Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 11 Completo HD
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Short filmTranscript
00:00Una carrerita hasta el parque?
00:03Te voy a ganar.
00:05Ay, eso lo quiero ver.
00:07Hey!
00:11Escúchame tú!
00:12Mucho cuidado con acercarte a mi gaspi nuevamente,
00:14porque te arranco las extensiones y te dejo calva!
00:19No, no te preocupes.
00:21Yo sé lo que hago.
00:25Después te hablo.
00:28¿Con quién hablabas?
00:30Con alguien, negocios.
00:33¿Por qué cortaste?
00:34Porque no era importante.
00:35Quería preguntarle por Cris.
00:38Está en su cuarto.
00:39Lucio le está ayudando.
00:40En un rato subo a verlo.
00:45¿En serio no te molestaste ni un poquitito?
00:47Ni un poquitito.
00:49¿En serio te cuesta tanto creer eso?
00:52Yo no soy ningún chivón y mamón.
00:55Eso ya lo sé.
01:01¿Tú eres mecánico, verdad?
01:03Por supuesto, ¿no ha visto?
01:05Aquí en Fuyosí hay algo que te puede interesar.
01:08Por Dios, he trabajado en un barco.
01:10Imagínate.
01:11Vamos, vamos.
01:12¿Tuviste algo que ver con el cadáver enterrado en mi jardín?
01:19Arranca, vamos a conversar.
01:24¡Agua, agua!
01:25¡Hey, hey! ¡Me está mojando! ¡Cuidado!
01:28Tranquilo. Yo dije agua, ¿va?
01:30¡Estas zapatillas valen más que en tu casa!
01:32Bueno, espero que sean acuáticas entonces.
01:34¡Te la está buscando, Teresa! ¡Te la está buscando!
01:36¡Por favor, mira cómo tiemblo! ¡Y avanza nomás!
01:38¡Y avanza, avanza! ¡Ven, ven! ¡Huyá!
01:40Yo sé que es muy seguido, pero tenía que darte esto.
01:59Es ella.
02:11¿Y por qué quieres que tenga la blusa de Isabela?
02:14Siento que tú debes tenerla.
02:17Yo la he guardado todo este tiempo, pero...
02:20ahora siento que debo dejarla ir.
02:23No quiero recordar a mi hija como el último día que la vi.
02:27Ese día era nuestro reencuentro.
02:30Estaba tan ilusionado por verla.
02:32Ella también estaba muy ilusionada.
02:36Fue todo tan violento.
02:39Mi mamá me utilizó para llevar a cabo su venganza.
02:45Me siento tan culpable.
02:48Yo amaba a Isabela.
02:50Y si te doy esto,
02:52es porque no te culpo a ti,
02:54sino a tu familia.
03:00Claudia ya está muerta.
03:03Y mi mamá también pronto lo estará.
03:05Es hora de enterrar el pasado.
03:08Pienso lo mismo.
03:11Quiero recordar a mi hija viva.
03:17Isabela era una persona tan especial.
03:21Fui tan feliz con ella, Franchi.
03:25Le doy mis mejores años.
03:27Si lo hubieras conocido de niña.
03:30Ah, ¿no?
03:32Espérate.
03:43Mira.
03:46¿De dónde sacaste esta foto?
03:50Ella me la dio.
03:52Pero fue un día de la madre en el nido.
03:55Se disfrazó de mí.
03:57Sí, sí.
03:58Me contó que le pusieron 20 por el disfraz de ejecutiva.
04:01Me hubiera encantado verla.
04:04¿No la viste?
04:05No, estaba en viaje de negocios.
04:08Ah, entiendo.
04:12¿Estás apurada?
04:13¿Quieres ir a dar una vuelta al parque?
04:16Con mucho gusto.
04:21No, no tuve nada que ver.
04:25¿Y para eso me trajiste hasta aquí?
04:27Bueno, para que salgas un poco de la órbita de Franchi.
04:30Ya, a ver, cuéntame.
04:33¿El cuerpo que encontraron en el jardín que era de Claudia?
04:37Cien por ciento.
04:39Mira, tal vez no tuviste nada que ver directamente,
04:42pero por ahí hablaste de más.
04:44Tal vez en los bajofondos.
04:46Nunca hablo de eso.
04:49Y hace mal tu mujer en desconfiar de mí.
04:51Yo estoy tan embarrado como ustedes.
04:53No me conviene que esto salga a la luz.
04:55Así que quédate tranquilo que por mi lado no es.
05:00Sí, sí, tú puedes tener muchos defectos,
05:02pero tonto no eres.
05:05Ahora, hay otro asunto.
05:06No voy a volver.
05:07Supongo.
05:08Me enteré del altercado que tuviste con Francesca.
05:11No creo que con detalles, pero dejémoslo ahí mejor.
05:15¿Tú sabes quién es Leonardo Rizopatrón?
05:20No, no, no me suena.
05:22Más bien, Leonardo Llanos.
05:25El hermano de Claudia.
05:27Ah, ya.
05:28Él estuvo casado con Isabel, ¿no?
05:31Ese mismo.
05:32Cumplió su condena.
05:34Lo vimos en el cementerio.
05:37Ya, ya.
05:38Dame unos días y te averigo todo de ese tal Leonardo.
