Escupiré Sobre Sus Tumbas Capitulo 35 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 35 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 35 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 35 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 35 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 35 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 35 Completo HD
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🎥
Short filmTranscript
00:00I'm so sorry.
00:30And I had that ring in front of me, I was paralyzed, I didn't know what to say, I didn't know what to do.
00:39The only thing I wanted at that moment was for the night to end, quickly, as quickly as possible.
00:47And when we finally decided to leave the Federation, Sony offered to take me home.
00:58It was early in the morning when I received my sister's message.
01:05And when I read it, I was worried.
01:08How could Sony do this to us?
01:13I don't even know how to say it. Weird?
01:17Not weird.
01:19Intense, unbearable, insufferable.
01:24I don't know what that guy did to my daughter, but he got obsessed with her.
01:30He was obsessed with her.
01:34She wasn't going to tell us anything because she was very warned from the beginning.
01:38I never liked Sony, and it has nothing to do with him being black.
01:43But those guys who are like that, with that face of, I didn't go, are the worst.
01:52I had never seen him like that, so erratic, so misplaced.
02:00I don't know, I hadn't felt that way about him.
02:03Am I crazy?
02:05And when I finally got in the car,
02:08Take me home.
02:09No! No!
02:10He wasn't going to take me home.
02:13We went to a special place.
02:18What place was that?
02:20A house.
02:22Outside the city.
02:24Where are we?
02:26I was very confused.
02:28I don't even know the details of things right now.
02:32I just remember that he got out of the car.
02:36I stayed in there.
02:39And when he came back, he was already there with a face, I don't know, very scary.
02:45And I opened the door for him to get me out of the car.
02:47And I opened the door for him to get me out of the car.
02:50And there he lost a little control, he got a little crazy, he started telling me that I was a woman of his life.
02:56And a few other crazy things, and that's when we started arguing.
03:00Your mom and your dad don't have to know this, I'm going to tell them.
03:03Why did you argue?
03:06Don't you think I'm going to let you abort, kill my son?
03:09Do whatever you want!
03:11Because he was forcing me to have a child, and I didn't want to have it.
03:15The gun, who took it?
03:19Me.
03:21Why?
03:23Because I was afraid that he would try something.
03:28I sent my sister 800,000 messages and she didn't answer.
03:32I had to do something.
03:35So I got ready and I was going to go to the address she had sent me.
03:41But I was afraid, I didn't want to go alone.
03:45So I asked someone to help me.
03:52Because of our social condition, we have to be surrounded by trustworthy people.
03:57There are people who my daughters know they can go to, if at a certain moment they see themselves in danger.
04:05Thank goodness Nicole wasn't alone.
04:08She did well.
04:09When the discussion became more intense, and Sonny started to get violent, that's when they arrived.
04:24Caterina, what's going on?
04:29And to try to protect me, what happened happened.
04:35Tell us clearly what happened.
04:37What happened?
04:41He reacted by trying to help me.
04:46There was a fight.
04:49He shot because he thought I was in danger.
04:55Who?
04:57Marcos.
04:59Marcos.
05:01Marcos.
05:03Marcos.
05:05Describe exactly how Sonny received the bullet impact, please.
05:17Sonny had taken the gun from me when they arrived.
05:25Marcos threw himself on him.
05:27They forced him for a long time, and from one moment to the next, the gun went off.
05:41Sonny fell and started bleeding a lot.
05:48He didn't respond, he didn't react.
05:52And we saw him there by accident.
05:58I swear to God that what happened was an accident.
06:01Ricky, I'm the one who killed Sonny.
06:04It was Nicole.
06:06I almost didn't take it, believe me. I had my five senses well set.
06:10The gun went off and we panicked.
06:14Apparently, it was Marcos who came up with the idea of making this all happen like a suicide.
06:19And he was the one who set the whole scene on fire.
06:25In the midst of all the madness and all the anguish we felt,
06:34Marcos was the only one who was really in control there.
06:40And he told us not to go.
06:44And we really didn't go.
06:46We had no choice but to listen to him.
06:50We didn't go.
06:52In the end, it was Marcos who was most capable of dealing with such difficult situations, right?
07:00Why tell the truth right now?
07:03Because it wasn't fair for Marcos to end up in prison for an accident.
07:08An accident caused by Emilio and Sonny.
