Los Casablanca Capítulo 21 Completo HD
Los Casablanca Capítulo 21 Completo HD
Los Casablanca Capítulo 22 Completo HD
Los Casablanca Capítulo 23 Completo HD
Los Casablanca Capítulo 21 Completo HD
Los Casablanca Capítulo 21 Completo HD
Los Casablanca Capítulo 21 Completo HD
Los Casablanca Capítulo 21 Completo HD
Los Casablanca Capítulo 22 Completo HD
Los Casablanca Capítulo 23 Completo HD
Los Casablanca Capítulo 21 Completo HD
Los Casablanca Capítulo 21 Completo HD
Los Casablanca Capítulo 21 Completo HD
Category
🎥
Short filmTranscript
00:00I got lost last night, Dad, and I apologize for that.
00:04It wasn't the place, it wasn't the way.
00:07No, it wasn't.
00:09That doesn't mean you don't believe what I told you.
00:12You think I'm using you and then I'm going to let you go?
00:15Yes, yes, and I think I have the right to feel that way, look.
00:19Nobody, none of my brothers know this company like I do.
00:23Aren't you a lawyer? Can't you handle the legal affairs of the company?
00:27Do you think I don't realize what you're trying to do with Samuel?
00:31Are you preparing him to take care of everything, or am I wrong?
00:34No, you're not wrong, but it's just a possibility.
00:38And can you tell me why?
00:41If I'm the most capable, can you tell me why?
00:44How do you want me not to feel anything for you, Dad?
00:48I'm your eldest daughter, I've dedicated my life to these companies,
00:51from any point of view, I'm the most capable.
00:54No doubt you have a lot of skills, Alexandra.
00:58And I know it, that's why you've been my right hand all this time.
01:05But your character betrayed you.
01:08My character?
01:10Yes.
01:11You felt threatened by Juan Pablo.
01:14And the first thing you did was humiliate him in front of everyone.
01:18You treated him like a stranger.
01:21You messed with him, regardless of your sister or anyone else.
01:25Now Samuel, who's your own brother, who hasn't done anything to you,
01:30you go and humiliate him in front of everyone.
01:33Every time you don't like something, you mess with him,
01:36regardless of the consequences.
01:39Daughter, you're smart.
01:42You're talented.
01:44Hard-working.
01:46But you don't know how to control your emotions.
01:49And that's serious.
01:51That's dangerous.
01:52It's very dangerous.
01:54That can throw anything overboard.
01:57Dad, it's not because of that.
01:59Admit it.
02:01Ah, then why is it?
02:03You're never going to give me the place that belongs to me,
02:06because I'm a woman.
02:07Oh, please, Alexandra, don't start with that nonsense.
02:09It's true, Dad, please.
02:10It's a matter of looking around you.
02:11All the businessmen you surround yourself with are men.
02:14Good daughter.
02:16You don't even realize that that, and no other,
02:18is your real problem with me.
02:22Wait a minute, Alexandra.
02:25Where did you get that idea that I put my brother Ivan aside?
02:30I don't know.
02:32I thought that could have happened between you two.
02:35With things you say when you're cured.
02:46Well, it looks like I don't have anything else to do here.
02:50It was a pleasure doing business with you.
02:52No, it was an honor for me.
02:54I thank you and you know, this is your house,
02:56you can come back whenever you want.
02:58Oh, I'm going to do it.
03:00Ivan, I know I had already told you,
03:03but, well, what happens is that the staff is very ...
03:07There are going to be changes, I can assure you.
03:10What I'm going to tell you,
03:12I can assure you.
03:14What I am going to ask you to remind me
03:16is the name of this assistant of yours who ...
03:18Ah, Isabela.
03:19Isabela Rodríguez.
03:20I told her, any questions you have, she will help you.
03:23Perfect.
03:25Well, the first payment has already been made
03:28and the other two will be released at the end of the month as we agreed.
03:32Perfect.
03:34Well, good luck, Ivan.
03:36No, for you.
03:38Take care.
03:42Bye.
04:08I'm waiting.
04:10You agreed to give me an answer yesterday.
04:13The contract I offer you is a luxury.
04:26Hello, good morning.
04:28I need a little more time.
04:35What? You didn't talk to my brother?
04:40Yes, of course.
04:45And? What did he say?
04:50Those things are not decided overnight.
04:57I know my brother.
04:58This will be decided in five minutes.
05:01Did he accept, yes or no?
05:04He said no.
05:06But I'm going to get him to accept.
05:29Isabela, you have a visitor.
05:33Isabela, you have to be calm.
05:35I talked to Ivan, he assured me that there will be no change here in the hotel.
05:39I think he's a reliable guy.
05:41God willing, Paco.
05:42Come on, woman.
05:44Calm down, everything will be fine.
05:46Paco.
05:49Paco.
05:51Can I ask you a favor before you leave?
05:54Yes.
06:01Excuse me.
06:03Good morning.
06:06It's late and you came to have breakfast.
06:08I'm not here for breakfast.
06:10Did you have breakfast?
06:12No, I'm here to talk to Don Raimundo.
06:14And why?
06:16You know I'd rather talk to him directly.
06:19Is he there or not?
06:20Yes, he's at his office, he's working.
06:22But I don't think he'll receive you.
06:24Well, I don't lose anything by trying.
06:27Excuse me, see you later.
06:37Do I also send the email to the Independent Association of Viñateros?
06:42Yes.
06:43We have to confirm the headquarters for the annual party.
06:45Uh-huh, perfect.
06:49Come in.
06:52Excuse me.
06:53I promise.
06:54Did something happen with Hurricane?
06:56No, no, Hurricane is fine.
06:57I wanted to talk to you about something else.
07:00I don't know if you have a second.
07:01Yes, of course.
07:02Do I leave you alone?
07:03No, no, not necessary.
07:04Sit down.
07:05No, yes, it's going to be short.
07:06I prefer to stay still.
07:08I'm listening to you.
07:09Hey, I want to tell you this with all due respect,
07:12but you know that if you don't trust me,
07:14I have nothing else to do here.
07:16But how can I not trust you?
07:18What nonsense are you saying, man?
07:20You are in charge of my horses,
07:22which is what I love most in life after my children.
07:25And I'm not going to trust you.
07:26Yes, well, I thank you very much.
07:28But look, one thing is that you put some cameras there in the stables
07:32to take care of the horses,
07:33which I don't quite agree with,
07:34but you are the boss, okay?
07:36You are in charge here.
07:37And another very different thing is that you put a camera pointing directly to my cabin.
07:41What do you mean a camera pointing directly to your cabin?
07:44What are you talking about?
07:45Yes, man.
07:46I just saw a camera in a tree pointing directly to my house.
07:49But...
07:50Don Raimundo, I live there and I don't like to be watched.
07:53I already have the right to privacy too.
07:55Yes, of course I do.
07:56And I repeat that I say it with a lot of respect, okay?
07:59But if you don't trust me, I'd rather you tell me face to face.
