Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 13 Completo HD
Category
🎥
Short filmTranscript
00:00This guy has Claudia Llanos' blood running through his veins.
00:04He's our enemy. Don't forget everything he's done to you.
00:08Claudia was the soul in pain who contacted me when she was in a trance
00:13and told me that Isabela was no longer in El Mazallón.
00:19I know you. You're Margarito's girlfriend.
00:21Yes, I saw you over there.
00:23Wait.
00:24Who?
00:31Thank you, Tito.
00:33Why are you thanking me?
00:36For what you've done for me.
00:38You convinced Teresa and the girls to move just to see me happy.
00:45Are you tired of losing, Miss Zapayal?
00:48I think you're the one who lost, Mr. De las Casas.
01:00I hope it works. Let's see.
01:11It works! It works!
01:13It works, it works, it works!
01:15Why does that machine still work?
01:17Because it's a machine of the devil!
01:20Fran, this is worrying me.
01:23Are you using shamans to find out about your daughter?
01:27Isabela is in the cemetery.
01:29Carmen ended her life with a gunshot. That's the reality.
01:34My mother's love tells me she's alive.
01:37It's weird, besides, that Leonardo appears like this after so long.
01:41He looks cooler than ever.
01:45With his hairstyle, with his look.
01:49He's all pulcro.
01:51With those beautiful and frizzy hair.
01:56I just want to see Alesia.
01:57Don't be so anxious.
01:58We just need to find a nice airport.
02:01Juanito, Juanito!
02:02There she is.
02:07Alesia.
02:08Juanito!
02:09Juanito!
02:10Juanito!
02:11Juanito!
02:12Juanito!
02:13Juanito!
02:14Juanito!
02:15Juanito!
02:16Juanito!
02:17Juanito!
02:26If I spread my sexiness, I'll do it.
02:28There are millions of Chinese.
02:30What was it?
02:31Come here.
02:32What was it?
02:33Calm down.
02:34It can't be.
02:35Calm down.
02:36It can't be again.
02:37Sorry.
02:38I don't know what's going on.
02:39We're following you everywhere because we have no other choice.
02:42We thank you.
02:43We thank you.
02:44But I hit my face against the wall again.
02:46That wasn't Alesia.
02:47I'm going crazy.
02:48Calm down.
02:49Calm down.
02:50Calm down.
02:51Juanito, Juanito.
02:52Juanito.
02:53Juanito.
02:54Juanito.
02:55Juanito.
02:56Juanito.
02:57Juanito.
02:58Juanito.
02:59Juanito.
03:00Juanito.
03:01Juanito.
03:02Juanito.
03:03Juanito.
03:04Juanito.
03:05Juanito.
03:06Juanito.
03:07Juanito.
03:08Juanito.
03:09Juanito.
03:10Juanito.
03:11Juanito.
03:12Juanito.
03:13Juanito.
03:14Juanito.
03:15Juanito.
03:16Juanito.
03:17Juanito.
03:18Juanito.
03:19Juanito.
03:20Juanito.
03:21Juanito.
03:22Juanito.
03:23Let's go. Come on, let's go.
03:25I know people who disarm them.
03:28But to disarm them?
03:40Welcome to the living city.
03:42This is bigger than Lima.
03:45I want to apologize for inviting you.
03:47I understand your apology.
03:50Let's go in there.
03:54What a thing.
03:56Wow.
03:58We couldn't have seen this without you.
04:01We would be in a park.
04:03I thank you for letting me help you, Jimmy González,
04:07and you, Joel González, the legend.
04:10Quack, quack, quack, quack.
04:20When the visit is over, we can talk to my cousin.
04:23She has many important friends.
04:26Of course, because a Peruvian chef in China
04:28shouldn't be very common, right?
04:35What are we doing here?
04:37We just found your cousin and she was a robot.
04:39Manito.
04:41Manito, Manito, please listen to me.
04:43Joel, I love you with all my heart.
04:45But sometimes you ask stupid questions.
04:47What's going on?
04:48Let's go here.
04:49Look.
04:51Wow, look at my pupil.
04:53This is fantastic.
04:58Follow me.
05:03Hey, what do you want?
05:05Another harvest.
05:07This is my cousin.
05:09Ni hao.
05:10Ni hao, ni hao.
05:11This is the legend, Quack, quack, quack.
05:12This is my brother.
05:13Yes, from Peru.
05:14I met them in Shanghai.
05:16They came to China to find a girlfriend.
05:18I don't know if you have anyone you can introduce.
05:21You can help them.
