Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00Can you check the car number 37 at which bus stop, please?
00:04I'm checking it right now.
00:20You asked for your bag.
00:21Okay, thanks.
00:22Can you leave this in my room?
00:23Of course, ma'am.
00:30Okay.
00:58Dennis?
01:00Dennis?
01:15What are you doing here, Yigit?
01:20I think I should be asking you that.
01:26Weren't you in London?
01:28Well, I...
01:37I'll tell you.
01:40There are so many things.
01:42So many things happened.
01:44I mean, all of a sudden...
01:47What would you say if I bought you a coffee?
01:51Ms. Mirem, your card.
01:56Is that your car?
01:58Yes, sir.
02:01I'll be right back.
02:02Don't go anywhere.
02:04I'm right here.
02:18You shut your mouth because you're new, right?
02:20Your head doesn't work because you're new.
02:22You forgot Turkish because you're new.
02:24Is that it?
02:25You're a poor, poor-quality, amateur worker.
02:32Who are you?
02:34Who are you?
02:35Who am I?
02:36You'll get what you deserve.
02:37You know, I won't resign.
02:39I'm ready to fight you if I have to.
02:41I'm that kind of woman, you know?
02:42You'll get what you deserve.
02:43Smartass.
02:45Take it.
02:46Take it.
02:51Dennis.
02:55They're looking for you at the Paris Louvre Museum.
02:58They said they saw your work.
03:00They liked it a lot.
03:01They want to put you on the list of the Mona Lisa.
03:04What do you say?
03:05Thank you for stopping me from resigning.
03:07But get used to seeing me like this.
03:09Because you'll see me more angry.
03:12They can't come to the phone right now.
03:14You said you didn't know.
03:16But somehow, after all...
03:21Yes, I'll let them know, sir.
03:22Okay, thank you very much.
03:25Exactly.
03:43Yes, Dennis, I'm listening to you.
03:47Now you're going to tell me...
03:50You're going to say, I went to London for training, right?
03:53Exactly.
03:55In fact, you even sent me a photo from there.
03:58You'll say.
03:59Right.
04:00Then what are you doing here in Istanbul, in this hotel?
04:03What happened to my training in London?
04:05What are you doing here?
04:06You're going to ask me all these questions.
04:09Right?
04:10Yes.
04:12Then you have to know the answer to these.
04:19Yigit.
04:23Yigit.
04:28Yigit, I'm homesick.
04:31I'm homesick.
04:32Yes, I...
04:33I mean, I miss my homeland.
04:35I miss my country.
04:36Can I tell you?
04:38No.
04:40Then let me explain it like this.
04:42My family is here.
04:45I'm in exile.
04:46Without them.
04:47It didn't happen.
04:49Deniz.
04:50It's been two days since you left.
04:52How long have you been abroad?
04:5515 years.
04:57Yes.
04:58Two days is a very short time, but...
05:00And ask me, Yigit.
05:01I mean, those two days were like a thousand years for me.
05:06Even my homeland's sheep looks at me differently.
05:08Do you understand?
05:09I mean, I...
05:10I couldn't do it in another country.
05:14I couldn't do it anyway.
05:16I wrote not to do it.
05:17I saw not to do it.
05:19You left your high school education halfway and found a job in a hotel here.
05:25Is that so?
05:27I mean, everything developed very quickly.
05:31Luck.
05:33I mean, fate.
05:48I wish you had told me.
05:50I can't believe it.
05:53I can't believe it.
05:54Right now...
05:56Look, my hair is so messy.
05:58Do you see?
05:59I was going to call you today.
06:00I was going to call you today.
06:02So...
06:03It just so happened, really.
06:07I was also very surprised that you started working in a hotel, frankly.
06:11Yeah.
06:12Yes.
06:13I was also very surprised that you started working in a hotel, frankly.
06:15Yeah.
06:16Yes.
06:17I was also very surprised that you were the coordinator of the Go Flamingo magazine, you know?
06:27But how do you know that?
06:30I don't remember telling you.
06:39How can I know that?
06:42How can I know that, Yigit?
06:45I'd be surprised if you didn't tell me.
06:47You told me this at dinner.
06:49Remember?
06:53I don't remember.
06:56Anyway.