05:40Mientras tanto, manténgase alejado de él.
05:43Ahora, no tienes que decirme nada.
05:51¡Me golpean los bolsares!
05:52Llevo tarde en mi oficina.
05:55¿Hasta cuándo me seguirán estorbando?
05:57¿Por qué no se extinguen de una vez?
06:01Tengo que hacer algo para que desaparezcan de la faz de la tierra.
06:04¿Pero qué?
06:07Son como cucarachas.
06:08No mueren nunca.
06:10Encima tienen esta bodega también ubicada en medio de las nuevas lomas.
06:15Si al menos tuviera una competencia que las desaparezca.
06:33Y queríamos hacer Blanqueanieves y los siete enanos,
06:35pero conseguimos a cuatro nomás.
06:36Así que dijimos, no, cambiemos, cambiemos.
06:38Y dijimos Cleopatra.
06:39Y ella se convirtió en esta reina egipcia.
06:42Yo, Marco Antonio. ¿Te acuerdas?
06:43Sí, sí, me acuerdo.
06:45Les encantaba disfrazarse.
06:47No, no, no. Disfrazarnos no, ¿eh?
06:49Eran caracterizaciones.
06:50Hacíamos toda una puesta en escena.
06:52¿No sabes el montaje que nos metimos?
06:54No tienes que darme detalles.
06:56Que nos divertíamos tanto a puerta cerrada.
06:58Sí, lo sé.
06:59Mi cuarto quedaba cerca.
07:01Ups.
07:03Culpable.
07:04No, no. La juventud es para disfrutar.
07:07Y lo hicimos.
07:08Sí, lo hicimos.
07:10¿Y tus musicales?
07:11Uy.
07:12¿Cómo olvidarlos?
07:13Nadie puede olvidar tus musicales.
07:15No, no.
07:16Es un tonito de burla ahí, Franchi, ¿eh?
07:21Ya no encuentro las ganas para hacerlos.
07:24Tenía una motivación ahora.
07:27Hasta me cuesta levantarme de la cama.
07:29Conozco esa sensación.
07:31Aunque ha pasado algo, Franchi.
07:33¿Qué?
07:35No.
07:36No creo que no es el momento para contarte.
07:38No puedes dejarme así, ¿no?
07:39No, si puedo.
07:40Así me aseguro una siguiente visita.
07:42Bueno.
07:44Nos pasamos bonito recordando a Isabela.
07:47Con una sonrisa.
07:48Como debe ser.
07:49Como debe ser, sí.
07:52Franchi, ¿tú la sueñas?
07:55La sueño.
07:57¿Y la hija?
07:58La sueño.
08:00Y la he visto como te estoy viendo a ti ahora.
08:04Pero hace tiempo que...
08:06¿Desapareció?
08:09Se fue simplemente.
08:13Debe ser mi parte racional que me dice que ella ya no está.
08:18Que verla y escucharla solo es producto de mi imaginación.
08:24No, Franchi.
08:25Ella sigue viva.
08:27Dentro de nosotros sigue viva.
08:30Es lindo escucharlo, aunque no sea...
08:33Sí lo es.
08:35Sí lo es, Franchi.
08:36Cada vez que necesites a Isabela, búscala.
08:40Yo lo hago.
08:56¿Arroz con huevo frito? ¿Qué le pasa, Salvadora?
08:59Bueno, la Yuli está buscando trabajo porque la suspendieron.
09:03Bueno, está bien que la Yuli sea trabajador y responsable,
09:07pero su cocinerito podría hacer méritos, ¿no?
09:10Apoyo a la moción.
09:11Ustedes también podrían cocinar de vez en cuando, ¿no?
09:14Lo voy a hacer.
09:15Y los voy a sorprender, ya van a ver.
09:17Yo quiero verlo.
09:19Yo traigo la gaseosa.
09:21¿Qué gaseosa? Me la traigo de la bodega.
09:23Por eso digo, la traigo nomás.
09:25¿Y tú qué haces acá?
09:26No me digas que también quieres almorzar.
09:28Ay, ya pues, papá.
09:29Valentín me ayuda desinteresadamente en la bodega.
09:31Desinteresadamente no creo.
09:32Ya anda, fríete tu huevo, eh.
09:36¿Quién va?
09:37Tú, Manchu.
09:38¡Tú, Manchu!
09:39¡Ja!
09:40Perdiste.
09:42¡Voy, voy!
09:43¡Llegó el pollo!
09:45¿Cuál pollo?
09:46Este.
09:47¡Claudio!
09:50¡Tengo justo el tiempo para salvarlos!
09:52Muévete, muévete, trae una silla.
09:53Ay, ya por favor. Tampoco es para tanto.
09:55Pero pollo es pollo.
09:57Ah, sí, repartí la ropa.
09:59Pechito, pechito, pechito, pechito.
10:01¿Y dónde están los demás?
10:04No me digas que don Félix...
10:06¡No!
10:07¡Claudio!
10:08¡Se aguanta!
10:10¿Y Jimmy?
10:11Ah, se fue a la cocina, se fue a la cocina.
10:14¿Qué?
10:15¡Claro pues, Coqui!
10:16¿Para qué te das tanto tiempo también, pues?
10:18Es verdad, Coqui.
10:19Han pasado muchas cosas.
