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Short filmTranscript
00:00:00The news is interesting. You haven't opened your mouth since I brought you the press.
00:00:19Being informed of what is happening in the world is fundamental.
00:00:22It will be. What I don't understand is how you can be focused knowing the big role you
00:00:27have in front of you.
00:00:30Not at all, Iván.
00:00:35Yesterday was the reopening of La Moderna and there were hardly any customers.
00:00:38Today three quarters of the same will pass.
00:00:40Fermin is on his way.
00:00:44You'll see how when he comes, he comes with a, let's say, more open talent.
00:00:48It's better for us.
00:00:51Even so, you have to tighten his nuts and convince him to sell you his shares.
00:00:56I'll do it, although I don't think you have to push him too hard.
00:01:01You know, his financial situation has changed a lot since the first time we spoke.
00:01:07What?
00:01:09It has changed.
00:01:10Dad, it's gotten worse. You don't have to use euphemisms with me.
00:01:14Euphemisms?
00:01:16I'm starting to like your vocabulary.
00:01:20You've even noticed the slippery ground that Fermin steps on.
00:01:25Look, you don't have to be a lynx to know that three days of losses would make any business wobble.
00:01:32Three days and what's next.
00:01:34The forecasts are not very promising for La Moderna.
00:01:38Fermin will have to act quickly if he wants to save his beloved tea room.
00:01:42And that action involves selling you his shares.
00:01:46Well, I think it's the most direct way to get money.
00:01:50And he's going to need it.
00:01:52In a few days, he won't have any money to pay his suppliers or his employees.
00:01:57And without suppliers or employees, you'll tell me how La Moderna is going to work.
00:02:01Very good. You learn by force.
00:02:07I have a good teacher.
00:02:10If I had listened to you before...
00:02:14It's never too late if the saying is good.
00:02:16Come on, sit here, sit here, sit here next to me, man, yes.
00:02:19Don't worry, the conversation won't be very long.
00:02:21You won't get tired of standing up.
00:02:24Sir, a boy has brought this note for you.
00:02:30Without remittance?
00:02:32And has he told you who sent it?
00:02:33No.
00:02:36No need to do it.
00:02:39From the first lines, I already deduce that it is from Fermin.
00:02:42From Fermin?
00:02:44But why would he send you a note if he's going to see you in a few minutes?
00:02:48Because the very ungrateful one has decided to stand me up.
00:02:53And he hasn't even had the decency to call me on the phone to apologize personally.
00:03:02He says he has something very urgent to resolve.
00:03:05Well, what could be more urgent than saving his business?
00:03:09This man is losing his mind.
00:03:11Does the gentleman want to answer or should I tell the boy to leave?
00:03:14No, no, no, no, let him go, let him go.
00:03:16I am a man of honor, I don't need to go to the toilet.
00:03:26Do you know what this is, Iván?
00:03:30This is a message in itself, clear and unequivocal.
00:03:37Not so long ago, Fermin would never have dared to stand me up.
00:03:42And why does he do it now?
00:03:45Because he has disrespected me.
00:03:49And when someone disrespects you, you have to act quickly, forcefully, mercilessly.
00:03:57And we will do it, dad.
00:04:01But you yourself have taught me that decisions should not be taken hot.
00:04:06Revenge is a dish that is served cold.
00:04:10I swear I will regain his respect.
00:04:16Fermin is not aware of how little he is interested in following this path.
00:04:26Good morning, Facielo.
00:04:28I see that the worker is already in full performance.
00:04:31As always.
00:04:33Do you need us to squeeze more with some candy?
00:04:36No, no, it's fine like this.
00:04:40There aren't many customers, are there?
00:04:42No, not many.
00:04:43The dropper will come in, just like yesterday.
00:04:47But that's not why I want to lower the rate of production in the worker.
00:04:50No, no, of course, of course, don't worry.
00:04:52We will bake buns and cakes as always.
00:04:55Whether there are two customers or two hundred.
00:04:57That's what I want.
00:04:59I wouldn't like the discomfort between the employees to be increased.
00:05:01And much less among the workers of the worker.
00:05:05No, no, of course.
00:05:06I will do everything that is in my hand, Mr. Fermin.
00:05:08And it's not very complicated here, because we don't realize how many people are in the room.
00:05:13We can't see if there are many or few people.
00:05:16Well, that's an advantage then.
00:05:19The worker is the soul of the business and cannot come down.
00:05:24Yes, be careful.
00:05:25As for the surplus of sweets, because everything suggests that it will be, I have already spoken to Teresa.
00:05:32We will donate it to a charity.
00:05:35It's a great idea, Mr. Fermin.
00:05:38Although, if you want, we can stop baking at any time.
00:05:41No, no, no, no.
00:05:42I want the displays to always be full.
00:05:45The food also enters through the eyes.
00:05:48And a tea room without supplies would give a very bad image.
00:05:52Yes, of course.
00:05:54Do you want to show that we are still alive?
00:05:56Yes, sir.
00:05:58And I count on you to get it.
00:06:00Because today I'm going to leave the city and I won't be able to be aware.
00:06:06Don't worry, Mr. Fermin.
00:06:07You can be calm.
00:06:09I will not allow even a tray in the display to be empty.
00:06:14Very well.
00:06:24Yes, well.
00:06:26Leave these here and prepare some trays for the cookies.
00:06:31Okay?
00:06:37Of course, there is no hurry.
00:06:41Okay, I'll wait for your call back.
00:06:44And thank you very much.
00:06:47Goodbye.
00:06:50Excuse me, ma'am.
00:06:51As I did not know if you preferred coffee or infusion, I brought you both.
00:06:55What can I do for you?
00:06:57The infusion.
00:06:59A coffee would alter me more than the bill and it is the last thing I need right now.
00:07:04I still have many calls to make.
00:07:08It's not coming out as I expected.
00:07:11No, not at all.
00:07:13The ladies I'm calling have not yet confirmed whether they are going to make a donation to the foundation or not.
00:07:21And I don't know, maybe they are my imaginations, but I notice that they treat me with distrust.
00:07:27And it could not be that you have been in this house for too long.
00:07:33But are you also going to come with me to that canteen, Pepita?
00:07:37What's up? Did Paula ask you to interfere?
00:07:40No, ma'am.
00:07:42I'm just saying that this isolation can cost you more than you think.
00:07:46And more in the circles where you move.
00:07:49What do you know about that, Pepita?
00:07:51What I've been seeing all my life.
00:07:54And it doesn't matter if one is rich or poor.
00:07:56If people stop seeing her, in the end they end up forgetting about one.
00:08:00Well, that's precisely why I'm making all these calls.
00:08:04To remind the ladies and ladies of Alta Alcurnia, of this city, that I am still active and committed to my foundation.
00:08:12And if that wasn't enough?
00:08:15Could you organize an auction?
00:08:18Or a charity party?
00:08:20Like the ones you celebrated when we settled in Madrid.
00:08:24Ma'am, forgive me if I'm exaggerating, but if I tell you all this, it's because I care about you, I can assure you.
00:08:30And like yesterday I gave it more encouragement.
00:08:34I know, Pepita.
00:08:37And in other circumstances, I would have carried out that idea, without a doubt.
00:08:42But I don't have the body for parties.
00:08:45I have enough to resume the matters of the Patronato, don't you think?
00:08:50Well, honestly, no, ma'am.
00:08:53I don't think so.
00:08:56Pepita, I have to remind you that I have lost the only man I have ever loved in my life.
00:09:00I know.
00:09:01I already know.
00:09:03But I'm not the first to suffer a loss like this.
00:09:06Life is hard for everyone, believe it or not.
00:09:09The only difference is that some can stagnate in grief, and others have no choice but to move on.
00:09:16I think you don't understand what I'm going through.
00:09:20You don't know the pain I have inside.
00:09:23Because you haven't lost the love of your life in such harsh circumstances.
00:09:26And you don't know what it's like to have to look for a reason to get out of bed every morning.
00:09:31I understand perfectly, ma'am.
00:09:33What happens is that people like me can't decide whether to get out of bed or not.
00:09:37They get up and start working like a mule.
00:09:40Whether they have lost a loved one or not.
00:09:43It doesn't allow us to be sad.
00:09:45Just work to survive.
00:09:51I know I have lost Cesar.
00:09:53And I know it was the love of his life.
00:09:57I also lost the love of my life.
00:10:00And do you know what I did the next day?
