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00:00Teleto
00:01Achikochi Odori
00:03Tonight's guest is...
00:05Nittere...
00:07I'm banned from going out
00:09That's not a live show
00:11It's not?
00:1346 years of experience
00:15Legendary comedian City Boys
00:17is here
00:21I'm gonna die soon
00:23What's with you?
00:25What are you talking about?
00:27What are you talking about?
00:29Here we have
00:31a 70's old man comedian
00:33I had a big fight with the radio
00:37A big fight
00:41A naked talk variety
00:43Achikochi Odori
00:45Tonight's show begins
00:48Hello, Mr. Kabayashi
00:50The day has finally come
00:52This show must be amazing
00:54It's amazing
00:56It's amazing
00:58All three of you are here
01:00Yes, all three of us
01:02It's my first time
01:04Me too
01:06I think I've seen you on TV
01:08when I was a kid
01:10The 70's comedian
01:12since Umezawa Tomio
01:16A real legend
01:18Why are you here?
01:20Welcome
01:22Thank you
01:24Thank you
01:27You can't get in?
01:29You can't get in?
01:31Today's guest is
01:33City Boys
01:35Nice to meet you
01:37Don't call me
01:39I didn't expect you to come
01:41That's right
01:43Why did you call me?
01:45There's a lot I want to ask
01:47I don't have anything I want to ask you
01:51Then I'll call you Kinpira Gobo
01:53I'm not a real comedian
01:55Thank you
01:57Please take care of me
01:59Today's guest is
02:01City Boys
02:03In the early 1980's
02:05They did comedy and
02:07nonsense comedy
02:09and became popular
02:11with the subculture boom
02:15They appeared on the TV show
02:17Tunnels Laugh
02:19They won 10 times
02:21and won the Grand Prix
02:23In addition
02:25they did a solo concert
02:27that no one had done before
02:29They are the charisma
02:31of the Tokyo comedy world
02:33They have been active
02:35in variety shows, dramas, and radio
02:37Today they are here
02:39It's been a while since
02:41the three of you appeared on TV
02:43I can't be called
02:45But if there is a chance
02:47we will appear
02:49Like Bokura no Jidai
02:52You should call us
02:54when Bokura no Jidai is over
02:56You should call us
02:58when Bokura no Jidai is over
03:00It's not over yet
03:02We only talk about graves
03:04Please let us hear
03:08City Boys
03:10started acting
03:12while going to their universities
03:14in 1971
03:16They did comedy with
03:18actor Morio Kazama
03:20After that
03:22they formed a trio
03:24but they couldn't get along
03:26when they were comedians
03:28You were in your early 20s
03:30when you formed a troupe
03:32I was about 22
03:34Did you get along well
03:36with the three of you?
03:38No
03:40We didn't get along well
03:42Really?
03:44I didn't like
03:46normal society
03:48You didn't like
03:50normal society
03:52When I got older
03:54I was about 26 or 27
03:56I couldn't go back to normal society
03:58I was 23 when I formed a troupe
04:00I realized that
04:02I couldn't get along well
04:04with actors
04:06Before that,
04:08everyone quit
04:10I couldn't go back
04:12to normal society
04:14I couldn't act
04:17Really?
04:19Until I was about 29
04:21I didn't get along well
04:23with the three of us
04:25Didn't your parents
04:27tell you
04:29to work hard?
04:31Not at all
04:33I was trusted
04:35You were trusted?
04:37It's hard to believe
04:39He studied hard
04:41He was smart
04:43He studied hard
04:45If you studied hard,
04:47there's nothing to be afraid of
04:51Did your parents
04:53support you?
04:55No
04:57My father was against it
04:59He was against it
05:01So you couldn't
05:03go back to your parents' house?
05:05I got money from my mother
05:07but I couldn't
05:09go back to my parents' house
05:11I asked my mother
05:13to come to the parking lot
05:15to get money
05:17How about you, Kitaro?
