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00:00BuzzBuzz TV
00:05Please give us a hit!
00:12Do you know that there is a sudden horror boom now?
00:17The horror movie, Weird House, which was released last year, exceeded the industrial revenue of 500 million yen.
00:24The original YouTube video has 24 million views.
00:30In the manga world, many horror works have been released, which is a big hit.
00:38This time's project is here!
00:40If you are a popular occult researcher, you should be able to aim for a big hit with a horror manga!
00:47Is it a manga made by an expert?
00:50That's right.
00:52The one who will report to the end of the world is...
00:57Scary...
01:00Hello, I'm Clamp.
01:05It's Clamp.
01:07I'm Oda Ueda.
01:09It's dark and I can't hear you at all.
01:11It's hard to understand the correct answer.
01:13I'm going to infiltrate the production site of a horror manga.
01:19You're a little scared, aren't you?
01:21I'm not good at it, so I wonder if I can participate in the meeting.
01:25In that case, can you smoke outside and take a break?
01:29I can smoke in the yard.
01:32I'm sorry!
01:36Occult researcher and horror mangaka tag.
01:40The strongest horror mangaka will explode tonight!
01:43Director Mimura, are you good at scary stories?
01:46I hate it.
01:50Until the horror manga is completed, the editor, Oda Ueda, will report.
01:55Nice to meet you.
01:57I'm Oda Ueda from the Earthman editorial department.
02:00Nice to meet you.
02:03He's a teacher.
02:04I'm sorry.
02:05We're having a lot of meetings.
02:09This is the first time we've met today.
02:15The author of this story is the occult researcher, Yuuki Yoshida.
02:21He has appeared in a number of media such as Crazy Journey.
02:27He is currently active as a writer and a popular talker.
02:33On the other hand, the author of the manga is a horror mangaka, Kairi Misaki, who is now addicted to Noda Crystal.
02:43In the world of smiles, a shocking world view of a society where bullying is allowed,
02:49he has recorded a legendary buzz of 33 million views.
02:55He is also a top runner in the young horror manga world,
02:59which has been praised by the author of the horror manga, Junji Ito.
03:03What kind of work will be born from the strongest combination of horror experts?
03:09Now, let's take a look at the meeting.
03:18I'm most afraid of the stairs of the murderer.
03:23Murderer?
03:25There are a lot of stairs.
03:27It's a child.
03:29I'd like to make a short horror manga.
03:32The theme is scary.
03:35The motif is a staircase that I've been afraid of for a long time.
03:40A staircase that actually exists.
03:42There is a story called Coin Locker Baby.
03:44I know that.
03:46I became pregnant.
03:48A high school girl got pregnant unexpectedly,
03:51but she ran away somewhere and gave birth to a baby alone.
03:57She said she didn't have the confidence to raise it.
04:01She secretly threw the baby away in a coin locker at the end of Shibuya Station.
04:12Then the high school girl became a social person and started working.
04:18She said she didn't want to be close to Shibuya Station,
04:22so she had to go to Shibuya Station for the first time in six years.
04:28When she noticed, she was walking next to the coin locker.
04:33She thought,
04:35but the boy was crying.
04:40She said,
04:42but the boy was crying without answering anything.
04:46When she asked where her mother was,
04:50the boy suddenly raised his head and said,
04:54I'm so scared!
04:56I'm so scared!
04:58I'm so scared!
05:00It's not fair.
05:02Didn't you know this story?
05:04No, I didn't.
05:06Toshi Takanda said,
05:08You!
05:11Yoshida came up with a new sense of horror story
05:14by arranging this famous staircase.
05:19Based on an old staircase,
05:22I arranged it in the age of Reiwa.
05:26It was very interesting.
05:31The plot alone looks very interesting.
05:35Great.
05:37Where do you think of this kind of thing?
05:40Is it Saizu-e?
05:42Is it Hojitaku?
05:44I don't know how to summarize it as a manga.
05:47I don't know how to summarize it as a manga.
05:51However, after this,
05:53they have different opinions.
05:56I learned from the person in charge.
06:00I'm glad to hear that.
06:03The most important thing is
06:05what is scary.
06:07That's the most important thing in horror.
06:11What is scary about making a work?
06:14In other words,
06:16who do you talk to?
06:20I see.
06:22The editor, Oda Ueda,
06:24summarizes the opinions of the original author and the manga artist.
