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00:00:00We have more important things to attend to than this pataleta.
00:00:08It's not a pataleta.
00:00:11I'm just telling you what I saw.
00:00:12Do you have a problem with me?
00:00:13You have a 10, right?
00:00:14No.
00:00:15I ...
00:00:16Shut up, I said.
00:00:17Send her to take her ass before she drags you.
00:00:18Wow, how you left the coverage, right?
00:00:19Ma'am, that's the police station.
00:00:20A trafficker has appeared in the area.
00:00:21We just want to help her.
00:00:22You can go now.
00:00:23Get out.
00:00:24Get out.
00:00:25Get out.
00:00:26Get out.
00:00:27Get out.
00:00:28Get out.
00:00:29Get out right now.
00:00:30Wait a minute, mom.
00:00:31What are you up to?
00:00:32But what the hell are you doing?
00:00:33You don't see that I'm giving up my life to get us out of here, do you?
00:00:34Let's have the party in peace.
00:00:35Come on, come on.
00:00:36Let me go.
00:00:37He spends the day lying around like a piece of junk.
00:00:38Do you know what your fucking problem is?
00:00:39That you don't know how to tie in short.
00:00:40I'm going to let him drive for me.
00:00:41What happened?
00:00:42A fight between drug addicts?
00:00:43It seems something more serious than that.
00:00:44A shot in the head.
00:00:45Can you photograph this?
00:00:46A shot?
00:00:47A shot in the head.
00:00:48A shot in the head.
00:00:49A shot in the head.
00:00:50A shot in the head.
00:00:51A shot in the head.
00:00:52A shot in the head.
00:00:54because they are of high class.
00:00:55Are you going to tell me or not?
00:00:56You're going to tell me or not?
00:00:57You haven't met with your paranoias yet.
00:00:58Let me show you his arms.
00:00:59Come on.
00:01:00You have to have something.
00:01:01Celso wants to talk to me.
00:01:02I think he knows where his son is.
00:01:03We can offer a favor among your son.
00:01:04The boy has not a word about this.
00:01:05Has committed a crime.
00:01:06I won't let you in.
00:01:07Come with Negra.
00:01:08Help me.
00:01:09You have to go.
00:01:10You're not going to let me in?
00:01:11No.
00:01:12You have to go.
00:01:13You're not going to let me in?
00:01:14No.
00:01:15Come with me, please.
00:01:16Please.
00:01:17Please, please, please.
00:01:18Please, please.
00:01:19Please.
00:01:20No chico, ni una palabra de esto.
00:01:22Ha cometido un error. No quiero que cometa otro.
00:01:24Tenemos a varios agentes vigilando el edificio.
00:01:26Ni una sola cagada.
00:01:28¡Vamos! ¡Policía!
00:01:30¡No te lo repito! ¡Las manos donde yo las vea!
00:01:32¡Clara!
00:01:38¡Vamos!
00:01:40¡Vamos!
00:01:50¡Vamos!
00:02:20Ante el riesgo para mi propia vida y la de mis compañeros, tuve que neutralizarlo con mi arma reglamentaria.
00:02:42Le ordené hasta en dos ocasiones que pusiera las manos arriba.
00:02:46Desoyendo la orden, el sospechoso echó mano de su pistola con intención clara de utilizarla.
00:02:56Inequivocado.
00:02:58Intención inequivocada.
00:03:12Es lo mejor para todos.
00:03:16Sobre todo para ti.
00:03:46¡Vamos!
00:03:48¡Vamos!
00:03:50¡Vamos!
00:03:52¡Vamos!
00:03:54¡Vamos!
00:03:56¡Vamos!
00:03:58¡Vamos!
00:04:00¡Vamos!
00:04:02¡Vamos!
00:04:04¡Vamos!
00:04:06¡Vamos!
00:04:08¡Vamos!
00:04:10¡Vamos!
00:04:12¡Vamos!
00:04:14¡Vamos!
00:04:44Ana.
00:04:46Ana.
00:04:52No, I don't want to.
00:04:54It's hard to expose yourself, but it's going to do you good, believe me.
00:05:02It's just that I don't know where to start.
00:05:04Start at the end.