00:10:02I got up and worked from dawn to dusk.
00:10:07Everyone suffers.
00:10:09And learns to move on.
00:10:11I think it's time for you to do the same.
00:10:15Don't you think?
00:10:26No.
00:10:29What do you mean he's leaving Madrid?
00:10:32No, I'm not calm.
00:10:34He's going to Las Bravas and he doesn't tell us where or why.
00:10:38No, I don't understand.
00:10:40Okay, he'll tell us that mystery as soon as he gets back.
00:10:44Be careful and call us, please.
00:10:48Goodbye.
00:10:49Goodbye.
00:10:51The guy who's going to tend to some urgent, personal and apparently secret matters.
00:10:58But he hasn't told you anything else?
00:11:00That he has a relationship with Mrs. Lázara, but I have tried to get more information from him and I have not been able to.
00:11:05My mother, what a big head this man is.
00:11:08Yes, I doubt it, if she could trust her nieces more.
00:11:11And I guess we don't know where he's going to make that mysterious trip.
00:11:14No, he told me it was going to be a long trip, so I imagine it could be any city in Spain.
00:11:19I don't like any of this.
00:11:28Excuse me, if you're done, I can withdraw the service.
00:11:35I'm very sorry about what happened before.
00:11:38I shouldn't have gotten like this with you.
00:11:41I hope I can accept my apologies and the promise that it won't happen again.
00:11:49I accept both.
00:11:54Wait, Pepita.
00:11:57Because I want to ask you something.
00:12:04It's a delicate matter and I would like you to answer me without hesitation.
00:12:10That you tell me the truth.
00:12:13I will do so.
00:12:15The man you were talking about.
00:12:18The love you lost.
00:12:20Who was it?
00:12:23Emiliano?
00:12:27That's right, ma'am.
00:12:30You don't know how in love he was with him.
00:12:33Although I always knew it wasn't for me.
00:12:35I already knew we couldn't get married or start a family.
00:12:39He had to marry a lady like you, not a peasant like me.
00:12:44And yet, it was you who ended up staying by his side.
00:12:50No, ma'am.
00:12:52I know very well what my place is in Emiliano's life.
00:12:56I'm just a relief.
00:12:58I'm someone who has a hand to...
00:13:01To entertain himself.
00:13:04At first I deceived myself, you know?
00:13:08I convinced myself that he did love me.
00:13:10And that I was the woman of his life even if he was married to another.
00:13:15And now you don't think it's like that?
00:13:18Now I know it's not like that.
00:13:22To him, I'm...
00:13:24Something of his own.
00:13:28Something he can use whenever he feels like it.
00:13:31And that's always been the case.
00:13:34But then...
00:13:36Why are you still with him? Why are you still by his side?
00:13:39Why are you doing it?
00:13:41Because I've put up with Emiliano's treatment all these years.
00:13:45For my children.
00:13:47And why didn't I have a place in Alcacudir?
00:13:51Well, there's your answer.
00:13:53A mother does anything to get her children through.
00:13:56And to give them a future.
00:13:59That's why.
00:14:07You would have found shelter in the best families in Argentina.
00:14:10I didn't even have a house with doors to knock on.
00:14:29Is there anything else you want to see?
00:14:32Calm down, kid. I'm not the one who wants to talk to you.
00:14:35Kiko...
00:14:36Kiko...
00:14:38Don Fermin asked us yesterday to delay Marcelina's interview.
00:14:43Until the Salón returned to normal.
00:14:46Great idea.
00:14:48Well, it depends on how you look at it.
00:14:50The thing is that neither Cañete nor I,
00:14:54much less Marcelina, had told him about the matter.
00:14:57So I wanted to know if it was you.
00:14:59We're asking everyone. It's nothing personal.
00:15:02I just didn't know he was talking about anything else.
00:15:04Since it's a matter that directly affects La Moderna,
00:15:07I thought Don Fermin would be aware.
00:15:10So it was you.
00:15:12Yes. I'm sorry, I don't know.
00:15:14I coincided with him while he was ordering some glasses.
00:15:17I saw him pretty down.
00:15:19And I thought it would make him happy to know
00:15:22that a journalist was interested in interviewing his new employee.
00:15:26But why did you think it would make him happy?
00:15:29Because it's a great publicity to get the clients back.
00:15:35Look, Quico.
00:15:37I assume you didn't do it with bad intentions.
00:15:41But you have to understand that it wasn't up to you
00:15:44to give this information.
00:15:46It was up to me, the manager.
00:15:48Or, in this case, your uncle, the head of the waiters.
00:15:50I see.
00:15:52I also thought that, as a waiter,
00:15:54I had to give the orders to my uncle, not you.
00:15:56Quico!
00:15:58No, no, no. Leave me alone.
00:16:00Hey, Quico, I think you don't understand how things work here.
00:16:04Everyone here knows what their role is.
00:16:07And in the hierarchy, I'm above your uncle.
00:16:10So you're not just going to follow my orders,
00:16:12but you're going to do it without messing around.
00:16:14Do you understand?
00:16:16Yes, I understand.
00:16:18It won't happen again.
00:16:20I hope so.
00:16:22And now you're going to go to the warehouse
00:16:24and help the waiters collect the sugar bags.
00:16:26Come on.
00:16:27Let's go.
00:16:33Then he asked me to find out
00:16:35who was the mysterious beneficiary
00:16:37that corresponds to the initials C.E.
00:16:39And have you found out?
00:16:41Yes. Carida de Slava.
00:16:43Don Fermin assumes
00:16:45that it is a relative of Mrs. Alazara.
00:16:47A sister, perhaps.
00:16:49But how strange.
00:16:51He never told us he had a sister.
00:16:53Because he didn't know either.
00:16:55That trip, I suppose, has to do with that woman.
00:16:57The last residence that woman is known to
00:17:00is the convent of that town.
00:17:02Well, and what do you expect to get out of that trip?
00:17:05Any information or clue that helps him
00:17:07with Mrs. Alazara's whereabouts.
00:17:09It's all I know.
00:17:11I swear I haven't missed a single detail.
00:17:13Don't worry, yes.
00:17:15I don't doubt you.
00:17:17And just so you know,
00:17:19I'm usually not that serious,
00:17:21but I've gotten into the role of intrepid spy
00:17:23to get information.
00:17:25Ah, well, you're a very good actress.
00:17:29I'm sorry,
00:17:31we just didn't want to be left with this uncertainty.
00:17:33I understand.
00:17:37Excuse me.
00:17:49So it's true what the doctor said?
00:17:52Yes, he said it loud and clear.
00:17:54The child is fully recovered.
00:17:55The operation went very well,
00:17:57there's no sequelae,
00:17:59the hearing is recovered.
00:18:01Oh, my God, my little Neon is the best!
00:18:04I just hope nothing like this ever happens to him again.
00:18:07No way.
00:18:09It's obvious that the boy has used his grandmother's strength.
00:18:11Well, I don't know who he's used it from,
00:18:13but I don't know.
00:18:15But all I want
00:18:17is that he never has to use it again.
00:18:19Come in, it's open, Marcelina.
00:18:25Come in.
00:18:31Hello.
00:18:33Hello.
00:18:35I hope I don't interrupt,
00:18:37but I need advice,
00:18:39and I don't have anyone else to go to.
00:18:41Come back here, man, that's what we're here for.
00:18:43That long face.
00:18:51It's work.
00:18:53Aren't you comfortable?
00:18:55No, it's the opposite.
00:18:57I love being a waitress,
00:18:59although it's true that now there's not a lot of clientele.
00:19:02Yes, really.
00:19:04Today I haven't sent a single candy all morning.
00:19:06How can things go on like this?
00:19:08Well, in Arbolus you have Rima to give you advice.
00:19:11I know little about business, or nothing.
00:19:13No, Leonora,
00:19:15that's not what I'm attributed to.
00:19:17It's just that...
00:19:19there's a partner,
00:19:21his name is Kiko.
00:19:23Yes, he's Cañete's nephew, remember?
00:19:25That's right.
00:19:27Well, you'll see, it's just that...
00:19:29I don't quite trust him.
00:19:32But I don't want to be at odds with a partner,
00:19:35much less one who's a relative of the waiter's boss.
00:19:39But, Martilena, he's done something for you to doubt.
00:19:43I, Trini,
00:19:45prefer to call you the sinner,
00:19:47and not the sinner.
00:19:49It's just that...
