Category
🎥
Short filmTranscript
00:00:00♪♪
00:00:30I've sent a note to apologize for yesterday's show.
00:00:33I don't know, it's a little strange that he doesn't show up after offering him a project.
00:00:37It's very strange. And I have a bad feeling.
00:00:40This is burning inside me, Lazara. I can't stand it.
00:00:44That's why I need that Morel to disappear from the face of the earth
00:00:48and to be as cruel and painful as possible.
00:00:51I really don't want to pressure you, but I wouldn't like you to get off the boat either.
00:00:56Mrs. Inés, what do you want me to do? We don't even have a director.
00:00:59Don't leave him right now, please. It's the last thing we need.
00:01:04But that's a mineral.
00:01:06Yeah, there's so much of it. But we'll get it out of you anyway.
00:01:09My grandson can be half deaf for the rest.
00:01:12I haven't done anything to locate the documentation you asked me for.
00:01:15Why?
00:01:16Because I feel like a traitor.
00:01:18No excuses, no doubts, no questions, no lies.
00:01:23Answers, Rodrigo.
00:01:26And that they are satisfactory, please.
00:01:30Because if you don't know very well who's going to pay for all this.
00:01:33Your friend.
00:01:35You sent her to Giancarlo, so he could meet his son.
00:01:39Well, if he read the letter, he'll know that my life is about other traitors.
00:01:43So please leave and don't come back here.
00:01:47Are you going to teach me morality lessons?
00:01:51I'm sorry, but I can't accept them.
00:01:53We're not together to annoy you.
00:01:56We're together out of love.
00:01:58Because we love each other.
00:02:01How nice.
00:02:03How nice.
00:02:04I love it.
00:02:05It moves me to know your noble feelings.
00:02:09And that's why I guess I have no choice but to resign myself to you being together.
00:02:13That's it.
00:02:15But I warn you.
00:02:16Wait a minute.
00:02:18Didn't you say you didn't threaten?
00:02:21Well, I warn you.
00:02:24If you try to take something from my family, something that doesn't belong to you,
00:02:28my lawyers are going to destroy you.
00:02:31How little do you know your wife if you think she's the only thing she cares about?
00:02:35No, I know her perfectly.
00:02:37Better than you.
00:02:40The one I don't know you so well is you.
00:02:42But well, I'm getting to know you.
00:02:44I'll be watching you.
00:02:46No, no, I'm not going down to your level.
00:02:48But that doesn't mean you're not going to defend me.
00:02:50To defend the interests of my children.
00:02:52This is understood, right?
00:02:54Well, please.
00:02:56Don't abuse my patience.
00:03:00You see, Mercedes?
00:03:02You see how I'm not the man you thought I was?
00:03:05Because you came to my house to confront me with that tone of arrogance.
00:03:10Thinking I'm what?
00:03:12A despicable man?
00:03:14A villain?
00:03:17And I'm not.
00:03:21I'm a victim.
00:03:24Anyway, I hope I don't have to see you again in a long time.
00:03:29It's been a pleasure.
00:03:44Our love poem.
00:03:50There are places that are never forgotten.
00:03:54Mine is in your heart.
00:03:58Like in a chess game, you and I without knowing.
00:04:02We are playing love.
00:04:06There are dreams that are for life.
00:04:10And they are always an eraser.
00:04:13You and I are more.
00:04:16We want to fly.
00:04:18Ours is a trip to the sun.
00:04:23Forever you and I.
00:04:27Dreaming in a living room.
00:04:31We are seagulls that stop us.
00:04:35In modern love is possible.
00:04:39Forever you and I.
00:04:43A single heart.
00:04:47We are brave.
00:04:49If you don't understand it.
00:04:51In modern love there is a better world.
00:04:55Modern love wrote our love poem.
00:05:10A few days later.
00:05:24Giancarlo!
00:05:26Giancarlo, it's me! It's Giancarlo!
00:05:30Please, help us.
00:05:33Antonia, please.
00:05:36Tell him. We have a lot to do.
00:05:40Please, Antonia.
00:05:42Antonia, help me.
00:05:44Help me, Antonia!
00:05:47Giancarlo!
00:05:50Giancarlo!
00:06:06Iván is going through a rough patch.
00:06:08He can't control himself.
00:06:09This time he got over it.
00:06:10But who knows if the next time he'll have the same luck.
00:06:12I'm not surprised that he's worried.
00:06:14We have to keep an eye on him.
00:06:16To prevent him from getting into situations like this.
00:06:18Pepita, will you let me know if you see him in a worrying situation?
00:06:21Of course I will.
00:06:23We have to protect him until he feels better.
00:06:37I want them dead.
00:06:39Dead!
00:06:40Do you understand?
00:06:42Find them.
00:06:44Find them and see if you're going to end up dead.
00:06:49I don't want any trace of this village left.
00:06:53I swear I'll kill Emiliano Pedraza.
00:06:56For your memory.
00:07:00I'm going to give you another extension.
00:07:03The last one.
00:07:05I want answers by tomorrow.
00:07:07No excuses.
00:07:08No doubts.
00:07:10No questions.
00:07:11No lies.
00:07:13Answers, Rodrigo.
00:07:15And I want them to be satisfactory, please.
00:07:19Because if you don't, you don't know who's going to pay for all this.
00:07:23Your friend.
00:07:25Paula.
00:07:28Rodrigo.
00:07:30Rodrigo.
00:07:34I'm listening.
00:07:36Yes, yes, and I agree.
00:07:40I see you're still distracted.
00:07:42Can I help you with something?
00:07:45If it's about that thing you don't want to talk about,
00:07:47sometimes saying it out loud and sharing it with others helps you find solutions.
00:07:53Thank you, but I don't want to steal your time.
00:07:56No, I don't care.
00:07:58That's what I'm here for.
00:08:00It has a difficult solution and I'd rather not bore you with the details.
00:08:05It sounds like you're thinking too much.
00:08:08It could be.
00:08:10Maybe I'm giving too many turns to a situation that simply has no way out.
00:08:16I insist that you can tell me.
00:08:18It's me.
00:08:21At another time.
00:08:23Now it's not worth it.
00:08:26Rodrigo, you talk as if you had all the time in the world.
00:08:29And it's not like that.
00:08:30Time rewards.
00:08:32Every minute you spend here, the risk you take is greater.
00:08:37Your mother is right.
00:08:39You're lucky Emiliano hasn't found out you're back together.
00:08:43And of course, you're not his son.
00:08:48We have to go, Rodrigo.
00:08:50We can't delay our departure any longer.
00:08:52Every second that passes, my father is closer to finding out about either of the two things.
00:08:59Okay.
00:09:01I'm going to solve this matter in the next few hours.
00:09:04And we can go.
00:09:18Good morning, my favorite boss.
00:09:20You're in a good mood.
00:09:21You seem to be yourself again.
00:09:23That's a good thing and a bad thing.
00:09:25I've been thinking, boss.
00:09:27Montero is something for the credits.
00:09:29Without going too far, so as not to hurt me.
00:09:31And I'm much calmer.
00:09:32You're not much of a thinker without anyone forcing you.
00:09:34Let's see, Cañete.
00:09:35Anyone who has you would think that I don't...
00:09:37Tell me who made you think we know each other.
00:09:40Okay.
00:09:41Teresa, who came to see me and made me reconsider.
00:09:43Let's finish.
00:09:44But if I'm honest with you...
