• 11 hours ago
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Transcript
00:00This guy has Claudia Llanos' blood running through his veins.
00:04He's our enemy. Don't forget everything he's done to you.
00:08Claudia was the soul in pain who contacted me when she was in a trance
00:13and told me that Isabela was no longer in El Masallón.
00:19I know you. You're Margarito's girlfriend.
00:21Yes, but I saw you over there.
00:23Wait.
00:24Who?
00:31Thank you, Tito.
00:33Why are you thanking me?
00:36For what you've done for me.
00:38You convinced Teresa and the girls to move just to see me happy.
00:45Are you tired of losing, Miss Zapayán?
00:48I think you're the one who lost, Mr. De las Casas.
01:00I hope it works. Let's see.
01:11It works! It works! It works! It works!
01:15Why does that machine still work?
01:17Because it's a machine of the devil!
01:20Fran, this is worrying me.
01:23Are you using shamans to find out about your daughter?
01:27Isabela is in the cemetery.
01:29Carmen ended her life with a gunshot. That's the reality.
01:34My mother's love tells me that she's alive.
01:37It's weird that Leonardo shows up like this after so long.
01:41He looks cooler than ever.
01:45With his hairstyle.
01:47With his look.
01:49All cruel.
01:51With those beautiful and fluffy hair.
01:56I just want to see Alessia.
01:58Don't be so anxious. We just need to find a good airport.
02:01Juanito! Juanito!
02:07Alessia.
02:09Alessia!
02:11Alessia!
02:13Alessia!
02:15Alessia!
02:26If I spread my sexiness here, I'll do it.
02:28There are millions of Chinese people here.
02:30What was that? Come here.
02:32What was that? Calm down.
02:34It can't be. It can't be.
02:36I'm sorry.
02:37I don't know what's going on.
02:39We're following you everywhere because we have no other choice.
02:42We thank you.
02:44But I smashed my face against the wall again.
02:46That wasn't Alessia. I'm going crazy.
02:49Calm down. Calm down.
02:52Juanito.
02:55I'm sorry.
02:57He's with the dolls.
02:59I don't understand. What dolls?
03:01You calm down. I'm nervous.
03:03Don't worry. I know anyone can make a mistake.
03:06I never make a mistake.
03:08You don't?
03:09Maybe my cousin can help us.
03:11She works nearby.
03:13Your cousin? What does your cousin do?
03:15She makes phones.
03:16She makes phones?
03:18Does she have a workshop?
03:20It's bigger than a workshop.
03:22Let's go.
03:24Let's go.
03:26She makes weapons. I know people who make them.
03:29She makes weapons.
03:40Welcome to the city.
03:43It's bigger than Lima.
03:45I want to apologize for yelling at you.
03:48I'm sorry.
03:51Let's go inside.
03:54What a thing.
03:56Wow.
03:58We couldn't have seen this without you.
04:01We'd be in a park.
04:03I thank you for letting me help you, Jimmy González,
04:07and you, Joel González, the legend.
04:10Quack, quack, quack, quack.
04:20When the visit is over, we can talk to my cousin.
04:23She has a lot of important friends.
04:26Of course, because a Peruvian chef in China
04:28shouldn't be very common, right?
04:35What are we doing here?
04:37We just found your cousin and she turned out to be a robot.
04:39Manito.
04:41Manito, please listen to me.
04:43Joel, I love you with all my heart,
04:45but sometimes you ask stupid questions.
04:47Quack, quack, quack, quack.
04:48Let's go this way.
04:49Look.
04:51Wow, look at my pupil.
04:53This is fantastic.
04:58Follow me.
05:03Hey, what are you doing here?
05:05Another harvest.
05:07This is my cousin.
05:09Hello.
05:11Quack, quack, quack, quack.
05:12This is my brother.
05:13He's from Peru.
05:14I met them in Shanghai.
05:16They came to China to find a girlfriend.
05:18I don't know if you have anyone you can introduce.
05:21Can you help them?
05:25Joel, do you think your cousin can give us the data?
05:28No, but first let her finish her work.
05:32She has to change.
05:35Can we see her cell phone?
05:37Yes.
05:38Ah, you understand.
05:40She understands.
05:41Manito.
05:48What are you doing?
05:50They are building equipment.
05:52They are building accessories.