08:02Because I'm not used to working like this.
08:13Like in the old days then.
08:16Oh, Jonas, what's wrong with you?
08:17What?
08:18Can you tell me how you expose Gaby like that?
08:21How, how, how? I'm sorry, I...
08:22No, what's your family's secret?
08:24What's your sister's secret?
08:25Talking badly about my daughter?
08:27Washing her mouth with soap before talking about Gaby.
08:29Did you hear me?
08:30Yes.
08:31I'm sorry, I didn't know...
08:33What? What didn't you know?
08:34Well, I didn't know that Martina could be sent off like that.
08:38It was unexpected.
08:39Of course, always unexpected.
08:40I didn't know, I didn't know.
08:41You never know anything, right?
08:43And that's why you're sending one shit after another.
08:45Hey, put a change on it too.
08:46It's not my fault that Martina was sent off.
08:48It's your fault.
08:49Of course it's your fault.
08:51You invited her to that family celebration.
08:52You exposed her.
08:53I didn't expose her on purpose, Ivete.
08:55What's wrong with you?
08:56What's wrong with me is that I told you the other day at the cafe
08:58that I didn't want to see you go out with my daughter and you did it anyway.
09:00And what happened?
09:01That she had to swallow a terrible bad time because of you.
09:04Look, Jonas, I'm going to repeat it to you again, okay?
09:06I don't want to see you going out with Gaby, okay?
09:10And I don't want anyone in your family to do or say anything bad to her.
09:13Because no one messes with my daughter.
09:15Is that clear?
09:18Yes, Ivete.
09:19It's clear and it's not going to happen again, okay?
09:21I'm sorry.
09:26And once again, I found out that someone in your family
09:28gives Gaby the luxury of garbage.
09:30I don't care who it is.
09:31You're going to have to deal with me.
09:33Let's go.
09:43I'm glad you were able to talk to your dad, love.
09:45How did it go?
09:46I don't know if he's clean at all, really.
09:48My dad thinks I have character problems.
09:51Pure excuse.
09:53Well, as long as he has accepted your apologies ...
09:56He's making fun of me and I have to apologize to him?
09:59I don't think so.
10:00Alex, love.
10:01If you misplaced it, you have to admit it.
10:03Let's see.
10:04Maybe I made a mistake in the form, but not in the background.
10:07Sorry to interrupt you.
10:08Pueblo.
10:09Come in, man.
10:10Come on in.
10:11Excuse me.
10:12Good morning.
10:13How can I help you?
10:14Tormento found a camera pointing directly at his house.
10:17Why is there a camera watching the house, Tormento?
10:20That's true.
10:21Tomás?
10:22Yes, it may be that there is a camera watching the sector of the house.
10:26No, no, no.
10:27There is one that is pointing directly at my house.
10:29I found it myself.
10:30Let's see, show me.
10:32Let's see.
10:36Yes, there is indeed something there.
10:38And did you ask for it?
10:40Yes, yes, I asked for it.
10:41I mean, I asked them to put it, not so direct, but pointing at the sector.
10:45Well, for what purpose?
10:46Well, I don't know.
10:47I thought that maybe the other day they came in and took the crest off the poor man.
10:51I thought it could be a good way to take care of him.
10:54God forbid they come back to attack him.
10:57Since when is that camera there?
10:59The same day they installed all the other cameras.
11:02Maybe you could have asked me before installing a camera there that is watching me, right?
11:07But we are not watching you, man.
11:09You are not being chased.
11:10I'm telling you that I put it there to take care of you.
11:11Well, whatever, surveillance or care, that camera can't be put there.
11:16Tormento doesn't want it and he has the right to his privacy.
11:18So, please, get it out.
11:20Well, it's very clear.
11:21We'll get it out.
11:22Of course, I'm not claiming that if a gile troop comes in to take the crest off you,
11:26we have no way of knowing who it is.
11:29I don't know.
11:39Hello.
11:41They told me you wanted to talk to me.
11:43Yes, good morning.
11:44Good morning, with whom do I have the pleasure?
11:45Sorry, Paco Alvirena, I'm a businessman from the area.
11:48I had been told very well about this store and the truth is that it is beautiful.
11:52I congratulate you.
11:53Thank you very much for what I get.
11:55Are you the author of all this?
11:56Yes, that's right.
11:57Look.
11:59Well, tell me, how can I help you?
12:01Or did you come to visit the store?
12:02We only have some incredible tasting tours.
12:04No, no.
12:05I can't do a tour, but I want to bring wine.
12:07Ah, of course.
12:08Any particular grape?
12:09There is one that was awarded recently, right?
12:11Yes, our Merlot.
12:12We have a few bottles left.
12:14And we also have Cabernet Franc, Sauvignon Blanc, Pinot Noir, Riesling, Carmener.
12:20Which grape would you like to bring?
12:22Of all.
12:23Of all?
12:24Very good.
12:25How many bottles of each?
12:26How many bottles do you have here in the store?
12:28In the whole store we must have about 500 bottles, plus those that are in the winery, about 1500.
12:35Perfect.
12:36I want them all.
12:40All the bottles in the store, plus those that are in the winery?
12:44Yes.
12:45All of them.
12:46Can I?
12:51That's it, Nancy.
12:52It's really over.
12:53Yes, well, but it was still disunited.
12:55Yes, but it's over.
12:56It's really over.
12:57It's all over.
12:58Elena, take this.
12:59Perfect, thanks.
13:00Well, in any case, the comment was classist.
13:03It was Benca.
13:04Martina didn't behave well.
13:06And I apologize because, beyond all that, I wouldn't like any of this to affect you, Gaby.
13:11Really.
13:12Look at him.
13:13What?
13:14Jonasito Casablanca, the very one who bullied me, now out of nowhere, very sorry.
13:18Well, obviously, because I think that, I mean, you, less than anyone in this world, deserve to be treated like that.
13:23I, less than anyone?
13:24You, less than anyone.
13:25Let's see, and why I, less than anyone?
13:27I don't know.
13:28I think there are good people in this world, and you are there, Gaby.
13:32Can I ask you a question?
13:35Do you feel that I exposed you?
13:37No.
13:38No, no, no.
13:39I don't want you to think that.
13:40You, it's not your responsibility what Marti told me, the misplaced thing, which is Alex.
13:44No.
13:45Yes, well, a little freak, my family.
13:46Well, why should I tell you no?
13:47Yes, yes.
13:49Well, cool.
13:50Hey, no, seriously, calm down.
13:51If what your sister tells me, it happens to me.
13:54Yes, I was already feeling bad about everything that happened.
13:56I mean, I feel bad for everything that happened, really.
13:58Well, let's see, if you feel so bad and you are very sorry, maybe there is something that can solve it.
14:04Yeah, let's see what?
14:06Invite me to dance tonight.
14:09That I invite you to dance tonight?
14:11Tonight.
14:15I think it's going to be a little complicated, because tonight I have to ...
14:20I had promised my dad to do something and it's going to be difficult.