05:25Joel, do you think your cousin can give us the data?
05:28No, but first let her finish her work.
05:32She has to change.
05:35Can we see her cell phone?
05:38Ah, you understand.
05:40She understands.
05:41Oh, Manito.
05:48What are they doing?
05:50They are assembling accessories.
05:55Ah.
06:03And now what are they doing?
06:05Connecting the main board and the sub-board.
06:07They are connecting the main board and the sub-board.
06:20And now what are they doing?
06:23Assembling the middle structure.
06:37And now what are they doing?
06:39Checking the main board and the sub-board.
06:42The last check after assembling the back cover.
06:48Oh.
06:52And now what are you doing?
06:54Yes, yes, I'm doing the last check.
06:56Doing the last check.
06:59Oh.
07:07And now what are they doing?
07:09The whole process is over.
07:11The phone is ready.
07:13To take it, to take it.
07:14So your cousin can't help anymore?
07:16No, she can't.
07:19Oh, Manito.
07:21The factory is beautiful, isn't it?
07:22Yes, Mano, yes.
07:24Hey, do you think they can give us a phone?
07:27No, no, don't worry, don't worry.
07:28You can find this technology in Peru.
07:31Really?
07:32Of course.
07:33No, no.
07:34No, no.
07:35Oh, Manito, you.
07:36Oh, how nice.
07:38How nice.
07:39How nice.
07:40How nice.
07:41How nice.
07:42How nice.
07:43How nice.
07:44How nice.
07:45How nice.
07:46How nice.
07:47How nice.
07:48How nice.
07:49What did he tell you?
07:50What do you know about Beijing?
07:53You're making fun of me, Mano.
07:55I know I'm beautiful.
07:57Mano, Mano, Mano, Mano, Mano.
07:58Please, just a little while.
07:59Just a little while.
08:00Eat, eat.
08:01Shut up.
08:02What's wrong with Beijing?
08:04What a night we've had, huh?
08:07What a good opening, huh?
08:09We already have a good memory of our first night in our little nest of love.
08:14I've slept a lot better in this room.
08:17You can't hear anything at all.
08:20Yes, right?
08:21Yes.
08:22Yes.
08:23Yes.
08:24Yes.
08:25Yes.
08:26Yes.
08:27Yes.
08:28Yes.
08:29Yes.
08:30Yes.
08:31Yes.
08:32Yes.
08:33Yes.
08:34Yes.
08:35Yes.
08:36Yes.
08:37Go ahead.
08:38Hello, Tere.
08:39We're moving.
08:40Yes, I heard you.
08:41Did you hear us?
08:42Loud and clear.
08:43We're just setting up the furniture.
08:45Which finger do I suck?
08:46Look, we're adults and we're not going to give ourselves explanations.
08:52You don't need to.
08:53All I'm going to ask is that you be discreet when my son is at home, okay?
09:00Gracias por dejarnos mudarnos a este cuarto.
09:04Mientras la Charo no venga a reclamar lo que es suyo, no hay problema.
09:08Permiso, vecinos.
09:10Mesura.
09:12Sí, fue la primera noche, tú sabes.
09:15Una emoción.
09:27¿Y si la Charo regresa?
09:29Amor, no te preocupes.
09:31Cuando regrese la Charo,
09:33ya estaremos viviendo en nuestro propio departamento.
09:38Me encanta escucharte decir esas cosas.
09:41Hay que decirlo y decirlo para que se cumpla.
09:44Hay que decretar.
09:48¿Cuándo vas a venir?
09:50Necesito que me enseñes ese paso nuevo.
09:52Necesito aprender un paso nuevo.
09:55Me encanta.
09:57Me han robado de nuevo, por favor, ayúdame, por favor.
10:00Me robaron, me robaron, me robaron, me robaron.
10:02¿A ti no te robaron ayer?
10:03Sí.
10:04¿Tú eres la novia del Chato, dices?
10:06Sí.
10:07Pero el Chato no vive acá.
10:09Soy a mí de Maripaz.
10:10Mi papá me compró tu celular y me han robado de nuevo.
10:12Por favor, ayúdame. Estoy en crisis, no sé qué hacer.
10:14¿Otra vez te han robado?
10:15Sí, por favor, se fue por allá.
10:17Por allá.
10:18Por favor, anda, por favor.
10:23Ahora sí, compadre, ahora sí.
10:27Vamos.
10:57Vamos.
11:24¿Esos fueron cohetes?
11:25Were they rockets?
11:27Sure.
11:29Oh, these unconscious.