00:09:46Let's see where you get me.
00:09:48If I'm honest, what happens to me is that I have a little bit of anguish.
00:09:51Because you have to divide your attention and your affection between your nephew and me here in the living room.
00:09:55Let's see, I must be sentimental.
00:09:57What am I going to do?
00:09:58My mother.
00:10:00Good morning.
00:10:01Good morning, Miguel.
00:10:02How are you?
00:10:03Better.
00:10:04More or less.
00:10:05I had a great idea to get money for Leon's operation.
00:10:07But look at what a coincidence.
00:10:09That I also had an extraordinary idea.
00:10:11Yes, yes, yes.
00:10:12But let me tell you mine first.
00:10:13Okay, but Miguel.
00:10:14Let's go.
00:10:15Shut up and stop talking, please.
00:10:16We already know how your plans come out.
00:10:17Well, what a reputation I have.
00:10:18What you have is a lot of prejudice.
00:10:20My idea is to sell books signed by the authors.
00:10:24Very good, Miguel.
00:10:26Of course, collectors may be interested in that type of book.
00:10:30Of course.
00:10:31To...
00:10:32To collectors.
00:10:33Collectors.
00:10:34Yes.
00:10:35Look.
00:10:36We'll start with this one, which is a wonderful book.
00:10:38Cane and mud by Vicente Blasco Ibáñez.
00:10:41Salvita sent it to me.
00:10:43I had it at home.
00:10:44Salvita?
00:10:45Yes, yes, yes.
00:10:46She found out about the problem of Leon and the need we have to have money for surgery.
00:10:51And she thought that this signed copy could help us.
00:10:54Well, what a good idea, Miguel.
00:10:57Don't you want me to tell you mine?
00:10:59And Salvita's father thought it was good.
00:11:01Well, not only has he not put a hit, but he has told me that he will try to contact some of the writers...
00:11:06Well, you don't want to listen to it, do you?
00:11:07Well, it's okay, because you already know that I will end up doing it.
00:11:10I'm leaving.
00:11:11Well, that.
00:11:12That he has contacted some of the writers who have ever come here to the library.
00:11:15And he will try to get us to sign his copies.
00:11:17And how much do you think we can ask for a book like that?
00:11:26I was finally able to interview with Canales.
00:11:29But I had to work hard to understand what had happened and why he gave us the job.
00:11:35And what excuse did he give you?
00:11:37First he told me that he was feeling bad.
00:11:42Then he told me that he had another appointment far away.
00:11:46And he was pissed off at insisting that no one had pressured him not to attend the appointment.
00:11:54But...
00:11:55But I discovered, and it was not a big surprise either, that Ballesteros had spoken very badly of us.
00:12:03Of course, Ballesteros has not yet received any offer to direct a great super production,
00:12:08and Chaplin has not called him either.
00:12:10You have to be Ballesteros to believe that Chaplin will be interested in you.
00:12:16In any case, I think he already suspects that the offer is false and that someone has tried to annoy him.
00:12:23And surely in his head that someone is us.
00:12:26Yes, but it is impossible for him to know where the rumor comes from.
00:12:29Although taking into account all the deep sea that we bring with Ballesteros,
00:12:33surely he already suspects something.
00:12:35And that is why he is acting against us.
00:12:37Well, it is not good for us to have an enemy who tries to sabotage the team for the next film.
00:12:42In fairness, it must be said that he has not told the press anything,
00:12:45although he has not refused to speak very badly of us to his colleagues in the profession.
00:12:50And what did he say?
00:12:52Well, I don't know if he contributes much to knowing what he has commented on us.
00:12:58He messes with me, doesn't he?
00:13:01Let's say that he has not stopped saying that you are the capricious promised by the producer
00:13:08and that I am a scoundrel who lets himself be manipulated in everything.
00:13:11Which does not surprise me either.
00:13:14And Canales, what does he think about it?
00:13:16Well, after yesterday's outburst, he has shown himself quite regretful
00:13:22and is willing to make the film.
00:13:25Oh yeah?
00:13:27From good to first?
00:13:28Well, he asked me to read the script, think about it a bit,
00:13:31but I doubt that he will back out because it is a very big commitment.
00:13:36And you gave him the script, right?
00:13:37Yes, yes. He has taken it with the condition that tomorrow he tells me something.
00:13:41Well, I don't think it's good.
00:13:43But why not?
00:13:45If we have very good references.
00:13:48Well, because Canales has already left AgustÃn once.
00:13:51Who tells us that the same thing will not happen during the shoot,
00:13:54that Ballesteros is going to pressure him and ... Goodbye.
00:13:56No, I'm sorry, but for the film to work,
00:13:59we have to find someone who is committed from the beginning.
00:14:02Yes, yes, I completely agree with that. It would be perfect, yes.
00:14:05Well, I'm sure that person exists.
00:14:08Someone who doesn't have to think about whether he wants to join in,
00:14:11to do it immediately.
00:14:12The shoot is now.
00:14:14I completely agree with you on that, Laura,
00:14:16but it sounds like a letter to the wise men.
00:14:19We need a good director.
00:14:20Immune to criticism and the influence of Ballesteros and we need it now.
00:14:27I need more information.
00:14:30And what are you going to do?
00:14:32I'm going to see a friend we have in common,
00:14:35to see if he knows if Canales is really interested in the project
00:14:39and if we can trust his word.
00:14:51Can I ask you a question?
00:14:53Yes, of course.
00:14:54Why did you talk to Elias behind my back?
00:14:58Oh, I hope I haven't bothered you.
00:15:01No, no, you are the woman who has not bothered me.
00:15:03I know you did it to make it easier for my nephew Kiko to arrive.
00:15:06Well, and to take away a bit of work with Elias.
00:15:09That's why you are a charm.
00:15:12And I wanted to thank you.
00:15:13Well, if so, I'm glad, because that's what I was going for.
00:15:18I like it because you think the same as me,
00:15:20but you take the trouble to act before.
00:15:23You are the first woman who has made so many efforts for me.
00:15:27You are wonderful.
00:15:30Shut up, they're going to see us.
00:15:33Let them not see.
00:15:35I can't think of so many better things than being here working.
00:15:39Well, I hope you count on me.
00:15:43For all of them.
00:15:45Oh, don't look at me like that.
00:15:47Like what?
00:15:50Like this.
00:15:52To melt the ice cream.
00:15:55With this other look, the coffees get cold.
00:15:57But if you prefer it.
00:16:00Hey, I wanted to tell you something else.
00:16:02Yes, tell me.
00:16:03Don't you know any Postin client who is interested in Don Vicente Blasco Ibáñez?
00:16:07The author of Cañas y Barro.
00:16:10Well, don't get so angry all of a sudden, no.
00:16:12Why?
00:16:13Sorry, I just thought of a way to get some money.
00:16:17And it has to do with Cañas y Barro?
00:16:18Yes.
00:16:19He has decided to start selling books signed by his authors.
00:16:21So he can get some money.
00:16:24And he has already signed this book?
00:16:26Yes, yes, he already has it.
00:16:27And I would like to help him find a buyer.
00:16:30So if you find out about a client who...
00:16:34Well, those who come to the parties, maybe we can let him fall so subtly.
00:16:49Oh, excuse me.
00:16:57Modern TV Salon, tell me.
00:16:59Teresa, it's Antonia.
00:17:02I owe you an explanation.
00:17:04Well, yes, Antonia, yes.