00:19:51I could get in trouble with Boss Cañete.
00:19:56Well,
00:19:58I could...
00:20:00I don't know, intervene.
00:20:02But I'll tell you one thing,
00:20:04Cañete is one of the most honest and honest people I know on this planet.
00:20:09So, if Kiko ever bothers you,
00:20:12no matter how much of a nephew Cañete is,
00:20:14I'm sure he'd stand on your side.
00:20:16That's right, Martilena.
00:20:18Don't worry about anything.
00:20:20My daughter will talk to him and you'll see how everything will be resolved.
00:20:22Thank you, girls,
00:20:23but I think
00:20:25that could be counterproductive.
00:20:27I'd rather
00:20:30fix it myself.
00:20:32Are you sure?
00:20:34Yes. It wouldn't be the first time
00:20:36I face someone who hates women.
00:20:38Facing someone doesn't sound very flattering, Martilena.
00:20:41On the contrary.
00:20:43Don't worry,
00:20:45the blood won't get to the river.
00:20:48Look, I thought
00:20:50I could make him a gift,
00:20:51maybe he'll tame the beast.
00:20:53Well, that doesn't sound very good either.
00:20:57But, well, do what you think you have to do, no problem.
00:21:00But I'll tell you one thing,
00:21:02if Kiko ever bothers you,
00:21:04you can talk to anyone from La Moderna,
00:21:06we're all a family.
00:21:08Don't say that.
00:21:10Oh, and speaking of colleagues,
00:21:12Antonia gave me a message.
00:21:14Really?
00:21:16Yes, she told me that in a while we should go out to the patio.
00:21:18It looks like she's made a huge potato omelette
00:21:19and she's inviting us all to have a snack.
00:21:21Trini, it's her birthday,
00:21:23if you hadn't told us.
00:21:25No, I know, but come on.
00:21:27Hi, darling.
00:21:29Hi.
00:21:31Hi.
00:21:33I know, it's not her birthday,
00:21:35but, well,
00:21:37neither a good potato omelette
00:21:39nor Antonia can be made ugly.
00:21:41There she is again.
00:21:49I take it that you didn't do it with bad intentions.
00:21:53But you have to understand
00:21:55that it wasn't up to you to give this information,
00:21:57but to me, who is the hostess.
00:21:59But why did you think you would give her joy?
00:22:02I'm going to give you the joy you need.
00:22:09So you're not just going to take my orders,
00:22:11but you're going to do it without resisting.
00:22:13Do you understand?
00:22:15No woman gives me orders.
00:22:19Come on.
00:22:50I shouldn't have told you anything.
00:22:52You took so long to come and shake my hand.
00:22:55In the end, you're going to be right, Maria Trinidad.
00:23:00I'm not used to you calling her that.
00:23:03And what was I right about, Maria Trinidad?
00:23:05That you're closer than a mule.
00:23:07She'll tell me that this little help isn't coming in handy,
00:23:09so we're going to be a lot of people.
00:23:11Well, I hope everything works out, really.
00:23:14Does it bother you to be with a lot of people?
00:23:16Me?
00:23:17No, not at all.
00:23:19I'm really excited to be at a table
00:23:22surrounded by so many people,
00:23:24as if we were a big family.
00:23:26Well, that's exactly what we are here in La Corrala.
00:23:29And now that you're another neighbor,
00:23:31you're part of it.
00:23:33Would you mind bringing me a few more dishes, please?
00:23:36Sure, I'll be right back.
00:23:43You look so much better in La Corrala.
00:23:45La Corrala!
00:23:47Say hello to Antonia.
00:23:49How could I not?
00:23:51My grandson is the one who has the most parties.
00:23:53Well, for the party you have set up here,
00:23:55I don't know what you're celebrating,
00:23:57but come on, Jo, welcome.
00:23:59Yes, well eaten, because the tortillas look great.
00:24:01As soon as we eat them,
00:24:03I'm going to look for some pancakes I had prepared.
00:24:05Oh, yes, and don't worry,
00:24:07I'm going to wash the dishes,
00:24:09and when they're clean and dry,
00:24:11I'll put them up.
00:24:13Well, well,
00:24:15what a welcome!
00:24:17And this table looks great.
00:24:19The occasion deserves it, of course.
00:24:22Don't pretend.
00:24:24This is Antonia's thing,
00:24:26but no one here knows what the party is about.
00:24:28But what are you all doing here?
00:24:30What are you celebrating?
00:24:32Well, we don't know,
00:24:34we're just asking,
00:24:36but here, his wife,
00:24:38who doesn't let go,
00:24:40who doesn't celebrate anything,
00:24:42who doesn't celebrate the neighbors,
00:24:44the friends,
00:24:46like we used to do, remember?
00:24:48Of course I remember.
00:24:50I think it's a great idea, Antonia.
00:24:52It's been a long time since anyone organized something like this.
00:24:55Before, every week.
00:24:57There was a lot to celebrate,
00:24:59not like in recent times.
00:25:01Well, but that's changing, my love.
00:25:03You have recovered from your illness
00:25:05and it seems that things in the laboratory
00:25:07are taking shape.
00:25:09Leon, he's as fit as a fiddle,
00:25:10and Marcelino has gotten a job.
00:25:12Don't tell me that's not worth having a good time.
00:25:15Say yes, Antonia,
00:25:17that you're more right than a saint.
00:25:19Well, not a saint.
00:25:21Well, you understand me.
00:25:23You have to take advantage of the good times.
00:25:25You've had a great idea.
00:25:27Well, it wasn't just my idea.
00:25:29I thought of it when I heard you sing the aria the other day.
00:25:31I'm sorry, Antonia,
00:25:33but I don't know what that has to do with the snack.
00:25:35That's how all the snacks ended,
00:25:37singing and dancing.
00:25:38Exactly, yes.
00:25:40When I heard you singing the aria the other day,
00:25:42I thought it was a good time
00:25:44to celebrate the good things in life.
00:25:46The little and the big things.
00:25:48We've had some very bad months,
00:25:51but we're getting through.
00:25:53I think that's worth a celebration.
00:25:55Don't you think?
00:25:57Yes!
00:25:59Well, now we have to eat
00:26:01and I don't want any crying,
00:26:03starting with me.
00:26:05Well, and what did you say
00:26:06about the fact that everything is going better?
00:26:08Yes, yes, yes,
00:26:10because Don FermÃn has reinstated Pietro.
00:26:12Yes, and he'll be in charge again.
00:26:14Well...
00:26:16We have to celebrate that.
00:26:18Not just for this reason,
00:26:20but because we've finally gotten rid of Simon.
00:26:22Don't say that.
00:26:24Come on, let's eat.
00:26:26Who wants to go?
00:26:28Me.
00:26:30You're great, Antonia, really.
00:26:32I want you to be my wife
00:26:33without any doubt.
00:26:36You always know how to surprise me
00:26:38and make me smile.
00:26:43We'll see.
00:26:45This is a nice family.
00:26:47Well, you're part of it now, Marcelina.
00:26:51Delicious!
00:26:53I'm afraid.
00:26:58It's time.
00:27:00Where could she have gone?
00:27:03I was worried.
00:27:05And she's doing well.
00:27:07We have reasons to worry, you know?
00:27:12What happened to the money she got?
00:27:15Something like that.
00:27:17Where the hell does that money come from?
00:27:20The important thing is that we have it.
00:27:22Forget about the details.
00:27:24But she just told me that I have to worry about that.
00:27:27Not about the origin.
00:27:30Don Bernardo has summoned me to his office tomorrow.
00:27:33Don Bernardo?
00:27:35That's strange.
00:27:37You just met him.
00:27:39And he calls me every now and then to see how the production is going.
00:27:42Yes, yes, it's very strange.
00:27:44That's why I'm worried, you know?
00:27:46Don Bernardo never meets anyone if he has no reason to worry.
00:27:51Look, Ramallo, I understand that you don't want to tell me where the money comes from.
00:27:55But I think you should tell your boss.
00:27:58Do you understand?
00:28:00Yes, yes, maybe.
00:28:03I don't know.
00:28:13Do you want another one?
00:28:17No, no.
00:28:19One is enough.
00:28:21You don't have to overdo it.
00:28:23Besides...
00:28:27You don't know how much I want to go to bed and...
00:28:33You're not waiting for anyone tonight, are you?
00:28:35No, not at this time, of course not.