07:10No one wanted to hurt him on purpose.
07:13That guy was a danger.
07:16My daughter had to get a gun to defend herself against him.
07:20I'm sure he could have attacked her at any moment.
07:23What did we do wrong in hiding the truth?
07:28Yes, we were wrong in hiding the truth.
07:34Yes, we were wrong in hiding the truth.
07:41But we always considered that Marcos was part of the family.
07:48Marcos is a good guy.
07:52He's honest.
07:54He has a good heart.
07:56I think it would be unfair to blame him for something that was an accident.
08:04I have nothing more to say.
08:09Attorney Ibañez.
08:11Indeed, as my client said, here is the statement of all the people
08:16and the agreement that the family made with the prosecution to collaborate with justice.
08:21I don't believe you.
08:23Besides, you're telling the truth right now,
08:26and the prosecution is letting you go just like that?
08:29It's incredible.
08:31I thought it was very strange that Nicole was saying things like in her memory.
08:35Everything is strange.
08:38Yes, I agree. It's a disaster. Everything.
08:42I don't know what to do.
08:44I don't know what to do.
08:46I don't know what to do.
08:47Yes, I agree. It's a disaster. Everything.
08:50For now, we can only do one thing.
08:52Get the version we need of what happened that night.
08:55So, get to work.
08:57Yes, sir.
09:06Good morning.
09:10Can you find him?
09:12Yes.
09:14Look over there.
09:18Look over there.
09:38Hey, over there.
09:47Over there.
09:58Did Nicole tell you what happened last night with her family?
10:03It's important, and tell me, because something very strange is happening.
10:07Look, Katy, what makes you think that if Nicole tells me something, I'm going to tell you, right?
10:11That you know what they're up to.
10:13What are you talking about?
10:14Don't you realize that they're proving to you that you're not part of that family?
10:18And you still defend her?
10:20You and I are in the same conditions.
10:22Either we get together or they fuck us.
10:26Those people are involved in a murder.
10:28So, if you know something, and you don't say it, you're going to be an accomplice.
10:32And they're going to sink you.
10:34Are you really going to throw your life in the trash for a family that doesn't even know you?
10:37You really think you're smarter, huh? Tell me the truth.
10:40Smart? Who's the one who's still defending Datterich?
10:42I defend her because she's innocent.
10:45Yes, and Nicole is a murderer, right?
10:48If you really like her.
10:51Anything else?
10:53Have a good day.
10:57But you know that if your nephew has to decide, you're one of his.
10:59Guess who's going to choose.
11:01Mr. Luis.
11:03Yes?
11:05The police came and Dumarco ran out and they're looking for him everywhere.
11:07Did something happen? Why?
11:09I don't know, they're chasing him.
11:10They went out to the warehouses.
11:12Okay.
11:16Marcos Beltran.
11:18You're under arrest for the alleged murder of Sonny O'Connor.
11:20You have the right to remain silent.
11:22Anything you say will be used against you.
11:25Hey, man.
11:28I killed Sonny O'Connor.
11:34You have the right to the assistance of a lawyer.
11:36If you don't have one, you'll be assisted by a lawyer.
11:37I already confessed, I don't need a lawyer.
11:57Beautiful.
11:59So welcome.
12:01I love to close my business here.
12:03Maybe it's not the most elegant place,
12:04but here I have preferential treatment.
12:06Do you understand me?
12:08Hello, my love.
12:10How are you?
12:12I brought some friends here so you can take care of them.
12:14So ask for whatever you want.
12:16They are at home without any problem.
12:18Agree?
12:20What do you want to drink?
12:22Hey, what a good company.
12:24And what?
12:26All right?
12:28Yes, yes, everything is fine.
12:30Please take care of them.
12:32Next week we have a consignation.
12:34So we're going to have money.
12:36This business is being stolen.
12:38Ricky.
12:40Dad, are you listening to me?
12:42Yes, yes, yes.
12:44Give me a minute.
12:46Honey, please take care of him.
12:48He's at home.
12:57Hello, my love.
12:59What was that photo?
13:01I don't know what photo you sent me.
13:03Oh, my love, I sent it to you.
13:05No, I'm definitely clueless.
13:08What do you mean?
13:10Who were you going to send it to?
13:12No, to Kate.
13:14To Kate, because I wanted to ask her for an opinion
13:16for a car as a gift that I'm going to make.
