Salon De Te La Moderna - Capitulo 333 - video Dailymotion
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00:00:00Subtitulado por Cristina Pérez Cerezo
00:00:30If you want to drive well, you don't just have to be good at it, you also have to be more patient than a saint.
00:00:34Right, Trini?
00:00:38Look, mum, this is not a village house.
00:00:41And here the clientele is not like in Fuencarral.
00:00:43You're right.
00:00:44The people of Fuencarral are much worse.
00:00:46Tired of saying enough.
00:00:48Well, well, and some are already ill-mannered.
00:00:50But here my Marcelina knows how to handle them with a presence, a know-how, worthy of being seen.
00:00:56Look, nobody questions their worth.
00:00:58The problem here are the rules, and we can't hire women as waitresses.
00:01:02And it's a shame, because it's out of sight that we need staff.
00:01:06We don't have enough.
00:01:08Although, as the clientele says, the rules are the rules.
00:01:11Right.
00:01:12And couldn't you do me a little interview?
00:01:15So you could see firsthand how much I could help you.
00:01:18Of course, really, Marcelina.
00:01:20It's out of confidence.
00:01:21After so many years together, I'm sure my Trini will put her hand in the fire for her.
00:01:27Well, so what? When do we do the interview?
00:01:29For me, it's like right now. I'm ready.
00:01:32No, right now it's a little rushed.
00:01:35It's rushed and it can't be.
00:01:38Because, as I said before, here...
00:01:39The rules are the rules.
00:01:40That's it.
00:01:41Right.
00:01:42Really, you couldn't do anything?
00:01:44Well, I'm sorry, but no.
00:01:46Is there anything else we can help you with?
00:01:50Well, look, yes.
00:01:52You and your partner could tell me what those three tables in the back have in common.
00:02:00Indeed, the three of them have remains of previous services.
00:02:04But don't worry, I'll fix that for you in a moment.
00:02:14Gentlemen, if you'll excuse me, I'll take you back to work.
00:02:17Excuse me.
00:02:21And I'll be right back.
00:02:23Gentlemen.
00:02:26She's got the weight with one hand.
00:02:30Ladies, if you'll excuse me, I'll take this away from you.
00:02:33And I'll be right back to take notes.
00:02:36You can go and think what you want.
00:02:38And the speed at which she arrived.
00:02:40What a salero Mirilla has.
00:02:43Bravo, bravo you.
00:02:45Well, this is it.
00:02:48If you leave me a notebook and a pen, I'll take notes to the gentlemen, it's not hard for me.
00:02:52Look, if I understand it in my soul, we can't make an exception with you.
00:02:56Because the rules say that we can't hire women.
00:03:00Do you understand?
00:03:03You couldn't do me a little bit of nothing, huh?
00:03:06Will you tell me that I'm not going to help you lighten the work here?
00:03:09Assuming that was a woman's job.
00:03:11But she has heard it, don't you see?
00:03:13Come on, you're so nice to everyone.
00:03:15And you're setting up shows every time you're looking for a job.
00:03:18Boy, if you want to see a show, all you have to do is talk to me again that way.
00:03:24Well, okay, there are discussions and much less when there are customers in front.
00:03:28Yes, you're right.
00:03:30So I take notes to the gentlemen?
00:03:32No, it's not the time for more tests.
00:03:36Wow.
00:03:37Well, at least I can leave you the places where I've worked in writing.
00:03:43In case you were thinking about it.
00:03:44Yes, leave it to me.
00:03:45Very well, have a good day.
00:03:47Likewise.
00:03:50How have you seen me, Maria Trinidad?
00:03:53I think I was fine, but they are a bit stubborn with the rules.
00:03:58Yes, Trini, remember that.
00:04:00I think you've been fine, you've been fine.
00:04:03But have you heard from Teresa?
00:04:05I don't think they're going to hire you.
00:04:07I see.
00:04:08Well, it's a shame.
00:04:10Because I was going to do it much better than that shame they have for a waiter.
00:04:16Well.
00:04:19Very well done, man.
00:04:20Well done, and what?
00:04:21The thing of giving long to that shag to take it off you.
00:04:25Well, don't tell me you're glad she's leaving.
00:04:27She seems to be a very effective girl.
00:04:34Has Captain Davila already interrogated you?
00:04:36No.
00:04:37Because he's talking to everyone.
00:04:38No, not to me yet.
00:04:39I think he'll do it tomorrow.
00:04:41If they don't give him the hood before, of course.
00:04:44I hope he does.
00:04:45But it seems to me that bad people are very bothered to hide.
00:04:50I wish they had so much trouble doing good instead of doing bad.
00:04:55Yes.
00:04:56Although I've seen so many scared people in the gallery.
00:05:00I imagine there will be people who will no longer come.
00:05:03Who will prefer to stay at home.
00:05:05I hope they find him and lock him up under seven keys.
00:05:14Honey, do you want me to put the scene later?
00:05:16That I see you writing so entertained?
00:05:18No, no, no.
00:05:19I'm almost done.
00:05:20The answer to Silvia's letter.
00:05:22Well.
00:05:23Silvia's letter and your Pedrito's poem?
00:05:25Yes.
00:05:26I'm in love.
00:05:27I'm shameless.
00:05:30It makes me happy to receive your news.
00:05:34I feel more optimistic.
00:05:36Also with your problems, of course.
00:05:38I see.
00:05:39You say it for Florencio?
00:05:41Yes, I say it for Florencio.
00:05:43And also for how the situation can affect the life of Pedrito and Silvia.
00:05:47The man of the house, Florencio, right?
00:05:50Well, honey, but you think you've been working for a long time.
00:05:53Well, honey, but you think you've been working for a long time.
00:05:57It won't be the first or the last time.
00:06:00Well, let him come back later in the account.
00:06:03I hope so.
00:06:04And I'm more worried about the account.
00:06:06Well, honey, really.
00:06:08Are you sure that Pedrito, when he sends you the next letter,
00:06:10tells you that Florencio is already at home?
00:06:15You know what I thought the other day?
00:06:18Of course, I'm not in my best moment in the operator.
00:06:21But I feel very lucky, Antonia.
00:06:23Because I have a stable job.
00:06:26A job without dangers like, I don't know, the wind, the sea, the weather.
00:06:31Well, yes.
00:06:32It's true that we are very lucky.
00:06:35I also tell you that there are animals on earth worse than those in the sea.
00:06:43You mean Seymour, I imagine, right?
00:06:46That man is in a storm in the sea and he returns it to you.
00:06:49Do you feel bad or what?
00:06:52We'll see how he behaves.
00:06:54For the moment, I'm happy because he has spoken to Teresa.
00:06:59Yes.
00:07:00And he wants to help me.
00:07:03So that Don FermÃn and I give away the things.
00:07:06Don't tell me, do you have a plan?
00:07:08No, not yet.
00:07:10Or at least he hasn't told me.
00:07:13He has told me that he will look for a moment to get together.
00:07:17Oh, honey.
00:07:18What a joy.
00:07:19Well, you know what you have to do now, right?
00:07:21Straighten your shoulder.
00:07:22Let's see if among all of us, finally.
00:07:25Yes.
00:07:26I told him that I am willing to do whatever it is.
00:07:31I already knew that Teresa was the only one who could untie all this.
00:07:37Excuse me, Antonia.
00:07:39I'm very sorry.
00:07:42I'm sorry for how I answered you yesterday.
00:07:44When I told you that stopping Simón was none of your business.
00:07:50I'm sorry.
00:07:51You told me that, right?
00:07:52Yes.
00:07:53I don't remember.
00:07:56Don't worry.
00:07:58Yes, I'm worried.
00:08:00Because I love you.
00:08:02And I don't want to treat you like that.
00:08:04I love you too.
00:08:06So,
00:08:08I apologize.
00:08:12Thank you for always supporting me.
00:08:15And what's left for you.
00:08:16Come on.
00:08:17Let's eat.
00:08:18Let's eat.
00:08:19Let's eat.
00:08:21Let's see what I have prepared there.
00:08:33What exhaustion.
00:08:35The same as that Marcelina.
00:08:36That instead of a tray, it looked like she was carrying a handkerchief.
00:08:39Yeah, the truth is that she has done a whole exhibition.
00:08:41And it seems that for her it was normal.
00:08:44She looked like a very willing woman, yes.
00:08:47Very charming, huh?
00:08:48Did you see with what sympathy she treated the clients?
00:08:51I wish the waiters we are interviewing were like that.
00:08:53Well, yes.
00:08:54It seems that the gift of people today is not the usual.
00:08:56And it's a shame because it is necessary to work here.
00:09:02Cañete, I see you coming.
00:09:05Teresa.
00:09:07What's the problem?