00:28:37This will be Ivan who has forgotten the keys.
00:28:39It's not the first time that happens to him.
00:28:41No, no, it's not Ivan. He's in his room.
00:28:43And he's also reading a book.
00:28:45It seems that you have addressed him.
00:28:47Yes, yes, it seems that the boy is changing.
00:28:49Well, let's see how long it lasts.
00:28:52So it will be a drunk who has confused himself with Portal.
00:28:56Or a street vendor.
00:28:58He will get tired.
00:29:00I don't think so, they are insisting a lot.
00:29:03Don't worry, woman.
00:29:05Besides, you and I have more important things to deal with in your bedroom.
00:29:09Emiliano, not here, please.
00:29:15This is too much.
00:29:18Go to your room and I'll go now.
00:29:20Let's see if I find out who is the pesado who is ringing the bell.
00:29:30Is it good?
00:29:33But well, FermÃn, what are you doing here at this time?
00:29:36How do you come like this without warning?
00:29:38Thank you, Marisa.
00:29:40Has something happened to you?
00:29:42I come straight from Sigüenza.
00:29:45I have discovered that my wife has died.
00:29:51That your wife has died?
00:29:53It can't be.
00:29:56And why didn't you tell me?
00:29:59I could have accompanied you to Sigüenza so that you didn't have to discover it yourself.
00:30:03I'm sorry, dear friend, I'm sorry.
00:30:06I'm not here to receive your condolences, Emiliano.
00:30:09I want to know if you have something to tell me about it.
00:30:15But wait a moment.
00:30:18Let's go by parts.
00:30:20Are you telling me that you know that your wife has died or that you think that Lazara is dead?
00:30:27Don't answer me with another question.
00:30:28I'm sorry, but you show up at my house like this, with such tremendous information ...
00:30:34Did you know?
00:30:36Answer simply yes or no.
00:30:38Simply no.
00:30:40And I don't like a hair that you talk to me in that tone, FermÃn.
00:30:43I understand that you are upset, but you show up at my house at this time of night to tell me what?
00:30:49What? Are you accusing me of something?
00:30:51Are you accusing me of something?
00:30:58Come on, let's have a drink.
00:31:00I'm not here to have a drink.
00:31:02I'm here to ask you for answers.
00:31:05And I'm going to give you answers, I'm going to give you everything you want.
00:31:08But please, let's sit down like two civilized people.
00:31:11Please.
00:31:29Come on.
00:31:31Let's breathe.
00:31:34How are you so convinced that Lazara is dead?
00:31:37Is it because the police told you?
00:31:39The police don't even know where the air comes from.
00:31:45Lazara is dead, Emiliano.
00:31:47And not precisely of natural death.
00:31:51And I insist that I am very sorry, but ...
00:31:55How did it go?
00:31:57Or how did you find out?
00:31:59Explain to me.
00:32:04What did those detectives tell you when you were investigating Lazara?
00:32:11What did they tell me?
00:32:13They told me the same thing as you.
00:32:15You read the report.
00:32:17You know what I'm telling you?
00:32:19I have a copy of that report.
00:32:20If you want, we can review it together and see if anything has escaped us.
00:32:51Here you have it.
00:32:54Although I don't know what you expect to find.
00:33:03It's curious.
00:33:05What is curious?
00:33:07That you told me it was an agency of detectives of the first order.
00:33:12For what they charge, they can already be.
00:33:15I swear it is one of the most dangerous agencies in the world.
00:33:18I swear it is one of the most prestigious agencies in the country.
00:33:22Well, at least it is curious that they have overlooked that Lazara had a sister.
00:33:27Because here ...
00:33:29It doesn't say any of that.
00:33:32Lazara had a sister.
00:33:34Karida Slava.
00:33:36It's a nun.
00:33:38Doesn't it sound like anything to you?
00:33:40Obviously not.
00:33:42How would it sound to me if you didn't even know her?
00:33:44You.
00:33:46What is clear is that on that subject, the investigators have skated.
00:33:50And it's not that I lived abroad or anything like that.
00:33:54No, no, I lived in a convent.
00:33:56In Siguenza.
00:33:58Four hours by car.
00:34:00Yeah.
00:34:02And you know, there's something else ...
00:34:06that catches my attention.
00:34:08From the first moment you have tried to convince me that Lazara ...
00:34:13had an affair with Cesar Morel.
00:34:17I have tried to convince you of that.
00:34:20You mean the police?
00:34:22Which is the one that has thoroughly investigated this matter.
00:34:25And the one that has discovered the damn handkerchief.
00:34:29By the way ...
00:34:31Have you spoken to the police?
00:34:36No.
00:34:37But well, FermÃn, for God's sake!
00:34:38For God's sake!
00:34:41It has become very clear to me that you have no good opinion of them.
00:34:45But man, I think you have to share information like this with the police.
00:34:49If you really think that Lazara has been murdered.
00:34:52Who told you they killed her?
00:34:55I didn't say that.
00:34:57You didn't tell me it wasn't a natural death.
00:35:00But it could have been a traffic accident.
00:35:04It could have been a suicide.
00:35:06I understand.
00:35:07I understand, yes, you don't have to continue.
00:35:09But since you have entered with those inquisitive airs, well, man ...
00:35:12I assumed you were talking about a crime.
00:35:16Look, don't think I don't understand you.
00:35:19I understand your situation.
00:35:21And I understand that you are desperate to find culprits.
00:35:24But whatever you do, you have to go to the police.
00:35:28Tell them, come on.
00:35:30Whatever you don't want to tell me, tell them.
00:35:33Yes, because the important thing in these cases ...
00:35:35is that the truth is known.
00:35:38Don't you think?
00:35:40Of course.
00:35:42Whoever falls.
00:35:47Indeed.
00:35:50Whoever falls, yes.
00:35:53Don't get it wrong, Fermin.
00:35:55Here your friend is me.
00:35:57I am on your side.
00:36:00And to give you support in everything you need.
00:36:02I support you in everything you need.
00:36:07Good night, Emiliano.
00:36:26So, dear Pietro.
00:36:28I hope that when this letter arrives, you are all well.
00:36:32I apologize in advance for the briefness of this letter,
00:36:36but I don't have much time now.
00:36:38However, I wanted to hurry up
00:36:41to accept your generous invitation to visit Madrid.
00:36:44That you come to Madrid.
00:36:46What a joy!
00:36:48That you come here, that you come here.
00:36:50I can't believe it.
00:36:52I thought I wasn't going to be able to.
00:36:54And they tell you when they come?
00:36:55No, nothing.
00:36:57He says goodbye, greets me here and nothing else.
00:36:59And here is a drawing.
00:37:01Look.
00:37:03Look how beautiful it is.
00:37:05But I have to do a lot of things.
00:37:07We have to do a lot of things.
00:37:09We have to organize everything, Antonio.
00:37:11No, no, no.
00:37:13Now I have to go to the bookstore
00:37:15to buy some books for Pedrito.
00:37:17And then I have to buy a soccer ball
00:37:19to play in the courtyard.
00:37:21And I have to buy pencils and paper
00:37:23that the child likes to draw.
00:37:25No, listen to me.
00:37:27We're going to do all that.
00:37:29You don't worry.
00:37:31What I think you should focus on
00:37:33is taking those cookies out of the oven.
00:37:35If my sense of smell doesn't fail me,
00:37:37I think they're burning.
00:37:39The cookies are burnt.
00:37:41But I love you.
00:37:43I told you, the cookies are burnt.
00:37:45The cookies are burnt.
00:37:47I love you, I love you.
00:37:49What strikes me the most
00:37:51is that Lázaro's sister
00:37:52left the convent
00:37:54just the day before
00:37:56my wife disappeared.
00:37:58It's obvious that they had planned
00:38:00to leave together.
00:38:02Yes, that's what I think, yes.
00:38:04Sir, could it be
00:38:06that the anonymous call you received
00:38:08was of charity?
00:38:10I wouldn't be surprised,
00:38:12but as you will understand,
00:38:14I haven't been able to ask her.
00:38:16I mean, if it's true
00:38:18that your wife died,
00:38:20I say it with all due respect,
00:38:22but even if
00:38:24charity were the beneficiary
00:38:26of the insurance,
00:38:28it's impossible for her to have charged it.
00:38:31That's true,
00:38:33because in order to charge the insurance police,
00:38:35she would have to have a death certificate.
00:38:37But if she had a death certificate...