11:31What if no one pinches the puppies?
11:33I haven't seen many puppies around here.
11:35Well, it's true.
11:39How comfortable I've slept here.
11:43Are you sure you've slept comfortably?
11:45Yes, I like to sleep in the hammock, why?
11:47It's not the best for your spine.
11:49Why? My dad has slept here all his life and has not had any problems.
11:56We did it!
11:58What are you talking about?
12:00No, nothing.
12:02Nothing, nothing.
12:06Hey, didn't your grandfather get burned?
12:08What if they weren't rockets?
12:19Miss!
12:21The thief escaped again!
12:26He's not here again, he's not here.
12:28No!
12:30Neutronics!
12:32No, now I'm screwed.
12:34I'm out of a job now.
12:36No.
12:38Oh, God.
12:40It can't be.
12:42I'm gone, I'm gone, I'm gone.
12:44And now what am I going to do?
12:46What am I going to do?
12:48What am I going to do?
12:52Here's the banana I asked for!
12:56I can't believe it, Neutronics.
12:58You are indestructible!
13:04Valentín, I received your message.
13:06You did it, you are the best!
13:08No, we didn't achieve anything.
13:10We achieved it much earlier.
13:12What, what, what happened to me?
13:14Feli just bought a banana.
13:16But how is this possible?
13:18Who is attempting against Mr. Miguel Ignacio's machine?
13:28These guys think I was born yesterday, huh?
13:32I don't understand.
13:34I understand why they hate this machine.
13:36What are they going to do?
13:38The winery has days cut off.
13:40Days cut off?
13:44Poor Mr. Gilberto.
13:46We are going to lose him now.
13:56My banana!
13:58Mr. Miguel!
14:00Mr. Miguel!
14:02Mr. Miguel!
14:04Mr. Miguel!
14:06Mr. Miguel!
14:08Get out of the way!
14:10Get out of the way, crazy!
14:17What are those explosions?
14:19Some gangs were bursting them, Mrs. Maldini.
14:22I thought that in this district it was forbidden to go to the pyrotechnics.
14:25It is, but apparently these misfits don't care about anything.
14:29It must be the front row.
14:31Please, don't open the door ever again.
14:34Never again.
14:35What the hell? Why don't you open all the windows?
14:39What is this?
14:41What the hell?
14:52That hand!
14:55Oh no!
14:59Mrs. Maldini?
15:01Are you okay?
15:02Mrs. Maldini?
15:04Mrs. Maldini?
15:06Are you okay?
15:07Are you okay?
15:08Breathe, please.
15:09Breathe, please.
15:10Breathe, breathe, breathe.
15:12Breathe, please.
15:13Please react.
15:14Tell me something, please.
15:16Don Diego!
15:17Don Diego, please!
15:18Come quickly!
15:19Please, Frank.
15:20Frank, are you okay?
15:22Call an ambulance.
15:23Yes, yes, yes, yes.
15:24Frank.
15:28What happened?
15:29There's smoke coming out of the window.
15:34Hello?
15:36Help!
15:38Hello?
15:48What is that?
15:50It looks like a hand coming out of the ground.
15:54It looks like a hand, but...
15:56But it's not a hand. It can't be a hand.
15:58Hands don't grow in gardens.
16:00Well, very strange things happen in your garden, sir.
16:03Lucio, don't get carried away by the malicious news
16:06that they're saying out there.
16:07Rather, why don't you come closer to verify
16:10that it's not a hand?
16:12Come closer?
16:13Yes, to make sure.
16:15It must be a mushroom,
16:17a crot, a hand-shaped calendula.
16:21Mr. Diego, I appreciate the opportunity,
16:23but I'd better go.
16:24And don't worry about my compensation
16:26for working hours, okay?
16:29This is never going to end.
16:32Frank.
16:35Frank.
16:37The ambulance is coming.
17:01The ambulance is coming.
17:17That's not a real hand.
17:19It's a hand.
17:30Wait, it's working.
17:31It will work.
17:32Valentino, if that machine doesn't disappear
17:34before Mr. Gilberto gets back...
17:35It will disappear.
17:38It could give him a heart attack or something. Think about it.
17:40Princess.
17:41Can you trust me, please?
17:44Can you do it?
17:47I can.
17:49Hey, when will the venerable old man
17:51from the hippy-pipi-ling come back?
17:53I think in a few days.
18:03Family!
18:05Wait, Tortolita.
18:09Let's go to the patio.
18:12We'll give them the surprise there.
18:16What a good idea, Pichín.
18:19Let's go in quietly.