00:09:08That there are waitresses?
00:09:09In proposing it?
00:09:10At least.
00:09:12What happened to the rule of married women?
00:09:13That ended up falling by its own weight.
00:09:15It doesn't make any sense.
00:09:17Limiting women in their jobs.
00:09:20And more in a room like this, with all of us.
00:09:23And I already know.
00:09:24That I have also thought about it sometime.
00:09:26But to make such a change, you have to talk to Don FermÃn.
00:09:29And now, well, it's not the best time.
00:09:32Yes, it is true that now he has many things on his mind.
00:09:35But proposing a change in the rules of his business,
00:09:39maybe it would distract him.
00:09:40Don't you think?
00:09:41Well, it could be.
00:09:42But let it be, for later.
00:09:45Well, I had to try.
00:09:47But you have to know that the waiters are very unhappy
00:09:49because they don't give enough.
00:09:51And they throw a lot in the trash.
00:09:53Yeah.
00:09:54It's just that he was very dear to everyone.
00:09:59No, no.
00:10:00No.
00:10:01Put the glasses on dry.
00:10:02Now I'll give you a hand.
00:10:03By the way, Teresa.
00:10:04How is the issue with the worker?
00:10:05Because there things are revolted.
00:10:07Well, look.
00:10:08Today I have seen Pietro more excited than yesterday.
00:10:11Has Simon loosened up a bit?
00:10:12No.
00:10:13Pedro has received a letter from his grandson.
00:10:15And that always makes him smile.
00:10:17Ah, that's normal.
00:10:18The poor man doesn't come out of one and gets into another.
00:10:21Yeah.
00:10:22The thing is that, let's see.
00:10:24He messed with Rogelio.
00:10:25That's how it is.
00:10:27What he doesn't deserve is that Simon treats him so badly.
00:10:29But hey, I've talked to him and I've told him
00:10:31that I'm going to do everything I can.
00:10:32I'm going to mediate with Don FermÃn
00:10:33so that things can be solved.
00:10:35Let's see if the three of us can fix it.
00:10:38That would be great.
00:10:39Because one thing is that Pietro has made a mistake
00:10:41and another thing is that that man
00:10:42scolds him every day as usual.
00:10:44That can't be.
00:10:45Well, I'm going up to the living room upstairs.
00:10:51I'm sorry, but I haven't been able to avoid
00:10:53listening to the conversation.
00:10:55Well, it's not very good manners
00:10:57to put your ear, Quico.
00:10:58Yeah, but I already told you
00:10:59that I haven't been able to avoid it.
00:11:00The fact that Teresa is so worried
00:11:03about helping another man,
00:11:04what do you think?
00:11:05What do I think?
00:11:07Pietro needs help
00:11:08and the manager is delighted to lend it to him.
00:11:10Yes, but it's not just his manager,
00:11:12it's also his girlfriend.
00:11:13I don't know, doesn't it seem strange to him
00:11:15that he wants to help Pietro?
00:11:17Let's see, Quico.
00:11:18Let's leave it at that
00:11:20because I think you have a strange concept
00:11:22about women.
00:11:24I don't know.
00:11:25I don't think it's a concept.
00:11:26It's what most people think.
00:11:29Well, I'm not the majority, Quico.
00:11:31I don't think women are bad
00:11:32or that they're all the same,
00:11:34much less do I pretend that Teresa
00:11:35is the perfect girlfriend.
00:11:36I see.
00:11:37No, they're not all the same.
00:11:39Well, show her who came today.
00:11:42Trini's friend,
00:11:43the one with the tray, come on.
00:11:45With that show she's put on,
00:11:46you're not going to hire her.
00:11:48And why not?
00:11:49If it were a man,
00:11:50she would already be hired.
00:11:52She has courage and a lot of desire to work.
00:11:54Yeah, well, what about the rules?
00:11:56Quico, the rules change over time.
00:11:58Or do you see any sense
00:11:59in a person not being able to do a job
00:12:01depending on whether it's a man or a woman?
00:12:03Well, yes.
00:12:05And more if it's a tradition of the place.
00:12:07That gives cash to the business.
00:12:09If you hire her,
00:12:10goodbye cash, goodbye tradition,
00:12:11goodbye everything.
00:12:13Look, with Marcelina on the template,
00:12:16this goes to waste.
00:12:18And you would be responsible.
00:12:20Dude, think about it.
00:12:22But think about it.
00:12:26Look, Quico,
00:12:27pick up all this
00:12:29and dry the glasses.
00:12:35What have you missed about Mr. Fermin?
00:12:37How did he talk about your father?
00:12:39It's not the first time
00:12:40that I get the impression
00:12:41that there's a deep sea between them.
00:12:43It's normal, my love.
00:12:44With everything he's doing for us
00:12:46and after hiring you.
00:12:48But they've been friends since childhood.
00:12:50So what?
00:12:51My father has never been nice
00:12:53to not be put on his side.
00:12:54If it were my mother,
00:12:55me or the governor of Buenos Aires.
00:12:57Come on, you know my father too.
00:12:59I'd tell you you know him better than me.
00:13:01But precisely because I know him,
00:13:02I think there's something more
00:13:03between him and Mr. Fermin.
00:13:05Well, whatever it is,
00:13:06Mr. Fermin has not bet much on the two of them.
00:13:08We have to make him see
00:13:09that he can trust us
00:13:11and work harder than ever.
00:13:12Do you think I should try to get Mr. Fermin out?
00:13:14What happens to your father?
00:13:16I only find the moment,
00:13:17nothing to force.
00:13:19Well, I don't know, honey.
00:13:20If you want to try it,
00:13:21but be discreet, yes.
00:13:24The truth is that I can only think about dinner.
00:13:27Do you have any idea
00:13:28what awaits us tonight?
00:13:29I see you've become
00:13:30a lover of Mrs. Madora's food.
00:13:32She cooks well,
00:13:33and her stews are different.
00:13:35She commented that tonight
00:13:36she would prepare something special.
00:13:38Yes, it's true.
00:13:39The famous dish she told us about.
00:13:41What was it called?
00:13:43Yes, man, the one she told us
00:13:44she prepared when she lived in the shelter.
00:13:46Ah, yes, but I don't remember the name.
00:13:48It was something of lamb.
00:13:49Lamb?
00:13:50I only remember that
00:13:51and that it was a dish
00:13:52of North African roots.
00:13:54Ah, yes, the lamb tallin.
00:13:56That was it.
00:13:58Will it be good?
00:13:59It doesn't sound bad at all.
00:14:00Whether it sounds good or bad,
00:14:01I don't think Madora will
00:14:02accept a no for an answer.
00:14:03So I hope you're sure.
00:14:29Did you send for me?
00:14:32Yes.
00:14:33I'm waiting for a visit,
00:14:35so please open the door
00:14:37and bring it to me.
00:14:39And then you can continue
00:14:40doing what you were doing.
00:14:42A visit at this hour?
00:14:44If you don't like it,
00:14:45I'll tell her to come tomorrow.
00:14:48I was saying it
00:14:49in case you wanted me
00:14:50to be late for dinner.
00:14:51No, no,
00:14:52I'm going to dispatch this quickly.
00:14:54And can I know who it is
00:14:55in case I prepare something special?
00:14:57You don't know him.
00:14:59I just wanted to be nice.
00:15:01I don't know him very well either.
00:15:03You can leave.
00:15:09Can I ask you a question?
00:15:13If there's no other choice.
00:15:15I went to look for a handkerchief
00:15:16on the table in my room
00:15:18and I found it all over the place.
00:15:22That's not a question.
00:15:24I know.
00:15:26But since you slept with me last night,
00:15:28I was wondering
00:15:29if you had accidentally
00:15:30messed it up.
00:15:32The truth is that I had
00:15:33a terrible headache.
00:15:34And yes,
00:15:35I admit that I looked in your drawer
00:15:36to see if I could find
00:15:37some medicine.
00:15:39And you couldn't have asked me for it.
00:15:40No, woman.
00:15:41I didn't want to wake you up.
00:15:43It's so serious.
00:15:45Come on, Pepita,
00:15:46don't get dramatic.
00:15:47I'm already bitter about that.
00:15:49As you can understand,
00:15:50I don't like it when people
00:15:51mess up my things.
00:15:53It's just that you missed something.
00:15:55I say that because
00:15:56maybe it's under the furniture.
00:15:58Have you looked?
00:16:00No.
00:16:01I haven't missed anything.
00:16:03But the next time you want
00:16:04to take something from my room,
00:16:06ask me, please.
00:16:08Because for other things,
00:16:09don't hesitate for a moment
00:16:10to knock on my door.
00:16:12All right.
00:16:26No.
00:16:27Yes.
00:16:28No Mercedes, please.
