Salon De Te La Moderna - Capitulo 336 - video Dailymotion
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00:00:00I'm not used to seeing her like this.
00:00:10It looks like we're going to have to wait another day.
00:00:12Without serving a single meal.
00:00:14Well, don't worry.
00:00:16The notification for Tebramos may arrive at any moment.
00:00:20We'll have to keep waiting.
00:00:24Hey.
00:00:25Do you know if anything new has been published about the hooded man in the press?
00:00:29It seems that lately they have forgotten about the subject.
00:00:31Well, there is still a lot of police around here.
00:00:33I'm sure they are investigating the case.
00:00:35Normal.
00:00:36Until they catch him, they won't stop.
00:00:39Maybe they already know something and they are closing the fence.
00:00:42To deal with him.
00:00:44It could be.
00:00:46What I'm sure of is that that bastard doesn't have to be amused by the police
00:00:50prowling around the area where he usually picks up his victims.
00:00:53Well, he's a very smart guy.
00:00:55I'm sure it won't be so easy to deal with him.
00:00:59At least that will keep him away from the gallery.
00:01:03They are making it more difficult for him, yes.
00:01:06Well, but that's not our business.
00:01:08We have a lot going on here.
00:01:14Dude.
00:01:15Maybe it's time to switch sides.
00:01:21It could be.
00:01:23Maybe this is the end of a stage and I hadn't even thought about it.
00:01:26Well, every minute that passes is more possible.
00:01:31Well, if I'm honest with you, I don't know if I would know how to live without working in the tea room.
00:01:37I've had a very good time between these walls.
00:01:41I understand, but most waiters think that Don Fermín won't be able to get us through.
00:01:47And who said that?
00:01:49Don Fermín is a lynx for business.
00:01:51And he has gone through much worse times than this one.
00:01:53Don't get mad at me, I'm just telling you what I hear.
00:01:56Well, it hurts to hear.
00:01:57You know that rats are the first to leave the boat.
00:02:02You won't believe what I'm going to tell you.
00:02:05A piece of news.
00:02:06Are you going back to town?
00:02:08That wouldn't be good news.
00:02:10For whom?
00:02:11Well, tell us.
00:02:13Well, it turns out that in the gallery I met a man who claims to be a journalist.
00:02:17He's a very tall guy.
00:02:19He's got a lot of nerve and he's very polite.
00:02:21And, of course, I figured he was coming for the filming of El Callejón.
00:02:25Well, it turns out that he doesn't.
00:02:26That sometimes he figures things out and then, well, he gets away with it.
00:02:29You can't go to the point, Marcelina.
00:02:31Yes, that.
00:02:32That the journalist who asked about me.
00:02:35What have you done? Why is he looking for you?
00:02:37Well, to work here.
00:02:38It is seen that he has found out that in La Moderna they have hired a waitress for the first time
00:02:43and that he wants to interview me like the actresses of El Cinematógrafo.
00:02:46Wow.
00:02:47I didn't think this could have so much transcendence.
00:02:50Can I do the interview?
00:02:52I don't know.
00:02:54It's good for me.
00:02:55But first I have to talk to Teresa.
00:02:57And, of course, Don Fermín has the last word.
00:03:00Yes, of course.
00:03:01Well, I hope they let me do it because it makes me excited.
00:03:04Tremendous.
00:03:05I'm so happy that I'm going to clean the warehouse.
00:03:17Of course.
00:03:20That permit should be here by now.
00:03:22The closure was for 48 hours and it has already passed.
00:03:25It is inadmissible.
00:03:27No, no, no, I don't understand.
00:03:30Very well.
00:03:31Well, okay.
00:03:33And thank you for nothing.
00:03:41Sir, from what I have heard,
00:03:43it is not necessary to ask him to have fallen ill.
00:03:46You don't know to what extent.
00:03:48What reasons have the health care workers given him to delay the reopening?
00:03:51No reasons.
00:03:52The employee I spoke to says he doesn't know
00:03:55if the file has not been tested,
00:03:57or if the document has been transcribed,
00:03:59or if it has been sent and not received.
00:04:02Nothing.
00:04:03So, are we going to remain closed until they clarify?
00:04:06I'm very afraid so.
00:04:07What a remedy.
00:04:08Damn the time when that poisoning took place.
00:04:14And Simón, not to be seen.
00:04:16What a disgrace.
00:04:19Yes?
00:04:21Excuse me.
00:04:22Come in, Pietro, come in, come in.
00:04:25Hello, Rodrigo.
00:04:26Tell me, what do you want?
00:04:28Well, Fermín,
00:04:29I've been going around the subject and
00:04:32it hasn't been easy for me
00:04:34to come here to talk to you,
00:04:36but I think it's best for everyone.
00:04:38Pietro, can you get to the point?
00:04:39Please, I don't have a good day today.
00:04:41Yes, of course.
00:04:42I wanted to talk to you about what I think happened
00:04:45with the pastry cream and the poisoning.
00:04:48I really think that Simón ...
00:04:51I have to remind you that while Simón is in charge of the worker,
00:04:55he has to be his only interlocutor.
00:04:58This is clear, Mr. Fermín,
00:05:00but I would like you to listen to me.
00:05:01Well, I'm not going to do it, Pietro.
00:05:03What I'm going to tell you is to be careful,
00:05:05because we may reopen La Moderna today.
00:05:08Well, as you say, Mr. Fermín.
00:05:10And what will happen if they don't let us open?
00:05:13I'm not going to allow that.
00:05:14Many jobs depend on whether the doors of La Moderna
00:05:17open or not.
00:05:19And I'm sure we have a loyal client.
00:05:23A mistake can spoil so many years
00:05:25of success and good service.
00:05:28I'm glad to hear it.
00:05:30But I really would like to tell you what happened.
00:05:32Pietro, please.
00:05:33This is not the time.
00:05:34Go back to your worker and be warned.
00:05:38Okay.
00:05:39Excuse me.
00:05:40See you later.
00:05:50Are you okay, Mr. Fermín?
00:05:52As good as you can be in these circumstances.
00:05:55I have disliked Pietro's visit.
00:05:56Disliked? No.
00:05:58He has simply taken me out of my comfort zone.
00:06:00Until a few weeks ago,
00:06:02I thought his good faith in the worker
00:06:04was the soul of this business.
00:06:07And it was true.
00:06:08I remember that when I arrived in Madrid,
00:06:09everyone told me wonderful things about the sweets of La Moderna.
00:06:12Yes, yes, I was very proud of it,
00:06:14but everything that has happened lately
00:06:17has made me distrust him.
00:06:21It seems that hiring Simon has not solved the problem.
00:06:25Well, maybe I acted a little impulsively,
00:06:31but I couldn't risk Pietro leaving us overnight.
00:06:35However, the one who has not left us without prior notice
00:06:39has been Simon.
00:06:40And that still annoys me more.
00:06:42Because if we manage to reopen and Simon does not appear,
00:06:46I will have to continue to trust Pietro.
00:06:50Sir, if you allow me to tell you,
00:06:53maybe you should rethink who is who in that, Brador.
00:07:06Come with me, Rodrigo.
00:07:07We are going to talk to the people of Sanidad.
00:07:09We are going to protest, we are going to claim
00:07:11and tie ourselves to a lighthouse at the door if necessary.
00:07:13But I don't come back here without that permission.
00:07:24And about Pietro, I'll fix it.
00:07:28You go ahead.
00:07:30And if you don't get it, I'll get it.
00:07:32I think I'll get it.
00:07:34That damn Italian.
00:07:37Damn.
00:07:52And you say that Cañete liked it?
00:07:54Yes.
00:07:55Think that it may be good for La Moderna
00:07:57to publish an interview with the first waitress woman
00:08:00of the establishment.
00:08:01In other words, be a waitress.
00:08:03What do you think?
00:08:05Well, look,
00:08:06I think it's great that the press is echoing
00:08:08that women can perfectly perform
00:08:11any job.
00:08:13So, can I say yes to the journalist
00:08:15who wanders around the gallery?
00:08:16Well, calm down, calm down,
00:08:17that first we will have to ask Mr. Fermin.
00:08:19Yes, well, look, it seems that he has heard us,
00:08:21because there he comes.
00:08:22I'm going to open it.
00:08:27Good afternoon, Mr. Fermin.
00:08:28Good afternoon.
00:08:29If you have a second,
00:08:30I would like to talk to you about an issue
00:08:32that I was commenting on with Marcelina.
00:08:34In another moment, Teresa,
00:08:35in another moment,
00:08:36because now the important thing is
00:08:38to focus on the reopening of La Moderna.
