes, we looked for it and reaffirmed it.
00:35Look.
00:40In these last weeks, there was a little talk, perhaps, of an enmity with Santiago del Moro.
00:46You were in Bondi talking a little about the subject.
00:48For 13 years that he didn't call me, I don't know why he didn't call me.
00:51The other day someone told me, call him and tell him, what's the problem with him?
00:54Because he's going to sound aggressive and I don't have a problem with him.
00:56I like him, I think he drives well.
00:59I have zero drama with him, I swear I don't.
01:01But it happened that they asked me and the reality is that he didn't greet me and that kind of thing.
01:08And that's why the situation happened.
01:10But I have zero drama with him and I don't have drama in having a coffee and asking him why he's angry.
01:16But I have the truth that I have zero drama with him.
01:19But it does happen that sometimes there are meetings in which he pretends to be crazy and doesn't greet, for example.
01:24Of course, but it seems to me that it has to do with his personality and not with something specific that I have done to him, because I didn't do anything to him.
01:30So no, I don't think so.
01:32Someday I'll find out, we'll cross paths and then I'll find out.
01:35But I have the best with him, I have zero drama.
01:42Terrible, terrible.
01:45There is a text that caught my attention.
01:47How to say, Del Moro, I don't know Marley.
01:50No, come on.
01:51It's a no.
01:52It's going to be the same, I love him, Santi.
01:54I can't hide it.
01:56But the thing is that here, I say, it's because of his personality, Marley says.
02:00Well, this is a horrible personality.
02:02He's going to work, he works, he almost doesn't talk to anyone other than his producer, he leaves and he leaves.
02:07How do you not greet?
02:08There is something.
02:09Do you greet your colleagues?
02:11Of course, well, I don't know.
02:13It seems strange to me because they are the first two figures of Telefe.
02:16Marley is negotiating, it must be said, because many people had already retired him.
02:19He says he will surely be in some streaming.
02:21No, he is managing an entertainment program to go before Telefe Noticias.
02:25We'll see if it happens or not.
02:26But they continue negotiations with Telefe.
02:29But at the time there was a fight for prime time and we can also ask Ventura.
02:34At the time also for the conduction of the Martin Fierro.
02:37So, something they publicly denied, now they admit it.
02:40I worked with Marley for a whole year.
02:42Yes.
02:43He is a divine friend, he is a very good guy and everyone loves him.
02:48He greets everyone.
02:50Those who know Santiago, I don't know him, I want to clarify, but they say that he is different.
02:55We agree that he has a different personality.
02:57It does not mean that he is rude, as Marley seems to understand.
03:01Of course.
03:02Because he says, he doesn't greet me for his personality.
03:04I don't see Santi not greeting.
03:06Vivi Décimas, you were his producer for so many years in Infama, also in Intratables.
03:12Did he greet you?
03:15Because he knew you.
03:16Of course.
03:17But did he greet those he didn't know?
03:19Did he greet those he didn't know too?
03:21Because he greets people.
03:23I don't know if it's more like that.
03:27There are many people who say that Santiago does not greet and that he is not so charming.
03:31I understand that there are people who get along well.
03:33I don't know him either, that's why I ask you.
03:35Here are you who have worked with him.
03:37You worked with Marley.
03:38But it usually happens a lot with conductors or figures who are very charismatic on the screen.
03:44They even have many colleagues who love him.
03:46But they get to a certain level of sociability.
03:50They can be shy too.
03:51It can happen.
03:52But Carlos, if you pass by Marley and don't greet him,
03:56or you tell him, I can't stand you, or you tell him, how are you, good morning.
03:59But because your mom and dad taught you.
04:01It depends on the context, Juli.
04:03Because when there is a format conductor, for example, Santiago driving Gran Hermano,
04:06he is a hyper-concentrated guy.
04:08What he does is magnificent.
04:10It is very difficult to do what he does.
04:12But what does it have to do?
04:14Marley, and any person who works anywhere,
04:17it is not that they are two great conductors.
04:20If it is the man who is behind the camera,
04:23I want to hear Marley's note again.
04:26Because he says, maybe it's his personality.
04:28He doesn't deny it.
04:30Let's listen to this.
04:32I don't want to get lost.