00:17:05You owe me an explanation.
00:17:08Adult life is full of setbacks that seem insurmountable.
00:17:11But deep down, they contain a learning.
00:17:14Thank you, uncle.
00:17:15The truth is that cinema is much more complicated than it seems.
00:17:19You have to deal with a lot of ego.
00:17:21The processes are very slow.
00:17:22It's all very expensive.
00:17:23You have to have a vocation.
00:17:25Yes, I understand, but don't give up, please.
00:17:28Please, I'm asking you.
00:17:29If not, look around you.
00:17:31How many people go through life without fulfilling their dream.
00:17:35Like you.
00:17:38Well, I just wanted to cheer you up.
00:17:40And tell AgustÃn.
00:17:42That's how we'll do it, on his behalf.
00:17:44You're so affectionate.
00:17:46We have the best uncle in the world.
00:17:48Yes, it is.
00:17:49There is no debate.
00:17:50I'm happy to be among the top five.
00:17:54Well, now seriously.
00:17:55I'm very sorry that AgustÃn has so many problems
00:17:57to find a director.
00:17:59I hope the film doesn't go to waste.
00:18:02My mother, this world of the seventh art is complicated.
00:18:06Yes.
00:18:07And when you think that everything has been solved,
00:18:09there is a chasco waiting in the corner.
00:18:11In addition, La EspÃa Intrépida has not yet been released.
00:18:14When will it be?
00:18:15Well, we still can't tell you a specific date.
00:18:18Well, nothing.
00:18:19We'll have to be patient.
00:18:22The good rewards are made to wait.
00:18:26In this, the hospitality is not so different from the cinema.
00:18:32All right in the modern one?
00:18:34Yes, yes, yes.
00:18:35All right in the modern one?
00:18:37Yes, yes, yes.
00:18:38In general, yes.
00:18:40Yesterday and today, it has been the same way.
00:18:43It was long and complicated.
00:18:45Pietro and Antonia were absent from work.
00:18:49And Pietro is fine?
00:18:50Has he had a relapse?
00:18:51No, no, no.
00:18:52His absence is for a personal reason, but of another nature.
00:18:57And I understand those reasons.
00:19:00But of course,
00:19:01whenever he is absent, a little chaos is caused.
00:19:05You already know how essential it is for the worker to function
00:19:08for the departure of the room.
00:19:10Well, but Pietro and Antonia are very responsible.
00:19:13If they have left, they will have valued the need well, right?
00:19:16And they will know that their colleagues are working hard
00:19:19so that their absence is less noticeable.
00:19:20Yes, yes, yes, yes.
00:19:21And I appreciate them very much, you already know.
00:19:23And I have always been on their side.
00:19:26Always.
00:19:28As long as it has been possible, of course.
00:19:32Well, I'll leave you.
00:19:34Pass my regards to AgustÃn, please.
00:19:37And inform me of any news.
00:19:40We will do so.
00:19:43Have a good day.
00:19:48Goodbye, niece.
00:19:49Goodbye.
00:19:50Goodbye.
00:19:57I'm worried about what Mrs. Lázara has to say to Mr. FermÃn, but ...
00:20:01But there was no other choice.
00:20:03Pietro had to make this trip.
00:20:05And after everything that has happened, I had to accompany him.
00:20:08Well, yes, Mrs. Lázara also has a thing with Pietro.
00:20:11But hey, where are we going?
00:20:13Have you been able to see Pietro?
00:20:15No, Teresa, we are having a lot of problems.
00:20:17The mother did not want us to meet the child.
00:20:20But why?
00:20:21Well, she is a distrustful woman, I understand her.
00:20:24But she thinks we have come to her life to take the child away from her.
00:20:28Anyway.
00:20:30I think we'll be back today.
00:20:32Well, I'm sorry, Antonia.
00:20:34And there is no way to convince her.
00:20:36I don't know, is there something you can do?
00:20:40Yes.
00:20:41Very good.
00:20:42Very good, thank you very much.
00:20:43Goodbye, goodbye.
00:20:45Teresa?
00:20:47Teresa?
00:20:55Don't pretend, Teresa.
00:20:57I know all your faces and I know you were talking to Antonia.
00:21:00Well?
00:21:01What does your friend say?
00:21:04Well, they haven't been able to meet Pietro's grandson.
00:21:07For me, as if they were hit by a hail of bullets.
00:21:09What I want to know is when they return to their jobs.
00:21:13Well, from what I've been told, they are starting their return trip today.
00:21:16I see.
00:21:17If he calls again, tell him that as soon as he arrives, I want to talk to her.
00:21:21And also tell him that I don't like his informality at all.
00:21:24Okay?
00:21:26Of course.
00:21:28By the way, is there anything I should tell Herminia about when she stops replacing Pietro in the lab?
00:21:35I'm not sure about that.
00:21:37I...
00:21:38Well, now I have more important things to think about.
00:21:41Teresa.
00:21:43I don't know what I have more important things to think about.
00:21:49No.
00:21:50No, Laurita, don't insist, I know where you're going.
00:21:52Inés, I think it's the best time to apply as a director.
00:21:55Yeah, but it's not that easy.
00:21:57There are hardly any female directors.
00:21:59It's a bit hard for me to be the producer's fiancée because I don't know if I'm up to it.
00:22:03But what channels do you think are suitable if you're up to it?
00:22:06No.
00:22:07Men don't consider anything, they accept and that's it.
00:22:09Yeah, but if the movie doesn't turn out well, I could have problems with AgustÃn and I don't know if I can.
00:22:14Inés, if channels accept to direct this project, they will do it reluctantly.
00:22:18No one is going to put the same enthusiasm as you.
00:22:20And besides, you have a lot of work to do.
00:22:22AgustÃn trusts you and you communicate very well.
00:22:24AgustÃn trusts me, but not as a director.
00:22:26I assure you.
00:22:27No, AgustÃn is not going to propose to you.
00:22:29Especially if you don't trust yourself.
00:22:31But if you pose as a solvent director, maybe he'll accept.
00:22:35And besides, you already have him.
00:22:38Hello and goodbye.
00:22:40Is that all?
00:22:42They let you leave the hospital last night.
00:22:44You haven't come back home yet and you're going to pick up the girls from Villadiego again?
00:22:48No, no, I'm going to be here for a while.
00:22:50If necessary, to change my clothes.
00:22:52Iván, where are you going?
00:22:56Look how worried she is.
00:22:58She doesn't know what to do.
00:23:00She doesn't know what to do.
00:23:02She doesn't know what to do.
00:23:05Look how worried she is.
00:23:07Now?
00:23:08Because when she was in the hospital, she didn't look so much.
00:23:11You can't go out when you're dying.
00:23:14You need to sleep and recover.
00:23:16No.
00:23:17What I need is to celebrate, because I could have died.
00:23:20And now, if you don't mind, I'm leaving, my friends are waiting for me.
00:23:24You see?
00:23:25Iván, you have to rest.
00:23:27Impossible.
00:23:30When we found out that our partner is not going to have any sequelae,
00:23:33that he will be able to walk again,
00:23:35we have proposed to have a historical funeral.
00:23:38Very logical.
00:23:40If you don't rest, your wounds can open again.
00:23:43Let the wounds open, I don't care.
00:23:45And leave me alone, I've already told you.
00:23:47My friends are waiting for me, with whom I can count on at any time.
00:23:50Not like with you.
00:23:51Look, I didn't know that you valued your friends more than your family.