00:05:08You mean when I discovered you, right?
00:05:14Yes.
00:05:16If they told us what it's like to suffer for a child during childbirth, we'd push.
00:05:20But inwardly.
00:05:32I can't stop thinking about what I've done wrong.
00:05:36Looking for guilt instead of causes.
00:05:38The unconsciousness of youth.
00:05:40Those who cover themselves.
00:05:42Those who do nothing to avoid it.
00:05:44And I don't just mean the police.
00:05:46Ana.
00:05:48I assure you that what you have been able to influence in your daughter's addiction is insignificant compared to that.
00:05:54But you have to know how to focus on the problem.
00:05:56It's no longer about fighting only for the future of the children.
00:06:00As they have all done since the houses were built.
00:06:02Now it's about saving their lives at your own expense.
00:06:06I assure you that I don't know any mother who isn't willing to pay that price.
00:06:22It's for you.
00:06:23To put the batteries in.
00:06:24Find out where to put them.
00:06:25With Martínez.
00:06:26Flores.
00:06:27Carterista in Portalgo.
00:06:28To lay the floors.
00:06:31I'm going alone.
00:06:37Yes.
00:06:38Bye.
00:06:39Okay.
00:06:49Boss.
00:06:50I wanted to ask you to leave the office for a few days.
00:06:53I see.
00:06:54And what's the plan?
00:06:55Lock yourself in your house and throw the key out the window?
00:06:58Well, maybe. I don't know.
00:07:00Come on, Arroyo isn't a saint.
00:07:01If he had a gun on him, he would have shot you.
00:07:03Believe me.
00:07:04He doesn't have a record for firearms.
00:07:08What if he dies because of me?
00:07:10He's out of danger.
00:07:12Arroyo?
00:07:14They called the hospital a while ago.
00:07:15He'll get out of this one.
00:07:17I can assign you office tasks.
00:07:20Although, if you prefer to stay at home...
00:07:21No, no, it's fine like this.
00:07:26Forget about the national product.
00:07:27Nadiusca's is a front-runner and not the lightning one.
00:07:30What do you say, boss?
00:07:31Nadiusca or La Bárbara Rey?
00:07:33I don't give a shit.
00:07:34Shut up already, damn it.
00:07:38Look, he's coming.
00:07:44Come on, let's go.
00:08:03Let's go.
00:08:13Motherfucker.
00:08:15Motherfucker, let's go, let's go!
00:08:16Start the car, damn it!
00:08:19Stop! Police!
00:08:21Stop right there!
00:08:22Stop!
00:08:23Keep your hands on the ground!
00:08:25Police!
00:08:30Let's go!
00:08:34Let's go!
00:08:36Do you need help, Pepe?
00:08:37No, dammit.
00:08:39You ate all the omelette.
00:08:41I don't like it.
00:08:42How can I not eat your omelette?
00:08:44It's the best in all of Madrid.
00:08:46Give me the key.
00:08:48It's in my pocket.
00:08:50Here, in my pocket.
00:08:52Wait, wait, wait.
00:08:53A little to the left, a little to the right.
00:08:54You're so stupid, Quinta.
00:08:57Hey, kid.
00:08:58Seriously, now, seriously.
00:09:00We're going to be fine.
00:09:03Okay?
00:09:04I'll go back in the taxi.
00:09:06You, with the seam.
00:09:08In the lady's house, I knew what was going to happen to me at the end of the month.
00:09:13Before I leave the Communist Party,
00:09:16you'll have to take some of that.
00:09:18Well, I prefer it long-term, Rufo.
00:09:20But of course, you can't do anything about that.
00:09:22Hey, my uncle is my thing.
00:09:24Don't worry.
00:09:27Okay?
00:09:34What?
00:09:39What?
00:09:42Chiqui.
00:09:45Look at me.
00:09:47I promise I'm not going to fuck her.
00:09:52Hey.
00:09:54You know I love you, don't you?
00:10:04Do you know or don't you know?
00:10:07Hmm?
00:10:08Do you know or don't you know?
00:10:11They're not going to see us, Quinta.
00:10:12Silly.
00:10:13You make me silly.
00:10:22Gemma.