14:24But, maybe another day?
14:27Another day.
14:28Another day.
14:29Perfect, great.
14:30Cool, cool.
14:31Now, go to work.
14:32Yes?
14:33Yes.
14:35Don't fuck with me, please, Tomás.
14:37You know I don't believe that about your sudden concern for Tormento.
14:40Look, I don't worry about the petition.
14:42I'm worried about the horses and that that dead man is not going to sue us.
14:44That worries me.
14:45Yes?
14:46Yes.
14:47You know perfectly well that whatever happens, the property of the employees has no validity in the workplace.
14:51What do you care so much about that camera?
14:53Let's see, if they are going to take it away, calm down.
14:57You saw me get in there, right?
15:02You can't deny that you are quite direct for your things, Alexandra.
15:07Were you spying on me?
15:11Why?
15:14Should I?
15:17I went to Tormento's house to apologize.
15:19Because I challenged him unfairly for a misunderstanding the other day.
15:24And you were fed up with seeing him apologize.
15:27It seems that the petitioner has been robbed a lot.
15:31You are controlling me, Tomás.
15:34No.
15:36I just don't believe you at all.
15:39So, what do you think I went to do?
15:43I don't know.
15:48But you'd better believe everything you're telling me, Alexandra.
15:52I can do anything, but not shit.
15:54And I don't like to be seen in the face.
15:56Nobody is seeing your face, Tomás.
15:59I already explained what I went to do.
16:00If you don't believe me, it's your problem.
16:03Instead of worrying about apologizing to that shitty petitioner,
16:07who is worth nothing here,
16:09shouldn't you go apologize to your brother Samuel?
16:15Come in.
16:17Mr. Tomás.
16:18Oh, excuse me.
16:20Mr. Raimundo wants to talk to you.
16:23Excuse me.
16:30They're looking for you.
16:31They're looking for you.
16:45How dare you put a camera in front of the house in the storm?
16:49Yes, I'm sorry. I already explained my reasons.
16:52I went too far with the issue of security.
16:54What do we do with this, boss?
16:56Come here. I'll give it back to you.
16:58I'm going to see it. Thank you.
16:59Is there anything I want you to take care of?
17:01Yes, tell me.
17:04Now that Samuel will become the lawyer of the companies,
17:07I want you to take care of the Aras.
17:13Yes, basically do the same thing Samuel did.
17:21What a surprise, father-in-law.
17:22No, no, no, I didn't see it coming.
17:26But are you sure?
17:27Are you sure?
17:28You're not capable of taking care of the Aras.
17:30Don't use that.
17:31My bread.
17:32No, I wonder if you're sure of the tremendous responsibility you're giving Samuel.
17:36Are you doubting my abilities?
17:38No, no, no, no, no.
17:42I'm just worried that that decision could affect the family matter a little bit.
17:47I don't know if you can explain it to me.
17:48You say it because of your wife's tantrum yesterday.
17:50If I were to run my business,
17:51trying to please the people who are close to me,
17:55I would luckily have a kiosk in a corner.
18:00Yes, you're absolutely right, father-in-law.
18:02Talk to Samuel and let him explain to you how the company works.
18:06Yes, yes, yes.
18:07I mean, I'm going to start immediately.
18:09Now, let's see, father-in-law.
18:10I mean, he made the best decision.
18:12I'm going to have the Aras as...
18:13One more thing.
18:14I love my horses.
18:17I hope you don't let me down this time.
18:38I'm Ivan,
18:39and I'm going to tell you the truth.
18:42I'm Ivan Casablanca,
18:44and I promise to continue to lead with integrity,
18:46passion and dedication
18:48and to offer unforgettable experiences
18:51to all our guests.
18:53For me, Hotel Siete Vientos is not just a business.
18:57It's my home, my passion,
18:59and it will be my legacy.
19:02Anyone who reads this shit would think that my brother is someone to trust.
19:06Don Raimundo...
19:08Yes?
19:12Nothing, forget it.
19:14Let's see, the worst thing you can say to someone is,
19:16no, nothing, forget it.
19:18Tell me.
19:19You're not going to like it.
19:24It's about this, precisely.
19:27Ah, and what would you like to know?
19:29No, I don't want to know anything.
19:31It's just that...
19:33I don't know what happened to your brother,
19:35or why he hates him so much.
19:38But wouldn't it be better to let go?
19:41Let go of what?
19:43Let go.
19:44Your brother already bought the hotel you wanted to buy.
19:47It's over, it's done.
19:50And...
19:51I don't know, I think it would be better to let go of that grudge.
19:55Maybe I'm being very intrusive,
19:57if that's the case, you tell me.
19:59I don't know.
20:00Maybe you're right, maybe...
20:02I should let go.
20:16But how do you want me to forget about this fucker?
20:19If he keeps bothering me,
20:21I'm going to kill him.
20:23I'm going to kill him.
20:25I'm going to kill him.
20:27How do you want me to forget about this fucker,
20:29if he keeps provoking me?
20:32What happened?
20:33I told you that we wouldn't sell him our wines,
20:36and look what he does.
20:38Look.
20:43He drives me crazy, this bastard.
20:46THE BEST LAWYER IN THE WORLD
20:56Come in.
20:58How is the new best lawyer
21:01of the best companies in this country?
21:03Good, good, here we are.
21:05Putting a lot of effort into this.
21:07Well, what better than you to do it, old man?
21:10Really, I think your dad made a very good decision putting you here.
21:13I always thought so.
21:14And well, from here...
21:18You don't know where, do you?
21:19No, no, no, let's go slowly,
21:21we'll see on the way what's going to happen.
21:24What do you need?
21:26Nothing, I wanted to tell you that
21:29your dad left me in charge of the Aras now.
21:32Really?
21:33Yes.
21:35Thank you, man.
21:37It was a tremendous responsibility,
21:39but I wanted to ask you,
21:41who was in charge before me,
21:43what did you think of your dad's decision?
21:45What do you mean, what did I think?
21:46But, but, but, everything was fine.
21:48Really?
21:49Yes.
21:50So I can count on you if I have any doubts,
21:52because you are the expert.
21:53For whatever you want, need, here we are, my king.
21:56Well, you got over it.
21:57Really.
21:59Hey, Samuel, I wanted to take the opportunity to apologize
22:01for the little number that Alex put yesterday, too.
22:04Don't worry, I know my sister perfectly,
22:06so don't worry.
22:07No, Carolina, how much did Alex do?
22:08Really, don't take it personally, man.
22:10Psychosis, stress, I had it there.
22:13Yes, we saw it, don't worry, it's fine.
22:15No, it's fine what he did.
22:16Really, I got mad at her, we argue anyway.
22:19It's bad.
22:21I want to tell you that any conflict you have with her in the future,
22:27please count on me.
22:28Okay.
22:33We are together.
22:34Excellent.
22:36Tomás, what did I tell you about the crystal?
22:40Yes.
22:47Hey, are you sure no one saw you coming?
22:50Yes, sure.
