Category
🎥
Short filmTranscript
00:00Oh
00:30Oh
00:45No, I can't believe I'm here
00:49Panda, look, I thought you'd be happy to see us. Wow, don't you remember that he cut us off from his list of friends?
00:57Hey
00:58I know I exaggerated, but you didn't do it right
01:05Excuse me, I swear it was with good intention. Don't let that disgusting cod separate what the cocoa joined
01:16Just because I'm in a good mood
01:20Hey guys
01:22Sorry to interrupt this precious fraternal hug, but can I stop being the burden donkey?
01:28Of course, sorry, take it, you can leave it there on the floor
01:33My parents decided that it would be best if he came with me, so we have to take advantage of the fact that we are. Of course
01:41I wouldn't say no to a job like that
01:43In fact, if you want, I have a list of things you can do. Well, well, it depends on the task
01:49As long as it's nothing weird, I'll do whatever it is. No, it's nothing weird, it depends on how long you can hold on to the same position
01:59He's not here
02:04Chira, you still haven't told me your idea to get my mother-in-law a job
02:09I've come up with a few things to make the deal with the tourists more professional. I'll explain it to you later
02:17Look who we have here. Say hi, Chira. Hello
02:21Hello handsome
02:23Those who come to Itacaré already know it. If you can't find peace at home, come and find peace at Chira's bar
02:29El Chop Real, El Chop Real, we are El Chop Real, come to El Chop Real
02:34And also, as an extra, visit El Canino Real, the local attraction, and there's more
02:39Whoever comes and says that he comes on behalf of Anitinha
02:43gets a free beer, but not the alcohol
02:47What an announcement you've made, Chira. You've always had a gift to communicate and entertain people
02:53Thank you very much, beautiful
02:55Thank you
02:57For what you're doing for my mother
02:59You're welcome
03:01Hello, love
03:07It looks like you don't know her
03:09She's just doing this to get followers
03:13I don't know what she's thinking
03:15I don't know what she's thinking
03:17Why would I help a person as unpleasant as you?
03:21Hey, stop the car. Don't start
03:23Filo hasn't been unpleasant
03:25It's just that he's not having a good time
03:29I'm a realist, which is very different
03:31Mom, hey
03:33I really think Chira has talent for communicating
03:35I've proposed to her to appear more often on my Instagram
03:39You'll see, honey
03:45Well, I'm back home
03:49What I don't understand
03:51is why you're not smiling
03:53from ear to ear
03:55Or do you feel so guilty for your shit that you can't?
04:03I know your intention was good
04:05but Chiradentes and I
04:07will never have a healthy relationship
04:09Well, mom, you should
04:11She's been very good
04:14She has a house and a job
04:16I'm sure she's been cheating on me
04:20The truth is that you have to be in a very good spiritual form
04:22to help someone like you
04:24You're lucky to appreciate Anita so much
04:26Hey, hey, stop, stop, stop
04:28I have the keys
04:30Right? Let's go home
04:32We'll take Filo's things
04:34and then Chira will explain what she has to do
04:36Okay?
04:38Mother-in-law, allow me
04:40Leave me
04:42Cover me inside for a while
04:44I'll be right back
04:46Ready? Let's go
04:48Thank you
04:50Can you do everything?
04:54I'm sure I'm going to regret it
04:56Why did I help her?
05:02He thinks he can use me
05:04and accuse me of being a moron
05:06You wait for him to ask for explanations
05:08You'll see
05:10Lala
05:12Are you talking to yourself?
05:14Maybe you should go to the doctor
05:16It turns out that your father has left the ship
05:18Or did you think I wouldn't find out
05:20that he hasn't slept here?
05:22Of course he wasn't going to sleep here
05:24I don't care
05:26It's good that he's embarrassed
05:28and left
05:30But it's strange, isn't it?
05:32He has nothing to fear
05:34Then why is he still here?
05:36Mom, it's just that...