00:08:42Oh, don't tell me you got the document.
00:08:45It was not easy to get it,
00:08:46but tomorrow we will be able to open normally.
00:08:49Oh, what a relief,
00:08:50what a great joy, for God's sake.
00:08:52Well, this is just the first step.
00:08:54We don't launch the bells on the fly.
00:08:56Now the important thing is that we give our best
00:08:59to regain the trust of the customers.
00:09:02Of course.
00:09:03You can count on the whole team.
00:09:05I am completely sure of that.
00:09:07I have already seen how everyone has followed here,
00:09:10even Marcelina and Kiko,
00:09:12who had no obligation to do so.
00:09:15By the way,
00:09:16has Simon appeared?
00:09:19Well, no, we still don't know anything about him.
00:09:21What do you mean, no?
00:09:23Well, if he still doesn't show up tomorrow,
00:09:25we will have to take some measures in this regard.
00:09:28Of course, whatever you consider.
00:09:30And now, please, get going
00:09:32so that the reopening is perfect.
00:09:34The future of the establishment depends on it
00:09:36and the jobs of all those who work here.
00:09:39Oh, you'll see how everything will go very well.
00:09:41Good.
00:09:45Teresa, one more thing.
00:09:47Please,
00:09:48when the employees return home,
00:09:50do it in a group,
00:09:51as Captain Dávila said,
00:09:52or accompanied by a man.
00:09:55Until they come with the sunroof,
00:09:58you have to be careful.
00:10:00Count on it.
00:10:02Don Fermín.
00:10:03Shh, shh, shh.
00:10:06Woman, you see how the patio is.
00:10:08We will ask you later about the interview.
00:10:11Yes, of course, of course.
00:10:16For another perfect day of filming.
00:10:23The truth is that today I felt especially good.
00:10:26The team worked like a clock
00:10:28and the sequences came out alone.
00:10:29The truth is that everything has gone wonderfully.
00:10:31Well, and Laurita is great.
00:10:33Yesterday she was rehearsing with the other protagonist
00:10:35and they nailed the scene.
00:10:37She has fantastic chemistry, yes.
00:10:41I'm not waiting for anyone.
00:10:44I'll open.
00:11:02Ay.
00:11:08But, what is this?
00:11:10Yes.
00:11:12Thank you,
00:11:14Agustín.
00:11:17Well,
00:11:19first of all,
00:11:22your name,
00:11:24please.
00:11:29And now,
00:11:31this has to be assembled.
00:11:33I can't believe it.
00:11:37Could you put
00:11:39the backrest with its function, please?
00:11:41Of course.
00:11:46And...
00:11:49That's it.
00:11:51I love it.
00:11:53It makes me so excited.
00:11:55You deserve it.
00:11:57Ah, I love it!
00:12:02I also have something for you.
00:12:04Oh, really?
00:12:06Please.
00:12:07But first...
00:12:08Try it.
00:12:12Here you go.
00:12:15It's fantastic.
00:12:19Wow.
00:12:21I was expecting anything but this.
00:12:23What is this?
00:12:24Well, it's everything I need for the new scene I want to shoot.
00:12:31What new scene?
00:12:33Agustín,
00:12:34this scene is the key to the movie.
00:12:37It's a chase around a flea market
00:12:40that will help us to show Laura's character's bravery.
00:12:43I see.
00:12:45And isn't it clear how brave Laura's character is
00:12:47with all the scenes we've already shot?
00:12:50Well, not enough.
00:12:51We need to see how far our protagonist can go.
00:12:56Very far, from what I see.
00:12:58200 extras.
00:13:00You really need 200 extras.
00:13:03Well, a flea market can't be easy.
00:13:08Inés,
00:13:10we don't have the budget for this.
00:13:12Agustín, please.
00:13:13Please, but the movie is for both of us.
00:13:16It has to be perfect.
00:13:18We've put all our hope in it.
00:13:21Please, Agustín.
00:13:24There's something you're wrong about.
00:13:26I do like the story.
00:13:27Especially because it always repeats itself.
00:13:29When a producer gets involved with an actress,
00:13:31he stops thinking with his head.
00:13:33I advise you to watch your words, Ballesteros.
00:13:35I'm not involved with Inés.
00:13:37I'm engaged to her, which is very different.
00:13:40No, you're not, because the problem is still the same.
00:13:42The trees don't let you see the forest.
00:13:46Please.
00:13:50You know this is crazy, right?
00:13:54If I ask you,
00:13:55it's because I think it's essential
00:13:58for the movie to be a success.
00:14:06Okay, I'll trust your instincts.
00:14:22You're kidding!
00:14:25I was hoping Mr. Fermin would be happier
00:14:27when he told us we could open again.
00:14:29Yeah, well, now we need to see
00:14:31what's left for us to become what we were before.
00:14:33I don't know.
00:14:34I'm afraid that the intoxication
00:14:36has damaged the business too much.
00:14:38Well, what more harm would it do us to remain closed?
00:14:41I know, but...
00:14:42I don't know.
00:14:43It's understandable that Mr. Fermin is worried.
00:14:45Just like us.
00:14:47Even if we pretend not to be.
00:14:52Hey.
00:14:55If you need help with the move,
00:14:58you can count on Miguel and me.
00:15:01Thank you very much.
00:15:03We'll get everything ready in a moment.
00:15:05I only have two things to move.
00:15:08I guess that's the good thing about being poor.
00:15:10Moves are made out of nothing.
00:15:12Well, it's not like you're going too far.
00:15:15Does it bother you?
00:15:17No.
00:15:19I like being close to you.
00:15:22A few days ago, you didn't think the same.
00:15:26Well, it's true.
00:15:28A few days ago, I wanted you as far away as possible.
00:15:33But now things have changed.
00:15:37I guess there's still a bit of pain
00:15:39when you look at the past.
00:15:41Well, of course.
00:15:43I guess it's normal.
00:15:46But now I have things much clearer.
00:15:50And only then can the wounds heal.
00:15:54And that's what you and I need.
00:15:57And now I can see my mother with new eyes.
00:16:00So...
00:16:02Marcelina, you can count on me for anything.
00:16:05Always. Really.
00:16:09I'm very sorry about what happened to you.
00:16:13You can count on my friendship.
00:16:15Okay?
00:16:17Can I give you a hug?
00:16:20I don't know.
00:16:25What are you celebrating with so many hugs?
00:16:27Haven't you heard that we're about to lose our jobs?
00:16:34Yes, yes. Laugh, laugh.
00:16:36That when we're all begging at the church door,
00:16:38you'll see how clear the soup is
00:16:40that the nuns give to the poor.
00:16:42Unconsciously.
00:16:43But you still haven't heard?
00:16:46About what?
00:16:47That we're reopening tomorrow.
00:16:49That Mr. Fermin has obtained permission.
00:16:52That everyone is very happy and content.
00:16:55Aren't you happy?
00:16:58Yes, of course I'm happy.
00:17:00But it makes me angry to be the last one to find out.
00:17:02Come on, woman. What's the big deal?
00:17:04The important thing is that we still have a job.
00:17:07Let's see how long it lasts.
00:17:08Oh, really, I don't know. I go to parties.
00:17:10You can't even be happy a little bit.
00:17:12A little bit.
00:17:13Yes, I'm a little happy.
00:17:15But very little.
00:17:16Let's see, opening doesn't mean that people will come
00:17:19as if nothing had happened.
00:17:20But we already know that.
00:17:22And we'll think about it tomorrow.
00:17:24Because today we have to be happy for the good news,
00:17:27which is that we're going to reopen.
00:17:30Well, you're right. You convinced me.
00:17:32Oh, I'm so happy that we're reopening tomorrow.
00:17:35Well, I can finally see her smile.
00:17:37You have to give her a big smile.
00:17:43Well, goodbye.
00:17:46See you tomorrow.
00:17:57Very good.
00:17:58I need you to put up those posters all over the neighborhood.
00:18:00People have to know that there is a Madrid-Cabaret party
00:18:02almost every day.
00:18:09Good evening.
00:18:11I was waiting for you.
00:18:14Why? Has something happened?
00:18:17Yes, the truth is that yes.
00:18:19Your father has come here again.
00:18:21What?
00:18:23I don't want you to talk to him.
00:18:24I can defend myself.
00:18:26I don't doubt it, Mercedes.
00:18:28But I would like to repeat four things to him.
00:18:30What for?
00:18:31He doesn't listen to you.
00:18:33You want to control him, but you can't.
00:18:35It's not like that.
00:18:36Anyway, I have to keep trying.