05:55Ah.
06:03What are they doing now?
06:05Connecting the main board and the sub-board.
06:07They are connecting the main board and the sub-board.
06:20What are they doing now?
06:23Building the middle structure.
06:37What are they doing now?
06:39Checking and installing the sub-board.
06:42The last check.
06:44After that, they are building the sub-board.
06:52After that, they are building the sub-board.
06:58What are you doing now?
07:00I'm doing the last check.
07:13What are they doing now?
07:15The process is over.
07:17The phone is ready.
07:20So, your cousin can help us now?
07:22Yes.
07:32Ah, Manito.
07:33The factory is beautiful, isn't it?
07:35Yes, Mano.
07:36Do you think they can give us a phone?
07:39Don't worry.
07:40You can find this technology in Peru.
07:43Really?
07:44Of course.
07:45Come on.
07:46Come on, Manito.
07:48What did he tell you?
07:50What do you know, Pechín?
07:53He's making fun of me, Mano.
07:55I know I'm beautiful.
07:57Mano, Mano, Mano.
07:58Please, just a moment.
08:00Shut up!
08:01What's going on with Pechín?
08:03What are you doing?
08:17What a lovely night we've had, ah?
08:19What a nice opening, ah?
08:21We already have a good memory of our first night in our nest of love.
08:26I've slept so much better in this room.
08:29You can't hear anything at all.
08:32Yes, right?
08:34Come in.
08:38Hi, Tere.
08:40We're moving.
08:41Yes, I heard you.
08:43Did you hear us?
08:44Loud and clear.
08:46We were just tidying up the furniture.
08:49I don't care.
08:51Look, we're adults and we're not going to give you explanations.
08:54You don't need to.
08:55All I'm going to ask is that you be discreet when my son is at home, okay?
08:59It was the emotion.
09:01Thank you for letting us move to this room.
09:04Well, as long as Charo doesn't come to claim what's hers, there's no problem.
09:08Excuse me, neighbors.
09:10Mezura.
09:12Yes, it was the first night, you know.
09:15The emotion.
09:27What if Charo comes back?
09:29Honey, don't worry.
09:31When Charo comes back, we'll be living in our own apartment.
09:38I love hearing you say those things.
09:41You have to say it and say it so it comes true.
09:44You have to declare it.
09:48When are you going to come?
09:50I need you to teach me that new step.
09:52I need to learn a new step.
09:54Come back.
09:55I love it.
09:57Please help me.
09:59They stole me.
10:01Didn't they steal you yesterday?
10:03Yes.
10:04You're Chato's girlfriend, right?
10:05Yes.
10:06But Chato doesn't live here.
10:08I'm from Maripaz.
10:09My dad bought me a cell phone and they stole it again.
10:11Please help me.
10:12I'm in crisis.
10:13They stole you again?
10:14Yes.
10:15Please go over there.
10:16Over there?
10:17Yes, please.
10:18Come on, please.
10:22Now we're talking.
10:26Come on, let's go.
10:56Let's go.
10:57Let's go.
11:24Were those rockets?
11:26Were those rockets?
11:27Sure.
11:28These unconscious people.
11:30Why don't anyone think about the puppies?
11:32I haven't seen many puppies around here.
11:34Well, it's true.
11:38How comfortable I've slept here.
11:42Are you sure you've slept comfortably?
11:44Yes.
11:45I like to sleep on the hammock. Why?
11:47It's not the best for your spine.
11:49Why?
11:50My dad has slept here all his life and has not had any problems.
11:57We did it.
11:59What are you talking about?
12:01No, nothing.
12:03Nothing, nothing.
12:06Hey, didn't your grandfather get burned?
12:09What if they weren't rockets?
12:13No.
12:19Miss!
12:22The thief escaped again!
12:27He's not here again, he's not here.
12:29No!
12:30Neutronics!
12:31No!
12:32Now I'm screwed.
12:34I'm out of a job now.
12:36No.
12:37Oh, dear God.
12:39It can't be.
12:40I'm gone.
12:41I'm gone.
12:42I'm gone.
12:45And now what am I going to do?
12:47What am I going to do?
12:52Here's the banana I asked for!
12:56I can't believe it!
12:58Neutronics, you are indestructible!
13:04Valentín, I received your message!
13:06You did it! You are the best!