00:23:54Well, if I have them in more consideration, it is because they have proven to be my real family.
00:23:58Like you, mom.
00:23:59Or are you not going to admit that even for you I am a left cell?
00:24:02What are you saying? I have never said that.
00:24:04I care a lot.
00:24:06It has always been like that, it will always be.
00:24:08Yes, yes, yes, you care a lot.
00:24:10Of course, especially my father.
00:24:12I imagine that he was already spitting champagne with my new little brother before the idea of ​​my death.
00:24:17I hope that if one day you have children,
00:24:20you understand what it means for a mother that someone jokes with something like that.
00:24:25I imagine that you must be tired of pretending for so many years.
00:24:29Maybe the one who should rest is you.
00:24:33You don't realize what could have happened.
00:24:35That is my problem, and more when you backstab me.
00:24:38We don't backstab you, we've never done it.
00:24:40Don't say that, it's not true.
00:24:41Of course, mom, of course it's true.
00:24:43All your attention is on Cesar Morel.
00:24:45Am I wrong?
00:24:46Very good, mom.
00:24:48You have deceived dad with a younger man.
00:24:52You have deceived dad with a younger man.
00:24:55I can congratulate you, but I don't plan to receive your lessons.
00:24:58Ivan, don't call her your mother, for God's sake.
00:25:02You know what you have suffered with your accident.
00:25:06But this house is full of crazy people.
00:25:08The maid giving me orders.
00:25:11Now you are going to worry about her, Pepita.
00:25:13After spending years sleeping with her husband.
00:25:17After having enlightened a son of hers in front of his noses.
00:25:21Get out of my sight, because I can't stand it anymore.
00:25:34Look, Mr. Fermin.
00:25:35If I don't get it, the neighborhood for so much sale.
00:25:38Well, I'm glad that the sale of shares is working so well.
00:25:42Good job, Elias.
00:25:43Well, good job to you.
00:25:44That you were good at letting us sell in the living room.
00:25:46Well, all I've done is trust your intuition.
00:25:49And I see that I'm not wrong.
00:25:51Do you trust me, Mr. Fermin?
00:25:53Of course I trust you.
00:25:55I just told you that...
00:25:57Well, I have a much better intuition.
00:25:59Do you have any appointments today?
00:26:01Any meeting in PostÃn?
00:26:03I don't know, any meeting with big guys from Spain?
00:26:05Well, excuse me, but I don't see the relationship between that and my trust in you.
00:26:11Well, look.
00:26:12I'm going to leave you some shares.
00:26:14To see if you can give them to your friends, the businessmen.
00:26:17If we get into that market, we're going to sell until we get fed up, but without stopping.
00:26:24Do you want me to sell shares at my work meetings?
00:26:28Of course.
00:26:29What a great idea, right, Mr. Fermin?
00:26:31Well, we, me and my people, we like, instead of saying sell shares,
00:26:34share enthusiasm.
00:26:35It's better, right?
00:26:36Yes.
00:26:37Look, it's just that...
00:26:38It's just that it doesn't seem appropriate to me.
00:26:40No, we'd better leave the logistics as it is, which is very good.
00:26:44Come on.
00:26:45And now, if you'll excuse me.
00:26:47Yes, of course.
00:26:48Excuse me, Mr. Fermin.
00:26:54Cañete, if you have a moment, close the door.
00:26:59Sit down, please.
00:27:02Vera, I wanted to consult you.
00:27:06How do you see the operation of the salon lately?
00:27:09Like a clock, as always?
00:27:11No.
00:27:12As always?
00:27:13I don't understand what you mean.
00:27:15It's a matter of concept.
00:27:16The Moderna can't function as always if several of its employees are missing from all life.
00:27:22If you mean Pietro and Antonia, she called today and said they'll be back tomorrow.
00:27:27Yes, yes, yes.
00:27:28Mrs. Lázara has told me, but...
00:27:30Even so, I'm worried, Cañete.
00:27:33Well, think that they'll be here tomorrow.
00:27:35They had to do this trip sooner or later.
00:27:37It's better that they have taken it off now.
00:27:39Yes, yes, yes.
00:27:40I understand perfectly the reasons for that trip.
00:27:45It's Pietro.
00:27:47Do you know how many families live in this salon, Cañete?
00:27:52Well, I can't tell you by memory, but many.
00:27:55Many, yes.
00:27:56Many.
00:27:57And they all depend on a fundamental piece.
00:27:59Our pastry chef.
00:28:01And if he's missing, even if it's for a few days, and even if we have spare time,
00:28:05the results can't be the same.
00:28:08I would say that the pastries his replacement makes are almost as good.
00:28:13Herminia is making an effort, and I appreciate it,
00:28:15but the satisfaction of the client is not the same.
00:28:18And that affects both the functioning of the worker and the rest of the salon.
00:28:25And what surprises me the most
00:28:28is that Pietro doesn't seem to care.
00:28:32Eh...
00:28:33Cañete, do you share my impression, or maybe I'm very susceptible?
00:28:39Don Fermin, Pietro is one of the colleagues who lives for and for the salon.
00:28:43Like Teresa.
00:28:44You think so? Because Teresa... Teresa are bigger words.
00:28:48I have no doubt.
00:28:50Pietro is a serious and reliable man, and very responsible.
00:28:53Very good.
00:28:55Very good.
00:28:56Eh...
00:28:57By the way, when does your nephew join?
00:29:00Yes, in the next reinforcement shift.
00:29:02You don't have to worry about anything because we have everything tied up.
00:29:05I don't worry about anything because I trust you completely.
00:29:10Thank you, Cañete.
00:29:11Excuse me.
00:29:28I know you're closed, but I'm a regular customer.
00:29:30I spend more time here than in my own house.
00:29:32Make an exception, come on.
00:29:33Come on, we're going to give you a good tip.
00:29:35Exactly. Jesus, we know you like tips.
00:29:37Please, please!
00:29:39We haven't opened yet.
00:29:41But sit down and we'll take care of you.
00:29:43And you, wait a moment.
00:29:50You know perfectly well that the cabaret is closed until now.
00:29:53Yeah, but I thought that, being friends, maybe you could make an exception.
00:29:58As always, we plan to leave a good amount of money.
00:30:02By the way, I'm fine, thank you.
00:30:06I don't understand you, Iván.
00:30:08How can you be here, partying, knowing that someone could have been paralytic because of you?
00:30:15You said it.
00:30:16He could.
00:30:17But he won't stay.
00:30:18Life goes on, for him and for me.
00:30:22And have you thought about how you could live knowing that you've left someone tied to a wheelchair?
00:30:26Look, I wouldn't have left anyone in any way.
00:30:29I don't know if you know what accidents are, Mercedes.
00:30:31Sometimes there are accidents, things happen.
00:30:33A horrible thing could happen to us as soon as we go out.
00:30:37We should, I don't know, take advantage of the moment.
00:30:41You should be much more careful.
00:30:43Not only for the others, but also for yourself.
00:30:45Look, my friend had bad luck, but he also had good luck.
00:30:48Being with me, he received the best attention possible.
00:30:51And we also know that he's going to recover.
00:30:53Don't worry, that you get ugly with so much complaint and so much reproach.
00:30:58And what if your friend sues you?
00:31:00At the end of the day, you were the one driving.
00:31:03I know him, and he won't dare to face a stone.
00:31:06He knows he has a chance of losing.