00:18:38Not only do I do it for you, but also for me.
00:18:41That's your war.
00:18:42And it won't be easy for you to win it.
00:18:45But I wasn't waiting for you to talk about this.
00:18:48So what's going on?
00:18:51There's something I've been thinking about
00:18:53since you told me that your father wanted to eliminate Don Fermín.
00:18:57That shouldn't worry you.
00:18:59I already told you that I convinced him to back out.
00:19:03Yes, but what you told me has given me a lot to think about.
00:19:09It seems that your father is looking for help
00:19:12to eliminate the obstacles he faces without taking any risks.
00:19:18Where do you want to take me?
00:19:20Is that what he did to my brother?
00:19:23Don't you think he was the one who ordered his murder
00:19:26and then hid behind Mrs. Lázara?
00:19:28He used her as an executor and a spy.
00:19:33I don't know what to tell you, Mercedes.
00:19:35Then tell me the truth.
00:19:37The truth.
00:19:39And if I don't, I'll take justice into my own hands.
00:19:42Even though you admitted that you have nothing to support that accusation.
00:19:46Not a single proof.
00:19:47I didn't have it until you just gave it to me.
00:19:50When you told me that your father asked you to eliminate Don Fermín,
00:19:53you sensed that he could have done the same to my brother.
00:19:55That's all I ask of you.
00:19:56Wait, Mercedes. Maybe...
00:19:58I always suspected him, Iván.
00:20:00You always know.
00:20:01When I showed up at your house, I told him face to face.
00:20:04I told him he was a murderer.
00:20:05Can you let me finish, please?
00:20:08My father is very upset with Fermín
00:20:10because of his refusal to sell him the shares he so desperately needs.
00:20:13Maybe he should have exceded himself.
00:20:15Are you turning your back on me now?
00:20:18That's not what you told me at the beginning.
00:20:19Let's say the opposite.
00:20:21Intuition never fails.
00:20:24And you're not going to deny that you've also been thinking about the possibility
00:20:27that your father was the one who ordered my brother's murder
00:20:30and now he was planning to do the same to Don Fermín.
00:20:32It's okay, Mercedes. It's okay.
00:20:35If you're so sure, how are you going to do justice?
00:20:38Are you going to shoot him or hire someone else?
00:20:42You still don't take me seriously, do you?
00:20:44No, I take you too seriously. That's the problem.
00:20:47But I'm worried that you...
00:20:48I'll end up like César.
00:20:50Do you admit that you would also eliminate me if necessary?
00:20:57I'm going to stop until the end.
00:20:59I don't care who falls, Iván.
00:21:01If you really care...
00:21:02I care, Mercedes. I care a lot.
00:21:05Then you have the opportunity to redeem yourself
00:21:08and prove your guilt.
00:21:14Mercedes, how am I going to do that? We're talking about my father.
00:21:16We're talking about my brother.
00:21:18About the only thing he had.
00:21:25It's okay.
00:21:27I'll be fine on my own.
00:21:30Mercedes.
00:21:32You don't know who you're facing.
00:21:35Neither does your father.
00:21:38There's no one more dangerous than the one who has nothing to lose.
00:21:43And that's me.
00:21:50Good evening.
00:21:51Good evening.
00:21:58Here, Pepita.
00:22:00Do you want me to send a telegram to Argentina?
00:22:04Can I ask who it's for?
00:22:06It's for the Faculty of Medicine of Buenos Aires.
00:22:09I want you to send me the academic history of Raimundo Panco.
00:22:12He has a license with an honorary degree
00:22:14and is working as a doctor in a hospital.
00:22:17So I can't think of a better example than this
00:22:19to show what the Patronato can do with its funds.
00:22:26Why are you looking at me like that?
00:22:28I'm glad you've recovered and taken over from the Foundation.
00:22:32Thank you very much, ma'am.
00:22:35We need the donors to see that their money is useful
00:22:39and that a peasant like Raimundo can go as far as he goes.
00:22:43And that's wonderful.
00:22:45But what makes me happy is to see him like this after so long.
00:22:48With so much drive and enthusiasm.
00:22:53Sometimes that's how things happen.
00:22:56Taking over the Foundation's activities makes me have a busy mind.
00:23:01And although I haven't regained the will to live,
00:23:05it has made me remember that not long ago I was someone.
00:23:09Someone very valuable.
00:23:11And still is.
00:23:12Thank you, Pepita.
00:23:15Let's see, let's see, let's see.
00:23:19Blimey, your eyes are so happy.
00:23:22I see that my dear wife has decided to recover some dignity
00:23:26and get ready as God commands.
00:23:29It was starting to be a little unpleasant to see you always in your pajamas.
00:23:33Thank you, Emiliano.
00:23:34You don't know how much I missed your accomplishments.
00:23:38You'll agree with me, won't you, Pepita?
00:23:40This house was starting to look like a mental sanatorium
00:23:43instead of a family home.
00:23:45I have a lot to do, gentlemen, if you'll excuse me.
00:23:47No, no, no, stay, stay.
00:23:49But in the end, you're her flesh and blood.
00:23:52Everything she says is up to you.
00:23:54What's this?
00:23:56Let's see, let's see, let's see.
00:24:01This...
00:24:06Raimundo Apanco.
00:24:07That's an indigenous last name.
00:24:10He's a young man
00:24:11who, thanks to his wife's patronage,
00:24:13has been able to finish his medicine degree
00:24:15and now he's working as a doctor.
00:24:17Patronage?
00:24:18Does this mean you're going to recover your philanthropic activity?
00:24:22Are you going to let yourself wander around the house like a ghost?
00:24:25Well, yes.
00:24:26It will be good for me to go out and resume my social life.
00:24:32Excuse me, did you say go out?
00:24:34Of course.
00:24:35If the lady has to raise funds,
00:24:37she'll be able to do it here,
00:24:39locked up in these four walls.
00:24:41Yes.
00:24:43Yes, dear, but remember what happened
00:24:45the last time you enjoyed a little social life.
00:24:49You dumped a lover.
00:24:52And here we are.
00:24:54That's why we had to come to an agreement
00:24:56according to which you renounce the privileges
00:24:59of entering and leaving your free albedro.
00:25:01And I leave Paula and Rodrigo alone.
00:25:03Have you forgotten?
00:25:04No, I haven't forgotten.
00:25:07I'll only go out when it's strictly necessary
00:25:10and whenever it has to do with the Foundation.
00:25:13And I don't think any man will look at me.
00:25:16But above all,
00:25:18I'm not going to look at any man.
00:25:20So don't worry.
00:25:22You're so dramatic, Maruja.
00:25:24I think you're still a very attractive woman.
00:25:27Oh yeah? Dressed in mourning?
00:25:29What do you mean, dressed in mourning?
00:25:31Are you making fun of me?
00:25:33Or do you want to humiliate me directly?
00:25:35Does everyone think you're mourning César Morel?
00:25:37I don't care what the Emilian world thinks.
00:25:40I'm sorry, but you didn't include it in your agreement.
00:25:43Well, I include it now.
00:25:44Too late.
00:25:45Maruja.
00:25:47Don't forget to send that telegram.
00:25:49Maruja! Damn it!
00:25:51Where are you going?
00:25:52You're making a serious mistake encouraging her.
00:25:56The lady has her own criteria.
00:25:58And in this case, I agree with her.
00:26:00Oh yeah?
00:26:01Well, everything she does affects you directly.
00:26:04I'm saying this because of Rodrigo.
00:26:06So, let's see if you can advise your wife better.
00:26:42I was convinced that on the day of the reopening,
00:26:45our most loyal clients would respond in a different way.
00:26:48But...
00:26:50But it's obvious that I was wrong.
00:26:53I was also expecting it, Mr. Fermin.
00:26:55I had never seen the hall so disheartened.
00:26:58An intoxication is something serious, Cañete.
00:27:00It can even scare you.
00:27:02We have to wait until we regain our reputation, little by little.
00:27:06It's been many years offering quality and good service,
00:27:09and that can't disappear.
00:27:11As it is.
00:27:13With what it has cost us to win it,
00:27:15I hope you're right.
00:27:17At this time, we should be on our toes and not cross-armed.
00:27:20Of course.
00:27:21By the way, do you know anything about Simón? Has he come?
00:27:23I haven't seen him arrive.
00:27:27Well, this is already happening.
00:27:30Let him stay a little longer.
00:27:31I'm sure he won't take long to enter through the door.
00:27:35Good morning, Mr. Fermin.
00:27:36Good morning, Cañete.
00:27:37Good morning. A coffee?