00:38:39The police would be aware
00:38:41of Lázaro's death,
00:38:43and obviously they would have told me.
00:38:45And for now, Lázaro is still in search and capture.
00:38:49But then, sir,
00:38:50we should assume
00:38:52that your wife died
00:38:54having already reunited with her.
00:38:56But it's just that...
00:38:58If it really was charity
00:39:00who called to tell me
00:39:02that Lázaro was dead,
00:39:04so much security
00:39:06had to be because he had seen her dead.
00:39:12And what do they say in the convent, Mr. Fermin?
00:39:15The poor nuns
00:39:17don't understand anything either,
00:39:18they're still surprised
00:39:20to see how
00:39:22Charity left without prior notice.
00:39:24Of course, they have no idea
00:39:26where she could have gone.
00:39:28No, no, she didn't leave any trace.
00:39:30Anyway,
00:39:32what is she hiding?
00:39:34Surely,
00:39:36what we don't know is
00:39:38what or who she's hiding from.
00:39:40Perhaps from the same people
00:39:42who murdered Mrs. Lázaro
00:39:44if she was murdered.
00:39:46My God,
00:39:48I don't know the answer to that.
00:39:50This is...
00:39:52This is desperate.
00:39:54Mr. Fermin, you already know.
00:39:56Tell me what you want me to do
00:39:58and I'll do it.
00:40:00If I have to go on a trip,
00:40:02I have no problem either.
00:40:04It's just that right now,
00:40:06Rodrigo, I don't even know what I want.
00:40:08Well, of course I know.
00:40:10I want to find that blessed nun.
00:40:12But where?
00:40:14Because right now she's as missing as Lázaro.
00:40:16Let's think, Mr. Fermin.
00:40:18Whatever negation I have to do,
00:40:20I entrust it to my cousin.
00:40:22That way everything will be more discreet.
00:40:24Yes, yes, you're right.
00:40:26Because if that woman is hiding
00:40:28and calls me anonymously,
00:40:30she doesn't trust me.
00:40:32It's better that she doesn't know
00:40:34I'm looking for her.
00:40:36Is he giving her gin?
00:40:38Gin.
00:40:40It's the best thing to clean the bar.
00:40:42Well, and the windows,
00:40:44they look like a patina.
00:40:46It hasn't been long.
00:40:48There's no way.
00:40:50As soon as they show up
00:40:52and see that there's no one,
00:40:54they shoot for the Negresco,
00:40:56for the Granja de Henares.
00:40:58People, don't point, damn it.
00:41:00Good morning.
00:41:02Good morning, Captain.
00:41:04A loaded coffee
00:41:06and two fingers of warm milk.
00:41:08Damn, you know it well.
00:41:10A pleasure.
00:41:12Excuse me.
00:41:13Good morning.
00:41:18All this is very dead
00:41:20for the time it is.
00:41:22Yes, they have locked us up for two days
00:41:24for a problem we had in the lab
00:41:26and you see, we don't get up.
00:41:28The famous intoxication.
00:41:30I hope I don't get intoxicated too.
00:41:32No, for God's sake.
00:41:34That was a mistake of one
00:41:36who worked in the lab,
00:41:38but don't worry,
00:41:40he won't come here again.
00:41:41Yes, what do you prefer?
00:41:43Uizos, buñuelos, cookies?
00:41:45Buñuelos, thank you.
00:41:47Quico.
00:41:49I suppose you know
00:41:51that last night he attacked the hooded man again.
00:41:53Don't bother me, I didn't know.
00:41:55Yes, yes, a woman
00:41:57who was walking near the gallery.
00:41:59Again?
00:42:01Yes, apparently the woman
00:42:03was passing through Madrid
00:42:05and was attacked when she went to her hotel.
00:42:08And how is it?
00:42:09Delicious.
00:42:11And the perfect temperature.
00:42:13I appreciate it, Captain,
00:42:15but I was referring to the woman.
00:42:17Ah, fine, as long as it fits.
00:42:21How eager am I to catch that criminal?
00:42:23That may depend on you, young man.
00:42:30I am very grateful to you.
00:42:32Your generous donation
00:42:34will be a ray of hope
00:42:36for those children so helpless, Mr. Duque.
00:42:39Of course, we will.
00:42:41Don't worry.
00:42:43No, thank you for everything.
00:42:45And may God bless you.
00:42:48Goodbye, see you soon.
00:42:52Excuse me, ma'am.
00:42:54I have taken the liberty
00:42:56of asking you to bring a tent.
00:42:58I know that lately you prefer not to have breakfast,
00:43:00but I thought you might like it.
00:43:02Thank you, Pepita.
00:43:04Because the truth
00:43:06is that I am hungry.
00:43:07And I couldn't help but listen to you.
00:43:09I am very glad that you are making an effort
00:43:11for your foundation.
00:43:13Well, those children
00:43:15have no one else.
00:43:17You are helping them a lot.
00:43:19And yourself, too.
00:43:21What were you missing, ma'am?
00:43:23The truth is that having an occupation
00:43:25helps to cheer up.
00:43:27Believe it or not,
00:43:29the procession goes on inside.
00:43:31Well, dear, but in your case,
00:43:33more than a procession,
00:43:35it is a whole dawn, right?
00:43:37With Calvario, Macarena
00:43:39and the great power.
00:43:41All together.
00:43:45Get me a coffee, Pepita.
00:43:47Pepita has prepared tea.
00:43:49Don't you think a lemon tea would be better?
00:43:52Tea, dear,
00:43:54is a drink for the sick
00:43:56and for the English.
00:43:58And I, thank God,
00:44:00am neither of the two.
00:44:02Excuse me.
00:44:04I also feel healthier.
00:44:06I have managed to get the Duke of Anivent
00:44:08to make a donation of 2,000 duros
00:44:10to the foundation.
00:44:12Look, how good.
00:44:14And it has also been committed
00:44:16that if I organize a charity event,
00:44:18he can bring great people from Spain
00:44:20to also contribute to the cause.
00:44:22I am very glad for you, dear.
00:44:24Let's see if you stop mortifying me
00:44:26with your ghost floors.
00:44:29I am not a ghost.
00:44:30Well, I was thinking
00:44:32of celebrating it here,
00:44:34in the house.
00:44:40That would be good.
00:44:42You know, this house needs a little bit of activity,
00:44:45a little bit of joy,
00:44:47because lately it looks like a cemetery.
00:44:49So,
00:44:51do you like the idea?
00:44:53I think it's fantastic.
00:44:55And if, by the way,
00:44:57you get rid of that darkness
00:44:58that you carry both inside and outside,
00:45:00it will be worth it.
00:45:11Why don't you want to receive
00:45:13your guests dressed in raven?
00:45:18Are you going to tell me
00:45:20how I have to dress too?
00:45:24Maruja,
00:45:25no one in your family has died.
00:45:27If you present yourself
00:45:29in the company of that raven,
00:45:31everyone will know
00:45:33that you keep mourning for your lover.
00:45:35I will not allow you
00:45:37to blow the four winds
00:45:39that Emiliano Pedraza is a cuckold.
00:45:41As strange as it may seem to you,
00:45:43this has nothing to do with you.
00:45:45You are not the center of the world.
00:45:47If I do it for charity, nothing more.
00:45:49I'm not going to blow anything.
00:45:51Whatever you want.
00:45:53But if you want to give that damn party,
00:45:55I'm not going to allow you
00:45:57to undress from mourning.
00:45:59Well, as if I had seen myself as a lizard.
00:46:01I will never forget Cesar.
00:46:03I carry mourning inside.
00:46:05Well, keep carrying it inside.
00:46:07Well, well inside.
00:46:09Don't force me to have to remind you
00:46:11who wears the pants in this house.
00:46:14Emiliano,
00:46:16it seems that you forget
00:46:18that I am not afraid of you
00:46:20because you can no longer hurt me
00:46:22more than you have done to me.
00:46:24I am stronger than you think.
00:46:27Enjoy your coffee.
00:46:35As the captain says.
00:46:38I say that catching that hooded man
00:46:40is the job of the police,
00:46:42but it also depends on the citizen collaboration,
00:46:44more specifically,
00:46:46the collaboration of you,
00:46:48the staff of La Moderna.
00:46:50The captain was telling me
00:46:51that you had just had coffee here in the living room.
00:46:53Seriously?
00:46:55Yes, yes, yes.