13:18I understand that.
13:20But honey, you have to be careful.
13:22Tell her that everyone here knows you
13:24and you don't know in what hands those photos fall.
13:26My love, I sent it to you because I have you in favor.
13:28Kate too.
13:29And that's it.
13:31Don't get me into this.
13:33My love, what is it?
13:35I'm working.
13:37Where are you?
13:39Because I'm showing an apartment to some clients
13:41and they wanted to try the stereo.
13:43But we'll talk later, my love,
13:45because they're kind of intense.
13:47Well, bye.
13:49Bye.
13:50Meli.
13:52Why the hell did you put that thing on?
13:54I would have loved to see her face.
13:56What would you have thought at that moment?
13:57I would have thought,
13:59she's going to think I'm crazy.
14:01Well, then it worked.
14:03That kid just needs to get his head in the game.
14:05Aníbal, I don't want Enrique to send me to hell either.
14:08He's a very controlling man.
14:10Why do you want to marry him?
14:12What do you see in him?
14:14What do you mean?
14:16He's my boyfriend since I was 17.
14:19How sweet.
14:21He's your sweetheart.
14:23I mean, you lost virginity with him.
14:25Sorry?
14:27That's not a question for a lady like me.
14:29Do me a favor.
14:31Melissa, I don't get it.
14:33I don't get it.
14:35How can a woman like you
14:37look at someone like that?
14:41That guy is used to having you there,
14:44waiting for him.
14:46He doesn't make any effort for you.
14:48He's a poor idiot who doesn't know what he's got.
14:51And if he doesn't know what he's got,
14:53he should step aside.
14:55He should give way to another man.
14:57He should know who you are
14:59and that he truly loves you.
15:17Did you find out what happened to Marcos?
15:19That the police came and arrested him?
15:22Yes.
15:24Yes, yes. He finally told the truth.
15:25I heard him say that he had killed Sonny O'Connor.
15:27Yes, yes.
15:29My daughters were covering for him
15:31because of the appreciation they had for him, but...
15:33He was the one who really shot that black guy.
15:36They're finally going to leave us alone.
15:39They're going to stop screwing us
15:41and we're going to be able to take care
15:43of the really important problems
15:45that we have here in the port.
15:47What if it was insurance, Marcos?
15:51Don't you believe my daughters?
15:53That idiot didn't know how to value
15:55the love and appreciation we had for him at home.
15:57And now what?
15:59He has to pay for what he did.
16:01And now, please, Vinicio,
16:03I need you to focus.
16:05I need you to help me find an assistant.
16:08Why is my sister here, you son of a bitch?
16:10Why?
16:12I didn't go!
16:14I'm talking to my sister!
16:16Vinicio.
16:18Yes, I'll take care of it.
16:20Concentrate.
16:22Concentrate.
16:24Don't worry.
16:26Have a nice day.
16:35Doctor! Doctor!
16:37Doctor!
16:39Perez!
16:41How are you?
16:43I have a meeting with the captain here.
16:45No, but the captain is not here.
16:47Don't worry, the captain left Perez in charge of the station.
16:49I came to bring you the mental health reports
16:50of the institution's assets.
16:52Yes, yes, of course.
16:54He told me he was waiting for this document.
16:56No, well, I had to go back then.
16:58No, but if you want, you can leave it with Perez,
17:00there is no problem.
17:02Really?
17:04Don't worry.
17:06I'll take care of it.
17:08Don't worry.
17:10Thank you, Perez.
17:12It was a pleasure to see you.
17:14Oh, puppet.
17:16The pelican is not ready to return.
17:41Don't you think it could be true?
17:43That Marco is the culprit?
17:45No.
17:47It is more likely that you and I have done it.
17:52Yes, but then why did everyone agree to throw him in the water?
17:56I don't know, Ramirez, I don't know.
17:58That's what we have to find out.
18:00I'm sure Marco is covering for the real culprit.
18:05He's playing with us.
18:09Excuse me.
18:13Did you see the statement?
18:15All of it.
18:17And?
18:19Did you believe him?
18:21Well, it's not my duty to determine if he's guilty or not.
18:25I know, Antonio, but did you feel anything, whatever it is?
18:28Do you feel things?
18:30Tell me!
18:32Sorry.
18:34That's what I feel they're playing with us.
