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00:00:00♪♪
00:00:27♪♪
00:00:50♪♪
00:01:05Wait.
00:01:06You needn't come up with me.
00:01:08I can get into the apartment without your assistance.
00:01:10♪♪
00:01:14Wait.
00:01:20Jerry, darling.
00:01:41Please, please forgive me for what happened tonight.
00:01:44I admit I was wrong.
00:01:45You did all right for yourself.
00:01:49Why do you insist on spoiling a perfectly good New Year's Eve?
00:01:52I haven't. It's hardly midnight.
00:01:54You won't lack company.
00:01:56You didn't earlier this evening.
00:02:01Jerry, that's not like you.
00:02:03I know. I'm a brunette.
00:02:12Besides, I...
00:02:14I didn't think you noticed it.
00:02:16I've tried not to for some time.
00:02:20After all, my dear, a man must live.
00:02:23I've often wondered why it was necessary in some cases.
00:02:35Will you please be serious?
00:02:37I am serious.
00:02:38The trouble has been that you haven't been serious.
00:02:40Don't you see, to a girl, it means so much more than just an adventure?
00:02:44Jim, you've been the only man in my life.
00:02:47I wish I'd known it was going to end this way.
00:02:51Well, it doesn't have to end this way.
00:02:54Oh, please, dear, let's forget it.
00:02:56Let's start this New Year's right.
00:02:58I am starting it right.
00:03:00Without you.
00:03:02With whom, then?
00:03:04You would ask that.
00:03:06I'm starting it with myself, me, Jerry, your ex-
00:03:10Jerry.
00:03:12I'm not ashamed or afraid.
00:03:15Goodbye, Jim. Have a good New Year.
00:03:18I'm going to have the best New Year I ever had since I've grown up.
00:03:30Jerry, will you marry me?
00:03:36What an effort that must have been.
00:03:39Oh, stop that.
00:03:41Well, it might work out.
00:03:44If you married all of us, the chorus girl, the widow, and-
00:03:47Who told you-
00:03:48Oh, it's a secret. Nobody knows but me.
00:03:50And the Associated Press.
00:03:53Well, I-
00:03:55I haven't offered to marry anyone else.
00:03:58No? Why not?
00:04:00Well, because I-
00:04:02Because once I asked you to.
00:04:04Ah, he remembers.
00:04:07I also remember there was some difficulty about setting the date.
00:04:14Thank my lucky stars.
00:04:18I'm really serious.
00:04:20I really mean it this time, Jerry.
00:04:22Mean what?
00:04:24Marriage and-
00:04:26And all that.
00:04:28No, I'm afraid there'd be too little marriage and too much all that.
00:05:02Are you absolutely definite about this, Jerry?
00:05:05So definite.
00:05:10Well, it was beautiful while it lasted.
00:05:21Jim, come back.
00:05:35Jim?
00:06:05Jim?
00:06:24Take these designs to the shop.
00:06:26I've made the changes and they can start on them at once.
00:06:30Oh, yes, and tell Miss Curtis
00:06:32that Mrs. Hoffenstein's gown must be ready this evening.
00:06:35That Buster Collins on the phone.
00:06:39And tell him I'll be over early in the morning.
00:06:42Well, what time?
00:06:43Twelve o'clock.
00:06:49Hello, Buster.
00:06:50Hello, Jerry.
00:06:52Can I come over and bring a friend?
00:06:55I'm not dressed. Who is it?
00:06:57Tony Blake.
00:06:59Tony Blake?
00:07:01Oh, Anthony Blake.
00:07:03Of course, bring him along. I'd like to meet him.
00:07:06Tell him I think his book is wonderful.
00:07:08But don't tell him I haven't finished it.
00:07:13Why does he want to meet me?
00:07:15I don't know. Get him to tell you.
00:07:18You have to have something to talk about.
00:07:23Oh, all right.
00:07:28Hey, Tony!
00:07:30What?
00:07:32It's all set.
00:07:41Oh, I'm Kate. I'm going to meet Anthony Blake.
00:07:44Now, what's so good about that?
00:07:46He's the one who wrote this book.
00:07:47Any idiot can write a book.
00:07:49Not a good one.
00:07:51Oh, I can hardly wait until I meet him.
00:07:53You'd better take a shower and cool off a bit.
00:07:56Well, all right.
00:07:58Kate, put a tune on the piano for me. I love music.
00:08:21Well, anyway, the boy gets the girl in the end.
00:08:24Oh, my God. What an unusual finish.
00:08:29Hurry up now. Come on. Get in. Get in.
00:08:36Why get so excited over a man before you've even met him?
00:08:41I hope he's a little man with a prop coat and a beard.
00:08:45Can't you hear me?
00:08:48Well, what I'd like to say is if I don't like him, I'll run him out of here.
00:08:53Oh, you will, will you?
00:08:57Well, now, if you've been here so well, turn on the cold water.
00:09:05Oh, I still like him even after a cold shower.
00:09:10If he's anything like his book, he's wonderful.
00:09:13They never are, dearie.
00:09:16I once knew Buffalo Bill.
00:09:23Oh, my God.
00:09:53It's meals a day, a roof above.
00:10:00What good's this, that or the other, if you haven't got love?
00:10:08Life is sweet, but love provides the rest of it.
00:10:15Give me love and you can keep the rest of it.
00:10:20Part of the best of it.
00:10:24For love and joy, no hand in love.
00:10:31What good's this, that or the other, if you haven't got love?
00:10:42Mrs. Kate Smith and Miss Jerry Trent, may I present Mr. Anthony Blake.
00:10:46That's great, Buster.
00:11:11I've just decided you look even better with your clothes on.
00:11:14What?