22:54Do I interrupt you?
22:55No, you don't interrupt me.
22:59But I didn't imagine I would see you now.
23:02I wanted you to know that I had no idea
23:04that there was a security camera pointing to your house.
23:07Well, I imagine, it would have been a mess.
23:12Anyway, my dad sent her out, so you don't have to worry.
23:15Yes, yes, I knew.
23:17Hey, but do you think ...
23:19What?
23:20No, it's just that your husband saw you come in before yesterday when he came to ...
23:24Did he see me?
23:26Of course he saw me.
23:28But I told him what had come,
23:30to apologize for having made a scandal with his sister.
23:35Yes, but ...
23:36I don't want to talk about my husband now.
23:42Not here, not with you.
24:06I love you.
24:36I love you.
24:53Are you okay?
24:57Oh, where is my dad?
25:00Where are you?
25:01I have to go.
25:03It's okay.
25:05Don't go.
25:08I have to go.
25:29Will it be true or not?
25:30And if not, what? On a fake page?
25:32It could be.
25:33It could be a deceptive advertising just to provoke you.
25:37Well, it may be that Samuel is right, but ...
25:39And if not, that guy is selling my wine at his hotel.
25:42Sorry.
25:44What happened?
25:46It seems that they are selling Itaca wines at Hotel Siete Vientos,
25:49the hotel that his father's brother bought.
25:53But was the purchase made?
25:55Finally, yes.
25:56Well, if that page is true, yes.
25:58Look, the point is who sold our wines to my brother,
26:03disobeying my orders.
26:08What?
26:09No, don't look at me.
26:11No, really, please.
26:13I mean, I can do anything to you, but not to my house.
26:15I would never dare to disobey an order of yours.
26:17I didn't even sell a bottle to his brother.
26:19If it wasn't you, who?
26:20Because somewhere he got the wine, man.
26:23He told me he needed a lot of wine for his business,
26:25and he bought Alfor Mayor.
26:26Alfor Mayor, moreover.
26:28In other words, we are giving our wine to Ivan with the box.
26:31What we always do with purchases higher than 20 boxes, yes or no?
26:34How was I going to know that guy came apart from your brother,
26:36or that now I have to do fingerprint test
26:39to all the people who come to my hotel?
26:40No, no, no, no. Nobody is asking you that.
26:42Nobody is saying that.
26:43Well, but then you recognize that it was an involuntary mistake.
26:45It was unintentionally what happened.
26:46Yes, yes, of course.
26:47How are you so fanciful, Martina?
26:48Can't you add two plus two and realize
26:50that if someone practically shatters with all the bottles,
26:52it's for something?
26:53You made him an invoice, I guess.
26:55Well, look, I'll make a stamp.
26:56Of course he made an invoice.
26:59Dad, it's going to be solved.
27:01We are going to solve it.
27:04There is the person they want to check.
27:07You don't know how to read?
27:08Sorry?
27:09Here is the address of Hotel Siete Vientos.
27:11Don't you see?
27:12Very clear.
27:13How was I supposed to know
27:14that that guy wanted to buy the same hotel
27:16that dad wanted to buy?
27:17You didn't tell me that.
27:18No, no, no, don't be fresh.
27:19Don't blame dad, Martina.
27:20It's all your fault.
27:21Let's see, Alex, lower it a little.
27:22Lower it.
27:23I'm not going to lower anything.
27:25We are like you, Alex.
27:26We are not...
27:27Do you realize how soft Samuel is?
27:29They touch his little sister
27:30and he becomes like a little flan.
27:31What's your problem with me?
27:32Please, lower it.
27:33My problem is that you don't have fingers for the piano
27:35and they start playing an orchestra.
27:36That's my problem.
27:37Enough, enough.
27:38Enough, please.
27:39Enough.
27:43All this shit is the fault
27:44of my brother's unhappiness.
27:49Martina, listen to me.
27:50The next time you have to make a sale
27:52as important as this one,
27:54please, contact the office first.
27:57Okay.
27:58Yes.
28:06It wasn't your fault.
28:13I love it.
28:14It's great.
28:15See, I told you.
28:16I still want us to check it completely.
28:18Why?
28:19Nothing can escape us.
28:20This report will shake the whole region.
28:23And the accountant's bag
28:25not only falsified documents
28:27in the name of the tenants
28:28to scam the state,
28:29but also transferred the public money
28:31to personal accounts.
28:32Of course.
28:33They also have the whole town bribed.
28:35No one is going to report anything.
28:37No.
28:40Including the local press.
28:44Hello?
28:45One second.
28:50Okay.
28:57What do you want?
29:03I need to talk to you.
29:05Can we meet at the cafe?
29:10No.
29:14Not at the cafe
29:15or we can't meet?
29:21Whatever it is, tell me here.
29:26Can I call you then?
29:28I need to talk to you.
29:30It's important.
29:38Everything okay?
29:39Yes.
29:40Can I have five minutes?
29:42Sure.
29:48Give me a few minutes and I'll call you.
29:50Okay.
29:57Good afternoon.
29:58Is Iván here?
29:59Yes, from whom?
30:00Iván Casablanca!
30:01Sir, you have to wait for me.
30:03I understand that the staff is a little restless.
30:06This always happens with the changes.
30:07But I assure you that in a couple of weeks
30:10we will get to know each other.
30:14Stop screwing up my life.
30:17You're not going to regret it.
30:18I swear on my children that you will regret it.
30:31Hello.
30:34Thank you for calling me. It's important.
30:37What's going on, Juan Pablo?
30:38I don't think it's right that you're calling me
30:40or texting me.
30:43I'm sorry, Luciana.
30:44I really didn't want to bother you.
30:46But what I have to tell you is important.
30:47I'm not going to tell you because of the message.
30:50What's going on?
30:54Let's see.
30:56When I told you that I wanted to be nice to you,
30:59it was serious.
31:00I know that maybe you don't believe me,
31:02but I swear on the most sacred thing that is true.
31:06Okay.
31:07I believe you.
31:08Is that why you called me?
31:10No.
31:11No, there's something else too.
31:13Yes?
31:16Let's see, Luciana.
31:17I haven't been nice to you with all this.
31:21Well, neither have I.
31:24I mean, I haven't been nice to you
31:26to have you so close.
31:29I was calling you because I wanted to tell you that
31:34I'm going to do everything possible to forget about you.
31:41Let me go, Fernando.
31:42Let me go.
31:43How long are you going to screw up my life?
31:44How long?
31:45How long?
31:46I don't know what the hell you're talking about.
31:48Call security.
31:49About the wine.
31:50I'm talking about the wine.
31:51Don't play dumb.
31:52And that's why all this scandal.
31:53You should be grateful that my hotel is interested in your wine.
31:56I told you I wasn't going to sell you my wine.
31:58And you send Paco to close the business.
32:00What is that if not screw me?
32:01A good business.
32:02If you're old enough not to realize it.
32:05Never.
32:06It's not my problem.
32:08I'm going to do business with you.