06:57I'm very glad you came, by the way.
06:59You know?
07:00I mean, we couldn't spend much time last time.
07:04Now we'll see each other more often.
07:07We'll miss each other, right?
07:09Yes.
07:10Yes.
07:11From now on, we'll see each other often.
07:13We'll see each other often.
07:40If someone doesn't answer the phone, I'll hang myself.
07:42Don't hang yourself, Ms. Neşe.
07:44I'll answer the phone.
07:48Interesting.
07:49Zuzu.
07:53Yes, Zuzu?
07:54We're screwed.
07:55We're done.
07:56We're ruined.
07:58You can't believe what you just saw.
08:00Oh my God.
08:01What kind of a desert is this?
08:02Why is the ice cream everywhere?
08:08Deniz.
08:10Who are you?
08:11Sir, I'm Ms. Deniz's secretary.
08:13If you have any further questions, I'll take care of them.
08:18I've been talking for two hours.
08:20Tell me from the beginning, brother.
08:22For God's sake, tell me who you saw.
08:24Give me Deniz.
08:26I want 100 million liras.
08:29Give me your name.
08:31Is this an offer?
08:33If I see you when I come to visit Deniz,
08:35you'll see what happens.
08:37Is this an offer?
08:38Close it.
08:39Close it.
08:42Yiğit.
08:44What are you doing in our hotel?
08:47Deniz will get mad when he hears it.
08:53The job is done.
08:59Good evening.
09:00I'll go out, too.
09:01See you.
09:02Cemo, wait a minute.
09:04I'll wait.
09:08I'll be right back.
09:29You don't know me.
09:31I'm not a person to be crushed.
09:33I'm Deniz Aslan.
09:34Do you know who my son is?
09:35No, you don't.
09:39I'll tell you something.
09:41What?
09:42Can you help me?
09:43What?
09:44Huh?
09:45Can I hit you?
09:46What?
09:47Can I hit you?
09:49I'm fine right now.
09:51My tea is ready.
09:53I'm very comfortable.
09:54Whenever you want.
09:59Good evening.
10:00Good evening.
10:01By the way, Michael.
10:02What?
10:03I talked to Zuzu.
10:04She's a very good person.
10:05What?
10:06I talked to Zuzu.
10:07She's a very good person.
10:08Wait a minute.
10:09Did you mess up my phone or something?
10:11Of course.
10:12Whenever you want.
10:13Where does this comfort come from?
10:15Are you ticklish?
10:16Huh?
10:18Good evening.
10:19Ms. Neşe.
10:20The files you asked for.
10:27Ms. Neşe.
10:28I wouldn't have thought you'd be a member of the garbage can site.
10:38One of my friends lost it.
10:40I was going to close it anyway.
10:42You don't have to be ashamed.
10:44I mean, it's normal at your age.
10:47Meral.
10:48Eda.
10:49Ela.
10:51I don't want to hear a single joke about this.
10:53Do you understand?
10:54I don't even want you to talk about this in any way.
10:58Okay.
10:59Good evening.
11:00Good evening.
11:02I'm going to die.
11:03I'm going to die.
11:04I'm going to die.
11:05I'm going to die.
11:23Look at him.
11:24He's everywhere.
11:25He's everywhere.
11:26Zuzu.
11:27Welcome.
11:28Did something happen?
11:29No, nothing.
11:31Okay.
11:32I have to tell you something very important.
11:35But...
11:36I'm not asking for forgiveness.
11:37I'm not asking for forgiveness.
11:39No, Zuzu.
11:40I mean, did something happen?
11:42You're not telling me.
11:43I'm telling you.
11:44You're not listening.
11:45I mean...
11:46Great.
11:48He came to me in front of so many people.
11:50No, Mercury retro started today.
11:52Is that why?
11:53I'm having a lot of communication problems.
11:55Deniz.
11:56Look.
11:57Today at the hotel...
11:58Look, let me tell you something.
11:59I'm not a person to ask for forgiveness.
12:00I won't.
12:01Okay.
12:02We understand that.
12:03But why did you change your mind?
12:07I...
12:08I...
12:09I...
12:10I...
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12:58I don't want to talk about this.
12:59Okay, but I have to tell you something.
13:04If you love me, don't bring this up again, okay?