13:08No, we didn't do anything.
13:10We did it much earlier.
13:12What? What? What happened to me?
13:13Felix just bought a banana.
13:16But how is this possible?
13:17Who is attempting against Mr. Miguel Ignacio's machine?
13:27Ah!
13:28These guys think I was born yesterday, right?
13:32I don't understand.
13:33I understand why they hate this machine.
13:37What are we going to do?
13:38The winery has the days cut off.
13:40That's it.
13:45Poor Mr. Gilberto.
13:47Now we are going to lose him.
13:56Ah!
14:17What are those explosions?
14:19Some vandals were bursting fireworks, Mrs. Maldini.
14:22I thought pyrotechnics was prohibited in this district.
14:25It is.
14:26But apparently, these misfits don't care about anything.
14:29It must be the front line.
14:31Please don't open the door ever again.
14:34Never again.
14:36It's so hot.
14:37Why don't you open the window?
14:39What is this?
14:41It's so hot.
14:42What?
14:53It's open.
14:55Oh no.
15:00Mrs. Maldini, are you okay?
15:03Mrs. Maldini.
15:04Mrs. Maldini.
15:06Are you okay?
15:07Are you okay?
15:08Breathe, please.
15:09Breathe, please.
15:10Breathe.
15:11Breathe! Breathe! Please breathe!
15:13Please react! Tell me something, please!
15:15Don Diego! Don Diego, please!
15:17Come quick!
15:18Save me, please!
15:19Frank?
15:20Frank, are you okay?
15:21Call an ambulance!
15:22Yes, yes, yes, yes, yes!
15:23Frank!
15:25Please!
15:27What happened?
15:28He smoked in the window!
15:34Hello?
15:36Help!
15:38Hello?
15:41Help!
15:48What is that?
15:50It looks like a hand coming out of the ground.
15:54It looks like a hand, but...
15:56But it's not a hand, it can't be a hand.
15:58Hands don't grow in gardens.
16:00Well, very strange things happen in your garden, sir.
16:03Lucio, don't let yourself be carried away by the malicious news they're saying out there.
16:07Rather, why don't you come closer to verify that it's not a hand?
16:12Come closer?
16:13Yes, to make you cry.
16:15It must be a mushroom or...
16:17a... a crot, a hand-shaped calendula.
16:21Mr. Diego, I appreciate the opportunity, but I'd better go.
16:24And don't worry about my compensation for working hours, okay?
16:29This is never going to end.
16:32Frank.
16:35Frank.
16:37The ambulance is coming.
17:08That's not a real hand.
17:21Do you think it's going to work?
17:22It will work.
17:23Valentino, if that machine doesn't disappear before Mr. Gilberto comes back...
17:26It will disappear.
17:29It's going to work.
17:30It's going to work.
17:31It's going to work.
17:32It's going to work.
17:33It's going to work.
17:34It's going to work.
17:35It's going to disappear.
17:37It could be an attack or something. Think about it.
17:39Princess.
17:41Can you trust me, please?
17:43Can you do it?
17:46I can.
17:49Hey, when is the venerable old man from the hippy-pippy-ling coming back?
17:53I think in a few days.
18:03Family!
18:05Wait, little turtle.
18:09Let's go to the patio.
18:12And there we give them the surprise.
18:16What a good idea, Bijín.
18:20Let's go in quietly.
18:26Poor Mr. Gil.
18:28When he finds out that his winery has failed him...
18:36At the count of three, let's surprise Julio in his room.
18:40Yes.
18:42One, two, three.
18:45Surprise!
18:52Oh, sorry.
18:53Sorry.
18:54Excuse me.
18:55Excuse me.
18:56We didn't know you were here.
19:00Congratulations on the marriage.
19:04Yes, thank you.
19:06We would have invited you, but there was no time.
19:10Mr. Gil has changed his look, hasn't he?
19:13It's just that my little turtle told me to leave a little beard.
19:18Yes, he doesn't look so handsome.
19:20Look at my little tiger.
19:25Well, you won't know, excuse me, but there's a draft coming in.
19:29Oh, a draft.
19:30How nice.
19:32Keep going, keep going.
19:34They're at home.
19:36Yes, with all the comfort, quiet.
19:40Let's close.
19:41Yes, yes, yes.
19:42See you later.