05:19My father
05:21was against it
05:23He didn't support you?
05:25But
05:27I'm older than my father
05:29I have a lot of siblings
05:31I'm a shy boy
05:33He's only 7 years older than you
05:37I'm a shy boy
05:39Don't say it twice
05:42You can say it twice
05:44When did you have sex?
05:46I didn't have sex
05:48I didn't have sex
05:50I used to say that
05:52You shouldn't say
05:54things you don't know
05:56You were in your late 20s
05:58You studied acting
06:00and worked part time?
06:02Of course
06:08I can do 40 things
06:10I can do anything
06:12You can do anything?
06:14Have you been a customer?
06:16Of course
06:18After I found a part time job
06:20I worked 7-8 hours a day
06:22I got 5,000 yen
06:24I got 2 jobs
06:26On my way home,
06:28I got a cab
06:30There's no such a good part time job
06:32in this world
06:34I went to a shop called Fukujin
06:36in Ginza
06:38At that time,
06:40I had 16 part time jobs
06:46One of them was
06:48Takita Sakae
06:50Takita Sakae
06:52was hiding that he was working here
06:54He was hiding?
06:56Why didn't he say?
06:58He didn't want people to think he was a star
07:00Takita Sakae was the first one
07:02Kazama Sakae was the second one
07:04Kazama Sakae was the first one
07:07He was trying to get close
07:09but Takita Sakae couldn't
07:13So Kazama Sakae
07:15hated Takita Sakae
07:19Both of them are not here
07:21He couldn't take responsibility
07:23His name was too big
07:25So I got
07:27100,000 part time jobs
07:29So I got
07:31500 yen more than everyone else
07:33Your part time pay was good
07:35I heard that for the first time
07:37That's good
07:39500 yen in your 20s
07:41No, 500 yen at that time
07:43was a lot
07:45It's good to hear about your part time job
07:47in your 70s
07:49After that
07:51I could play mahjong
07:53After playing mahjong
07:55The loser
07:57had to buy the rights
07:59for the next part time job
08:01The loser
08:03had to play mahjong
08:05for the next part time job
08:07I see
08:09He has a young way of life
08:11Playing mahjong
08:13That's why
08:15you are different from young people
08:17you don't think of what will happen next
08:19You still don't think about what will happen next
08:21Even now
08:23I was a cabaret dancer
08:25When I was young
08:27You don't know what cabaret is
08:29You don't know what cabaret is
08:31There were about 1,000 women there, and there was a show at the factory where the story was being told.
08:38The singers would come, and the lights would be on.
08:42The lights were on?
08:43In spot.
08:44The lights were on?
08:46Kasuga also had the lights on at the show pub.
08:48I also had the lights on at the show pub.
08:52Really?
08:53Yes, just like you guys.
08:54You guys were connected by the lights?
08:56No way!
08:57There were a lot of people there, and the three of you were going to form the City Boys, right?
09:02At that time, did you have no choice but to do it with the three of you?
09:05Yes, that's right.
09:07Who told you to do it?
09:08Otake-san.
09:09Otake-san?
09:10Otake-san told you to form the City Boys?
09:12Did I tell you?
09:14I forgot.
09:18Eight years after the band was formed,
09:20the three of them decided to form the City Boys.
09:26Kazama sold out.
09:28Kazama?
09:29Kazama sold out at Kamata Koushinkyoku.
09:33It was a social phenomenon, right?
09:36The three of them went to see Kamata Koushinkyoku in Shinjuku.
09:42It was funny.
09:45It wasn't something to be frustrated about.
09:47It wasn't something to be frustrated about.
09:48It was funny.
09:50Kaeri didn't say a word.
09:53The three of them were shocked.
09:54Before that, Kazama appeared in a Japanese drama called Roman Polo.
09:59He got the name Kazama Morio.
10:02He said,
10:03What are you doing?
10:04You should be ashamed.
10:05You should be ashamed of being an actor.