13:08It's over.
13:11I love you, but I can't say it.
13:17So, you were saying hotel. Tell me, what happened?
13:20I'm a little confused. Tell me.
13:23Today at the hotel.
13:24Hmm.
13:27What happened?
13:32Today at the hotel.
13:35Is there someone new?
13:47Today at the hotel.
13:49One of our employees stole something from the minibar.
13:52What?
13:54Oh, I see.
13:57Good.
14:01I'd listen, but I need to rest, okay?
14:05Okay.
14:06Come on.
14:07I love you.
14:17No, the girl has just started working.
14:19She's already stressed.
14:21If I tell her, she'll go crazy.
14:25I can't tell her.
14:27That's the truth.
14:29That's the truth right now.
14:51I love you.
14:52I love you.
14:53I love you.
14:54I love you.
14:55I love you.
14:56I love you.
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18:00I love you.
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18:06I love you.
18:07I love you.
18:08I love you.
18:09I love you.
18:10I love you.
18:11I love you.
18:12I love you.
18:13I love you.
18:14Good morning.
18:35What is your probability of being in the lights of Go Flamingo magazine?
18:40I mean, if I don't have a girl I don't know, it's low.
18:45It sounded like I heard your voice just now.
18:48No, no, I mean, I'm at home.
18:52So, do you have a job today?
18:55I have a job today. Yes, I have a job today, I'm very busy.
19:01Okay, another time then.
19:03Yes, yes.
19:06Okay, have a nice day.
19:10You too.
19:16What am I going to do?
19:20Hello.
19:21Hello.
19:22I left a few things to clean the house. I'd appreciate it if you could take care of them.
19:25Of course, sir.
19:26Have a nice day.
19:29A man like Kakao. Look at him.
19:31Mr. Yiğit is too young. They're going to give this man grandfather roles, almost.
19:35Who printed Robert Downey Jr.?
19:37Not that much. Of course, Mr. Yiğit is more handsome.
19:40Oh, look, your eye doctor has an appointment, honey.
19:43Oh, cover.
19:45When you say cover, Miracim.
19:47I mean, I meant, Mr. Yiğit can't be the cover of our magazine.
19:50In that sense, in that sense.
19:52I'll tell you something. The name of the magazine is Kakao.
19:56I'll tell you something. Did the name of the magazine change?
19:59Did I have a high ego and low rating?
20:01What happened to the name of the magazine?
20:03Don't I know?
20:04Did I get angry and rude?
20:06What happened?
20:07Oh, you're a tall young man.
20:09That's right.
20:11Because I'm being crushed.
20:13You're being crushed.
20:14We're being crushed, guys.
20:16Are you aware?
20:17Today is the day of unification.
20:19Today is my manicure day.
20:21If we unite tomorrow.
20:23I'll tell you something.
20:24Do you have a myopia in your eyes?
20:26I mean, don't you see?
20:27For God's sake.
20:28Look, this is handsome, okay?
20:30A handsome person.
20:31So what is this?
20:33Coordinator.
20:34I mean, this is your coordinator.
20:36I mean, where is it handsome?
20:38For God's sake.
20:39When you do your hair like this, do you look handsome?
20:41Yeah.
20:42When you look at it seriously, when you put pressure on it,
20:44does a person look handsome?
20:45What are you going through?
20:46Do you have Chitokom syndrome or something?
20:48What is it? I don't understand.
20:49No, I'm trying to make sense.
20:50Because afras, tafras,
20:52it's not attractive at all.
20:53Can I tell you?
20:54It's a complete itch.
20:55Don't extend it if I want.
20:56I'm sorry, Ms. Neşe.
20:57But you know that too.
20:59It was rejected.
21:00It was rejected.
21:01It was rejected.
21:02It was rejected.
21:03It was rejected.
21:04It was rejected.
21:05It was rejected.
21:06It was rejected.
21:07But there must be a limit to rejection.
21:09You are aware, Ms. Neşe.
21:10For God's sake, don't do it.
21:11I mean, it's come this far.
21:13Really.
21:14I mean, he takes the iPad in his hand.
21:17His hair is like this.
21:18He came from America.
21:19The boss is like this.
21:20Can I tell you?
