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00:00:00We have more important things to attend to than this pataleta.
00:00:08It's not a pataleta.
00:00:11I'm just telling you what I saw.
00:00:12Do you have a problem with me?
00:00:13You have a 10, right?
00:00:14No.
00:00:15I ...
00:00:16Shut up, I said.
00:00:17Send her to take her ass before she drags you.
00:00:18Wow, how you left the coverage, right?
00:00:19Ma'am, that's the police station.
00:00:20A trafficker has appeared in the area.
00:00:21We just want to help her.
00:00:22You can go now.
00:00:23Get out.
00:00:24Get out.
00:00:25Get out.
00:00:26Get out.
00:00:27Get out.
00:00:28Get out.
00:00:29Get out right now.
00:00:30Wait a minute, mom.
00:00:31What are you up to?
00:00:32But what the hell are you doing?
00:00:33You don't see that I'm giving up my life to get us out of here, do you?
00:00:34Let's have the party in peace.
00:00:35Come on, come on.
00:00:36Let me go.
00:00:37He spends the day lying around like a piece of junk.
00:00:38Do you know what your fucking problem is?
00:00:39That you don't know how to tie in short.
00:00:40I'm going to let him drive for me.
00:00:41What happened?
00:00:42A fight between drug addicts?
00:00:43It seems something more serious than that.
00:00:44A shot in the head.
00:00:45Can you photograph this?
00:00:46A shot?
00:00:47A shot in the head.
00:00:48A shot in the head.
00:00:49A shot in the head.
00:00:50A shot in the head.
00:00:51A shot in the head.
00:00:52A shot in the head.
00:00:54Why are they of high class?
00:00:56You're going to tell me.
00:00:57It's because of your paranoid.
00:00:58Come on.
00:00:59Let me go.
00:01:00Let me show you the arms.
00:01:01It's a love.
00:01:02He may have something.
00:01:03Celso wants to talk to me.
00:01:04I think he knows where his son is.
00:01:05We can offer a favor for your son.
00:01:06Not a word to the boy about this.
00:01:07He has committed a robbery.
00:01:08He is in the hospital.
00:01:09He's not going to say no.
00:01:10Do you know anything?
00:01:11I don't know.
00:01:12It's not like I was going to tell him something.
00:01:13Let's take her to the hospital.
00:01:14Come on.
00:01:15She's not going to get up.
00:01:16Come on.
00:01:17I don't know.
00:01:18I didn't see.
00:01:19The boy, not a word of this.
00:01:21He made a mistake, I don't want him to make another.
00:01:23We have several agents watching the building.
00:01:25Not a single shit.
00:01:29Police!
00:01:30I won't repeat it to you, hands where I see them!
00:01:37Let's go.
00:01:39Let's go!
00:01:49Police!
00:01:50Police!
00:01:51Police!
00:01:52Police!
00:01:53Police!
00:01:54Police!
00:01:55Police!
00:01:56Police!
00:01:57Police!
00:01:58Police!
00:01:59Police!
00:02:00Police!
00:02:01Police!
00:02:02Police!
00:02:03Police!
00:02:04Police!
00:02:05Police!
00:02:06Police!
00:02:07Police!
00:02:08Police!
00:02:09Police!
00:02:10Police!
00:02:11Police!
00:02:12Police!
00:02:13Police!
00:02:14Police!
00:02:15Police!
00:02:16Police!
00:02:17Police!
00:02:18Police!
00:02:19Police!
00:02:20Police!
00:02:21Police!
00:02:22Police!
00:02:23Police!
00:02:24Police!
00:02:25Police!
00:02:26Police!
00:02:27Police!
00:02:28Police!
00:02:29Police!
00:02:30Police!
00:02:31Police!
00:02:32Police!
00:02:33Police!
00:02:34Police!
00:02:35Police!
00:02:36Police!
00:02:37Police!
00:02:38Police!
00:02:39Police!
00:02:40Police!
00:02:41Police!
00:02:42Police!
00:02:43Police!
00:02:44Police!
00:02:45Police!
00:02:46By disobeying the order, the suspect...
00:02:52...took possession of his gun with the clear intention of using it.
00:02:55Incorrect.
00:02:58Incorrect intention.
00:03:12It's best for everyone.
00:03:14Especially for you.
00:03:44I'm sorry.
00:03:45I'm sorry.
00:03:46I'm sorry.
00:03:47I'm sorry.
00:03:48I'm sorry.
00:03:49I'm sorry.
00:03:50I'm sorry.
00:03:51I'm sorry.
00:03:52I'm sorry.
00:03:53I'm sorry.
00:03:54I'm sorry.
00:03:55I'm sorry.
00:03:56I'm sorry.
00:03:57I'm sorry.
00:03:58I'm sorry.
00:03:59I'm sorry.
00:04:00I'm sorry.
00:04:01I'm sorry.
00:04:02I'm sorry.
00:04:03I'm sorry.
00:04:04I'm sorry.
00:04:05I'm sorry.
00:04:06I'm sorry.
00:04:07I'm sorry.
00:04:08I'm sorry.
00:04:09I'm sorry.
00:04:10I'm sorry.
00:04:11I'm sorry.
00:04:12I'm sorry.
00:04:13I'm sorry.
00:04:14I'm sorry.
00:04:15I'm sorry.
00:04:16I'm sorry.
00:04:17I'm sorry.
00:04:18I'm sorry.
00:04:19I'm sorry.
00:04:20I'm sorry.
00:04:21I'm sorry.
00:04:22I'm sorry.
00:04:23I'm sorry.
00:04:24I'm sorry.
00:04:25I'm sorry.
00:04:26I'm sorry.
00:04:27I'm sorry.
00:04:28I'm sorry.
00:04:29I'm sorry.
00:04:30I'm sorry.
00:04:31I'm sorry.
00:04:32I'm sorry.
00:04:33I'm sorry.
00:04:34I'm sorry.
