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00:00On this
00:02I am no content
00:06We hope most end blasts. No pioneer. Oh my myượch
00:12Sona, Kijona, Otakana Moto Joe
00:19High show Roman the condom, yeah
00:23That's a
00:25In Kushiro, a client who runs a banzai bar
00:29got a Chinese grill for 10 million yen
00:34About 600 years ago
00:36About 600 years ago?
00:38Now, which one is it?
00:40Is it the real one?
00:44We asked Mr. Uki from Kumamoto
00:47Popular Tiktok creators are surprised
00:51Daichin-Pin appears one after another
00:54The crowd goes wild
01:01Hello
01:03Nice to meet you
01:05Nice to meet you
01:08I've got so many routines
01:10Since I woke up
01:11I've got a new routine
01:13What is it?
01:14Jumping 10 times
01:15From the morning?
01:16Yes
01:17My organs forget
01:19I'm here
01:21I sometimes tell them I'm here
01:26They teach me
01:28I'll do it
01:29Jumping 10 times
01:31I'm going to wake up
01:33Today's guest is
01:35Kaneko Megumi, a former member of the committee
01:41Born in Tsukigata village, Niigata prefecture in 1978
01:47She's the eldest daughter of her father and grandfather
01:52Tsukigata village is the birthplace of traditional arts
01:58What's this?
02:00Kaneko participated as a dancer from the age of 3 to the first year of high school
02:06She was waiting for an acrobatic dance like a combination of shishimai and kekuge
02:12I can't do this
02:14From this experience, she became interested in folk arts
02:19The theme of her graduate thesis was shishimai
02:28After that, she became a member of the committee
02:32She left Niigata prefecture in 2012 and became a member of the committee for the first time
02:40While focusing on local creation
02:44She gave birth to her first child in 2016
02:48But in the meantime
02:50Her husband, Kensuke Miyazaki, who was also a member of the committee
02:56He had a terrible accident
03:01But they managed to overcome the crisis
03:05In her essay, YURUSU CHIKARA DEWA
03:10She said she became happy because she forgave her husband
03:17Ms. Kaneko appeared in a program 5 years ago
03:24Her treasure was a Japanese painting called KAKEJIKU SANTEN
03:31The price was 350,000 yen
03:34It was a half-baked result
03:37This time, she will appear with a treasure that exceeds it
03:42Here is the client
03:45Welcome to Tokyo, Ms. Kaneko Megumi
03:48Thank you
03:53YURUSU CHIKARA is a big vessel
03:56She had the power to be forgiven
03:58But it's strange that Ms. Kaneko, who forgave her husband, was also attacked
04:03I can't forgive
04:08Ms. Kaneko, do you think you will return to the world?
04:11How about Miyazaki? I want to return to Miyazaki
04:14Ms. Miyazaki!
04:15Let's ask her
04:17Was there?
04:19There was a woman who looked like me
04:21It was her
04:23How is your wife today?
04:25It's perfect today
04:27It's perfect from top to bottom
04:30She said she wants to return to the world
04:32Do you want to return to Japan?
04:34Yes
04:36It's like a fraud to go back and forth
04:40You appeared last time
04:42It was a half-baked result
04:45That work was my uncle's work
04:48Is it your own work this time?
04:50It's my uncle's revenge
04:52Your uncle's revenge?
04:54Your uncle's treasure?
04:55That's right
04:56Open the treasure
05:00What is this?
05:02This is a work of Mr. Yasugoro Ataka
05:05He is a painter who played an active role from Taisho to the Showa period
05:09He is from Niigata
05:11It's a good atmosphere
05:13How to draw a flower
05:15It's the same color as the whole
05:17Is it impressive?
05:19Each has a different state
05:21It's true
05:22It's blooming and withering
05:24It may be a suitable picture for Ms. Kaneko and Ms. Miyazaki
05:28I experienced a lot of things around here
05:32Ms. Miyazaki is like this
05:34It's a little wrinkled
05:38What do you think of this picture, Mr. Miyazaki?
05:40This is more than the last 350,000 yen
05:44It's really over
05:46What do you think of the picture itself?
05:48It's not about money
05:50Can you return to Japan with such a thing?