10:20Han pasado muchas cosas.
10:21Bueno, sírvete, sírvete.
10:24Ay.
10:28¿Se le ofrece algo, señorita Zapallón?
10:31No.
10:32Digo, sí.
10:34Decídase.
10:35El señor Bruno me dio un encargo y no sé cómo hacerlo.
10:40¿De qué se trata?
10:42Me pidió que le instale Candy Crush en su celular.
10:49¿Y usted cree que el gerente general de una corporación como esta
10:52es la persona más desocupada como para que usted le pida un favor de ese viejo chocho?
10:58Lo siento.
10:59Yo pensé que tal vez...
11:00No, pensó mal, señorita Zapallón.
11:04O sea, ¿usted piensa que a Elon Musk o a Bill Gates
11:08le pedía ayuda para amarrarse los zapatos?
11:12¿Quiénes son ellos?
11:13¿Trabajan aquí?
11:17A ver, démese de gestorio.
11:20A ver.
11:23Ahí está.
11:25Martita es la clave, Martita.
11:27No, no, no sé por qué usaría ese nombre.
11:30Martita.
11:31Sí.
11:35Ay, Bruno.
11:38Aquí está.
11:39A ver.
11:40A ver.
11:48Ya está.
11:50Déselo a su jefe.
11:52¿Ya está? ¿Tan rápido?
11:55Ay, gracias.
11:57Es usted un amor.
11:58No, no lo soy.
12:01Gracias.
12:02Ok.
12:04Ya.
12:08Mañana le voy a traer un Juan en agradecimiento.
12:10No, gracias.
12:16Otro día quisiera pedirle ayuda con una cosa.
12:18No.
12:22Está bien.
12:24Me voy.
12:29Pues váyase, señorita Zapallón.
12:33Gracias.
12:52¿Pero qué me estás diciendo?
12:55Fui a ver a Leonardo.
12:56Por segunda vez.
12:58¿Por qué te pones así?
12:59Porque ese tipo es un ex convicto.
13:01Te recuerdo que también es mi ex-yerno.
13:04Eso fue parte de un plan.
13:05Fue todo un engaño.
13:07Leonardo amó a mi hija.
13:08Y es un legítimo viudo.
13:10Se metió a tu casa.
13:11Se metió en tu familia.
13:12Con engaños.
13:13Con falsa identidad.
13:15Claro que lo sé.
13:16Pero él nunca nos hizo nada.
13:19En cierta forma fue una protección
13:20contra su madre y su hermana.
13:22No sé para qué me gasto hablando
13:23si tú ya le perdonaste todo.
13:26No hay nada que perdonarle.
13:28Te repito.
13:29Él nunca nos hizo nada.
13:30Y faltó poco.
13:32No confío en ese tipo.
13:34Mi amor.
13:35Claudia está muerta.
13:38Carmen está enferma en prisión.
13:40¿Qué puede hacer Leonardo?
13:42Además, él nunca fue como ellas.
13:45Espero que tengas razón.
13:48Esa familia está extinta.
13:55¿Y se puede saber de qué hablaron?
14:00Pasamos un largo rato recordando a Isabela.
14:05Claro.
14:06Te agarro por el sentimiento.
14:07Hazme el favor.
14:09Me ofende que me trates como una mujer boba.
14:12Perdóname, Fran.
14:14No lo eres.
14:16Es solamente que...
14:19Temo por ti.
14:21Gracias, pero no tienes por qué.
14:24Y aunque no lo creas,
14:26Leonardo sufrió mucho la muerte de Isabela.
14:29Hablar con él
14:31me reconforta.
14:33Bueno.
14:35Si tú lo dices,
14:38hasta mañana.
14:54Hija, aquí estoy.
14:56Por favor.
14:59Ven a hablar conmigo, Isabela.
15:06¿Qué pasa con esta señora?
15:10Ojalá que esta noche no venga tan bien,
15:12disfrazada como su viejita en la difunta.
15:18Señora Goyoneche.
15:19¿Está ahí?
15:20Por Dios, Gaspar.
15:21¡Qué intenso!
15:22Amor, ¿me dejaste en paz?
15:23Gaspar, ¿qué intenso?
15:24Amor, me dejaste solo, esperándote.
15:27Mejor me voy a dormir, ¿ya?
15:28Ya voy, amor.
15:29Lo estoy arreglando.
15:31¿Arreglando para qué?
15:32¿Vamos a salir?
15:33No.
15:34Entonces.
15:37Ay, Dios.
15:40Ay, Dios.
15:41¿Esto te dice algo?
15:43Dios mío.
15:45Vario es la pena la espera, mi amor.
15:48Solo te puedo decir
15:49que en la intimidad
15:50puedo dejar de ser Doña Tere.
15:53¿Todavía tienes sueño?
15:56Estoy bien despierto, estoy.
15:58Ay, me encanta.
15:59Entonces te cantaré una de mis repertorios.
16:01¿Ah, sí?
16:03Dame tu chocolatito.
16:05¡Ñamí, ñamí, ñamí!
16:07¡Ñamí, ñamí!
16:08Dame tu chocolatito.
16:11Otro día sin poder dormir.
16:14¿Por qué dices eso?
16:15Bueno, porque Teresa y Gaspar
16:16otra vez están haciendo sus...