05:39Then if he was so right
05:41why did he run away?
05:43Say what you want
05:45but I'm going to keep believing dad
05:47Well, you're stupid
05:49Just as stupid as your father
05:51Well, a pseudo-stupid
05:53because your father is a moron
05:55Seriously, mom, don't start
05:57No, don't start, Martin
05:59Okay, if you want to stay at home
06:01you can't be with your father
06:03Excuse me?
06:05You didn't hear me perfectly
06:07Either you're with me or you're against me
06:09I don't like ultimatums
06:11Choose
06:23I don't know how it happened
06:25And now that woman is going to be more furious than ever
06:27How could he make that mistake, Valdemar?
06:29But it's not Valdemar's fault
06:31He did what he could
06:33The decisions he made weren't the best
06:35Now it doesn't matter who failed
06:37We already knew it was a high-risk plan
06:39True
06:41The important thing now is to hide Cacao and Marquinhos
06:43Those are the objectives
06:45How are we going to do that without her finding out?
06:53And besides
06:55That woman knows that now we're all in Brazil
06:57I think it would be better
06:59if Cacao went back to Portugal
07:01and stayed at my house
07:04That's true
07:06But now we have to explain to her what's going on
07:10Maybe there's another way
07:12Excuse me
07:14I couldn't avoid listening to your conversation
07:16You'll be happy, won't you?
07:18Your sister is in danger again
07:20No, not at all
07:22I just interrupted because I know how to help
07:24Help? You want to help her?
07:26For the queen
07:28Let Salome speak
07:30From what I understand
07:32Is she in danger?
07:34We don't know yet
07:36The doctors say she's about to wake up
07:38And she'll wake up confused
07:40But is she in the same room as that woman?
07:42Yes, that's right
07:44Well, we have to take advantage of that
07:46and act very quickly
07:48What do you think?
07:54Well, you know the plan went wrong
07:58The most important thing is that Cacao is safe
08:00Yes, that Connie is out of combat
08:02gives them time to get Cacao out of there
08:04Yes, because when Connie wakes up
08:06she's going to crash like a hurricane
08:08to do everything she promised
08:10And we'll see if she forgives Marco
08:12For now, that's what worries me the least
08:14because the way we've thought about it
08:16she'll look like a victim
08:20I don't know about you, but I have to go back to work
08:22and solve a lot of things
08:24That's it, continue with your lives
08:26Try to sleep
08:29I'll stay here and connect to the hotel security system
08:31to monitor your movements
08:33and see what happens with Marco
08:35Ok, keep us informed
08:37Don't worry, I'll keep you updated
08:43Goodbye
08:59Ugh
09:10So, we have to take advantage
09:12that Cacao doesn't know anything
09:14and tell her that Marco's life
09:16is in danger
09:18But how are we going to explain
09:20that she's not in the hospital?
09:22That's the second part of the plan
09:24and she doesn't have to know it
09:26until she's not there
09:28Marco didn't want to go to the hospital
09:30because he was afraid he'd be killed
09:32And where is he going to stay?
09:34In your house, dad
09:36You have all the conditions
09:38to set up a hospital room
09:40like we did when you were unconscious
09:42Yes, yes, that could be a good idea
09:44And because if he stays there
09:46Cacao will want to visit him
09:48because he's her son's father
09:50Yes, and that way you can take her without scaring her
09:52Yeah, maybe
09:54But then she'll have to know
09:57that her life is in danger
09:59Tell her that Marco did everything to save her
10:01Yes, I agree
10:03That wouldn't be bad
10:05for her to stay in Portugal
10:07Keep in mind that there's an element
10:09that we can't control
10:11We don't know if we can count on Marco
10:13He's trapped in a room with criminals
10:15Let's not get into the worst
10:17He's capable of escaping from that situation
10:19Now I think we have to focus on
10:21how we're going to convince Cacao
10:23to get on the plane
10:25After all the trouble he's gotten himself into
10:27he'll want to hide from that woman
10:29Do you realize that this plan
10:31will only work if Connie
10:33believes that Cacao and Marco are still here
10:35Of course, that's why we'll have to trick her
10:37But now that we know
10:39the name of our enemy
10:41we'll also be able to follow her movements
10:43Cacao has to go back to Lisbon
10:45I'm going to rent a plane
10:47Okay, who's going to talk to her?