05:54Ms. Miyazaki was also here last time
05:58That's right
05:59I have a lot of memories
06:01It was all cut
06:02Isn't it Ken Okan?
06:09It's more than the last time
06:11It was 350,000 yen
06:15What do you think of the picture itself?
06:17500,000 yen
06:19Let's buy it
06:21Open the price
06:25What do you think?
06:261, 2, 3, 4, 5, 6, 7, 8, 9, 10
06:31It's 300,000 yen
06:33What?
06:35It's a little half-hearted
06:37It's a little
06:39I think the content is good
06:41It was written in 1919
06:43It was written in 1919
06:45It's called Hakumokuren
06:47It's a modern painting
06:49It's drawn with a thick outline
06:51The paint is carefully applied to many layers
06:54I think the color of the background is also very good
06:57Pink, blue, yellow
06:59It's drawn in a light feeling
07:01If you evaluate the price in the market now
07:04Unfortunately, it's about 300,000 yen
07:06If you are noticed by something
07:08This picture will come up again
07:11Please take care of it more than Ms. Miyazaki
07:14I will take care of both
07:17Next is from Shizuoka City, Shizuoka Prefecture
07:22When I asked immediately
07:24In front of the children
07:26I was reading a picture book
07:32The next client is
07:34Mr. Shuji Odawa
07:3671 years old
07:38Oh
07:42Everyone seems to be interested
07:46What are you reading?
07:48It's Moimoi
07:52I only say Moi
07:55It's a book with a variety of expressions
08:00It's like this
08:03Moimoi Moimoi Moimoi Moimoi
08:07Moimoi
08:10At first, I had a mysterious face
08:13Smile at unexpected places
08:16The expression softens
08:18There is such a reaction
08:21It's a very fun book
08:24At the time of student
08:26Belongs to the Autonomous Theater Research Society
08:29I love to see children's smiles
08:3320 years ago
08:35Volunteer
08:37It seems to be reading and listening mainly for secondary school students
08:42The appearance of babies and children
08:45It's different every time
08:47It's also very attractive
08:49It's fun to do
08:51It will be the energy for the next time
08:56In addition
08:57To entertain children
08:59Practiced at the time of the folk song boom
09:02I also sing with a guitar
09:16It's a wonderful activity
09:19By the way, what is the treasure?
09:22It is a work of an artist called a pioneer of Japanese stained glass
09:27Actually that artist
09:29It's my grandfather's brother
09:32I have never met
09:34This treasure
09:36Before I was born
09:38It was always on the shelf
09:42However, in 2008
09:44The book that studied the artist was published
09:48Introduced on TV etc.
09:51I think it's a great value
09:56Thank you very much
10:00What is the artist?
10:02Let's look at the studio
10:05The client is here
10:07Ogawa Shuji
10:15It was a strange book
10:17That's right
10:20In my case, the voice is too loud
10:22I think the child will cry
10:24I see
10:28If the child laughs
10:30I will be happy
10:32I will be very happy
10:34Then I would like to see the treasure
10:37open
10:43It's a stained glass
10:45What is drawn on the right?
10:48What is on the left?
10:50lampshade
10:52The author is Ogawa Shuji
10:54It will be my grandfather's brother
10:56How much is this?
10:58It is about the same
11:00Even in the same stained glass
11:02It is characterized by being expressed in the form of a circle
11:06For a long time
11:07Mr. Ogawa Shuji
11:09Were you interested in his work?
11:11No, I wasn't interested at all
11:14Ogawa Shuji himself
11:16It's been about 2,000 years since I started painting
11:21Is it recent?
11:23It's an apple
11:25When I told my father
11:27He passed away before I could see the completion
11:30His wife, Ikuyo Ogawa
11:33I think it was completed
11:35How about Tsugai-chan?
11:37The apple pattern is cute
11:39Is the lampshade a flower?
11:41The color is completely different
11:43Even in the same green
11:45How about Kaneko-san?
11:47I want to put more light
11:49Let's put in the light
11:53Wow! Beautiful!
11:55It's beautiful!