00:16:29Yes.
00:16:30Yes, yes.
00:16:31No.
00:16:32Do me a favor
00:16:33and don't reject the bottle.
00:16:34It's very rude.
00:16:36Well, but surely
00:16:37we can reach an agreement.
00:16:40Only if the agreement is
00:16:41that you accept the invitation
00:16:42and don't demand anything in return.
00:16:44But we can't accept the bottle
00:16:45and stay as calm
00:16:46as if it were normal.
00:16:49That you are helping me so much
00:16:50is not normal either.
00:16:52I am very happy that you make
00:16:54your celebrations here
00:16:55and this bottle
00:16:56is my way of thanking you.
00:16:59It's fine.
00:17:00Thank you very much.
00:17:01I'm sure the technicians
00:17:02get very happy.
00:17:11The truth is that
00:17:12here we feel like at home.
00:17:18My brother liked to take care
00:17:19of good clients
00:17:21and that's something
00:17:22that I would like to keep from him.
00:17:25To be like him.
00:17:30How are you?
00:17:35There are days
00:17:36that I feel like I'm getting over him,
00:17:38that I don't miss him so much.
00:17:41Then I remember
00:17:43any nonsense of his
00:17:45and I realize
00:17:46that I haven't gotten over anything.
00:17:50Well, they say
00:17:51that even the most unbearable pain
00:17:52ends up passing.
00:17:54But you need time, Mercedes.
00:17:56Everything is still very recent.
00:18:02I just remembered something
00:18:03now that I see you here.
00:18:07About a day
00:18:09when there weren't many people in the place.
00:18:12We had just opened.
00:18:15And I caught my brother
00:18:17looking at the empty stage.
00:18:20He was completely overwhelmed.
00:18:23And I dared to ask him
00:18:24what he was thinking.
00:18:27You know that César was very reserved.
00:18:29Especially for his things.
00:18:32But not that time.
00:18:35That time he told me
00:18:36that he was thinking about a woman
00:18:37who was going up to that stage
00:18:39and that he noticed her.
00:18:41He was thinking about you.
00:18:43Yes, the truth is that
00:18:45we spent many moments together.
00:18:47Good and bad.
00:18:50But he always showed me
00:18:54that I could count on him.
00:18:57Yes.
00:18:59He was a very loyal person.
00:19:03I still don't get the idea
00:19:06that he will never be again.
00:19:10And honestly, Inés,
00:19:13I don't find the meaning to anything.
00:19:17Neither to my life,
00:19:19nor to this job.
00:19:22I don't know.
00:19:26And I feel very alone.
00:19:29No, Mercedes, it's true.
00:19:31Look at me.
00:19:33You are not alone.
00:19:36You are not alone.
00:19:41I'm sorry.
00:19:43I didn't want to spoil your night.
00:19:45No, no, no, please.
00:19:46It's normal that you miss him.
00:19:49And you know that you can count on me
00:19:50for whatever you need.
00:19:59Your visit, sir.
00:20:02Good evening, gentleman.
00:20:04First of all, I wanted to thank you
00:20:05for coming here,
00:20:07despite the hours.
00:20:09Thank you, Mr. Pedraza.
00:20:11Just seeing the most beautiful house
00:20:12I've ever seen in my life
00:20:13was worth it.
00:20:17One day you'll have your own.
00:20:19You'll see.
00:20:20Pepita, you can go.
00:20:23I have very good references of your work.
00:20:26I would have to work my whole life
00:20:27just to have a room like this.
00:20:31Let me pour you a drink.
00:20:40Will you allow me to propose a toast
00:20:42to what is yet to come?
00:20:45To the future.
00:20:46A big toast, yes, sir.
00:20:58Well, you tell me.
00:20:59How can I help you?
00:21:01All in due time, Simon.
00:21:04First tell me,
00:21:07has anyone asked you
00:21:09where you were coming from?
00:21:12Or have you told anyone
00:21:13you were coming to see me?
00:21:15I did exactly what you told me.
00:21:17No one knows where we're going to meet.
00:21:19Perfect.
00:21:23You see, I've heard
00:21:24that you're having problems
00:21:26in La Moderna,
00:21:27in the tea room.
00:21:29Specifically with my friend Fermin.
00:21:31Is that true?
00:21:33Yes, sir.
00:21:34I don't know if you can call it problems, but...
00:21:36Problems.
00:21:37Disappearances.
00:21:39Misunderstandings.
00:21:41Fights.
00:21:42Whatever.
00:21:45Believe me if I tell you
00:21:46that I can fix it.
00:21:49How?
00:21:51You see, before, when he came in,
00:21:53he mentioned that this house
00:21:55was the most beautiful
00:21:56he had ever seen in his life.
00:22:00Wouldn't he like to have a room like this?
00:22:03Or similar?
00:22:06Come on, come on.
00:22:09Don't be shy.
00:22:12Tell me, what are you dreaming of?
00:22:14As unattainable as it may seem.
00:22:17Let's see.
00:22:19The house is fine.
00:22:20It's very fine.
00:22:22But it would be a bit too big for me.
00:22:25What I'd really like to have
00:22:27would be my own business.
00:22:29That would be in bigger words.
00:22:32Your own business?
00:22:34Yes, sir.
00:22:35An entrepreneur.
00:22:36I love it.
00:22:37Sit down, sit down, please.
00:22:46What if I told you
00:22:47that you could have your own bakery?
00:22:50I'd ask you where the trap is.
00:22:53There's no trap here.
00:22:56If you do exactly what I ask you,
00:23:00I guarantee you
00:23:01you'll have your own business.
00:23:06Are you serious?
00:23:10Completely.
00:23:29I love you.
00:23:59Who's going to get us in trouble now?
00:24:05The great baker has come home early.
00:24:08Don't tell me he slept here.
00:24:10Did something happen?
00:24:11Why did he have to come so early?
00:24:13This morning I had to go out to do some errands
00:24:16and I had thought of doing some of the tasks.
00:24:20I see.
00:24:21Like the pastry cream, for example.
00:24:24Do you like how I do it?
00:24:26Don't be so susceptible.
00:24:28In fact, I wanted to advance the work
00:24:30since you're going to be alone.
00:24:32I've also left the tartlets ready
00:24:34so you only have to fill them in and bake them.
00:24:37There's the first tray.
00:24:39Don't look at the gift horse.
00:24:41Save that.
00:24:42Pietro, I want it to be the first thing you take out.
00:24:47As you wish.
00:24:48As far as I know,
00:24:49no customer asks for tartlets in the first hour.
00:24:52And who has given you a watch in this funeral?
00:24:54Please get on with your business, ma'am.
00:24:57But I want you to know that Pietro is my business.
00:25:00I see.
00:25:01It seems that now everyone has decided to become your protector.
00:25:06Don't you start feeling like one of those abandoned chuchos?
00:25:09And you can take your broom
00:25:11and go somewhere else with the music.
00:25:13The only thing you're doing here is getting in the way.
00:25:16I'm leaving because I feel like it,
00:25:18not because you tell me to.
00:25:28Are you okay?
00:25:29Perfectly.
00:25:31And as I told you, I have to go now.
00:25:34If you leave without me,
00:25:35it's possible that I won't be back until the afternoon.
00:25:38It's going to be complicated.
00:25:40Of course it is.
00:25:42I've been doing it since I got to La Moderna.
00:25:45Very good.
00:25:47And don't forget about the tartlets.
00:25:49I'm the one who decides what we take out first.
00:25:54And not that sweeper.
00:26:17I want the suppliers to know you as soon as possible
00:26:20I want the suppliers to know you as soon as possible.
00:26:22We are going to organize a visitation schedule starting next week.
00:26:25Do you think it's okay?
00:26:26I'm looking forward to it.
00:26:27Montero, please.
00:26:28When you can, give me a coffee and if you're so kind, bring it to my office.
00:26:33Anything else, sir?
00:26:34Yes, Captain Davila has not yet finished with the interrogations in the room.
00:26:39I hope he continues to be as discreet as he has been so far.
00:26:42I would not like him to be more lenient with our clients.
00:26:45I will be aware.
00:26:46Is there any news about that criminal?
00:26:48No.
00:26:49Well, yes.
00:26:50We already have our private stripper, Jack.
00:26:53The Sun Door's hooded man.
00:26:55What we were missing.
00:26:57Excuse me.
00:27:01I've been investigating him, you know?
00:27:04About the hooded man?
00:27:05No, no, no, no.
00:27:06About Captain Davila.
00:27:09Our relationship did not start in the best possible way.
00:27:13But I have been informed and I have to admit
00:27:16that his trajectory is as impeccable as peculiar.
00:27:21Peculiar? What do you mean by that?
00:27:23That Captain Davila is not a conventional police officer.