00:11:15Didn't I explain?
00:11:16Come here.
00:11:18You see that building?
00:11:19I have an apartment there and on a clear day I see you here on the roof taking your sun bath.
00:11:23In your bathing suit.
00:11:24Why?
00:11:26I know how you feel about it.
00:11:28I feel the same way.
00:11:30We should be married at once.
00:11:36You're probably going to say you don't know me well enough.
00:11:38So let's get acquainted.
00:11:39What do you do?
00:11:40I own a shop.
00:11:42You know, very smart things for very smart ladies.
00:11:45Good.
00:11:46Any profits?
00:11:48Not many.
00:11:49You see, I won't sell the nicest things.
00:11:52I keep them and wear them myself.
00:11:54Too bad.
00:11:55I thought for a minute I'd be able to quit work.
00:11:57Well, no matter.
00:11:58Now that I know you, I'm still willing to go through with it.
00:12:02Will you marry me?
00:12:03You are crazy.
00:12:05Why am I crazy?
00:12:06I obey my impulses.
00:12:08Like the character in your book.
00:12:09I am the character in my book.
00:12:11But let's get back to our marriage.
00:12:12Now then.
00:12:13If we went around together for several months, the usual thing.
00:12:16You'd find out that I don't like carrots.
00:12:18And you'd find out that I dunk my doughnuts.
00:12:23Exactly.
00:12:24It's twice as much fun marrying first and getting acquainted afterwards.
00:12:28Have you ever done it before?
00:12:31No.
00:12:33But right now I have an impulse to do it.
00:12:34I always obey my impulses.
00:12:36We miss so much in life.
00:12:37We're not doing what we're really feeling.
00:12:39Did you ever want to trip a waiter when he's carrying a tray full of dishes?
00:12:42Yes.
00:12:43I've done it.
00:12:44And it's marvelous.
00:12:45It only cost me $28.60.
00:12:47What are you doing tonight?
00:12:48Why, do you want to go out and trip waiters?
00:12:50Yes.
00:12:51I'd rather ring doorbells than run.
00:12:52Oh, the fun we are going to have together.
00:12:57That's just what I wanted to know.
00:12:59A good woman.
00:13:01That's right.
00:13:02There are not many of us left nowadays.
00:13:05Jody.
00:13:06What?
00:13:07Joan must be sailing for a home about now.
00:13:10What?
00:13:11I say, your sister Joan must be sailing from France about now.
00:13:14That's right.
00:13:17What time is it?
00:13:184.15.
00:13:194.15.
00:13:20Here.
00:13:21Let me see.
00:13:22Over there, it must be.
00:13:269.15.
00:13:27We're away on time.
00:13:35I'll be so glad to get home to see Sis and Aunt Kate.
00:13:39How long since you've seen your sister?
00:13:41It's been two years.
00:13:42And then, just for a few days, I'm away over here to school.
00:13:45You see, I lived with my aunt in Oklahoma.
00:13:48Oh.
00:13:49You think a lot of your sister, don't you?
00:13:52Everyone who knows her loves her.
00:13:54I could never tell you how wonderful she's been to me.
00:13:57She worked so hard to pay for my schooling over here,
00:14:00and I'm so grateful to her.
00:14:02She worked so hard to pay for my schooling over here, and...
00:14:05Oh, don't get me started on the subject of Jerry.
00:14:07I'll talk all the way home.
00:14:11How well did you know her?
00:14:13Oh, uh...
00:14:15It was just one of those things.
00:14:18I remember her all right.
00:14:20But I don't know if she'll remember me.
00:14:23Wouldn't she be surprised if she knew we're engaged?
00:14:27Don't forget.
00:14:28That's our secret.
00:14:33You can't be as happy as you look.
00:14:35I've never been so happy.
00:14:37I'm falling more in love with him every day.
00:14:42But it can't go on.
00:14:44For heaven's sake, why not?
00:14:48I'm going to be a good wife.
00:14:50I'm going to be a good wife.
00:14:52I'm going to be a good wife.
00:14:54I'm going to be a good wife.
00:14:56I'm going to be a good wife.
00:14:58I'm going to be a good wife.
00:15:01I've got to tell him, you know, about Jim.
00:15:05Now, don't be a fool.
00:15:07That's the one sure way of losing him.
00:15:10I know, but I won't feel right unless I tell him.
00:15:14You'll probably feel right if you do.
00:15:17Think it over carefully.
00:15:20Well, I guess I'm just a modern girl
00:15:23with an old-fashioned conscience.
00:15:26With an old-fashioned conscience.
00:15:42Press this for me.
00:15:47Bye.
00:15:57Well, here we are.
00:15:59And just in time.
00:16:04There you are.
00:16:07Let go.
00:16:09I want to turn on the light.
00:16:11Take me with you. I'm afraid of the dark.
00:16:13All right.
00:16:19Still scared?
00:16:21Mm-hmm.
00:16:27Still scared?
00:16:29A little.
00:16:31Should we have some music?
00:16:33Pick a station.
00:16:35And the baby swallows the pill, thinking it's candy.
00:16:45Still scared?
00:16:49Now a little fire and everything's set.
00:16:57I think your feet are wet.
00:16:59No, they're not.
00:17:00They might be.
00:17:01I didn't step in the puddle.
00:17:03Well, let's see.
00:17:08Are they warm now?
00:17:16Ow!
00:17:17What?
00:17:18Don't you tell her.
00:17:20Better get a shoehorn.
00:17:27Here we are.
00:17:39There we are.
00:17:41An inventor as well as a writer.
00:17:43You know, Blake.
00:17:45Let Dr. Blake feel your pulse.
00:17:50You'll live.