18:26Poor Mr. Gil.
18:28When will he find out that his wine cellar has failed him?
18:36At the count of three,
18:37we'll surprise Yulia in her room.
18:40On your count.
18:42One, two, three.
18:45Surprise!
18:49Surprise!
18:52Oh, sorry.
18:53Sorry.
18:54Excuse me.
18:55Excuse me.
18:56We didn't know you were here.
19:00Congratulations on your marriage.
19:04Oh, yes.
19:06We would have invited you, but...
19:08But there was no time.
19:10Mr. Gil has changed his look, hasn't he?
19:14It's just that my Tortolita told me
19:16to grow a little beard.
19:18Yes, he doesn't look so handsome.
19:25Well, you'll have to excuse us,
19:27but there's a cold breeze coming in.
19:29Oh, it's called a cold breeze.
19:30How nice.
19:32Keep going.
19:33Keep going.
19:34They're at home.
19:36Yes?
19:37With all the comfort.
19:38Quiet.
19:40Let's close.
19:41Yes, yes, yes.
19:42See you later.
19:44What are Tito and Lorena doing
19:46in Choli's room?
19:50It doesn't show, really.
19:52Oh, no, my God.
19:54How horrible.
19:56Why don't we give the surprise
20:00to Teresita?
20:03Well, let's go.
20:07Surprise!
20:13Surprise!
20:14We haven't seen anything.
20:17Oh, my God.
20:19Forgive our sins.
20:22How much did you get to see?
20:24Enough.
20:25I mean, a little.
20:26A little, a little, a little.
20:28I don't think it was a good idea
20:30to be so surprised.
20:32No, no.
20:33We already know for the next one
20:34that it's not a very good idea
20:36to be surprising people.
20:39But how nice it feels
20:41to return home, right?
20:42That's right.
20:50Oh, my God.
20:53So that old man
20:54in the wheelchair
20:55was once your father-in-law
20:57and now he's like
20:58a kind of dragged employee
21:00that you use only to have fun.
21:03I loved it.
21:05It's so charming.
21:07It's so charming.
21:09The turns that life gives.
21:12But the girl
21:13who drives like a seductress.
21:16What a woman's level, huh?
21:17It's not that it shows
21:18that he's taken her out of a hole.
21:20But what hole
21:21would he have taken her out of?
21:22No, because the look of a climber
21:24no one takes away from her.
21:26Of course.
21:27Now the girl thinks
21:28she found her sure daddy.
21:31But how long will the grace last?
21:33Two, three months maximum, right?
21:35But you saw her well, didn't you?
21:37You saw her well.
21:49Are you tired of losing,
21:50Miss Zapallano?
21:52I think
21:53the one who lost
21:54is you,
21:56sir of the houses.
22:03But you saw her, didn't you?
22:04Tell me you saw her.
22:08I saw her very well.
22:10Horrible.
22:15Don Diego,
22:16I'm going to retire.
22:17I called an ambulance.
22:18Excuse me.
22:20I can't say
22:21it was a pleasure
22:22to work with you.
22:23Don't worry, Lucio.
22:26You don't have to go.
22:28You don't have to go.
22:34Everything has an explanation.
22:36Don Diego!
22:40Don Diego!
22:50Don Diego!
22:56Don Diego!
22:57Here, here!
22:58To the right!
23:06I don't know what's going on, but I can't leave Miquel Ignacio's machine for a minute.
23:26I'm going, little machine!
23:36How is my wife?
23:38I'm going, little machine!
24:06Mr. Leonardo, what a surprise!
24:09He liked to visit the house of his ex-political family.
24:13Hey, and that ambulance?
24:15Mrs. Francesca is sick.
24:18I haven't heard very well, but it seems that the thing is serious.
24:26What happened to Francesca?
24:28And you still ask, you bastard!
24:31You have no respect for the memory of your deceased wife!
24:35I can help you with something.
24:36How do you help disappearing? I don't want to see you anymore!
24:39But where are you taking her?
24:41To the New Lomas Clinic.
24:55I have a bad feeling. I hope Mrs. Francesca can tell her.
25:00Hey, Felix, do you know where this New Lomas Clinic is?
25:03Yes. Take a taxi. It will cost you 10 soles maximum.
25:07Okay.
25:09Hey, Felix, I'm a little embarrassed, but don't you have 10 lucas that you can lend me?
25:13Mr. Leonardo, are you asking me for money?
25:15What's going on? Since the last time I saw you, things haven't gone well.
25:18You know, artists suffer. We don't earn that much.