11:57It's a romantic feeling
11:59This light calms down
12:01wonderful
12:02I always put the apple on the edge of the vase
12:06I've never seen it so beautiful
12:09The difference between the three colors of the apple is exquisite
12:12When you put in the light, it's different
12:15Light and color art
12:17Stained glass
12:19Stained glass in Europe
12:22As a decoration that colors churches and cathedrals
12:25It has developed greatly
12:28On the other hand
12:30What was the Japanese stained glass like?
12:35Ogawa Sanchi
12:37There is an answer to the work of the stained glass artist of Kitai
12:42Born in 1867 in the house of a doctor in Shizuoka
12:47Because he liked to draw since he was young
12:51He entrusted his family to his brother
12:54He entered Tokyo Art School, which had just been established
12:59There, he thoroughly learned the basics of Japanese painting from the master, Hashimoto Gaho
13:06He poured his energy into copying classical masterpieces
13:10This is what you can call the foundation of stained glass
13:16In 1900, he flew to Japan as a painter
13:21There, he encountered the glass culture
13:26At that time, in America, Lafarge and Tiffany
13:30They developed opal stained glass, which emits a unique luster that was not found in monochrome glass
13:40In the light of this glass, which is completely different from painting
13:44Sanchi discovered new possibilities
13:48He visited many workshops in various parts of America and practiced
13:54When he opened his own workshop after returning
13:58In Orishimo, Japan was in the middle of the Western architecture boom
14:03There were many requests for production
14:07The first work was a library of Keio University, built in commemoration of its 50th anniversary
14:16A goddess with a pen mark, which is a symbol of Keio
14:20And Japanese samurai looking up at it
14:24Although it is a unique design, it is written in Latin under the picture
14:30The pen is stronger than the sword
14:34After that, Sanchi created a work combining the techniques of Western stained glass and Japanese motifs such as Kachou Fugetsu
14:47This is the place of origin
14:51The composition is like a Japanese painting
14:58Colorful hydrangea
15:03Pure white wood
15:09The beauty of the scene
15:14The appearance of glass
15:17Combining with the scenery outside
15:21What?
15:23The change of seasons
15:27What is the beauty of Japan?
15:29What is the Japanese beauty?
15:32Sanchi painted with stained glass
15:37Not only the design and composition, but also the ingenuity of each glass
15:44For example, here
15:46What should be noticed is the part of the sky and water
15:50Actually, it is the same color glass, but only the part of the water
15:54The glass with uneven surface is layered from the back
15:58Then, a color that cannot be expressed in one piece is born
16:02It looks like the surface is shining
16:07Sanchi continued to look for the possibility of glass expression
16:12In 1928, after going on a sketch trip, he became ill and could not return
16:201962
16:24Let's look at the request again
16:27Ogawa Sanchi's lampshade and stained glass
16:32The lampshade is designed in the style of Art Deco
16:36Each glass has a complex gradation
16:41The light is warm and soft
16:46The size of the stained glass is about 88 cm in height
16:52The apple that grew on the branch from the vase
16:56Each color is different by the opal stained glass
17:03There is a Sanchi sign on the bottom left
17:07It's cute
17:09Sanchi's works have disappeared due to the Great Kanto Earthquake and World War II
17:17Very few are left
17:20How will it be evaluated?
17:25Is this a sign?
17:27Yes
17:28Sanchi?
17:29This is a good sign
17:31Let's make it at the construction site
17:33The result of the evaluation is after the commercial
17:51To be continued
17:55To be continued
18:06How much is it?
18:08About 500,000 yen
18:10About 500,000 yen for two
18:12Let's go
18:13Open the price
18:15How much is it?
18:1812,000,000,000,000,000,000,000,000,000,000,000,000,000
18:232,800,000,000
18:26Congratulations
18:28Very good
18:31The lampshade is 80
18:34The stained glass panel is 200
18:38The lampshade
18:41The glass used is the opal stained glass
18:44It was popular in the United States at the time
18:47We wrap the wax on the edge of the glass and solder them together.
18:53The panel was completed by Ms. Ikuyo after Sanchi's death.
19:00That means that the production continued at Ogawa Studios.
19:06We don't know how much Sanchi himself was involved.
19:12However, the design of the work itself is Sanchi's.