00:27:38Yes, please.
00:27:43Sir.
00:27:44It's soon.
00:27:46You'll see how your client continues to be faithful to you.
00:27:48I am convinced that you will know how to separate a punctual error from an immaculate trajectory.
00:27:52I am too, or at least I wish to be.
00:27:56Anyway, Rodrigo.
00:27:58I wanted to talk to you about another matter.
00:28:01It was about...
00:28:03about the policy that my wife hired.
00:28:06You know that all I have are two initials and a postcard.
00:28:10Point by point, the supposed beneficiary of that policy, yes?
00:28:13Exactly.
00:28:15Do you want me to find out who they are?
00:28:17Yes.
00:28:18And it won't be easy for you.
00:28:21Postcards enjoy the anonymity of their headlines,
00:28:24and the combination of those two letters can lead to hundreds of possible combinations.
00:28:31Rodrigo.
00:28:33I'm very sorry to make you this kind of task.
00:28:36I know I hired you for something else, to...
00:28:38To be useful.
00:28:40And Mr. Fermin, I will do it in the way that is necessary.
00:28:43Working for Emilia does not mean dealing with certain tasks, let's say...
00:28:47unusual.
00:28:49Which, however, for you I will face with pleasure.
00:28:52I will not be able to sleep peacefully until I know who it is.
00:28:56I understand.
00:28:57I assure you that I will do everything in my power to deal with him.
00:29:00Your coffee.
00:29:02Mr. Fermin, Manolo just gave me a message from Pietro.
00:29:04He was asking about you.
00:29:05Did he say what he wanted?
00:29:06No, just that it was personal and very important.
00:29:21Agustín, honey, I'm leaving now, I'm going to be late for the shoot.
00:29:25Are we really in such a hurry to have to do without the service we had hired?
00:29:30Inés, if we want to shoot the sequence of the little market,
00:29:35all savings is little, I have to hurry from anywhere.
00:29:38Okay, you trust me.
00:29:39It's the peak scene of the movie.
00:29:41Of course.
00:29:43We will shoot it exactly as you have it in your head.
00:29:48I'm coming.
00:29:52Ramallo.
00:29:53Good morning.
00:29:55It smells like mortadella.
00:29:59If I do badly in the movie, Ramallo, I'm going to set up a kiosk.
00:30:02Will you help me?
00:30:06Here.
00:30:08Is it today's plan?
00:30:09Yes, with the new adjustments.
00:30:11Your sister?
00:30:12In the alley.
00:30:13In fact, I'm leaving because I'm late. Are you coming?
00:30:16No, no, I'll be later.
00:30:17And please, don't tell anyone that the producer is making sandwiches for the team.
00:30:22I have to keep my prestige intact.
00:30:25You are the best producer in the whole world.
00:30:30Goodbye.
00:30:31See you later.
00:30:39Are you telling me that you have to watch these sandwiches for the sake of the movie?
00:30:45Oh, I haven't told you anything.
00:30:46No?
00:30:47Oh, sit down, please, sit down.
00:30:53Ah.
00:30:58Inés.
00:30:59Uh-huh.
00:31:00You have written another scene that you consider crucial for the success of the project.
00:31:06What kind of scene?
00:31:08I don't know, like a chase in a flea market, I think.
00:31:14Comas, in the time I've been with you, I've learned that a chase in a flea market is not going to be a cheap scene.
00:31:21Well, even if it were, we don't have the money to shoot anything that's out of the plan, but nothing at all.
00:31:29You're not making these sandwiches to save money, are you?
00:31:34It's not enough.
00:31:35Please, but stop making a fool of yourself and take off that cloak.
00:31:40Right now he's going to come with me to the shoot and he's going to tell Inés to forget about that whim.
00:31:44No, it's not a whim.
00:31:45Well, it seems so. I'm going to make it clearer.
00:31:49Comas, if Inés were not your fiancée, would you have admitted that proposal, knowing the circumstances we have?
00:31:55I'll answer you.
00:31:56Would you have told her not to speak?
00:31:58Because before you lost your dignity, staining your hands with mortadella, you were a responsible producer, a judicious producer.
00:32:03And I'm still.
00:32:04But I've given him my word.
00:32:06Well, take it off, for God's sake.
00:32:07No, now you're going to listen to me. Sit down, please. Sit down.
00:32:12Look, Ramallo, I really think Inés is right.
00:32:16It would be the climax of the film, the scene where the protagonist shows off.
00:32:20And if you think about it, all the great films have a scene like this.
00:32:24And we didn't have it.
00:32:27And I tell you, from the experience I have, such an effort is the difference between a successful film or an absolute failure.
00:32:35You never have enough, do you, Comas?
00:32:39How much would the new scene cost?
00:32:43Well, I can't tell you right now, but I can do an approximate calculation for you, if you want.
00:32:51All right. I'm going to try to get that money, but on one condition.
00:32:56Whatever you say, it would be necessary.
00:32:58I don't want you to ever ask me where that money comes from, okay?
00:33:02But then that money wouldn't be legal.
00:33:05I'm telling you not to ask me.
00:33:10I'll see you at the shoot. Take off that apron, for God's sake.
00:33:20I found the envelope. It was on the nurse.
00:33:23So I have as much right as you to know what's inside.
00:33:28Do you know what's inside, Esperanza?
00:33:30It's a letter from Simon to the worker's attention.
00:33:33That means to my attention.
00:33:35Please, give it back to me.
00:33:37I'm sorry to interrupt you, but if we put Tiki and Miki, I'm also in the worker's attention right now.
00:33:42So it also comes to my attention.
00:33:44And after everything I've supported you, I want to know what it says, Leñe.
00:33:49I'm sorry, but I can't tell you.
00:33:51Does it say anything about me?
00:33:52About you?
00:33:53About you?
00:33:54Is this what worries you?
00:33:56You can't be so vain.
00:33:58Maybe he's in love with me and I've broken his heart by not listening to him.
00:34:03Good morning.
00:34:04Good morning.
00:34:05Good morning, Mr. Fermin.
00:34:07Really?
00:34:08Pietro, I was told you wanted to talk to me.
00:34:10Yes, in private.
00:34:12Esperanza, leave us alone, please.
00:34:14Look, Mr. Fermin, it's just that Pietro and I are in this together.
00:34:18Not in this.
00:34:21Well, I'm leaving.
00:34:22Thank you, Esperanza.
00:34:26Well, I guess you didn't call me to give me any good news, did you?
00:34:31Does it have to do with Simon?
00:34:33Yes, Mr. Fermin, I'm sorry, but when I entered the lab, I saw this resignation letter.
00:34:39Yes.
00:34:49Indeed, he presents his irrevocable resignation.
00:34:56He hasn't even had the nerve to say it to my face.
00:35:00Although after having disappeared, this is more than a resignation,
00:35:04it is a runaway in every way, with nocturnality and allegory.
00:35:13What do you think?
00:35:15About his behavior?
00:35:16About the intoxication.
00:35:19Because that's what I wanted to talk about when he came to my office and I didn't even want to listen to him, right?
00:35:26But before you tell me anything, I'm going to tell you what I think.
00:35:31What happened in this lab with the cream cakes was an accident.
00:35:40It was a sabotage.
00:35:45For our most distinguished client.
00:35:47Thank you, and from what I see, also the only one.
00:35:50Take advantage of it while you can.
00:35:52All the staff at La Moderna is waiting for you as if you were a Marquis.
00:35:55It had never happened to you.
00:35:58I feel slightly observed.
00:36:01Oh, Caracoles, I haven't put the milk on you.
00:36:10And well, are you happy with the job?
00:36:13A lot, yes, I'm very happy.
00:36:15Although, well, I would be more if more clients came in, really.
00:36:19I don't know if I'm going to last less than a candy at the door of a school.
00:36:24Hey, Caracoles again.
00:36:26What's up?
00:36:27Well, I haven't told you about the journalist who wants to interview me.
00:36:29Interview you?
00:36:30And what have you done?
00:36:31Well, she's the first woman who works as a waitress in a tea salon.
00:36:35It looks like a historical event, I don't know.
00:36:37Well, of course it's historical.
00:36:39It's just that you've managed to get Don Fermín to break one of those old rules.
00:36:43By the way, have you gotten him to give you permission?
00:36:46Not yet. He says he has to think about it.
00:36:48I'm sure he'll say yes.
00:36:50You know what you're doing for our rights.
00:36:54What rights?
00:36:55Women's rights.
00:36:57You'll see how good it's going to be for us that you do this interview.