21:21He should be like this.
21:22His voice should be like this.
21:23He should be an authority like this.
21:24After that, his walk or something.
21:25You're playing too big.
21:27A little bit.
21:28Lift.
21:29Oh, and the thing.
21:30The watch.
21:31This is a very important detail.
21:32So much.
21:33What is this?
21:34A little sincerity.
21:35What is this?
21:36Is this the authority?
21:37Half an hour later.
21:38Is this the authority?
21:39Is it the voice?
21:40Is there violence in the authority?
21:41A little love.
21:42A little communication.
21:43Like this?
21:44Without love.
21:45So like this.
21:47Coordinator.
21:51Intern.
21:56If you were like a robot.
21:58They would take your man and take your rice.
22:00A little sincerity.
22:01Good morning for example.
22:03Intern.
22:06I can't do it quietly.
22:07I couldn't find it.
22:08Because my voice is thin.
22:09Good morning.
22:11Not exactly.
22:12There was a little love in him.
22:14She's still trying to crush him.
22:19Good morning.
22:20She's still like that.
22:21Good morning.
22:32Terminator.
22:33I swear, she's not going to make it.
22:35We don't need to look for a comedian in our 20th century party.
22:42Mrs. Buket.
22:45Mr. Yiğit.
22:47I'm going to Mr. Yiğit's room.
22:49But just for business.
22:51No misunderstandings.
22:52Just business.
22:53Do you hear me?
22:54So?
22:56What's it to me?
22:59He's a kid.
23:01He's a kid when he's cold-headed.
23:04Mr. Yiğit.
23:05Mr. Yiğit.
23:13Did you find the book I told you about?
23:16I couldn't find it.
23:17It's nowhere to be found.
23:18Because it's out of print.
23:20Actually, there is one in the common library of our plaza, but I couldn't find it.
23:24It's a little confusing.
23:25If you want, I can tell the ELA to take a look.
23:29No need.
23:30Give me the code of the book and I'll take care of it.
23:32I thought you'd say that, so I wrote it down in advance.
23:36Let me present it to you.
23:42Thank you. You can leave.
23:44I was just leaving.
24:07Cemal.
24:08I'm going to say something.
24:10Look, Mr. Yiğit is writing badly to me.
24:13I mean, if you want, give him a piece of your mind.
24:16You know, I'm saying it's up to you to protect me.
24:21What's it to me?
24:23What's it to you?
24:24What's it to me?
24:32What's it to you?
25:02What's it to you?
25:26Grandpa!
25:28Can you bring me some water, Gazi?
25:31What should I do?
25:32Can you help me?
25:33Why is everyone looking at me like that?
25:34Are you crazy?
25:38Are you crazy?
25:39Are you?
25:40What are you doing?
25:41What are you doing?
25:42Why are you scaring me?
25:43I thought something happened to Grandpa because of you.
25:46It happened.
25:54If you're done having fun, meet me in the meeting room in ten minutes.
26:00Okay.
26:07Let's take note of the innovations in the cardigans and publish them in the magazine.
26:10Cardigan?
26:11Who's your brother?
26:13What?
26:14We've passed the order for the crepe dresses, by the way, but it hasn't arrived yet.
26:17It will arrive on Monday.
26:18Crepe?
26:19Even if it were, it's forbidden.
26:21Ugh.
26:22How about an article about the transition from wedding dresses to daily wear?
26:28What Tatan?
26:29What did he say?
26:30We can do something like this about crepe top t-shirts.
26:33What top?
26:34What?
26:35What are they talking about?
26:36I don't understand.
26:37Rejected.
26:39Oh, I'm so sorry.
26:40It just came out of my mouth.
26:42I'm so sorry, Mr. Yiğit.
26:43But I can present you the file I told you about earlier.
26:46Right away.
26:49All rejected.
26:51Neşe, I'm listening to you.
26:55Can we use the fashion trends in old movies, for example?
26:58Like the Le Garson movie made in the 1920s.
27:01Le Garson?
27:02What's Garson?
27:03How do you know the movie from the 1920s?
27:05Ugh.
27:07It created a big trend in Europe at that time.
27:10I think we can create a fixed corner by using these trends.
27:14A new movie every month, for example,
27:16could be Audrey Hepburn's Breakfast at Tiffany's.