18:37Antonio, they're hiding something from us.
18:38They threw him on the floor so we could bite him.
18:40To get us out of the way.
18:42Vicky, you're too emotionally involved with this case.
18:45But how can I not be involved?
18:47If now it turns out that the crime happened somewhere else.
18:49In a house that they don't even know where it is.
18:52And now it turns out that Nicole was with Sonny.
18:54First she was sleeping, then she wasn't.
18:56Now she's with Sonny.
18:58Every time she opens her mouth, she gets more involved.
19:00Okay, okay. Are you done?
19:02Look, I also think this is very strange.
19:04But we are police officers, and police officers work with people.
19:06And all we have is that Marcos accepted his guilt.
19:09Period.
19:11But why? Why? Who is he covering for?
19:13I don't know. Maybe he's telling the truth.
19:15Vicky, don't you think?
19:17Do you really believe him?
19:19Look, look, look.
19:21Until an investigation tells us otherwise,
19:23that's all we have, Vicky.
19:25That's it.
19:28What I think is that they are covering for one of them.
19:31Nicole or Katherine.
19:33Where do you get that from?
19:35Tell me.
19:37Did someone tell you?
19:39No.
19:41I did it on instinct.
19:43Okay.
19:45Then, as a recommendation, take care of your instinct.
19:48Because it can be playing a trick on you
19:50and it can make you make serious mistakes.
19:52And if you have someone who is telling you this,
19:54be careful with the snitches too.
19:56Because these characters end up confusing more
19:58and help little.
20:00Yes.
20:01Please finish the capture report.
20:03That's what I need right now, Urgeta.
20:23I don't understand. What bothers you?
20:25You should be relieved that everything has been solved.
20:27What I don't understand is how you manage
20:28to blame Marcos all of a sudden.
20:30Yes, but that's how it is.
20:32It's over.
20:34But you told me it was Nicole.
20:36I don't remember telling you anything.
20:39Then, I don't know,
20:41explain to me why you declared against Marcos.
20:43Because Nicole is the one who is clear about it
20:45and told the police.
20:47She knows what happened.
20:49Let's see, love.
20:51Remember.
20:53Think about it.
20:55You told me perfectly that it was Nicole.
20:56Remember it.
20:58Look, if I told you, I was wrong.
21:00I'm sorry.
21:02So, am I lying to you?
21:04No, maybe you misunderstood.
21:06I don't know, Vinicio.
21:08What sense does it make
21:10that I want to blame your sister?
21:12I don't know, you tell me.
21:14Because you clearly have an obsession with my sister.
21:16It's freaky, I think.
21:18It's the truth.
21:20You told me before the accident
21:22and what I can't stand is that an innocent person
21:24ends up in jail for something that isn't true.
21:26It's disgusting.
21:56I'm sorry.
22:26I'm sorry.
22:57How's the report coming along?
23:00Good.
23:02Good.
23:04You can go.
23:08Good night.
23:26Good night.
23:45And the horse
23:47can move in L shapes.
23:50It draws an L
23:52for all directions.
23:53It also has the ability to jump
23:55over any object.
23:57Oh, how cute!
23:59It's like a real horse.
24:01I love it.
24:03Well, let's start.
24:05Okay.
24:07You have blanks, you start.
24:09Remember that the starting pawn
24:11can move two squares.
24:13Up to here.
24:15Between two.
24:17Perfect.
24:19I open with my little pawn.
24:21Can I use the horse?
24:23So, here.
24:25Very good.
24:27And I'm going to put my horse here.
24:33Move this one here.
24:36Damn, an Italian opening?
24:38Uh-huh, what did you say, Colonel?
24:40I'm going to give the queen a dry soup with an empty head?
24:42Well, no.
24:44My dad taught me when I was little, just so you know.
24:46But why didn't you tell me before?
24:48Because I wanted to make a fool of you.
24:50No, I made a fool of you.
24:51I made a fool of you.
24:53And I wanted to give you a talk
24:55about life.
24:57Oh, no, my dad went out with that one time.
24:59I mean, just like that.
25:01Hey, if you compare me to your dad,
25:03I don't know.
25:05You're less boring than him.
25:09Well, what card do you think I am?
25:12The queen.
25:14Oh, no.
25:16How predictable, right?
25:22Oh, look, Enrique.
25:24Wow.