16:18cosas.
16:20Ah, bueno, Mappy, pero está bien.
16:22Tienen esposos.
16:23Sí, o sea, bien por ellos,
16:24pero no me dejan dormir.
16:26Tienes tanto que aprender.
16:28Ay, Yuri, no quiero aprender de oído.
16:30Ay, no, no te hablo sobre eso.
16:33¿Qué haces?
16:34¿Me vas a inyectar algo?
16:36No.
16:37Mira.
16:38Es para que te lo pongas en el oído.
16:42¡Qué buena idea!
16:44A ver.
16:45Ven con mami, mi conejito de Berea.
16:47Suelta esponjita.
16:49¡Uy, esponjata!
16:52¡Póntelos, apúrate!
16:53Sí, sí, sí.
16:57¡Listo!
16:58¿Qué tal?
16:59¿Escuchas algo?
17:00Perfecto.
17:06Ahora sí, a dormir tranquilas.
17:08¡Sí!
17:09¡Ya hice pila!
17:10¡Buenazo!
17:23¡Ay!
17:25¡Ay, pila no!
17:27¡Ay, pila no!
17:32Ya se me va a pasar, ya se me va a pasar.
17:36¡Ay, no me aplastes!
17:38¡Ay!
17:45¡Apreta, apreta, apreta!
17:47¡Ay, no, no!
17:49¡No lo aguanto!
17:51¡No quiero bajar!
17:53¿Y si me voy al silo?
17:56Me voy a morir asfixiada.
18:00¡No me aguanto, no me aguanto!
18:04¡Ay!
18:05¿Qué está pasando acá?
18:07¡Está terminando la chica y ya están durmiendo!
18:15¡Ah, ya!
18:16¡Aguanta, aguanta, aguanta!
18:17¡Aguanta, aguanta, aguanta!
18:20¡Ah!
18:23¡Ah, ah!
18:24¡Ah!
18:26¡Ah!
18:28¡Ah!
18:31¡Ay, con las gustas!
18:34¡Uff!
18:38¡Ah!
18:47¿Un papel?
18:51¿Y ahora?
18:53¡Ay, no!
18:55¡Por favor, cálmese!
18:56Voy a llamar a Mati.
18:57Ella me va a salvar.
19:03¡Ay!
19:06¡Ay!
19:09¡Ay!
19:11¡Ay!
19:14¡Ay!
19:18¡Ay!
19:21¡Vamos, Mati!
19:24¿Qué pasa con esta chica?
19:25¿Se volvió sorda?
19:27¡Maripaz, contesta, contesta!
19:35¡Ah!
19:50¡Ay!
19:54¡Ay!
19:56Antes yo tenía cuarto con baño.
20:00¡Ay, no!
20:05¡Ah!
20:06¡Ah!
20:08¿Escuchaste silbando?
20:10No hagas caso, mi arrozambito, y tócame el cajón.
20:14¡Eso!
20:15¡Ahí!
20:17¡Justo!
20:18¡Ay!
20:20¡Ay!
20:22¡Ay!
20:24¡Ay!
20:48¡Oye, mano!
20:49¡Mira!
20:50¡Ese es un taxi!
20:51¡Ese taxi es bien grande!
20:52¡Qué edificio!
20:53¿Sí, no?
20:54¡Ese parece mi taxi churro, eh!
20:56¡Ahí, ahí, ahí!
21:02¡Ey, ey, ey!
21:03¿Habés acompañado de perra flaco ahora?
21:05Acá en estos puentes no hay en Perú, ¿eh?
21:07Sí.
21:08¿Sí o no?
21:20¡Una!
21:21¡Él le ganó un anillo!
21:22¡Ven con las cipollas, que no es!
21:24¡Já!
21:25¡Qué gracia!
21:26¿Ah?
21:27¿Cómo, qué dijo?
21:28¡Ho, baby!
21:29¡Ho, baby!
21:30¡Ho!
21:31¡Ho, baby!
21:32¡Ho, baby!
21:33¡Ho!
21:34¡Ho, baby!
21:35¡Ho!
21:36¡Ho, baby!
21:37¡Ho, baby!
21:38¡Ho!
21:39¡Ho, baby!
21:40¡Ho, baby!
21:41¡Ho!
21:42¡Ho, baby!
21:43¡Ho!
21:44¡Ho, baby!
21:45¡Ho, baby!
21:46¡Ho!
21:47Hay que crear una canción para mí.
21:48¡Ay, ay, ay!
21:49¡Háganme un anillo!
21:50¡Y búscanse un anillo!
21:51Y comísica.
21:52Ahí viene el pizza, ma' night, ese pizza vien rica.
21:53Tenemos mucho buen té.
21:54¿Y hay conocido gente peruana o no?
21:55No.
21:56Sí.
21:57Ah, como quienes.
21:58Ho, pero first, nosotros somos los mafares perros.
22:00Sí, me ha dicho de comida.
22:04¡Ho, baby!
22:05¡Ho, baby!
22:06¡Ho, baby!
22:07Yo voy a bailar.
22:08Tiene su bistec ¿no?
22:09Tiene su bistec.
22:10Tiene su bistec.
22:11Tiene su bistec.
22:12Tiene su bistec.