10:49Can we go?
10:51Yes
10:55And you, strategist?
10:57What do you gain from this movement?
10:59Me? Peace
11:01And everyone's trust
11:03Maybe even yours
11:05Mine?
11:07Unlikely
11:09I'm not as naive as your father and sister
11:11When you go get flour
11:13I'll be right back with the bread
11:15That's it
11:17Can't you tell I'm nervous?
11:19You're doing great
11:21The king of the waves
11:23Like a good surfer
11:25You're nailing it
11:27That's it
11:29Take that
11:31Show me your biceps
11:33What biceps?
11:35Just a moment
11:37This idea of making a mold of mine
11:39for Cacao
11:41I don't know
11:44This idea of making a mold of mine
11:46for a chocolate
11:48I'm not buying it
11:50People will love it
11:52Customers will like it
11:54It's going to be a success
11:56A success?
11:58You could call one of those big shots
12:00Cacao
12:02And one of those guys I know from Portugal
12:04That's easier
12:06People don't want the typical Ken Quadrado
12:08They want a real man
12:10A common man
12:12Someone like you
12:14Take the board
12:16That's it
12:18You look better
12:20Cacao
12:22This isn't serious, is it?
12:24No
12:26But the chocolate is
12:28We've been wanting to make a chocolate
12:30with a human shape for a long time
12:32We already have the female model
12:34And now we need the male
12:36We were waiting for the perfect body
12:38Are you kidding me?
12:40My dream would be
12:42to make real-size samples
12:44You know?
12:46And eat it all
12:50Guys, it's clear that I'm not the right person for this
12:52What are you saying?
12:54Your board is beautiful, but I'm going to be the handsome one
12:56Don't talk to me like that
12:58I'm glad someone came to show some respect
13:00Because I have nothing to do with this
13:02I'm leaving
13:04What's going on?
13:06We're working
13:09We have a new idea
13:11I can see that you're having fun
13:13But it's time
13:15to get back to work
13:17Of course
13:19Excuse me
13:21Excuse me
13:23But you don't, Cacao
13:25Because we have to talk
13:27What's going on?
13:29You look worried
13:31Because I am
13:33There's something you need to know
13:35About Marco
13:37Let's talk somewhere else
13:39This is a public place
13:41Yes, let's talk at home
13:43Let's go
14:07Hello, honey
14:09Can you hear me?
14:11We have things to talk about
14:13Well
14:15I thought
14:17I was done with you yesterday
14:19And that's how it was
14:21I'm done
14:23You can't imagine how much
14:25But how dare you lie to me?
14:27I'm going to kill you
14:29I'm going to kill you
14:31I'm going to kill you
14:33I'm going to kill you
14:35How dare you lie to me?
14:37What's going on?
14:39Do you think I'm an idiot?
14:41That's why you recognized me
14:43It wasn't the funeral, was it?
14:45What do you think?
14:47That I was going to see my ex-husband come in
14:49With my ex-girlfriend and her husband
14:51And that I wouldn't stay to listen to the conversation?
14:53Calm down, I can explain
14:55Regina's brother?
14:57That whore who tried to seduce my husband?
14:59That's why you didn't tell me your real name
15:01At least you had a little decency
15:04And you didn't give me a fake name
15:06Right, Valdemar?