00:17:52I wonder when I'm with you.
00:17:54I'm the one who's just begun to live.
00:18:01I wish I'd met you years ago.
00:18:05I wish you had.
00:18:11You didn't have as much fun today.
00:18:14What's wrong?
00:18:17Nothing.
00:18:19Nothing?
00:18:23Aren't you going to autograph one of your books for me?
00:18:26Right now.
00:18:50Wait a minute.
00:18:52Don't pee.
00:19:06Tell me.
00:19:08Tell you what?
00:19:10Tell you what?
00:19:12Tell you what?
00:19:14Tell you what?
00:19:16Tell you what?
00:19:18Hm?
00:19:19Do you believe everything in that book?
00:19:21Of course not.
00:19:23When you said you were the central character,
00:19:26wouldn't you do what he does?
00:19:29Well, I try to.
00:19:31You see, he's me.
00:19:33Idealized, of course.
00:19:49That's beautiful, Johnny.
00:19:52So you love me more each hour
00:19:55until you're a hundred years old.
00:19:59After that, I may start chasing around.
00:20:04I'll always treasure this.
00:20:06I'll dedicate the next one to you.
00:20:08I'd love to write it in Paris.
00:20:11Now,
00:20:13if I had a wife to go with me,
00:20:16sort of a Severus Crittick?
00:20:20I have an idea for him new novel.
00:20:25Really?
00:20:27Yes.
00:20:30You should call it Love and Kisses.
00:20:33And you could point out the difference between love
00:20:37and just kisses.
00:20:42Hey, that's not bad.
00:20:45Suppose, by way of plot,
00:20:48a girl who's had an affair with one man
00:20:52falls in love with another.
00:20:54Should she tell him?
00:20:56That all depends on the man.
00:20:58Supposing you're like the character in your book.
00:21:01Oh, I see.
00:21:02Well, it might be better for her to tell him
00:21:05than to let him find out for himself.
00:21:07That's what I thought.
00:21:08On the other hand, it might be wise for her to say nothing.
00:21:11What a man doesn't know
00:21:13won't hurt him.
00:21:16I guess if everyone told the truth,
00:21:19nobody would marry anybody.
00:21:21Then honesty isn't the best policy.
00:21:23Rarely.
00:21:24The modern baby face looks up at the chump she's going to marry and says,
00:21:28You're the only one I've ever loved.
00:21:31And the big sap says,
00:21:33Yeah.
00:21:35And they lived happily ever after.
00:21:40Oh, I don't know.
00:21:43It's hard to say what a girl should do who's faced with that situation.
00:21:47But I am, Tony.
00:21:49You're what?
00:21:50Faced with that situation.
00:22:13Did you love him?
00:22:15Tell me.
00:22:16If you loved him, I'll die.
00:22:18I only thought I did.
00:22:20Don't you see I had to think I did.
00:22:23I don't want to know anything about him.
00:22:26I don't even want to know who he is.
00:22:29I don't want to know who he is.
00:22:32I don't want to know who he is.
00:22:35I don't want to know who he is.
00:22:38I don't want to know who he is.
00:22:42Just promise me you'll never see him again.
00:22:45Oh, no fear of that.
00:22:56Sherry.
00:22:59I have a confession to make.
00:23:02Once I...
00:23:06Went out with a girl.
00:23:08That makes us even.
00:23:11Please, Tony.
00:23:15In spite of my great mistake, will you marry me?
00:23:18I'd like to see anything stop me.
00:23:21I'd like to see anything stop me.
00:23:39I'd better go.
00:23:41Why? It's raining.
00:23:42No, it isn't. It stopped.
00:23:46And my...
00:23:47And my sister comes in tomorrow.
00:23:49And I have to meet her.
00:23:51And besides, I have some letters to write.
00:23:53Oh, those aren't reasons.
00:23:55Well, they'll do. Goodbye.
00:23:57Wait, I'll go with you.
00:24:19Goodbye.
00:24:21Goodbye.
00:24:48I forgot my book.
00:24:52Tony.
00:24:54You didn't change what you had written, did you?
00:24:58Yes, a little.
00:25:00Oh.
00:25:03I want it.
00:25:04Give it to me.
00:25:14Give it to me.
00:25:16Please.
00:25:21Give it to me.
00:25:51Give it to me.
00:26:06Well, hello, Mignon.
00:26:08Hello, Hilda.
00:26:11Come.
00:26:12Oh, and you tell her how good it looks to me.
00:26:14I'm so happy.
00:26:16Well, I'm going to help Hilda unpack your things.
00:26:18All right.
00:26:19Oh, and Kate, New York is so different from Paris.
00:26:22Trunks will be here about an hour.
00:26:28Gee, it's great to see you, baby.
00:26:32Hey, what's the matter?
00:26:34Please, Buster.
00:26:36I have to unpack and everything.
00:26:40Say, aren't you glad to see me?
00:26:42Of course I'm glad to see you.
00:26:44But...
00:26:46But what?
00:26:47Quit being so young.
00:26:49I mean, you're older than you are.
00:26:51Well, I'm good.
00:26:53It was rather silly to think that
00:26:55things would be the same between us after two years.
00:26:59Oh, you're kidding.
00:27:02Aren't you coming?
00:27:04Well, it's nice of you to want to give me a party,
00:27:07but you really shouldn't do it.
00:27:12Hey, Jerry, help me out.
00:27:14She's giving me the chill.
00:27:16Says she doesn't want to go to my party.
00:27:18What's the matter?
00:27:20Won't you go?
00:27:22There you are, my lad.
00:27:24From now on, it's up to you.
00:27:26See you about 7.30?
00:27:30All right.
00:27:32And you, Tony?