19:45What are Tito and Lorena doing in Julie's room?
19:50It doesn't show, really.
19:52Oh no, my God.
19:54How horrible.
19:56Why don't we give the surprise to Teresita?
20:03Well, let's go.
20:07Surprise!
20:14We haven't seen anything.
20:17Oh, mother of God, forgive our sins.
20:22How much did you get to see?
20:24Enough.
20:25I mean, a little, a little, a little, a little.
20:28What, because it wasn't a good idea to be so surprised?
20:32No, no, we already know for the next one that it is not a very good idea to be surprising people.
20:41But how nice it feels to return home, right?
20:44That's right.
20:45Yes.
20:52What?
20:54So that old man in the wheelchair was once your father-in-law,
20:59and now he's like a kind of dragged employee who only uses you for fun.
21:05I love it!
21:07It's so calm.
21:09The turns that life gives.
21:11Ah, but the girl who drives like a seductress.
21:15What a woman's level, huh?
21:17It's not that it shows that he's taken her out of a hole.
21:19But what hole would he have taken her out of?
21:21No, because no one takes away the look of a climber.
21:25Of course, now the girl thinks she found her sure daddy.
21:31But how long will the grace last?
21:33Two, three months maximum, right?
21:35But you saw her well, didn't you?
21:37You saw her well.
21:41You saw her well.
21:50Are you tired of losing, Miss Zapallano?
21:53I think the one who lost is you, Mr. De Las Casas.
22:04But you saw her, didn't you?
22:05Tell me you saw her.
22:06You saw her.
22:10I saw her very well.
22:12Horrible!
22:16Don Diego, I'm going to retire.
22:19I called an ambulance.
22:20Excuse me.
22:22I can't say it was a pleasure to work with you.
22:25Don't worry, Lucio.
22:27You don't have to go.
22:33Everything has an explanation.
22:37Don Diego, I'm going to retire.
22:38I can't say it was a pleasure to work with you.
22:41You don't have to go.
22:43You don't have to go.
22:56Here, here, the emergency line.
23:06I can't get away from Miquel Ignacio's machine, not for a minute.
23:26I'm coming, little machine!
23:36How is my wife?
23:38I'm coming, little machine!
24:06Mr. Leonardo, what a surprise!
24:09He liked to visit the house of his ex-political family.
24:13Hey, and that ambulance?
24:15Mrs. Francesca is sick.
24:18I haven't heard very well, but it seems that the thing is serious.
24:26What happened to Francesca?
24:28And you still ask, you bastard!
24:31You have no respect for the memory of your deceased wife!
24:35I can help you with something.
24:36You know how you help by disappearing?
24:38I don't want to see you anymore!
24:39But where are you taking her?
24:41To the New Lomas Clinic.
24:55I have a bad feeling.
24:57I hope Mrs. Francesca can tell her.
25:00Hey, Felix, do you know where the New Lomas Clinic is?
25:03Yes.
25:04Take a taxi.
25:05It will cost you a maximum of 10 soles.
25:07Okay.
25:09Hey, Felix, I'm a little embarrassed, but don't you have 10 lucas that you can lend me?
25:13Mr. Leonardo, are you asking me for money?
25:15What's going on? Since the last time I saw you, things haven't gone well.
25:18You know, artists suffer.
25:19No, calm down, calm down.
25:21I think I have it right here.
25:24Hey, there it is.
25:2510 soles?
25:26Yes.
25:27Perfect.
25:28Come on, you passed.
25:29Hey, do you want me to give you 5 lucas back?
25:32How?
25:33From there I see it, from there I see it.
25:34And for you I am Leonardo Azecas.
25:37See you.
25:38Leonardo Azecas.
25:39Don't worry.
25:40Here I am going to bet on you.
25:43Leonardo Azecas.
25:4510 soles.
25:49Excuse us for opening the windows without warning, but we wanted to give you a surprise.
25:58In the end, we take the surprise.
26:01We did not know that you had changed the rooms with a girl.
26:09Yes, we offered them to move to the room above and they accepted happily.
26:14It is still momentary until we can buy our little apartment or our little house.
26:19Yes, that is our dream.
26:21Oh, married people want a house.
26:24And speaking of moving, my TV is still in my room.
26:29Oh, here you are.
26:32How much I missed you.