00:27:26As a young man, Alferez already participated in the military team
00:27:30that investigated the causes of the Danual disaster.
00:27:33Does it ring a bell?
00:27:34Yes, I have read about it.
00:27:35It is said that those soldiers lost their lives due to the ineptitude
00:27:38and corruption of the high command, which did nothing to avoid the massacre.
00:27:41That's right, yes.
00:27:42And that is precisely the thesis that Davila defended.
00:27:45However, after the military coup of Primo de Rivera,
00:27:49the process was completely paralyzed
00:27:51and Davila opposed it with all his strength.
00:27:54He wanted justice to be done and the memory of those miserable people to be honored.
00:27:59And did he get it?
00:28:03What he got is that they marginalized him,
00:28:07stripped him off his pedestal and ruined his military career.
00:28:12That's what he got.
00:28:13That explains why only the captain has arrived.
00:28:15Yes, because at this point he would have to be either a general or a colonel, at least.
00:28:22Anyway, if there is someone who can find that hooded man, it is Davila.
00:28:28And I suppose also his wife, sir.
00:28:32That's another story.
00:28:37Thank you, Montero, thank you very much.
00:28:44Mr. Fermin, have you heard from Emiliano again?
00:28:46No, no, no. Since our meeting yesterday, no.
00:28:50And if I'm honest, with all the fronts I have open,
00:28:54his presence right now only causes me discomfort and tension.
00:28:59I'm sorry, sir.
00:29:00There is a part of me that feels responsible for his bad relationship.
00:29:03I wish I could do something about it.
00:29:05Yes, you can do it and it is to keep you out of it.
00:29:08And don't worry, hiring you is not the cause of our confrontation.
00:29:13What happens between ...
00:29:16You don't need to give me explanations, sir.
00:29:18If you have already signed the invoices, I will take them to the bank.
00:29:22Yes.
00:29:25I have a curiosity, Rodrigo. Do you know if Emiliano has already found you a replacement?
00:29:32Ivan Pedraza. Everything is at home.
00:29:35Oh my God. Let's hope his desire to please his father doesn't cause us any more problems.
00:29:40There is nothing worse than a desperate successor.
00:29:45That's right.
00:29:47By the way, Mr. Fermin, I forgot.
00:29:52This is the phone number of the pension to which I have moved.
00:29:56If you need anything, I am at your disposal.
00:30:00Thank you, Rodrigo. In these complicated times, it is a relief to know that one is not alone.
00:30:07You are not.
00:30:10Excuse me.
00:30:54What can I do for you, boy?
00:30:55I would like to speak to the owner.
00:30:57Well, you have it in front of you. And besides, she is a very busy woman. Get out.
00:31:03Look, I just arrived from Argentina.
00:31:05And although some relatives have been kind enough to host me, I don't want to take advantage of their hospitality either.
00:31:10So I'm looking for a room where I can stay.
00:31:13I would love to open it for you, but it's impossible here.
00:31:17Don't you have any available rooms?
00:31:19The last ones I just gave them to a couple.
00:31:22I'm sorry. Come back later.
00:31:25A marriage?
00:31:27Have you rented it to a marriage?
00:31:30No. They are just cousins. And I'm sorry, but I've already told you that I'm very busy.
00:31:35It's a shame. I really like your establishment.
00:31:39Clean, with taste. And I've been told that you don't admit to anyone.
00:31:43Your guests must have good references.
00:31:47Whoever told you that has lied to you.
00:31:49I don't have to ask anyone for references because I trust my instinct, which never fails me.
00:31:55And do you know what you're telling me now?
00:31:57That you don't come from Argentina and you're not looking for a room.
00:32:00So you're going to tell me right now what the hell you're doing here.
00:32:06Helping her.
00:32:08You help me? I don't know how.
00:32:11I understand that you don't ask for references.
00:32:14But you will demand the known rules that have to do with decorum.
00:32:18Like, for example, not admitting couples who are not properly married.
00:32:22Of course, the doubt offends.
00:32:24This is a very serious house with those menesteres.
00:32:27And I would put my hand on fire for the honorability of each of my guests.
00:32:32Then you must know that that couple you just admitted, of cousins, has nothing.
00:32:39Speak clearly. And don't make me waste more time.
00:32:44She is my sister. And let's say that we have gotten a little out of hand.
00:32:48She keeps giving problems to my family, as she is doing now.
00:32:51Escaping with that cousin.
00:32:54And if I'm here, it's because my father has asked me to talk to you.
00:32:57He is willing to pay you whatever you want, in exchange for a look.
00:33:02Are you telling me to watch her?
00:33:06For the good of all. You will say the amount.
00:33:10I don't know who you took me for, young man.
00:33:12You and your father are wrong about me.
00:33:15First of all, I owe my guests.
00:33:18And secondly, if that is the way to proceed with your family,
00:33:22I am not surprised that your sister has escaped.
00:33:27Are you going to reject an easy money?
00:33:29I'm going to reject a dirty money.
00:33:32Out of my house.
00:33:35Madam, you do not know who you are talking to.
00:33:38My father is Emiliano Pedraza.
00:33:41A very powerful man who usually goes out with his wife.
00:33:45Well, tell him that he has come across his shoehorn,
00:33:48because the same thing happens to me.
00:33:50I have taken the cellar of a battalion of legionaries
00:33:53and I have been able to keep them at bay.
00:33:55I don't think Emilio Pedraza is worse.
00:33:59Emiliano, I hope you don't have to prove it.
00:34:15More cream tartlets.
00:34:18Are you still going? What I was waiting for were the rehearsals.
00:34:21José Antonio, orders from the boss.
00:34:23And where the boss commands, the sailor commands us, right?
00:34:26Well, I see you're in a good mood.
00:34:28Has the situation improved with Simon?
00:34:30A lot.
00:34:31Especially because this morning he wasn't there.
00:34:35It had been a long time since I felt so comfortable.
00:34:38So much so that I want to sing again in the operator.
00:34:41Well, I'm very glad.
00:34:43Now you just need to talk to Don Fermin.
00:34:45Yes.
00:34:46And Teresa has already organized your meeting.
00:34:48Yes, I wanted to ask him how to focus it, but ...
00:34:53I haven't seen him yet.
00:34:55Yes, well, it's not that strange.
00:34:56It's just that he's been up and down all day.
00:34:58And besides, the employees are still with the interrogations.
00:35:00That he doesn't like a hair because he thinks that the customers ...
00:35:04Well, they don't feel safe and can go to another place.
00:35:09I was touched at the first hour.
00:35:11Too bad I didn't have anything to contribute.
00:35:14Oh, do you know who called me?
00:35:16Who?
00:35:17Marta.
00:35:18Marta?
00:35:19Yes.
00:35:22And what did she tell you?
00:35:23Hold on.
00:35:24Salvita wants to open a new bookstore in Paris.
00:35:27And they are planning to move there.
00:35:29In Paris?
00:35:30Yes, in the city of love.
00:35:31And when?
00:35:32In a few weeks.
00:35:33They are very excited.
00:35:34Oh my God.
00:35:35I'm so happy for both of you.
00:35:37Does that mean we're going to Paris?
00:35:39To Paris? You and me?
00:35:41Of course.
00:35:42She just said that in the city of love.
00:35:44I think it's normal, right?
00:35:45Well, you don't have to go that far, right?
00:35:47Or spend money that I don't think we have.
00:35:50And not ask for a few days off right now.
00:35:53Well, we'll see.
00:35:54For now, we can take a little closer excursion.
00:35:57Chinchón, for example.
00:35:58Yes, yes, miss.
00:35:59Chinchón is beautiful.
00:36:00But, please.
00:36:02Calm down, calm down.
00:36:04Write to Marta.
00:36:06And tell her.
00:36:07Trust me.
00:36:08And one more thing.
00:36:11If you want to hear me sing.
00:36:13Listen to me, right?
00:36:15A little.
00:36:17I'll wait for you at the operating room.
00:36:19Please, if you have any requests,
00:36:21make them not complicated.
00:36:23Because my voice is out of tune.
00:36:25I'll think about it.
00:36:26And listen to me, please.
00:36:27Bring me the rehearsals.
00:36:28No more cream tartlets.
00:36:30Yes.
00:36:31Ulala, ulala, ulala, ulala, ulala.
00:36:37Ulala, dear.
00:36:38More cream tartlets, my God.
00:36:48I swear that just thinking about it,
00:36:50the devils take me away.
00:36:52I mean, why did I have to accompany Marcelina, the modern one?
00:36:57It's just that I'm the daughter, not her.
00:37:00No?
00:37:01Do you know how many times my mother accompanied me?
00:37:03Accompany you to work?
00:37:04No, accompany me in general.