25:20Calm down, calm down. I think I have it right here.
25:24Hey, there it is.
25:2510 soles?
25:26Yes.
25:27Perfect.
25:28Come on, you passed.
25:29Hey, do you want me to eat 5 lucas and come back?
25:32What?
25:33I see it there, I see it there.
25:34And for you I am Leonardo Azecas.
25:37See you.
25:38Leonardo Azecas. Don't worry.
25:40Here I am going to bet on you.
25:43Leonardo Azecas.
25:4610 lucas.
25:49Excuse us for opening the windows without warning,
25:54but we wanted to give you a surprise.
25:58In the end, we take the surprise.
26:01What a surprise.
26:05We didn't know you had changed rooms with a girl.
26:10Yes, we offered them to move to the upper room and they accepted happily.
26:15It's still temporary until we can buy our apartment or our little house.
26:20Yes, that's our dream.
26:23Married people want a house.
26:26And speaking of moving, my TV is still in my room.
26:30Oh, here you are.
26:33I missed you so much.
26:36And we are going to get up to date watching all the episodes of La Rosa de Guadalupe, Peru.
26:41Yes, it's fine.
26:43We are very happy that you are here with us again, Mr. Gil.
26:46Yes, have a good vacation.
26:49In Chalhuanca, we had a great time with my turtle.
26:54We had a great time and just in case we brought a memory for everyone.
26:59And what about the baby that doesn't go out to greet her father?
27:06It's in Galway, Mr. Gil, but it's not a baby anymore.
27:09Now it's Doña Tere.
27:12What do you mean by that, Lorenita?
27:15You'll see, Mr. Gil.
27:17Yes, some things have changed around here.
27:24What a surprise.
27:27Oh, pretty. Papa Gilberto.
27:30Teresita, with that hairstyle you look so much like your mother.
27:35Like two drops of vinegar.
27:38You are her living portrait.
27:40Camacho genes predominate.
27:43Accelerated her beauty.
27:46And the unbearable too.
27:47Shut up, eat moco.
27:49I'm going to take your room.
27:50No, no, I didn't say anything. Sorry, Mrs. Tere.
27:52Teresita?
27:54Mrs. Tere.
27:55Sorry, Mrs. Tere.
27:58Why are you dressed like that?
28:01First of all, to pay tribute to the founder, the creator.
28:07To the matriarch, Nelly Camacho.
28:10And secondly, to follow the legacy of her great last name.
28:17What a beautiful tribute you are paying, Teresita.
28:21Teresita, no.
28:23Mrs. Tere, dad. Mrs. Tere.
28:27And this look is also to face the worst of enemies.
28:34Diego Montalban.
28:35One worse.
28:36Worse than him? I can't imagine.
28:40Miguel Ignacio de las Casas.
28:43Who is Miguel Ignacio de las Casas?
28:46But I already told you.
28:48When?
28:50La Vizca que es reina.
28:54And since you don't know the last thing she did to us.
29:02Can't you go faster?
29:04Turn up the volume of the siren. Why do you have it?
29:06Calm down, please.
29:08Don't tell me to calm down.
29:09Inept.
29:10My wife can give you anything.
29:11And you are not serving her properly.
29:14I'm going to sue you for negligence.
29:16Hurry up, hurry up.
29:18Faster.
29:29How good that Greta stayed with her parents.
29:37Neutronics.
29:38All right?
29:39You don't have to answer me.
29:42Watchman.
29:44All right over here?
29:45Yes, everything is fine, everything is quiet, everything is soft.
29:49Any news?
29:51No, no news.
29:53It's just quiet because Mrs. Francesca had her ultimate attack.
30:10Trini.
30:12Put the fifth teletubbie.
30:15Putting the fifth teletubbie.
30:33Why are you so happy, Miguel Ignacio?
30:36Because life is good with me, Trini.
30:39I have health, money, love.
30:42And on top of that, my enemy is getting closer and closer to the grave.
30:53Hello?
30:54Mikey?
30:56We need to talk.
30:58And now what do you want to talk about, Gretita?
31:01When are you going to make me official?
31:03My love, don't you think we're too old for those things?
31:07But I need to know.
31:10Someday I'll do it, okay?
31:13When?
31:14Soon, soon, please.
31:16And now let me call my friend Diego because his wife is delicate.
31:21Your friend the chef?
31:23The one who married an old woman just for his money?
31:26That's right, the same one, exactly.
31:28Yes?
31:29See you later.
31:30Kisses.
31:31Muah!
31:34Ah!
31:37Ah!