00:31:10If you keep playing with your life and the lives of others, you're looking for ruin.
00:31:14You should realize before you kill yourself or kill someone who's close to you.
00:31:19You have to stop this madness before it's too late.
00:31:23Stop, you say?
00:31:24Not even to get momentum.
00:31:27I'm tired of you.
00:31:29I'm tired of telling you and you not listening to me.
00:31:33I don't want to say goodbye to you, but you're still determined to act like a madman.
00:31:39I'm tired.
00:31:41Let's get out of here, this place is too boring.
00:31:52And how did the meeting with that acquaintance of yours go?
00:31:55Well, there's not much to tell, Inés.
00:31:58But that person was supposed to know if Canales was trustworthy or not.
00:32:03You said it yourself.
00:32:05He was supposed to tell me if Canales was trustworthy, but no.
00:32:10So we can't trust each other?
00:32:13No, no, no. He told me he doesn't know what to tell me.
00:32:16In any case, it doesn't matter because he's talked to Canales.
00:32:19AgustÃn, I don't like that tone at all.
00:32:22Canales told me he doesn't want to direct the film.
00:32:25What?
00:32:27He told me he thinks the script is very good,
00:32:30but he has another project that he prefers to direct.
00:32:33Blah, blah, blah.
00:32:35Don't you think it's too much of a coincidence?
00:32:38Yes, it is, but calm down.
00:32:40Maybe Canales would be more interested in the other project.
00:32:43These are things that happen.
00:32:45No, Inés, no.
00:32:47I bet that Ballesteros is behind all this and if not, I'm to blame for all this.
00:32:50No, no.
00:32:52All this is my fault.
00:32:53I'm very sorry.
00:32:55What are you saying, Inés? You haven't done anything.
00:32:57No, but Ballesteros may be right about me.
00:32:59Inés, please.
00:33:01No, but it's true.
00:33:03I've behaved like the producer's capricious girlfriend and I've taken charge of the project.
00:33:06I think you're forgetting that here the producer is the one who makes the decisions.
00:33:09And I've taken them very convincingly.
00:33:12Are you serious?
00:33:14Of course.
00:33:16The only culprit here is the bad reputation of Ballesteros.
00:33:18And if I'm not the culprit, I insist,
00:33:19I don't give a damn if Ballesteros sees me as the solution for my career to take off.
00:33:24Don't say that, AgustÃn.
00:33:26Your career has just begun.
00:33:28It has just ended, Inés.
00:33:30It's the truth. What do you want me to do?
00:33:32Ballesteros is unpredictable, but he has a lot of contacts.
00:33:35He is capable of making all the directors in Spain reject me,
00:33:39just to serve revenge.
00:33:41How am I going to make movies without a director?
00:33:44Well, with a director.
00:33:48What do you mean, with a director?
00:33:51AgustÃn, I can direct this movie.
00:33:55Something tells me it's my time.
00:33:58I don't know if it's the guilt, the desperation or my desire to make movies,
00:34:02but I've worked on the movie with Ballesteros from the beginning.
00:34:07I've seen him direct in front of and behind the camera and I really think I can do it.
00:34:12Inés, we're talking about directing your first movie.
00:34:18I know. I know.
00:34:20No one is born knowing.
00:34:22Even Elena Cortesina had to fight to get her to direct her first movie.
00:34:26But look at her now.
00:34:28She's an example to follow.
00:34:30And I'm not saying she's going to be just as successful, obviously,
00:34:34but I think I can do it, AgustÃn.
00:34:36And maybe I'll fail, but at least I've tried with all my strength.
00:34:40Inés, really...
00:34:42Look, I know it's not easy for you,
00:34:45and you have to make the best decision for the movie,
00:34:48but at least I'm asking you to take my proposal seriously and think about it.
00:34:53Please.
00:35:00Cañete, don't worry.
00:35:03Cañete, I need you to solve a doubt for me.
00:35:08You give me hope when you're not with Rodeos.
00:35:11I'm not afraid of anyone.
00:35:13I was talking to Elias yesterday and I told him about your nephew.
00:35:17He didn't want to talk about the boy, who was very painful for him.
00:35:21Do you know why?
00:35:23What hurts you more than what hurts Elias?
00:35:26Because I worry about my colleagues.
00:35:28I tried to console him, but he didn't say a word.
00:35:32And since I don't say anything, you're going to be giving me the stick all afternoon, right?
00:35:37Sure. Well, I'm also very worried about him.
00:35:42Well, I would say that because before I was worried that my nephew would cast a shadow on him in the living room.
00:35:47But don't worry, we've already talked about it and everything is fixed. Happy?
00:35:50There's no way to get that. Tell me the truth.
00:35:54I've already told you the truth, woman. But if you don't care...
00:35:57No, you're lying to me.
00:35:58Besides, if the explanation were so easy, Elias would have told me.
00:36:03It seems like a lie that you don't know Elias.
00:36:06Elias is unpredictable, he can go anywhere.
00:36:09I don't know.
00:36:11Have you heard about Pietro?
00:36:13You have for everyone.
00:36:16Come on, man. Because it turns out that he has a grandchild.
00:36:20Don't you care?
00:36:22I don't get involved there, Esperanza. If he's happy, he's happy.
00:36:24Are you happy?
00:36:26Oh, don't get involved.
00:36:28Well, then I won't tell you what I was going to tell you.
00:36:30Antonia has told us that he is very happy.
00:36:32Happier than a peacock.
00:36:34I was going to tell you, but I won't tell you anymore.
00:36:36Oh, I'm angry.
00:36:55Well, it's clean.
00:36:58How is my little lion?
00:37:02Have you noticed any discomfort in the ear while you were cleaning it?
00:37:05Well, the usual ones. I don't know, it's like sometimes it resents and does like this with its little hand.
00:37:09Like to take away what it has inside.
00:37:13And how are you?
00:37:15Me? I'm fine, as always. Don't you see me?
00:37:18No, I mean how are you with all this?
00:37:20Because of the conversation we had about how to face things.
00:37:23Well, look, I'm not going to cheat you.
00:37:25It's costing me yours.
00:37:27Well, it's normal, Mom.
00:37:29But I think that to face things, the best way is to be positive.
00:37:33I know it's hard, because we have a lot of money to pay, but ...
00:37:37What, my love?
00:37:39What, my love?
00:37:41Just thinking that my child can stay with a bad little lion all his life while he feels bad.
00:37:44Yes, yes, it's true. It's better not to think about it.
00:37:47That's how I like it, Mom, you see?
00:37:49Good thoughts bring good things.
00:37:50Good thoughts bring good things.
00:37:52Yes, yes, I already took note of what you told me yesterday.
00:37:55And what your husband told me, that from time to time he says something with meaning.
00:37:58Well, let's see if in the end this will work, that good thoughts bring good things.
00:38:01Because not a day practicing and you already recognize things, Miguel.
00:38:05Very well.
00:38:10Very good, family.
00:38:12Why don't you know one thing?
00:38:13Hello.
00:38:19Hello.
00:38:21I had an idea to get extra money.
00:38:24The plan is as follows.
00:38:26Cañete and I are going to find a client from the bookstore or the living room who is a great reader.
00:38:31Even a writer or a journalist could be useful.
00:38:34And why is it important that he reads a lot?
00:38:36Because if so, he will not be able to resist paying a generous donation for this.
00:38:41A copy of Cañas y Barro, signed by its author, Blasco Ibáñez.