22:13¡Ay, ay, ay!
22:14The one that throws his underwear, right?
22:16The one that throws his underwear, the one that throws his underwear.
22:18The one that throws his underwear.
22:20Remember the masks, remember the masks, man.
22:22We don't need them.
22:24We are in the middle of the...
22:26Oh, look at that malecon, man.
22:44No, no, no, no.
22:58It can't be, cousin.
23:00It can't be that you haven't found Alecia's address.
23:02If you fall in love with Cristobal...
23:04This is crazy.
23:06This is crazy.
23:08This is crazy.
23:10Oh, Sumana, I think the cousin is upset.
23:12I sent her some cookies.
23:14Let's see.
23:16Man, don't pressure her.
23:18Leave her alone, don't pressure her.
23:20You just have to trust Joe.
23:22Joe is an angel.
23:24Grandma sent her, didn't she?
23:26What will the witness say about how to make a car from scratch?
23:30A car from scratch?
23:34Hold on.
23:36Hold on.
23:38We can't just do this visit.
23:42Hey!
23:44Hey!
23:46Hey!
23:48Si esta latina!
23:52Fernandez!
24:06Ya llegó, ya me llevo prendido el corazón
24:08Ven y baila, si eres latino como yo
24:10Mueve tu cuervo con sabor, suena, y no paro de bailar.
24:17Los Fernández ya se ponen a gozar, muévete bien, muévete bien, con el saxo de Vicky,
24:26la fiesta va a empezar.
24:29Hey!
24:30Hey!
24:31Hey!
24:32Hey!
24:33Hey!
24:34Hey!
24:36Hey, girl!
24:37Look!
24:38Who's calling?
24:39It's Joel!
24:40You're not going to answer, are you?
24:41Honey, it's Joel!
24:42Listen, today is a very special day for us, so think about the next step you're going
24:43to take.
24:44Hey!
24:45Hey!
24:46Hey!
24:47Hey!
24:48Hey!
24:49Hey!
24:50Hey!
24:51Hey!
24:52Hey!
24:53Hey!
24:54Hey!
24:55Hey!
24:56Hey!
24:57Hey!
24:58Hey!
24:59Hey!
25:00Hey!
25:01Hey!
25:02Hey!
25:03Hey!
25:04Hey!
25:05Hey!
25:06Hey!
25:07Hey!
25:08Wa-wait a minute!
25:10Since I didn't answer, they're sending me a message right now!
25:15NO!
25:17Honey!
25:19Joel is in the geothermal plant, they pump out tanks from scratch with crane technology!
25:27No way!
25:28And I'm here, so think carefully about what you're going to choose.
25:33Honey, but...
25:34Listen to me.
25:35In an American TV show, I saw
25:37happy wife, happy marriage.
25:39You choose.
25:42Let's go inside.
25:42That's it!
25:44Very good!
25:50Gaspar! Look!
25:55Gaspar, here everything is done alone!
25:59I don't need you anymore, I don't need you anymore, Gaspar!
26:07Let's go from here.
26:08You get tired alone, man!
26:10Lantero de la vida!
26:12There it goes, there it goes!
26:14Wow!
26:16Wow!
26:19Look how the floor moves, Gaspar!
26:28Redondo, redondo, redondo, redondito
26:31Redondo, redondo, redondo, redondo, redondito
26:36Dance with desire, dance tasty
26:39I know you, don't be mysterious
26:41You don't have an excuse, dance my cumbia
26:44My cumbia, my cumbia, my cumbia
26:54There it is!
26:55El Papa de Piwicho!
26:58Forget the sorrows, open the bottle to toast for her
27:02Let no one go, the music is there
27:05It had to be my cumbia, my cumbia
27:08It had to be my cumbia, my cumbia
27:15My cumbia, my cumbia
27:23Dance with desire, dance tasty
27:26I know you, don't be mysterious
27:28You don't have an excuse, dance my cumbia
27:31My cumbia, my cumbia, my cumbia
27:38Listen to me, have you ever thought of having a beautiful Latin American man here?
27:43What do you want?
27:44Man, man, please, I warn you, don't be ridiculous
27:46Leave me alone!
27:47Don't be ridiculous, man
27:48A mechanic, so beautiful, exotic
27:50Have you ever thought of having one for your social networks?
27:52For your almanacs, for your commercials?
27:54All that stuff, what do you say?
27:55Just like me, like Jean-François
27:58And that, that I'm in volume, I'm in volume
28:00Because I dry myself, I get into that toss and I dry myself
28:03I dry myself like Bruce Lee
28:04It's beautiful, what do you say?
28:06Translate it for me
28:08He said, have you ever considered finding an image spokesperson?
28:11You can do some commercial advertising, post it on social media
28:15He said, he's a mechanic, he's stylish, he's handsome, he's professional
28:21If you're looking for a Latin American image spokesperson, you can consider him
28:24What did she say?
28:26What's up? Why are you laughing?
28:28I told him he's very funny
28:31The language of laughter, man, the language of laughter
28:34Universal, universal
28:44Manito, I think it's time to implement the robotics in our workshop
28:47Yes or no?
28:48I tell you, we get a few robots
28:50And it will bring us more customers, you know?