06:28Mr. Yoshida,
06:30do you think it's scary to think about your parents' feelings?
06:34In my case,
06:36I'm more worried about my parents.
06:41The reason why I'm afraid of abandoning my child is because I'm afraid that my common sense will be destroyed.
06:48I'm afraid of that because I'm afraid that I'll lose what I should have, what I should have, and what I should have as a child and as a parent.
06:58I hope to reach that kind of fear.
07:03Two people who have slightly different interpretations of the original work.
07:11I'm afraid of losing what I should have, what I should have, and what I should have as a child and as a parent.
07:16I'm afraid of losing what I should have, what I should have, and what I should have as a child and as a parent.
07:21Can I ask you to mix the two?
07:26I think that the biggest sin of Yoshida is to kill a child.
07:35I think that the child's point of view is the biggest fear.
07:43The point of view of both sides is also a role of fear.
07:47If you don't decide who you're afraid of, you'll end up with a story that no one can be afraid of.
07:54I felt that the original work should be seen from the point of view of the parent.
08:03I want you to be in the Buzzman editing team.
08:06I'm glad to hear this kind of story.
08:10It's a long time.
08:12The ability to language is amazing.
08:16According to the real editor's advice, Misaki-sensei summarized the composition of the manga at once.
08:23I'm afraid of losing what I should have, what I should have, and what I should have as a child and as a parent.
08:31I can see it.
08:32Can you see it?
08:33I can see it a little bit.
08:35I like the feeling that Oda Ueda's noisy feeling is gone.
08:40That's right.
08:42I respect both of them.
08:44That's why I'm trying to make a good manga.
08:46I'm afraid of losing what I should have, what I should have, and what I should have as a child and as a parent.
08:51I'm afraid of losing what I should have, what I should have, and what I should have as a child and as a parent.
08:55What kind of work will be completed?
08:58And what is the last preparation?
09:02I think it's going to be really interesting.
09:06I want you to play a Christmas song with this BGM.
09:09I'm so scared.
09:11Do you like horror manga?
09:13I like horror itself anyway, so I like horror manga.
09:17M-1's manzai is also horror?
09:19It's horror.
09:21To be honest, I was so scared that I almost cried.
09:25Yasuko was next to me, so I was able to finish it without crying.
09:30I'm glad.
09:32From now on, let's take a closer look at Misaki's work.
09:36I think it's a little different from what Misaki is doing.
09:40It's a little different, isn't it?
09:42What is the commitment to the work of the new generation of the horror manga world?
09:48The first thing I started drawing was Isao, a man obsessed with the ghost of a baby.
09:53I'm going to draw a ghost of a baby next to it.
09:57There is a technique to draw a horror picture.
10:02I draw a picture of a mysterious baby with a lot of touches.
10:09If I draw a picture of a baby with a lot of touches, I can draw a scary picture.
10:14I'm conscious of drawing lines neatly.
10:17If I draw a scary picture of a baby with a lot of touches, I'll be surprised.
10:25I draw a picture where I usually omit things.
10:29I draw a picture that I rarely see.
10:36I draw a picture with a lot of dents in the eyes.
10:39There's a shadow there.
10:42Draw a human being with a refreshing touch.
10:46On the contrary, a baby can draw in a detailed way, increasing the horror feel.
10:52Wow!
10:52The more information you have, the scarier it gets.
10:54Yeah, if you write it in detail.
10:56Even so, Misaki-sensei continues to draw things that don't belong to this world.
11:00And then...
11:01It's kind of cute.
11:03It's kind of like Ponyo.
11:05That's true. It's like Ponyo.
11:09How will she create a sense of horror from here?
11:13I think it'll be scary if I draw a tooth.
11:16Scary.
11:17I'll try to make it look like it has fangs.
11:22After that, she added details to the eyes,
11:25the shadow,
11:27and the background.
11:31Oh, it might be scary.
11:33It might be pretty scary.
11:35Here's the result.
11:41It's pretty scary.
11:42I want you to draw a rabbit here.
11:45It's too scary.
11:46After that, she continued to draw carefully.
11:50Finally, the manuscript of page 37 is complete.
11:54The strongest tag between occult researcher and horror manga artist.
11:58The completed manga is finally released.
12:01I understand.
12:03No, no.
12:04Wow.
12:05There's a lot.
12:09Hey, what are you going to do with your graduation thesis?
12:11No, I haven't done anything yet.