00:38:46Hello.
00:38:48What do you think?
00:38:50Very good.
00:38:52Oh, what a good idea. Very good, right, Tri? Very good.
00:38:55Yes, I already knew that some sarcasm of yours was going to fall on me.
00:38:58No, no, I really think so.
00:39:00If I were a great reader, well, well, well, I would pay anything for a book signed by its author, right?
00:39:05Sure.
00:39:07Thank you. And that change?
00:39:08I had an incredible idea.
00:39:10Incredible, to try, I don't know, to earn extra money to pay for the operation. Very good.
00:39:15Well, I think that by getting a little out of here, a little out of there, adjusting the belt, well ...
00:39:20But the same, son-in-law.
00:39:22You don't have to be so embarrassed, because I also came up with an idea to get some good money.
00:39:29Really?
00:39:30Yes. Look, let's take the shopkeepers of the neighborhood, which many have already offered me.
00:39:32And we ask them to donate some things from their shop, to help us with the lion's cause.
00:39:38We take everything and organize a post-it raffle.
00:39:41Well, it's an incredible idea.
00:39:43Really? I think we can make a lot of money with the raffle. Well, more than with a little book, no matter how signed it is.
00:39:49It's a great idea, mother-in-law. But don't forget that we are not talking about a little book, as you say,
00:39:54but about a copy signed by Blasco Ibáñez himself.
00:39:56Yes, but don't forget that among the things in the raffle, there will be material from Don Perico's stock.
00:40:02Or you won't tell me that Don Perico doesn't quote.
00:40:05He won't be comparing Don Perico's stock with a world-class writer.
00:40:09Oh, world-class, he says, world-class.
00:40:11But that poor man is only known for the film by Rodolfo Valentino.
00:40:15Well, be quiet, please, you're giving me a headache.
00:40:18Could you put a little common sense, please?
00:40:20Yes, put it yourself, because your husband has no knowledge.
00:40:23Enough, enough, enough.
00:40:26Are you really going to compete now as if you were ElÃas and Jaramillas?
00:40:31To see who has a better idea?
00:40:33I like it that way.
00:40:35Because you are already of an age, huh?
00:40:37I'm going with the boy.
00:40:39Let's go, people here are very negative and they scream too much.
00:40:43Goodbye.
00:40:50Cañete, come, I have to tell you something important.
00:40:53Do you have news of Pietro?
00:40:54No.
00:40:55Isn't he Miguel Trini's son? Has something happened to him?
00:40:57No, listen to me.
00:40:59It has to do with Doña Lázara.
00:41:01I've been doing as if nothing had happened...
00:41:04And back to the wheat mule.
00:41:06Teresa, are you obsessed?
00:41:09No, you're not obsessed.
00:41:11Well, no, I'm not obsessed.
00:41:14Listen to me.
00:41:16Doña Lázara is saving a lot of cash in the safe without telling anyone.
00:41:21Are you still thinking about that?
00:41:22But well, if instead of entering the money, she accumulates it,
00:41:25of course it catches my attention.
00:41:27Come on, to me or anyone.
00:41:29Don't you see that it's not normal?
00:41:31I don't know.
00:41:33Maybe she and Don FermÃn have to buy water for your cart.
00:41:35Well, that's another one.
00:41:37I don't know if Don FermÃn is aware of this woman's tricks.
00:41:40And I think he's doing it in secret.
00:41:42Are you trying to tell me that you think the vampire is stealing?
00:41:46Well, of course.
00:41:48Let's see, you know he's capable of anything.
00:41:50You know as much as I do.
00:41:52So stop talking to me as if I were making things up.
00:41:55Please.
00:41:57Yeah, but Teresa, the living room is his.
00:41:59How is he going to steal himself?
00:42:01That doesn't make sense.
00:42:03Well, because it's very twisted.
00:42:05I don't know.
00:42:07Look, please.
00:42:09Leave me alone with theories and conspiracies.
00:42:11You have my brain fried.
00:42:13Hey, have you thought about what we can do when the shift is over?
00:42:16Well, I have nothing to do with you.
00:42:17Well, I have nothing to do with you.
00:42:19Don't you say you have a fried brain?
00:42:21Because you get cold.
00:42:42I'm sorry I ruined your plans to go back to Madrid.
00:42:44I'm sorry I ruined your plans to go back to Madrid.
00:42:46But I had to go through the boarding house before they left.
00:42:49No, no, you didn't touch anything.
00:42:51On the contrary.
00:42:53Yes, yes, of course.
00:42:55It's an honor that you didn't ask to come back here to speak quietly.
00:42:57Well, neither the house nor I are anything from the other world.
00:43:00So I appreciate your goodwill.
00:43:02Yes.
00:43:06But you are special to us.
00:43:09Although we don't know you.
00:43:11But we have traveled practically all over Spain.
00:43:14To get to know your son and you.
00:43:17I know.
00:43:19That's why I asked them to come with me.
00:43:22Well, you tell me.
00:43:26I'll be honest with you.
00:43:28I haven't been able to sleep tonight.
00:43:31I've been all night thinking about what happened yesterday and...
00:43:35And I've felt bad.
00:43:37I shouldn't have been so mean to you.
00:43:40So first I beg you to forgive me.
00:43:42No, no, no.
00:43:44No need to apologize.
00:43:46We understand it very well.
00:43:48It's too much information in a short time.
00:43:50Yes.
00:43:52The two of them appear here,
00:43:54they tell me that Giancarlo has died and...
00:43:56And the way you referred to my Pedrito as his grandson.
00:43:59Much to assimilate suddenly.
00:44:02Today, as soon as I woke up, I saw everything much clearer.
00:44:06I'm not someone to deny him to meet his grandson.
00:44:10This makes me very happy.
00:44:14We already gave everything for lost.
00:44:18And when can I see her?
00:44:20Soon.
00:44:22But before looking for a day,
00:44:24I would like us to agree on a couple of things.
00:44:26Of course.
00:44:28Of course, if you mean that your husband will not like the situation, we understand.
00:44:32No, no, no.
00:44:34Florencio will never be a problem.
00:44:36My husband is a good person.
00:44:37He is raising the boy as if he were his son,
00:44:40taking him to work.
00:44:42Now he is on the boat fishing,
00:44:44with the sea as it is.
00:44:50Maybe what you want is to prepare the child ...
00:44:53No.
00:44:55No, Pedrito already knows something.
00:44:57Before Giancarlo gave signs of life,
00:45:00I told him that his father had died.
00:45:02It was so long since I heard from him,
00:45:04that I thought something had happened to him.
00:45:06I understand him very well.
00:45:08Really.
00:45:12I don't know if you know,
00:45:14but when Giancarlo was little,
00:45:16his mother had to go to America
00:45:19and disappeared.
00:45:21Many years.
00:45:23And?
00:45:25And I had to tell Giancarlo
00:45:27that his mother had died.
00:45:30But a few months ago,
00:45:31she appeared
00:45:33and it was a big gift.
00:45:36Very big for him.
00:45:43The difference between you and me is that
00:45:46Pedrito will never be able to recover his father.
00:45:51That's what I wanted to talk to you about, Pietro.
00:45:55When he meets my little one,
00:45:57he will be able to present himself as he is.
00:45:58His grandfather.
00:46:00But I beg you not to tell him
00:46:02that his father died recently
00:46:04or how it happened.
00:46:06No, no, I won't tell him anything.