28:52Yes, man, I think what she says is fine
28:54Jimmy, good news
28:56Your girlfriend is in Don Juan
29:00Alicia is with a Don Juan?
29:02No, no, no
29:03Let's see, let's see, let's see
29:04I'm not surprised because, let me explain to you
29:05She's always been a little slippery
29:07Don't say that
29:08You're going to defend her, you're going to defend her
29:09She's with a Don Juan and you're going to defend her?
29:11You're in a hurry on this trip, I'm sorry Jimmy
29:13Stop, stop, stop
29:14You know where that Don Juan lives
29:16Hold on, hold on
29:17I don't know if we can do this with him or not
29:18I'm going to help you
29:19Well, I don't know, maybe he's paid, right?
29:20I don't know
29:21But he needs martial arts
29:22Well, well, we have to be brave
29:23Here everyone knows that Don Juan...
29:24Damn Don Juan!
29:25Let's go, let's go
29:26I mean, I don't know, maybe you can do it alone
29:28I don't know
29:48San Juan Bendito, what is that?
29:51What is that?
30:16San Juan
30:18After you, beautiful lady
30:20Thank you, my prince of heaven
30:22Good morning
30:23Good morning
30:25I slept very well today
30:26I also slept very well
30:28Although Jimmy woke me up in the morning with his questions
30:31Oh, I answered him with a lot of poop
30:33What's my fault that Alessia cut off contact with me?
30:39Good morning, good morning, little girl
30:41Good morning to everyone
30:42And mom?
30:43Just that, aunt, to ask, didn't she come down?
30:45I haven't seen her
30:46Well, maybe she went out to run
30:47Oh yes
30:48Sure she'll be back
30:49Yes
30:50Hey Dani, who's in the bathroom?
30:52Yes, huh?
30:53What?
30:54Weird
30:56And why is the door closed?
30:58Because I slept in the bathroom!
31:01Mom?
31:02You finally answer me!
31:04Bring the toilet paper, I can't feel my legs anymore!
31:07My God!
31:09But, what happened?
31:11I don't know, but it's probably my fault
31:13I don't know, but it's probably my fault
31:15No more breast, daddy
31:16The law of the married, breast
31:19Of course
31:20Well said
31:21Well said
31:25Mom, why didn't you call me?
31:27Of course I called you!
31:28You must have like 20 missed calls on your cell phone
31:31I swear I didn't hear anything
31:35You know what I dreamed last night?
31:37That I entered a gold bathroom
31:39And everything was gold
31:40Even the toilet was gold
31:42And you know what else was gold?
31:44We don't need details, please
31:46Don't be so discreet, you can hear everything
31:49Really?
31:50Well, not so much for you
31:52González family, González family!
31:55Juan González, we are Goyeneche
31:56Goyeneche, Goyeneche
31:57What's going on?
31:58It's true
31:59Goyeneche, Contreras, Flores, Collazos, Lara
32:03And Panduro Panturo, that's me
32:06Well, what's going on?
32:07Oh yes, I can't tell you
32:09Totally?
32:10No, I can't tell you because it's something
32:12It's indescribable, it's inaudible, it's unusual
32:16It's like the aliens brought it
32:18You better come and see it
32:20Let's see, let's see
32:34What is that?
32:37That is modernity
32:42Mr. De las Casas, is this machine yours?
32:45Yes, this super modern machine is the Neutronics 1000
32:50With artificial intelligence
32:52It needs artificial intelligence because it doesn't have natural
33:00Laugh as long as you can, ignorant González
33:03Because soon you will cry
33:05My machine will make you bite the dust of defeat
33:12Wait a minute, here is my daddy's winery
33:15Oh yeah? What a shame
33:18Why don't you blame the free market system and let the best win?
33:22But then I can keep his smart refrigerator
33:26Because everyone prefers personal treatment
33:28Well said, little girl
33:30Listen to me, insolent millennial
33:32Yes
33:34Look, we're in the New Lomas
33:36No one wants a neighborhood winery here, okay?
33:38So now, if you'll excuse me, I'm thirsty
33:44Water, no gas
33:55Excuse me, primitives
34:00Why do you treat him like that?
34:03I want water
34:04I want a banana
34:06Leave it to me
34:08I want a tamal
34:13I think you have to pay first
34:15Oh yes, I saw that you put your card there
34:24And? Did you dream of your daughter?
34:26Don't make fun of me, Diego
34:28I'm not making fun of you, I just want to know if the meditation worked
34:32What's going on?
34:34I was remembering my late daughter, that's all
34:37Leonardo Rizopatrón, or Llanos, or whatever his widow's name is
34:42made him believe that he can talk to Isabella
34:45He didn't say that, he said to listen to his voice in his dreams
34:49I don't think he's that crazy
34:51Don Gilberto says that he talks to his late wife here
34:55Because that old man is beyond here
34:58Well, Teresa has practically become Mrs. Leni
35:02Well, not to mention Lucho González, who resurrected three times
35:06Those González don't respect differences, not even those of life and death
35:12Is it possible that they have the key?
35:18We're not going to let that devil's machine beat us
35:21No
35:22The winery, Mi Palomita, is the best
35:24Yes
35:25We're going to sink Miguel Ignacio
35:27Yes
35:28That cold machine is not going to beat us
35:30No
35:31Much less now that my beautiful daughter is the face of the winery
35:34That's it, Maripaz, you have to defend the family
35:37Trust my family, that little machine is not going to beat us
35:40No
35:42Did you see the machine that is outside?