32:09Did you hear me?
32:10Why?
32:11Never.
32:12Why?
32:13Are you afraid of me?
32:14Tell me.
32:16Listen to me, Iván.
32:17I have no idea what your purposes will be.
32:19But I told you once and I'll repeat it to you again.
32:22Get away from me and my family forever.
32:29There he is.
32:30Get that man out of here, please.
32:31I'm not going to let you go.
32:33Come here.
32:38I warned you.
32:44I'm not going to let you go.
32:50Well, from now on, I'm in charge of Lara.
32:52So things are going to change.
32:55Yeah.
32:56Like what, Mr. Tomás?
32:57It seems to me that Samuel had a little bit of Lara.
32:59He had everything a little disheveled.
33:01A lot of going around, a lot of throwing balls.
33:04If you say so.
33:07So I'm going to be worried that things get better.
33:09That there is more discipline.
33:10That there is more rigor.
33:12As you say.
33:14Boss.
33:16As you say, boss.
33:20As you say, boss.
33:23Well, since you are the boss of the rest of the people there,
33:25I want you to go and tell them that now the boss is me.
33:31Are we clear?
33:32We are clear, boss.
33:35Can I go, boss?
33:38Boss.
33:39Yes, yes, go ahead.
33:45In a few moments, the favorite hurricane of the Aras Valle Alto
33:48will run its first race.
33:50There are many expectations with the performance of this horse.
33:53The Aras Valle Alto stands out for its remarkable specimens.
33:57Minutes zero already for the great race.
33:59They begin to prepare.
34:00They left.
34:01Hurricane in the center in the first place.
34:03We have a high distance cut through the poles.
34:05And it passes the front.
34:06They enter the right land.
34:08We have two bodies of advantage over the hurricane.
34:10Third Panchito, fourth Cuesco.
34:13Juan Pablo, I don't understand why you tell me that.
34:17Well, because it's what happens to me.
34:21And I have to be honest with myself.
34:22This is getting stronger.
34:25What is stronger than you?
34:27Having you close to me, Luciana, and pretending I don't care.
34:31Every time we see each other, I ...
34:34I remember when we were together and ...
34:38I don't want that to happen to me, but it happens to me.
34:40And that's not right, because I'm a married man.
34:42Juan Pablo, stop, stop.
34:43Please, I can't believe you're telling me this.
34:47I understand, I understand.
34:48You have millions of reasons to distrust me.
34:53I just wanted to tell you that ...
34:56That I'm going to stop bothering you.
34:57That this is going to be my way of ...
35:00To stop screwing your life, at least.
35:03I'm going to save you from my contacts too.
35:05So that you don't get in the way and you know what this is about.
35:08So I'm not tempted to call you, to text you.
35:12I'm not going to send you more gifts either.
35:16Yes, I think that's right.
35:20We're just going to have to meet at family reunions.
35:23But that's going to be all.
35:26Our relationship is over, Luciana.
35:29And I have to understand it once and for all.
35:33A kiss?
35:35No, a hug would be better.
35:38Okay.
36:09I didn't know we had Yolanda Sultana here at the post office.
36:12Yeah.
36:13What happened?
36:14Are you taking a walk over there?
36:16No, silly.
36:17Pedrito, come here.
36:18No, no.
36:19I was in my free time.
36:20And I just wanted to clear some doubts in my head.
36:23Well, if you want, I'll leave then.
36:24No, if you already interrupted.
36:27It's a joke.
36:28Okay.
36:29Bye.
36:30Bye.
36:31Bye.
36:32Bye.
36:33Bye.
36:34Bye.
36:35Bye.
36:36Bye.
36:37It's a joke.
36:38Okay.
36:40Hey, seriously.
36:42Do you really know how to read that question?
36:44Yeah, I've been doing it for a while.
36:46I mean, I always carry it in my bag.
36:48Yeah?
36:49But do you read it well, or is it just kind of cheesy?
36:53Try me.
36:54What, do you want to read it to me?
36:55I mean, to see if I'm cheesy or not.
36:57I mean...
36:58Does it scare you?
36:59No, it doesn't really scare me.
37:00Sit down.
37:01Okay, I'll sit down.
37:02Let's see.
37:03Take the deck.
37:04Yeah.
37:05And shuffle them.
37:06Thinking of a question.
37:07Without telling me.
37:08Okay.
37:09Let's see.
37:10Yolanda Sultana, I want to know who is the love of my life.
37:14Without telling me, I said.
37:16Well, I already said it.
37:17And there it is.
37:18Let's see.
37:20Now, with your left hand, you're going to draw two cards.
37:24Without looking at them.
37:25Without looking at them?
37:26Yes.
37:27Okay.
37:28Okay, why with the left?
37:29Because it's the one of the heart.
37:32Ready.
37:33There it is.
37:34Let's see.
37:38Wow.
37:39Damn, and that card?
37:40The devil.
37:41That's scary.
37:42No, no, no.
37:43You don't have to be afraid of it.
37:44It's a symbol.
37:45You don't have to read it so literally.
37:48In fact, the moon appears to me.
37:50And the moon represents a much older woman.
37:53Much older than you.
37:55And it's a woman who is very close to you.
37:57But very close.
38:01Genoa, maybe?
38:02No, silly.
38:03No.
38:04No, because there's the devil too.
38:06And the devil represents everything that is passion.
38:10Sex.
38:11Lust.
38:12Passion.
38:14Wow.
38:15And what does that mean, then?
38:17Well, that you're very close to a bond.
38:19A bond that is very difficult to let go.
38:21Whether you want it or not.
38:22But a lot.
38:25The other day at the bar you told me about a woman.
38:28It's her, right?
38:34Don Raimundo, what's wrong with you?
38:37Nothing.
38:38I had a matter to resolve.
38:46Can I help you with anything?
38:47Do you need anything?
38:49No, Miranda.
38:50Thank you very much.
38:52Leave me alone for a moment, please.
38:54Perfect.
38:55Then I'll tell your children to wait for you.
38:58For what?
38:59Oh, you haven't heard the news.
39:02Already.
39:03Already, but you hit him.
39:04How did you not tell me?
39:05Dad!
39:06We've been looking for you everywhere with Juan Pablo.
39:08We searched the vineyards from top to bottom, right, my love?
39:10Yes, it was as if he had swallowed the earth.
39:12It's true, we'll call you.
39:13Where's your cell phone?
39:14I had my cell phone off.
39:15I imagine you were in something important, Dad.
39:17Where are you?
39:18I come with the seven winds.
39:19I had to arrange a matter with my brother.
39:22You were with Ivan?
39:23Yes.
39:24Dad, why didn't you tell us anything?
39:26I don't want to talk about that now.
39:27Was it about the wines?
39:28No, no, I don't want to talk about that now.
39:29It's a moment of celebration for the triumph of Huracán.
39:32I don't want to spoil it by talking about Ivan.
39:34I can't agree more with my father-in-law,
39:36because it's time to toast to Huracán,
39:38who gave us an extraordinary career.