00:37:00Besides, it's very important that we talk about modernity again, because...
00:37:04Yes, but you'll see, I'm not very good at expressing myself.
00:37:09I'm afraid of meddling.
00:37:11Couldn't I have someone close to me to lend me a hand?
00:37:17Well, Elías was the one with the golden beak.
00:37:20Although I know of one who doesn't have a bad verb either.
00:37:23Who?
00:37:24You.
00:37:25Me?
00:37:26Yes.
00:37:27You just have to make sure I don't say anything stupid and help me find the right words.
00:37:34Thank you, Miguel.
00:37:36Well, and now I'm going to shine the glasses, which I don't know how to do without doing anything.
00:37:40And then I think I'll tidy up the warehouse and if I have time, I'll fix the cistern.
00:37:46You seem admirable.
00:37:48Admirable?
00:37:50Is there something I've missed?
00:37:52Why do you seem delighted with her now?
00:37:55Because I am.
00:37:57It makes me very happy to see her so excited and...
00:38:00I don't know, that they're going to interview her and that she's our partner.
00:38:05The truth is that she deserves everything good that can happen to her.
00:38:09I don't understand this drastic change.
00:38:13Where is that girl who allegedly ruined your childhood?
00:38:17Well, one thing doesn't take away the other.
00:38:19But well, it's neither the place nor the moment to tell you.
00:38:22What I do tell you is that I've learned a lesson.
00:38:26A lesson of what?
00:38:28Of life, love, of life.
00:38:31Hello, client.
00:38:32We'll talk later.
00:38:33Hello.
00:38:34Come in, come in.
00:38:35You're lucky today because you can take the table you want.
00:38:39You have that opportunity, so take advantage of it.
00:38:44What an interview.
00:38:46So you had nothing to do with the preparation of that second batch of tartlets.
00:38:51Which means that the contamination comes directly from the pastry cream.
00:38:59Yes, Don Fermín.
00:39:01And the cream was made by Simón.
00:39:04That morning, Simón arrived very early.
00:39:07Much earlier than usual.
00:39:09And he prepared the pastry cream, yes.
00:39:11And it wasn't his habit?
00:39:12No, Don Fermín.
00:39:13I've never seen him busy with these tasks.
00:39:15Really, I've never seen him get his hands dirty.
00:39:19It was ... his thing was to command more.
00:39:21And you say you were more nervous that morning.
00:39:25Yes, but I can't be sure of this.
00:39:27Because our relationship has always been very tense.
00:39:30Look, Pietro, whatever it is.
00:39:33What is clear is that it will be impossible to prove your guilt.
00:39:39What we do know for sure is that while you have been in command of this worker,
00:39:45nothing like this has ever happened to us.
00:39:47Never has a client complained about the quality of the product.
00:39:51And much less has he gotten sick because of us.
00:39:58But we will always have the doubt, Don Fermín.
00:40:01I have no doubt.
00:40:03After listening to him, I reaffirm my suspicions or my certainties.
00:40:09I know that Simón wanted to hurt us.
00:40:11And of course he did.
00:40:14What I don't understand is why.
00:40:16What did he have against us?
00:40:18What did he have against La Moderna?
00:40:21Or what did he have against me?
00:40:24I don't know.
00:40:25I'm sorry, but I don't know.
00:40:29Well, now we just have to overcome ourselves and look ahead.
00:40:34Don Fermín, we may be against the ropes.
00:40:37But they need much more than an intoxication to knock us down.
00:40:43And we can always return the blows.
00:40:46Yes, but this time they have hit us hard, Pietro.
00:40:57Pietro, I will never get tired of apologizing to you.
00:41:02Yesterday he came to my office to talk to me and I didn't even allow it.
00:41:09It's not important, Don Fermín.
00:41:11Yes, it is. And a lot. A lot.
00:41:13No, we are all wrong, Don Fermín.
00:41:17I'm the first.
00:41:19If I hadn't done the stupidity of wanting to go to the competition,
00:41:23you would never have had to hire him, right?
00:41:26It's my fault for wanting to punish him.
00:41:29No, it's my fault for wanting to go.
00:41:32You should have understood your grandson.
00:41:35I should have just explained better.
00:41:38It's funny.
00:41:40Here we are both wanting to claim the dubious merit of seeing who does it worse.
00:41:46Why don't we leave it at that?
00:41:49Okay.
00:41:52What is clear is that we are in a tight spot.
00:41:56And I need your magic to be able to reverse the situation.
00:42:00Do you think you can recover it?
00:42:02I'm looking forward to it.
00:42:04Excellent, because we have to get La Moderna to be the best tea salon in the city again.
00:42:09And we already did it once.
00:42:11Excellent, that's what I wanted to hear.
00:42:16The operator is yours again.
00:42:19Thank you, Don Fermín, thank you.
00:42:21But what I would like to recover is your friendship, Don Fermín.
00:42:27And your trust.
00:42:30For that.
00:42:37And this, to the oven.
00:42:52Nice chair.
00:42:54Well, I have a wonderful boyfriend who grants me all my wishes.
00:42:58Well, you could do him a favor and tell him that mortadella sandwiches are not the most advisable thing to put up with all day.
00:43:05But hey, we have to set an example, so here's yours.
00:43:08Thank you, but I'm not hungry.
00:43:10Look, what do you think of this new scene?
00:43:13New scene? But we have to lengthen the duration of the film.
00:43:17No, it's to give more action to the film.
00:43:20I see, a chase in a shopping mall.
00:43:24Nothing more and nothing less.
00:43:26In practice, this is the peak moment of the film, the audience will love it.
00:43:30Yes, it seems so.
00:43:32Besides, I already wanted to give it its due to Steiner's curse.
00:43:35And that, I have not yet added the shooting or the motorcycle in which he has to escape.
00:43:40But if I remember correctly, we had to do without a similar scene due to a lack of budget, right?
00:43:45Yes, well, but this scene is necessary for the film and Agustín will do everything possible to be able to shoot it.
00:43:51And Ramallo agrees?
00:43:54It's our film, so it has to be.
00:43:58Good.
00:43:59Well, I'm very happy.
00:44:02Come on, now you eat sandwiches, at least you know that the jam is from La Moderna.
00:44:08Doubt offends.
00:44:10By the way, uncle, thank you for letting us shoot here.
00:44:14You know that I am proud to contribute my little grain of sand.
00:44:19And I don't want to distract you anymore, I'm leaving.
00:44:21Don't distract us.
00:44:22Look, Inés was showing me a new scene in which there is a chase on paper.
00:44:26It's wonderful.
00:44:28I wish life could be written and rewritten like the script of a movie.
00:44:33It would look more like what one wants and not what it really is.
00:44:38And what scene would you like to see?
00:44:40What scene?
00:44:41One in which La Moderna would be full of audience and joy again.
00:44:45That scene.
00:44:46But that's not a scene, that's the future.
00:44:49What will happen in a few days.
00:44:51As soon as they realize that the competition does not even reach the sole of the covers.
00:44:55That's what I was looking for.
00:44:57A good dose of your enthusiasm.
00:44:59Well, that's what we're here for.
00:45:01By the way, I've seen Captain Davila before.
00:45:03Do you know anything else about the disappearance of Lazarus?
00:45:06Or was his visit just for the case of the hooded man?
00:45:08No, just for the case of the hooded man.
00:45:10But well, I don't want you to worry about me anymore, I've already told you.
00:45:13I buy everything you are getting, I am the happiest person in the world.
00:45:17And by the way, if you stay with Álvaro, Álvaro with Pietro, you have carte blanche.
00:45:22Well, what an attempt.
00:45:25Well, let's see that scene, that scene of the persecution you were talking about.
00:45:29Here it is.
00:45:30Do you want me to explain it to you?
00:45:31Yes, please, yes.
00:45:32Well, look, here I want to add an escape with a motorcycle.
00:45:37Motorcycle?
00:45:38Yes.
00:45:39Do you know how to ride a motorcycle?
00:45:40No, but there will be a specialist.
00:45:42Okay.
00:45:43And here I also want to add a shooting.
00:45:45Shooting?
00:45:46Yes, but ...
00:45:47But it's an action.
00:45:48Laura, please.
00:46:12Any news?
00:46:13Mother, what ...
00:46:15Why do you never call before entering?
00:46:17I would have done it, but the door was open.
00:46:19Very well, in that case, and from now on, it will be mandatory to close it first.
00:46:23And then call.
00:46:24That's the novelty.
00:46:27What did you want?
00:46:28Do you know anything about the hooded man?
00:46:31You are very interested in that individual, right?