00:04:35I'm sorry.
00:04:36I'm sorry.
00:04:37I'm sorry.
00:04:38I'm sorry.
00:04:39I'm sorry.
00:04:40I'm sorry.
00:04:41I'm sorry.
00:04:43Ana.
00:04:46Ana.
00:04:51No, I don't want to.
00:04:53It's hard to get in, but it's going to help you.
00:05:01I don't know where to start.
00:05:03Start at the end.
00:05:08You mean when I discovered you, right?
00:05:12Yes.
00:05:15If in childbirth they told us what it's like to suffer for a child,
00:05:19we'd push.
00:05:20But inwardly.
00:05:31I can't stop thinking about what I've done wrong.
00:05:35Looking for guilt instead of causes.
00:05:39The unconsciousness of youth.
00:05:41Those who run away.
00:05:42Those who do nothing to avoid it.
00:05:44And I don't just mean the police.
00:05:47Ana.
00:05:48I assure you that what you have been able to influence in your daughter's addiction
00:05:51is insignificant compared to that.
00:05:53But you have to know how to focus on the problem.
00:05:56It's no longer about fighting only for the future of the children,
00:05:59as they have all done since the houses were built.
00:06:03Now it's about saving their lives at your own expense.
00:06:07I assure you that I don't know any mother who isn't willing to pay that price.
00:06:23It's for you.
00:06:24Get your act together.
00:06:25Find out where you're putting them.
00:06:26With Martínez.
00:06:28Flores.
00:06:29Carterista in Portalgo.
00:06:30To spend money.
00:06:32Am I going alone?
00:06:36Yes.
00:06:38Bye.
00:06:39Bye.
00:06:49Boss.
00:06:50I wanted to ask him for a few days off.
00:06:53I see.
00:06:54And what's the plan?
00:06:55Lock yourself in your house and throw the key out the window?
00:06:58Well, maybe. I don't know.
00:06:59Let's see.
00:07:00Roger isn't a saint.
00:07:01If he had a gun on him, he would have shot you.
00:07:03Believe me.
00:07:04He doesn't have a record for firearms.
00:07:08What if he dies because of me?
00:07:09He's out of danger.
00:07:12Really?
00:07:13They called the hospital a while ago.
00:07:15He'll get out of this one.
00:07:17I can assign you office tasks.
00:07:19Although, if you prefer to stay at home...
00:07:21No, no. It's fine like this.
00:07:26Forget about national product.
00:07:27Nadiuska's is a front-runner, not a lightning one.
00:07:30What do you say, boss?
00:07:31Nadiuska or La Bárbara Rey?
00:07:33I don't give a shit.
00:07:34Shut up already, damn it.
00:07:37Look, he's coming.
00:07:44Come on, let's go.
00:08:03Let's go.
00:08:12Motherfucker.
00:08:14Motherfucker. Let's go, let's go.
00:08:15Start the car, damn it!
00:08:18Stop! Police!
00:08:20Freeze!
00:08:21Stop!
00:08:24Police!
00:08:29Let's go!
00:08:34Let's go!
00:08:36Do you need help, Pepe?
00:08:37No, dammit.
00:08:38You ate all the omelette.
00:08:40You're so clumsy.
00:08:41I don't like it.
00:08:42How can I not eat your omelette?
00:08:44It's the best in all of Madrid.
00:08:46Give me the key.
00:08:48I've got it in my pocket.
00:08:50Here, in a drawer.
00:08:52Wait, wait, wait.
00:08:53A little to the left, a little to the right.
00:08:54You're so stupid, Quinta.
00:08:56Hey, girl.
00:08:57Seriously.
00:08:58Now, seriously.
00:09:00We're going to be fine.
00:09:02Okay?
00:09:04I'll go back in the taxi.
00:09:05You, with the seam.
00:09:07In the lady's house, I knew what was going to happen to me at the end of the month.
00:09:12I'll go first.
00:09:13From the Communist Party
00:09:15to the fact that you accept alimony from that one.
00:09:17Well, I prefer it long-term, Rufo.
00:09:19But, of course, you can't do anything about that.
00:09:21Hey, my uncle is my thing.
00:09:23Don't worry.
00:09:26Okay?
00:09:33What?
00:09:38What?
00:09:41Chiqui.
00:09:44Look at me.
00:09:46I promise I'm not going to fuck her.
00:09:51Hey.
00:09:53You know I love you, don't you?
00:10:03Do you know or don't you know?
00:10:06Hmm?
00:10:07Do you know or don't you know?
00:10:10They're going to see us, Quinta.
00:10:11You fool.
00:10:12You make me a fool.
00:10:21Gemma.
00:10:24What are you doing there?
00:10:26Don't you care?
00:10:29No.
00:10:30Don't you care?
00:10:32What's this, Gemma?
00:10:35Fuck you.
00:10:36Give me that.
00:10:37This is mine.
00:10:38This is mine.
00:10:39No.
00:10:40This is mine.
00:10:41Fuck you.
00:10:42No, fuck you.
00:10:45How can you?
00:10:46Do you know what this coat is?
00:10:47Your father gave it to me.
00:10:48Give me money.
00:10:49Whatever.
00:10:50Tell me, Piro.
00:10:51Go home, Gemma.
00:10:52Give me money, damn it.
00:10:53Please.
00:10:54Give me money.
00:10:55I can't.
00:10:56Give me money.
00:10:57You know it was my money too, right?
00:10:58It was my dad's.
00:11:00What are you doing?
00:11:20Clothes.
00:11:30Let's see.
00:11:32Today is Thursday.
00:11:33And here we have a wonderful tradition on Thursdays,
00:11:35which is that we're going to eat paella
00:11:37in a bar next door.
00:11:39And you can't miss this.
00:11:41But look, since it's the first time, I'm going to invite you.
00:11:44What do you say?
00:11:47Maybe another day.
00:11:56Don't tell Nestor at the academy.