12:13The teacher said that if it's Japanese art of negotiation, anything will do.
12:16I wonder if I should make up for my old story.
12:19Anyway, the problem is the job hunt.
12:21You're getting a job at a night club, right?
12:23Give me some advice.
12:24I'm the only one with an entry sheet.
12:27There's more, right?
12:28By the way, you're going to get a teacher's license, right?
12:31Ah, that's...
12:38Graduation thesis, qualification study, and job hunt.
12:41It's going to be spring of the fourth year after all.
12:43There are so many topics like that.
12:44It's kind of tough.
12:47Wow.
12:48No way.
12:50Is it coming already?
12:51I'm scared.
12:52I'm scared that it's going to come.
12:54I'm scared.
12:55I want it to say that it's coming.
12:57This is scary.
13:01What are you doing?
13:03Isao-kun, right?
13:05I'm Sayako, the same semisei as you.
13:07It's the first time I'm talking to you.
13:08What? What was that sign?
13:11It's the same fourth year, right?
13:15Something's wrong, isn't it?
13:17If you don't mind, I'd like to talk to you.
13:19Sure.
13:24Where's Yamada?
13:25He was in the classroom.
13:26He must have something to do.
13:27What?
13:28Is it okay for him to be alone?
13:30What do you mean?
13:31Well, there was a friend who got sick in that classroom.
13:34When I talked to him, he said he was there.
13:37The spirit of a child.
13:45I see.
13:46In other words, you don't want to graduate, do you?
13:49You had a lot of fun living here, didn't you?
13:53Yeah, I guess.
13:55That's nice.
13:56I wanted to live that kind of life, too.
13:59Oh, really?
14:02By the way, Isao-kun.
14:03Can you help me with my research?
14:06Actually, I've collected a few stairs.
14:09I want to know which one is the scariest.
14:12I see.
14:13That's my goal.
14:15Okay.
14:20I'm scared.
14:21What is it?
14:22I'm curious.
14:23What is it?
14:24She's a strange girl.
14:26I mean, where did she get this face?
14:29No, is it just my imagination?
14:31Well, let's start with this one.
14:34And what Sayako started talking about was...
14:37The stairs of Coin Locker Baby, where high school girls abandon their children.
14:46Look, Isao-kun.
14:48Don't run away anymore.
14:50Look.
14:51It's your child.
14:56I see.
14:57It's a socialist story about stairs.
15:01If it's not from the father's point of view, it won't resonate with you.
15:05Huh?
15:07Now, let's move on to this story.
15:10One night.
15:12Once upon a time, there was a farmer who lived with his wife in a village called Mochida.
15:18The couple didn't have any children.
15:20Because the farmer's wife was repeatedly killing herself.
15:26Because the farmer's wife was repeatedly killing herself.
15:30Because the farmer's wife was repeatedly killing herself.
15:33The children were being killed by the farmer.
15:38The farmer was not confident in raising his children because of poverty.
15:41So he sacrificed six children.
15:44Hey, it's the same story again.
15:46There's more.
15:47But, when the seventh child was born...
15:49Hey, wait!
15:51The farmer, who was able to afford to raise his children,
15:54decided to raise his children for the first time.
15:57After a while, one night,
16:02he said something like this.
16:07Ah, tonight is a rare night.
16:11Dad!
16:12When you abandoned me, it was just like tonight, wasn't it?
16:17Wow!
16:22What's wrong?
16:23We're still on the way.
16:25Don't come!
16:26Who are you?
16:27You've been talking about abandoning me.
16:29It's like a trick!
16:32I finally remembered.
16:36What is this memory?
16:38Am I...
16:39Are you my...
16:41No, it can't be helped.
16:44I'm still a student.
16:46I can't be a father.
16:49That's why...
16:50That's why...
16:51I had no choice but to kill you.
16:54What?
16:55Did you come to curse me as you grew up?
16:57Stop it!
16:58Don't come!
16:59It's not my fault!
17:00No.
17:01One more thing.
17:02You're forgetting something important.
17:05Remember it well.
17:06Why?
17:08When you abandoned me,
17:10it was just like tonight, wasn't it?
17:19What?
17:21What?
17:22What do you mean?
17:27Once upon a time, there was a man.
17:29He was 20 years old.
17:30He was a third-year college student.
17:32At that time,
17:33he couldn't concentrate on his studies.
17:36Why?
17:37Why is that?
17:44You can do it behind my back.
