EIGHT-JAM 2025年2月2日 LUNA SEA特集
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00:00I
00:05Can you know a to jam up
00:14Suck it. It's a son. Do you go shooting? Oh my god, you know she took you
00:19Oh
00:49I'm a nice connect. Some of the more you know, she was
00:55189 and you took your match that you did not see maybe the kiss say
01:00So she did you do you mean major debut?
01:07Sonodo could you know visual to say Kai can't at all to get a live performance that you got your show
01:15So she did
01:19Yeah
01:31Thank you. Yeah, I got top three
01:49I
02:19The wind in my heart, the wind in my heart
02:23I want to make sure
02:26That I haven't lost anything
02:33I want to tell you
02:38The words I want to tell you
02:45I want to say
02:52Amazing!
02:53I can't see a thing!
02:56Amazing!
03:01In 1999, when they celebrated their 10th anniversary of their formation,
03:05Enjoyed the 100,000 Live concerts
03:10LUNA-C has become a representative rock band in Japan.
03:16But the next year of this concert...
03:20Tonight, LUNA-C will close the show.
03:29At the end of the Tokyo Dome concert on December 27, 2000,
03:33LUNA-C closed the show.
03:37The reason why LUNA-C closed the show was...
03:41Because they thought they could shine more than anyone else.
03:48But they couldn't see the same light,
03:51and they couldn't look for a stronger light.
04:01LUNA-C closed the show 11 years after its formation.
04:08And then, 7 years later, in 2007...
04:14It's amazing to be back at the Tokyo Dome!
04:20They held a one-night revival concert at the Tokyo Dome.
04:27After that, they restarted their activities in 2010.
04:37LUNA-C has become a representative rock band in Japan.
05:00And then, in 2019, the vocalist Ryuichi...
05:04...underwent a surgery to remove his lung cancer.
05:11He reported on his lung cancer surgery on his blog.
05:15And then, in 2022, he had a vocal cord surgery.
05:20Last year, after two surgeries...
05:24LUNA-C is now 35 years old.
05:30They are now 35 years old,
05:32and they will hold the largest national tour in the history of LUNA-C.
05:38LUNA-C is also respected by their junior band members.
05:44And recently, through SNS,
05:47young people in their teens are addicted to LUNA-C.
05:50LUNA-C is now known as a high school slave band.
05:59I want to keep singing on stage until I can sing like myself.
06:08Ryuichi's determination to overcome his illness...
06:14So, LUNA-C is now a direct hit?
06:17When we were working in Osaka,
06:20Osaka's bands were very concerned about Tokyo's bands.
06:26Like their style?
06:28What kind of bands are there? How popular are they?
06:31What kind of members are there?
06:33At that time, LUNA-C, around 1992,
06:38it was all over the place.
06:40For example, the visuals of the members...
06:43Usually, a band has a little hole or charm.
06:47But LUNA-C didn't have that at all.
06:49There was no gap?
06:50There was no gap.
06:51The visuals, the sound, the existence itself...
06:54There were five people,
06:57and each person was at the level of making a solo band.
07:02There were five people who were outstanding.
07:05At that time, it was influenced by the indies.
07:08Osaka's indies bands were all LUNA-C's fans.
07:12They were all LUNA-C's fans.
07:14They were all like, come on!
07:16But everyone imitated them.
07:19Everyone was like, come on!
07:21How about you, Sugoru?
07:24The first time I heard LUNA-C on the radio was
07:27when the song, Desire, was playing.
07:31The darkness, the mysteriousness, the intensity...
07:35It was so different from the so-called J-pop.
07:38At that time, I was 12 or 13 years old.
07:42I thought, what is this?
07:44I see.
07:45It was a shock.
07:46It was a shock.
07:47I had the image of Ryuichi-san,
07:49but when everyone says it,
07:51it's a gathering of five incredible people.
07:56This time, we will introduce LUNA-C's charms with these five points.
08:01First...
08:09LUNA-C has released 21 CD singles and 10 original albums so far.
08:17Almost all of the songs are titled LUNA-C.
08:29How do they make the songs?
08:35How do you make the songs?
08:39That's too scary.
08:41I don't know.
08:43Each of us makes a basic song,
08:47and each of us makes a demo.
08:51Then we all come up with different opinions and build it together.