00:46:08The less I know, the better.
00:46:10Good.
00:46:12Well, so as not to delay his return to Madrid any longer,
00:46:15what do you think
00:46:17if the meeting is tomorrow?
00:46:20Tomorrow.
00:46:22Yes.
00:46:24It's perfect.
00:46:25Yes, it's perfect.
00:46:34And smarter
00:46:36to go and fight in Madrid, right?
00:46:39Fight?
00:46:41Is that what that coward with Pajarita told you?
00:46:45Cesar.
00:46:47His name is Cesar
00:46:49and I would appreciate a little respect.
00:46:51A little respect?
00:46:53You ask me and you don't make me laugh.
00:46:55Pepita, tell us about Ivan's accident.
00:46:57I already told you that I felt very bad
00:46:59not having been there when it all happened.
00:47:01But that's not a reason
00:47:03to go to Madrid, right?
00:47:05To face Cesar.
00:47:07It's a ridiculous excuse, Emiliano.
00:47:09As far as I know, anyone can go to that club.
00:47:11Why am I not going?
00:47:13Oh well, oh well, maybe
00:47:15because I could find the owner with my wife
00:47:17under a crumpled table, right?
00:47:19Enough already, Emiliano.
00:47:21That's what I say, that's what I say.
00:47:23Enough already.
00:47:25I told Fermin
00:47:27that you would look for a good way out for us.
00:47:29Especially for Cesar and for me.
00:47:31And it hasn't been a week
00:47:33and you've already forgotten your word.
00:47:35No, no, no, no, I haven't forgotten anything.
00:47:37That's not how it is, don't get melodramatic.
00:47:39No, I'm not getting melodramatic.
00:47:41I'm just telling you that you can't break your promises
00:47:43at will.
00:47:45You asked us for calm and no scandal
00:47:47and two days later you go looking for problems.
00:47:50It's incredible.
00:47:52I'm being quite civilized for the joke
00:47:53in which you have become our marriage.
00:47:55Perhaps if it were more expeditious
00:47:57I would go much better.
00:47:59Emiliano,
00:48:01you better not do or say anything
00:48:03that you may regret.
00:48:05That, tell your boyfriend's sister.
00:48:08Or we're going to let all the Morels
00:48:10come by the house to scream
00:48:12because Miss Mercedes
00:48:14showed up at my house to ridicule me
00:48:16and I can't go to her bar
00:48:18to make things clear to her.
00:48:20Are you talking about Mercedes Morel?
00:48:23Paula, leave us alone.
00:48:25I'm talking to your father.
00:48:27I just want to know if you're talking about her.
00:48:30Why, daughter?
00:48:32Because yesterday she came to the store
00:48:34asking about Ivan,
00:48:36but she told me something very strange.
00:48:38She told me that when she found out about the accident
00:48:40she was here at your house.
00:48:42And that she misses you.
00:48:44Because she got very nervous,
00:48:46as if she regretted
00:48:48what she was saying at that moment.
00:48:50Then when I asked her
00:48:51why she had come,
00:48:53she told me it was to discuss
00:48:55a matter concerning the patronage with you.
00:48:57But you weren't at home.
00:48:59What are you talking about, daughter?
00:49:02I think she's hiding something.
00:49:05How was she going to come
00:49:07if you weren't here, mother?
00:49:13Mercedes has helped me
00:49:15with some matters of the foundation.
00:49:17You know that, daughter.
00:49:19But then why did she get so nervous
00:49:21when she came here?
00:49:23She barely knew how to justify
00:49:25the reason for her visit.
00:49:27I'm sorry, darling.
00:49:29I don't know her that well.
00:49:31I wouldn't know how to tell you.
00:49:33Don't you think it's strange
00:49:35that she was so tense
00:49:37if the reason for her visit
00:49:39was so simple?
00:49:41Maruja,
00:49:43don't you think the boys
00:49:45deserve to know the truth?
00:49:47What truth?
00:49:49What are you talking about?
00:49:51She came to threaten me.
00:49:53Threaten you? Why?
00:49:55Because your mother,
00:49:57here where you see her,
00:49:59has an adult relationship
00:50:01with Cesar Morel.
00:50:03So Mercedes came here
00:50:06to demand that I don't take
00:50:08reprisals against her little brother.
00:50:11As if her relationship with your mother
00:50:13were normal.
00:50:15What do you think?
00:50:17Pastella, Emiliano, please.
00:50:19Did I lie?
00:50:21I don't give a damn about you and Cesar Morel.
00:50:25It's hard.
00:50:27Yes.
00:50:30It's very hard.
00:50:32But it's the truth.
00:50:35And I think you and your brothers
00:50:37need to know
00:50:39that your mother is an adulteress.
00:50:43What are you afraid of?
00:50:45I'm not afraid of anything.
00:50:47Why do you ask?
00:50:49Because you're going too far.
00:50:51Either you're afraid of something
00:50:53or you're hiding something from me.
00:50:56Neither.
00:50:59Then why don't I have
00:51:01the damn documentation yet?
00:51:03Because I'm not going to risk
00:51:05for something that's not worth it.
00:51:07I'm the one who decides what's worth it.
00:51:09Amalia, please.
00:51:11Be reasonable.
00:51:13We can't do anything against Emiliano.
00:51:15Think about it.
00:51:17He has money, power, influence.
00:51:18It's practically impossible to beat him.
00:51:20You just realized
00:51:22that the rat is a millionaire and powerful.
00:51:24Wow!
00:51:26You can't come down now.
00:51:28We're about to teach him a lesson
00:51:30about his life.
00:51:32Before the sale of the business,
00:51:34there was a chance to ruin his life.
00:51:36But now he has invested a lot of money
00:51:38with that operation.
00:51:40It's almost impossible to ruin him.
00:51:42I only hear excuses.
00:51:44I hear complaints.
00:51:46And they don't work for me.
00:51:48You don't have the documentation.
00:51:50I'm sorry, but I won't do it.
00:51:52Although I hate Emiliano,
00:51:54it's not fair for the family
00:51:56to pay for his actions.
00:51:58They let you lick their plate
00:52:00and you think you're part of one of them.
00:52:02There's no point in continuing with this.
00:52:04We've tried and failed.
00:52:07Emiliano is untouchable.
00:52:09It's better to get the idea.
00:52:12And if he's so untouchable,
00:52:15why do you want to get off the boat?
00:52:18Because on one hand,
00:52:20you say we can't even touch him.
00:52:22But on the other,
00:52:24you don't want to hurt his family.
00:52:26So I'm going completely crazy
00:52:29or there's something wrong here.
00:52:31Maybe you don't understand.
00:52:33But for me,
00:52:35they're the closest thing I have to a family.
00:52:37Yes, and I betrayed them once
00:52:39and I don't want to do it again.
00:52:41Don't be ridiculous, Rodrigo.
00:52:43Get me the documentation
00:52:45of Pedraza's companies, please.
00:52:46We'll talk later.
00:52:48No.
00:52:54I have the documentation
00:52:56and I'm not giving it to you.
00:52:58Are you testing me?
00:53:00Are you going to betray me
00:53:02because of Emiliano's monster?
00:53:04I'm not betraying you.
00:53:06What would our friends think?
00:53:08The ones you swore to avenge?
00:53:11What would my brother think?
00:53:13Are you really going to be an accomplice to Pedraza?
00:53:17The only thing I don't want to be an accomplice to
00:53:20is to ruin an entire family
00:53:22for the sins of a single man.