19:17The angle of each leaf, the angle of the apple, is simple and complicated.
19:23Looking at the technique, I don't think this is Sanchi's job.
19:28He is not very good at soldering lead to connect glass to glass.
19:33And the sign on the bottom left.
19:36Sanchi's work has a sign in stained glass.
19:39This work is bent with a wire.
19:42I think someone from Ogawa Studios put Sanchi's work there.
19:50I think it would be good to display it where the sunlight comes in.
19:57How was it?
19:58It was amazing.
20:01It was amazing.
20:03Please take good care of it.
20:05Jucho Nandemo Kanteidan!
20:07In Uki!
20:12This year is the 20th anniversary of the death of Mr. Uki.
20:18This is Ms. Uki, from Uki City.
20:22Hello, I'm Hina Kagei, the ambassador of Uki City.
20:26She is a TikTok creator with more than 10 million followers.
20:31She is also active as a model and actress.
20:35Kagei's top 3 recommended spots.
20:40First, the third place.
20:43San San Ukikko, Uki Port.
20:47It is a port where local vegetables and seafood are sold.
20:51Gelato is very popular, using fresh vegetables and fruits.
20:57I recommend the ginger flavor.
21:02The scent of ginger spreads.
21:05It's sweet and has a strange feeling.
21:09The second place.
21:11Fujimoto Onigawara Production Office.
21:14Craftsmen who specialize in decoration such as Onigawara, called Onishi,
21:20work for more than a month.
21:25They have been known as the Maya family,
21:28but they also sell clothes like this.
21:33This Onigawara key chain is cute with a smile.
21:38The first place.
21:40Misumi Nishiko, registered as a World Heritage Site.
21:45In the Meiji period, the port was designed by a Dutch architect to extract coal.
21:52The stone walls, waterways, and bridges were left as they were.
21:59It is recommended to take a picture of the ceiling mirror on the stone floor.
22:05That's a good idea.
22:09Let's go.
22:11First, Mr. Tanaka, who was registered by his father.
22:16Why didn't you register your father?
22:18I was embarrassed, so I put my name instead.
22:22I see.
22:23Why did you accept?
22:24I was told that I would get half of the appraisal fee.
22:28I see.
22:30Here are the treasures.
22:34This is a Bajohai from Ohiyaki.
22:38Bajohai is a sake cup made with a very high standard.
22:45How did your father get this treasure?
22:49At a recycle shop.
22:51At a recycle shop?
22:53How much did he buy it for?
22:55500 yen.
22:56500 yen?
22:58That's why your father doesn't show his face.
23:03You're not here today?
23:05I'm sitting there now.
23:06Where are you?
23:08This is Kunihiro, the father of the Embarrassing Hunter.
23:13Why did you decide to buy this?
23:15I was told that it would be a candy.
23:18It was very cool when I cut it with a spatula.
23:22What did you study?
23:24Internet.
23:27How much do you think your father's appraisal fee is?
23:30About 100,000 yen.
23:32100,000 yen?
23:33I see.
23:34You bought it for 500 yen.
23:35How can it be 100,000 yen?
23:36Everyone thinks so.
23:39The minimum appraisal fee for each person is 300,000 yen.
23:45I want to play soccer with my friends in England.
23:48The higher the appraisal fee, the happier I am.
23:52What is the result?
23:55Ta-da!
23:561000 yen!
23:58Oh, no!
24:00What a shame!
24:01I'm afraid of meeting him.
24:04I don't think he's a big fan.
24:08Ohi-yaki was originally made in Kanazawa, Ishikawa Prefecture in the Edo period.
24:15It's made of candy oil.
24:18It's made of candy-colored medicine.
24:21It's a good shape.
24:24However, the word Ohi is strange.
24:28I don't think it's from that era.
24:31How much is your son's appraisal fee?
24:33500 yen.
24:34500 yen?
24:36Next is Mr. Nishiguchi, a plastic surgeon who broke his spine last year.
24:43I was making a wall of bouldering in my house.
24:47I fell from the ladder 3 meters high.
24:52In the end, he was hospitalized for a week.
24:57I can understand the suffering of the patient.
24:59That's right.
25:00I didn't know until now.
25:01That's not true.