00:37:05Between zero and none.
00:37:07What do you think of what I'm telling you?
00:37:09That the woman just wanted to help.
00:37:11Yeah, well, lately I've only helped my neck.
00:37:15We're dealing with the same thing again.
00:37:17I think all this is going to end as always.
00:37:19I feel it.
00:37:20I feel it.
00:37:21It's going to end as always.
00:37:22Because Marcelina has always been my mother's right eye.
00:37:25And not me.
00:37:26And it would have to be me, don't you think?
00:37:28And isn't it enough for you to be it for me?
00:37:30Please, focus.
00:37:31Okay? This is important.
00:37:32Okay.
00:37:34Do you know what my mother told me when I went to look for a job for the first time?
00:37:37Come on, go out on the street, girl, and hurry up.
00:37:40And you did it very well.
00:37:41It's obvious.
00:37:42Well, of course, I had no choice.
00:37:44But instead, look at what she does with Marcelina.
00:37:48I find her a place to live, I accompany her to look for a job,
00:37:51and all she needs to do is find her a boyfriend.
00:37:53Knowing her, I tell you that she finds it.
00:37:55Celestina's role goes like a ring on her finger.
00:37:59What do you think of Cañete's nephew?
00:38:03What?
00:38:04As...
00:38:05As Marcelina's suitor?
00:38:07Oh, no, no, I hadn't thought about it.
00:38:09No, I mean in general, as a human being.
00:38:11Of course, he has nothing to do with his uncle.
00:38:14I don't quite get it.
00:38:16Me neither, really.
00:38:18And I think they wouldn't get along with Marcelina either,
00:38:20because he didn't like anything when he did the test.
00:38:22So if they asked him, he would probably speak ill of her.
00:38:27And I like that.
00:38:30Do you think what Quico thinks can be important?
00:38:34After all, he's a newcomer.
00:38:36I don't think he's in a position to veto anyone.
00:38:38Well, let them ask me.
00:38:40Let's see if I veto her or not.
00:38:41My love, you just said he did it very well.
00:38:44And he did it very well.
00:38:45It's true.
00:38:46But I'm not going to throw stones at my own roof.
00:38:49I'm not going to let him hire her.
00:38:51No, no, no, no.
00:38:52Work with me.
00:38:53No, no, no, no.
00:38:54She's what I needed.
00:38:55My love, you know that wouldn't be fair.
00:38:57We like life.
00:38:58And my mother doesn't either.
00:38:59And you know it.
00:39:00So, goodbye.
00:39:02Goodbye.
00:39:13All the newspapers are talking about the hooded man.
00:39:17Anyone should be proud.
00:39:20Proud?
00:39:21Proud of what?
00:39:22Of being a coward?
00:39:23Of attacking women to betrayal?
00:39:25With his face covered?
00:39:26No.
00:39:27Proud of being famous.
00:39:28Sadly famous.
00:39:30I was interrogated yesterday by you.
00:39:33It's my turn today.
00:39:35The captain told me it would happen at any moment.
00:39:37I'm looking forward to collaborating,
00:39:38although, unfortunately, I have nothing relevant to say.
00:39:41Well, don't worry about that.
00:39:42Even if he had it, it wouldn't be of any use.
00:39:45This man can't even find a fish in a fishbowl.
00:39:48I read he was in the army.
00:39:51What's wrong with that?
00:39:52Well, it's nothing wrong,
00:39:54but they should have thrown him out for being useless,
00:39:56and now he's a police officer.
00:39:58He couldn't even find a clue about Mrs. Lázara.
00:40:01Does he really think he can find the hooded man?
00:40:04He's blindfolded.
00:40:06Blindfolded?
00:40:07Yes.
00:40:08But how would you know?
00:40:09Do you have a clue?
00:40:10Because if you do, you're taking too long to find him.
00:40:12No, no, no.
00:40:13Forget it.
00:40:14Once, I solved a mystery in the village.
00:40:17The theft of a sheep.
00:40:19And since then, I must have been very smart.
00:40:21No, I think you're not aware of the seriousness of this matter.
00:40:24Those women I've assaulted are real people.
00:40:27Customers from here or from La Moderna,
00:40:29whom you've probably served.
00:40:31It's unimaginable what they must have suffered.
00:40:34You're right.
00:40:36It's terrible.
00:40:37Forgive me, Miguel.
00:40:39I think you misunderstood me.
00:40:41Or maybe I misunderstood you.
00:40:44I'm from the village.
00:40:45Well, be careful with what you say.
00:40:47Because everything counts.
00:40:49Thanks for the advice.
00:41:07Are you in a hurry?
00:41:09No, nothing.
00:41:10I'll finish up right away.
00:41:12And you, Miss Palbuena, will you come with us?
00:41:15No, I'd rather stay and study,
00:41:17because I'm going in at the last minute today.
00:41:19By the way, Inés, since you're with the script,
00:41:21I have a question.
00:41:22In scene 25, where I go to the beach
00:41:24and I find the abandoned girl...
00:41:26Yes, yes, what's wrong?
00:41:27Well, I don't quite understand my character.
00:41:30Because it's clear that the girl is hungry
00:41:32and needs help, and...
00:41:34I don't give it to her.
00:41:35Well, you're on a mission
00:41:37running away from the Germans.
00:41:39What do you want to do with her? Adopt her?
00:41:41No.
00:41:42Well, Laurita, honey, we'll talk about it later.
00:41:44Okay?
00:41:45Shall we go? I'm ready.
00:41:47Wait, AgustÃn, why don't you stay
00:41:49and help me pass the text?
00:41:51Impossible.
00:41:52Today a distributor comes to see how we shoot
00:41:54and I have to beat him up.
00:41:56And why don't you stay?
00:41:58He's the only one who doesn't have anything concrete
00:42:00to do on set, except watch us.
00:42:04Well, then...
00:42:06No, it was a joke, it was a joke, really.
00:42:08Laurita, you'll have to take care of it yourself, okay?
00:42:11And what am I supposed to do if I stay?
00:42:15I've already told you I'm not serious.
00:42:18Yes, but I am serious.
00:42:20You're right, it's probably the most useful thing
00:42:22I can do in the day.
00:42:24I only have an appointment to eat.
00:42:26With Don Bernardo?
00:42:29So I can help you until then.
00:42:31AgustÃn is in charge of my absence, right?
00:42:35Of course, yes.
00:42:39See you later.
00:42:41Very well.
00:42:47Well, then, what's the problem?
00:42:50That girl, right?
00:42:52Yes, yes, well, but not just that.
00:42:55I'll put you in a situation.
00:42:57My character is a spy, but a spy by obligation,
00:42:59not a spy by vocation.
00:43:01So I don't understand why she's so cold and calculating
00:43:03as if she had been trained for that.
00:43:05Of course, of course, yes, yes, yes.
00:43:07And I understand it perfectly.
00:43:09Well, the problem is in the next scene.
00:43:11I go to a bar and there I'm interrogating a countryman
00:43:14to get the information.
00:43:16He thinks I'm very interested in him, but ...
00:43:18Yes, that at first he is very kind,
00:43:19but he ends up being afraid, right?
00:43:21Yes, yes, how do you know?
00:43:24Well, because I've read the script several times.
00:43:27Because he misses you so much.
00:43:30No, not at all.
00:43:33Well, then, as I was saying to my sister,
00:43:36sometimes I don't understand the character.
00:43:38It's just that I don't want to know what I'm doing.
00:43:40I want to know why I'm doing it.
00:43:42If I don't understand it, the audience won't understand it either.
00:43:44Yes, the audience is always right.
00:43:47And don't get me wrong,
00:43:49I'm not saying that the scene is badly written.
00:43:51The thing is that I don't know how to deal with it.
00:43:53It may be because I'm not aggressive,
00:43:56I'm not a killer.
00:43:58Well, if it's about scaring someone,
00:44:00I think I can help you.
00:44:02You know, the first thing you have to do is correct your posture.
00:44:05What?
00:44:06Get up.
00:44:10Look.
00:44:11Loose arms are a sign of threat.
00:44:14Do you know why?
00:44:16Because he can quickly put them together.
00:44:19And the fists are always closed.
00:44:21But I don't have to hit anyone.
00:44:23No, no, that doesn't matter.
00:44:24Look at me.
00:44:25Get as close as possible.
00:44:27Throw yourself at him, looking him in the eyes,
00:44:29making him feel his breath.
00:44:36If he steals the space, he will have already begun to win the battle.
00:44:41I think I understand, yes.
00:44:45Shall we look at the text?
00:44:46Yes, of course. Sit down.
00:44:48Sit down.
00:44:55So he didn't tell you what time he would be back?
00:44:58No.