15:12Jaime, come in
15:14I still can't believe we're doing this
15:22It's like we're in the middle of an action movie
15:27I still feel the rise of adrenaline
15:31And you drive well
15:33I had no idea
15:35When I was younger, I loved cars
15:37But I got married, I had a son
15:39And I calmed down
15:41Wow
15:43I had no idea that
15:47You drive very well
15:49I swear I thought
15:51Someone had taken your car
15:53I didn't think it could be you
15:55You know, now I understand
15:57Why I stopped being interested in Alala
16:00I'm sure she thought I was a pagoda
16:02Like Salomão told me
16:04Instead of the man she dreamed of
16:06Forget Alala, Jaime
16:08It's a thing of the past
16:10And don't pay attention to Salomão
16:16But well
16:18I'm glad all this madness has passed
16:20Because at least I get distracted
16:22From the mess Alala has put me in
16:24You know
16:26What has happened to me now, Jaime?
16:28What if it wasn't her?
16:32What do you mean, what if it wasn't her?
16:34What if it wasn't her, Alala
16:36Who came up with all this
16:38And if the person who's trying to bother you
16:40With all this
16:42Is the woman you mentioned
16:44She wouldn't have a reason to do this
16:46To extort you for money
16:48Did you think about it?
16:50No, if she wanted to take money from me
16:52She would have blackmailed me already
16:54And it wasn't the case, no
16:56This is Alala's work to take revenge
16:58I'm sure of it
17:00I've put her in a position
17:02And what does she want to do?
17:04She wants to destroy my career
17:06She knows perfectly well that apart from my son
17:08That's the most important thing in my life
17:10She knows
17:12Well
17:14What I know
17:16Is that before I was much more worried
17:18Than now, not knowing how you'd react
17:20To all this
17:22Now I'm much calmer
17:25Because I'd always thought
17:27That you were
17:29I'm sorry for saying this
17:31But I'd always seen you as
17:33A calm and serene lamb
17:35And in the end
17:37You're inside
17:39A warrior
17:41A real lion
17:43Today I've proven it
17:45And it's become very clear
17:47I'm sorry
17:49But after everything that's happened to us today
17:51This has made me laugh
17:53Jaime, I'm telling you very seriously
17:55And I think
17:57This could play in your favor
17:59Because since Alala
18:01Thinks that you're
18:03A docile lamb
18:05And easy to defeat
18:07It doesn't mean that you're
18:09That predator that you're
18:11Come on, Julia, don't say that
18:13Of course I do
18:15Of course I do, Jaime
18:17You
18:19Just have to
18:21Give voice
18:23To that animal of yours
18:25That you carry inside you
18:27And that you've shown me today
18:29At the wheel of that car
18:31And face Alala without fear
18:33Seriously
18:35Come on
18:39After this very improvised
18:41Self-help session
18:43I need to go and rest
18:45Because my eyes are closing
18:47Yes, yes, of course
18:50This is your home
18:52It's hot here, isn't it?
18:56Well, have a good rest
18:58Good night
19:13But how?
19:15I don't understand how this could happen
19:17We don't know
19:19He called us saying that he wasn't well
19:21We doubted if we should tell you
19:23Because I've been giving you some time in your relationship
19:25But we couldn't hide it
19:27No, of course
19:29After all
19:31He's Marquina's father
19:33You've done well
19:35Thank you, thank you very much for telling me
19:37And now what?
19:39Now
19:41It seems that he only says your name
19:45What will you do, Kakao?
19:47Aren't you going to visit him?
19:49What if he dies, Cielo?
19:51I don't know
19:53What if he dies without seeing his son for the last time?
19:55I know, this has happened very quickly
19:57It doesn't make sense
19:59It's been a moment for us
20:01But that's life, it doesn't make sense
20:03One day you're fine and the next...
20:07What are you doing, Kakao?