35:44They sell great ice cream
35:46Love, how did you pay?
35:48They gave me this card, it came with 100 soles as a gift
35:52Now we are going to see if those marginals survive my promotions and offers
36:00We distribute in the neighborhood, Mikey?
36:02Of course, my love
36:04Everyone has to have their Nacho Card
36:21Come here
36:37What are you doing, Valentino?
36:40Surprise offer, how about it?
36:42Thank you
36:48Ready, Mr. Estrepo, your car is tuned and purrs like a kitten
36:53Thank you very much
36:54Well, do I cancel you?
36:55Well, if you cancel me, I have a discount
36:57And I also have a stick here for the winery of Mi Palomita, which is in Las Nuevas Lomas
37:02It's an offer too
37:04You're not going to regret it, look at everything you take
37:06Great
37:09Here you go
37:10Thank you
37:11Ready
37:12And how is my pressure, miss?
37:14Oh, they will give you your results in the winery of Mi Palomita
37:17Ending at the little park, on the right, two blocks in front and ready
37:20But you told me it was free
37:22Yes, yes, it's free
37:24Look, claim your results with this code
37:28And it has a 2% discount on antifungals
37:34See you later
37:41Very good, passengers
37:43Last stop
37:46Please get off everyone in order, please
37:49Wait a minute, I'll give you your ticket
37:52Very good
37:54Let's see, I'll take care of it, I'll take care of it, I'll open it
37:56Let's see, get down in order
37:58And now I welcome you to the modern and overflowing winery, Mi Palomita
38:04Please come in, here you will find everything
38:06You have a 10% discount on coffee products
38:09And remember that with your ticket you can exchange a nice gift made of badges
38:15Come in, come in, without compromise, come in, come in, come in
38:18No, but...
38:23No, but...
38:26And the gift?
38:27It's bad
38:39They told me she didn't sleep anymore
38:42She only cried
38:44I don't know why my girlfriend left me
38:48But tonight I'm going to apologize
38:54It can't be!
38:56That damn machine is taking all my clients
39:00No one is entering my daddy's winery
39:02Yes, Teres
39:03I don't know where the personal treatment has been kept
39:06The human values, grandma
39:10And that banana?
39:12Oh, it's cheaper, Teres
39:14It comes out fast, you answer me like that?
39:16Traitor!
39:20Ha!
39:21Sufran González
39:23How delicious to see how those marginals extinguish
39:26Soon I'm going to take their sustenance
39:29Ha!
39:35Excuse me, Aunt Teres
39:38Excuse me, Aunt Teres
39:39It's time to put an aggressive strategy into practice
39:44A winning roulette, what a good idea!
39:50Ha!
39:51Your promotion is so sad
39:53Give up already!
39:55Ha!
39:57Oh, I'm half-ass, I'm going to put something more addictive, I'll be right back
40:00No, my love
40:01I sacrifice myself
40:02Attention!
40:04Put the ink!
40:09Come on, play and win!
40:11The millionaire roulette of the winery, my Palomita, where?
40:15Everyone wins!
40:17Of course, Matas, of course
40:19What a beauty, what a queen, what a beauty, my girl, my girlfriend
40:22Maripaz, Maripaz, throw the roulette
40:25Wait, wait
40:28Damn degenerate!
40:31Dad!
40:32Dad, what are you doing?
40:37Let that winery die
40:39Ha!
40:40No one is going to buy them
40:42If I had known it was so easy, I would have done it a long time ago
40:45Ha!
40:46I want to be the fifth teletubbie
40:50I want to walk all over the field
40:53I want to see the colorful world
40:56And I would go out running
41:03The promotion was useless
41:06I did a thousand, a thousand laps in the roulette and no one came
41:09And this chormet and puloso already has me all hot
41:12Enough, love
41:13If you want, go change and I'll wait for you in the winery
41:17Until I burn the last card
41:19Oh
41:20Ouch!
41:21But
41:22Come on, come on
41:23I'm all hot, come on
41:24Come on, come on, come on
41:26Oh, girl
41:27Don't feel bad, you did what you could
41:29Don't feel bad, you did what you could
41:31Oh, but a machine can't beat us, Tere
41:33It's not a machine that beat us
41:35It's Miguel Ignacio
41:37Oh, I don't know what I'm going to do when my dad comes, how am I going to tell him?
41:41Oh, well, I'll think of something
41:43You can keep serving
41:44But who, if no one is coming?
41:46Uh!
41:51Pass the door
41:53Pass
41:55Oh my God!
41:58Yes
41:59It's me, the new matriarch
42:02Now I'm carrying the family on my shoulder
42:05Mrs. Tere
42:06I noticed the resemblance, Teresa
42:08Mrs. Tere
42:10Mrs. Tere
42:11Uh-huh
42:13A consultation
42:16Are you talking to Meli?
42:18Are you talking to Meli?
42:24Luisa, where are you?
42:27Oh, I was looking for you
42:32I already saw you, Miss Zapata
42:34I'm Zapayal, Mr. Orozco
42:37Well, whatever
42:40What are you eating?