10:09He became a big star, so he was even more shocked.
10:15Kazama sold out earlier than the three of us.
10:22From then on, the three of us decided to do our best.
10:27It was funny.
10:28We had a concert once a month.
10:31The City Boys.
10:33There were about four or five people.
10:38The City Boys didn't sell at all.
10:41We only had a bar.
10:44We rented a bar called Yuko in Roppongi.
10:49There were about seven people in the bar.
10:54There was Taro Maruse in the bar.
10:59Taro Maruse was in a company called Jinrikisha.
11:03At that time, Jinrikisha was trying to raise entertainers who could appear on TV.
11:10Maruse told the president of Jinrikisha,
11:13Put them in.
11:16That's great.
11:18That's how I got into Jinrikisha.
11:20That's where you met your fate.
11:23Did you have a proper stage?
11:26No, no, no.
11:28We cleaned up all the chairs.
11:30That's great.
11:31The City Boys did a comedy there.
11:34Two hours.
11:35Did you do it for two hours?
11:36One comedy is about 40 minutes.
11:39At a bar?
11:40At a bar, young people do it for 40 minutes.
11:43I didn't know comedy.
11:46It's like doing a play.
11:48Taro Maruse is great.
11:50He watched three comedies for 40 minutes.
11:53Did Maruse feel something shining?
11:56No, I didn't feel it.
11:57I don't think so.
11:58It's better to put it in.
12:00The City Boys, who entered Jinrikisha, decided to challenge the birth of a comedy star.
12:07We've been in the company since 1981.
12:12I was about 31 when I joined the company.
12:16You were in your 30s.
12:18Did you think it would be bad if you didn't get results?
12:22No, I didn't think so.
12:25I started to think that Otake would sell by itself.
12:32Why didn't I think so?
12:37I thought I could do it if I appeared on TV.
12:41I thought so, too.
12:44On the 10th episode, I was eliminated with Conner.
12:48I was frustrated.
12:50I didn't think I could do it.
12:55You didn't think you could do it, did you?
12:57I was happy that I could do it.
13:00At that time, you were a comedian.
13:01It was amazing.
13:02The ratings and the world.
13:04I passed the 10th episode.
13:07Was it a daily TV program?
13:09It was like a promise.
13:12You won the Grand Prix.
13:14I didn't get a single win.
13:17After winning the Grand Prix?
13:19I won the 10th episode, but I didn't get any work.
13:21Did you feel like a star when you won the Grand Prix?
13:25I didn't feel like a star at all.
13:29There was no prize money.
13:31It's different now.
13:33It's not like M-1.
13:39If you were 33 years old,
13:42did you think you would continue to live as a comedian?
13:49No, I didn't.
13:51I didn't have to earn money.
13:54I just had to pay for it.
13:56It was a salary.
13:58I didn't have to do it.
14:01When I joined the company,
14:03I was told to pay for it.
14:06I was told to pay 100,000 yen per month.
14:08Then Mr. Ohtake...
14:10After negotiating,
14:12I got 300,000 yen per person.
14:14That's a lot.
14:16I got 300,000 yen for the first time.
14:17That's not the first time.
14:19The president said it was okay.
14:22So I got 300,000 yen each.
14:24Really?
14:26I don't know.
14:27In no time,
14:30I got 6 million yen in debt.
14:33Debt?
14:35No, no.
14:36I thought it was a salary.
14:38But it was a loan.
14:40I see.
14:41It's like a loan.
14:43But I got 6 million yen.
14:46The president must have suffered a lot.
14:50He said,
14:51I'm in trouble.
14:53I'm going to run away.
14:55I'm going to do whatever it takes.
14:58Until then,
15:00Samurai Nippon,
15:02Musical Boys,
15:04They came to us from the money they made in the countryside.
15:10They paid for us.
15:12The kitchen was painful.
15:14I didn't know that.
15:16I thought I couldn't pay back 6 million yen.
15:20I thought I should run away.