00:10:25What are you doing there?
00:10:27Don't you care?
00:10:29What are you doing there?
00:10:30Don't you care?
00:10:32What are you doing there, Gemma?
00:10:35Fuck you.
00:10:36Give me that.
00:10:37This is mine.
00:10:38This is mine.
00:10:39Please, not here.
00:10:40This is mine.
00:10:41Fuck!
00:10:42No, run!
00:10:45How could you?
00:10:46Do you know what this coat is?
00:10:47Your father gave it to me.
00:10:48Give me money.
00:10:49Whatever.
00:10:50I'm begging you.
00:10:51Go home, Gemma.
00:10:52Give me money, damn it.
00:10:53Do you have money?
00:10:54I can't.
00:10:55Do you have money?
00:10:56You know it was my money too, didn't you?
00:10:57It was my dad's.
00:10:58Do you have money?
00:11:00No!
00:11:01What are you doing?
00:11:21Clothes.
00:11:30Let's see.
00:11:32Today is Thursday.
00:11:33And here we have a wonderful tradition on Thursdays,
00:11:35which is that we're going to eat paella
00:11:37in a bar next door.
00:11:39And you can't miss this.
00:11:41But look, it's the first time.
00:11:42I'm going to invite you.
00:11:44What do you say?
00:11:47Maybe another day.
00:11:56Don't tell Nestor at the academy.
00:12:00The feeling you have now,
00:12:02that gets stuck here,
00:12:03like in the mouth of the stomach,
00:12:04that doesn't let you sleep.
00:12:07That you spend the fucking night there in bed,
00:12:08thinking that
00:12:10I wish I could go back and not fuck her.
00:12:17And what do you do?
00:12:20Well, look, at this point,
00:12:22I don't give a shit about my luck,
00:12:23I don't give a couple of fucks
00:12:24and I hope the next day they give me another case.
00:12:27If possible, I'll go with you.
00:12:33Last chance for paella.
00:12:57I'm sorry.
00:13:09Virgen de la Torre Hospital?
00:13:10Hi, I'm calling to ask about Manuela Royos,
00:13:13a young man shot in the abdomen.
00:13:15Are you a relative?
00:13:16No, no, no.
00:13:17I just wanted to send some flowers to her room.
00:13:19She's not in any room, miss.
00:13:21She's still in the UBI.
00:13:23How in the UBI?
00:13:24It's impossible.
00:13:25They told me she was...
00:13:28No, thank you for answering.
00:13:29Good afternoon.
00:13:30Good afternoon.
00:13:55Again.
00:14:00Isabel.
00:14:02Hi, I'm Berta.
00:14:05It's looking beautiful.
00:14:07But, look, I have the sewing machine...
00:14:11I have to take the sewing machine to the technician and...
00:14:15No, no, no, no, no.
00:14:16Don't worry, don't worry.
00:14:17It's safe for the 15th.
00:14:18The thing is that...
00:14:20I'm a little scared that the photos won't arrive.
00:14:22Could you postpone it?
00:14:25What are you saying, woman?
00:14:26What galleries?
00:14:27What galleries?
00:14:28It was just a question.
00:14:29No, no, no.
00:14:30Count on it.
00:14:33Goodbye.
00:14:45What the fuck happened there?
00:14:46You threw all the plasma on top of it.
00:14:48I know, man.
00:14:49We also threw the plasma on top of it.
00:14:51I know, man.
00:14:52We also got caught with our asses in the air.
00:14:54But you're a cop, man.
00:14:55You had to find out who threw it on top of it.
00:14:57Don't tell me how I have to do my job.
00:14:59This is a group that came from Torremolinos.
00:15:01From Torremolinos? Here?
00:15:02Man, they've set up an anti-drug group.
00:15:04They don't even ask for permission.
00:15:05That's how this country goes, man.
00:15:07Each one touching their balls on their own.
00:15:09Let's stop talking about stories.
00:15:10How many drugs do you have left?
00:15:11For how many days?
00:15:13Ten days.
00:15:14Two weeks, at most.
00:15:15You'll leave me without suppliers.
00:15:16I'll get you one.
00:15:17But stop crying already.