25:04Here are the treasures.
25:08It looks good.
25:10This is a picture book of Kumashiro Yuhi, a painter who was active in Nagasaki in the middle of the Edo period.
25:19When I was working at Goto Retou Hospital in Nagasaki 20 years ago,
25:24I found it at an antique shop and bought it.
25:28The shopkeeper told me that it was a treasure of Nagasaki.
25:32How much did you buy it for?
25:34300,000 yen.
25:36Did you buy a treasure of Nagasaki for 300,000 yen?
25:41What do you like about it?
25:43I like the eyes and the whiskers.
25:47I like the hair that was carefully drawn.
25:51It's the Edo period.
25:53Even if I look at it with a candle-like light, it still has an atmosphere.
26:00He usually uses a candle, but today he's going to observe it with the audience.
26:07It's not a candle, is it?
26:09It's a headlamp for climbing.
26:12It's a headlamp for the Edo period.
26:13It's okay.
26:16Let's see what the atmosphere is like.
26:21I see.
26:23It's good, isn't it?
26:25How do you like the tiger in the dark?
26:31The price is 750,000 yen.
26:37It's time to eat while looking at the tiger.
26:41If it's a real tiger, it should taste even better.
26:45What's the result?
26:47It's 1,000,000 yen!
26:50I did it!
26:52Really?
26:531,000,000 yen!
26:55The tiger in the dark is a real one.
26:57It's the middle of the Edo period.
26:59It's only the sunset that I learned how to draw directly from a Chinese painter named Xin Nanping in Nagasaki.
27:08I think the tiger in the dark is a well-drawn picture that has spread all over Japan.
27:16One strange thing is that there is a line on the back of the tiger, but I don't see it in other works.
27:26It's a good work.
27:27Please take good care of your body and your painting.
27:32Next is Ms. Kawano, who has been doing Ikebana for 40 years.
27:37Why did you decide to do Ikebana?
27:40I thought it would be nice to practice Ikebana in a quiet place.
27:47When I was a kid, I used to play with stones at Kumamoto Castle.
27:53You played Spiderman, didn't you?
27:57This is Ms. Kawano's work.
28:00Is it intentional that the tulip is a little down?
28:03Yes, it's like enjoying the shape at that time.
28:07The tulip that bloomed first is a little down.
28:11It gradually shows various shapes towards the light.
28:16There are various expressions in this work.
28:20It's interesting.
28:22The treasure is a puppet of an actor named Koimari.
28:27It was originally in the house of the grandfather who lived in Saga, but for some reason it came to the mother of Ms. Kawano.
28:37My grandmother said that the face of the actor looks a little like a big politician.
28:43She said, I don't like it.
28:45She said, I don't like it because it looks like a big politician.
28:48Mark, who do you think is a big politician?
28:51Is it Trump?
28:53I don't think it's Trump.
28:55But I can see Mr. Ishiba.
28:57I don't think it's Mr. Ishiba.
28:59Who is the correct answer?
29:01I think it's Mr. Nakasone.
29:05I didn't think it was worth that much, but one day my mother said this.
29:13In the bubble era, it was a little expensive at a local department store.
29:19How much did it sell for?
29:21I think it was about 1 million yen.
29:24Her evaluation is 500,000 yen, believing half of what her mother said.
29:30In the previous program, Takane was on a similar doll, so I'm looking forward to it a little more.
29:37What is the result?
29:39Ta-da!
29:4180,000 yen!
29:47This is a doll of Koimari.
29:49This is a man with curly hair, but he's wearing a gorgeous uchikake.
29:55I know he's an actor.
29:58He's pushing clay into the clay mold.
30:01It's an old-fashioned way of making clay, so I can tell it's old.
30:07In the 17th century, it was brought to Europe and became very popular.
30:11There was a Kakemon-style doll.
30:14If that's the case, it's still worth 2 million or 3 million yen.
30:19Depending on the state, it can get a higher rating.
30:25Mr. Hara loves movies so much that he makes a theater room at home.
30:31Do you have your own home theater?
30:34It was a condition to build a house.
30:38I went to the theater the other day, and the man behind me was snoring.
30:46He was sleeping for about half an hour.