00:44:59He just told me that he had to do some things outside the city
00:45:02and that he would probably take him all morning.
00:45:05Still, it's not a good idea for him to have come.
00:45:08It wouldn't be the first time his father changes plans.
00:45:11And if that happens and he finds Kike?
00:45:13Well, I'll take the risk, Pepita.
00:45:15But as you will understand, I will not stop coming to see my mother.
00:45:18How is she today?
00:45:21Well, the same as yesterday and the day before yesterday.
00:45:23With the spirit on the ground.
00:45:25I think she's losing the desire to live.
00:45:28What do you mean she's losing the desire to live?
00:45:30Yes.
00:45:31She doesn't care about anything.
00:45:32That she eats less and less, and if she continues like this, she will end up getting sick.
00:45:36She doesn't want to leave the house or almost the room.
00:45:39She doesn't want to receive visitors.
00:45:41Although the truth is that no one has worried about her.
00:45:44Except you, of course.
00:45:45And Miss Mercedes.
00:45:47And your friends from the patronage?
00:45:49Friends by convenience.
00:45:51Since his mother has neglected him, they have disappeared.
00:45:55Daughter, I thought I heard your voice.
00:45:58Mother.
00:46:00What are you doing here?
00:46:02I told you it wasn't a good idea for him to come.
00:46:04Yes, Pepita is right.
00:46:06It would be better if your father didn't see you here.
00:46:08No one can forbid me to worry about my mother and visit her if I think it is necessary.
00:46:15Excuse me.
00:46:18What is that about you barely eating and that you don't want to leave your room?
00:46:22Well, it's true that I don't have an appetite.
00:46:26And that I don't have a reason to leave either.
00:46:30Where am I going to go?
00:46:32And to visit who?
00:46:33If no one is waiting for me anywhere.
00:46:35Me?
00:46:36I'm waiting for you.
00:46:37Or have you forgotten that you have a daughter?
00:46:40Paula, I don't feel like being good.
00:46:43Come on.
00:46:44You've seen me.
00:46:45So now you don't care.
00:46:47No, no, no.
00:46:48Of course I care.
00:46:49How could I not care?
00:46:51Mother.
00:46:53I am the first to understand your pain.
00:46:55And to respect it.
00:46:57But I'm not going to sit idly by and watch you eat.
00:47:00And what are you going to do?
00:47:01Take me out to the street, drag me, put food in my mouth with a funnel?
00:47:04Well, I don't know.
00:47:05See? You don't know.
00:47:07Well, yes.
00:47:08I don't have an appetite.
00:47:09It's true.
00:47:11Everything is gone.
00:47:13After Cesar's death.
00:47:16Mother.
00:47:18What if I told you that I need you?
00:47:21For what?
00:47:23What can I do for you?
00:47:25Well, be what you've always been.
00:47:27My mother.
00:47:29That place to go to when I feel confused and helpless.
00:47:32I'm not that place anymore.
00:47:35Nor that woman.
00:47:38Why do you treat me like this, so coldly?
00:47:42I don't understand what I've done to you.
00:47:44You haven't done anything to me, Paula.
00:47:47But you already have your own life.
00:47:49And with Rodrigo.
00:47:50And you must live it.
00:47:51Then come with me.
00:47:53Leave here?
00:47:54Yes.
00:47:56No, it's not possible.
00:47:58Look, I'm not that bad.
00:48:01And I promise you that if you don't worry, I'll start taking care of myself.
00:48:05It's just that I have better days and worse days.
00:48:10And today is one of those days.
00:48:16And you?
00:48:17How are you at the guest house?
00:48:19Are you happy?
00:48:22As happy as you can pretend that we are cousins, but...
00:48:26Yes, it's a good place to start a new life.
00:48:30I hope you have taken precautions.
00:48:32Because I'm sure that your father is behind you.
00:48:37And now I have to leave you.
00:48:39Wait.
00:48:41How will I know that you are keeping your word?
00:48:43That you are taking care of yourself?
00:48:48I would like to be that place you were talking about again.
00:48:53Mother, you don't have to stay locked up here.
00:48:55Subjected by a man who is only hurting you.
00:48:58What prevents you from leaving him?
00:49:02I am willing to stay in this house.
00:49:05And to be the ideal wife for others.
00:49:09I will be locked up between these four walls and I will not leave.
00:49:14Unless it is for some of your social commitments.
00:49:23I don't think you are capable of all that.
00:49:26I swear it on our children.
00:49:29I will be locked up voluntarily.
00:49:33I will live a life of death.
00:49:37So that Paula and Rodrigo have the opportunity to be happy.
00:49:44Because I...
00:49:49I will never be able to be that again.
00:49:53Mother, I have asked you a question.
00:49:56What keeps you here?
00:50:00Nothing keeps me here.
00:50:03But this is my house.
00:50:05And now please leave before your father comes back.
00:50:26Mother.
00:50:47If I understood correctly, you were going to interview two other candidates to cover for DÃaz.
00:50:53The last ones, right?
00:50:54That's right, Don FermÃn.
00:50:56And sorry for the delay, but it's not easy to find a candidate who meets our requirements.
00:51:02ElÃas had his particularities, but he has left the list very high.
00:51:06Yeah.
00:51:07And if it's not to your liking either, what do we do?
00:51:10Because I have to close the template as soon as possible.
00:51:14Well, we have a card in our sleeve.
00:51:18A winning card. An authentic ace.
00:51:20I see.
00:51:21That girl has impressed you so much that ... What's her name? Marcelina?
00:51:26Yes.
00:51:27Look, although it was all very rushed, she did the best test of all.
00:51:31And with difference, too.
00:51:32Yes, it seemed that she had been with us all her life.
00:51:36Let me see your references, please.
00:51:39Here it says that it has only served in a coffee shop in Pueblo.
00:51:42The public of La Moderna is different.
00:51:45Do you think it can be developed with a certain style?
00:51:49Without a doubt, Don FermÃn.
00:51:51He has a natural talent to please people, as happened with ElÃas.
00:51:55Well, let's hope that ...
00:51:57... that he will be able to do it.
00:51:59I hope so.
00:52:00I hope so.
00:52:01I hope so.
00:52:02I hope so.
00:52:03I hope so.
00:52:04I hope so.
00:52:05I hope so.
00:52:06I hope so.
00:52:07I hope so.
00:52:08I hope that ...
00:52:09... there will not be as much impetus as ElÃas.
00:52:11What do you think, Teresa?
00:52:13Well, I think it deserves an opportunity.
00:52:15Subject to the test period, of course.
00:52:18And there is always a first time.
00:52:20As there was also for us.
00:52:23And are you aware that in the hypothetical case that you gave him that opportunity ...
00:52:28... and broke the established rule ...
00:52:30... we would be the only tea salon in the city to have a waitress on your team?
00:52:37If you allow me, with all due respect, Don FermÃn ...
00:52:40... are you aware that it would not be the first rule to break?
00:52:45I have already done it before, allowing the workers to marry us.
00:52:50And it has not gone badly.
00:52:52And also, the modern woman would be a ...
00:52:55... a reference of modernity.
00:53:00Excuse me.
00:53:02They told me they wanted to talk to me.
00:53:04Yes, more than talking, I wanted to ask you a direct question ...
00:53:07... that requires a sincere answer, Trinidad, with your hand on your heart.
00:53:15I was talking figuratively.
00:53:18Ah, of course.
00:53:22Would you recommend your friend Marcelina to occupy the position of waitress in La Moderna?
00:53:26What's more, if she were in my place, would you hire her?
00:53:34Let's see, Don FermÃn, this is a bit of a complicated question ...
00:53:37Complicated? Then you have doubts, there is nothing more to talk about.
00:53:46Don FermÃn, excuse me, forgive me.
00:53:48Maybe I'm throwing stones at my own grave ...
00:53:51What do you mean?
00:53:56That if he hires Marcelina, he will not regret it.
00:54:00Trini, would you put your hand on your heart for her?
00:54:05Yes.
00:54:13Listen, Teresa, if the two candidates that remain to be interviewed ...
00:54:18... none of them is definitely our man ...
00:54:21... then our man will be a woman.
00:54:25And the rule that prevents it?
00:54:28Show yourself.
00:54:31Ah, well, La Moderna, as its name indicates, will be a reference of modernity again.
00:54:46Amadora, as the owner is called, is a woman of arms to take.
00:54:51When I proposed to her the possibility of giving her money if she collaborated with us ...
00:54:55... she became a beast.
00:54:57And she left me with disheartened boxes.
00:55:00And you allowed it.
00:55:04What could I do? I was at her house.
00:55:05Having squeezed her nuts, Iván.
00:55:08Everyone, Iván, even that woman who seems to have intimidated you so much, has a price.