26:35And we are going to get up to date watching all the episodes of La Rosa de Guadalupe, Peru.
26:40Yes, it's fine.
26:42We are very happy that you are here with us again, Mr. Gil.
26:45Yes, good holidays.
26:46Have you gotten in?
26:47Ah, in Chalhuanca we had a great time with my turtle.
26:53We had a great time and just in case we brought a memory for everyone.
26:57Hey!
27:01And what about the baby that does not go out to greet her father?
27:06It's in the bathroom, Mr. Gil.
27:07But it's not a baby anymore.
27:09Now it's Mrs. Tere.
27:13What do you mean by that, Lorenita?
27:15You'll see, Mr. Gil.
27:17Yes, some things have changed around here.
27:24What a surprise!
27:27Oh, pretty. Papa Gilberto.
27:29Teresita, with that hairstyle you look so much like your mother.
27:35Like two drops of vinegar.
27:37You are her living portrait.
27:40Camacho genes predominate.
27:43Accelerated her beauty.
27:45And the unbearable too.
27:47Shut up with my mucus.
27:48I'm going to take your room away.
27:50No, no, I didn't say anything.
27:51Sorry, Mrs. Tere.
27:52Teresita?
27:53Mrs. Tere.
27:55Sorry, Mrs. Tere.
27:58Why are you dressed like that?
28:01First of all, to pay tribute to the founder, the creator.
28:07To the matriarch, Nelly Camacho.
28:10And secondly, to follow the legacy of her great last name.
28:16What a beautiful tribute you are paying, Teresita.
28:21Teresita no!
28:23Mrs. Tere, Papa.
28:25Mrs. Tere.
28:27And this look is also to face the worst of the enemies.
28:34Diego Montalban?
28:35One worse.
28:36Worse than him? I can't imagine.
28:40Miguel Ignacio de las Casas.
28:43Who is Miguel Ignacio de las Casas?
28:46But I already told you.
28:48When?
28:50The whistle you missed.
28:54And since you don't know, the last one he did to us.
29:02Can't you go faster?
29:04Turn up the volume of the siren.
29:05What is it for?
29:06Calm down, please.
29:07Don't tell me to calm down.
29:09Inept.
29:10My wife can give you anything.
29:11And you are not attending her properly.
29:14I'm going to sue you for negligence.
29:16Hurry up, hurry up.
29:18Faster.
29:20Faster.
29:29Ah, how good that Greta stayed with her parents.
29:37Neutronics.
29:38All right?
29:39You don't have to answer me.
29:42Watchman.
29:44All right around here?
29:45Yes, everything is fine, everything is quiet, everything is soft.
29:49Any news?
29:50No, no news.
29:52It's just quiet because Mrs. Francesca had her ultimate attack.
30:10Trini.
30:12Put the fifth teletubbie.
30:15Putting the fifth teletubbie.
30:19Putting the fifth teletubbie.
30:33Why are you so happy, Miguel Ignacio?
30:36Because life is good for me, Trini.
30:39I have health, money, love.
30:42And on top of that, my enemy is getting closer and closer to the grave.
30:50Hello.
30:51Mikey?
30:53We have to talk.
30:54Ah, and now what do you want to talk about, Gretita?
30:58When are you going to make me official?
31:00My love, but don't you think we're old enough for those things?
31:04But I need to know.
31:07Ah, someday I will do it, okay?
31:10When?
31:11Soon, soon, please.
31:13And now let me call my friend Diego,
31:15because his wife is on the phone.
31:17Your friend the chef?
31:18The one who married an old woman just for his money?
31:21That's right.
31:22The same one, exactly.
31:23Yes?
31:24See you later.
31:25Bye, my love.
31:26Bye.
31:27Kisses.
31:28Muah.
31:37Official.
31:47Ah.
31:49That saltimbangui and the other charlatan must have suggested it with their stupidities.
31:56Maybe they themselves buried the mannequin in my garden.
32:00Miserables.
32:02Hello, Miguel Ignacio.
32:07I'm in an emergency.
32:08Francesca got sick from a bad taste joke.
32:11No, I don't know anything.
32:12I'm waiting for news from her.
32:15Familiars of Mrs. Francesca Maldini?
32:18Yes, I have to hang up.
32:19They're calling me.
32:20I'll call you later.
32:22I'm her husband.