27:20We can also find other movies.
27:22Actually, I prepared a collage about it.
27:25Deniz, can you turn on the second monitor?
27:27Here it is.
27:28Second.
27:29What's second monitor?
27:30For God's sake.
27:31Say something in Turkish.
27:32All of them have Turkish.
27:33We don't understand.
27:34Then we write.
27:35Garson, Garson.
27:36We made a mistake.
27:37Garson, Garson.
27:38We made a mistake.
27:59I'll answer.
28:03Of course, I'll answer.
28:05I'll answer.
28:06I'll answer.
28:13We're getting ready, Mr. Yiğit.
28:15I'm ready.
28:16I'm ready.
28:36Oh my God.
28:39I think there's a lack of communication.
28:47Oh my God.
28:55Intern!
29:00The controllers...
29:01They put too many controllers.
29:03I mean...
29:04It's not my fault.
29:05There's no coordination.
29:07I mean...
29:17I guess that's it.
29:25It happens.
29:26Sometimes it doesn't work in front of the controller.
29:29There's no battery.
29:30Is there a small battery in the drawer?
29:32You can ask Gazi here.
29:33Deniz, this is the controller.
29:35You press here.
29:37We're ready, Mr. Yiğit.
29:41I saw it.
29:42It's off.
29:47I was going to turn it on.
29:49Turn it on.
29:52A musical opening.
29:53It's on.
29:56You're nothing but a waste of time, intern.
30:12Yes, Yiğit.
30:14This was our last image.
30:18Thank you for listening, Mr. Yiğit.
30:24Great.
30:29We've come to the end of a useless meeting.
30:38Who came up with these useless ideas today?
30:43Bring it to my room in 10 minutes.
30:49Deniz.
30:50You were so funny.
30:55Cemo.
30:56Women like men who make them laugh.
30:58You know that, right?
30:59What do I care?
31:00What do I care?
31:01What are you laughing at?
31:03You're so funny.
31:14I have a question for you.
31:15Yes, I'm such a person.
31:16We accepted that.
31:17Yes, you know that.
31:18We don't have a problem with that.
31:21Why are you so afraid of this person called Yiğit?
31:24What does it have to do with it?
31:25No, what does it have to do with it?
31:27Do you understand?
31:28What does it have to do with it?
31:29Deniz Aslan.
31:30In normal conditions, that is, at room temperature,
31:34you are a person who can talk, walk, and even think properly.
31:38But whenever Yiğit asks you something, you keep your mouth shut.
31:41It's as if you did something, you're embarrassed to the man,
31:44and you're running away as if you're guilty.
31:46Why is that?
31:47Because.
31:48Because it's in your hand.
31:50It's in your hand.
31:51Move.
31:52Don't ask too much.
31:58First the anger, then the humor.
32:03That's what it is.
32:05He was very happy.
32:07Thank God.
32:14God help me.
32:15He said, bring the notes in order.
32:17God help me.
32:34My notes are not in order.
32:40Please God help me.
32:42He will kill me.
32:47God help me.
32:49God help me.
32:51God help me.
32:53God help me.
32:55God help me.
32:57God help me.
32:59God help me.
33:01God help me.
33:03God help me.
33:05God help me.
33:07God help me.
33:09God help me.
33:11God help me.
33:13God help me.
33:15God help me.
33:35Notes.
33:37Notes.
33:44Notes.
33:53Something was said about the siblings.
33:56Ask Ms. Neşe.
33:59The wardrobe of the film will be made.
34:03Watch the film.
34:05I took notes for myself.
34:09Mr. Yigit is a charlatan.
34:18Charlatan.
34:19As in the meeting.
34:21Charlatan.
34:22Charlatan.
34:24Charlatan.
34:25Tarlatan.
34:27What?
34:32I made a mistake.
34:35Sorry.
34:36I realized now.
34:37I write words fast.
34:39Some of them I write short.
34:41This is a letter error.
34:43I set up a system.
34:45I tried to fix it.
34:47I'm working on it right now.
34:55Who hired you here?
34:57Are you stupid?
34:59Did your uncle hire you here?
35:01My uncle? How do you know my uncle?
35:03My uncle, yes, he does something close to this job.