00:15:18Fuck.
00:15:21Fuck.
00:15:42I thought I'd never see a woman sitting there.
00:15:46What about you?
00:15:47Oh, sorry.
00:15:48Inspector Velarde.
00:15:49He's the director.
00:15:52Everything okay, Inspector Montesinos?
00:15:54Inspector, thanks for asking.
00:15:56Are you sure?
00:15:58You never forget the first hit.
00:15:59Especially when there are victims.
00:16:01Am I wrong?
00:16:02Excuse me?
00:16:03No.
00:16:04The guy who was shot.
00:16:05Arroyo.
00:16:06He doesn't look like the guy with the gun, does he?
00:16:08Car thefts, small burglaries,
00:16:11but no weapons.
00:16:13And look at you.
00:16:14It looks like you killed Billy the Kid yourself.
00:16:16No.
00:16:18Montesinos.
00:16:20I need you to file these reports.
00:16:23Now.
00:16:25Good morning, Romero.
00:16:27Are you worried that I spoke to your new inspector?
00:16:30The only thing that worries me is wasting time, Velarde.
00:16:33And something tells me that you haven't come here for another reason.
00:16:37We'll see.
00:16:40Your inspector...
00:16:42Yes, he's at that door.
00:16:43Very kind.
00:16:46Let's go.
00:17:05Everything okay?
00:17:08Hi, Romero.
00:17:09Hey.
00:17:11Come here.
00:17:14Hey, what's wrong? Am I not pretty?
00:17:16Yes, you're the prettiest girl in Madrid.
00:17:18What do you say?
00:17:21Pay me a little, please.
00:17:22I need to get dressed.
00:17:23Did you get the money or not?
00:17:24Come on, Mario, don't fuck with me.
00:17:25Fuck, don't fuck with me.
00:17:26Please.
00:17:28I'm risking my neck to do this, okay?
00:17:30Can't you see I'm fucked?
00:17:31I'm fucked, Mario, please.
00:17:32Okay, okay, relax a little.
00:17:33Let her sell what I have.
00:17:35Let's get on with my business, okay?
00:17:36Okay?
00:17:38Relax, please.
00:17:41Relax.
00:17:45Gemma.
00:17:46Gemma, dammit!
00:17:47Fuck.
00:17:48Fuck, I'm sorry.
00:17:49Come here.
00:17:50Don't touch me.
00:17:51I'm sorry, Gemma.
00:17:52Don't touch me, dammit!
00:17:54Hey, I'm sorry.
00:17:55Do you have something for the subway?
00:17:57How low have you fallen, Gemma?
00:18:03Hi.
00:18:04Do you have something for the subway?
00:18:05No, I don't.
00:18:06I'm sorry.
00:18:11I'm sorry, girl.
00:18:13Leave me the money for the subway, please.
00:18:16Please.
00:18:17Gemma, you know I love you a lot,
00:18:19for you and for everything,
00:18:21but I'm not going to give you money
00:18:22to get you killed, I promise.
00:18:40I'm sorry.
00:19:06Hi, Manuel.
00:19:07How are you?
00:19:08Good.
00:19:09Good, good, good.
00:19:10Is Macarena there?
00:19:13Yeah.
00:19:14Do you know when he'll be back?
00:19:19Yes.
00:19:21Did you tell him I called yesterday?
00:19:28Of course.
00:19:30Yes, yes.
00:19:32Okay.
00:19:33Please tell him to call me when he can.
00:19:39Okay.
00:19:41Hugs.
00:19:47In short,
00:19:48the suspect opens the door
00:19:50to a supposed friend of his girlfriend.
00:19:53The agents break in
00:19:54and in the middle of the assault
00:19:55there's an armed police officer
00:19:57right here.
00:20:01So?
00:20:03So I called him.
00:20:06Let's see.
00:20:09What do you see?
00:20:14Police. Hands up.
00:20:16According to your report,
00:20:17he warned you twice.
00:20:19Yes, that's correct.
00:20:22And then you pulled out the gun.
00:20:24Yes.
00:20:25No, I was ready.
00:20:26While I was opening it.
00:20:30Pick up the gun.
00:20:31What?