00:11:59The feeling you have now,
00:12:01that gets stuck here, like in the mouth of the stomach,
00:12:03that doesn't let you sleep.
00:12:06That you spend the fucking night there in bed thinking
00:12:08that I wish I could go back and not fuck her.
00:12:16And what do you do?
00:12:20Well, look, at this point,
00:12:21I don't give a shit about my luck,
00:12:23I give myself a couple of hits
00:12:24and I hope the next day I get another case.
00:12:27If possible, I'll go with you.
00:12:30I don't know.
00:12:34Last chance for paella.
00:12:59I don't know.
00:13:08Virgen de la Torre Hospital?
00:13:09Hi, I'm calling to ask about Manuela Royos,
00:13:12a young man shot in the abdomen.
00:13:14Are you a relative?
00:13:15No, no, no.
00:13:16I just wanted to send some flowers to her room.
00:13:18She's not in any room, miss.
00:13:20She's still in the UBI.
00:13:22As in the UBI, it's not possible.
00:13:23If they told me she was...
00:13:25No, thank you for answering me.
00:13:26Good afternoon.
00:13:27Good afternoon.
00:13:55Again.
00:14:01Isabel.
00:14:02Hi, I'm Berta.
00:14:05It's looking beautiful.
00:14:07But, look, I have the sewing machine...
00:14:11I have to take the sewing machine to the technician and...
00:14:15No, no, no, no, no.
00:14:16Don't worry, don't worry.
00:14:17It's safe for the 15th.
00:14:18What happens is that...
00:14:20I'm a little afraid that the photos won't arrive.
00:14:22Could you postpone it?
00:14:25What are you saying, woman?
00:14:26What galleries?
00:14:27What galleries?
00:14:28It was just a question.
00:14:29No, no, no.
00:14:30Count on it.
00:14:33Goodbye.
00:14:46What the hell happened there?
00:14:47They threw all the plasma on us.
00:14:49I know, damn it.
00:14:50The others also caught us with our asses in the air.
00:14:52But you're a cop, damn it.
00:14:53You should have known who they were.
00:14:55Don't tell me how I have to do my job.
00:14:57This is a group that came from Torremolinos.
00:14:59From Torremolinos? Here?
00:15:00Damn it, they've set up an anti-drug group.
00:15:02They don't even ask for permission.
00:15:04That's how this country goes, damn it.
00:15:05Each one touching their asses on their own.
00:15:07Let's stop talking about stories.
00:15:08How many drugs do you have left?
00:15:09For how many days?
00:15:11Ten days.
00:15:12Two weeks, at most.
00:15:13You'll leave me without suppliers.
00:15:14I'll get you one.
00:15:15But stop crying already.
00:15:17Damn it.
00:15:20Let's go.
00:15:42I thought I'd never see a woman sitting there.
00:15:45What about you?
00:15:47Oh, sorry.
00:15:48Inspector Velarde.
00:15:52Everything okay, Inspector Montesinos?
00:15:54Inspector, thanks for asking.
00:15:55Are you sure?
00:15:57You never forget the first hit.
00:15:59Especially when there are victims.
00:16:00Am I wrong?
00:16:01Excuse me?
00:16:02No.
00:16:03The guy who was shot.
00:16:05Arroyo.
00:16:06He doesn't look like the guy with the gun, does he?
00:16:08Car thefts, small thefts,
00:16:11but no weapons.
00:16:12And look at you.
00:16:13It looks like you killed Billy the Kid yourself.
00:16:17Montesinos.
00:16:19I need you to file these reports for me.
00:16:22Now.
00:16:24Good morning, Romero.
00:16:26Are you worried that I spoke to your new inspector?
00:16:29The only thing that worries me is wasting time, Velarde.
00:16:32And something tells me that you haven't come here for another reason.
00:16:37We'll see.
00:16:39Your inspector...
00:16:41Yes.
00:16:42Try that door.
00:16:43Very kind.
00:17:04Everything okay?
00:17:07Hi, Romero.
00:17:08Hey.
00:17:10Come here.
00:17:11Hey, what's wrong? Am I not pretty?
00:17:13Yes, you're the prettiest girl in Madrid.
00:17:15What do you say?
00:17:18Pay me a little, please.
00:17:19I need to get dressed.
00:17:20Did you get the money or not?
00:17:21Come on, Mario. Don't fuck with me.
00:17:22Don't fuck with me.
00:17:23Please.
00:17:25I'm risking my neck to do this.
00:17:27Can't you see?
00:17:28I'm fucked up, Mario. Please.
00:17:30Okay, okay. Relax a little.
00:17:31Let her sell what I have.
00:17:32Let's get on with my business, okay?
00:17:34Okay?
00:17:36Relax, please.
00:17:37Me too.
00:17:38Relax, please.
00:17:40Relax.
00:17:44Gema.
00:17:45Gema.
00:17:46Gema, for fuck's sake.
00:17:47Fuck.
00:17:48Fuck. I'm sorry.
00:17:49Come here.
00:17:50Don't touch me.
00:17:51I'm sorry, Gema.
00:17:52Don't touch me, for fuck's sake!
00:17:54Hey, I'm sorry. Do you have something for the subway?
00:17:56How low have you fallen, Gema?
00:18:02Hi.
00:18:03Do you have something for the subway?
00:18:05No, I don't.
00:18:06I'm sorry.
00:18:11Juli, girl.
00:18:12Leave me the money for the subway.
00:18:15Please.
00:18:16Gema.
00:18:17You know I love you a lot.
00:18:19For you and for everything.
00:18:20But I'm not going to give you money to end up killing yourself.
00:18:35I'm sorry.
00:18:36I'm sorry.
00:18:37I'm sorry.
00:19:05Hi, Manuel.
00:19:06How are you?
00:19:07Good.
00:19:08Good, good, good.
00:19:10Is Karen there?
00:19:12Yeah.
00:19:13And do you know when she'll be back?