00:46:57That's why some suspect has been seen,
00:46:59some client, some distributor.
00:47:01We already look at everyone with suspicion.
00:47:03I guess that's not very helpful
00:47:05because for me it can be anyone.
00:47:07Exactly, it could be anyone.
00:47:09Even you.
00:47:12Don't make those jokes to me, captain, please.
00:47:14They are not jokes.
00:47:16Considering that the last attack
00:47:18has occurred near the gallery,
00:47:19this hypothesis is stronger than ever.
00:47:21I am convinced that the aggressor works in the gallery,
00:47:23maybe even in La Moderna.
00:47:25Or in the pension,
00:47:27or in the bookstore, or in the cinema.
00:47:29Exactly.
00:47:31So don't be surprised if we question you again.
00:47:33Again?
00:47:35If nothing, they were already here.
00:47:37Yes, yes, yes, but that was as possible witnesses.
00:47:39Now it would be more as...
00:47:41Are you telling me that we have become suspicious?
00:47:43I would not say that exactly.
00:47:45I would say that they are people
00:47:47of interest for the investigation.
00:47:49Of course, captain.
00:47:51Any help we can give
00:47:53to catch that criminal is little.
00:47:55Right, boss?
00:47:57Yes, what a remedy.
00:47:59I'll let the manager and the manager know.
00:48:01But come on,
00:48:03if I think it could be someone from here,
00:48:05my guts are already shaking.
00:48:07Well, it is so.
00:48:09We could have it in front of our noses.
00:48:11Hello.
00:48:13Hello.
00:48:16Can we talk for a moment?
00:48:18Yes, of course.
00:48:21Alone, if you don't mind.
00:48:23Whatever you have to tell me,
00:48:25you can listen to it, Rodrigo.
00:48:30I would like to know how I have treated you with Mercedes.
00:48:33Well...
00:48:35I don't know.
00:48:37I don't know.
00:48:38What do you mean?
00:48:40Well, I don't know what to tell you, Ivan.
00:48:43I think I made her understand,
00:48:45but I wouldn't dare to swear.
00:48:47Don't bother me, Paula.
00:48:49If something happens to her, I will never forgive myself.
00:48:51And what do you want me to tell you, Ivan?
00:48:53I explained to her by active and passive
00:48:55the danger she was supposed to face, father.
00:48:57But Mercedes is an adult woman.
00:48:59In the end, she will do whatever she wants.
00:49:01Well, but you were with her.
00:49:03Do you think she's going to do anything crazy?
00:49:05Ivan, if you allow me,
00:49:06I don't want to talk to Mercedes,
00:49:08but put yourself in her shoes.
00:49:10Imagine someone had sent someone to kill your sister
00:49:12and you knew who it was.
00:49:14Well, she doesn't know.
00:49:17Okay.
00:49:19It is clear that we all know that my father is in jail.
00:49:22But first of all,
00:49:24no one has the right to take justice into their own hands.
00:49:26And secondly, until it is proven that he is to blame...
00:49:28Ivan, Ivan.
00:49:30What Rodrigo means is that you don't trust him.
00:49:32We don't know where Mercedes can come from.
00:49:34So what do I do?
00:49:36I don't know, if you want,
00:49:38you can try talking to her again.
00:49:40Yes, yes.
00:49:42Well, I'll tell you something,
00:49:44but thank you very much anyway.
00:49:46But wait, what are you going to do?
00:49:48I don't know, I don't know, I'm going to think about it.
00:50:00And I leave this here,
00:50:02it's from table 8.
00:50:04But if I was attending table 8.
00:50:06Yes, I know.
00:50:08But as I saw that you were talking to the manager,
00:50:10to give her a hand.
00:50:12Well, I don't need her to give me a hand.
00:50:14I have enough and I have plenty.
00:50:16Especially now that there are almost no customers.
00:50:18Sorry, I didn't do it with bad intentions.
00:50:20No, you did it with the sole intention
00:50:22of leaving me in evidence.
00:50:24No, man, don't be so suspicious.
00:50:26Yes, I have nothing against you,
00:50:28we are colleagues.
00:50:30Unfortunately.
00:50:32Oh, Gruñón.
00:50:34Take it.
00:50:36I brought you a gift, so you can see.
00:50:38To see what? What do I have to see?
00:50:40That we can get along and be good colleagues.
00:50:43Don't you open it?
00:50:45No.
00:50:47And then they come if you take it into account.
00:50:49How am I going to take it into account?
00:50:51No.
00:50:53You see, I've noticed that you always wear
00:50:55very shiny shoes.
00:50:57So I thought
00:50:59a concrete can would be good for you.
00:51:00Come on, don't you take it?
00:51:02No, I don't want to owe anything to anyone.
00:51:04But you're not going to owe me anything.
00:51:06Come on, go.
00:51:08Leave me alone!
00:51:31Oh, I just crossed the hairdresser.
00:51:33Let's see the collection.
00:51:35Oh, perfect.
00:51:37Yes? Do you like it?
00:51:39Yes, yes, yes. Let's see, move.
00:51:41Do you notice it resistant?
00:51:43Yes, I think you can blow a hurricane.
00:51:45This doesn't move.
00:51:47Well, this is what worries me the most
00:51:49about the market scene.
00:51:51No animals, no extras, nothing.
00:51:53But your hair doesn't cover your face.
00:51:55Well, it's not going to cover my face, don't worry.
00:51:57That's a ...
00:51:58Yes, yes, forgive me.
00:52:00The doorman gave it to me for you.
00:52:02I guess it will be from Celia, right?
00:52:12Well, I've finally arrived in Istanbul.
00:52:15Great. And what else does it say?
00:52:17Well, crossing the Bosphorus has been very exciting
00:52:20and I hope we'll meet soon.
00:52:22What a relief to finally receive news.
00:52:25Of course.
00:52:26And are you still thinking about going with her?
00:52:29Well, I think about it, but I don't have it so clear anymore.
00:52:33But why is that?
00:52:36Well, because it's going to be for the guy.
00:52:38I don't feel good traveling around
00:52:41knowing that he's not well.
00:52:43Have you seen him today?
00:52:45No, I haven't eaten at La Moderna,
00:52:47but neither has he appeared, nor has Rodrigo.
00:52:50I don't know, maybe when the shoot is over
00:52:52we can go get him to have dinner with him.
00:52:53It's true, the shoot you're shooting.
00:52:55Well, you've seen my hair, you can go now.
00:52:58No, don't worry.
00:53:00I'm waiting for them to finish lighting.
00:53:02And if not, the assistant will come to get me.
00:53:04Don't worry.
00:53:06Perfect. And is the day going well?
00:53:08Yes, yes, yes.
00:53:10We were a little late,
00:53:12but it looks like we've recovered.
00:53:14Are you sure?
00:53:16You seem worried.
00:53:18No, I'm not worried.
00:53:20I'm intrigued.
00:53:21Intrigued.
00:53:23Intrigued by what?
00:53:25Haven't you noticed AgustÃn and Ramallo?
00:53:27What should I have noticed?
00:53:29I don't know, I think they're up to something.
00:53:32And one thing I've noticed while directing
00:53:35is that when there's a big problem,
00:53:37the first thing the team does is try to hide it from me.
00:53:39But, Ines, what problem is there going to be?
00:53:42I think it's your imagination.
00:53:44Come on, go back before they miss you.
00:53:47Yes, yes, you're right.
00:53:48You're very pretty.
00:53:52Bye.
00:54:06Marcelina, can we talk for a moment?
00:54:09Sure, sure.
00:54:11Can I go?
00:54:13No, you don't have to go.
00:54:15I wanted to ask you what happened with Kiko.
00:54:18Because I thought he was pushing you.
00:54:21What? No, no, no, no, no, no.
00:54:25It wasn't a push.
00:54:27Well, I thought a little more and you'd fall to the ground.
00:54:30What do you mean? Did he kill him?
00:54:32No, no, no, no, no.
00:54:34It really wasn't anything.
00:54:36I wanted to have a detail with him,
00:54:39I wanted to give him a present,
00:54:41and the boy didn't want it.
00:54:43And this seems like a good enough reason
00:54:45to push you and throw you to the ground?
00:54:46No, really, it wasn't a push.
00:54:49I've been very insistent, Trinix.
00:54:52You know how I am.
00:54:54I wanted to give him the present in his hand,
00:54:57I wanted to put it in his hand,
00:54:59and he pushed it away.