32:23Tell me, how is she?
32:32Why does it take so long?
32:38Ready, my love.
32:39I'm ready for my great act of excitement.
32:44And why are you dressed like Emo?
32:46No.
32:47I'm not Emo.
32:49I am...
32:52Criss Angel.
32:54Who is that?
32:55Criss Angel, my favorite illusionist,
32:57who inspired me to disappear that machine of the devil.
33:01Mr. Vizcacha.
33:04Olinda.
33:05Don Gilberto.
33:06What are you doing here?
33:07We just arrived and we found out that Mr. Vizcacha Estreñida
33:11has put a machine that has taken away the clientele of the winery.
33:15Is that true, little butterfly?
33:19Yes, no.
33:21More or less.
33:22But you know that the winery always has its loyal customers
33:24who do not abandon it.
33:25Yes, but the sales have gone down.
33:27Valentino.
33:29I want to see her.
33:30He's out, Mr. Gilberto.
33:37Mr. Gilberto, Olinda, they're back.
33:40Hello, Felix.
33:44So it's the machine that has been taking away the clients.
33:48What a weird thing.
33:49It looks like a fridge.
33:50It's much more than that, Olinda.
33:51This machine has everything.
33:54I want to talk to the one who answers.
33:57I want to talk to him.
33:58No, no, no.
33:59It's an intelligent machine.
34:00You ask him for something and he gives it to you.
34:01Oh, how is it going to be?
34:03Let's see, I want a chicken sauce.
34:07First you have to pay for your order.
34:10But where do I put the coins?
34:12They don't even have a hole.
34:14Oh, what coins?
34:16This is a modern machine.
34:18It doesn't accept coins.
34:20You can pay with a card or with your QR.
34:24Oh yeah?
34:25Let's see if what you say is true.
34:29Let's see.
34:32Chicken sauce.
34:41It can't be.
34:45It can't be.
34:47Machine of the devil.
34:57This sauce is delicious.
35:01With this machine, my business can go bankrupt.
35:06No, no, no.
35:09Calm down, Gilguerito.
35:12Don't get a stroke or something worse.
35:14Calm down.
35:16I can lose my little winery.
35:18No, don't worry, Mr. Gilberto.
35:20That machine is not going to beat us.
35:21Yes, Mr. Gil.
35:22We have already planned to disappear it.
35:24Work hard to recover the customers.
35:27Yes.
35:28I want to take a break.
35:30This is causing me.
35:35No, no, no.
35:36Calm down.
35:37Let me help you.
35:38Let's go, let's go, let's go to the room.
35:50Frank.
35:53Frank Shakir is in the room next door.
35:56Yes, yes.
35:58How are you?
36:01You're going to be fine, calm down.
36:02Don't worry.
36:04Isabela.
36:05No, no, no.
36:06Don't think about that now.
36:07Isabela.
36:09She's alive.
36:10The doctors have asked me to keep you a little longer
36:13to do some tests.
36:15Claudia's hand.
36:17It wasn't Claudia's hand.
36:19It was a mannequin that someone put there to bother you.
36:22A mannequin?
36:25But don't worry about that.
36:27I'm going to find the culprit.
36:32Julio is coming this way.
36:34You should have told him to call the ambulance.
36:36Suddenly Mr. Gil wants to go to the other neighborhood.
36:38Shut up.
36:40Let your mouth crack.
36:41My daddy is strong as a rock.
36:43Yes, but years don't go unnoticed, Teresa.
36:45Tito, shut up already.
36:48Maybe that's my destiny.
36:52Die.
36:53Die.
36:54Die.
36:55Die.
36:56Maybe that's my destiny.
36:59Die at once.
37:00Shut up, Gilguerito.
37:02You still have many years ahead of you.
37:04Exactly, daddy.
37:05You have rope for a while.
37:08Not so much rope.
37:10If that machine of the devil continues to compete with me.
37:15Can't you do anything to get her out of here?
37:17No.
37:18Miguel Ignacio has all the permits of the municipality.
37:20Surely that guy is tied up with the mayor.
37:22Oh, my dear.
37:25I don't want him to disappear.
37:29Oh, my God.
37:31What if we call a priest?
37:32What?
37:40What happened?
37:43Mr. Gilberto is back.
37:44No.
37:45Oh, no.
37:46Is he dead?
