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02:58Wait a minute.
03:00On the 9th day of Saptak, in the first Satra,
03:04today, Sapnil Suryavanshi made a turn from Pakhawaj.
03:08Our guest is Sapnilji.
03:10Sapnilji, first tell us, what is the importance of Pakhawaj in Indian classical music?
03:17Pakhawaj was a very old and famous vadya.
03:22It still is.
03:24Pakhawaj is also called Mangal Vadya.
03:27So, the name of Pakhawaj has been written down in ancient times.
03:34So, this is it.
03:36On Pakhawaj, you do sangat.
03:38There is vocal and harmonium as well.
03:40So, what is this sangat and gharana?
03:44Pakhawaj was a solo vadya.
03:47There are many gharanas of Pakhawaj.
03:50For example, I belong to Nanasaheb 5th gharana.
03:53In Maharashtra, Pakhawaj is sung in bhajan.
03:59In Drupad Gayan, Pakhawaj is sung in sangat.
04:03So, Pakhawaj is sung in sangat with various instruments, like swar vadya.
04:12Pakhawaj was mostly used for religious or devotional activities.
04:16In Maharashtra, in which tradition or religious events is it more important?
04:21Pakhawaj is played in Varkari Sampradaya in Maharashtra.
04:29And it is worshipped.
04:31And Pakhawaj is called Bhagwan in Varkari Sampradaya.
04:35Along with Pakhawaj, there is also a sangat of harmonium.
04:40So, which other instruments of Indian classical music are used in sangat?
04:45And what did you perform today?
04:47Today, I played the 3rd and 4th bhajans.
04:51There was a prastar in it.
04:53There were some bandishas.
04:55The traditional gharana of Nanasaheb 5th gharana.