00:53:25Think about it.
00:53:27Rodrigo, think about it very well.
00:53:29Because you're going to pay for this betrayal.
00:53:33You and your little friend.
00:53:36Amaya, you're not a murderer.
00:53:38And I know you won't hurt any innocent people,
00:53:41not even Paula.
00:53:43I know you well.
00:53:46I know you.
00:54:10Tell me something, Paula.
00:54:13Anything.
00:54:14To know that you're okay
00:54:16and that I don't have to call the doctor.
00:54:25Mother, what's said is said.
00:54:28I just found out that you have a lover.
00:54:33Why?
00:54:37For love.
00:54:41Mother, but you have a husband.
00:54:44Yes.
00:54:47A dry husband
00:54:52with whom I only share a roof
00:54:56and two wonderful children.
00:55:00But there is no love.
00:55:03And I'm sure you've never had it.
00:55:07I still don't understand it.
00:55:11Well, it's the truth, daughter.
00:55:14If your father had loved me,
00:55:17even if it had been a little,
00:55:20I wouldn't have lacked the respect
00:55:22by keeping his beloved at our service and in our house.
00:55:26Don't you think?
00:55:29So, this is a rage because of father and Pepita?
00:55:35That relationship made me suffer for many years,
00:55:37more than you can imagine.
00:55:40And only that would have been a reason
00:55:42for me to pay him with the same currency.
00:55:45But no,
00:55:47that's not the reason.
00:55:51Or at least it's not the only one.
00:55:55I fell in love with Cesar without meaning to.
00:55:59I wasn't even looking for him.
00:56:02It just happened.
00:56:05And I don't regret it.
00:56:08The love I feel for him
00:56:10is pure, it's beautiful.
00:56:11There is no barrier
00:56:13that can stand in the way of something like this.
00:56:17And I thought you would be the only one who understands it.
00:56:23Cesar has given me back the desire to live.
00:56:27And I don't say it to say it, Paula.
00:56:29It's been too many years
00:56:31feeling a death in my life.
00:56:34But,
00:56:36I don't know when you started with father,
00:56:37would there be some love?
00:56:39Did you marry him?
00:56:41Because they fixed everything.
00:56:44But I couldn't give my opinion.
00:56:46When I wanted to realize it,
00:56:48I was already in front of the altar.
00:56:51And not even with time?
00:56:53With time.
00:56:55With time, your father,
00:56:57the only thing he did was to keep me away from his life.
00:57:00As if I were an old piece of junk.
00:57:03If I didn't get there,
00:57:04I would have gone crazy.
00:57:07But I stayed in my place
00:57:09as God's law says.
00:57:12And you grew up.
00:57:14You became adults.
00:57:16Until I gave myself to my loneliness.
00:57:19And holding on to a farce
00:57:21of a marriage without love.
00:57:26What's going to happen now?
00:57:29I don't know.
00:57:31I don't know.
00:57:32What's going to happen now?
00:57:35Your father and I have reached an agreement
00:57:37to separate in a civilized way.
00:57:41Despite what it seems,
00:57:43your father has reacted well.
00:57:47That's why I didn't tell you anything, Paula.
00:57:50So as not to tighten the rope any more.
00:57:53Are you going to tell Ivan?
00:57:56Your brother discovered my relationship with Cesar
00:57:58and threatened us
00:57:59with telling your father
00:58:01if we didn't give him what he wanted.
00:58:03What did he do?
00:58:05Will he be miserable?
00:58:07Will he threaten his own mother?
00:58:09Your brother is the weakest of the two.
00:58:11He has never found his place
00:58:13and he has a lot of anger inside.
00:58:16Your father doesn't help either,
00:58:18despising him so much.
00:58:20And my love,
00:58:22it is clear that it is not enough.
00:58:24No, mother.
00:58:26Nothing justifies what he has done.
00:58:27Nothing.
00:58:29Good evening.
00:58:31Hello.
00:58:33Am I interrupting, Mrs. Maruja?
00:58:35No, no, Rodrigo.
00:58:37I was leaving.
00:58:40Paula has many things to think about.
00:58:58I'm glad to find you at home.
00:59:00I was worried.
00:59:02Worried about what?
00:59:04Have you seen the woman in the mask again?
00:59:06No.
00:59:08And I hope not to see her again.
00:59:10I hope so too.
00:59:12Although, darling,
00:59:14if the case comes to light,
00:59:16you have to promise me
00:59:18that you will never see her again.
00:59:20I promise.
00:59:22I promise.
00:59:24I promise.
00:59:25If the case comes to light,
00:59:27you have to promise me
00:59:29that you will stay away from her.
00:59:31Rodrigo, you're scaring me.
00:59:33I'm not telling you to scare you, Paula.
00:59:35But I need you to be warned.
00:59:39Darling, I just want to protect you.
00:59:46I just wanted to make sure
00:59:48that waiter who came to Mas
00:59:50is aware of his situation.
00:59:52And what is it?
00:59:53That I've spared his life.
00:59:55That he doesn't forget to give me
00:59:57the money for the collection
00:59:59before starting to collect for the closure.
01:00:01Has he spoken to Mr. Fermin?
01:00:03I trust that you'll stay with me forever.
01:00:05I'm not going anywhere.
01:00:07But this is not the time or the place
01:00:09to get affectionate.
01:00:11The same respect that you ask for you,
01:00:13I deserve it too.
01:00:15Darling, this is your grandfather,
01:00:17Piedro.
01:00:19The person you take the name from.
01:00:21Dad's father.
01:00:23He's going to be the owner of all this.
01:00:25And it's impossible that he's stealing from La Moderna
01:00:27because it would be like stealing himself.
01:00:29Well, himself and Mr. Fermin too.
01:00:31He's going to be my worthy successor.
01:00:33He has my blood running through his veins.
01:00:35Not like Ivan, who seems to have horchata.
01:00:38When my time comes,
01:00:40which we hope will be in a long time,
01:00:42I know I can go quietly.
01:00:44I got a buyer for the book.
01:00:46How do you say?
01:00:48A client of La Moderna,
01:00:50who whenever he comes, brings a book under his arm.
01:00:51I knew you were going to be interested.
01:00:53Well, it's a shame that he didn't show up
01:00:55a couple of days before the salon.
01:00:57I just closed the sale with Mr. Sanchis,
01:00:59who is from Valencia, like Blasco and Báñez.
01:01:01You alone have won this opportunity.
01:01:03And I'm sure that with my mediation or without it,
01:01:05Cañete would have realized that you deserve it.
01:01:07Take it.
01:01:09You read it quietly,
01:01:11and when you sign it,
01:01:13you take it to the register box and I'll be there.
01:01:15He has no experience as a director.
01:01:17If at least he had some experience.
01:01:19Really, it's very risky.
01:01:21If no one gives him an opportunity,
01:01:23he will never be able to have that experience you talk about.
01:01:25I'm just telling you that I was much more sorry than afraid.
01:01:28Well, I hope you don't notice it.
01:01:30Meet Emiliano.
01:01:32And that sorrow is precisely
01:01:34the last thing I would like to receive from you.
01:01:37For the love of God, Emiliano.
01:01:39Are you really going to kill him?
01:01:41A childhood friend.
01:01:43You know, a man never knows what he is capable of
01:01:46until he is put to the test.
01:01:48Very soon you will see how far I can go.
01:01:51I love you.