08:57Basically, we are a band that has come up live,
09:01so it's magic to make a song together.
09:09It's like the breath of the members comes in beyond my imagination.
09:16I think that's the best way for a band.
09:19I've been doing it for a long time, and I can feel it.
09:23A question from a professional about LUNA-C's songs.
09:28What about Nobuya from Rotton Grafty?
09:31Rosia and Dejan,
09:33when you listen to the B melody, it's very high-pitched, so you think,
09:37Is this the chorus?
09:39But after that, the chorus comes out.
09:41How was this composition born?
09:44If you listen to these two songs with an eye on the B melody,
09:55It's like a chorus.
09:57It's like a chorus.
09:58It's like a chorus.
09:59It's different.
10:20Oh, I see.
10:29Oh, I see.
10:36Next, Deja Vu.
10:59Mario is always
11:05I can't hurt you.
11:10You repeat
11:17Depending on the song, there is a discussion among the listeners about where the chorus of this song is.
11:24What is the purpose of this composition?
11:27Did you make this composition on purpose?
11:30I wanted to make a lot of chorus.
11:33I see.
11:34This song is going to be a chorus everywhere.
11:37For example, there is a chorus in the A melody and the B melody.
11:40There's usually a part where you kill it.
11:43Hold it down once and then explode it.
11:45I want to build it up more and more.
11:48The B is more than the A, and the C is more than the B.
11:51It's going to be a chorus everywhere.
11:53That's the kind of song we made.
11:58By the way, where do you think the chorus of Rosia is?
12:04How about Jay?
12:05Where?
12:06Yeah.
12:07I think it's both.
12:10Like Sugizo said,
12:13I wanted to make a song that would catch people's attention from the moment they heard it.
12:24I've never actually organized it.
12:27Where is it?
12:29But you wanted to make Rosia everywhere, didn't you?
12:33That's right.
12:36Have you ever said,
12:39Have you ever said no?
12:41No.
12:42I don't think so.
12:44We wanted to make a song that could go anywhere with a lot of heat.
12:51We wanted a lot of chorus.
12:53We wanted as much as we could.
12:55Five minutes, seven minutes, eight minutes.
12:58I think the foundation of the era we were making was different.
13:03I don't know if it didn't fit the era or if it was ahead of its time.
13:06I don't know if it was unique.
13:10But it's amazing that you make all the chorus like a chorus.
13:15You can't do that in the first place.
13:17When I heard it in real time, I was young, so I thought it was a chorus.
13:24But when I thought about it, there's another chorus.
13:28How did you make this song?
13:31As I said earlier, I was surprised that you didn't talk to each other.
13:36A, B, and C are all chorus.
13:41So it's cool no matter where you cut it.
13:45The chorus is going back to the same chord progression as the intro.
13:50After this composition, it goes back to the intro progression.
13:53I thought I'd put a melody here, too.
13:56I think it's getting more and more intense.
14:02I have another question from Sugawara.
14:10The bass and drums come in from the previous novel.
14:13The arrangement of the so-called rhythm-eating syncopation is Lunacy's special move.
14:19This song is like his great masterpiece.
14:31Sugawara says this syncopation is Lunacy's special move.
14:41Here's a question about this.
14:44When the arrangement that the listeners felt was completed,
14:47How did you feel about it?
14:50When I think about it now,
14:53I didn't think I'd use a lot of syncopation at the time.
14:59How should I put it?
15:02I wanted to convey a positive feeling.
15:06I wanted to go forward.
15:10I think I was making a song that was syncopated with an energetic feeling.
15:20I've never talked about syncopation here.
15:27There were a lot of syncopated songs when I was an amateur.
15:32We didn't know the technical term for it.
15:38We called it hook.
15:42I think we wanted to leave a mark on the song.
15:48I don't want to eat it.
15:51It's quite difficult.
15:53It's hard, so it's better not to eat it.
15:55Before the syncopation,
15:58Shinya said,
16:00Let's go.
16:03After that, the whole thing was syncopated.
16:05Ryuichi came in after a night.
16:08It's a great combination.
16:11It's my style.
16:14Shinya is amazing.
16:15Here's the performance.
16:25I can't believe anything.
16:28The worst thing is the second half.
16:33What's the next performance that shocked the pros?