15:23At that time,
15:25There was a commercial for Daiwa Shoken.
15:30All three of us did it.
15:32We paid back all the debt at once.
15:35That's how we paid off the debt.
15:37It's amazing.
15:38It's a commercial for a Shoken company.
15:40I think it's over.
15:42Are you okay?
15:44No, no.
15:45There's still a lot left.
15:47No, no.
15:48It's okay.
15:50Please say a little more.
15:52The story of my part-time job at that time is over.
15:56It's embarrassing.
15:59The story of my part-time job at that time is over.
16:02But I want to hear it.
16:04The story of my part-time job at that time is over.
16:06The time was different.
16:08There weren't many people around me who wanted to make money.
16:12We were thinking about going to concerts.
16:17It's a solo concert now.
16:20We were the only ones who did that.
16:22I see.
16:24It was the first time for City Boys to do that kind of thing.
16:27I think that's how I got a job.
16:30I've heard of that.
16:32There was a flow of City Boys at the time.
16:37City Boys held a solo concert at Conte that no one had done at the time.
16:42It was held at the same pace every year.
16:45The tickets were so popular that they sold out quickly.
16:48Didn't you have a solo concert?
16:50No, we didn't.
16:51We were doing a play, so we had that kind of feeling.
16:54Did the three of you come together to make the story at that time?
16:59The story we came up with together was terrible.
17:05You have to come up with a story with three people at first.
17:10What was the first story?
17:12The first story was that if you can't speak, we'll shut up.
17:22That was the first story.
17:25The first story was to shut up?
17:27Yes.
17:28I didn't get much of that.
17:33It was a complicated story.
17:36There was a group called Takenaka and Seiko Ito.
17:43There was a wave of subculture behind it.
17:47I was already dead at that time.
17:49There was a professor named Akio Miyazawa in Kyoto.
17:53He participated in Takenaka.
17:56Miyazawa's presence was big.
18:01The number of customers was increasing.
18:06I came to see Tomoyo Harada.
18:10Tomoyo Harada?
18:13You remember him, don't you?
18:15I remember him clearly.
18:21Miyazawa was with us for about 10 years.
18:25Satoshi Miki was with us for 10 years.
18:27And Hosokawa was with us for 10 years.
18:30We were with each other for 10 years.
18:33All the writers thought about stupid things.
18:37There was a part where we grew up.
18:42I see.
18:44By making the acting more interesting, it became an experience.
18:48It became easier to write.
18:51Why did it change after 10 years?
18:54At the end, the writers were very angry with us.
18:58They were angry with us at that time.
19:00We were adults.
19:03We were over 40 years old.
19:05We were young.
19:07Otake-san, you did an ad-lib there, right?
19:12Was it interesting?
19:14He was angry with us for doing an ad-lib.
19:16We were 40 years old.
19:18We couldn't do an ad-lib.
19:21We were going back to the dressing room.
19:24The director was waiting for us.
19:27But you were the last one to go back to the dressing room.
19:29I was angry.
19:31I didn't want to be angry.
19:34I went to the dressing room with Yuji Nakamura.
19:37I was angry with the director who did an ad-lib.
19:40I didn't want to be angry.
19:42I was stupid.
19:44I went to the dressing room first.
19:46But the director was far away.
19:47I was scolded.
19:50You were the last one to go back to the dressing room.
19:52I couldn't go back to the dressing room.
19:54The director is getting more and more powerful.
19:59He was short at first.
20:03But he is a great director.
20:06He is very good.
20:08He changes his mind in one or two years.
20:12At first, he was like a city boy.
20:15But he changed his mind in two years.
20:17He asked us what we were doing.
20:19That's a problem for three people.
20:22That's a problem for three people.
20:24He was scolded every time he changed his mind.
20:26He wouldn't be scolded at that age.
20:29At that time, you were very busy with TV.
20:33There were a lot of guests on this stage.
20:36We were making a lot of money on the stage.