31:42Ah!
31:47Ah!
32:02Hello, Miguel Ignacio?
32:04I'm in an emergency.
32:05Francesca got sick because of a bad taste joke.
32:08No, I don't know anything.
32:09I'm waiting for news from her.
32:14Family of Mrs. Francesca Maldini?
32:16Yes, I have to hang up.
32:17They're calling me.
32:18I'll call you later.
32:19I'm her husband.
32:21Tell me, how is she?
32:24Why does it take so long?
32:29Ready, my love.
32:30I'm ready for my great act of illusion.
32:35And why are you dressed like Emo?
32:37No.
32:38I'm not Emo.
32:40I am...
32:43Cricket.
32:44Cricket.
32:45Cricket.
32:46Cricket.
32:47Cricket.
32:48Cricket.
32:49Cricket.
32:50Cricket.
32:51Cricket.
32:53Criss Angel.
32:54Who is that?
32:55Criss Angel, my favorite illusionist,
32:57who inspired me to get rid of that devil machine.
33:01Mr. Cricket!
33:04Olinda!
33:05Mr. Gilberto!
33:06What are you doing here?
33:07We just got here and we found out
33:09that Mr. Cricket has put a machine
33:12that has taken away the clientele from the winery.
33:15Is that true, butterfly?
33:19Yes.
33:20No.
33:21More or less.
33:22But you know that the winery always has its loyal clients
33:24who don't leave it.
33:25Yes, but since sales have gone down, they have gone down.
33:27Valentino!
33:29I want to see her.
33:30She's outside, Mr. Gilberto.
33:37Mr. Gilberto, Olinda, you're back.
33:40Hi, Felix.
33:44So it's the machine that has been taking away my clients.
33:48What a weird thing. It looks like a fridge.
33:50It's much more than that, Olinda.
33:52This machine has everything.
33:55I want to talk to the caterer.
33:57I want to talk to him.
33:58No, no, no. It's an intelligent machine.
34:00You ask for something and it gives it to you.
34:02Oh, how is it going to be?
34:04Let's see, I want a chicken sauce.
34:08First you have to pay for your order.
34:10But where do I put the coins?
34:12They don't even have a hole.
34:14Oh, what coins?
34:16This is a modern machine.
34:18It doesn't accept coins.
34:20You can pay with a card or with your QR code.
34:23Oh, really?
34:24Let's see if what you say is true.
34:29Let's see.
34:32Chicken sauce.
34:42It can't be.
34:46It can't be!
34:48Machine of the devil.
34:58This sauce is delicious.
35:02With this machine, my business can go bankrupt.
35:07No, no, no.
35:10Calm down, Gilguerito.
35:13Don't get a stroke or something worse.
35:15Calm down.
35:16I can lose my little winery.
35:18No, don't worry, Mr. Gilberto.
35:20That machine is not going to beat us.
35:22Yes, Mr. Gil, we have already planned to disappear it.
35:24Work hard to recover the customers.
35:27Yes.
35:28I want to take a break.
35:31This is causing me...
35:35No, Maria, calm down.
35:36Problematic.
35:37Calm down.
35:38Let's go, let's go, let's go.
35:47Frank.
35:49Frank, Shakira is in the room next door.
35:53Yes, yes.
35:55How are you?
35:57You're going to be fine, calm down.
35:59Don't worry.
36:00Isabella.
36:01No, no, don't think about that now.
36:03Isabella is alive.
36:07The doctors have asked me to give you a little more time
36:09to do some tests.
36:11Claudia's hand.
36:13It wasn't Claudia's hand.
36:15It was a mannequin that someone put there to bother you.
36:18A mannequin?
36:21But don't worry about that.
36:23I'm going to find the culprit.
36:30Gilberto, drink this little water from Azar.
36:32It will help you calm down.
36:35Julie is coming this way.
36:37You should have told her.
36:39Julie is coming this way.
36:40You should have told her to call the ambulance.
36:42Suddenly Mr. Gil wants to go to the other neighborhood.
36:44Shut up, you whore.
36:46Let your mouth crack.
36:48My daddy is strong as a oak.
36:50Yes, but years don't go by in vain, Teresa.
36:52Tito, shut up already.
36:54Maybe that's my destiny.
36:58Die at once.
37:00Shut up, Gilberto.
37:02You still have many years ahead of you.
37:04Exactly, daddy.
37:05You have a rope for a while.
37:08Not so much rope.
37:10If that machine of the devil continues to compete with me.
37:15Can't you do anything to get her out of here?