00:27:36And you too, Mrs. Brown.
00:27:47Oh, I can't get over the way you've grown.
00:27:51It was only yesterday I was looking at these.
00:27:53Look.
00:27:59There you are, before going to Paris.
00:28:01Before and after.
00:28:05Aha!
00:28:09What the well-dressed baby used to wear.
00:28:11Oh, but where?
00:28:17Oh.
00:28:31That reminds me.
00:28:34I promised to look after you.
00:28:40The times I worried about you being out of my sight for so long.
00:28:47You didn't have to.
00:28:50I couldn't help it.
00:28:57I hope we have as much fun here as we had in Oklahoma.
00:29:00Do you remember the night you went out with Sporewood?
00:29:05In that funny car, and you chugged along,
00:29:07and he made you get out and walk.
00:29:10And even at that, I beat him home.
00:29:17What's that?
00:29:19I was wondering if you remember.
00:29:21Of course I do.
00:29:23Don't tell me.
00:29:26Don't tell me.
00:29:32That's the last part of it.
00:29:34I remember it.
00:29:36It's the S.O.S.
00:29:38When you had a bow in the parlor and he got too, uh, bow-ish,
00:29:42you'd sing this, which was my signal to come in and say,
00:29:45Jerusey, bedtime.
00:29:48It saved my life many times.
00:29:51Start over.
00:29:55If you can hear me calling to you,
00:30:00come to me, come to me,
00:30:05my life, my love, my all.
00:30:12From near or far, wherever you are,
00:30:17come to me, come to me,
00:30:22in answer to my call.
00:30:29Somewhere on a hill,
00:30:33there's a whippoorwill
00:30:37calling with me as the shadows fall.
00:30:46I need you now to keep your bow.
00:30:52Come to me, come to me,
00:30:58my life, my love, my all.
00:31:14You'll never hear me calling, dear.
00:31:18When he's here.
00:31:20Oh, he's good-looking.
00:31:22Who is he?
00:31:23Anthony Blake, the novelist.
00:31:26And your future brother-in-law.
00:31:29No.
00:31:30Yes. Oh, he's terrific.
00:31:32You'll meet him tonight.
00:31:34Oh, you, you poor darling.
00:31:36You've been in the convent so long,
00:31:38I suppose you've forgotten what boys look like.
00:31:40I have, all except one.
00:31:42He hasn't forgotten you, either.
00:31:43Oh, I don't mean Buster.
00:31:45No?
00:31:46No, this one I met in Paris.
00:31:48I think you know him, too.
00:31:50Who is he?
00:31:51Jim Woodward.
00:31:53Don't you know him?
00:31:57Yes, I'm trying to place him.
00:32:00He said you might not remember him.
00:32:02Oh, Jerry, he wears the cutest clothes,
00:32:04says the most adorable things,
00:32:06and dances divinely.
00:32:08If you'd ever met him, you'd remember him.
00:32:10I remember him.
00:32:12Vaguely.
00:32:15Well, I...
00:32:16I suppose you'll want a manicure in there
00:32:18and a wave for tonight.
00:32:19I'll go with you.
00:32:20I need one, too.
00:32:21Oh, and you can wear one of your new Paris gowns
00:32:23to Buster's party.
00:32:25It'll be a wonderful party, really it will.
00:32:30What a party I'm getting.
00:32:52I asked a friend of mine to drop in on the party.
00:32:54I hope you won't mind.
00:32:56That's great.
00:32:58What's her name?
00:32:59Jim Woodward.
00:33:05Swell.
00:33:06We ought to have someone bring a cape.
00:33:10Yeah.
00:33:14Shall we tell them about us?
00:33:16Why?
00:33:18Why?
00:33:20I want to pin you down in public.
00:33:27Why not?
00:33:29Not now.
00:33:32Hello, Joe.
00:33:34Hello.
00:33:37You remember Mr. Woodward?
00:33:40Jerry!
00:33:42And more beautiful than ever.
00:33:48Meet me, Mr. Woodward.
00:33:50Tony Blake.
00:33:51I'm the fellow who's supposed to make
00:33:52all those pretty speeches for Jerry.
00:33:54And my aunt, Mrs. Smith.
00:33:56How do you do?
00:34:00And this is Mr. Collins.
00:34:02Mr. Collins?
00:34:19Have a drink, Woodward?
00:34:20Yes, thanks.
00:34:37What a party I'm getting.
00:34:44Well, I guess so.
00:34:47Well, what shall we do?
00:34:53I've something important to drink to.
00:34:56The minute I laid eyes on Jerry Trent,
00:34:58I wanted to be a slave.
00:35:00I offered my services as a chauffeur.
00:35:03She said, no, I...
00:35:04Myself.
00:35:05I said, well, what about a secretary?
00:35:07She said, no, I handle all correspondence myself.
00:35:11No matter what I suggested, it seemed
00:35:13she didn't need me.
00:35:16Then one day I remarked that she might like to
00:35:19marry and raise a family.
00:35:25Yes, I got the job.
00:35:27I go to work Monday.
00:35:29Hey, we're going out, Buster.
00:35:31Congratulations.
00:35:32Thanks, Buster.
00:35:37Likewise.
00:35:38Thanks.
00:35:45Here's hoping you're never discharged.
00:35:48Thanks, old man.
00:35:54May I dance with you?
00:35:55Of course.
00:35:57Jerry.
00:36:09Jerry.
00:36:30Can I be best man?
00:36:33He's the best man I ever knew.
00:36:36Is that nice?
00:36:41Roses round the door.
00:36:43Kitties on the floor.
00:36:45You're going to go for that?
00:36:46Why not?
00:36:47I love him.
00:36:56This doesn't mean anything, you and John, does it?