00:19:19Yes.
00:19:20Did you tell her I called yesterday?
00:19:27Of course.
00:19:30Yes, yes.
00:19:32Okay.
00:19:33Please tell her to call me when she can.
00:19:37Okay.
00:19:40Hugs.
00:19:46To sum up.
00:19:47The suspect opens the door to a supposed friend of his girlfriend.
00:19:52The agents break in and in the middle of the assault
00:19:54there's an armed police officer right here.
00:20:00So?
00:20:02So I stopped him.
00:20:04So I stopped him.
00:20:06Let's see.
00:20:09Did you stop him?
00:20:14Police. Hands up.
00:20:16According to your report, he warned you twice.
00:20:19Yes, that's correct.
00:20:22And then you pulled out the gun.
00:20:24Yes.
00:20:25No, I was ready.
00:20:27While I was opening the door.
00:20:30Pick up the gun.
00:20:31What?
00:20:32What are you pointing at?
00:20:33You don't know what a reconstruction is.
00:20:35That tone isn't necessary.
00:20:36That's for me to decide.
00:20:40Where did you pull the gun from?
00:20:42From behind.
00:20:43From the waist, I think.
00:20:46Left or right?
00:20:49I don't know. I don't remember.
00:20:52I don't see anyone else.
00:20:59What hand did you hold the gun in?
00:21:02What hand did you hold the gun in? Come on, damn it.
00:21:08In my right hand.
00:21:09I saw the gun in his hand and I shot.
00:21:11Didn't they teach you in the academy what a disarming shot is?
00:21:14He acted like any of us would in a real emergency situation.
00:21:17Did you really feel threatened by that kid, Inspector?
00:21:24That kid?
00:21:26He's a junkie who came to unload a jewelry.
00:21:28According to the thief's report, he only drove the car.
00:21:31Inspector, did you really feel threatened? Answer me.
00:21:35No, don't look at him. Look at me.
00:21:39You were scared, Clara. Isn't that it?
00:21:42No, he pointed at me.
00:21:44The guy pulled out the gun and shot her.
00:21:46We all saw that, didn't we?
00:21:47It's a shame. His chance to speak has already passed.
00:21:50You can admit it.
00:21:51You shot that kid, that's it.
00:21:52Right?
00:21:54No.
00:21:55Right, Clara?
00:21:56You son of a bitch.
00:21:57Enough, enough, enough.
00:21:58Romero, Romero, enough.
00:21:59Enough.
00:22:00Enough.
00:22:04You haven't changed a bit these years, have you, Romero?
00:22:25No, Pepe, it's not fixed.
00:22:31What do you mean?
00:22:34What does the technician say?
00:22:36That the repair is more expensive than a new one.
00:22:39And the dress, socks.
00:22:42I don't know what I'm going to do now.
00:22:44Okay, calm down, calm down.
00:22:46If you have to buy one, you buy it.
00:22:50Do you know how much a sewing machine costs?
00:22:52I don't know, but it can be paid in installments, I mean.
00:22:55Like the fridge.
00:22:56Look, don't talk to me about the fridge.
00:22:59I'll think of something, girl.
00:23:02Don't worry.
00:23:03Do you trust me?
00:23:06Do you trust me, yes or no?
00:23:09No?
00:23:10Do you trust me?
00:23:11Yes.
00:23:14I'm going to make you something to eat for the taxi, okay?
00:23:16Okay.
00:23:28They threw their house up
00:23:34They threw their house up
00:23:39And before the day was over
00:23:45The tide was passing
00:23:50They threw their house
00:23:55They threw their house up
00:24:01They threw their house up
00:24:25They threw their house up
00:24:31They threw their house up
00:24:37They threw their house up
00:24:44What are you doing?
00:24:49Are you helping with this?
00:24:55Are you helping with this?
00:25:20Yes?
00:25:22Hello, good evening.
00:25:24I'm sorry I called so late.
00:25:26I wanted to talk to Mario.
00:25:28I'm the mother of a classmate of his.
00:25:31It's very important.
00:25:33Wait.
00:25:37Yes? Who is it?
00:25:38Mario.
00:25:39Mario, I'm sorry I called so late.
00:25:41I'm Ana, Gema's mother.
00:25:43Is she there with you?
00:25:46No.
00:25:47I'm not going to get mad.
00:25:48I just need to know she's okay.
00:25:51She's not here.
00:25:52I swear.
00:25:54Don't lie to me.
00:25:55I'm begging you.
00:25:56I know what you're both up to.
00:25:59I swear on my mother's life
00:26:00that I haven't heard from her since this morning.
00:26:05We're not together anymore.
00:26:06She's on her own now.
00:26:07Everything.
00:26:10I see.
00:26:11And you have no idea
00:26:13where she might be,
00:26:14with whom,
00:26:15whatever.
00:26:16Tell me.
00:26:17If I knew, I'd tell her.
00:26:18She can believe me or not.
00:26:20But it hurts to see her like this.
00:26:22I believe you.
00:26:24If you find out anything...
00:26:26I'll call her.
00:26:27Don't worry.
00:26:28Okay.
00:26:29Good night, Ana.
00:26:30Good night, Mario.
00:26:47You don't see anything, do you?
00:26:48It's not funny.
00:26:49I have a lot of sewing to do.
00:26:51I'm not stupid.
00:26:54Don't be impatient.
00:26:55We're almost there.
00:26:56We're almost there.
00:26:57Now we turn to the left.
00:26:59Almost there.
00:27:02Ta-da!
00:27:05Problem solved.
00:27:09We still don't know what it is, do we?
00:27:11It's going to be released.
00:27:13For my cookie.
00:27:15Watch out.
00:27:16It's the Formula 1 sewing machine.
00:27:18You have to tie it short.
00:27:20What?
00:27:23It's beautiful here.
00:27:24Where did you get the money from?
00:27:26From the taxi.
00:27:30And to pay Rufo?
00:27:33And for everything.