00:55:01It was a little sudden,
00:55:03but it really doesn't matter.
00:55:08Look, Marcelina,
00:55:10I know what you're doing.
00:55:13And what am I doing?
00:55:16Protecting a partner.
00:55:18I know you don't want to end up like Cusica.
00:55:21Is that it?
00:55:23Well, yes, that too.
00:55:25But really, it doesn't matter.
00:55:28No, I think it does.
00:55:30These things can't happen in the modern world,
00:55:32much less that a partner, a man,
00:55:34raises his hand to a woman.
00:55:36You'll understand that Mr. Fermin must know about this.
00:55:38No, no, please, please, Mrs. Teresa,
00:55:40don't tell Mr. Fermin anything, please.
00:55:42He must have a thousand more important things
00:55:44to worry about than this nonsense.
00:55:47Nonsense? Marcelina, please.
00:55:49A man has raised his hand to you.
00:55:51Come on, in the middle of work.
00:55:53Please, Marcelina, no, no,
00:55:55this is not right.
00:55:57No, really, it's just that it was an accident.
00:56:00You don't have to go around it again.
00:56:03Please, Mrs. Teresa, don't tell Mr. Fermin anything.
00:56:06I was the last one to arrive.
00:56:08I don't want to be the first to complain about a partner.
00:56:15Look,
00:56:19I'm going to let it go because you're asking me to.
00:56:23But you're going to promise me one thing.
00:56:25Whatever you want.
00:56:27Well, at the very least,
00:56:29but at the very least,
00:56:31that you have a problem with Kiko,
00:56:33you come and tell me, okay?
00:56:35Understood.
00:56:37Because I'm not going to tolerate this kind of thing.
00:56:39I promise you that I give you my word
00:56:41that if something similar happens again,
00:56:42you will be the first to know.
00:56:44Good.
00:56:46I hope so.
00:56:48Well, good.
00:56:54How have you seen your mother?
00:56:56Well, much better, really.
00:56:58Look at how things are.
00:57:00With just a couple of calls to manage the foundation,
00:57:02it was as if they were born again.
00:57:04She's thinking about celebrating a party at home.
00:57:07I won't tell you more.
00:57:09A party?
00:57:10Damn, it has changed, hasn't it?
00:57:12Well, it's not strictly a party,
00:57:15but a charity event, but...
00:57:17Good afternoon, Lord of God.
00:57:19Good afternoon, Mrs. Amadora.
00:57:21Son, you're sitting so close to the door,
00:57:23you'll have to speak out loud.
00:57:25That's not what the rules say either.
00:57:27It's to hold the door.
00:57:29It's not going to close with the current or something.
00:57:31Well, man, if it closes, you'll open it.
00:57:33No need to exaggerate.
00:57:35Everything okay around here?
00:57:37Yes, everything is fine.
00:57:38I've come to let you know
00:57:40that dinner will be late tonight.
00:57:42I'm going to the theater with some friends
00:57:44and the play lasts two hours,
00:57:46so I won't be back until 9.30.
00:57:48At least.
00:57:50Okay?
00:57:52Okay. Enjoy yourselves.
00:57:54Thank you. Two hours minimum.
00:57:56And I'm not telling you
00:57:58that we'll have a drink at the theater friend's.
00:58:00Very well, okay.
00:58:02I've already notified all the guests.
00:58:04And there are some who have already said
00:58:05that they prefer to have dinner
00:58:07in the dining room on the corner.
00:58:09Specifically, the opposite of the room next door.
00:58:11He's already left
00:58:13and he'll be back soon too.
00:58:15Understood.
00:58:17You're practically alone in the pension.
00:58:19At least in this corridor
00:58:21you're the only ones left.
00:58:23Anyway, I'm leaving.
00:58:25I don't want to be late for the theater.
00:58:27Goodbye.
00:58:29Goodbye. Have a good time.
00:58:30Goodbye.
00:58:35What I think just happened.
00:58:37He's giving us permission to close the door.
00:58:40I think he was practically asking us to.
00:58:43Well, let's not be ungrateful.
00:59:01Pepita told me you wanted to see me.
00:59:03Yes, come in.
00:59:05Would you like a drink?
00:59:07No.
00:59:09I'm still working.
00:59:11At this hour?
00:59:13What can I do, son?
00:59:15I have to leave everything very well
00:59:17tied up for the meeting with the Americans.
00:59:19Until Fermin sells me his 1%,
00:59:21I have to do juggling
00:59:23to keep these people interested.
00:59:27Sooner or later they'll suspect
00:59:28that something is going on.
00:59:30I see.
00:59:32But before that happens,
00:59:34I have a game in mind
00:59:36that Fermin is waiting for us.
00:59:38Really?
00:59:40Yes.
00:59:42He thinks he's very smart.
00:59:44He thinks he's got me
00:59:46with his happy 1%,
00:59:48but I have an ace up my sleeve.
00:59:50And when he plays it,
00:59:52he'll know how to kneel
00:59:54and beg me to buy his shares.
00:59:58And what do you do in that sleeve?
01:00:02I'll tell you
01:00:04when the time comes.
01:00:06Now,
01:00:08I want you to do me a favor.
01:00:10You'll see.
01:00:12It turns out that Lazaro had a sister.
01:00:14Well, he has a sister.
01:00:17And?
01:00:19Well, Fermin had no idea
01:00:21of her existence until now.
01:00:23She's a nun, for more signs.
01:00:25Her name is Caridad.
01:00:26Sor Caridad.
01:00:28She lived in a convent in Sigüenza.
01:00:30She lived?
01:00:32And what happened to her?
01:00:34No, son, no.
01:00:36What happened is that she left
01:00:38without saying goodbye to anyone.
01:00:40No one knows where she is.
01:00:42And you want me to find her.
01:00:44Exactly.
01:00:46The first thing you're going to do
01:00:48is go to Sigüenza
01:00:50and talk to the nuns
01:00:52to see what they tell you.
01:00:54She's lived here a long time.
01:00:57Like her sister.
01:00:59Slava.
01:01:01Lazaro Slava, Caridad Slava, son.
01:01:04Well...
01:01:09I'll do it.
01:01:11That's the way I like it.
01:01:13If I find her, what do you want me to tell her?
01:01:15Nothing.
01:01:17Nothing at all.
01:01:20I don't want anyone to know
01:01:22that you're looking for her,
01:01:24and the nuns either.
01:01:26Something like that.
01:01:28Well, whatever you want.
01:01:30But they don't know who you are.
01:01:32And if you find her,
01:01:34you come here and tell me.
01:01:36Period.
01:01:38Yes, tell me.
01:01:40Inés, I'm AgustÃn.
01:01:42AgustÃn, is something wrong?
01:01:44No, nothing.
01:01:46I wanted to know if you had spoken to Ramallo.
01:01:48With Ramallo?
01:01:50No, why?
01:01:52I had met him here in the office
01:01:54and he doesn't show up.
01:01:56Has he woken you up?
01:01:58No, no, don't worry.
01:02:00We were already in bed.
01:02:02Are you sure everything is fine with Ramallo?
01:02:04Yes, yes, everything is fine.
01:02:06I imagine he must have entertained himself and will show up.
01:02:08Good night, my love.
01:02:10Rest well.
01:02:12See you tomorrow.
01:02:23Ramallo!
01:02:24What's wrong with him?
01:02:26He's fine.
01:02:28Calm down, calm down.
01:02:31Sit down, sit down, calm down.
01:02:37Do you want water?
01:02:46Drink, drink, drink.
01:02:48What happened?
01:02:55They just beat me up.
01:02:58What do you mean?
01:03:00Who?
01:03:02It's better if you don't know, Comas.
01:03:05Don't tell me this has to do with the money, Ramallo.
01:03:10You're right.
01:03:12We shouldn't have gotten involved in this mess.
01:03:15Inés convinced me.
01:03:17You did what you had to do.
01:03:20You did the best you could.
01:03:21You did what you had to do.
01:03:23You did the best you could for the film.
01:03:26What do you mean?
01:03:30We have to finish the film on time.
01:03:33And return the money as soon as possible, because if we don't...
01:03:36If we don't what?
01:03:41Are you telling me that they're going to beat me up too?
01:03:45Don't annoy me, Ramallo.
01:03:47That money has been spent practically until the last penny.
01:03:50It's better if the film does well.
01:03:53Because if it doesn't, may God catch us red-handed.