04:34With the details that Marley gives.
04:36He says, I don't have a problem with having a coffee.
04:38Did you write him to have a coffee?
04:40Who understands them?
04:41Do they say something to the camera?
04:43Come on, let's listen to Marley again.
04:48In the last few weeks,
04:50there was a little talk, perhaps,
04:52of an enmity with Santiago del Moro.
04:55You were in Bondi talking a little about the subject.
04:57It's been years since he called me.
04:58I don't know why he didn't call me.
05:00The other day someone told me,
05:01I can't tell him, what's the problem?
05:03I don't have a problem with him.
05:04I like him, I think he drives well.
05:06He hates me.
05:08I have zero drama with him.
05:09I swear I don't.
05:10But it happened that they asked me,
05:12and the reality is that no.
05:14Kind of like he didn't greet me.
05:16That kind of thing.
05:17And that's why the situation happened.
05:19But I have zero drama with him.
05:21I have no drama in having a coffee
05:23and asking him why he's angry.
05:25But I have the truth that I have zero drama with him.
05:28But it does happen that sometimes there are meetings
05:30in which he pretends to be crazy and doesn't greet, for example.
05:33Sure, but I think it has to do with his personality.
05:36And not with something specific that I did to him,
05:38because I didn't do anything to him.
05:39So no, I don't think so.
05:41Someday I'll find out.
05:42We'll cross paths and I'll find out.
05:44But I have the best with him.
05:46I have zero drama.
05:49My God.
05:50No, I don't know.
05:51Did you see that?
05:52Discourtesy or rudeness is the question.
05:54He's rude.
05:55On the other hand, I'm missing something.
05:56I'm missing the first day of this fight.
06:00Look, did you read my conversation?
06:02Yes, but he's rude too, Santiago.
06:04He's not rude, Santiago.
06:05Why is he rude?
06:06I'm not going to tell you, I don't know him.
06:07I mean, at corporate parties, they've been together.
06:09What you said is fine.
06:10At one point, they argued in prime time.
06:12Mascarchette on one side, La Voz on the other.
06:14They were interspersing.
06:15Who gave me more, who gave me less.
06:17Until Santiago grabbed a big brother and made a mess.
06:19I can't believe that two smart people,
06:22because they are both,
06:24they are two people who know, who have been working here for many years,
06:27that dispute of a schedule,
06:29I understand because I work here and it happens to us,
06:31that a schedule and another schedule,
06:33or do they have to go to therapy for their self-esteem and their ego?
06:36Or did something more concrete happen?
06:38Because if not, the truth is, it's offensive.
06:40I was more offended by Marley.
06:42I was more offended by Marley here.
06:44In this story of...
06:45Angel hurts him because he doesn't...
06:47Because Angel in Bondi tells him,
06:49but if you're at an event,
06:51I don't remember if it was Martin Fierro,
06:53and he names one, he names the other,
06:55because even if he doesn't know him,
06:57because here Santi tells me, I don't know him.
06:59Weird.
07:00Something else happened.
07:01And you name everyone the same, even if you don't know them.
07:04Something else happened.
07:06I'm going to put myself in alert mode.
07:08Let's see.
07:09You have to say something absolutely critical.
07:11The prime time of Telefe also comes in a number of very important advertising businesses,
07:20which has nothing to do with the contract for the conduction of a program.
07:23So when you fight for that space,
07:25it's because there's also a business highway that you're going to lose if you don't use it.
07:30But why don't you do it inside?
07:33You're right.
07:35You know what comes to mind?
07:37What?
07:38Mirko.
07:39Well.
07:40Let's see.
07:41He's a son, he loves him, he loves him, but I say...
07:43He has his own account.
07:44Yes, yes, he also works.
07:45He had advertising everywhere.
07:47No, no.
07:48He won an award.
07:49Something is missing.
07:50We're talking about money.
07:51Something is missing.
07:52Something is missing.
07:53Guys, but there can't be a moment for a driver and a moment for another?
07:56There is.
07:57There clearly is.
07:58Now maybe it's the moment for Santiago.
08:00Why don't you greet him?
08:01Oh, well, that's because they're...
08:02Why don't you greet him?
08:03Has he spoken badly of him at some point?