25:26And this time he sent us a voice message.
25:28Let's see.
25:30Let's see how it is.
25:32Hey, Meli, what's up?
25:34I've been calling you all day.
25:36I've written you 50 text messages
25:38and you leave me the messages unread.
25:40So what? Are we going to see each other or not?
25:42Oh, no, how horrible.
25:44He's very angry, but very poor.
25:46He's desperate.
25:48No, no, no, no, no.
25:49An audio? No, no, no, no.
25:51So what do I do?
25:53You're going to answer him, okay?
25:55But with a text message
25:57to torture him a little more.
25:59Or maybe I can not send him anything
26:01and leave him waiting for more.
26:03He's interested in my chess class
26:05or prefers me to teach him.
26:08The student surpassing the teacher.
26:20Hello.
26:22Hello.
26:24How are you?
26:26Come in.
26:30Wow.
26:32What is this so beautiful?
26:38Wherever you want.
26:40It doesn't matter.
26:42How can I help you?
26:44No, no, no, nothing.
26:46You are my guest.
26:47Please sit down.
26:51It's fine, it's fine.
26:53I'm going to get the dishes.
26:55Come on, come on, come on.
26:57How nice.
26:59And with candles and everything.
27:01Captain.
27:05And what is this?
27:07You know I love pasta.
27:09No, I didn't know, but well.
27:11What is this delight?
27:13Everyone loves pasta.
27:15You did it? No, but this looks really good.
27:17It looks very good.
27:19And I'm sure it tastes very good too.
27:21Can you help me with the wine?
27:23Of course, of course, of course, of course.
27:25Super, super, super.
27:27Antonio, I wanted to take this opportunity
27:29to apologize to you.
27:35It's okay.
27:37Sorry.
27:39Um.
27:44I'm sorry.
27:45It's okay.
27:53It was not my intention to address you today
27:55as I addressed you.
27:57It was not my intention to doubt you,
27:59doubt your work, your professionalism.
28:02It's just that I've been so involved in that case
28:05that sometimes you get confused.
28:07And you were right.
28:10I had to learn to separate the emotional part
28:12from the facts.
28:16And if Marcos is not guilty,
28:18then that's not my problem.
28:20My job is to bring him to justice
28:22and that's what we're doing.
28:25Well, that's it.
28:28I think you understood everything, Vicky.
28:30That's how it is.
28:32In this profession, it usually happens, you know?
28:35Once it happened to me,
28:37we have to make sure that the sources
28:39are really reliable.
28:41That's all.
28:43But we're not going to talk about work.
28:45I want to try this.
28:47Okay.
28:49I want to try this, which looks really good.
28:51Which restaurant did you bring it from?
28:53Restaurant? No.
28:55Stewart made it.
28:57Please try the pasta without the sauce.
28:59Try it like this.
29:01He made the dough himself.
29:03It's really good.
29:05Right? I told you.
29:07The guy is a chef.
29:09He's a chef. Well, I'm his mom.
29:11You have a cook at home.
29:13I'm his mom because I don't know how to make fried eggs.
29:15I don't know how to make fried eggs.
29:35Vicky, I'm going to take advantage.
29:37I want to ask you something.
29:39I'm going to get a little transcendental.
29:42But it's serious, right?
29:45What about us?
29:47Where are we?
29:49Is this serious for you?
29:52Because for me it is.
29:55I'm not a kid anymore.
29:57How can you realize that?
29:59I'm a man and I don't want to be wasting time.
30:02I don't want to be playing, Vicky, at this point.
30:07Are you serious too?
30:09Yes.
30:11I want to try it.
30:13Really.
30:15I need to try.
30:45Go ahead.
31:12Yes, yes, yes, I'll do that.
31:13Without any inconvenience. Thank you very much.
31:15But this is going to be without any profit.
31:18Yes, sir.
31:28No, no. I totally agree.
31:30Because...
31:31Excuse me a moment.
31:32But we have to do it. We have to do it another way.
31:36My love.
31:37I'm sorry I fell asleep early last night.
31:39I hope you're not upset with me.
31:41I know you're at the hotel.
31:43That's why I sent you that little gift.
31:46I'm in room 304.
31:48So I'll wait for you here so you can distract yourself a little and refresh yourself.
31:53It's getting hot.
32:04Keep going, keep going. Let's keep going.