00:20:32Point it out.
00:20:33The inspector doesn't know
00:20:34what a reconstruction is.
00:20:35That tone isn't necessary.
00:20:37I'll decide that.
00:20:41Where did he pull the gun from?
00:20:43From behind.
00:20:44From his waist, I think.
00:20:47Left or right?
00:20:50I don't know.
00:20:51I don't remember.
00:20:53I don't see anyone else.
00:21:00What hand was the gun in, Inspector?
00:21:03What hand was the gun in?
00:21:05Come on!
00:21:08On the right.
00:21:10I saw the gun in his hand and I shot.
00:21:12Didn't they teach you at school
00:21:13what a disarming shot is?
00:21:15He acted like anyone else
00:21:16in a real emergency situation.
00:21:18Did you really feel threatened
00:21:20by that kid, Inspector?
00:21:24That kid
00:21:27is a junkie who came to get a jewelry.
00:21:29According to the thief's report,
00:21:30he only drove the car.
00:21:31Inspector,
00:21:32did you really feel threatened?
00:21:34Answer me.
00:21:36No, don't look at him.
00:21:37Look at me.
00:21:40You were scared, Clara.
00:21:41That's it, right?
00:21:43No.
00:21:44He aimed at me.
00:21:45Let's see.
00:21:46The guy pulled out the gun and shot her.
00:21:47We all saw that, right?
00:21:48That's it.
00:21:49What a shame.
00:21:50His chance to talk is over.
00:21:51Can you recognize him?
00:21:52You shot that kid.
00:21:53That's it.
00:21:54Right?
00:21:55No.
00:21:56Right, Clara?
00:21:57Son of a bitch.
00:21:58Enough, enough, enough.
00:21:59Romero, Romero, enough.
00:22:00Enough.
00:22:01Enough.
00:22:03You haven't changed a bit
00:22:04in all these years, Romero.
00:22:25No, Pepe.
00:22:26It's not fixed.
00:22:32What do you mean?
00:22:35What does the technician say?
00:22:37That the repair is more expensive than a new one.
00:22:40And the dress is half.
00:22:42I don't know what I'm going to do now.
00:22:44Okay, calm down.
00:22:45Calm down.
00:22:46If you have to buy one, you buy it.
00:22:50Do you know how much a sewing machine costs?
00:22:52I don't know,
00:22:53but it can be paid in installments,
00:22:55I mean.
00:22:56Like the fridge.
00:22:57Look, don't talk to me about the fridge.
00:23:00I'll think of something, girl.
00:23:02Don't worry.
00:23:04Do you trust me?
00:23:07Do you trust me, yes or no?
00:23:10No?
00:23:11Do you trust me?
00:23:12Yes.
00:23:14I'm going to make you something to eat for the taxi, okay?
00:23:17Okay.
00:23:29They threw their house up
00:23:34They threw their house up
00:23:40And before the day was over
00:23:46The wood was passing
00:23:51They threw their house
00:23:56They threw their house up
00:24:02They threw their house up
00:24:26They threw their house up
00:24:32They threw their house up
00:24:38They threw their house up
00:24:44What are you doing?
00:24:49Are you helping me with this?
00:24:56Are you helping me with this?
00:25:21Yes?
00:25:22Hello, good evening.
00:25:24Sorry for calling so late.
00:25:26I wanted to talk to Mario.
00:25:28I'm the mother of a classmate of his from university.
00:25:31It's very important.
00:25:33Wait.
00:25:37Yes? Who is it?
00:25:38Mario.
00:25:39Mario, I'm sorry for calling so late.
00:25:41I'm Ana, Gema's mother.
00:25:44Is she there with you?
00:25:46No.
00:25:48I'm not going to get mad.
00:25:49I just need to know she's okay.
00:25:52She's not here.
00:25:53I swear.
00:25:55Don't lie to me.
00:25:56I'm begging you.
00:25:57I know what you're both up to.
00:26:00I swear on my mother that I haven't heard from her since this morning.
00:26:06We're not together anymore.
00:26:07She's on her own now.
00:26:08Everything.
00:26:11Yes.
00:26:12And you have no idea where she might be,
00:26:15with whom, whatever.