00:46:33Yes, of course, I am very interested in the case.
00:46:37And that they stop him as soon as possible.
00:46:40Can I take a look at the newspapers?
00:46:41The room is very empty.
00:46:42Why did he stop?
00:46:43Partly because of him.
00:46:44No, that's because of the intoxication.
00:46:46He has nothing against the modern.
00:46:48And what do you know?
00:46:49Did he tell you himself?
00:46:51Of course, of course.
00:46:52Being an expert like you in this case, you will surely know him better than anyone else.
00:46:59Don't bother.
00:47:00I have read them all.
00:47:02And for one day, there is no news of him.
00:47:05What, paradoxically, could be considered good news.
00:47:09Good news?
00:47:10Why?
00:47:11Well, because by feeling the breath of the police, he will surely have set foot in Polvorosa.
00:47:17That's what the most cowards do.
00:47:18Or the smartest.
00:47:20Maybe he's taking some time to come back stronger.
00:47:25Of course.
00:47:26I forgot that he tells you himself.
00:47:29Do you know what I think?
00:47:31I think what he is doing is deceiving Captain Davila and his men.
00:47:34Because when they go, he has already returned.
00:47:36Yes, yes, yes.
00:47:37Yes, yes, yes.
00:47:38Whatever you want, but I don't want to talk about this mess anymore.
00:47:40There are many much more important things,
00:47:42such as political news, which is the most confusing.
00:47:45No one is interested in political news.
00:47:48Instead...
00:47:49No, no.
00:47:50Did I tell you that I don't want to talk about the hooded man?
00:47:52But I wasn't going to talk about the hooded man.
00:47:54I was going to talk about Marcelina.
00:47:55She has found out that they are going to interview her.
00:47:57But who is going to pay a single cent to read such nonsense?
00:48:02Me and many more people.
00:48:04Do you know why?
00:48:05Because Marcelina is not just any waitress.
00:48:07She is the first woman to serve in a salon in the modern category.
00:48:13And that in itself is already news.
00:48:14No.
00:48:15That is a mistake.
00:48:16And I'm going to tell you why.
00:48:18Because as soon as that girl is seen in a newspaper,
00:48:21the smoke will go up.
00:48:23But come on, I'm not going to tolerate it.
00:48:26Don't you think that...
00:48:30Do you want to stop spitting sand in that mouth?
00:48:32Much less against that girl, because I'm the one who is not going to tolerate it.
00:48:35You are going to learn to work with her elbow to elbow, Kiko.
00:48:38For the civil or for the criminal.
00:48:40We were joking.
00:48:42Right, Don Miguel? We were joking.
00:48:44You'd better.
00:48:45And that there are no clients in the modern does not mean that you can cheat.
00:48:49Take the opportunity to clean the coffee maker.
00:48:51Come on.
00:48:57I don't know what's wrong with my niece.
00:48:59I don't like her attitude at all.
00:49:01Don't take it into account.
00:49:02We are all very nervous.
00:49:04And now the intoxication has been added to you.
00:49:07The thing is still very loose in the living room.
00:49:10Although Don Fermin is convinced that the clients will return.
00:49:15But if they don't come back, Miguel,
00:49:16if they have made us the cross forever.
00:49:18Don't be pessimistic.
00:49:20It's very easy for you to say it.
00:49:22Your job is in danger.
00:49:24But Trin's, yes.
00:49:32What time are these to arrive?
00:49:34I was in the worker.
00:49:35Reviewing all the genre.
00:49:37I don't want any more disgust or more intoxication.
00:49:41No.
00:49:42In my worker.
00:49:44In your worker, you said?
00:49:48Yes, yes.
00:49:50I've talked a lot with Don Fermin.
00:49:52I can tell you that I was wrong.
00:49:56Our relationship did not end.
00:49:58My love.
00:49:59Thank God.
00:50:00I was looking forward to hearing those words.
00:50:02In other words, you have already realized that this man is a dog of Malacasta, right?
00:50:05A fraud.
00:50:06A traitor.
00:50:08And you will also have realized that it was he
00:50:10who spoiled the pastry cream.
00:50:12I guess so.
00:50:14What we don't understand are the reasons, Antonia,
00:50:16that led this man to commit such madness.
00:50:19I have it very clear.
00:50:20The nasty envy, honey.
00:50:22Because no matter how much we try,
00:50:24I have it very clear.
00:50:25The nasty envy, honey.
00:50:27Because no matter how much he was the boss of the worker,
00:50:29there the only teacher there was you.
00:50:33But this is going to be something more than a point and followed.
00:50:37I have many ideas, Antonia.
00:50:38Many.
00:50:40I have to create new things.
00:50:41I have ...
00:50:42In my head I have new products that will surprise.
00:50:45Don Fermin and the customers.
00:50:48Oh, honey.
00:50:49Listening to you, I know that everything will be fine.
00:50:51Because if you go back to the worker,
00:50:53the clientele will also come back.
00:50:57Do you think?
00:50:58I think.
00:51:05I don't know, the other girl, right?
00:51:07Very good, sing it, sing it.
00:51:19But you sing very well, right?
00:51:21Very good.
00:51:23Very good.
00:51:27Thank you very much for coming back.
00:51:38And the living room is empty again.
00:51:42A while ago I made the box and if I tell you what we got,
00:51:44come on, to start crying.
00:51:47I can imagine.
00:51:49Hey, what do you think about those who have come
00:51:51and we invite them back tomorrow to reward their loyalty?
00:51:54Well, that counting on them coming back.
00:51:57Well, we can't go worse, Teresa.
00:52:00Well, and all this we talk about, I respect the tables,
00:52:02but the showmen,
00:52:03why is a gender one going to be wasted?
00:52:05Nothing is thrown away here, Teresa.
00:52:07Call the hospices and the houses of mercy right now.
00:52:11And everything that we have not been able to sell
00:52:13and cannot be preserved, we will take it.
00:52:16But that's a very good idea.
00:52:17And from now on, I want it to become a habit.
00:52:21So we will never forget
00:52:23that we are all susceptible to fall into the hole.
00:52:27A hole from which we will come out stronger than ever.
00:52:31Seeing you two at the foot of the canyon
00:52:33and Pietro again at the hands of the worker,
00:52:36this is going to be sewing and singing.
00:52:39He said that Pietro again ...
00:52:41Yes, yes, yes.
00:52:42Simon is already history, thank God.
00:52:45And another reason for optimism is that young Marcelina.
00:52:49I've been watching him and he has a joy that infects,
00:52:52don't you think?
00:52:53That's right.
00:52:54By the way, do you want to interview him?
00:52:57Did you know?
00:52:59Yes, yes.
00:53:00Well, we were aware,
00:53:01but we wanted to ask for permission first
00:53:03to know if you agreed.
00:53:05Yeah, I don't think so.
00:53:07On the one hand, it seems that we want to cover up
00:53:09what happened with a gesture that distracts attention,
00:53:12but ...
00:53:14but well thought out.
00:53:15She is the first waitress woman.
00:53:17And that will speak well of us.
00:53:19And right now, any help is little.
00:53:21Yes, Trini has also told me that Miguel
00:53:23can help you prepare the interview.
00:53:25Yeah.
00:53:26I would like them to take pictures of him outside with the salon,
00:53:29full of customers,
00:53:30and I know that right now this is like asking for Salomo,
00:53:33but ...
00:53:34Anyway, maybe better if we delay it.
00:53:37I'm going to ... I'm going to take a walk.
00:53:40Very well.
00:53:41Can we help you with anything else, nurse?
00:53:43No, no.
00:53:44Keep being like you are
00:53:45and keep the morale of the troop very high.
00:53:47If they see us strong, they will be too.
00:54:02Apanko.
00:54:03Raimundo Apanko.
00:54:06It is an indigenous last name,
00:54:08because the boy is too.
00:54:10And thanks to the help of the patronate,
00:54:12he was able to access the university
00:54:14and now the community has a new doctor.
00:54:18As you hear it.
00:54:23Well, I thank you, Sofía.
00:54:25I guarantee you that this money
00:54:27will help many more Raimundos.
00:54:31To you always.
00:54:33Goodbye.
00:54:35And to you,
00:54:36he will reconcile you with the Darwin.
00:54:41Daughter.
00:54:42How long have you been there?
00:54:44Enough time to realize
00:54:46that you have finally returned.
00:54:50And what can I tell you?
00:54:52Since he got up, he has not stopped working
00:54:54and making calls.
00:54:55It is unknown.
00:54:56And also great.
00:54:58Well, after what we talked about,
00:55:00I promised you
00:55:01that I would not let myself be carried away by bitterness.