20:09I'm going to call Marco
20:11He's not going to answer
20:13I know and that's why I'm calling
20:16It's off
20:18I told you
20:20Everything will be fine, my love
20:22Cielo, if you want, I'll rent a plane for you to go
20:24And I'll go with you
20:26No, that doesn't make sense
20:28We just arrived
20:30You see, there are things that are more important
20:32Cielo
20:34If it were you, I would go
20:36Kim, help Kakao pack his bags, please
20:38And I'll take care of the flight
20:40Good idea, Justino
20:42I still don't believe it
20:44It doesn't make sense
20:46Dad, what if he dies?
20:48Calm down
20:50My son can't be without his father
20:52Calm down, Kakao
20:54Have faith, he'll get better
20:56He's still young
21:08You used me, what did you want?
21:10What did you want to get?
21:12What did you want to take from me?
21:14I only took you
21:16The clothes and a lot of pleasure
21:18You're a liar
21:20Calm down, okay?
21:22Maybe I didn't tell you who it was
21:24But everything else was absolutely true
21:26Everything else?
21:28Our chemistry, blondie
21:30Our caresses
21:32Or are you going to tell me
21:34That you were pretending all the time?
21:36No
21:39You can't convince me
21:41I know you have a lot of lips
21:43And I'm not going to be one of your victims
21:45Nobody uses me
21:47I'm the one who uses men
21:49You explain and I love it
21:53Do you have such a low self-esteem
21:55So you don't believe anything I'm telling you?
21:57My self-esteem is perfect
21:59It's very high, as always
22:01Because when I look in the mirror
22:03I see who I want to see
22:05Me too
22:07You know that we are on opposite sides of this war
22:09I can't be completely glued to you
22:17Why are you the brother of that fake
22:19Of that...
22:21Of that harpy who betrayed a friend of mine
22:23Behind her back, that cold-blooded
22:25As far as I know, you're not even friends anymore
22:27And I didn't want to get in there
22:29But who are you to talk about loyalty?
22:31Or do you think I don't know you've been betraying your other friend
22:33And her husband for years
22:36That has nothing to do with it
22:38We had our reasons, it's a different story
22:40Regina had her reasons too
22:42But we have nothing to do with it
22:48Your sister would love to know
22:50That we are loyal to her and all my old friends
22:54Since when do you tell them your secrets?
22:56Nobody has to know
23:02Do you want to hide me?
23:04I want what nobody knows
23:06Nobody destroys
23:08Well, the truth is
23:10I agree
23:14Listen
23:16Yesterday I would have liked to have stayed with you
23:18In that bed until dawn
23:20But I had to leave
23:24But now we could
23:28Are you going to discard me out of pride?
23:30Or are you going to want to use me first?
23:34No
23:54Excuse me
23:56Cheetah, come on, don't make that face
23:58We have to get along, partner
24:00Partner?
24:02Don't get it wrong
24:04I'm not doing this for you
24:06Okay, fine
24:08And did you get what I asked for?
24:10Do you know the name of the boss?
24:12Of the boss?
24:14It's a woman
24:17Miss Connie
24:35What happened?
24:37Don't worry
24:39They tried to kidnap her
24:43Kidnap me?
24:45They used chloroform
24:53Are you sure it was Marco?
24:55If the Marco you're talking about is that one
24:57It wasn't him
25:01What did they do to him?
25:03Don't worry
25:05He's alive
25:07And I just tied him up for safety
25:09Marco?
25:13Marco?
25:15Marco?
25:17Marco!
25:19Wake up!
25:23If he's alive, why is he like this?
25:25Because they also tied him up
25:29They tried to kidnap her
25:31But they left him here
25:33And he's still unconscious
25:35Connie?
25:37Yes, someone told me that she heard the rumor that that person was involved in an association.
25:43That helps poor children.
25:45Well, look, yes, yes, how do you know?
25:48Consencio de Castro knew it was her.
25:50I think I know who that person is.
25:53If I get a photo of the one I think is Connie, you send it to your friend to check if it is the same.
26:00Sure, I can send him a message.
26:02Does he have a cell phone?
26:03Everyone has a cell phone.
26:04Okay, I'm going to get a photo.
26:06Who is that Consencio you're talking about?
