👉 Las repercusiones del caso del expolicía jubilado que mató a su vecino al que fue increpar porque habían tenido la música a alto volumen toda la noche llegaron a las redes con la denuncia de una joven residente de Loma del Mirador que expresa su frustración por la constante música alta que se reproduce cada fin de semana, perturbando su descanso. A pesar de las quejas a la policía y la municipalidad, el problema persiste. El vecino cuestiona las medidas tomadas para controlar estos ruidos molestos y sugiere una intervención más firme por parte de las autoridades.
👉 Seguí en #QuienCuandoDonde #QCD
📺 a24.com/vivo
👉 Seguí en #QuienCuandoDonde #QCD
📺 a24.com/vivo
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00:00I live in Loma del Mirador and this happens every weekend.
00:04Sunday is the only day I can sleep a little more and they always play loud music.
00:09I'm 26 years old.
00:11You don't need to be a retiree or a big person to get out of the situation.
00:15This would screw anyone.
00:30I live in Loma del Mirador and this happens every weekend.
00:55Why do we say that there is another way to channel it?
01:00This girl took a job, she explains it, she is upset, it is noticeable that she is upset.
01:03However, she registered it, edited it, uploaded it to social media.
01:08And it is also Loma del Mirador.
01:10Loma del Mirador, unfortunately, is where Sergio Díaz's collective farm happened.
01:15And is it annoying? Yes, it is annoying.
01:18He must not have been able to sleep, he must not have been able to rest, he must have gone to work.
01:22He registered it, put it on social media.
01:24If anyone wants to pick it up, pick it up.
01:26If any authority or the state wants to do something about it, surely they will not do anything, but they can do it.
01:30But at least it was not for the other side.
01:33It was not for the side of injustice, it was not for the side of disqualification,
01:37of discriminatory terms, racist, nor of a violent reaction.
01:41There is another change.
01:42Surely he first exhausted the instance of dialogue.
01:45As with the dialogue, it was not possible, because they kept playing loud music.
01:50Well, I'm going to, in quotation marks, send them to the front through social media.
01:55Let's see if there is any effect on this.
01:58That is, this girl did not appeal to violence, strictly speaking.
02:02During the day, in noisy areas, you can make 75 decibels and 70 during the night.
02:11It means that you can make a complaint.
02:13Or not, Fito?
02:14You can go to justice, you can receive for annoying noises.
02:17Can someone hear you?
02:18Above all, you can go to justice and to the police.
02:20Well, but if I can't sleep...
02:22First is the municipality.
02:24The municipality has to intervene, inexorably has to intervene.
02:29And on the other side, the police.
02:32Both have to intervene, because if...
02:35Loma del Mirador was where they had put a patrolman to guard the house.
02:38Of course, of course.
02:39Loma del Mirador.
02:40A patrolman guarding a house.
02:42Let the patrolman go, ring the bell and tell him to turn down the volume.
02:48Otherwise, the police cannot enter,
02:52the municipality is the last ratio in the issue of annoying noises.
02:57But if you call the police station and say,
02:59they won't let me sleep, it's nine in the morning,
03:01and the noise exceeds...
03:04If the decibels are allowed.
03:05So, what happens?
03:06Does someone come and ring the neighbor's doorbell?
03:08The municipality and the police.
03:10Are they arrested if they don't comply with the code?
03:13If they don't comply and you start to get into a crime,
03:17you report it to the prosecutor, there is a disobedience, it starts...
03:21But there is the possibility of a conversation between the police
03:26or the municipal agent.
03:28This is like in a bowling alley.
03:30They go and measure him and lock him up.
03:33A house, you can't lock it up,
03:35but you can force them to turn down the volume.
03:38Otherwise, you give an intervention to a prosecutor.
03:40Otherwise, imagine that it's the law of the crazy.
03:43The crazy can't dominate the normal ones.
03:46I always say the same thing.
03:47The law of the crazy can't dominate the people
03:50who are at least momentarily normal.
03:53So, if you want to listen to music at full volume,
03:56the music you want all day long,
03:59you have to go live in the middle of the field alone.
04:02Now, look, Fito and colleagues,
04:04how are we grouping episodes?
04:05Here we have on the screen,
04:08the luctuous fact of Lomas del Mirador for the music,
04:11and another one that also had to do with music in Palermo.
04:13Now we're going to go live with that one.
04:16And how is it that it scales so aggressively,
04:20of course, in the one on the left with a fatal outcome,
04:22and the presence of a weapon makes everything worse,
04:24and already makes it irreversible and irreparable.