00:55:04And here I am.
00:55:05And who is that Raimundo?
00:55:07He is the son of a peasant.
00:55:10From Santiago de los Esteros.
00:55:12And the lady has decided to take care of them again.
00:55:15That place is part of our life.
00:55:18And it is justice that we do not forget it.
00:55:23Locking myself in my room
00:55:25was the simplest solution,
00:55:27but also the most selfish.
00:55:29And you were right, daughter.
00:55:31I'm still your mother
00:55:33and I want to be fine for when you need me.
00:55:36I need you.
00:55:37And I am very proud of you.
00:55:40And Pepita has been the real culprit
00:55:43that I resume my activity
00:55:45and that lifts my spirits.
00:55:47Because she insisted that I return to the patronage
00:55:50because those families could not stay without the scholarship.
00:55:52Of course.
00:55:53Ma'am, of course.
00:55:55You had every right to feel bad and to feel your pain.
00:55:59But we could not let that end with you.
00:56:01It is too valuable for us.
00:56:03And for those peasants.
00:56:06By the way, Rodrigo sends you a hug.
00:56:08How is he?
00:56:09Did he get along with Don Fermín?
00:56:11A lot.
00:56:12It seems that they have fit like a glove.
00:56:14So much so that Don Fermín has entrusted him
00:56:16with a matter of maximum confidence.
00:56:18I just hope he does not use him
00:56:20as a weapon against Emiliano.
00:56:22Don Fermín does not seem like that kind of man to me.
00:56:24Oh, I forgot.
00:56:26I have to go see the Duchess of Morán.
00:56:28I can't tell the Duchess on the phone.
00:56:30Besides, she wants to see me in person.
00:56:32Of course.
00:56:33In the meantime, she can show off
00:56:35about the latest reforms that her palace has made.
00:56:37But everything is for the cause.
00:56:39Goodbye, daughter.
00:56:40Goodbye.
00:56:42Iva, Paula is saying goodbye.
00:56:47Paula, I need to talk to you.
00:56:49With me?
00:56:50Yes.
00:56:51You'll talk to her, Pepita.
00:56:52Of course.
00:56:56Well, the stars must have aligned
00:56:58because we have had a round day
00:57:00and there have been a few.
00:57:01Yes, the truth is that all the scenes have come out perfect.
00:57:03Yes.
00:57:04And we have fulfilled the plan to the last detail.
00:57:07It is strange that Ramallo was not there.
00:57:09And a shame,
00:57:10because he would surely be very proud of the team.
00:57:12Has he told you where he was going?
00:57:16Yes, well, he told me it was a private matter,
00:57:20but that later he would approach when he finished.
00:57:23Here?
00:57:24I'm very tired.
00:57:26I was thinking about not having dinner and going straight to bed.
00:57:29You?
00:57:30No, I couldn't sleep.
00:57:32I can't stop thinking about the market scene.
00:57:35Even my uncle got excited when he told him.
00:57:39And Ramallo has authorized it.
00:57:41Yes, of course.
00:57:44Or is it not?
00:57:47Agustín.
00:57:49Well, I was waiting for...
00:57:53For what?
00:57:55You're right, he's not coming anymore.
00:57:58So...
00:58:00It's better to take the bull by the horns.
00:58:03Inés.
00:58:04About your scene.
00:58:06What?
00:58:08That reality is your sweat and the numbers even more.
00:58:13I'm going to open.
00:58:22Hello.
00:58:23Miss Valbuena.
00:58:24Come in.
00:58:27Come in.
00:58:33Have a seat.
00:58:37Very kind of you.
00:58:38You're welcome.
00:58:42Ramallo, Agustín was about to tell me something about the new sequence.
00:58:48Is there a problem to shoot it?
00:58:52Yes.
00:58:53A movie like ours deserves something much better than this scene.
00:59:00I don't understand.
00:59:04Instead of a stampede of corral birds, what would a horse stampede look like?
00:59:10And instead of the German soldier escaping on a motorcycle, what would a plane look like?
00:59:18You're making fun of us.
00:59:20On the contrary.
00:59:21It's the main scene of the movie.
00:59:23We're not going to waste money.
00:59:25So eat.
00:59:26Forget about those damn sandwiches and hire the food service again.
00:59:33Well, let's celebrate.
00:59:35I'm going to get some drinks.
00:59:37Let's go.
00:59:42A plane?
00:59:43Yes, and horses too.
00:59:48How did you get it?
00:59:49Where did you get the money?
00:59:52We agreed that no questions.
00:59:54But I have to know.
00:59:55Do your job, I'll do mine.
01:00:02And that's why I'm still on your side.
01:00:06Very well.
01:00:07You've already explained to me the reasons why you're still on Father's side.
01:00:11I've listened to you patiently, but my opinion about you won't change.
01:00:16That's all.
01:00:20No.
01:00:22I need you to help me with something.
01:00:24Help you?
01:00:25I'm sorry, but no.
01:00:28But you don't even know what I'm going to ask you.
01:00:30Whatever it is, take care of it yourself.
01:00:32Now I can't stay any longer.
01:00:34Wait, Paula.
01:00:36The favor is not for me, but for Mercedes.
01:00:39What about Mercedes?
01:00:42Well, she's still determined that our father is behind the death of his brother.
01:00:46To the point of telling me that ...
01:00:49Of telling you what?
01:00:54That if there is no other remedy, justice will be taken by his hand.
01:00:58Ivan would be a way of speaking.
01:01:02Paula, you don't know her as well as I do.
01:01:04Her brother's blood runs through her veins.
01:01:07She can be as determined as he is.
01:01:09It would be better to take her seriously.
01:01:11And what do you want me to do?
01:01:14Talk to her.
01:01:15And make sure she's not going to do anything crazy.
01:01:18I've already tried, but she doesn't trust me.
01:01:20And what did you expect?
01:01:21You have become the man of trust of his greatest enemy.
01:01:27Paula, do you know what I'm asking you?
01:01:30Please.
01:01:34Let's see.
01:01:35A moment ago you told me that you are still on your father's side
01:01:37to be able to control him and thus avoid major evils.
01:01:41If I wasn't against everyone, it would be much more dangerous.
01:01:45Who are you trying to fool, Ivan?
01:01:48If your words were true,
01:01:50you wouldn't have become a father's henchman,
01:01:53spying on or threatening people.
01:01:57What are you talking about?
01:01:58Your visit to the guest house.
01:02:00And your pathetic attempt to buy the owner.
01:02:04It's useless for you to deny it.
01:02:07I'm not going to deny it.
01:02:08Dad gave me the order.
01:02:09And while I work for him, I must follow his orders,
01:02:11whether I like them or not.
01:02:12You see?
01:02:13It's very difficult to take you seriously.
01:02:17Paula, I won't ask you for anything again.
01:02:19But I beg you to talk to Mercedes.
01:02:22I don't want her to end up like her brother.
01:02:25And you?
01:03:06I'm sorry, gentleman,
01:03:08but we're closing.
01:03:11So soon?
01:03:13Well, it's a shame,
01:03:14because I had the intention of collaborating
01:03:16in some way by buying the cakes.
01:03:19No, seriously.
01:03:21I've heard that you've had a very lazy day.
01:03:23Lazy?
01:03:24Lazy is to stay short.
01:03:26It's been a bad day.
01:03:29You don't know how much I regret it.
01:03:31Tomorrow will be better, no doubt, you'll see.
01:03:33Yes.
01:03:34I don't want to be the devil's lawyer,
01:03:36but getting rid of the stigma of an intoxication
01:03:38is very difficult.
01:03:40You know how fearful the public is with these things.
01:03:43It's fearful, but not resentful.
01:03:45It's the first mistake we've made
01:03:47since this place was inaugurated.
01:03:50They'll know how to forgive us.
01:03:51Of course.
01:03:52The question is,
01:03:53how long will it take to do it,
01:03:55and if you can resist until then.
01:03:59What do you want, Emiliano?
01:04:00I've already told you.
01:04:01I came for some cakes.
01:04:04And to get interested in my friend.
01:04:06Your friend is touched, but he's not sunk.
01:04:09And I applaud your optimism.
01:04:12But Fermin,
01:04:13there's no reason to be in a hurry.
01:04:16If you look at yourself in the mirror,
01:04:19I'm still willing to buy my shares at a price that's more than generous.
01:04:23Your shares?
01:04:26I remind you that from the moment you gave them to me,
01:04:28they stopped being your shares.
01:04:31Yes, yes, you're right.
01:04:32Of course.