26:09And why do you think it could be her?
26:11Consencio is the owner of Terraforte, the company that tried to buy Bella Vista and that has a connection with Marco.
26:17No one was listening to me.
26:19Look, here it is.
26:21It's this one.
26:23It's this one.
26:24Great.
26:25Give me the photo and I'll give it to my friend.
26:27Sure, there you go.
26:28Great.
26:29I knew it.
26:30I knew it.
26:33We have to find out immediately who did this to me.
26:36We managed to save you, ma'am.
26:38But we don't have images of them.
26:41They were two men.
26:43Someone else had to see something.
26:45I've already asked the director for the images of the cameras.
26:49But he's a little reluctant.
26:51And he also tried to call the police.
26:54Although I didn't let him.
26:57You've done well.
26:59Well, and that's why he hasn't been very cooperative.
27:03Tell him to come.
27:05And hide that one in the bathroom.
27:08We don't want the director to come and see it that way.
27:11Come on, Abel.
27:12Yes, ma'am.
27:18Seriously.
27:19Very strange things happen in that factory.
27:24I think they were taking the piss out of you.
27:27Because what sense does it make that they want a mold of you for the chocolate?
27:31If it were mine, I would understand, but ...
27:34I think he liked the boy and it was his way of telling you.
27:38Mom, don't say that.
27:39Just by looking at me, you can see that I'm a real man.
27:42What does it have to do with what happened?
27:44Just look at your muscles.
27:45Don't touch me so much.
27:47You were admiring this work of art and you didn't complain.
27:50What did I tell you to do if you kept saying those things?
27:53Do you want to stop being a man?
27:55Mom, you scare me when you say that.
27:58Would you be able to end your own son who was born so perfect?
28:01Calm down.
28:03So perfect that they even wanted a mold of your body.
28:07It will be so that they can taste you better everywhere.
28:15Look at Lola.
28:16You've had a good hand.
28:18Look how it runs.
28:20Did you think I was kidding?
28:22I was serious.
28:23I have not been working to raise a delinquent daughter
28:27and a son as sexist as his father.
28:35I'm sure today has traumatized him.
28:47We have convinced her.
28:49She is going back to Portugal.
28:50I don't believe it.
28:51I'm going to talk to her.
28:52Let's see what you say.
28:53I know.
28:54I'm going to give her emotional support for Marco.
28:58Thank you very much.
28:59Thank you for getting her out of here.
29:05I'm sorry.
29:06It's okay.
29:07It's okay.
29:08I'm going to pack my bag.
29:10Lola.
29:11Lola.
29:13Lola.
29:14Did you call me, boy?
29:16Come with me.
29:17I need your help.
29:18Let's go back.
29:19So soon?
29:22Yes.
29:27Don't worry about anything.
29:29I'm going to take Marquinho to the main house
29:31so that Baobá can give him the bottle.
29:35Thank you, Dad.
29:36That would help me a lot.
29:38I'll come later to help you with the rest.
29:45May I?
29:46Of course. Come in.
29:48Hello, Cacao.
29:49You know about Marco.
29:51It's terrible.
29:53The worst thing is that I don't know how he's doing.
29:56I think it's serious.
29:58Maybe.
29:59I don't know.
30:01Do you think he's doing all this just to see me?
30:06I think it would be a little too much.
30:08He could come here and that's it.
30:10What do you mean?
30:12Could you talk to him yesterday?
30:18The truth is that I'm going to need your help again.
30:22I need you to tell Tiago that I'm leaving.
30:25Don't call him.
30:26I can't.
30:27You know how he is.
30:28He wants to come with me.
30:31This is urgent.
30:33Marco could be in danger of death.
30:36Yes, of course.
30:37I'll talk to him.
30:38But what exactly do you want me to tell him?
30:48A few days later.
30:52Your friend may have a cell phone, but he doesn't use it much.
30:55He's working in the field.