32:06We have to keep going.
32:09Pay attention because the case of Sonny O'Connor, the Irish-Colombian citizen
32:14who appeared dead more than two years ago in strange circumstances,
32:18has taken an unexpected turn.
32:20Until yesterday, it was believed that he had attempted suicide.
32:23However, Marcos Beltran, a worker close to the Obregón family,
32:27was captured by the authorities and pleaded guilty to the murder of the young man.
32:32The statements indicate that it was an act of legitimate defense.
32:36For his part, Nicole and Caterinio Obregón already gave their testimony
32:40and with it they give even more strength to this new hypothesis.
32:43Apparently, Sonny O'Connor had presented some violent behaviors
32:48towards his then girlfriend.
32:50It should be noted that at this time, everything continues to be a matter of investigation
32:54and analysis by the prosecution,
32:56and therefore we can't say anything about it yet.
33:02Caterin is starting to talk too much.
33:04But she was asking me who had shot Lar.
33:09And what did you tell her?
33:11That it was her.
33:15Let Caterin say whatever she wants.
33:17She's going to fall alone.
33:19In the end, this is all her fault. You're right.
33:22Melissa!
33:24Melissa!
33:26What is all this?
33:28What is all this? What's going on?
33:29Don't kill me. I know you completely.
33:33What are those pictures you're sending me?
33:36Don't get lost.
33:38Then you show up and you're a different person.
33:43And the truth is...
33:46I really love it.
33:48Yes, you love it.
33:50Let's go. Come on.
33:59Let's go.
34:20Wait. Here it is.
34:26Hey, Laca.
34:27This dough has pistachio.
34:30Yes, yes. Why? How did you know?
34:34Appearance with the palate is not improvised.
34:42Blue cheese with blueberries.
34:44Yes, yes. Well, there are customers who find it a little invasive, but I don't know, I like to try.
34:50Come on, sit down. Sit down.
34:52Sit down.
34:54But tell me, how did you come to experiment with all these flavors?
34:58Watching videos on the internet and trying.
35:01And being honest, sweeping the one that burns and all that.
35:05Well, do you like cooking?
35:07A lot, a lot.
35:08Look, I haven't told you, but I'm a cooking talent scout.
35:13Scouter.
35:15A culinary talent recruiter.
35:17I work for a hotel company that is always looking for people like you.
35:19That are creative, that like to invent and try new recipes.
35:23Oh, that's great.
35:25Look, we have connections with cooking schools that see young, talented people like you.
35:29Where? What to do, what to put in.
35:32Do you have a bank account?
35:34Yes, of course.
35:35Give me an agenda.
35:44Hello.
35:45Pate, where are you?
35:46Hey, friend.
35:47You look so beautiful.
35:48Where were you?
35:50I just saw the news.
35:52And?
35:53What do you mean, and?
35:54How is it that Marcos is now guilty of the death of Sonny?
35:57Girl, Marcos confessed.
36:01Girl, please, and you really believe that?
36:04Estefania, give us a couple of minutes.
36:11Girl, let's see.
36:12Girl, let's see.
36:13You yourself told me that you were not sure of what had happened that night.
36:16Is it because right now you are so sure that it was Marcos who killed him?
36:20Uh-huh.
36:21There is clearly something here that you know that I don't know.
36:23Can you illustrate it to me, please?
36:25I was just there to help you.
36:27She and Sonny were chasing the gun.
36:30She fell.
36:32And I just grabbed her.
36:34Enough, enough, enough.
36:35I don't need you to remind me of the facts.
36:37It's not fair that I end up paying for all this.
36:39It's not fair that I end up paying for all this.
36:44Cate, I heard your mom and Nicola talking in the kitchen.
36:47And what were they talking about?
36:49First of all, I want you to know that I was going to tell you.
36:51But your mom wouldn't let me because every time I came, she was on top of us.
36:54Okay, Melissa, can you please tell me the content of the conversation?
36:57I also saw it on the TV and I knew that I had to come and tell you right away.
37:00Because you helped to put a totally innocent person in prison.
37:05Let go of him, please.
37:06Give me the information.
37:07Kelly.
37:08Hi.
37:10Hi Gina, how are you?
37:12It's good to see you again.
37:14Yes, I came to visit.
37:16Cate again, but I was leaving.
37:19Bye.
37:20Bye, baby girl.