00:37:03Why?
00:37:04Why?
00:37:05You know why.
00:37:10Just land Harris on the boat.
00:37:14She's only a child.
00:37:16I think she's getting a bit serious.
00:37:19See that she doesn't.
00:37:22You know me.
00:37:24That doesn't do well.
00:37:35Guess who it was.
00:37:37Buffalo Bill.
00:37:51Now's a good time to invite them.
00:37:54Where?
00:37:55To your home.
00:37:57Our family should meet sometime if we're going to be married.
00:38:01Plenty of time for that.
00:38:03But you said you'd arrange it as soon as you got back.
00:38:10Attention, please.
00:38:16Stand by for a station announcement, please.
00:38:18I'm giving a big weekend party in my father's name at Westbury,
00:38:22and I want you all to come.
00:38:24And maybe you'll get a surprise, too.
00:38:30I'll bet I know. Another engagement.
00:38:33Well, it's something to drink to anyway.
00:39:01Why didn't you tell me we weren't going to the Woodridge
00:39:04before I got all dressed up?
00:39:06I'm sorry, Aunt Kate.
00:39:08We shouldn't go, and Joan shouldn't go, either.
00:39:10It's bound to be an awkward situation for all of us.
00:39:13Well, on second thought, perhaps you're right.
00:39:16It might cause a lot of trouble.
00:39:18Even a big scandal.
00:39:20I don't think so.
00:39:22I don't think so.
00:39:24I don't think so.
00:39:26I don't think so.
00:39:28Even a big scandal.
00:39:30Joan has no business there.
00:39:33And from what you tell me about Jim Woodridge,
00:39:36even I wouldn't be safe with him.
00:39:40Besides, Joan might find out about...
00:39:46What's the matter? Aren't you going?
00:39:49No, and you shouldn't go.
00:39:52But Jerry, his parents want to meet us.
00:39:55And you think he wants to marry you?
00:39:57Of course.
00:39:59What about Buster?
00:40:01He's just a kid. I like older men.
00:40:03Naturally, you would at your age.
00:40:05What did you tell Buster?
00:40:07I had that out with him this morning.
00:40:09He'll get over it.
00:40:11He's a fine boy.
00:40:13You mean to imply that Jim isn't?
00:40:15Darling, you've always listened to me.
00:40:17Please listen to me now.
00:40:19I know something about life.
00:40:21You're only on the brink of it.
00:40:23And I want you to benefit by my experience.
00:40:25You mustn't have heartaches that you can't avoid.
00:40:27That's why I want you to believe me
00:40:29when I say that Jim Woodridge is not the man you should marry.
00:40:31How do you know so much about him?
00:40:33You said you barely remembered him.
00:40:35I knew a girl that he went with
00:40:37and how he treated her and lots of others.
00:40:39I don't care about his others.
00:40:41Every man has had others. Ask Tony.
00:40:43Joan, just a moment, Aunt Kate.
00:40:45At least Jim didn't love the others.
00:40:47Now that he's engaged to me, he's through with them all.
00:40:49He told me so.
00:40:51He told you so? Would you believe black was white if he told you so?
00:40:53I happen to know that he promised to marry this particular girl.
00:40:55And she believed in him.
00:40:57All the while he was running around with a dozen others that believed in him too.
00:40:59You have no right to talk to me like this.
00:41:01I'm old enough to know what I'm doing.
00:41:03You think so?
00:41:05Yes, I do.
00:41:07How do you know this girl's telling the truth about Jim?
00:41:09I wouldn't believe anything I heard from that kind of girl.
00:41:11Oh, yes, you would from this kind of girl.
00:41:13No, I wouldn't. She's probably lying.
00:41:15Who is she?
00:41:17You want to know who she is?
00:41:19I'll tell you who the girl is.
00:41:21Go on, Joan. Go on to Westbury.
00:41:23Marry the man you love.
00:41:25Why, you girls ought to be ashamed of yourselves.
00:41:27Falling like this.
00:41:29Goodbye, Joan.
00:41:47I just couldn't let you go through with it.
00:41:49You were right.
00:41:51Just give that Jim Wood a time.
00:41:53He'll open her eyes himself.
00:41:55By then it might be too late.
00:41:57Jim isn't going to be on the level with her.
00:41:59It just isn't in him.
00:42:01Oh, if Joan only knew him as I know him.
00:42:20Hello, darling.
00:42:25Oh, hello, darling.
00:42:27Everything's all set.
00:42:29Ten o'clock, the little church around the corner,
00:42:31then to your house for food.
00:42:33I'm no fool.
00:42:35Well, say, how much should I give the minister?
00:42:37Whatever you think it's worth, I suppose.
00:42:39Oh, I couldn't afford to pay that much.
00:42:43What are you laughing at?
00:42:45The passport's just got here.
00:42:47Oh, darling, my picture.
00:42:49Isn't it dreadful?
00:42:51We're a great pair.
00:42:57We don't look as if we're trying to get out of the country.
00:42:59We look as if we're trying to get in.
00:43:03Oh, by the way, Jerry, I can't go to the Woodward's.
00:43:07No, I've got to run down to Washington after all.
00:43:09Oh, that's all right if you have to go.
00:43:11I'm not going either.
00:43:13Oh, you shouldn't stay home on my account.
00:43:15Why, you'll probably have lots of fun.
00:43:17Don't be silly.
00:43:19I couldn't have any fun without you.
00:43:23Well, hurry back.
00:43:27I'll miss you.
00:43:29Be a good boy.
00:43:31Goodbye, darling.
00:43:33Goodbye.
00:43:43Aunt Kate.
00:43:45Yes?
00:43:47Get ready. We're going to Westbury.