42:44Guarguero, sir
42:49Enjoy it
42:54I don't want a bite
42:58Why not?
43:19Very good
43:21Go back to work
43:23Yes, Mr. Manager
43:48Yes, I talk to her
43:51I pray to her
43:53I bring her to my memory
43:55To remember her as she was
43:58But
44:00Do you communicate with her?
44:02I mean, do you feel that she speaks to you?
44:06I mean, like if she were here
44:08Talking to me face to face, no
44:10But I feel her presence
44:13I feel her presence
44:15No, but I feel her presence
44:18In fact, I'm more and more influenced by her
44:22You can see that
44:24Yes
44:26And your father, Mr. Gilberto
44:29Talks to him, right?
44:31I've seen him
44:34Yes, my dad always talks to my mom
44:36Although sometimes he exaggerates a little
44:40Here among us
44:42Did Olinda get jealous of my mom's ashes?
44:45Don't tell me
44:48Well, clearly I had a different idea
44:51Of your relationship with your deceased
44:58Mrs. Francesca
45:00What do you want to tell me?
45:03How can I help you?
45:07I don't know if I should tell you
45:09You're going to think I'm out of my mind
45:11No, we listen, we don't judge
45:15You know that my daughter Isabela
45:17Suffered a violent death
45:20Horrible
45:21And since then
45:25I can't remember her
45:28If it's not with a lot of sorrow, with a lot of pain
45:33When I remember
45:35I feel a great dismay
45:40I would like to be able to enjoy her memory with joy
45:45If only I had a hope
45:50I think what you need is to talk to Father Manuel
45:54No, no, no
45:55I know what you're going to tell me
45:57It's not a lack of faith
45:59I just need to talk to her
46:04See her smiling
46:06I understand
46:08Knowing that that bullet didn't kill both of them
46:13I understand, I understand
46:17I think I know who can help her
46:21Some specialist?
46:22Totally
46:23A professional on the subject
46:25Someone who helps heal wounds when a loved one dies
46:31I'm going to thank you very much for giving me the contact
46:36Let me look for him, excuse me
46:45That's what I need
46:48Heal this deep wound
46:53I hope that psychiatrist, coach, holistic healer, whatever his name is
47:00Help me
47:02Help me
47:04To remember my daughter with the joy that characterized her
47:15Isn't that Diego's nuclear man?
47:17What is he doing here?
47:31Yes, it's mine
47:33I thought I had lost it
47:36It was in the Gonzalez's house
47:38What?
47:39What was he doing there?
47:41In a neighborhood where corpses change places
47:44A doll is nothing
47:46But if you put it there, it's a doll
47:48It's a doll
47:49It's a doll
47:50It's a doll
47:51It's a doll
47:52It's a doll
47:53It's a doll
47:54It's a doll
47:55It's a doll
47:56It's a doll
47:57It's a doll
47:58It's a doll
47:59But if I had it in my drawer
48:01Even for them it would be too bold to take it from there
48:06And what were you doing in that house?
48:09I stayed thinking about what we talked about
48:11The relationship that the Gonzalez have with their dead
48:14Are you going to continue with that?
48:17If you had suffered what I suffered
48:20You would also cling to anything
48:25You're right, forgive me
48:30And most of all
48:33The way they remember Nelly and Lucho when they were alive
48:38It's healthier than my eternal mourning for Isabela
48:42Don't tell me you're going to start following in the footsteps of that old motorist
48:45And you're going to walk with your pyramid everywhere
48:47Oh please, no
48:50Teresa has recommended me to a professional
48:53Who is dedicated to helping people to survive
48:57This type of loss
49:00Teresa?
49:02I'm surprised by her
49:03Yes, she's well changed
49:06She's more focused, more alert
49:20Two thousand soles in one day
49:22I love you Neutronics
49:27I love you too Nachito
49:29Neutronics
49:31Don't call me Nachito
49:41We have to admit that a machine beat us
49:44We still don't give up
49:47But if no one comes, Valentino
49:50It was for the good
49:52Now it's our turn
49:58Yes, it's a professional of the soul
50:01Dedicated to healing people who have suffered violent losses
50:05Like us
50:06Yes, I'm sure it will help us
50:08To overcome my daughter's death
50:10And the woman you loved so much
50:21It must be him
50:27Yes
50:36Bienvenido
50:38Maestro
50:39It's me
50:56Hello, daddy
50:59Yes, everything is fine, the winery
51:02The winery is wonderful, daddy
51:04Everything is working amazing
51:06In a few words
51:08Your winery is breaking sales records
51:10A total success
51:13I see that you are empowered
51:16But happily
51:17Now I'm here
51:19To de-empower you
51:21Watchdog
51:23Listen to me well
51:25If you make a mistake
51:26A minimal mistake
51:29I'm going to make it impossible
51:30For them to kick you out of Las Lomas
51:32Did you understand?
51:33The most minimal mistake?
51:35I already know how to eliminate her
51:36But it won't be easy
51:38Felix is watching her all the time
51:39But don't worry
51:40We'll take care of him
51:41We'll take care of him?
51:42Us?
51:43Hamburger?
51:44Princess, princess
51:45Calm down, okay?
51:46I just need to call my team
51:50I need to see you again, my daughter
51:54It doesn't matter how much I have to pay