39:41I have to say one thing,
39:42the recommendation comes very close,
39:43but it's my first triumph in charge of Aras,
39:45so also.
39:46Father-in-law, please.
39:47Miranda.
39:48A greeting for me.
39:49Give me a T, give me an O, give me an M.
39:50Who's coming?
39:51Tomás.
39:52Come on.
39:53With everything.
39:54Please, serve yourselves.
39:55Over there.
39:56Your lady, please.
39:57A gentleman.
39:58Well, let's go.
39:59So cheers.
40:00For Huracán, for Aras, for me.
40:02Cheers.
40:03For everyone.
40:05Cheers.
40:06Cheers, Huracán.
40:07Cheers.
40:11Idiot.
40:13What do you think,
40:14coming here to my office to insult me?
40:16And how is it possible
40:17that any idiot can get here
40:19as if nothing, no one stops him?
40:21Don Ivan, they really tried to stop him
40:23and no one could.
40:24Well, it can't be repeated again,
40:26it's clear, right?
40:27It can't be repeated, don't worry.
40:29Do you want some water, something to calm down?
40:31And you think that with a fucking water
40:33I'm going to get over the anger I have?
40:42Sorry.
40:47Sorry, sorry Isabela,
40:49I shouldn't have spoken to you like that.
40:52No, it's okay,
40:53and on top of that,
40:54we haven't known each other, sorry.
40:56It's okay, don't worry.
40:58I understand that it may have affected your visit.
41:01Yes, yes, it was very unpleasant.
41:03Sorry.
41:05It's okay.
41:07Can I ask you a question?
41:08Yes, of course.
41:11Was he Raimundo Casablanca, the ambassador?
41:15Yes.
41:19And is he your brother?
41:22Yes, unfortunately.
41:27Give the order to return the wine, please.
41:32What? The wines you brought in the morning?
41:34Yes, I don't want a fucking bottle of the Ithaca vineyard
41:38here in my hotel.
41:39I don't want it.
41:41Okay, don't worry,
41:43I'll give you the notice now.
41:44Excuse me.
41:46Come on.
41:47Come on.
41:54Do you want war, asshole?
41:57You're going to have war.
42:01You're going to swallow
42:03each and every one of your threats.
42:07One by one.
42:14Don't tell me.
42:15He did tell her.
42:16Oh, yeah?
42:17That you shouldn't be there.
42:19I mean, not with those words, Grandma,
42:21but yes, I understand.
42:24But look,
42:25what Martina tells me
42:27is the same, Grandma.
42:29What she didn't tell me
42:30is that you looked at me ugly last night.
42:33Oh, my dear, I'm so sorry.
42:36But you know I'm from another time,
42:40and do you want me to tell you the truth?
42:42I didn't like her.
42:43I saw her at dinner yesterday.
42:45Okay, okay,
42:46it seems we'll never agree on that, right?
42:48Look,
42:49the only thing I'm going to tell you
42:50is that in this world
42:51I only care about you and my mom.
42:53No one else, Grandma.
42:56Her dad too?
42:58That's it, very little time
42:59for such a dramatic topic, right?
43:01I have to go back to the post office.
43:02Okay, that's it.
43:03Hi, Gaby.
43:04I didn't know you were here.
43:06Hi.
43:07Yes, I came to see my grandmother.
43:10What does my daughter need?
43:12We ran out of cheese.
43:13Oh, I'll pass it to her.
43:14I'll pass it to her.
43:15Let's see.
43:17Here.
43:18Oh, I ran out of cheese.
43:19Okay, I'm going to get the fridge.
43:21Okay.
43:22I'm going out, Grandma.
43:23I have to go back to the post office, okay?
43:24Okay, I love you.
43:25Bye, Grandma.
43:26Bye, Martina.
43:27Bye, Gaby. Take care.
43:37Yes?
43:39Excuse me.
43:40Can I bother you for a moment?
43:41What's up?
43:42The thing is, I'm trying to catch up
43:44with Osandón's strike.
43:46And there are two contracts
43:47that I'm not finding
43:48that are from Colchagua.
43:49One is from La Siria,
43:50and the other is from La Truco.
43:52What about them?
43:53I need you to send me
43:54two copies of the contracts
43:55to my email, please.
43:56I can't right now.
43:57I'm busy.
43:59No, I imagine.
44:00It doesn't have to be now.
44:01But I hope it's not two more weeks
44:03because if I don't move forward with that,
44:05I can't continue with my strike.
44:06Do I make myself clear?
44:07You make yourself clear perfectly, Samuel,
44:08but it's not my fault
44:09that Osandón has been
44:10a fucking mess.
44:13Are we going to talk in a minute
44:14about what happened yesterday
44:15or are we going to be stupid all day?
44:16About what?
44:17That you made a fool of yourself,
44:19that you left us all inside
44:20and because of you,
44:21the celebration is over.
44:25Okay, I've had enough.
44:27Especially with you.
44:29But I'm still holding on to what I said.
44:31Oh, you're going to continue?
44:32Do you want to talk
44:33or do you want me to tell you
44:34what you want to hear?
44:36Okay, I'm listening.
44:39I apologize if I offended you, okay?
44:42It wasn't my intention.
44:44I crossed the line.
44:47But the truth is,
44:48I felt super alone.
44:51Why?
44:53Because Dad crowns you.
44:55And no one,
44:56absolutely no one,
44:57fixes everything I've done
44:58for this company.
44:59No one.
45:02And you're probably not going to like
45:03what I'm going to tell you, Samuel,
45:04but Poncho is too big for you.
45:07Dad doesn't just want you
45:08to be the new lawyer
45:09for the companies.
45:10You have to be an idiot
45:11to not realize
45:12he's preparing you
45:13to be the new successor.
45:16But I didn't obey him, Alex.
45:18But you didn't reject him.
45:21Or am I wrong?
45:26Forgive me for my lack of humility, brother.
45:29But here the only natural successor
45:31and possible one is me.
45:33And you know it.
45:34Dad too.
45:35And anyone who works
45:36in this company.
45:39But things are as they are.
45:41And you can keep on
45:42complaining that I'm
45:43throwing the floor at you,
45:44or change your attitude
45:46and that we both look at it
45:47the same way.
45:48Don't you think it's better?
45:50Do you want us to shake hands
45:51like good brothers
45:52and that from now on
45:53I start working for you?
45:55Is that what you want?
45:58Look, Samuel,
45:59this isn't against you and Yaya.
46:01We've historically
46:02been able to get along
46:03quite well.
46:05But when something seems unfair to me,
46:07I can't stay quiet.
46:09Sorry.
46:15You told me the trick and...
46:19And the seal.
46:21The seal.
46:27Don Tomás?
46:32Don Tomás?
46:34Delfina, what's up?
46:35They're calling from the racetrack.
46:36Is it with you or with Don Samuel?
46:38What do you mean with you or with Don Samuel?
46:39With me, of course!
46:40I'm in charge of the Aras.