37:17No, Miguel Ignacio has all the permits of the municipality.
37:20Surely that guy is tied up with the mayor.
37:22Oh, my dear.
37:25I don't want him to disappear.
37:29Oh my God.
37:31What if we call a priest?
37:38Hey, what happened?
37:41Mr. Gilberto is back.
37:43No.
37:44Oh no.
37:45Is he dead?
37:46What?
37:47Then we are dressed as emos for the sake of it?
37:49We are not emos.
37:50We are Chris and Jenny.
37:52No, he died.
37:53He just got sick.
37:54Because now the machine is taking away the whole winery.
37:57If that machine continues to operate.
37:59It could be the end of Mr. Gilberto's winery.
38:02We are nothing.
38:03We are nothing.
38:04We are nothing.
38:05My mom has asked me a lot of questions since she saw me leave the house like that.
38:09I have to tell the psychologist that I am with Miquel.
38:11Well, I'm going to call my sister-in-law.
38:13But what?
38:14So the plan is no longer going or what?
38:16No.
38:20The plan is still in progress.
38:23That machine has to disappear.
38:25Yes or yes.
38:28We'll just have to wait for the right time to be able to do it.
38:34What?
38:45Excuse me.
38:46Mrs. Francesca Maldini is hospitalized here?
38:48Yes sir.
38:49Are you familiar with Mrs. Maldini?
38:51No.
38:52I am a friend of the family.
38:53I would like to be able to see her.
38:55At the moment your husband is with her.
38:57Look.
38:58He was just going to leave.
39:01Diego.
39:03How do you think of burying that mannequin in our garden?
39:09I don't know what you're talking about.
39:11You want to drive my wife crazy.
39:13Francesca worries me.
39:15I want to see that she is fine.
39:17Don't be the good Samaritan.
39:19What you want is money.
39:21I know perfectly well what kind of person you are.
39:24Why do you distrust me so much if you've never done anything to you?
39:26Not to me.
39:27But you destroyed Francesca's life.
39:29Because of you, Isabella died.
39:31Hey.
39:32I was also a victim of my family.
39:34Oh, please.
39:35That role of victim doesn't suit you at all, saltimbanque.
39:38Hey.
39:39I loved Isabella more than my own life.
39:41And I have affection for Francesca.
39:43I want to know if she's okay.
39:44Excuse me.
39:45You are filling my patience.
39:46Get away from my wife.
39:47I'm not going to repeat it to you.
39:48Diego, let me go.
39:49Let me go.
39:50Listen to me.
39:51The monkey said his soul was not in the spiritual plane.
39:54Please stop putting those nonsense in Francesca's head.
39:58You and the other charlatan have made her get to this situation.
40:02Diego, the shaman is not a charlatan.
40:04I have nothing to do with him.
40:06This is real.
40:08And this too.
40:10Security.
40:11Security.
40:13Don't come near my wife again.
40:15What's going on here, gentlemen?
40:17Don't let him in.
40:18He just wants to hurt my wife.
40:21Sir, withdraw.
40:24Withdraw.
40:28Withdraw.
40:37The pill will relax you so you can sleep a little.
40:41Thank you, Julissita.
40:43Because I did not sleep anything on the way back to Lima.
40:46However, no overkill.
40:48You have to be very quiet.
40:49Are we in agreement?
40:50Don't worry.
40:52I will make sure that she doesn't get up from bed until tomorrow.
40:55I'll never be able to rest in peace
40:59while that machine of the devil
41:01is still at the side of my little cellar.
41:05Damned starfish!
41:09What a shame!
41:11Oh, don't cry, please.
41:12Papito, you already heard Yuli.
41:15You have to keep calm,
41:16otherwise she can kick you.
41:18Teresita,
41:21our house and the cellar are in danger.
41:25As long as that guy is still living in Las Nuevas Lomas.
41:29No, Papito,
41:30no one is going to take our house away.
41:33And the cellar
41:34will continue to function as usual.
41:37With you or without you.
41:38Tito!
41:39Don't listen to her, Don Gil.
41:41We won't let that guy do anything against us.
41:44Yes, we will be one fist.
41:46One family.
41:47With many surnames.
41:48Exactly.
41:49Collazos.
41:50Flores.
41:51Zapaillal.
41:52Lara.
41:53Contreras.
41:54A united family.
41:55Thank you for giving me that tranquility.
42:02Well, family,
42:03I think it would be best
42:04if we go and let Don Gil rest.
42:07Did you hear the nurse?
42:08Everyone out.
42:09Yes.