00:43:49Oh, Mr. Smith.
00:43:51I'm so sorry your sister and aunt couldn't come.
00:43:53I was so anxious to meet them.
00:43:55I'm sorry, too.
00:43:57Well, here they are now.
00:43:59Pardon me, please.
00:44:01Mary, what a surprise.
00:44:03How do I look?
00:44:05Why, I don't understand it now.
00:44:07What a surprise.
00:44:09Mother, Pat.
00:44:11Oh, dear.
00:44:13Oh, dear.
00:44:15Oh, dear.
00:44:17Mother, Pat.
00:44:19I want you to know Miss Trent.
00:44:21And her aunt, Mrs...
00:44:23Jones.
00:44:25Mrs. Jones.
00:44:27Won't you come in?
00:44:39Hello?
00:44:41Yeah?
00:44:44You attended to it.
00:44:47Thanks a lot.
00:44:49I didn't want to go to Washington anyway.
00:44:51Goodbye.
00:44:58I'm terribly sorry about you and Jones.
00:45:01I did all I could.
00:45:03But I'm defeated.
00:45:09I don't know why you're on my side.
00:45:11But I love you for it.
00:45:16After I finish these,
00:45:18I'm going in and get Jim's old man
00:45:20to call the whole thing off.
00:45:42I think I'm brave enough now.
00:45:53Interested in Miss Trent?
00:45:55I like Jones.
00:45:57I like the sister.
00:45:59But that aunt...
00:46:01Oh, she seems all right.
00:46:03Come in.
00:46:12How do you do?
00:46:14Hello.
00:46:17When I met you today, Mr. Woodward,
00:46:19I don't think you remembered me.
00:46:21I'm the son of Timothy Collins.
00:46:23Buster Collins.
00:46:25Why, we knew you when you were that high.
00:46:27Now I'm this high.
00:46:34I came in here to ask you, Mr. Woodward,
00:46:36if you knew that Jim and Tennessee
00:46:38No, really.
00:46:40Well, we hadn't heard, but...
00:46:42I should be very glad if it were true.
00:46:45We're anxious that Jim should settle down.
00:46:48Oh.
00:46:50Um...
00:46:52But, uh, what do you know about these Trents?
00:46:55Nothing much.
00:46:57They seem to be nice people.
00:46:59Well, not from what I heard.
00:47:02But if you're sad about it,
00:47:04I'm sure you're happy about it.
00:47:07But if you're satisfied, all right.
00:47:09Buster, one moment.
00:47:11Tell us what you heard.
00:47:13Oh, it doesn't matter much.
00:47:15Oh, it certainly does.
00:47:17Tell us what you know.
00:47:19Well...
00:47:21I heard that the aunt was a bootlader.
00:47:25What did I tell you?
00:47:27Nonsense. I don't believe it.
00:47:29You may not believe that,
00:47:31but that's not the half of it.
00:47:34Oh, but I can see you're not interested.
00:47:36Oh, Buster, just a minute.
00:47:38Tell us what you know.
00:47:42Do you want to know all?
00:47:44All.
00:47:47Well...
00:47:49It's pretty bad.
00:47:53I wish I hadn't have mentioned it.
00:47:55Young man, will you speak up?
00:47:59All right.
00:48:01You asked for it.
00:48:04Everyone that knows a trance
00:48:06knows that there's a dash.
00:48:10Just a teeny-weeny dash
00:48:13of insanity in the family.
00:48:28Now I feel like a kid.
00:48:32How'd you do, comrade?
00:48:35I did all right.
00:48:37What do you mean, you did all right?
00:48:40I don't think there'll be any Woodwards
00:48:42marrying any Trance.
00:48:44Really?
00:48:46Buster, what did you say?
00:48:49I'd rather not tell you.
00:48:52You must tell me.
00:48:54I'd rather not.
00:48:56You might not like me,
00:48:58I'd rather not.
00:49:00You might not like it.
00:49:02I swear I love it.
00:49:04You won't get sore now.
00:49:06Cross my heart.
00:49:08Well, I told him...
00:49:18Out with it, out with it.
00:49:20Well, I told him...
00:49:23I told him that there was a dash.
00:49:26Just a teeny-weeny dash
00:49:29of insanity in your family.
00:49:34Buster!
00:49:37Oh, that's awful.
00:49:39Well, I said there was just a teeny-weeny dash.
00:49:56Well, I said there was just a teeny-weeny dash.
00:50:27Pick up.
00:51:07Those are embarrassing crackers.
00:51:10You know, you can get a kind that won't break.
00:51:13Of course, you can't eat them, but you can butter them.
00:51:18What's the matter?
00:51:20Nothing.
00:51:21Mind if you go to have your consummate?
00:51:24Consummate?
00:51:25Why, I thought it was...
00:51:33Would you pass the sugar?
00:51:35Please.
00:51:37Sugar?
00:51:38Sugar.
00:51:46One, two, button your shoe.
00:51:49Three, four, shut the door.
00:51:51Five, six...
00:51:54Pardon me.
00:51:56Do you realize that sugar?
00:51:58Oh, yes.
00:51:59Yes, yes, I've heard of that before.
00:52:01I'll bet you love it.
00:52:05When? When?
00:52:07What's the matter?
00:52:08Nothing.
00:52:11What are you looking at?
00:52:13No, nothing.
00:52:21What do you want?
00:52:23Nothing.
00:52:31What's the matter?
00:52:33Nothing.
00:52:41What's the matter?
00:52:43Nothing.
00:52:52What are you laughing at?
00:52:54Nothing.
00:53:11Oh, Aunt Kate, I have news for you.
00:53:13Mr. Woodward knew Buffalo Bill.