00:27:35Don't eat so much.
00:27:38It's impossible that he took out all that money
00:27:40going around in the taxi.
00:27:42Do you think he robbed a bank?
00:27:45I'd rather not.
00:27:46Listen to me.
00:27:48Fuck, honey.
00:27:49If I bring money home, it's because I bring it.
00:27:51And if I don't bring it, it's true.
00:27:53Tell me you haven't played again.
00:27:59Look at me.
00:28:01And tell me you haven't played again.
00:28:07I haven't played again.
00:28:08I swear.
00:28:09I swear.
00:28:17It was only this time.
00:28:18It was an emergency.
00:28:21I did it for you.
00:28:25Take it away.
00:28:27What are you saying?
00:28:28Take it away.
00:28:29It's a joke, isn't it?
00:28:30Get it out of here.
00:28:31I don't even want to see it.
00:28:32Take it away!
00:28:39Take it away.
00:29:10Ana, what's going on?
00:29:15What?
00:29:16Did you give Velarde a beating yesterday?
00:29:21We'll go out for a drink later.
00:29:23If you feel like it, you know.
00:29:29Identification office.
00:29:30Finally.
00:29:31I'm Inspector Montesinos from the Southeast.
00:29:33I'd like to speak to Forensic Matías Pardo, please.
00:29:35I'd like to speak to Forensic Matías Pardo, please.
00:30:00We can keep hiding, but Velarde knows I'm lying.
00:30:05What's up?
00:30:06She doesn't know.
00:30:08You put up with the pressure.
00:30:10Anyone else would have collapsed.
00:30:12I did it for the police station.
00:30:13You told me we're a family, didn't you?
00:30:15Yes.
00:30:16Families support each other, they don't lie.
00:30:18You called the hospital to ask about Arroyo.
00:30:22You can't stay still.
00:30:26It hurt me.
00:30:27She knows better than anyone how I'm going through it.
00:30:29Why do you think I lied to you?
00:30:31So I wouldn't feel so guilty.
00:30:33That's the problem, you keep thinking you're guilty.
00:30:35I'm not.
00:30:36No, I am.
00:30:38I gave the order to have the gun in his hand.
00:30:40I force you to lie in your statement.
00:30:43And you should protect yourself, no matter what.
00:30:48He won't take it.
00:30:52I'm in a meeting right now.
00:30:56When did you leave?
00:31:00Did the doctors say anything?
00:31:04Thanks for calling.
00:31:07Arroyo has woken up from his coma.
00:31:09And he seems to be evolving well.
00:31:12And will he be able to tell his version of the facts?
00:31:14No, no.
00:31:15That doesn't change anything.
00:31:16The word of a three-to-the-fourth sausage
00:31:18is worth nothing more than ours.
00:31:24Look at him on the bright side.
00:31:27Now he's out of danger.
00:31:30This matter has no bright side.
00:31:33No.
00:31:53You, come here.
00:31:56Come here, let's see what you've got here.
00:31:58Let's see what you've got.
00:31:59Come on, come on.
00:32:00Who gave you this shit?
00:32:02Who gave you this shit?
00:32:04Don't you tell me?
00:32:05Don't you tell me?
00:32:07Come on, you're coming with me on a trip.
00:32:11Pardo.
00:32:12I'm busy.
00:32:13Yeah, me too.
00:32:15Is there a problem with the phone line?
00:32:17Look, I don't know what trouble you have in the southeast,
00:32:19but frankly, I'd rather not know.
00:32:20No trouble.
00:32:21We're waiting for the results of the rat,
00:32:23the dead man in the field.
00:32:24What's up? Why didn't you send it?
00:32:26Ask that to Orvieta.
00:32:28Orvieta, why?
00:32:30Ask that to him too.
00:32:54You were the first person I thought of when I picked up the phone.
00:32:57Because you've never failed me.
00:33:01And yet, I can't get it out of my head
00:33:03how I was able to accuse you of stealing from me.
00:33:05I really can't.
00:33:06Ana.
00:33:07No, let me finish.
00:33:09You already suspected her.
00:33:12And I didn't want to listen to you.
00:33:14I didn't want to face the truth about Gemma.
00:33:16No, don't say that, please.
00:33:17Because I've also failed you.
00:33:19I killed Gemma.
00:33:20You, in what?
00:33:22A few months ago, I caught a Chinese in Hachís and...
00:33:25It's clear that I didn't give her the importance she deserved
00:33:28because I can't stop thinking that if I had told you at the time...
00:33:31Berta, Berta.
00:33:32I'm her mother.
00:33:34I live with her, I've been blind all this time.
00:33:37Don't talk to me.
00:33:38I'm sorry.
00:33:40Ana.
00:33:45We're going to find the girl.
00:33:55Do you know this girl?
00:34:04Look,
00:34:06this is the girl.
00:34:20Do you know this girl?
00:34:24Do you know this girl?
00:34:36He hasn't killed her yet.
00:34:38Look how the son of a bitch looks.
00:34:41With his face, they'll send him to the fetus.
00:34:44No, no, he has to be really, really good.
00:34:46Did the cameo tell you who to sell it to?
00:34:48No, but we can ask him that.
00:34:49And with this, we have enough to fix ourselves.
00:34:52I'm going to ask him.
00:34:53Come on.
00:34:54Fuck.
00:34:55Come on.
00:34:58Hey, you bastard.
00:34:59Don't leave her here.
00:35:01Hey!
00:35:17Are you going to tell me where you get the shit you sell?
00:35:21No.
00:35:22We're going to take a walk.
00:35:24Until you decide.
00:35:28Hello.
00:35:30Is everything okay?
00:35:31Is your daughter okay?
00:35:32Come get her.
00:35:37What happened?
00:35:38She's been missing since yesterday.
00:35:41I see.
00:35:42Let me explain.
00:35:43Your daughter is an adult.
00:35:45That means she can leave the house when it's appropriate.