20:39That's amazing.
20:41I was a naive person.
20:46I was making a different character than the three of us.
20:52I was making a different character than the three of us.
20:55Did you go out of your way?
20:57I did.
20:59I thought I was not suitable for TV.
21:03But I had a cool idea that there would be guests if I went to the theater.
21:08I thought it was a good idea.
21:11I thought it was a good idea.
21:15Did you have your own character?
21:18Otake-san is...
21:20Oh, so that's how it is.
21:22Thanks to his popularity during live shows,
21:24Otake-san became the center of attention of Yuuyake NyanNyan.
21:26Otake-san also played a big role in a variety show.
21:32When we were kids, we were really scared of Otake-san.
21:36We were scared of him going crazy.
21:38People nowadays,
21:40when they go out,
21:42they get angry for some reason.
21:44People nowadays.
21:46Otake-san gets mad when he's angry.
21:48That's true.
21:50He would break things.
21:52He would break a set,
21:54and make Yamase Maori-san cry.
21:56Do you know why he did that?
21:58I don't want to think about it.
22:00That's not good.
22:02That's not good.
22:04I'm going to say this,
22:06but that was a recording.
22:08I can't cry.
22:10I can't go out like that.
22:12That's not love.
22:14That's not love.
22:16That's not love.
22:18Yuuyake NyanNyan was love.
22:20That was my fault.
22:22That was Otake-san's fault.
22:24That was my fault.
22:26There was a theater,
22:28and there were heels on TV.
22:30It was a bad idea,
22:32but if you can overcome it with heels,
22:36you don't have to use other characters.
22:38I thought I'd go with this.
22:40I was in a lot of trouble.
22:42I was in a lot of trouble.
22:44You were in a lot of trouble.
22:46You were in a lot of trouble.
22:48You were in a lot of trouble.
22:50It was at 11 p.m.
22:52I forgot the date.
22:54Ito Seiko and the others
22:56were all going to be in a lot of trouble.
22:58After the rehearsal,
23:00at the entrance door,
23:02Otake-san stopped me.
23:04I was the only one who couldn't go out.
23:06You were in a lot of trouble.
23:08You were in a lot of trouble.
23:10They said,
23:12I'm Otake.
23:14I said,
23:16I'm your friend.
23:18I said,
23:20I'm your friend.
23:22I was the only one who couldn't go out.
23:24I was the only one who couldn't go out.
23:26That's when I realized.
23:28That's when I realized.
23:30At that time,
23:32Kitaro-san and Saeki-san
23:34wanted to be in a drama.
23:36They had planned the cast of games.
23:38They had planned the cast of games.
23:40They had planned the cast of games.
23:42They had planned the cast of games.
23:44After the rehearsal,
23:46I got annoyed at them.
23:48They started saying,
23:50I've watched a lot of Karate football games.
23:52I've watched a lot of Karate football games.
23:57When I asked,
23:59Did they watch it?
24:01They said,
24:03No, I didn't.
24:05That's right.
24:06It really was a three-part story.
24:09Mr. Otake, for example, how did you come up with the idea of doing a show where you get to know the world of TV tackle and comment on it?
24:20I didn't come up with it.
24:21First of all, Hiromi and Ichiban were in it.
24:25Oh, really?
24:26It was a variety show on TV tackle.
24:28And I was the one who pulled Takeshi's head with a wire.
24:32Oh!
24:34While I was doing that, as more and more guests became politicians,
24:40Iijima Ai was gone, and after a while, Hiromi was gone.
24:45Then political things started.
24:48Next, it's my turn.
24:50If I go in order.
24:52I thought it was a little bad.
24:54Well, I started talking about things that didn't happen.
24:58At first?
24:59At first.
25:00You don't know much.
25:03Really?
25:04I only asked if I could go in.
25:08I see.
25:09I said, you can go in.
25:11Like Hirasawa Katsuie.
25:12I said, you can go in.
25:14Oh, he said you can go in.