00:26:16Tell me.
00:26:17If I knew, I'd tell her.
00:26:19She can believe me or not.
00:26:20But it hurts me to see her like this.
00:26:22I believe you.
00:26:24If you find out anything...
00:26:27I'll call her. Don't worry.
00:26:28Okay.
00:26:29Good night, Ana.
00:26:30Good night, Mario.
00:26:47You don't see anything, do you?
00:26:48Otherwise it's not funny.
00:26:49No.
00:26:50I have a lot to sew.
00:26:51I'm not stupid.
00:26:54Don't be impatient.
00:26:55We're almost there.
00:26:56We're almost there.
00:26:57Now we turn to the left.
00:26:59Almost there.
00:27:02Ta-da!
00:27:05Problem solved.
00:27:09We still don't know what it is, do we?
00:27:11It's going to be released.
00:27:13For my cookie.
00:27:15Watch out.
00:27:16It's the sewing machine's Formula 1.
00:27:18You have to tie it short.
00:27:21What?
00:27:23It's beautiful here.
00:27:24But where did you get the money from?
00:27:26From the taxi.
00:27:27Where else?
00:27:30And to pay Rufo?
00:27:33And for everything.
00:27:35Don't eat so much.
00:27:39It's impossible that he took out all that money
00:27:41going around in the taxi.
00:27:43No, if you think so,
00:27:44he has stolen a bank.
00:27:45Fuck, I'd go on.
00:27:46Stick to what I tell you.
00:27:48Fuck, honey.
00:27:49If I bring money home,
00:27:50it's because I bring it.
00:27:51And if I don't bring it,
00:27:52it's true.
00:27:53Tell me you haven't played again.
00:27:59Look at my face
00:28:01and tell me you haven't played again.
00:28:07I haven't played again.
00:28:08I swear.
00:28:12I haven't played.
00:28:18It was only this time.
00:28:20It was an emergency.
00:28:22I'm fighting for you.
00:28:26Take it away.
00:28:28What are you saying?
00:28:29Take it away.
00:28:30It's a joke, right?
00:28:31Get it out of here.
00:28:32I don't even want to see it.
00:28:33Take it away!
00:28:42Take it away.
00:28:43Take it away.
00:29:09Yes?
00:29:13Ana, what's going on?
00:29:18What?
00:29:19Did you give Velarde a beating yesterday?
00:29:24We'll go out for a drink later.
00:29:26If you feel like it, you know.
00:29:32Identification office.
00:29:33At last.
00:29:34I'm Inspector Montesinos,
00:29:35from the Southeast.
00:29:36I'd like to speak with
00:29:37Forensic Matías Pardo, please.
00:29:43I'm sorry.
00:30:01We can keep hiding it,
00:30:02but Velarde knows I'm lying.
00:30:06So?
00:30:07He doesn't know.
00:30:09You put up with the pressure.
00:30:11Anyone else would have collapsed.
00:30:13I did it for the police station.
00:30:14You told me we're a family, right?
00:30:15Yes.
00:30:16Families support each other,
00:30:17they don't lie.
00:30:18Did you call the hospital
00:30:19to ask about Arroyo?
00:30:23You can't stay still.
00:30:26It hurt.
00:30:28He knows better than anyone
00:30:29how I'm going through it.
00:30:30Why do you think I lied to you?
00:30:32So I wouldn't feel so guilty.
00:30:33No, see?
00:30:34That's the problem.
00:30:35You keep thinking you're guilty.
00:30:36I'm not.
00:30:37No more than me.
00:30:39I gave the order
00:30:40to put the gun in his hand.
00:30:41I forced you to lie
00:30:42in your statement.
00:30:44And you should protect yourself
00:30:45no matter what.
00:30:48Aren't you going to take it?
00:30:53I'm in a meeting right now.
00:30:57When did you leave?
00:31:00Did the doctors say anything?
00:31:05Thanks for calling.
00:31:08Arroyo has woken up from his coma.
00:31:10He seems to be evolving well.
00:31:13And will he be able to tell
00:31:14his version of the facts?
00:31:15I mean, the truth.
00:31:16No, that doesn't change anything.