01:04:33Emiliano, stop insisting on this issue, please.
01:04:36Hey, have you ever wondered if Rodrigo
01:04:38could be the cause of your misfortune?
01:04:41Rodrigo?
01:04:42Yes.
01:04:43He could be the bearer of all this bad luck
01:04:46that seems to have gotten into your place,
01:04:48as if fate wanted to take revenge on his betrayal.
01:04:51I didn't betray him.
01:04:52Yes, you may be right.
01:04:54Yes, because to betray someone,
01:04:56first you have to have been loyal to him.
01:04:58And you haven't been loyal to me.
01:05:00Or do I have to remind you that you seduced my daughter behind my back?
01:05:04That's enough, Emiliano.
01:05:05I've made myself very clear
01:05:06what your intentions were when you came to see me.
01:05:08And now, if you don't mind,
01:05:09I have some matters to discuss with Rodrigo.
01:05:12Of course.
01:05:13I'll leave you to it.
01:05:16But, Fermin,
01:05:17I'd like to invite you to my house tomorrow
01:05:19to discuss these matters more calmly.
01:05:22I'll call you to confirm the time.
01:05:24Of course.
01:05:31Sir, I'm not seducing your daughter.
01:05:33You don't have to justify yourself with me, Rodrigo.
01:05:36I'm getting to know you.
01:05:37Thank you, Don Fermin.
01:05:39Have you found out anything about those initials?
01:05:42I thought it would be more complicated,
01:05:44but as I told you,
01:05:45I'm good at those researches.
01:05:49So?
01:05:50I already know who those initials belong to, sir.
01:05:53I already know who the person is
01:05:55to whom your wife made the insurance policy profiteer.
01:05:58Period.
01:06:11Good evening, Paula.
01:06:13Hi, Mercedes.
01:06:14I wasn't expecting you.
01:06:15I'll make you a table right now.
01:06:16How many are you going to make?
01:06:17No, I didn't come to drink anything.
01:06:18I was hoping I could talk to you.
01:06:20Although I don't think I came at the best time.
01:06:23No, of course not.
01:06:25But don't worry.
01:06:26Being in charge has its advantages,
01:06:28and I can delegate right now.
01:06:30Sit at that table over there.
01:06:31We'll be quiet.
01:06:33Okay.
01:06:34Martín, I'll put you on the ice.
01:06:45It must be very important what you have to tell me
01:06:48to let you fall for the cabaret.
01:06:50Well, yes.
01:06:51Because, as I didn't rush,
01:06:53they'll give me a stay at the pension.
01:06:55But that's not a reason to put aside the good manners.
01:07:00How are you?
01:07:02I haven't seen you since the day your brother died.
01:07:07Since the day my brother was murdered.
01:07:10César didn't die.
01:07:11He was killed.
01:07:15And I'm going little by little.
01:07:18The cabaret is helping me, you know?
01:07:21Being here keeps me busy,
01:07:23but it's also a way to continue his legacy.
01:07:26I'm sure he'd be proud of everything I'm doing.
01:07:29And not just him.
01:07:31Seeing a woman take charge of a business like this
01:07:34arouses the admiration of many.
01:07:36What you're doing has a lot of merit, Mercedes.
01:07:44Although I'd rather not be in charge of this business,
01:07:47that would mean that César is still alive.
01:07:53Well, I guess you didn't just come to ask about me.
01:07:56No?
01:07:57No.
01:07:58And it wasn't my idea to come and talk to you either.
01:08:03It was Iván's.
01:08:06He's very worried about you.
01:08:08He's afraid you'll want to confront my father.
01:08:13It took him a while to tell you the story.
01:08:16What did he tell you exactly?
01:08:19That he was very worried about the last conversation you had.
01:08:23And that you want to avenge your brother's death
01:08:26by doing justice to the man who killed him.
01:08:29My father.
01:08:32And you don't believe him?
01:08:34You really don't think it was your father who had my brother killed?
01:08:37I'm not sure, Mercedes.
01:08:41But you think he's capable, right?
01:08:50Whoever shushes, gives.
01:08:54And don't worry.
01:08:56This silence is worth more to me than any word you can say to me.
01:09:02You know I could do it.
01:09:04And you know your father is a murderer.
01:09:06Mercedes, what I think, stop thinking.
01:09:09It's not important.
01:09:11I just came to warn you to avoid any confrontation with him.
01:09:16Because you think he's capable of anything.
01:09:19And you know he could do anything to me.
01:09:22Because I know that any confrontation with him would be a tragic mistake.
01:09:26So think very well.
01:09:29Very well every step you take.
01:09:32Okay?
01:09:37Okay.
01:09:39Now I have to go.
01:09:43Thank you, Paula.
01:09:45To you.
01:09:53I found out that the head of the email section that came to the insurance police
01:09:57is a law firm in the neighborhood of Salamanca.
01:09:59A law firm?
01:10:01That's right, sir.
01:10:03As you can imagine, I called to try to get some information.
01:10:06And you did it?
01:10:08No, sir. That's why I had no choice but to show up there.
01:10:11At first they almost kicked me out.
01:10:13Normal, normal.
01:10:14In those places they have a very closed agenda
01:10:17and they don't find it funny that someone shows up there without prior notice.
01:10:21I know, Mr. Fermin, but I had to try.
01:10:23I told them it was a family matter
01:10:25and that I had to locate the beneficiary of a grant.
01:10:28It wasn't easy, but I managed to get a passerby to help me.
01:10:31Apparently there is always a good person everywhere.
01:10:34Not so much, Mr. Fermin.
01:10:36It cost me a good tip to accept to lend a hand.
01:10:39We have invested a lot of money
01:10:41and with all this we managed to shed light on the matter.
01:10:44You can say that, sir.
01:10:46The acronyms C.E.C. correspond to a woman.
01:10:50Karida Teslava.
01:10:52Tell me.
01:10:54Lazaro hasn't escaped.
01:10:56There is only one reason to explain why he is not here with me
01:10:59where he had planned to go.
01:11:01Because she is dead.
01:11:03Karida Teslava.
01:11:06Does the name ring a bell, sir?
01:11:08The name doesn't, but the last name does.
01:11:11It's the same as my wife's.
01:11:16And yes, yes.
01:11:18It could be the person who made the phone call.
01:11:21It was a woman's voice, too.
01:11:23It could be her, yes.
01:11:25I wouldn't want to be indiscreet, sir.
01:11:28But exactly what did that woman tell you?
01:11:31She told me that Lazaro was dead.
01:11:35Or he should be, because they had agreed to meet
01:11:38and he never showed up.
01:11:42It must be a relative of his, I'm sure.
01:11:45His mother, no, because I know she died years ago.
01:11:48I don't know, maybe an aunt, a cousin or...
01:11:51And a sister, Mr. Fermin?
01:11:53A sister? Lazaro never told me about any sister.
01:11:56It's the first news I have.
01:11:58Well, in any case,
01:12:00his job would be to talk to that woman,
01:12:03I don't know if we can find her.
01:12:05We can, sir.
01:12:07In fact, I've already located her.
01:12:10The lawyer's office gave me a address
01:12:13where Carida de Saba supposedly lives.
01:12:16Really?
01:12:17As I told you, sir,
01:12:19I was very generous with the donation.
01:12:22Apparently, the last thing I know about that woman
01:12:25is that she lives in a convent north of Guadalajara.
01:12:28Here in Sigüenza?
01:12:30It seems so.
01:12:33It's...
01:12:34It's a thread to be pulled
01:12:37and I'm going to start doing it tomorrow.
01:12:40What about the meeting with Emiliano?
01:12:42He just met with him.
01:12:43Meetings, just as they are called, are called off.
01:12:46So...
01:12:47So Emiliano will have to wait.
01:12:50After reopening the Moderna,
01:12:52my priority is to know what happened to my wife.
01:12:55So call Pedraza or a supplier.
01:12:57As I told you, they'll have to wait.
01:12:59At your service, sir.
01:13:00Don't worry about anything.
01:13:01I'll cancel all your meetings tomorrow
01:13:03and attend to the suppliers who can't wait.
01:13:06You have Cañete and Teresa for all that.
01:13:08Rodrigo,
01:13:10you're being a great help to me.
01:13:13And not just professionally.
01:13:15I appreciate it, Mr. Fermin.
01:13:17Know that I do it because I have sincere appreciation.
01:13:20That appreciation is mutual, I assure you.
01:13:22Another thing I want to ask you, please.
01:13:26Don't tell anyone what you found out.
01:13:30Only my nieces.
01:13:32Only if they ask you.