25:16He said, you can go in.
25:17I said, you can go in.
25:18He said, you can go in.
25:19He said, you can go in.
25:20It was great.
25:21At that time, TV tackle was really an adult side.
25:25It was fun.
25:27You were really fighting.
25:29I was really fighting.
25:31Tajima Yoko and Masuzoe.
25:34Tajima Yoko.
25:35Tajima Yoko.
25:38What do you mean?
25:39Wow, that's a great story.
25:41I saw it.
25:43You're singing now, right?
25:45Chanson.
25:46Chanson.
25:47Is that so?
25:48It was a Tajima Yoko shoot.
25:50I was wearing it with Usumi Midori.
25:53Tajima Yoko was eating beef in various places.
25:58In the end, there was a bathtub like a drummer.
26:01I was in the bathtub with Tajima Yoko and Usumi Midori.
26:07It was a hard job.
26:10It was a great job.
26:12It was a great shoot.
26:14It was a great shoot.
26:15I want to see it.
26:16I want to see the material.
26:18After that, I moved to Karuiza.
26:20Yes.
26:21I sent Karuiza by taxi.
26:26I recorded it in Roppongi and sent it to Karuiza.
26:29I sent it to Roppongi by taxi.
26:31It's amazing.
26:32I was so hungry that I went back to Karuiza twice.
26:36You went back to Karuiza.
26:38I wasn't the only one who was hungry.
26:40Everyone was hungry.
26:42I once had a silver vine in the nose of Tajima Yoko.
26:46Tajima Yoko washed the silver vine.
26:50When Tajima Yoko washed the silver vine, a fly was killed in the middle of the center of the table.
26:56Everyone thought the fly was killed by the camera.
27:04What are you talking about?
27:06Don't talk about flies.
27:09At that time, I said,
27:10Everyone's feelings are the same.
27:14No, no.
27:15There is definitely a part left.
27:17We had a big fight on the radio.
27:21A big fight?
27:22I immediately understood.
27:23Take a questionnaire.
27:24I don't know if the taste is the best.
27:29I'm going to make it more interesting, but it slips.
27:33I think it's my mistake.
27:36Then you should quit.
27:39You should quit, too.
27:40That's right.
27:41Why do you say that?
27:43I'm sorry.
27:47Sho wants to ask the city boys who survived the Heisei era.
27:54Did you eat with celebrities and friends?
27:59There was a time when it was a bubble.
28:03It's been a problem for a long time.
28:07When I was young, there were a few bubble programs.
28:13No one came.
28:17I didn't invite anyone.
28:19I heard that everyone went to the bubble.
28:23Maybe it's because the program was small.
28:26It's my fault.
28:29I don't know.
28:31I don't know.
28:33The city boys don't seem to play like that.
28:37I don't like the entertainment world.
28:41I don't like it.
28:43I don't like it.
28:44Is that so?
28:45You don't like it, do you?
28:47I don't like it.
28:48What part do you like?
28:50The entertainment world is a lump.
28:54Everyone looks familiar.
28:57It's a bad world.
29:02It's a bad world.
29:05I'm happy today.
29:09I didn't know there was such a dignified person.
29:13I don't go to the bubble.
29:16I like to play alone.
29:19Have you been playing alone for a long time?
29:20Yes.
29:21Do you have a lot of hobbies?
29:22Yes.
29:23Do you like manga?
29:25Yes.
29:26I still read manga.
29:28I still read Shonen Jump.
29:31I've been reading Shonen Jump since the first issue.
29:34That's great.
29:36Do you read it every Sunday?
29:38Yes.
29:39Do you read One Piece and Jujutsu Kaisen?
29:42Yes.
29:45I've been reading Shonen Jump every week for 36 years.
29:50I think it's still a long time.
29:51I was summoned to Shonen Jump when I was 19 years old.
29:55Is that so?
29:56At first, I read it once every two weeks.
29:58Since then, I've been reading it all the time.