35:06He's from Ümraniye. He has a tailor shop.
35:09A modest tailor shop.
35:11What are you doing here?
35:13You work in one of the most important fashion magazines in Turkey
35:15and you don't even know the basic terms.
35:19I just started.
35:21Don't make excuses.
35:25Even if you're an intern, you can't tie me up.
35:29Get a hold of yourself.
35:34You can leave.
35:37Who hired you?
35:59Deniz, I need to talk to you.
36:01I need to talk to Ms. Neşe.
36:03Deniz, I need to talk to you.
36:05Ms. Neşe's instructions.
36:07I'm giving you instructions.
36:09We're going to separate the sponsor products.
36:11Sponsor products?
36:13Come here.
36:15I'm going to tell you everything.
36:17You're going to help me, okay?
36:19Okay.
36:21We're going to work really well with you.
36:23It's going to be great, Ayşe.
36:25Look, the products are over there.
36:27Let's sit like this.
36:33Okay.
36:35Okay.
36:37Now you separate the CC creams.
36:39I'm going to look at the sponsor products.
36:41A lot of cream?
36:43Okay.
36:45Ayşe.
36:47Deniz, what are you doing?
36:49I'm separating the creams.
36:51CC cream.
36:53Cream? CC?
36:55What's CC?
36:57Who's CC?
36:59I got it.
37:01No, not right now.
37:03What is it?
37:05It's a concealer.
37:07Then why don't we call it a concealer?
37:09I'm not a concealer.
37:11Then I don't know anything.
37:13I don't understand.
37:15How can a girl not know such simple things
37:17about beauty products?
37:19Are simple products used here?
37:31Okay, look.
37:33This is CC cream, okay?
37:37Can you return these to the costume section?
37:39Return.
37:41Mr. Yiğit.
37:43These are the costumes I thought of for the next photo shoot.
37:45Deniz.
37:47Can you bring me Van Dyke Brown, please?
37:49First of all,
37:51I thought of this dress.
37:53What is Van Dyke Brown?
37:55It must be a dress with a distant east wind.
37:57It can't be too far away.
37:59We can use a country style dress.
38:01If you want.
38:03Good.
38:11What do you think of this?
38:13Simple.
38:19I thought of this as a cocktail dress.
38:29Excuse me, Mr. Yiğit.
38:35Van Dyke Brown.
38:37Brown.
38:43It doesn't work.
38:45It doesn't work.
38:47It doesn't work.
38:49It doesn't work.
38:51It doesn't work.
38:59What are you doing?
39:01Are you killing your brain cells because there are too many?
39:03Take me to another department, please.
39:05Exactly.
39:09I brew very good tea.
39:11Biscuit and fish, really.
39:13I'm very good at that.
39:15Take me to another department, I'll be a teacher.
39:17I'll be an office girl.
39:19Intern.
39:29Are you looking for a job?
39:35Come with me.
39:39The shift is full, Mr. Yiğit.
39:41I'm not on duty right now.
39:59Intern.
40:09I'm sorry.
40:11Why are you standing?
40:13The boss is gone.
40:15I kiss my friends.
40:17Regards.
40:29Regards.
40:511766.
40:53Dandanagan.
40:55Was it history?
40:57I thought it was.
40:59Code.
41:01What code?
41:03Who's the code?
41:05Intern.
41:07Mr. Yiğit.
41:09You'll find me a book.
41:11Code 1766.
41:13Of course I will.
41:19Yes.
41:21But...
41:23I don't think these are in order.
41:25Is that so?
41:27I know.
41:29That's why you're here.
41:31I need that book.
41:35If necessary, you'll be here until morning.
41:37You'll find that book.
41:55Intern.
41:57You know what to do.
41:59I'll waste my time.
42:01I know.
42:25I'm sorry.
42:29What are you doing?
42:35Son.
42:39Come on.
42:55I'm so deep.
42:57It's burning me up.
42:59I will find you.
43:01I will be yours again.
43:05I can't breathe.
43:07The bathroom is too hot.
43:09I can't breathe.
43:11I will find you again.
43:13It's burning me up.
43:15It's burning me up.
43:17I will find you.
43:19I will find you again.
43:21I will be yours again.
43:23Oh