30:49Now I have a theater room.
30:52That's great.
30:54Next is this.
30:56How many inches is this?
30:58120 inches.
31:00120 inches.
31:02There's a home theater in your house, too.
31:05That's right.
31:07How many inches is it?
31:08121 inches.
31:09No, no, no.
31:11Next is this.
31:15This is the pressure system of the Titanic engine that was actually used in the movie Titanic.
31:26The movie Titanic was released in 1997.
31:31It is a popular masterpiece that depicts the love romance of a group of men and women based on the sinking of the Titanic.
31:43A few years after its release, a 20th century Fox movie company that produced the movie went on sale on the Internet.
31:54I think the starting price was 99 cents.
31:5799 cents?
31:59If you put it in at the last few seconds, it's about $180.
32:04The rate at the time was about 20,000 yen.
32:0620,000 yen?
32:09It arrived from the United States.
32:11Let's take a look at the movie.
32:15There's a scene where the Titanic goes out into the sea and speeds up.
32:19There's a scene where it slows down before it collides with a rock.
32:22The meter on the far left goes up when the needle moves.
32:28This is it.
32:29Oh, this is it.
32:30I know.
32:31It's like a stain.
32:32Really?
32:35Every time I see the Titanic, I think of this scene.
32:41Which scene is it?
32:44It doesn't matter.
32:46This is it.
32:49What year was the Titanic released?
32:52It was released in 1997.
32:54Who did you go to see it with?
32:56I remember it was the first movie I saw with my wife.
32:59However, her wife doesn't like this kind of pressure.
33:06Do you like the movie Titanic?
33:08Yes, I do.
33:10Do you like your husband?
33:12Yes, I do.
33:13I love him.
33:14He's great.
33:15But what about this one?
33:17I hate him.
33:20It's hard to find a place to put it.
33:23The estimated price is 250,000 yen, which is 25 times the original price.
33:30If the price is high, his wife will take good care of it as a souvenir.
33:38The result of the surprise evaluation is after the commercial.
33:54Which way?
33:56Can I go to Korea?
34:02The pressure gauge of the engine used in the movie Titanic, which was sold for only 20,000 yen.
34:11What is the result?
34:131.2 million yen.
34:17Yes!
34:20It's 60 times the original price.
34:23I'm sure it's the real thing.
34:25I think it was at the auction at FOX.
34:28James Cameron spent 2.4 billion yen to make this movie.
34:33It's a movie that reproduces the Titanic.
34:36Fox was already selling it, including plates and dining tables.
34:41I think it was possible at the time that it was sold for 20,000 yen.
34:45At that time, I didn't want to collect the Titanic.
34:49After that, it became popular all over the world.
34:52Rose and Jack Dawson appeared in the last scene.
34:56The door floating in the water was sold for over 100 million yen.
35:01After that, the price of the Titanic started to rise.
35:05I think it will still rise, because it is valuable.
35:10Next is the chairman of the local women's association, Mr. Hamasaki.
35:16Today, many members of the women's association came to support him.
35:21Mr. Hamasaki.
35:23Chairman.
35:25In addition, husband and son couple.
35:28And grandchildren.
35:30Grandma, do your best.
35:32Aim for 1 million yen.
35:34Grandma, do your best.
35:36Let's call her by her name.
35:40Here are the treasures.
35:44It's cute.
35:46This is the Kishi Chikudou.
35:49Chikudou was the fourth generation of the Kishi family to leave Ganku.
35:53It was active from the Bakumatsu period to the Meiji period.
35:58It was one of the father's antique collections that ran a ship company.
36:03Mr. Hamasaki himself likes it very much.
36:09When I went to my wedding, I said,
36:12I want one of these.
36:15I was teaching tea ceremony.
36:21Is it Asagao?
36:22It's Asagao.
36:23It's cute.
36:25It's fashionable.
36:27Tea is good.
36:29Every year in the beginning of the year, they decorate it and enjoy it.
36:33In fact, the one who likes this Kakejuku the most is the master.
36:38Do you like this picture?
36:41I like it very much.
36:43The figure of a bee flying is the best.
36:46By the way, did you get on the Titanic?
36:51What do you mean?