30:00That's great.
30:02I don't think there's anyone like that.
30:04Have you always enjoyed Shonen Jump?
30:06I became a TV drama.
30:09I was invited to read a drama based on Shonen Jump.
30:13All my hobbies are my job.
30:16I'm in charge of all the scenes.
30:20You're just reading manga and gambling.
30:23You owe me money.
30:26I don't know what you're talking about.
30:29I'm just playing around.
30:33Love Letters won the championship.
30:38Do you watch the King of Contest?
30:42Yes.
30:43Do you watch it every time?
30:44I watch it the next day.
30:46In a hurry?
30:47In a hurry.
30:49I was wondering what you were doing on the morning show.
30:54You said you won the championship.
30:56I was in a hurry.
30:58You were in a hurry to win the championship.
31:00No one saw our championship.
31:02What?
31:03You said you won the championship.
31:06I didn't think anyone would win the championship.
31:08Poor you, Love Letters.
31:09I knew I was going to be on the show.
31:12I was going to watch it because I heard the final was left.
31:16But I didn't think I would win the championship.
31:19I didn't think I would win the championship.
31:21I was satisfied with the story.
31:23It was interesting.
31:25Do you think it's interesting to see the high-level contests?
31:30It's high-level.
31:31It's high-level.
31:33Mr. Ohtake was the judge of M-1.
31:37Do you think it's interesting to see the contests?
31:41It was interesting to see all the contests.
31:44All the contests.
31:47But when it comes to it, I see stupid people like batteries.
31:56Everyone got out of college and became my friends.
32:04All the students got out of college and went to college.
32:09Do you think you can laugh with that?
32:12I think people in this era are laughing.
32:14I think people in this era are laughing.
32:15It's like my knees are falling apart.
32:18I think so.
32:19Many people are laughing.
32:20I think so.
32:21It's amazing.
32:23I think people in their 70s don't know their age.
32:28I think people in their 70s don't know their age.
32:30I've been to all the shows of Jisonno.
32:34You've been to many contests.
32:36I'm sure you know.
32:40Jisonno said,
32:42He said,
32:43He said,
32:45He said,
32:47He said,
32:49He said,
32:51He said,
32:53He said,
32:55He said,
32:57He said,
33:00Sometimes we do the contest with Ash&D.
33:05We did it a while ago.
33:07We did it a while ago.
33:08At that time, you did it with Ash&D.
33:11Did you have anything in mind?
33:16I had a lot of things in mind.
33:19In this career?
33:21I did it the day before.
33:26I got a lot of comments.
33:28I thought so and I did it.
33:30I didn't do it.
33:32Why didn't you do it?
33:34I don't want to do the same thing.
33:37New Year.
33:39You should get used to the old.
33:41I see.
33:43You should get used to the old.
33:45You should get used to the old.
33:47I did it yesterday.
33:49I did it the same way.
33:51I tried to make it more interesting, but it slipped.
33:56That's my mistake that day.
34:00Do you think more?
34:01I think more.
34:02It's your mistake.
34:05You should shake it more.
34:07It's a mistake when you shake it.
34:09I don't do the same thing as I used to.
34:12You don't, do you?
34:13No, I don't.
34:15It's a little like Kasada.
34:18He is a wonder since he started.
34:24People who read the Jump manga don't do the same thing.
34:26They publish it in a week.
34:28Don't make a Jump.
34:30I've been doing it for a long time, so I don't think I've ever worried that the number of jobs on TV has decreased a little in my career.
34:49It's recent, isn't it?
34:51It's not recent at all, is it?
34:53I'm not lonely at all.
34:57I'm going to do it in a cool way like Ryutaro Kamioka.
35:07Then you should quit, too.
35:09Ryutaro Kamioka's beauty is...
35:11It's the last resort.
35:13You should quit, too.
35:15Why are you talking like that?
35:17I don't want to quit.
35:19Why are you talking like that?