00:55:14Later or sooner we will know which one it is.
00:55:18Anyway, I haven't finished with her yet.
00:55:20Maybe I was too polite.
00:55:22I'll be back and I'll let you know who you're spending it on.
00:55:25No, no, no, no.
00:55:27Wait.
00:55:29We'll find the time to squeeze her nuts.
00:55:35By the way, when I came, I saw Don FermÃn leave La Moderna.
00:55:39When you squeeze his, although first you'll have to put it on.
00:55:42Son, he's been wearing it for a long time.
00:55:45He hasn't even noticed.
00:55:48Oh.
00:55:50If he knew what I've done for him, what I've done for him.
00:55:53Well, who I've done for him.
00:55:59And who have you done for him?
00:56:03You know, I think what hurts me the most is his ungratefulness.
00:56:07But hey, we are street sweepers and we will meet on the way.
00:56:11Well.
00:56:13I'm glad you finally realized.
00:56:16I never liked that man.
00:56:18In case you don't remember, he did nothing but get in my way when I wanted to set up my business in the gallery.
00:56:23And that he was his friend.
00:56:26Well, now I'm his enemy, you see how things are.
00:56:30And all for a miserable 1%.
00:56:34If they told me that our friendship is going to break because of this ridiculousness,
00:56:39I would have laughed my head off.
00:56:42But why?
00:56:43What explanation did he give you?
00:56:48Well, I have one.
00:56:50He finally took off his mask and now we see who he is.
00:56:54A bitter and envious man who can't stand seeing you on top.
00:56:58Look at him, if not in his sad life.
00:57:00Always so monotonous and boring.
00:57:02Excepting what the woman did to him.
00:57:06The past is the past, Ivan.
00:57:09But the truth is that for the first time in his life,
00:57:12that monotonous and boring life that, according to you, he leads,
00:57:17has me at his mercy.
00:57:20With very little he can do me a lot of damage.
00:57:25I could even sink.
00:57:29If I don't get his participation back, the buyers will back out.
00:57:33Dad, there's nothing to worry about.
00:57:36You said it yourself.
00:57:37Like the owner of the guest house, everyone has a price.
00:57:41And Don FermÃn is no exception.
00:57:44Look, Iván, who do we have here?
00:57:46The hermit in her own house.
00:57:49Come in, come in. Come closer.
00:57:51Happy eyes.
00:57:53What are you doing here?
00:57:55I came to pick up a book.
00:57:56Oh, well, can I pick it for you?
00:57:58Yes.
00:58:02Ana Karenina, very appropriate for you.
00:58:06Why don't you stay with us for a while?
00:58:08Lately, we haven't spent much time together.
00:58:12Well, as far as she's concerned.
00:58:15I'm sorry, but I still don't feel well.
00:58:19Still?
00:58:23Darling, don't you think you've been dragging your feet through the corridors of the house like a ghost for a long time?
00:58:32And you still don't feel well?
00:58:35Well, for this, it's almost better that you stay in your cave.
00:58:40Your mere presence bitters me.
00:58:44Take your damn book and disappear from my sight.
00:58:49Or haven't you heard me?
00:58:54You should know that I don't want to see you either.
00:59:05Dad, don't you think maybe...
00:59:07What?
00:59:10Do you think you've been very hard on your mother?
00:59:13Yes, right?
00:59:17We're done.
00:59:19Leave me alone.
00:59:35Come in, please.
00:59:42Well, it's a relief that you've finished interrogating the workers.
00:59:47Because for our clientele, their presence is always a cause for concern.
00:59:52You say it as if it were fun for me.
00:59:55No, I didn't mean to say that. Please understand me.
01:00:00However, you should get used to my presence.
01:00:02Because I intend to continue the interrogations in the other establishments.
01:00:08And can I ask you if the testimonies of the workers have been useful to you?
01:00:14Unfortunately, no one has been able to shed a little light on the investigation.
01:00:18So there's nothing new beyond the obvious, right?
01:00:21And it has to be someone who knows the gallery well.
01:00:25Why do you say that?
01:00:26Well, because the hooded man always acts without being seen and seems to move at his will.
01:00:33You're very perceptive, but you're right.
01:00:35Three victims.
01:00:37What do you mean, three?
01:00:38Yes, yes, three victims. Three clients of the tea salon.
01:00:40And an aggressor who, as you say, seems to move at his will.
01:00:45Of course, then it could be a neighbor or a client.
01:00:51Or a modern-day employee.
01:00:52Or a modern-day employee.
01:00:57What do you mean three women? It wasn't two.
01:01:00But Esperanza, how long have you been hiding?
01:01:02What have you heard?
01:01:04Everything. From head to toe.
01:01:07I know it's not right, but it was so interesting that I couldn't help it.
01:01:12How come no one told us anything?
01:01:14Because we hope this doesn't come out of here.
01:01:17Teresa, tell him if I'm trustworthy or not.
01:01:20Are you still there?
01:01:21Go on.
01:01:22Indeed, there was a third victim, but the woman was so afraid that,
01:01:25until she read the news in the newspaper, she didn't gather enough courage to call us.
01:01:30And who is the unfortunate one?
01:01:32The cook of the Moreno de la Fuente family. Do you know her?
01:01:35Holy Virgin, how can we not know her if she is another of our usual customers?
01:01:39Yes, yes, that woman comes here two or three times a week.
01:01:42Very chatty, very nice, her.
01:01:45Of course, you're right. I haven't seen her in days.
01:01:47The news repeats itself in operandi mode.
01:01:49That's why I'm very clear that the aggressor works here.
01:01:52First he chooses his victim, then he follows her to her workplace,
01:01:55and when she leaves, he attacks her.
01:01:57Teresa, please pay close attention to any suspicious movement of your employees,
01:02:02but always without raising the alert.
01:02:04And please, let the customers and employees know,
01:02:07especially at night, any precaution is little.
01:02:12And regarding what I said before,
01:02:14that this doesn't get out of here,
01:02:16or they would put the investigation in serious danger
01:02:18and could end up with their bones in jail for obstruction of authority.
01:02:23I'm not going to obstruct anything, of course.
01:02:28Oh, Teresa, but what do you mean an employee of La Moderna?
01:02:32That the hooded man is a colleague.
01:02:34But let's see that I know all the waiters,
01:02:36and none would be capable of something like that.
01:02:39Esperanza, let's do one thing, let's calm down.
01:02:41Because he has asked us to act discreetly and responsibly too.
01:02:48And if I'm the number four?
01:02:50The number four of what?
01:02:52The next victim.
01:02:53Or you, or Trini, or Antonia.
01:02:55Oh, shut up, please.
01:02:56Look, from now on, none of us go back home alone.
01:03:01I've already listened to the captain.
01:03:03If we say something, maybe we can alert the hooded man, if he works here.
01:03:08Well, don't worry.
01:03:10Leave it in my hands, I'll take care of it.
01:03:13Yes, well, I'll hide too.
01:03:15And I'll be aware if I see something strange, right?
01:03:18But with concealment.
01:03:19Yes.
01:03:24Good afternoon.
01:03:25But how am I not going to worry, Rodrigo?
01:03:27She's my mother, I barely recognize her.
01:03:29She was like out of place, disoriented.
01:03:32Honey, what worries me is that you take those risks.
01:03:35And if you happen to coincide with him, to know how he would have taken it.
01:03:38And what else could I do?
01:03:39I couldn't take it anymore without seeing her.
01:03:41I'm sure she's hiding the real reason why she's still locked up in that house.
01:03:45Trapped in her damn network.
01:03:49How is the couple of cousins?
01:03:53I hope you feel comfortable in your new home.
01:03:57Any complaints?
01:03:58None, quite the opposite.
01:04:00The rooms are very comfortable.
01:04:02Are you okay, girl?
01:04:04Yes, happy and grateful for his trust.
01:04:07By the way, it seems that your family cares a lot about you.
01:04:11My family?
01:04:13Your brother was here this morning, or as such, he introduced himself.
01:04:16A young man as arrogant and arrogant.
01:04:19Does it fit in that description?
01:04:21What did he want?
01:04:23His attempt to pretend to be a FogaldÃo client,
01:04:25because he cheated on him the first time and had no choice but to confess his intentions.
01:04:29And what were they?
01:04:31To have him aware of your movements.
01:04:33Come on, to make him a snitch.
01:04:37I imagine that you must be part of another branch of the family,
01:04:40since you didn't seem to take yourself into too much consideration.
01:04:43Which surprised me.
01:04:45Why should I be aware of you, having your cousin so close?
01:04:51You see, Mrs. Amadora,
01:04:53the truth is that I don't get along very well with my father.
01:04:57In fact, he has not accepted that I want to live my life on my own.
01:05:00I even threatened him or told him that I didn't know who you were talking to.