36:54I saw a picture.
36:56I didn't get on it.
36:57I felt like I was on it.
36:58I see.
37:01The estimated value is 520,000 yen for 52 years of marriage.
37:09I've seen a similar work at the museum I've been to before.
37:13The couple is very much looking forward to it.
37:16What is the result?
37:19Ta-da!
37:24It's 300,000 yen!
37:26What a shame!
37:28300,000 yen!
37:31It's a real Kishi Chikudo.
37:33A real one?
37:35It's a real one.
37:36It's not worth 500,000 yen.
37:40The reason is that the Meiji era was the time when Daikan Yokoyama was active.
37:47It's an old type of painting.
37:52It's good, but I can't evaluate it in terms of market value.
37:56Thank you very much.
37:58The Detective Team will be broadcast anywhere in Japan.
38:04Next, we asked Mr. Poka, a bar owner in Kushiro City, Hokkaido.
38:15Poka?
38:16Excuse me.
38:18Welcome.
38:20The next client is Mr. Kimio Miura, a bar owner.
38:26He has been running a restaurant in Kushiro and Ginza for 45 years.
38:31He opened this restaurant four years ago.
38:34There is no fixed menu,
38:36but you can enjoy a lot of local ingredients that are suitable for the season.
38:43They all look delicious.
39:04What is the most recommended dish in this season?
39:08This is Menme.
39:10It's big.
39:13Menme is a deep-sea fish that represents Hokkaido.
39:17Its official name is Kichiji.
39:20It has a lot of fat.
39:22This is delicious.
39:24It's the most delicious food in the cold season.
39:27It's hard to get it now.
39:29It's expensive.
39:33The food is the best.
39:35The character is also the best.
39:37I'm the same age as my mother's son.
39:40I've been raised by my mother's cooking since I was a child.
39:45It's the taste of my mother.
39:47It's a gentle taste.
39:49The second mother.
39:52Mr. Miura didn't expect that.
39:56I'm happy.
39:57I'm happy.
40:01I'll treat you.
40:04I'm happy.
40:05By the way, what is the treasure?
40:08This is the ultimate time to represent China.
40:1330 years ago, his father, Mr. Sadao, was running a construction company.
40:18He was tired of his father's pain, and he lent money from time to time.
40:24I lent money from time to time.
40:27I don't think it's worth more than 10 million yen.
40:31I'm in debt.
40:34I lent money, but the money didn't come back.
40:37Every time he borrowed money, he left behind a lot of things.
40:43This time, the treasure is the most valuable.
40:50It's a real deal.
40:52Mr. Nakajima, please.
40:55Let's see what kind of treasure it is in the studio.
41:00Here comes the client.
41:02This is Mr. Miura from Hokkaido.
41:05Hello.
41:08Welcome.
41:09Thank you for coming.
41:11It's not over yet.
41:13If you show me your palm, I think you'll guess everything.
41:18It's a good store.
41:22I can go to the counter alone.
41:24That's helpful.
41:26Please come.
41:28Who is today's guest?
41:30It's a grandchild.
41:33Have you ever eaten your grandmother's food?
41:35Yes.
41:37What do you like best?
41:38Curry.
41:40It looks delicious.
41:43It looks like there's a lot of seafood in it.
41:46Hockey curry.
41:48Hockey curry?
41:49Crab curry.
41:50Crab curry?
41:52I'm hungry.
41:54Let's see the treasure.
41:56What is this?
42:00What is this?
42:02It's a cradle.
42:05It was made about 600 years ago.
42:11It's one of the things left behind by the debtors.
42:15Do you still have a relationship with the owner?
42:18No.
42:20Was it heavy?
42:22Can I hold it?
42:26It's heavy.
42:28It's pretty heavy.
42:31It's heavy.
42:33It's solid.
42:35The soil is solid.
42:38It's a real thing.
42:39What would you do if you were to catch a fish?
42:41I would take my family on a trip to Korea.
42:44A trip to Korea?
42:46I want to go fishing.
42:49I want to go to Korea with Chinese food.
42:52That's a good idea.
42:56The pure white skin and the faintly floating light veneer.
43:01The soft edges are full of precious treasures.