16:38Sugawara and Nobuya paid attention to J's bass.
16:43J's bass moves so much that you think he's singing.
16:50J's bass moves so much that you think he's singing.
17:03And Sugawara.
17:05J's bass moves so much that you think he's singing.
17:13Here's the last part.
17:28How did you come up with this bass phrase?
17:33I've always thought...
17:38It's a band song.
17:41The drums, the bass, the guitar, the vocals, the lyrics...
17:48It's all about the melody.
17:54Including the rhythm.
17:59I wanted each player to sing passionately.
18:11That's what I was thinking when I was making this phrase.
18:15I've never made a bass line with the feeling of a bassist.
18:27This is my song.
18:31I was passionate about it.
18:34I'd be happy if you could feel that.
18:41J's bass style is really good.
18:45He's good at alternate picking.
18:49There are various bassists.
18:52Of course, there's UBP.
18:55It's a routine.
18:58And he plays the melody.
19:01It's really hard to keep it stable with alternate picking.
19:05The bass strings are thick.
19:07It's really hard.
19:09It's hard to control the strength of the bass strings.
19:20It's hard to control the strength of the bass strings.
19:24It's hard to control the strength of the bass strings.
19:26But he's doing it with alternate picking.
19:28That's right.
19:29It's a top class in Japan.
19:33Here's J's bass performance.
19:48Shinya, the drummer, plays with J.
19:52Are you aware of that as a rhythmist?
19:55Of course.
19:59Drums are more about singing than rhythm.
20:08My favorite drummer is a drummer who has a better sense of rhythm than personality.
20:19I'm aware of that.
20:21Shinya's drumming is really about singing.
20:24He's a singer.
20:27Ryuichi and Shinya's grooves always go well together.
20:33That's why there's a string quartet around it.
20:36Actually, the axis of the rhythm is in the drums and vocals.
20:41On the contrary, it's strong.
20:48That's why the string quartet moves freely as music.
20:55I think that's one of Lunacy's styles.
21:02Ryuichi, do you feel like you're singing with Shinya?
21:07I have a thousand percent trust in Shinya.
21:15There are a lot of fast songs and fast melodies that I've made myself.
21:23In those cases, I put Shinya's bass drum, snare, and hi-hat on the monitor.
21:33I sing with the intention of listening only to the drums without listening to the song.
21:46Shinya's bass drum and snare are the best.
21:57I'm humble, but I've been to a lot of vocal lessons.
22:01I think Ryuichi's rhythm is the best in the world.
22:05In fact, we were drawn to Ryu's rhythm.
22:09That's a lot of responsibility.
22:11That's right.
22:14Ryuichi's rhythm is really good.
22:18I feel like we're following him.
22:22I'm sweating a little.
22:26The band leader is praising everyone.
22:30It's nice to be able to see something like this.
22:33In addition, the twin guitars of Sugizou and Inoran are a big weapon of Lunacy.
22:40Sugawara, what do you think of their play?
22:45The guitarist always looks at the bottom.
22:49There are many songs that approach the arrangement from a completely different direction.
22:59Inoran plays a phrase that sews between drums, bass, and vocals.
23:12And Sugizou is an image of painting colors on the band.
23:29On the other hand,
23:35That role changes depending on the song.
23:44In Gravity, Inoran plays the lead guitar from the intro to the arpeggio.
23:54Here's the intro.
24:25I feel like I'm playing at a completely different rhythm.
24:31I feel like Inoran is playing like this, and Sugizou is playing like this.
24:38It's like an eye-opening experience.
24:43These five people have a strong relationship of trust.
24:46When they were active in the live house in Machida in the 1990s,
24:51They were born from the days they spent in a small studio.
24:56In the early days, my parents' house was a studio.
25:02I was reported to the police.
25:04Let's apologize together.
25:06That's true.
25:08I'm sorry.
25:09Sugizou had a good voice.
25:12But everyone couldn't imagine the studio from a distance.
25:15If there was a Shinya-kun drum set, my amp would be here.
25:19Ryu was singing around here.
25:21It's a 12-story room.
25:22At that time, Shinya's drum set was huge.
25:25Two-thirds of it was drums.
25:28It was right in front of me.
25:31That's where Blue Transparency, Precious, and Moom were born.