37:48So we have dressed up as emo for the priest?
37:50We are not emo.
37:51We are Chris Angel.
37:52He didn't die.
37:53He just got sick.
37:55Because now the machine is taking his entire foot out of the winery.
37:58If that machine continues to operate.
38:00It could be the end of Mr. Gilberto's winery.
38:03We are nothing.
38:04We are nothing.
38:06My mom has asked me a lot of questions since I left the house like this.
38:09I have to go to the psychologist.
38:10I'm with Miquel.
38:11Well, I'm going to get my niece.
38:13But what?
38:14So the plan is not going anymore?
38:16No.
38:20The plan is still in progress.
38:23That machine has to disappear.
38:25Yes or yes.
38:28We're just going to have to wait for the right time to be able to do it.
38:45Excuse me.
38:46Mrs. Francesca Maldini is hospitalized here?
38:48Yes, sir.
38:49Are you a relative of Mrs. Maldini?
38:51No.
38:52I am a friend of the family.
38:53I would like to be able to see her.
38:54At the moment, her husband is with her.
38:57Look.
38:58He was just going to leave.
39:01Diego.
39:03How dare you bury that mannequin in our garden?
39:09I don't know what you're talking about.
39:11You want to drive my wife crazy.
39:13Francesca worries me.
39:15I want to see that she is fine.
39:17Don't be the good Samaritan.
39:19No.
39:20What you want is money.
39:21I know perfectly well what kind of person you are.
39:24Why do you distrust me so much if you've never done anything?
39:26Not to me.
39:27But you destroyed Francesca's life.
39:29Because of you, Isabella died.
39:31Hey.
39:32I was also a victim of my family.
39:34Oh, please.
39:35That role of victim doesn't suit you at all, saltimbanque.
39:38I loved Isabella more than my own life.
39:41And I have affection for Francesca.
39:43I want to know if she's okay.
39:44You're filling my patience.
39:46Get away from my wife.
39:47I won't repeat it to you.
39:48Let me go.
39:49Let me go.
39:50Listen to me.
39:51The muki said his soul was not in the spiritual plane.
39:54Please stop putting those nonsense in Francesca's head.
39:58You and the other charlatan have made her get to this situation.
40:02Diego, the shaman is not a charlatan.
40:04I have nothing to do with him.
40:06This is real.
40:08And this too.
40:10Security!
40:11Security!
40:13Don't come near my wife again.
40:15What's going on here, gentlemen?
40:17I didn't let him in.
40:18He just wants to hurt my wife.
40:21Sir, withdraw.
40:24Withdraw.
40:36The pill will relax him and he will be able to sleep a little.
40:40Thank you, Julisita.
40:42Because he didn't sleep anything on the way back to Lima.
40:46However, no oversleeping.
40:48He has to be very calm.
40:49Do we agree?
40:50Don't worry.
40:51I'll make sure he doesn't get up from bed until tomorrow.
40:55I could never be calm.
40:59While that machine of the devil is still next to my model.
41:05Damn starfish.
41:09What a piece.
41:11Oh, please.
41:12Daddy, you already heard Julie.
41:15You have to keep her calm.
41:17If not, she can give you a kick.
41:19Teresita.
41:21Our house and the winery are in danger.
41:25While that guy continues to live in the new slums.
41:29No, daddy.
41:30Nobody is going to take our house away from us.
41:33And the winery will continue to work as always.
41:37With you or without you.
41:38Uncle!
41:39Don't listen to him, Don Gil.
41:41We are not going to allow that guy to do something against us.
41:44Yes, we will be a single fist.
41:46A single family.
41:47Of many surnames.
41:48Exactly.
41:49Collazos.
41:50Flores.
41:51Lara.
41:52Contreras.
41:53Collo Neche.
41:54But a united family.
41:56Thank you for giving me that tranquility.
42:02Well, family.
42:03I think it would be better if we go and let Don Gil rest.
42:07Did you hear the nurse?
42:09Everyone out.
42:10Yes.
42:11Rest in peace.
42:12There is no support.
42:13I'll take it.
42:14Rest, Don Gil.
42:15I love you, daddy.
42:21You know, Olindita.
42:23No surprise.
42:24Thank you, Teresita.
42:31Wednesday machine!
42:42Where have I seen this mannequin before?