43:08Yuriko was born in Keitokuchin in the current era of China.
43:15The pattern on the cradle is not a top pattern.
43:20It is called this to be placed under the cradle.
43:26The pattern is made of white cloth with a white glaze.
43:29The material is a main ingredient of the Sanka-do.
43:33The pattern is baked with a transparent oil.
43:37The oil is supplied with oxygen at a temperature of 1200 to 1300 degrees.
43:43It becomes a vivid veneer due to the reduction of oxygen.
43:50However, if the temperature of the cradle is too high, the pattern evaporates.
43:55On the contrary, if it is too low, it becomes black.
43:59For this reason, it is extremely difficult to obtain a stable and beautiful color.
44:04Even if it is said to be a rare masterpiece,
44:07there are many patterns with uneven colors and blurred patterns.
44:14In the Min Dynasty, the emperor of the Koubu Empire,
44:18Kanyo, the emperor of the Koubu Empire, was appointed.
44:22The magnificent masterpieces were born one after another under the thorough quality management.
44:29At the same time, the Seika, which was made in Kanyo,
44:33is said to be made of cobalt.
44:36However, due to the ban on import of cobalt,
44:40the demand for glazes increased at once.
44:46The Gyokkoshun has a thin neck on the shimobukure-do,
44:50and a mouth with a flap-shaped beak.
44:54The flowers of the chrysanthemum on the do are drawn with a bold hitch.
44:59The beautiful color of the veneer shows a unique beauty that is not found in other yakimono.
45:09The Meipin here is characterized by a pattern that is divided into three stages.
45:16On the upper stage is the Myoito-gata, the Unkaku,
45:20the Genben-mon on the lower stage,
45:23and the Ho-oh on the middle stage.
45:27The dignified design is like a painting.
45:32Those who obtained this must have been fascinated.
45:39However, after the Koubu Empire fell,
45:43and the import of cobalt resumed,
45:47the Yuuri-ko was abandoned.
45:52The noble color of the Yuuri-ko,
45:55combined with its preciousness,
45:57has become a favorite subject of the Suizen.
46:03Let's take a look at the demand again.
46:07In the water of the Yuuri-ko,
46:09the do is painted with a pale veneer with horse-horse teeth.
46:15There is no unevenness and no blotting.
46:20The do is curved at the long joint.
46:25This is called a sen-san-pin,
46:27and is a model of the Islamic metallic water-vessels.
46:32In the Kei-toku-chin of the Min-era,
46:35such water-vessels were made in abundance,
46:39but how were they made?
46:45To be continued...
46:47Next Week
46:50This is going to be a huge hit.
46:54Everyone is going to buy it.
46:56I'm so excited.
47:00How much is it?
47:035 million yen.
47:055 million yen?
47:07Let's go.
47:08Open the price.
47:10Which one?
47:12Are you ready to go to Korea?
47:14One, two, three.
47:165,000 yen.
47:215,000 yen.
47:25This is not a Yuuri-ko from the Min-era.
47:29This is a fake that was sold mainly in the 1980s.
47:37First of all, it has a bad shape.
47:40The whole thing is supple.
47:44On the handle, there is a thread-through hole
47:48that is called an enkan.
47:52It was troublesome to make a fake,
47:54so I omitted it.
47:57And the color is sticky.
48:01The real one is drawn firmly with a thin brush.
48:06And it has a slight roughness.
48:09It's not one-color.
48:13If you look at the mouth,
48:15it's made of high-quality silver called SHIBUICHIKIN.
48:19It's been repaired.
48:21The person who used it probably broke his mouth,
48:25so he asked a professional silver craftsman to fix it.
48:29If it was a Yuuri-ko from the early Min-era,
48:34it would be worth 1 billion yen.
48:38How is it?
48:39It's a shame.
48:40It's a shame, isn't it?
48:41Let's leave it at the store.
48:43It's better to use it for everyone.
48:45We are looking for a client.
48:48If you want to sell a treasure,
48:52please apply to the address you see,
48:55including the photo and episode of the treasure.
48:58We are waiting for you.
49:00For more information, please see the program homepage.
49:05Kanteidan is on TVER U-NEXT.
49:08Please watch it.