25:39Instead, there was a time limit.
25:43We decided not to play after 8 o'clock.
25:46We practiced for about an hour after work every day.
25:51We had five or six meetings a week.
25:54We decided to play until 8 o'clock.
25:58That's right.
26:00We can't miss out on talking about the history of LUNA SEA.
26:06100,000 fans gathered at the Ariake special venue.
26:10There!
26:12That's right!
26:14That's cool!
26:16That's great!
26:18You're the boss!
26:21The members appeared on the helicopter.
26:23It started with a flashy performance.
26:27LUNA SEA's 10th Anniversary Live in 1999
26:40Actually, this is the live.
26:43Three days before the performance, the stage set, which cost hundreds of millions of yen, collapsed due to the strong wind that attacked the venue.
26:53The performance was canceled, but the broken set was used as a ruins.
26:58The live was cancelled before the stage set was turned into rubble.
27:02That's cool.
27:04That's cool.
27:06I like LUNA SEA's 10th Anniversary Live the most.
27:11While the set was broken by the strong wind, the members were casual, not flashy makeup.
27:18However, it was a very good live that matched the broken set and felt like the end of the century.
27:25How did you feel when the set was broken and the live was cancelled?
27:31When I got one, I got it on the phone.
27:37I was asked,
27:39What?
27:41The stage is broken.
27:46What are you talking about?
27:51I couldn't understand what was going on.
27:56I don't know how I asked everyone.
28:00I hung up the phone once.
28:03I was drinking in a six-pack.
28:06I was wondering what was going on on the stage.
28:08I said, Don't be noisy.
28:10I was like, Is this true?
28:12It's like a lie.
28:14In my memory, it was the most spectacular show in the history of music.
28:26The concept of mapping and video was supposed to be a very new live at that time.
28:39But everything went wrong.
28:41As a result, about 100,000 people were naked.
28:46It was like a live house where we used to go up.
28:52We couldn't even collect the set that had collapsed, so we had to make it a set.
28:58We had no choice but to make the ruins a set.
29:02I was grateful that the fans rushed to us even in such a situation.
29:09I still get emotional.
29:14At that time, we appeared on a helicopter.
29:18Five of us were on the same helicopter.
29:21About 100,000 people were waiting for us.
29:27I was so moved by this scene.
29:32I was moved, too.
29:34My face was stiff all night.
29:36Until then, I felt like I couldn't show my face to the public.
29:40But I was moved by the audience.
29:44I was really grateful.
29:47Now I understand.
29:52I think the audience stopped us.
29:54They told us not to do it.
29:56I think the audience stopped us from playing and performing in a set that had collapsed.
30:04I think the members pushed us to do it.
30:08I still feel that way now.
30:13There are many risks.
30:16Next is the end of the show.
30:18And the truth of the revival live.
30:22Tonight, we will end the show.
30:28The end of the show, which was so popular in 2000.
30:36The activities that took 11 years with this live are over.
30:42Yes.
30:44Each member had the same feelings.
30:49Or maybe it was different.
30:51There may have been feelings that passed by.
30:55Anyway, I didn't take a break.
30:59I've been running all the time.
31:02Of course, I'm in the business of playing in a band.
31:10This year, I'm going on a tour.
31:12I'm going to release an album.
31:13I'm going on a tour next year.
31:15I'm going to release an album.
31:17I had to do what I decided to do all the time.
31:22It was really hard for me.
31:26That's what happened.
31:28When the five of us go into the studio, perform live, and record,
31:33I want to make a sound now.
31:36I think a good work was born when I pushed my feelings away.
31:42If we had continued as it was,
31:44there may have been a more negative way to collapse.
31:48At a good stage, we stopped once.
31:50Our way of life, our music, our philosophy.
31:57We decided to pursue everything again.
32:02We were able to achieve results in our 30s.
32:06Even now, we are still in our prime.
32:10I think it was good.
32:13And seven years from the end.
32:16December 24, 2007.
32:26I missed you guys!
32:29I can't stop crying.
32:36The revival live was held at the Tokyo Dome.
32:3950,000 tickets were sold out in just five minutes.
32:43There were so many people sold out.
32:46There were so many people waiting for us.
32:48They came because they wanted to see us.
32:51There are still so many people waiting for us.