08:04Something has to...
08:05Has he slandered him at some point?
08:06The other way around?
08:07Hasn't it happened that at some point Marley, who was a figure of Telefe for many years...
08:10This is the chapter that we are missing.
08:12Santiago will have found out that he spoke badly of him.
08:14And then he says, from now on, you know what?
08:16Marley, I don't know if he speaks badly of anything.
08:18No, no, no, it's a question that I know.
08:19I think he doesn't speak badly of anything.
08:21I don't know if he speaks badly of him.
08:23He's more relaxed, he laughs.
08:24The same when...
08:25Yes, but when they want to step on your heel.
08:27When it's work, guys, that's when it can be.
08:29One thing is Marley on a birthday, another thing is Marley when...
08:31Negotiating a contract.
08:32You have to get him out of the way.
08:33Once I saw him angry and he didn't even raise his voice.
08:36I mean, really, he never gets angry.
08:38No, I can't imagine Marley angry.
08:39I'm not saying it to...
08:40But we have a report from that war.
08:42Ah, very good.
08:43Because nobody denies it.
08:44Of course.
08:45Del Moro doesn't deny it either.
08:46Nobody takes care of what's going on.
08:47For me, he throws firewood when I ask him what's going on.
08:49He tells me to say it.
08:50I don't know him.
08:51She doesn't know him.
08:52Come on.
08:53Give me the report.
09:00What's going on between Santiago Del Moro and Marley?
09:02Nothing.
09:03What's going on?
09:05I swear.
09:06I'm going to tell you the whole truth about everything.
09:08Do you have anything to say?
09:09I don't know anything about Santiago Del Moro.
09:16He's plugging the audio!
09:18In the energy guys.
09:20No, I'll let them organize because this report is great.
09:23We'll tell you everything.
09:24Del Moro left a friend in America who's plugging the audio.
09:26No, no.
09:27Don't f**k with me.
09:28Okay. For Marley, you're going to all the shows.
09:31It's fine for you but you painted the world of Marley
09:33because he was a great teammate.
09:35I'll tell you another story.
09:37Santiago del Moro enters with an absolutely extraordinary contract for Telefe
09:42of at least four years of work for a huge amount of money.
09:45Marley at that moment felt that they were going to retire him.
09:48Before any other issue of conjuncture in Marley's life,
09:51already at that moment they said, what's going on?
09:53Are they looking for a renewal? What's going on with me?
09:56And there they could have had a clash, or a cross,
09:59between a manager who spoke better of a product,
10:01and another manager who spoke better of another product.
10:03Many times there are people who talk,
10:05who put ideas in your head that are not like that.
10:07Maybe if they told Santiago something...
10:09Do you know what the famous one said about you?
10:11Of course.
10:12Or he asked us for the schedule.
10:14Santiago is real, he has a particular personality.
10:17Santiago shows you what he does with work.
10:20I don't make friends, I come to work.
10:23So it's real what they say out there,
10:25that he gets to the air three minutes before,
10:28to the channel.
10:29Because he gets ready at home, he works,
10:31he arrives impeccable, two seconds,
10:33he doesn't come to make friends, it's different.
10:35In that it's different to Marley, who has another personality.
10:38But what is the limit, Pame?
10:39Ill-educated.
10:41But what is the limit with discourtesy?
10:43I mean, when you work in a choral work,
10:45in a group work,
10:47as much as it is live chat,
10:49now it's not nice to chat a little bit before.
10:51No, if you lose focus, no, guys.
10:53You start a program as untreatable,
10:55that you have all the things,
10:57and you're talking nonsense,
10:59because it happens many times before you start a program.
11:01What he does is focus on his work.
11:03No, within the parenthesis of what the program is,
11:06of course, one can have,
11:08it can be more methodical, it can be more demanding,
11:11we understand that.
11:12We're talking about outside.
11:13Well, that's why I take it, I take Pamela's.
11:15Now on a stage, grab and say,
11:17well, mention it to Marley,
11:19or directly to you, Pamela, send you a message saying,
11:22a hug for Marley, everything is fine.
11:24Of course, nothing, he didn't put that on me.
11:27He didn't put that on me.
11:28Of course he doesn't want to.
11:29Of course.