35:21We hate each other.
35:23Stop it. Stop it.
35:25Stop it.
35:27Stop it.
35:29We hate each other.
35:31But as I said at the beginning, I don't want to be on TV with all three of us.
35:35Really?
35:37But you're on the radio now.
35:39Aren't you happy to be on the radio with all three of us?
35:41I'm sad.
35:43Are you sad?
35:45I'm sad.
35:47I'm sad.
35:49I'm sad.
35:51I'm sad.
35:53What did you say?
35:55You know the rice balls sold at supermarkets?
35:57Yes.
35:59Three, five, seven.
36:03I said seven was the best.
36:07That's a strange story.
36:09That's a strange story.
36:11You didn't know that, did you?
36:13You didn't know that, did you?
36:15We're making it at the same place.
36:17Three, five, seven.
36:19Seven is the fastest.
36:21I had a big fight with the radio.
36:23I had a big fight with the radio.
36:27I'm...
36:29I'm...
36:31I'm out of my mind.
36:33I said that.
36:35I believed you.
36:37I believed the taste was different.
36:39I believed.
36:41It's different for 7.
36:43Bring it here.
36:45Let's compare the taste of 7 and 4.
36:47Let's compare the taste of 7 and 4.
36:49It's easy to understand.
36:51He said, it's good.
36:53It tastes different.
36:55When I brought it to him,
36:57he didn't say a word about it.
36:59He said, 4-piece and 7-piece
37:01are made by another company.
37:05That's what I said.
37:07I said, that's right.
37:09I said, it's made by another company.
37:11Wait a minute.
37:13Sakuma-san, listen to me.
37:15He's not a youngster.
37:17So,
37:19in a normal supermarket,
37:21there are 7-piece,
37:234-piece and 3-piece.
37:25Do you think you can buy
37:27from the same place?
37:29I don't think so.
37:31But when I heard the word recently,
37:33I believed it right away.
37:35Why did you believe it?
37:37I don't believe it.
37:39It's strange that you don't believe it.
37:41I don't believe it.
37:43I understand it right away.
37:45Don't say stupid things.
37:47I don't believe it.
37:49It tastes different.
37:51It's different.
37:53Saiki also said
37:557-piece and 4-piece are different.
37:57Why don't you say anything, Saiki-san?
37:59I don't say anything.
38:01Saiki-san, please.
38:03Wait a minute.
38:05Wait a minute.
38:07Moreover, he didn't say
38:097-piece and 4-piece
38:11are different.
38:13He didn't say anything.
38:15I don't have to say anything.
38:17Shut up!
38:19I believed it right away.
38:217-piece and 4-piece are
38:23sold in one supermarket
38:25one or two times.
38:27It sells very well.
38:29However,
38:315-piece and 3-piece
38:33are sold a lot.
38:35So, 7-piece and 4-piece
38:37are not popular.
38:39But when you eat them,
38:417-piece and 4-piece are different.
38:43The company is different.
38:45You didn't say it.
38:47You should have said it last week.
38:49You should have said it.
38:51You should have said it.
38:53The way you hold it is different.
38:55The way you hold it is different.
38:57I didn't notice the shape.
38:59You said it tastes different.
39:01You are a team.
39:03I'm a believer.
39:05I don't doubt
39:07what Saiki-san says.
39:09For 40 years,
39:11I've been a 2-on-1.
39:13I've been a 2-on-1.
39:15You are a 2-on-1.
39:17I don't believe you.
39:19I believe you
39:21without any excuse.
39:23You believe everything.
39:25I don't lie.
39:27But I might say
39:29something wrong.
39:31You are careful.
39:33What are you talking about?
39:35What are you talking about?
39:37You are a 2-on-1.
39:39It's funny.
39:41It's OK.
39:43It's about to end.
39:45I can't drink alcohol.
39:47I can't drink alcohol.
39:49I can't drink alcohol.
39:53It was a valuable story.
39:55It was a valuable story.