32:57I think that's what pushed us back in the end.
33:06Yes.
33:07The subtitle of this day's live was One Night Deja Vu.
33:11The revival was scheduled for just one day.
33:16However, after receiving this day's live,
33:21Ura C continued his activities.
33:26It's been a long time since we got together in 2007.
33:30When I stood on stage,
33:32I was convinced that this was my roots, my hometown.
33:42After the show,
33:45I did solo activities with famous session musicians.
33:54I did it with people who were really good at technique.
34:04When I did One Night Deja Vu,
34:06I went into the studio after a long time.
34:09The moment I made a sound with these five people,
34:13this groove,
34:16it's very important that the breath doesn't match.
34:19I grew up with Shinya's drums.
34:22I grew up listening to Jay's bass, Inoran's guitar, and Sugizawa's guitar.
34:27I realized that I was a human being.
34:31I realized that I grew up here and that I am here now.
34:34I realized that seven years later.
34:37It was a little late.
34:39However, no matter how many great musicians gather,
34:43the groove that is born at the moment it is collected.
34:49We have written several albums before that.
34:53I went to Sugizawa's studio every day.
34:57The sound of the moment when I made it with my friends who I grew up with.
35:02I had a feeling that this groove would be popular all over the world.
35:13Now we have one support guitar in the live.
35:17We play with five people.
35:19Sometimes we play with four people.
35:21When we decided to do it with four people,
35:25we realized that the sound was louder with four people.
35:28We don't have one instrument.
35:31Sugizawa said that the scene of the band is in harmony.
35:38I think that's what it is.
35:41And?
35:42I want to keep standing on the stage until my heart breaks.
35:47What is Ryuichi's determination to overcome the disease?
35:54How can I play like myself?
35:56I'm risking my life.
35:59I have no choice but to be cool.
36:05Ryuichi's determination to overcome the disease.
36:12Nobuya has respected Ryuichi's vocals for many years.
36:17I love Ryuichi's old songs.
36:22When he sings with a stick,
36:26he has a lot of shakuri.
36:30I feel a lot of rock.
36:32Since then, he has been solo.
36:34He has changed to a sweet voice.
36:36Ryuichi now has a combination of Ryuichi in the past and Ryuichi when he was solo.
36:46I think it's the best now.
36:50Ryuichi is highly regarded by professional singers.
36:54But in fact,
36:56He had a lung cancer surgery in 2019.
37:01And in 2022, he had a surgery to remove the mucous membrane from his vocal cords.
37:07He has overcome two major diseases.
37:12He toured 41 parks last year.
37:18Ryuichi and Matsuoka have known each other for more than 30 years.
37:27When I saw the video of his tour in Omiya Sonic City,
37:32I was very shocked.
37:34I didn't expect Ryuichi to sing so painfully like a super saiyan.
37:47Ryuichi's voice is so beautiful.
37:50I can't help but sing along.
37:53Ryuichi's voice is so beautiful.
37:55I can't help but sing along.
37:57Ryuichi's voice is so beautiful.
37:59I can't help but sing along.
38:01Ryuichi's voice is so beautiful.
38:03Ryuichi's voice is so beautiful.
38:05Ryuichi's voice is so beautiful.
38:07Ryuichi's voice is so beautiful.
38:09Ryuichi's voice is so beautiful.
38:11Ryuichi's voice is so beautiful.
38:13His voice is so beautiful.
38:15His voice is so beautiful.
38:17His voice is so beautiful.
38:19His voice is so beautiful.
38:36I was so sad that I couldn't stop crying.
38:39I thought that for a moment, but the next moment, I knew he was a Super Saiyan.
38:44I would never have been able to get on stage.
38:47That's how much Ryuichi-kun is proud of himself.
38:52When I know that I am incomplete,
38:55I personally want to hear how you feel about standing.
38:59You don't have to say it, but I want you to tell me that you were watching.
39:04I thought the members who supported it were really cool.
39:07You said that you would definitely go to see the Tokyo Dome live.
39:12How did you feel about that?
39:15That's right.
39:18All the members, all the fans, all the staff really supported me.
39:24In a way, this tour was a painful battle, but I was able to do it.
39:31There are so many things I think about.
39:35I also thought that I shouldn't be on stage.