00:35:48And from what I've been told,
00:35:49she hasn't had enough time to consider this a disappearance.
00:35:54Will you tell me what we can do?
00:35:56I don't know.
00:35:57You tell me.
00:35:59Well, that's precisely what I'm trying to explain.
00:36:01I'm going to be consistent, of course.
00:36:04But right now, we can't do anything.
00:36:06I'm sorry.
00:36:07Look, I'm not an idiot.
00:36:08I don't act like one.
00:36:09Let's go, Ana. Leave him.
00:36:10No, no, no.
00:36:11I'm not leaving until a patrol comes looking for my daughter.
00:36:13Ma'am, please.
00:36:14Calm down.
00:36:16Your superior?
00:36:17Where is your superior?
00:36:18I'd like to talk to him.
00:36:19Your superior?
00:36:20Where is your superior?
00:36:22Please.
00:36:23Is everything okay?
00:36:24Can I help you with anything?
00:36:25I'm trying to explain to this lady that...
00:36:28Will you come with me, please?
00:36:30Yes.
00:36:38I've lived my whole life trusting the police.
00:36:42And the more I need help, the less I can count on her.
00:36:46I know you're having a hard time with all this.
00:36:47If I were the commissioner's son, not everyone would be looking for him.
00:36:52But it's my daughter, the missing one.
00:36:54One more, right?
00:36:56And you don't do anything.
00:36:58I'm doing it, Ms. Villacastilla.
00:36:59I'm listening.
00:37:00Yeah.
00:37:01And what good is it to me that you listen to me to find my daughter?
00:37:03Ana.
00:37:05She's lending you a hand.
00:37:07She didn't take us out of the station to drink this guacherre.
00:37:10Right?
00:37:11Yeah.
00:37:13Well, if she wants to help, let her go out and look for people.
00:37:16Where are you going?
00:37:17I'm going to do what she has to do.
00:37:20Ana.
00:37:24You're right.
00:37:26It's impossible for me to know how you're doing.
00:37:39And if it helps you,
00:37:42it's hard for me to trust the police.
00:37:47You don't know how many times I feel
00:37:49just as alone and as impotent and frustrated as you.
00:37:53And how many times I wonder if this is worth it.
00:37:58Why are you still a cop?
00:38:02Because I refuse to give up and let them beat us.
00:38:05Just like you, who don't give up and do whatever it takes to find Gema.
00:38:13Ana, I really want to help you.
00:38:16Just like all mothers.
00:38:18But I need time.
00:38:20I mean,
00:38:22five months ago I didn't know how to recognize an abstinence syndrome.
00:38:27I'm learning about marching.
00:38:29Like me.
00:38:32Like everyone.
00:38:33Like you.
00:38:44Manuel Arroyo is still very weak,
00:38:46but his testimony can't be clearer or more distinct
00:38:48than that of Inspector Montesinos.
00:38:50And you're going to give more credibility to a mugger
00:38:52than to one of yours.
00:38:53He swears he didn't shoot a gun.
00:38:55And my agents say he did.
00:38:56So someone's lying, right?
00:38:59I guess you didn't come all the way here
00:39:01to give us the testimony of a mugger.
00:39:03No.
00:39:04Then tell us what you want.
00:39:05A case between Arroyo and Inspector Montesinos.
00:39:08The court order, the commissioner,
00:39:09if there's any inconvenience, no doubt...
00:39:11On the contrary.
00:39:12We are the first to clarify any doubts
00:39:15that may arise with Inspector Montesinos
00:39:17and, by extension, with this police station.
00:39:19I appreciate your willingness.
00:39:22Have a good day.
00:39:24You'll have to look for the medal elsewhere.
00:39:27And close the door when you leave, please.
00:39:32Fuck my life.
00:39:35We're going to get in trouble
00:39:36between Arroyo and the girl, yes or yes.
00:39:38And you expected something else.
00:39:40I don't know who protects Abelarden and why,
00:39:43but the bastard has a white card.
00:39:45And it's your fault
00:39:47for being stupid.
00:39:49Instead of sitting her down,
00:39:50give her the key like they've done with everyone else
00:39:52in all the police stations, damn it.
00:39:53I'm not going to waste a good agent behind a table.
00:39:56I'll take care of it.
00:39:57You don't know what you're doing.
00:39:59I'll take care of it.
00:40:00We don't give a fuck about you taking care of it.
00:40:02It's like you're responsible for her.
00:40:05In everything.
00:40:06Of course.
00:40:23What do you want to talk about, boss?
00:40:25It's about the fight with Manuel Arroyo.
00:40:28Save it.
00:40:29We both knew this moment would come sooner or later.
00:40:31Sit down and listen, please.
00:40:36There's something you should know about this whole thing.
00:40:39I should have told you before, to be honest.
00:40:41What?
00:40:42That deep down you're insignificant to Abelarden.
00:40:46She doesn't love you.
00:40:47She loves me.
00:40:49You're just the instrument.
00:40:52Let's say we were intimate colleagues.
00:40:55She's a bitch.
00:40:57A fucking bitch, speaking of money.
00:40:59And she blames me for what happened to her.
00:41:03She should have waited for me.
00:41:05But she was alone in that warehouse.
00:41:07She liked to act like a hero.
00:41:10And she took a shot.
00:41:11An ugly one.
00:41:13I could have killed her, but I hit her on the knee.
00:41:18And that forced her to step away from street service.
00:41:21That's it.
00:41:22And it didn't hurt her.
00:41:23She's got a bureaucratic soul, that son of a bitch.
00:41:25And she can go around selling that crap about the new police force.
00:41:28But there's no old or new here.
00:41:30There's only dead cops here.
00:41:31Who leave their skin for this badge.
00:41:34Like Olvieta.
00:41:35Like Flores.
00:41:37Or like you or like me.
00:41:39The rest...
00:41:41Smoke.
00:41:43Are you following me?
00:41:53Yes.