42:49Oh my God!
42:50Who knocks on the door that way?
42:52Suddenly there are some people.
42:54Don't worry, I'm going.
42:57Caterpillar of soulless savages!
43:00Engendros of hell!
43:02Tranquilizer!
43:03I'm going!
43:04I'm going!
43:05I'm going!
43:06I'm going!
43:07I'm going!
43:08I'm going!
43:09I'm going!
43:10Engendros of hell!
43:11Calm down, ratatouille that only presents.
43:14You are just one thing.
43:16Look, calm down or I'll slap you on the head.
43:18We slap you.
43:19Of course.
43:20Take care of your gender to make them offended.
43:23You may know what this, that mannequin of garbage did,
43:28buried in my garden.
43:30Ah, profanador de tumbas!
43:32Why did you bury Julissa and rest in peace?
43:35In peace in my garden?
43:37Why in my garden?
43:38Well, because the hole was already made
43:40and I was close to the house to visit her.
43:42Ah, well, for your great idea,
43:44now Francesca is debating between life and death.
43:47And do you need the hole to bury her?
43:49What?
43:50Tito, don't be stubborn.
43:53I just warn you that if you get into my house again,
43:56I'm going to lock you up
43:58and there will be no power in the world to get you out of the dungeon.
44:01Uh-huh.
44:31Let's go.
45:01To be continued
46:02We are in the lost city.
46:07I say forbidden.
46:31I say forbidden.
46:35Give me a ticket.
46:37Give me a ticket.
46:38I want to go to China today.
46:42I want to reach her.
46:44I want to catch her little yellow heart.
46:50My son is waiting for me there,
46:52under the sun.
46:56On one of the frontiers,
46:59under your belt.
47:04He has promised me a hangar,
47:06and here he gave me ...
47:13I'm not going to give up
47:16without fighting that machine.
47:26What a delicious nap.
47:32Now I'm going to do my morning round.
47:37Hey, what's that?
47:41Mr. Miguel Ignacio will have covered the machine
47:43to protect it at night?
47:46But I'm going to take this off.
47:48Don't think you're out of service.
47:56Oh!
47:58San Juan Blessed!
48:00He's not here.
48:11Who's knocking at the door at this hour?
48:14It's the busy watchman,
48:16Miguel Ignacio.
48:26What's up, Felix?
48:28Mr. Miguel Ignacio, how are you?
48:30Sorry to bother you.
48:32I would like to know if you, by chance,
48:34have kept your machine.
48:36What machine?
48:37The Neutronics.
48:39No, I haven't kept it anywhere. Why?
48:42Because it's not in its place.
48:48I thought you had covered it
48:50to protect it from the cold at night,
48:52but when I take the cloth off,
48:54I'm surprised that there's no machine.
48:56It disappeared like magic.
48:59The Neutronics were stolen.
49:01Suddenly, as it's an intelligent machine,
49:04it went out for a walk at night.
49:06All this is your fault, watchman.
49:09No, Mr. Miguel Ignacio, don't say that.
49:11I swear I watched it all night.
49:13Then why isn't the machine there?
49:15I don't know why it's not there,
49:17but I'm going to investigate it today.
49:19You don't need to investigate.
49:21The machine has an incorporated GPS
49:23with the exact location of where it is.
49:25Oh, that's great.
49:27But this mistake...
49:29This mistake is going to cost you dearly, watchman.
49:32Very dearly.
49:37God bless you.
49:38A hug, Mr. Los Guabrillos.
49:44Do you know anything about Leonardo?
49:47Why do you ask me about him?
49:49Forget about that bastard.
49:51It's not about being happy, it's not about trusting.
49:53Forget about him and the charlatan
49:55who told you all those things in the spiritualist session.
49:59It's not good for you to remember those sad moments in your life.
50:07What are you doing here?
50:08Wait, wait, wait.
50:09Hey, hey, hey.
50:10What's going on?
50:11What's going on?
50:12What's going on?
50:13Wait, wait, wait.
50:14We are not poor, but we are honored.
50:16You are confusing me.
50:17I don't have a car.
50:18I don't have a car.
50:19Ignacio, where is the machine?
50:21What machine?
50:34And I really don't lie when I say that I would give up everything I have
50:39for having Otito and Gladys by my side.
50:41Who is Gladys?