30:56Are you in a hurry?
30:57Time here passes differently.
30:59You know there are things that have to be done quickly.
31:02We can't be here waiting for everyone.
31:04Why are you in such a hurry?
31:05If you were here a while ago, you were planning something with that girl.
31:08But...
31:09Okay.
31:10Tiago.
31:11Come.
31:12Thanks for yesterday.
31:13If it weren't for you, Cacao and I wouldn't have been able to talk.
31:16It was a pleasure to help you, but I didn't come for that.
31:20I have a message from Cacao.
31:33Excuse me.
31:36Good morning.
31:40It turns out that my men, my guards,
31:43have told me that they have refused to give them access to the surveillance cameras.
31:47Is that true?
31:48The truth is that what happened...
31:50You are not in a position to deny it.
31:52You yourself have seen that they almost kidnapped me here.
31:56A hotel that I will remove from my list for lack of security,
31:59and that also refuses to collaborate to find the culprits of this.
32:04The truth is...
32:06Could you stop repeating that phrase?
32:10My men will accompany you to see the images
32:13and identify the people who have done this to me.
32:18They are all former police officers.
32:20More than qualified to give that kind of service.
32:23But it won't be possible.
32:24That's what I'm trying to tell you.
32:26Why won't it be possible?
32:29They have disappeared.
32:30The images have disappeared.
32:32Are you kidding me?
32:33What do you mean they have disappeared?
32:35Unfortunately, all the images of the last 24 hours are not in the system.
32:42That doesn't just disappear, no.
32:45I recognize the hand of a professional.
32:49That's why I want to call the police.
32:51No, no, nothing, nothing police.
32:54But tell me, can I do something to help?
32:58Get out of here.
33:00It's no use.
33:02Can I ask you a question?
33:04How is Mr. Engineer Marco Figueroa?
33:10Excuse me.
33:13Don't worry.
33:14He's in the bathroom.
33:16He's fine.
33:28Shit!
33:29Shit!
33:30I know who did this to me.
33:32I'm almost sure who it was.
33:35I know what I'm going to do.
33:37Killing Kakao won't be the only thing I do.
33:40First I'm going to make them regret challenging me.
33:43One by one.
33:45And I'm going to destroy what matters most to them in life.
33:49The game is about to begin.
33:54Let's go to Brazil.
33:57We have to light a bonfire.
34:00Is Kakao going to leave?
34:02Yes, Marco is between life and death.
34:05But what happened?
34:06Iago.
34:08My friend answered me.
34:09What did he say?
34:10The one in the picture is Connie.
34:12I knew it.
34:13What are you talking about?
34:14Something that could explain what happened to Marco.
34:22Baobasiña, we haven't had time to get up.
34:27I'll be back soon.
34:29Okay?
34:36Well, I hope things are better than they seem in Lisbon.
34:41Dad, I haven't even had time to say goodbye to Guto and Pishi.
34:46Someone could tell them...
34:47Don't worry.
34:48Who's going to take care of that?
34:51I've done longer than this.
34:53Come on, Santos.
34:54Think positive.
34:55We have to train the train tomorrow.
34:57That's it.
34:58Let's go.
34:59I don't understand why I have to go and Miss Soraya stays here.
35:03Everyone gets what they deserve, my friend.
35:05Son, don't question the boss.
35:07Think about what they need there.
35:09Look at the bright side of things, right?
35:13Are you listening to my mother, beautiful?
35:15I'm actually important.
35:17When everything calms down, we'll be back.
35:19Let's go.
35:20Goodbye.
35:26Where do you think you're going?
35:28I'm going with you.
35:30Do you think it's a good idea to leave me here alone with Sal?
35:33Didn't you say you wanted to come here?
35:35Well, now make do with her and I'll take care of Cacao.
35:38Hey, Dad.
35:39And take advantage of my absence to reconnect with this place,
35:42which was what you wanted, right?
35:44Dad, no.