01:04:03Miss, please, you have to wait.
01:04:05No, miss, I don't feel like it.
01:04:08You and I have to talk.
01:04:10Sir, I'm sorry.
01:04:12The miss didn't expect to be announced.
01:04:14Again.
01:04:16Don't worry, Pepita.
01:04:17Don't worry.
01:04:19Leave us alone.
01:04:25Indeed, I told you that if you wanted something from me, you should come and get it.
01:04:29But I didn't mean that you should show up at my house at this time of night.
01:04:35Unless you're looking for company.
01:04:42If I was looking for company,
01:04:44I can be sure that it wouldn't be yours.
01:04:46And it's not the only person who has the right to make unforeseen visits.
01:04:52As far as I know, I haven't shown up at your house.
01:04:55The Madrid Cabaret is a public place, right?
01:05:00Well, I understand that you don't like my face,
01:05:04but if I enter the Madrid Cabaret,
01:05:07the commercial schedule,
01:05:10I don't think it can be considered an unforeseen visit.
01:05:14Why don't you have a drink?
01:05:19I haven't come to drink with you.
01:05:26I've come to settle accounts.
01:05:34Wow.
01:05:37I'm sorry.
01:05:39I'm sorry.
01:05:41I'm sorry.
01:05:44I don't have ice.
01:05:47Lower your fist.
01:05:49Girl, don't hurt yourself.
01:05:53Lower your fist.
01:05:55No.
01:05:56He's going to pay for his crime.
01:05:58How can I tell you that I have nothing to do with your brother's death?
01:06:01You're lying!
01:06:02You're making a mistake.
01:06:04The police can be fooled, but not me.
01:06:07Let's do one thing.
01:06:08I have no intention of reporting you.
01:06:11You're on time.
01:06:13All you have to do is turn around and go out that door.
01:06:16I'm not leaving until I finish with you.
01:06:20You know what I think?
01:06:24I think you're not going to do it.
01:06:28Because to kill a human being, you need a lot of courage,
01:06:32and you don't have it.
01:06:39Do you know what it feels like when someone is about to die?
01:06:46You're not going to do it.
01:06:48You're not a murderer.
01:06:49Shut up!
01:06:50Maybe you are.
01:06:52Okay.
01:06:54Okay, finish with me.
01:06:56But know that you will be punishing an innocent person.
01:06:59And that will burden your conscience for the rest of your life.
01:07:03A life that you will spend in jail.
01:07:05I don't care what I think.
01:07:06The only person responsible for your brother's death is Lazara Eslava.
01:07:12I know you want me to be the one to blame.
01:07:15I know you've talked to the police.
01:07:17They haven't confirmed anything.
01:07:20Yes, but you don't want to accept it, do you?
01:07:24Do you want to go on with this madness?
01:07:27Go on, go on.
01:07:29Go on!
01:07:31I'm not going to defend myself.
01:07:33Come on, come on!
01:07:34No!
01:07:35You're trying to confuse me.
01:07:37No, no, I'm trying to confront you with reality.
01:07:40The reality, Mercedes, is that your brother died because of a despised lover.
01:07:44No!
01:07:45Yes.
01:07:46No! That's not true!
01:07:48You are 100% sure that I am to blame.
01:07:52Are you totally sure that what you think is true?
01:07:56Because if it's not, you have no right to take justice into your own hands.
01:08:00No.
01:08:02You will end my life, but you will turn yours into hell.
01:08:06Hell for the rest of your days.
01:08:31Oh!
01:08:37Oh!
01:08:47What do you think?
01:08:50This is the idea I came up with for the new season.
01:08:54It looks impressive.
01:08:57And they smell wonderful.
01:08:58You just have to try it, Mr. Fermin.
01:09:02What is it made of?
01:09:03Cream and puff pastry.
01:09:05And as I was saying, it's one of the ideas I have
01:09:10to expand the offer of the modern pastries.
01:09:14This is exquisite.
01:09:17Yes?
01:09:18Exquisite.
01:09:20Well, then we have to offer it to the customers as soon as possible.
01:09:24I'm very glad you like it, Mr. Fermin.
01:09:27And if you don't mind,
01:09:29I could take a couple of trays out of the oven.
01:09:33Yes, of course.
01:09:35And I'd like to thank you.
01:09:44And I'm glad to see you so enthusiastic.
01:09:48Because, ah, my God, Pietro.
01:09:51The pain you've gone through
01:09:53during these weeks at the order to that bird of Simón.
01:09:57That's forgotten, Mr. Fermin.
01:09:58Now we have to work as a unit.
01:10:01It's a shame we have so few customers.
01:10:04But this is our chance.
01:10:06With a team like we have,
01:10:08we can't fail.
01:10:10I'm positive, Mr. Fermin.
01:10:11We're going to give up our lives so that the modern world can be what it used to be.
01:10:14I'm so happy to see you so well.
01:10:18With this spirit, I'm sure we'll get over this crisis very soon.
01:10:22Much sooner than we all think.
01:10:24I'll tell you one thing.
01:10:25As soon as I have the sweets I have in mind ready, I'll give them to you to try.
01:10:31I think it's great.
01:10:33And I also have an idea that could be very interesting for the company.
01:10:42And you're not going to tell us anything?
01:10:44No. Before I share it with you, I have to mature it a little.
01:10:49So I beg you to be patient.
01:10:53Cañete, please.
01:11:06Do you need anything else, Captain?
01:11:08No, no. Coffee is enough.
01:11:10But maybe you can help me with that.
01:11:15This is the list I made with all the employees of La Moderna?
01:11:18That's right. And I think I made a mistake.
01:11:21What do you mean?
01:11:23I think I took too much of the list of possible suspects.
01:11:26Look, after the latest version, I want to expand this list to drivers and people who come and go by La Moderna frequently.
01:11:31Also with the former employees who worked here in recent times.
01:11:36I can help you with that without any problem.
01:11:39I would also like to interview the staff of La Moderna again, in case something has gone wrong.
01:11:44Very well. You know that Don FermÃn will not object to this.
01:11:48Although I still do not believe that the hooded man from La Puerta del Sol may be on this list.
01:11:53Well, maybe he works here or in another establishment in the gallery.
01:11:57We cannot rule out anyone.
01:11:59Captain, I have known all those who work here for a long time and it is very difficult for me to believe that they are capable of committing such atrocities.
01:12:07Everyone at La Moderna is hoping that they will catch that scoundrel.
01:12:10Well, don't be so surprised.
01:12:12Those kind of criminals tend to have a more normal look.
01:12:18Well, thank you for this. I have to go.
01:12:23Have a nice day.
01:12:31Hi, Ivan.
01:12:35What are you doing here?
01:12:37We have decided to come to see you, taking advantage of the fact that Father is not here.
01:12:41You scare me.
01:12:43How can I help you?
01:12:45I'm going to be very honest with you.
01:12:48We do not understand your behavior in recent days.
01:12:52And what exactly do you not understand?
01:12:54Your conciliatory attitude with us has us puzzled. That is why we have not answered you well.
01:13:00But we are going to make amends.
01:13:02We have been very cold with you and we want to apologize to you.
01:13:06We also want to lend you a hand.
01:13:08We are willing to forget everything that has happened between us and start over.
01:13:13If you decide to stay away from Father, you can count on us.
01:13:18My answer is no.
01:13:21What do you mean no? Why?
01:13:24Look, little sister, I think it will be better if we keep our distance.
01:13:28Let's see if now we are going to have to eat from the same plate every time we meet.
01:13:32That was not what we were offering you, Ivan.
01:13:34Even so, I'm fine as I am. Thank you for worrying.
01:13:38I don't understand you, Ivan.
01:13:40When you asked me to talk to Mercedes, I didn't hesitate to help you.
01:13:44And I thanked you. End of story.
01:13:47No, don't try to fool me. There was something else.
01:13:50Your thanks were sincere.
01:13:53What I asked you was out of personal interest.
01:13:55Only you could convince Mercedes of how dangerous it is to face our father.
01:14:00Do you really think you'll always be fine manipulating others?
01:14:03At the moment, I can't complain.
01:14:05My life is quite pleasant.
01:14:08My soul breaks when I see that you haven't changed a bit.
01:14:12And me, when I see how innocent you can be.
01:14:16What a shame, Ivan. What a shame.
01:14:29I'm sorry, little sister.
01:14:31But the further apart we are, the better it will be for you.