42:10May he rest in peace.
42:11Tito!
42:12So there is no noise.
42:13I'll take it.
42:14Please.
42:15Rest, Don Gil.
42:16I love you, Papito.
42:22You know, Olindita,
42:23no surprise.
42:32Wednesday machine!
42:33Olins!
42:52Where have I seen this mannequin before?
42:59Who knocks on the door that way?
43:03Don't worry, I'll go.
43:06Caterpillar of soulless savages!
43:09Engenders of hell!
43:11Calm down, Ratatouille,
43:13who else is present?
43:14You are just one thing.
43:16Look, do you calm down
43:17or do I slap you from head to toe?
43:18We slap you.
43:19Of course.
43:20Shield yourself in your gender
43:21to make yourself offended.
43:23You may know
43:24what this,
43:26that mannequin of garbage
43:28did buried in my garden.
43:30Ah, profaner of graves!
43:32Why did you bury Julissa
43:34and she has rested in peace?
43:35In peace in my garden?
43:37Why in my garden?
43:38Well, because the hole was already made
43:40and I was close to the house
43:41to visit her.
43:42Ah, well, for your great idea,
43:44now Francesca
43:45debates between life and death.
43:48And do you need the hole to bury her?
43:50What?
43:51Tito, don't be stubborn.
43:53I just warn you
43:54that if you get into my house again,
43:57I will lock you up
43:58and there will be no power in the world
43:59to get you out of the dungeon.
44:05I'm not used to
44:07being treated that way.
44:08I'm sorry.
44:09This time it was my fault.
44:10Well,
44:11take care of your husband,
44:13otherwise you will have to face
44:14his stupidities.
44:17Tito, I told you
44:18to get rid of her.
44:20But I did that.
44:22Oh, Julissa,
44:23I have missed you so much.
44:26Too bad Lorena
44:27doesn't understand us.
44:30Goodbye.
44:57To be continued
45:27To be continued
45:58To be continued
46:03We are in the city
46:05lost.
46:08I mean, forbidden.
46:14To be continued
46:27To be continued
46:57To be continued
46:58To be continued
46:59To be continued
47:08To be continued
47:14I am not going to give up
47:17without fighting that machine.
47:20To be continued
47:22To be continued
47:24To be continued
47:25Ah, that was a good night's sleep.
47:32Now it's time for my morning round.
47:37Hey, what's that?
47:41Did Mr. Miguel Ignacio cover the machine to protect it at night?
47:46But I'm going to take this off. Don't think it's out of service.
47:56Oh! San Juan Bendito! He's not here.
48:11Who's knocking at the door at this hour?
48:14It's the busy watchman, Miguel Ignacio.
48:26What's up, Felix?
48:28Mr. Miguel Ignacio, how are you? I'm sorry to bother you.
48:32I'd like to know if by any chance you've kept your machine.
48:36What machine?
48:37The Neumtronics.
48:39No, I haven't kept it anywhere. Why?
48:42Because it's not in your cinema.
48:48I thought you had covered it to protect it from the cold at night.
48:51But when I take the cloth off, I'm surprised that there's no machine.
48:56It disappeared like magic.
48:59The Neumtronics were stolen!
49:02Suddenly, as it's an intelligent machine, it went out for a walk at night.
49:07All this is your fault, watchman.
49:09No, Mr. Miguel Ignacio, don't say that. I swear I watched it all night.
49:13Then why isn't the machine there?
49:15I don't know why it's not there, but I'm going to investigate it right now.
49:18You don't need to investigate.
49:20The machine has an incorporated GPS that will tell us the exact location of where it is.
49:25Oh, that's great!
49:27But this mistake...
49:29This mistake is going to cost you dearly, watchman.
49:32Very dearly!
49:37God bless you! Hugs to the kids!
49:44Do you know anything about Leonardo?
49:47Why do you ask me about him?
49:49Forget about that bastard, don't trust him.
49:52Forget about him and the charlatan who told you all those things in the spiritist session.
49:58It's not good for you to remember those sad moments of your life.
50:06What are you doing here?
50:07To the wall! To the wall!
50:10What's wrong? What's wrong?
50:12To the wall, miss.
50:13Let's see, let's see, let's see.
50:14We are poor but honored, you know?
50:16You're confusing me!
50:17I don't have my car, I don't have my car!
50:19Hey, hey, hey! Silence!
50:20Where is the machine?
50:21What machine?
50:34And I really don't lie when I say that I would give up everything I have
50:39for having Otito and Gladys by my side.
50:47Who is Gladys?