00:42:17Where is it?
00:42:19What?
00:42:21The machine.
00:42:22If you don't want it, I'll give it back.
00:42:25It's late. I'll do it myself.
00:42:33And the money?
00:42:38Where is the money?
00:42:39Why do you need it? To play cards?
00:42:41I told you I don't play anymore, dammit!
00:42:44That's not how it is.
00:42:46You did it for me.
00:42:48Don't you believe me?
00:42:49I don't believe you.
00:42:50I don't believe a word you say until you admit you have a problem with the game.
00:42:54I don't have a problem.
00:42:58That you're sick.
00:43:00That I'm what?
00:43:03What you've heard.
00:43:06Do you think you're better than me?
00:43:08You?
00:43:09That you only know how to clean up other people's shit?
00:43:13I also know how to prevent you from taking us to ruin.
00:43:15What the fuck are you saying?
00:43:16That I've paid Rufo his share.
00:43:17And you should be grateful to me because I haven't told him you've played again.
00:43:40Take this.
00:43:41Your brother is one of us.
00:43:43And while he's in jail, I'll make sure you don't miss anything.
00:43:45Deal?
00:43:47Go on.
00:43:48Buy your girl a present from Uncle Rufo.
00:44:15Bye.
00:44:33Yes?
00:44:38Who is it?
00:44:40Hi.
00:44:42It's Mario.
00:44:43I'm calling you because of Gemma.
00:44:45What happened to her?
00:44:53It all happened very quickly, ma'am.
00:44:56But I remember she was pointing her gun at me.
00:45:00In your statement, you say that...
00:45:03I put my hand in the back pocket of my pants to take out my ID and identify myself when I was shot.
00:45:10Yes, that's it.
00:45:11According to the jury statement of Inspector Montesinos, you took out this gun first.
00:45:17Of course not.
00:45:19And you know that?
00:45:21That's not true. I had your fingerprints.
00:45:23Why would you put them on me?
00:45:26Ma'am, I've never taken a gun. I don't care if you lie or ask anyone.
00:45:41I don't know what else to tell you.
00:45:44I said I had a gun, he said he didn't.
00:45:47It's his word against mine.
00:45:49You have no word.
00:45:51If you're going to accuse me of lying, don't tell the judge.
00:45:55Tell me, looking at my face.
00:46:01Tell me I shot you.
00:46:05I'm not going to repeat what you've heard.
00:46:08What's the point of not lying twice if you're going to end up like Rosita?
00:46:14No one's going to believe a fucking junkie.
00:46:17Because that's what I am to you, right?
00:46:20Tell me.
00:46:27You don't even have the balls to tell the truth.
00:46:32If I hadn't shot, I'd be in that bed right now.
00:46:35Or dead.
00:46:37No.
00:46:42Are you sure, Inspector?
00:46:44I remind you that you may commit perjury.
00:46:49I reaffirm my statement, ma'am.
00:46:52I fired in self-defense.
00:47:07Let's go.
00:47:16Let's go.
00:47:19Times have changed. Things are changing in this country.
00:47:23The same shit from the same people.
00:47:26It's disgusting.
00:47:29And you...
00:47:31You're the worst of them all.
00:47:34Don't listen to him.
00:47:49Clara.
00:47:53Clara!
00:47:55You did what you had to do.
00:48:04And...
00:48:30Beautiful. Have a nice trip.
00:48:33Don't do it all of a sudden, okay?
00:49:03Let's go.
00:49:21Gemma?
00:49:25What are you doing here?
00:49:27I came to look for you.
00:49:30I found you.
00:49:31What are you doing?
00:49:32Let's go.
00:49:33Let's go home, Gemma.
00:49:34No, I'm going with you.
00:49:36For good or bad.
00:49:37Is there a problem, ma'am?
00:49:40Who are you?
00:49:42I'm the owner of this.
00:49:43And you?
00:49:45Your mother.
00:49:46I don't want her here.
00:49:47Gemma?
00:49:49Do you know her?
00:49:51We all know each other here.
00:49:53This is a big family, right, Gemma?
00:49:57Gemma is a good girl.
00:49:59And she's going to listen to you.
00:50:00And she's going with you.
00:50:01Right, Gemma?
00:50:05Solved?
00:50:08Yes, thank you.
00:50:10Tell her.
00:50:13Like I said, she's a good girl.
00:50:15But if you already knew, right?
00:50:31Let's go.
00:51:02Hey.
00:51:06What's up, kid?
00:51:10What do we have for dinner?
00:51:32Come on, come on.
00:51:34Come on, come on.
00:51:36Montesinos, Montesinos.
00:51:39A little bit of silence.
00:51:41Let's see, a little bit of silence.
00:51:43A little bit of silence.
00:51:44Inspector Montesinos is going to say a few words.
00:51:47No, no, no, no.
00:51:49Whenever you want, miss.
00:51:56Nothing, I don't know.
00:51:58Thank you for your support in all this.
00:52:01And...
00:52:03One day someone told me that...
00:52:05That the South East is like a family.
00:52:07And today I can finally say that I feel part of it.
00:52:11For the South East.
00:52:12For the South East.
00:52:14And for Montesinos.
00:52:16And for Montesinos.
00:52:18And because he has more balls than the horse of Espartero, right?
00:52:21Let's take a picture, come on.
00:52:24What picture?
00:52:25A family picture, we don't have one with you.
00:52:27That can't be.
00:52:28Permission to deny?
00:52:29Permission to deny.
00:52:31I'm very proud of you.
00:52:37Girl.
00:52:39Come here.
00:52:41You and I, for whatever reason, haven't started off on the right foot.
00:52:45But from now on,
00:52:47to death.
00:52:50Friends?
00:52:52Friends.
00:52:54Hey, watch out with this one.
00:52:56What's wrong with you?
00:52:57You shake his hand and he grabs everything else.
00:52:59You're stupid, what's wrong with you?