00:53:16Oh, yes.
00:53:40Oh, yes.
00:54:06What did you call me for?
00:54:08What do you mean by inviting these twins to our house?
00:54:11They're crazy.
00:54:13Crazier than the rest of our guests?
00:54:15Absolutely mad, I tell you.
00:54:17They stand out.
00:54:21You must be mistaken, then.
00:54:25Go up and quiet her down.
00:54:27Order a straitjacket. Do something.
00:54:29All right, all right.
00:54:33Didn't you know Buffalo Bill?
00:54:39I can't do it.
00:54:41Oh, doctor, I think I'll finish watching him in my bathing suit.
00:54:45That ought to convince him.
00:54:55Well, hello, Collins.
00:54:57What are you doing in this lady's bedroom?
00:55:02What are you doing in this house?
00:55:09When I think of the answer to that, I'll be back.
00:55:14Oh, Jerry.
00:55:18Well, is it? This is James.
00:55:20Oh, what's going on here? What are you up to?
00:55:23Nothing, nothing. I've given up.
00:55:25Let anybody marry anybody.
00:55:27You're the winner. Jim Woodward, the winner.
00:55:29Rah, for Jim Woodward.
00:55:31My old man's terribly upset.
00:55:33He thinks you're crazy.
00:55:35Crazy? Why, I only obey my impulses.
00:55:37That's all.
00:55:39What are you talking about?
00:55:41We miss so much in life we're not doing the things we want to do.
00:55:43If you feel like doing something, why shouldn't you do it?
00:55:45For instance?
00:55:47Oh, for example.
00:55:49I don't like his expression.
00:55:55I catch on.
00:56:01Oh, baby, this is the perfect house for obeying impulses.
00:56:05I have work here that will take me days.
00:56:32Oh, Jerry.
00:56:35Now I have another impulse.
00:56:37You get out of here.
00:56:39Go on. Up you go.
00:56:41Oh, yes.
00:56:43What do they think downstairs?
00:56:45I don't care what they think.
00:56:47I have a bigger impulse.
00:56:49I want to stay.
00:56:51I haven't laughed like this in years, Jerry.
00:56:54I always did have a good time with you.
00:56:57Why?
00:56:59I don't know.
00:57:01I always did have a good time with you.
00:57:04Why talk about that?
00:57:08I'm just beginning to realize what a fool I was to let you get away from me.
00:57:13Are you trying to make love to me?
00:57:16That's the impulse.
00:57:23What about Joan?
00:57:26Joan will never be a Jerry.
00:57:29I think the only reason I ever felt for Joan in the first place
00:57:32was that she reminded me so much of you.
00:57:35Can't we start all over again?
00:57:41Do you mean it?
00:57:43I was never more serious in my life.
00:57:51Bye, Jerry, darling.
00:57:53Just a moment. Let me finish.
00:57:59I'd hate to hurt Joan any more than necessary.
00:58:04Joan's just a kid. She'll get over it.
00:58:11I bet I know what you're thinking about.
00:58:14Blake. Oh, forget him.
00:58:18Don't you want me back?
00:58:21Isn't there just a little spark still burning?
00:58:26Why do you suppose I was so anxious to break it up between you and Joan?
00:58:34Jealousy!
00:58:37What a fool I was not to have seen her before.
00:58:41Oh, you mustn't be too hasty, Jim.
00:58:44Thanks.
00:58:46Oh, Jerry.
00:58:49Do you suppose it'll work out?
00:58:51Why, certainly.
00:58:53Could we ever recapture the happiness of the old days?
00:58:58Why, of course we could.
00:59:02Remember the gay nights? The music, the dancing?
00:59:07Well, the same places are still open.
00:59:12You used to tell me that you liked nothing better
00:59:15than to sit for hours while I sang to you.
00:59:20I liked that, too.
00:59:22Do you remember?
00:59:52Come to me
00:59:55In arms that are true
00:59:59My heart
01:00:03Somewhere on a hill
01:00:07There's a whiff of wind
01:00:11Calling with me as the shadows fall
01:00:17I need your love to keep your heart
01:00:23Come to me
01:00:27Come to me
01:00:31My life
01:00:35My love
01:00:39My love
01:00:44My love
01:00:57So that's it.
01:01:02Oh, oh, Joan's man.
01:01:09Now, now, Joan, don't make a scene.
01:01:13That's right. Now, Joan, mustn't make a scene.
01:01:17What am I supposed to do, applaud?
01:01:20We were just, uh...
01:01:22We were just, uh...
01:01:24We were just discussing things.
01:01:26That's right. Jim was trying to tell me how much he loved you.
01:01:30Well?
01:01:32Well, uh...
01:01:34I think you'd sound more convincing with your coat on.
01:01:39No wonder you didn't want me to have him.
01:01:41You wanted him for yourself.
01:01:43Why, a man like Jim has enough love for both of us.
01:01:47I won't share his love with anyone.
01:01:51Well, I guess you're gonna have to choose between us.
01:01:55Pick yourself a trend.
01:01:58Well, maybe this will help.
01:02:00Ibbity-bibbity, sibbity-sap, ibbity-bibbity.
01:02:02Canava.
01:02:03Canava.
01:02:04Canava in, canava...
01:02:05Canava out, how does it go?
01:02:07Canava out, how does it go?
01:02:09Oh, stop it.
01:02:12Why do you hesitate? Is there any doubt?
01:02:15Of course there's a doubt.
01:02:17Jim's very fond of his Jerry, aren't you, Jim?
01:02:22Jerry, I don't know how you could do this to me.
01:02:29Joan, don't cry.
01:02:31Please.
01:02:33I'm not hurt.