39:40But on the contrary, I want to do what I can't do today tomorrow.
39:46Tomorrow, even if it's one line at a time.
39:52I don't want to go back to the old days, but I want to be able to sing like myself.
39:59I want to keep standing on the stage until my heart breaks.
40:07For me, it's more than a dent.
40:11It's more than breaking my heart.
40:14No, even if it's one line at a time.
40:17I had a strong feeling that I was going to get my song back.
40:22I hope that the Tokyo Dome will be a place where Mitsuru can see with a smile.
40:31I've been in the Tokyo Dome for more than 30 years.
40:37As a band member and vocalist, I respect him very much.
40:42But as a human being, he was very close to me.
40:46I thought that my biggest weapon was singing.
40:52But I was sick and couldn't sing properly.
40:57I honestly thought that I should rest in my heart.
41:01I thought that I shouldn't stand on the stage anymore.
41:04But I kept standing on the stage.
41:08When I saw Omiya's live performance, I managed to sing four bars.
41:13I didn't sing four bars.
41:15Then the fans sang.
41:17Then I sang four bars again.
41:19When I saw that, I was really sad.
41:22I was a perfect person.
41:25I was really sad.
41:28But when I thought about it, I still stood on the stage.
41:33And there was a moment when Inoran hugged me.
41:38I realized that I was able to stand on the stage because I was a member of this band.
41:43I was able to feel the greatness of the band.
41:47I was able to feel the magic of the band.
41:50I was very happy that he showed me that.
41:54I still stand on the stage with the memory of making four bars with the fans.
42:04This year is the 36th anniversary of his debut.
42:10What is the secret of his long career?
42:14I still remember what I felt at that time.
42:20I met the members at the Playhouse in Machida.
42:23There was one thing that hadn't changed since then.
42:27It's a little strange to say that everyone's work was given to me.
42:33It's the same for live performances.
42:37It's the same for rehearsals.
42:39I really felt that I was putting my life on the line for how to shine and how to play my own way.
42:49Normally, the leader of the band would say,
42:53I don't want you to do this. I don't want you to practice this.
42:58But that wasn't the case at the time of our formation.
43:02I was just thinking about how to look cool.
43:05I thought I was cooler.
43:08I think it's an extension of the rock kid.
43:15I don't think there are many bands where everyone is the leader.
43:22I really like the other four.
43:28I think they're the coolest in the world.
43:32It hasn't changed since I made music at my parents' house in Sugizo.
43:38It's been 35 years.
43:42I don't think this feeling has changed for 35 years.
43:45I think it won't change for the rest of my life.
43:49I'm the only one who thinks that.
43:53That's the way it is.
43:56The weight of the words of those who have been doing it for 35 years is amazing.
44:03It's our 20th anniversary.
44:06We've done so much.
44:08We've praised each other.
44:11We're having so much fun.
44:15That's the only cool thing.
44:17AI is asking, how about this next?
44:20Can you show me?
44:22It's too scary.
44:23I'm going to do it.
44:25I'm going to do it.
44:26I'm going to do it.
44:27I'm going to do it.
44:28I'm going to do it.
44:29I'm going to do it.
44:30I'm going to do it.
44:31I'm so nervous.
44:34Next episode.
44:35The pros want to do it on the show.
44:39I'm going to make everyone's excitement go away.
44:43How many elements are there?
44:47AI is asking, how about this next?
44:49Can you show me?
44:50Let it be.
44:52Let it be.
44:53It's cute.
44:54You've changed.
44:55I'm going to give you a present.
44:57I'm going to give you a present.
45:01I'm going to give you a present.
45:02I'm going to give you a present.
45:03I'm going to give you a present.
45:04I'm going to give you a present.
45:05I'm going to give you a present.
45:06I'm going to give you a present.
45:07I'm going to give you a present.
45:08I'm going to give you a present.
45:09I'm going to give you a present.
45:10I'm going to give you a present.
45:11I'm going to give you a present.
45:12I'm going to give you a present.
45:13I'm going to give you a present.
45:14I'm going to give you a present.
45:15I'm going to give you a present.
45:16I'm going to give you a present.
45:17I'm going to give you a present.
45:18I'm going to give you a present.
45:19I'm going to give you a present.
45:20I'm going to give you a present.