00:53:00You're stupid, what's wrong with you?
00:53:02Let's all take a picture.
00:53:04Antonio, where's Antonio?
00:53:06Come on, take a picture.
00:53:08Do you want the picture to look good?
00:53:11What the fuck is wrong with you?
00:53:14Whoever doesn't smile, I'll take him to the traffic police.
00:53:18Three, two, one.
00:53:31Don't you want to have dinner with me?
00:53:34I don't feel like it.
00:54:01Don't touch me.
00:54:04Don't be like that.
00:54:08You know I'm not...
00:54:16I'm sorry.
00:54:19I lost my mind, okay?
00:54:23I thought I was going to make you the happiest man in your life,
00:54:26but I was wrong.
00:54:28I thought I was going to make you the happiest man in your life,
00:54:30with the fucking machine and...
00:54:32Fuck, I never thought you'd be like this.
00:54:36Is it my fault?
00:54:38No.
00:54:40But I swear I didn't mean to hurt you.
00:54:46But forgive me.
00:54:50Look.
00:54:52I'm sorry.
00:54:55Come here.
00:54:57From now on, you control everything that happens,
00:54:59so you don't have to worry.
00:55:06But forgive me.
00:55:08Please, forgive me.
00:55:16Forgive me, I'm sorry.
00:55:17I'm sorry.
00:55:21I'm sorry, please, I'm sorry.
00:55:27I'm sorry, I'm sorry, I'm sorry.
00:55:29I'm sorry.
00:55:45Crazy little head, you forgot the plant.
00:55:47And now I hope no whore or cop steals it from your door.
00:55:51This flower is the first one you planted in our attic.
00:55:54You should have it.
00:55:55Give it to me.
00:55:59Give it to me.
00:56:14What are you doing in my house?
00:56:16Well, breaking the rules, I guess.
00:56:19At the fair, I saw the fear in your face, Montesinos.
00:56:22I saw the doubt, I saw the remorse.
00:56:25Calderón and Romero are old dogs.
00:56:27They've taught you how to protect the house, but...
00:56:31Do you know what sets you apart from them?
00:56:37That you do have a conscience.
00:56:41Are you here to psychoanalyse me?
00:56:43No.
00:56:44No, no.
00:56:47I've come to tell you that I'm also an old dog
00:56:50and I also have a house to take care of.
00:56:53It's called a police station.
00:56:55And if I see that someone,
00:56:57I don't care who it is,
00:56:59puts you in danger,
00:57:01then I bite and I don't let go.
00:57:10Is that clear, Inspector?
00:57:15I'm glad.
00:57:18Rest, if your conscience allows it, of course.
00:57:24Good night.
00:57:44Gema.
00:57:46Gema, dinner is ready, darling.
00:57:48Come on.
00:57:53Gema?
00:57:56No!
00:57:58No!
00:57:59No, Gema!
00:58:00Gema!
00:58:02Gema, my love!
00:58:04Gema, wake up!
00:58:07Gema, please, Gema, Gema!
00:58:12Please!
00:58:14Gema!
00:58:15Gema, please!
00:58:16Gema!
00:58:22Help!
00:58:25Help!
00:58:31That's it.
00:58:32I don't know if it'll be the same next month.
00:58:34As for the stupas, we're left with two candles.
00:58:36We're after a new source of supply.
00:58:38Urbieta has identified the intermediary
00:58:40that supplies the little camels,
00:58:42a guy called Tomás Casas.
00:58:44As for Deconel, we'll have the source.
00:58:46We only know they're from outside
00:58:48because they handle a high-purity heroin.
00:59:15I love you.
00:59:16I love you.
00:59:17I love you.
00:59:18I love you.
00:59:19I love you.
00:59:20I love you.
00:59:21I love you.
00:59:22I love you.
00:59:23I love you.
00:59:24I love you.
00:59:25I love you.
00:59:26I love you.
00:59:27I love you.
00:59:28I love you.
00:59:29I love you.
00:59:30I love you.
00:59:31I love you.
00:59:32I love you.
00:59:33I love you.
00:59:34I love you.
00:59:35I love you.
00:59:36I love you.
00:59:37I love you.
00:59:38I love you.
00:59:39I love you.
00:59:40I love you.
00:59:41I love you.
00:59:42I love you.
00:59:44I'm sorry …
00:59:46Madam, please!
00:59:48Quickly!
00:59:51Get started!
01:00:13I
01:00:15Love you
01:00:40We have a social worker ready to stay with your two daughters
01:00:43The whole space of a tomato for two sammichitos de la sureste and the tenido alguien sumamente útil para mis clientes
01:00:50estamos en la mejor clínica privada llevamos viniendo aquí toda la vida
01:00:5620 mil duros en poder está pasando aquí montesinos ha habido un defecto de forma su detención y no se le puede interrogar
01:01:02como me encontraste en el boston y aquí vienes ahora que me ha levantado el taxi vale has hablado con tu mujer
01:01:08y
01:01:10Has pillado no no no yo también estoy intentando dejarlo
01:01:14Me hace gracia que me traigas este garito no te pegan a traga coño
01:01:17soy tu hombre que te escondes algo que no es que me llama una amiga y nos liamos y se me fue que había
01:01:23quedado contigo ya te he dicho que lo siento tú que estás jugando conmigo que podemos hablar de esto en otro sitio y en
01:01:27otro momento no pues muy bien ya está
01:01:38Y
01:01:40Apretar las tuercas a este me ha costado menos que peinarme por la mañana
01:01:43sea lo que sea si no sacas fuera eso que tienes dentro te acabará matando dispone de algo más jefe
01:01:49no a ver si ahora con la democracia va a resultar que no se puede soltar una buena leche una sola hostia mal
01:01:54cagado de ahí dentro y tenemos a velar de masticándonos en pila indio
01:02:00que te dan caballo que te pasa a ti
01:02:03Y
01:02:06A la mujer de uno no se le pega