01:05:04Only after you rejected his money.
01:05:09No, don't give it to me so soon.
01:05:11It is not the first time that a relative,
01:05:13a desperate husband or a deceived wife,
01:05:16tries to get rid of me.
01:05:18However, the number one rule of this house
01:05:22is loyalty to your guests.
01:05:24Of course, as long as it is reciprocal.
01:05:29Are you really cousins?
01:05:31Or am I the one who is pretending to be the cousin?
01:05:44Hello.
01:05:46Today we have barely coincided.
01:05:49Apart from the interrogation, is there anything worth mentioning?
01:05:52You come to me because you didn't bring me the chalk.
01:05:55Well, take it.
01:05:57Well, look, I think tomorrow is going to be a great day.
01:06:00Yes, Teresa has managed to get Don FermÃn to talk to Pietro
01:06:05to soothe his laziness.
01:06:06Man, thank goodness.
01:06:08Because it is a shame that the best baker in the city
01:06:11has been subjected in such an unfair way.
01:06:14Well, yes, I think he has already served his sentence, right?
01:06:18Well, yes, and with interests.
01:06:20Although holding on to Simon really has no price.
01:06:25Besides, the worst thing is that, Trini.
01:06:28Yes, yes, the worst thing I think for my husband
01:06:31is having lost the relationship with Don FermÃn.
01:06:34Although I don't want to admit it, he has a lot of affection for him.
01:06:36And Don FermÃn also has it.
01:06:37And Teresa has been very kind to you.
01:06:39Well, yes, yes, yes.
01:06:41Well, everything in La Moderna.
01:06:43Waiter, waitress, Esperanza.
01:06:46Especially you.
01:06:47Both in La Moderna and here.
01:06:51Well.
01:06:53Hey, that shirt, I've never seen it before.
01:06:56It's from Marcelina.
01:06:58And what I was missing was to hang her clothes.
01:07:01Well, look, I was just going to ask you that.
01:07:03They hired her in the end,
01:07:05because Cañete and Teresa were very impressed with her.
01:07:08Well, they asked me for my opinion.
01:07:11And I finally ...
01:07:14I told you she would be a fantastic waitress.
01:07:18Yes, I swear that when I was saying this
01:07:20and this was coming out of my mouth,
01:07:22I wanted it to blow me away.
01:07:24But, well, I had to be honest, right?
01:07:26And I told the truth and that's it.
01:07:28Well, that says a lot about you.
01:07:30Of the good heart you have.
01:07:32Yes, or how stupid I am.
01:07:33Like Abundio, who sold the cow to buy milk.
01:07:37Let's see, you have to admit that the girl is salty
01:07:39and that she has the gift of people, like the one who had LÃa.
01:07:42I didn't know this would happen.
01:07:45That apart from having my mother in the boat,
01:07:47I would end up conquering my friends.
01:07:49How silly she is.
01:07:50If you make my trini, it goes all my life.
01:07:52Well, there are still two quantities missing, right?
01:07:54That you have to interview.
01:07:55Yes, I hope they do it so well that they have to hire one of them.
01:07:58Honey, don't spoil it, you were doing very well.
01:08:00I don't spoil it.
01:08:02But it is true that Mr. Fermà would not have to change any more rules.
01:08:05I would have been honest and everyone happy.
01:08:08Well, everyone except her.
01:08:11It's true.
01:08:12I know.
01:08:15Do you want more tweezers?
01:08:18Honey.
01:08:22You have a heart that doesn't fit in your chest.
01:08:25Admit it.
01:08:27Well, look who was talking.
01:08:30Do you know what Abundio also did?
01:08:32What did he do?
01:08:33Sell shoes to buy laces.
01:08:43And that's more or less our story.
01:08:46I hope we haven't bored you.
01:08:48On the contrary, I love love stories.
01:08:51And yours is very entertaining.
01:08:53It has everything, even a villain or two.
01:08:56If in addition to your father we count your brother.
01:08:58Although I still see him very green.
01:09:00We didn't want to lie to you, Mrs. Amadora.
01:09:03Let's hope this is not a problem for you.
01:09:06We are willing to comply with your rules without exception.
01:09:10We will continue to behave as if we were cousins in all respects.
01:09:15Can we stay, please?
01:09:18I don't like that you try to deceive me with such vulgar trickery.
01:09:22But I still like less that they come to me with threats
01:09:25pretending to behave like a snitch from 3 to 4.
01:09:28It was a lack of respect and an act of arrogance.
01:09:33This is a decent house.
01:09:35And now more than ever you will have to behave as it is due.
01:09:38You have our word.
01:09:49The value you have will be given by the facts.
01:10:02Rodrigo, what time are we cousins?
01:10:04How did Iván find out that we were here?
01:10:07And above all, how did he do it so quickly?
01:10:09I don't know. I guess one of them followed us.
01:10:12The question is whether he acted on his own or was it an order from your father.
01:10:16I don't see the difference.
01:10:18I do. If he ordered it, he is still obsessed with us.
01:10:21And that means he will never leave us alone.
01:10:23To the point of having paid Mrs. Amadora to keep an eye on us.
01:10:26Besides, he made it very clear to you when he appeared in the store.
01:10:29Wasn't it like that?
01:10:31One thing is to bury the ax of war
01:10:33and another, very different, that he forgives me for betraying him.
01:10:38Mrs. Amadora is right.
01:10:41Paula, ours is a great love story.
01:10:44So great that not even your father can destroy it.
01:10:51No. Come on.
01:11:10Come on.
01:11:20Trini, if you don't mind, I'll continue with the potatoes.
01:11:23I like them cut more finely, as your mother taught me.
01:11:27Don't worry, I think I'll know how to do it.
01:11:29Come on, girl. It cools better that way.
01:11:32Of course.
01:11:33I remember when you came to eat at home.
01:11:35You loved watching me cook.
01:11:37I've learned everything from you.
01:11:39Oh, how attentive you are.
01:11:41Not like my daughter, who is never interested in anything.
01:11:43She doesn't even know how to cut the potatoes.
01:11:45We already started with the canteen.
01:11:47Well, but that has an easy explanation, Leonora.
01:11:49That's because she knew you were always going to be there.
01:11:52And that's why she didn't care.
01:11:54But for me, going to your house was an adventure.
01:11:57It was, well, a gift.
01:11:59What I've never understood is you having a mother.
01:12:01How come you were always with mine?
01:12:05Well, because my mother didn't have much time for me.
01:12:09Hi.
01:12:10Hi.
01:12:11Hi.
01:12:17Why are you so late?
01:12:18Well, because Captain Davila had to interrogate me.
01:12:21Don't you remember? I told you this morning.
01:12:23Oh, oh, oh.
01:12:25The potato omelette smells here.
01:12:27It's exactly what I wanted.
01:12:29And with the potatoes so finely cut, as your mother taught me.
01:12:32I did well to bring a bottle of wine.
01:12:34Oh, a bottle of wine.
01:12:36There's something to celebrate.
01:12:37Oh, there's something to celebrate, she says.
01:12:40When I was closing the bookshop, the phone rang.
01:12:42It was Cañete.
01:12:43I'd like to have told you in person, Trini,
01:12:45but since you finished earlier, she told me.
01:12:47Tell me what?
01:12:48Go, go, open the wine, mother-in-law.
01:12:50Oh, yes, but tell her what, son-in-law?
01:12:53That they've decided to hire Marcelina.
01:12:55Oh, me?
01:12:56In the modern one?
01:12:57As a waitress?
01:13:01I'm very proud of you.
01:13:04Apparently, the criteria of a person has been decisive.
01:13:08Oh, and what person was that?
01:13:10Well, I don't know.
01:13:12My Trini, my Trini.
01:13:19Now I'm going to make a potato omelette.
01:13:21Let's go, let's go, let's go.
01:13:34Montero, have you seen Mr. Fermin leave?
01:13:42Mr. Fermin, is he leaving?
01:13:44It's not soon, Cañete.
01:13:46Besides, I'm tired and happy too,
01:13:48because, well, we've finally solved the waiter's problem.
01:13:51The waitress.
01:13:52Well, you understand me.
01:13:56What's going on, Cañete? He's pale.
01:13:59I know, and he doesn't look well.
01:14:02I know, and he doesn't look well. Something terrible has happened.
01:14:05Don't tell me that the hooded man has acted again.
01:14:07No, that's not it.
01:14:09Many customers have called,
01:14:10assuring that they have been intoxicated because of us.
01:14:14Because of us?
01:14:18That's a very serious accusation, Cañete.
01:14:21An intoxication in the modern one, because of us.
01:14:24Yes, that can't be, Cañete.
01:14:26It can't be.
01:14:31It can't be.