37:21Bye.
37:22Bye.
37:24Get better.
37:25We'll talk later.
37:29Melissa, what's wrong?
37:31Is everything weird?
37:32No, nothing.
37:33She didn't tell you anything?
37:34No, normal.
37:36What's wrong? Does it hurt?
37:37No, no, no.
37:38Run.
37:47Hello Vicky.
37:49You have five minutes.
37:51I have to go back to the station.
37:53Marcos, it wasn't him, I'm sure.
37:55He already confessed.
37:56There's nothing else you can do.
37:57Monica, believe me.
37:58Caterine told me.
37:59I already told you.
38:00Do you have proof?
38:01The word alone is not enough, Vinicius.
38:03It's enough to look her in the eyes to know that she is to blame.
38:06Your wife declared.
38:07She said that Marcos is to blame.
38:09It would be false testimony.
38:11For God's sake, don't you realize that Raymundo is manipulating you both?
38:14They are covering for your daughter Nicole.
38:15Do you have proof?
38:18No, the only way would be for Caterine to regain her memory.
38:21Then she would remember that you are the brother of Sony.
38:23It doesn't matter.
38:24At this moment, all that matters is that Sony's truth is known.
38:30And I care about this.
38:34Please, Vinicius.
38:35Yes, it's the truth.
38:36Yes, I care.
38:37And a lot.
38:39I have to go.
38:41Wait.
38:42Vinicius, please.
38:47I really miss you, Vicky.
38:53Are you in love with the captain?
38:57That's not your problem.
38:59Okay, then you are in love.
39:01I'm tired.
39:06I want to leave all this behind.
39:08I need to start from scratch.
39:11I deserve a quiet life.
39:13Give me time and I'll give it to you.
39:16Let me finish all this shit and I swear I'll come back for you.
39:21We are together, please.
39:23Just give me time.
39:25Please.
39:27I have to go.
39:28Please.
39:36Hello.
39:37Catherine.
39:38Come in, welcome.
39:40How are you, doctor? Thank you.
39:42Thank you very much for taking care of me so quickly.
39:45No, it's nothing.
39:46From time to time I can modify my schedule.
39:48Please, sit down.
39:54Do you want to drink something?
39:56No, thank you. I'm fine.
39:57Well.
39:58Fine.
40:00So.
40:02Tell me.
40:03Tell me.
40:04How can I help you?
40:09No, well, I'm really not well.
40:12My head is not working very well.
40:17Don't worry, you're not the only one.
40:20But the important thing is that this is a safe space where you can talk to me about what you need.
40:28Uh.
40:31I desperately need to remember.
40:39A few months ago I was involved in an accident, a car ran over me.
40:44And since then all my psyche has changed and I have like holes in my memory.
40:50And there are times when I know that I am remembering something that is true.
40:54There are times when I don't remember anything and there is a gray area where I don't know what reality is.
40:59And I'm going crazy.
41:02Do you want to remember something specific?
41:06I need to remember everything.
41:09Everything I can.
41:12Everything that happened.
41:13All my truth.
41:14Doctor, please.
41:16I pay whatever it is.
41:17Money is a problem.
41:18Whatever it costs.
41:20But I need this.
41:21My daughter, money has nothing to do with this.
41:26Help me.
41:27Help me and that's it.
41:30Doctor, you don't understand.
41:31Someone's life depends on me remembering everything I can.
41:36I need to know the truth.
41:38And it's here.
41:40It's here.
41:42Please.
41:47Please.
41:52Please.
42:00Erica, thank you.
42:27Here it is.
42:32Was this the last place you saw Sonny alive?
42:37I think so.
42:52Let the emotions flow.
42:55That's very positive.
42:58You helped a totally innocent person go to jail.
43:02Let her go.
43:03Let her go.
43:09Do you think I'm going to remember like this?
43:12Sonny was a good guy.
43:13I don't think he deserves justice.
43:15Whatever happens, I do.
43:16My love.
43:22My love.
43:24Tell me.
43:25Tell me.
43:26You killed Sonny.
43:28But you told me it was Nico.
43:31I don't remember telling you anything.
43:33What does it mean that I want to blame your sister?
43:35I don't know.
43:36Tell me.
43:37Are you sure you want to keep trying?
43:45Yes.
43:47I need to know.
43:51If my family is telling me the truth.