01:02:35But you'll soon forget. Really, you will.
01:02:38There, don't cry.
01:02:40Leave me alone. Don't touch me.
01:02:45Oh, Joan, I...
01:02:47I don't think you quite understand.
01:02:50You see, well...
01:02:53You see, Jerry and I were once sweethearts.
01:03:06You and Jerry?
01:03:08Yes, Joan, and...
01:03:10Oh.
01:03:12We just discovered each other.
01:03:14All over again.
01:03:16Haven't we, dear?
01:03:36Oh, please.
01:03:37Tony, wait.
01:03:38Tony!
01:03:39Wait.
01:03:40Don't misunderstand me.
01:03:41Take your hands off of me.
01:03:42It doesn't mean anything.
01:03:43He doesn't mean anything.
01:03:44I didn't hurt him.
01:03:45I don't care why you did it.
01:03:46Oh, but Tony...
01:03:47I'm a man, and you promised me.
01:03:48I know I promised you.
01:03:49Surely you of all people will understand.
01:03:51Why even need a book, you said.
01:03:52But I don't happen to be a character in a book.
01:03:55I'm a man.
01:03:56I don't care why you did it.
01:03:57Oh, but Tony...
01:03:58I'm a man, and you promised me.
01:03:59I know I promised you.
01:04:00But surely you of all people will understand.
01:04:02Why even need a book, you said.
01:04:03I'm a man.
01:04:04I don't happen to be a character in a book.
01:04:17How do you take it, darling?
01:04:19About...
01:04:28I'm beginning to understand you, Jim.
01:04:32I didn't kill you, Dad.
01:04:33You're just...
01:04:35I'm not very...
01:04:36Bright!
01:05:02What's the matter?
01:05:03Sick?
01:05:04No.
01:05:05I'm all right.
01:05:08Talked to Joan this morning on the phone.
01:05:10And what do you think?
01:05:14She called me.
01:05:17She called you?
01:05:18Yeah.
01:05:19She called me.
01:05:20She called you?
01:05:21Yeah.
01:05:22Yeah.
01:05:23Yeah.
01:05:24Yeah.
01:05:25Yeah.
01:05:26Yeah.
01:05:27Yeah.
01:05:28Yeah.
01:05:29Yeah.
01:05:30Yeah.
01:05:31Let's go.
01:05:34Looks like everything's going to be all right.
01:05:40Say what happened out there the other night?
01:05:44Tony no more than got there and he left.
01:05:46And then you left, and then everybody left.
01:05:51So I left.
01:05:59But. You mind if I meet you down the car I want to talk to Jerry.
01:06:16Sure.
01:06:17See you soon Jerry.
01:06:26I want to tell you. I understand everything now.
01:06:33And I'm sorry about Tony and now you are.
01:06:40And I want to tell you.
01:06:46A.
01:06:58You want me to stay home. I don't have to go.
01:07:04I think the night that you would. You'd be all right.
01:07:08I'll be home early.
01:07:23Oh Mr. I want you to see something wonderful it's just.
01:07:28Come.
01:07:38He is just not beautiful.
01:07:57Are you going
01:08:12to stand around all day and admire that atrocity. To be ashamed of yourself I'm
01:08:19getting sick and tired. What do you mean here you are in love with a man if you
01:08:24sit around all day moving but he seems right out of your life are you sure he's
01:08:28failing certainly I called his house you didn't of course I did find out oh shame
01:08:33on you. What do you say nothing. He wasn't there.
01:08:39But he said and tells me that he's saving for Europe. We're going to get it now
01:08:44he's gone. No he hasn't he doesn't feel for thirty five minutes now if you're any
01:08:50sort of a girl at all and if you're worthy of the name of Trent you'll get out of
01:08:55here and go after him. He's your man isn't it you love him don't you
01:09:03well you're always preaching to me about a day in those instincts and why don't you
01:09:08practice what you preach but I couldn't make the phone thirty five minutes that I
01:09:14think yes you have.
01:09:24Come on get your things together. Oh I'm sure that's something you forgot no.
01:09:30You're good of course good here come on get your coat on you haven't got any time to lose.
01:09:37I've got the one that's going to get this yourself.
01:09:40Oh. Now I think I'm going to get. To tell a joke about it you have to know.
01:09:49Oh I don't know.
01:09:59How I can't you're a darling but I never do without you.
01:10:02But when you get to Paris and you still can't do without me.
01:10:33I am Kate is Jerry here she's out I must see her at once I started to say it without
01:10:39her but I couldn't I don't care what's happened I want to I said a lot of things I'm sorry
01:10:44for and I want to tell her why I'm mad about her I'm simply crazy that's what I said the
01:10:49first time I saw you. I guess I better tell you she's gone to the book looking for you
01:10:55looking for you going to the boat looking for me looking for me.
01:11:25But I must say you must not fail unless you have a ticket will you please stand aside
01:11:31show your ticket please have your ticket ready have your ticket ready please
01:11:38have your ticket ready.
01:11:55I think it's going to be.
01:12:14I think it's going to.
01:12:16Be.
01:12:24I do think that there are a couple of ideas.
01:12:30When you're going to be. About here on you.
01:12:38She looks like this.
01:12:39And you got to take it.
01:12:47All right I got a minute here.
01:12:52If you see it come on but I'll tell her.
01:13:09I.
01:13:39Have to get on the ship and I'm perfectly willing to pay my ticket even if you have
01:13:43a ticket the captain's right behind me.
01:13:48Oh don't worry officer she can share my cabin.
01:13:54I'm sorry sir but this is a first class boat.
01:13:59Well to save the reputation of the boat the captain can marry us.
01:14:04With the lady's consent of course.
01:14:09I.