35:45Don't talk to Regina like that.
35:47It's okay.
35:48You're right.
35:49I'll stay.
35:50Don't worry.
35:51And speaking of Salomé, where is he?
35:53He's gone to take care of something I asked him.
35:56Don't worry.
35:57It's okay.
36:06I'll be back soon.
36:08You'll be happy.
36:10You didn't want me to come.
36:12You didn't want me to come.
36:16She's the one who wanted to buy the properties around Bela Vista.
36:20And Marco knows her.
36:24The theory is a bit complicated.
36:26We still don't know very well what happened.
36:28We don't know what happened.
36:30But it happened just now.
36:31It's a bit strange, don't you think?
36:33It's not a coincidence.
36:34We know that Marco has been behind all this business from the beginning
36:37and working with Connie.
36:39That is confirmed.
36:40Even though it was made up.
36:42He did it just to help Kakao.
36:44It's not true.
36:45What I think, and it seems obvious,
36:47is that Connie felt that Marco had failed her.
36:51And this has been a punishment.
36:54It's not a bad theory.
36:56But we need answers.
36:58I can't stay here.
37:00And where are you going?
37:02What if this is the way Connie has to get to Kakao to hurt him?
37:06He can't get out of here.
37:07We have to stop him.
37:08What?
37:09Marco already told us that Kakao's life was in danger.
37:12We have to stop him.
37:13Yes, yes.
37:14I'm coming with you.
37:22I've been thinking and...
37:25I want to apologize.
37:30For meddling in your relationship.
37:32Relationship?
37:33No.
37:34You're out of date.
37:35No, I'm not, Mom.
37:37I know very well what happened.
37:41At first, I thought you had gotten close to him to keep an eye on me.
37:47But now I know it was for something bigger.
37:52I'm talking about your love.
37:56A kind of love that only feels once in a lifetime.
38:00And you may have gotten close to him for the wrong reasons.
38:06But you can't give up.
38:08You can't.
38:09I know life has made you a hard person.
38:15But under all those layers, you're sensitive.
38:18It's part of the past, Kakao.
38:20I remember how you took care of me.
38:22You have to open your heart.
38:24You have to be happy.
38:27And you wouldn't let anything happen to Dad.
38:30Because you'd regret it.
38:36You'd regret not giving yourself a chance.
38:40And you deserve to be happy.
38:48I promise I'll take care of him.
38:50I'll take care of him.
38:55Dad, I just got here.
39:00I just wanted to stay here to take care of the land and my Kakao.
39:05I have to go now.
39:07Don't worry about that now.
39:10You'll have time to make your chocolate.
39:12This is much more important.
39:14Family is always first.
39:21Let's go.
39:27It looks like you've made up with Regina.
39:32It's just that...
39:34Love is everything, except linear.
39:38I shouldn't have gotten involved in your relationship.
39:40On the contrary.
39:42If it weren't for your warning, she'd still be using me.
39:46Dad.
39:48When I told you all this, I also forgot to tell you...
39:52...that she's suffered a lot in life.
39:54And that has made her shut up.
39:56Kakao, that doesn't justify it.
39:58I know it doesn't justify it.
40:01But only true love can melt that ice.
40:18Kakao.
40:21Kakao!
40:23I told you he was gone.
40:25It can't be.
40:26So suddenly?
40:27How could they leave so quickly?
40:29That's because you didn't listen to what I told you.
40:31Marco is in critical condition.
40:33They were afraid he'd be too late.
40:35Did you talk to him?
40:36Marco? No.
40:37No one could.
40:38Then how do you know?
40:39His secretary called to let you know.
40:41And how do you know all this isn't an ambush?
40:44On the contrary.
40:46If he stays here, they might notice.
40:48I'm sorry.
40:49There's something here that doesn't make sense.
40:51Tiago, I haven't told you the whole truth.
40:54Something happened tonight.
40:56But you can't tell anyone you know.
41:14I love you.