17:46The man vaguely began to grasp his own intentions.
17:50He didn't want to be an adult.
17:53He was one step ahead of society.
17:56He was comfortable with playfulness,
17:58appropriate love,
17:59and this ambiguity of responsibility.
18:06I can't do it.
18:08You don't want to give birth to me, do you?
18:11I'm sorry.
18:12I can't do it.
18:16A year later.
18:18I don't want to go to a part-time job.
18:21I'd rather fly.
18:23The man continued to spend his time in the classroom.
18:27I can't get a job like this.
18:30If I had a part-time job, I could get a high-paying job.
18:32Isao-kun.
18:36Oh, well...
18:39It's been a long time.
18:41I was lonely.
18:42You didn't reply to my e-mails after that.
18:45You don't even know I'm studying abroad.
18:48Look, Isao-kun.
18:50Don't run away anymore.
18:52Look,
18:53I'm your child.
18:55A year later.
19:03Don't come.
19:05You're not my child.
19:07No, wait.
19:08I can't do this.
19:10If I get caught doing this,
19:12I'll be held responsible as an adult.
19:14But if I admit it like this, I'll be a father.
19:16And in the end...
19:19I don't need it.
19:20I don't want to get anything.
19:22The man who was in a trance
19:24said something like this.
19:27Yeah.
19:28If I fly here,
19:33I won't have to be an adult.
19:38Oh, I see.
19:41I remembered.
19:42I've been staying here since then.
19:45I couldn't become anyone.
19:47I couldn't go anywhere.
19:50It's called self-destruction.
19:52It's miserable, isn't it?
19:54Since then,
19:56my mother has been mentally ill.
19:58She committed suicide seven years ago.
20:00That's a shame.
20:04What's that?
20:05You have something else to say, don't you?
20:09I told you not to give birth.
20:14I can't.
20:16I don't know.
20:18I can't help it because I can't be an adult.
20:20I'm an old man.
20:22Hey, Sayako.
20:24Sayako, don't abandon your mother.
20:28It was always dark inside the house.
20:31My mother.
20:33The fact that I was left alone.
20:35Giving up and emptiness.
20:37All of them.
20:39If I had been told by you,
20:41I would have regretted it.
20:45That's right.
20:47I forgot about them.
20:49Give me back.
20:51Give me back my mother.
20:53Give me back.
20:55Give me back.
20:57Give me back.
21:01Give me back.
21:03My mother.
21:05My life.
21:09I'm scared.
21:11I'm scared.
21:17That's right.
21:19I should go to hell.
21:23I woke up.
21:27Thank you for swearing at me.
21:29Wait.
21:33Don't run away.
21:35You coward.
21:37Don't run away.
21:39After a while,
21:41I remembered the ending of this night.
21:43After the seventh meeting,
21:46I became a monk.
21:48It's like facing my own sin.
21:50But I didn't think it was a good idea.
21:52But I didn't think it was a good idea.
21:54But I didn't think it was a good idea.
21:56I just tried to run away.
21:58At least, I thought so.
22:00I was selfish.
22:02I was selfish.
22:04I was selfish.
22:06Hey, Yamada.
22:08Are you okay?
22:10Are you okay?
22:12Are you okay?
22:14What the hell!?
22:16What the hell!?
22:18It's not true.
22:20It's the role of a child.
22:22It's the role of a child.
22:24It's the role of a child.
22:26Perfect ending.
22:28It was a great ending.
22:30All of them were right.
22:32All of them were right.
22:34This girl was a cheat.
22:38She was a cheat.
22:40She was a cheat.
22:42I don't know.
22:43I was like, what?
22:44You're alone?
22:45Are you okay?
22:46I was like, Yamada-san.
22:47It's true that it's just the two of you, but you're alone.
22:48This is also a plot twist.
22:49It's true.
22:50I thought it was something to read alone in the room because there are people who are
22:54surprised first.
22:55That's true.
22:56It's the same with haunted houses.
22:57If you come first, you'll come after this, right?
22:58If I had believed in Takeru and supported him that day, I would still be next to him
23:01and be happy.
23:02That's right.
23:03That's right.
23:04Why don't you say a few words to finish the work.
23:16All right.
23:17Uh, this face is scary.
23:26Hahahaha
23:28I understand.
23:30This face is scary.
23:34It comes out, doesn't it?
23:36It comes out a few times.
23:38It looks like a bubble slime.
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