46:42What happened?
46:43Why do you look like that?
46:44It looks like something happened
46:45with Huracán.
46:47Pass me the phone, please.
46:56Hello?
46:57Yes.
46:58Yes, yes, I'm talking to...
47:00Arafay Alto.
47:01I'm talking to Tomás Garrazur,
47:02the manager.
47:06What?
47:09What do you mean
47:10one of our horses
47:11tested positive?
47:13This has never happened
47:14to us in our lives.
47:16How is this possible, Tomás?
47:17Explain it to me.
47:18Well, Father-in-law,
47:19I'm as surprised as you are
47:20and I'd like to remind you
47:21that I've only been in charge
47:22of the Aras for hours.
47:23No, wait a minute.
47:24What about the veterinarian?
47:25Because sometimes the horses
47:26give you medicine to get better.
47:27Maybe that's what happened to Huracán.
47:28I talked to the veterinarian
47:29and he told me that Huracán
47:30wasn't sick at all
47:31and that the horses that run
47:32are always treated
47:33with natural products.
47:34Never with drugs,
47:35unless it's something very serious.
47:36I'm surprised you don't know that.
47:37Well, but Tomás,
47:38it's obvious that they must
47:39have given him something
47:40if he tested positive.
47:43Who was with Huracán
47:44before the transfer?
47:45The only person
47:46who was in charge
47:47of Huracán's care
47:48was the new peddler,
47:49Tormento.
47:50So if this had never happened before,
47:51it's a plus two, right?
47:53Are you insinuating
47:54that Tormento is to blame?
47:56Well, I'm sure that peddler
47:57had something to do with this, right?
47:59No, no, no, please.
48:00Let's see, I reviewed
48:01the whole story of Tormento
48:02when I hired him
48:03and it's impeccable.
48:04It has pure good recommendations.
48:05In fact, Tomás,
48:06just so you know,
48:07he is one of the best peddlers
48:08in the country.
48:09That's why his horses
48:10almost always win.
48:11And you didn't hesitate
48:12to question
48:13why his horses always win?
48:14Let's see,
48:15why do you have
48:16so much distrust in him?
48:18Because I left him in charge
48:19of Huracán's care
48:20and the day the horse
48:21tested positive.
48:22Yeah, but that doesn't mean
48:23he did it, Tomás.
48:26Well, I distrust him.
48:28You've always taught me,
48:29father-in-law,
48:30it's key to trust
48:31our employees.
48:33You put me in charge of Laras,
48:34I don't trust that character.
48:36Then I think
48:37we have no choice
48:38but to leave him on the street.
48:40Leave him on the street
48:41without any proof
48:42and let the competition go?
48:43I don't agree, dad.
48:44No, no, no, no, no, no.
48:45We're not going to kick anyone
48:46just because of suspicions.
48:47We need concrete evidence.
48:49The first thing we're going to do
48:50is check those cameras
48:51to see what happened.
48:59And I swear
49:00I had no intention
49:01of making Gaby feel bad.
49:02I mean,
49:03I got nervous
49:04about the show
49:05with Alexandra
49:06and you know I get nervous
49:07and I say,
49:08silly, I got it.
49:09Don't worry.
49:10I know you're not a bad person.
49:14I'm worried
49:15that Gaby felt bad.
49:16Did you say something?
49:17No, she didn't say anything.
49:19She doesn't listen to those things.
49:22She's a professional.
49:24I see.
49:25Yes.
49:26Well.
49:28They're all crazy
49:29about what happened
49:30with Hurricane.
49:31I don't know what to believe.
49:33What do you think, Geno?
49:34It's terrible
49:35what happened with Hurricane,
49:36my daughter.
49:38And I don't know.
49:40You have to be careful
49:42because the hippie
49:43has a dark side.
49:45Yes, but it's weird
49:46because nothing ever happened here.
49:48I mean,
49:49my dad loves horses.
49:50They take care of themselves
49:51like a saint.
49:52Sami has always been worried
49:53that they're okay,
49:54that they're healthy.
49:55Look,
49:56someone must have
49:57given money
49:59to the horses
50:00so something happens to them.
50:01I don't know.
50:02Anyway, I don't know.
50:03But her dad...
50:05There are jealous people
50:06about her dad.
50:08I don't know.
50:09It can't be.
50:10Do you want some tea, Geno?
50:11No, thank you, my love.
50:13Hey, this?
50:14No.
50:16What is this?
50:17What?
50:19What is it?
50:22Where did this come from, Geno?
50:24Is it yours?
50:25Hey, silly.
50:26How could you
50:27get me into that mess?
50:29Hey, more respect
50:30with the tarot, Geno.
50:31It's not a mess.
50:33Oh,
50:34it must have been
50:35given to Gavita.
50:37Your granddaughter reads the tarot?
50:41Yes.
50:45Go ahead.
50:46Go ahead, man.
50:47Go ahead.
50:48Yeah, there it is.
50:49It's six o'clock,
50:50the employees arrive
50:51and Tormento stays up all night
50:52taking care of Hurricane.
50:53Of course,
50:54no one does anything to her.
50:55No, not just that.
50:56Her job is impeccable.
50:57She stayed up all night
50:58taking care of Hurricane.
50:59I don't know.
51:00I don't think this is very conclusive
51:01to be reviewing the recordings
51:02of Hurricane.
51:03What happened to you and Tormento?
51:04What do you mean,
51:05what happened to me and Tormento, Samuel?
51:06Father-in-law, please.
51:07This fixer
51:08just arrived at the camp
51:09not long ago.
51:10We can't risk it
51:11and give her our trust
51:12as if for me
51:13this is a piece of cake.
51:14Tomás, Tomás.
51:15Of course he takes care of the horse
51:16like a saint.
51:17No one approaches him,
51:18no one injects him,
51:19no one gives him anything.
51:20Father-in-law,
51:21you yourself know
51:22that a rooster
51:23can put drugs in him
51:24a couple of days before.
51:25This same rooster
51:26could have diluted his pills,
51:27I don't know,
51:28medication,
51:29food, water.
51:30We wouldn't have realized
51:31if it wasn't for Tormento.
51:32Father-in-law, please.
51:33You have always told us
51:34that we shouldn't trust anyone
51:35and we should distrust everyone,
51:36yes or no?
51:38Father-in-law,
51:39horses are your passion.
51:41You don't earn a single penny
51:42with horses.
51:43On the contrary,
51:44you invest millions and millions.
51:45Are you really willing
51:46to mortgage
51:47all the prestige
51:48that you have in La Hípica
51:49at the South American level
51:50for a rooster
51:51that you barely know?
51:53Okay,
51:54call Tormento.
51:56What do you mean,
51:57who sent me?
51:58Hey, please,
51:59we have to get to the bottom of the matter.
52:01What's going on?
52:02Why are you arguing?
52:03I think it's because
52:04of the horse he won.
52:06Because of Huracán?
52:07What's going on with Huracán?
52:12Hello.