04:27On the right, the blows were directed
04:31by nonsense, by foolishness,
04:34by things that should be solved in another way.
04:37No, no, it's not the event of a capital letter,
04:42it's not the issue of insecurity,
04:44that which you can no longer...
04:46Look at this, look, three hitting the time,
04:48even at one point the music is added.
04:50This is in Palermo,
04:52all the music from 24 to the night had already passed,
04:56this is already 25,
04:58the boy who has the misfortune of living under the Zoom,
05:01and he crosses after having asked a couple of times
05:03if they could stop the music,
05:04this is already 25 in the afternoon,
05:07in the afternoon, already entering at night,
05:09I think even at night,
05:11let's see if there, I can't see it by the logo,
05:13but it's not at night, look, it's not at night,
05:15that is, everything was already banked,
05:16it's not the typical thing to say,
05:17hey, what a bitter neighbor I had,
05:20bank a little of the music,
05:2124 at night is a special day,
05:23it was all banked at 24, it was all banked at 25,
05:26it's already for 48 hours,
05:28if you want to go for a while to dinner and to sleep,
05:30the next day you have to work,
05:32it's no longer a holiday,
05:34they cross the elevator,
05:35they go down together,
05:37you go with the puppy to walk the puppy,
05:39he tells them again to take out the music,
05:41hey, can you stop it a little now?
05:43And not even their neighbors,
05:44those who had been invited to that Zoom,
05:49and they set it up,
05:50and they hit him with everything,
05:52and besides, they are cowards
05:53because he is with the puppy,
05:55they are two men, he is a girl,
05:57because the girl too,
05:58at one point,
05:59I don't want to get into the discussion again,
06:00Spinoza is a matter of gender,
06:01but even the girl,
06:02at one point they hit him,
06:05and they are cowards.
06:07Now, then,
06:09here is a rope,
06:10to which I don't know if
06:11the whole state has to give an answer,
06:13but someone is not being able to give an answer, Fito,
06:15because they start with cowards,
06:17and how far they climb,
06:18they disfigured him,
06:19they left him all crumpled, this boy,
06:21all with bruises.
06:22Now, civilization and barbarism,
06:26or civilization or barbarism?
06:29How many examples?
06:30Where?
06:31In all places,
06:32we end up like this?
06:33If a neighbor, Bobby, comes,
06:35and tells you,
06:36hey, Bobby, turn down the music,
06:38will you turn it down or not?
06:39And I think so.
06:40Unless you have a problem.
06:41Yes, no, no.
06:42But there can't be,
06:43there can't be, let's say,
06:44a complicity in good terms with the neighbor,
06:47to say, hey, no,
06:48today for you, tomorrow for me.
06:49You leave me half an hour more
06:50before I dispatch the people,
06:51or forgive me, I didn't realize
06:53that you were bothering me.
06:54There are 10,000 intermediate instances
06:56of dialogue, of negotiation.
06:58However, we see that everything ends like this.
07:01In violence.
07:02Yes.
07:03But we are in Palermo here.
07:04Supposedly, here, we should have,
07:08let's say,
07:09supposedly, one says,
07:11well, no,
07:12since there are a lot of people
07:13crowded in a building,
07:16many in the same apple,
07:18indeed,
07:19if I turn up the music,
07:21more than one can be bothered.
07:23I mean, I take the world ahead.
07:25I don't care about anything.
07:26If I want to put the music at 85 decibels,
07:29I put it.
07:30And I don't care if the neighbor comes,
07:31the one below,
07:32the one above,
07:33the one on the side,
07:34the one in the middle,
07:35to tell me, hey,
07:36turn down the music a little bit
07:37because tomorrow I have to go to work.
07:38I don't know if I understand the body language,
07:41but one, on top of the aggressors,
07:43of the aggressors,
07:44the most robust there
07:45that was frozen in the upper part,
07:47I even see it,
07:48at a certain moment,
07:50as opposed to him,
07:51of look at what you took us,
07:53what we had to do with you,
07:54as a means of reproaching,
07:57he hits him, he reacts,
07:59and there it is,
08:00they start hitting him,
08:01he hits one,
08:02he hits the other,
08:04he hits the girl,
08:06he stirs something,
08:07and this one,
08:08look now,
08:09but look,
08:10the robust,
08:11forgive me,
08:12Gaby,
08:13is on his back,
08:14now as reproaching him,
08:15look,
08:16you see?
08:17Look what you made us do.
08:18A madness.
08:19I warned you.
08:20I warned you.
08:22The most sensible of all,
08:24I think it was the dog,
08:25in this whole scene,
08:26was the most sensible of all.
08:27Well, let's change the subject.