52:14Hey, I didn't know
52:15you were playing.
52:16As if you had never seen
52:17the picture, kid.
52:18No, but it's my privacy.
52:20Where is my privacy?
52:21Until now, right?
52:22Yeah, wow, until now.
52:23I came for something
52:24super punctual.
52:25What?
52:26I need you to send me
52:27Gaby's number.
52:28What?
52:29Forget it.
52:30I'm not going to send you
52:31Gaby's number.
52:32Why?
52:33So you keep insulting her?
52:34No, no.
52:35Obviously not.
52:36I want to apologize to her.
52:37Plot twist.
52:38Okay,
52:39and...
52:40what does this lead to?
52:41That your sister knows
52:42how to recognize her mistakes
52:43and she's going to
52:44get mad when she has to.
52:46Look, I doubt it,
52:47but, well,
52:48since I insisted,
52:49I'm going to send you
52:50Gaby's number.
52:52But, Martina,
52:53poor you,
52:54I found out you insulted her.
52:55Oh, come on.
52:56Treat her well.
52:57I told you I was going to apologize to her.
52:58Yes, I sent it to you.
53:01And you?
53:02What?
53:03Where are you going so perfumed?
53:04Are you going with Gaby?
53:06Are you used to it?
53:07Thank you very much for coming.
53:08I was just asking.
53:09Thank you very much.
53:11Are you okay?
53:12Yes, everything is fine.
53:13Bye.
53:17It could have been the other way around.
53:19Is it true that something happened with Huracán?
53:20No, Alexandra,
53:21please don't get involved in this.
53:23If something happened
53:24with any of our horses,
53:25I want to know.
53:26Dad?
53:27Good morning.
53:28Excuse me.
53:29Yes, come in.
53:30Mr. Raimundo wanted to talk to me.
53:32Yes.
53:33Tormento, I'm going to be direct with you.
53:35Did you have anything to do
53:36with what happened with Huracán?
53:38You knew that Huracán won the race
53:39because he gave positive, right?
53:40What?
53:41Yes.
53:42Yes, I just found out.
53:43But what they put on the horse
53:44was in the transfer,
53:45at the racetrack,
53:46due to some carelessness of the rider.
53:48Mr. Raimundo,
53:49I assure you that Huracán
53:50came out of here completely clean.
53:52Okay?
53:53Let's see.
53:54How do you know that?
53:55Did you do a dubbing to the horse
53:56before dispatching it?
53:57Well, because I was there all night.
53:59And if I had been drugged,
54:00I would have realized.
54:01And how would you have realized
54:02if the horse had started
54:03to relinch stupidity?
54:04Shut up, Tomás.
54:05No, I should have drugged it myself.
54:07And I don't need to be doing that
54:08to prepare my horses.
54:09Now, if you don't believe me
54:10and don't trust me,
54:11I have nothing to be doing here.
54:13That's the most sensible thing
54:14I've heard all day.
54:16You should resign immediately.
54:18No, no, no.
54:19That's completely unfair.
54:21Sorry, I'm the one
54:22who rides the most in this family.
54:23I've seen Tormento
54:24work with the horses
54:25and he's very good.
54:26He does it very well.
54:28Besides, we can't forget
54:29that not long ago
54:30some strangers removed the crest.
54:31Now a horse from us
54:32comes out positive
54:33in dubbing for the first time.
54:34I mean, it's obvious
54:35that someone wants
54:36to hurt us, right?
54:37I think it's unfair
54:38to accuse him,
54:39fire him,
54:40or any Aras worker
54:42without having a clear foundation.
54:45Okay.
54:46No?
54:47I'm going to think about
54:48everything we've talked about.
54:49I'll make my decision
54:50and I'll let you know later.
54:55Excuse me.
55:04What do you mean
55:05it's not necessary?
55:06Please.
55:07Imagine.
55:08All this is covered here.
55:10Let's see.
55:12I even had the cordillera
55:13in here.
55:14You're exaggerating.
55:15If it's not that much,
55:16it's not either.
55:18How long has this not been covered?
55:20What?
55:23How long has this not been
55:24covered?
55:25I don't know.
55:26Do you uncover those things?
55:28But of course
55:29you uncover them
55:30once a year, at least.
55:32I have no idea.
55:35Okay.
55:36But, Ángel,
55:37you don't have to do that.
55:38What?
55:39No, really.
55:40You were the director
55:41of the post,
55:42not my gaffer.
55:43Enough.
55:44But I like doing this.
55:46Especially if it's
55:47with your company.
55:48I feel good.
55:49What's wrong?
55:51I owe you a thousand.
55:52That's what's wrong.
55:53Oh,
55:54you owe me a glass of wine.
55:55We're good with that, Doctor.
55:57Bravo, Doctor.
55:59Hey,
56:00can I have the teflon, please?
56:05I made you a tangerine.
56:10This is the teflon.
56:12Perfect.
56:13Don't take me into account
56:14for the next doc.
56:15That one.
56:16Okay, I'll serve you a glass then.
56:17That's it.
56:21Wait, someone?
56:22No, no one.
56:24Hi.
56:25Hi.
56:27I was dying to see you.
56:29Is it Gaby?
56:31No, it's Jonas.
56:34Hi, Jonas.
56:35Hi, Ángel.
56:36Are you here to pick up Gaby?
56:38Yes,
56:39I'm here to pick up Gaby.
56:41But Gaby is on duty, right?
56:42Yes,
56:43she's on duty.
56:45Really?
56:46I forgot.
56:47I completely forgot.
56:49Okay,
56:50I'll tell her you came.
56:53Okay.
56:55Bye, Ángel.
56:56Bye.
56:57Take care.
56:58Bye.
57:06The wine.
57:08That's it.
57:23What was that defense you did to the petitioner?
57:26I said what I think, Tomás.
57:28You know I always do it,
57:29and I see that Tormento does a good job.
57:32What's the problem?
57:33What's the problem?
57:34We are punished for two positive feet,
57:35and you defend the horse caretaker.
57:37When you yourself say that when someone
57:38does their job wrong,
57:39they have to get out of here.
57:40But he clearly said that this had happened
57:42outside the wing,
57:43that he had not been.
57:44Oh, wow,
57:45how had I not thought of it before?
57:47The word of Tormento
57:48cannot be questioned.
57:49Oh, Tomás,
57:50don't be an asshole, okay?
57:52We have no proof that he is guilty.
57:54Why are we going to fire him?
57:55Because I am his boss,
57:56and I don't want to continue working with him.
57:58Period.
57:59Well, but being the boss
58:00doesn't give you the right to be unfair.
58:02Oh, how nice.
58:03The petitioner defends him,
58:04and you attack me.
58:05Oh, I'm not attacking you, okay?
58:07But you've been through it for a while,
58:08and a boss doesn't behave like that.
58:10Stop telling me
58:11how I have to do my job, please.
58:13The horse caretaker is in my charge.
58:16And I don't care.
58:17The horse caretaker is in my charge.
58:20But it belongs to my family.