00:31:17The word of a three-to-the-fourth-year-old
00:31:19is worth nothing more than ours.
00:31:25Look at him on the bright side.
00:31:28Now he's out of danger.
00:31:31This matter has no bright side.
00:31:40I'm sorry.
00:31:53You, come here.
00:31:56Come here.
00:31:57Let's see what you've got here.
00:31:58Let's see what you've got.
00:31:59Come on, come on.
00:32:01Who gave you this shit?
00:32:02Who gave you this shit?
00:32:03Who gave you this shit?
00:32:05Don't tell me.
00:32:07Don't tell me.
00:32:08Come on, come on.
00:32:09You're coming with me on a trip.
00:32:12Pardo.
00:32:13I'm busy.
00:32:14Yeah, me too.
00:32:16Is there a problem with the phone line?
00:32:18Look, I don't know what trouble you have in the southeast,
00:32:20but frankly, I'd rather not know.
00:32:21No trouble.
00:32:22We're waiting for the results of the rat,
00:32:23the dead man in the field.
00:32:25What's up? Why didn't you send it?
00:32:27Ask that to Orvieta.
00:32:29Why Orvieta?
00:32:31Ask that to him too.
00:32:38Ask that to him too.
00:32:54You were the first person I thought of when I picked up the phone.
00:32:58Because you've never failed me.
00:33:02However, I don't get it out of my head
00:33:04how I could accuse you of stealing from me.
00:33:06Really.
00:33:07Ana.
00:33:08No, let me finish.
00:33:10You already suspected her.
00:33:12And I didn't want to listen to you.
00:33:15I didn't want to face the truth about Gemma.
00:33:17No, don't say that, please.
00:33:18Because I've failed you too.
00:33:19I killed Gemma.
00:33:20You? In what?
00:33:22A few months ago, she caught a Chinese woman with a hashish and...
00:33:26It's clear that she didn't give her the importance she should have given her
00:33:28because she doesn't stop thinking that if she had told you at the time...
00:33:31Berta, Berta.
00:33:33I'm her mother.
00:33:34I live with her.
00:33:35I've been blind all this time.
00:33:37Don't talk to me.
00:33:38It's my fault.
00:33:40Ana.
00:33:45We're going to find the girl.
00:33:59Do you know this girl?
00:34:04Yes.
00:34:08It's me.
00:34:10I want to be with you.
00:34:24I want to be with you.
00:34:35He hasn't killed her yet.
00:34:38Look how the son of a bitch looks.
00:34:41With his face.
00:34:42They sent him to the fetus.
00:34:44No, no, he has to be very, very good.
00:34:46Did the cameo tell you who to sell it to?
00:34:48No, but we can ask him that.
00:34:49And with this we already have to fix ourselves.
00:34:51See?
00:34:52I'm going to ask him.
00:34:53Take it.
00:34:54Son of a bitch.
00:34:55Come on.
00:34:58Hey, bastard.
00:34:59Don't mess it up here, huh?
00:35:01Hey!
00:35:04Dad.
00:35:18Are you going to tell me where you get the shit you sell?
00:35:22No?
00:35:23Well, let's take a walk.
00:35:25Until you decide.
00:35:28Hello.
00:35:30All good?
00:35:31Is your daughter okay?
00:35:32I have to look for her.
00:35:37What happened?
00:35:38She's been missing since yesterday.
00:35:41I see.
00:35:42Let me explain.
00:35:43Your daughter is older.
00:35:45That means she can leave the house when it's appropriate.
00:35:48And from what I've been told,
00:35:49it hasn't been long enough to consider this a disappearance.
00:35:54Will you tell me what we can do?
00:35:56I don't know.
00:35:57You tell me.
00:35:59Well, that's precisely what I'm trying to explain.
00:36:02I'm going to leave her alone, of course.
00:36:04But right now, there's nothing we can do.
00:36:06I'm sorry.
00:36:07Look, I'm not an idiot.
00:36:08I don't act like one.
00:36:09Let's go, Ana.
00:36:10No, no, no.
00:36:11I'm not leaving until a patrol comes looking for my daughter.
00:36:14Ma'am, please.
00:36:15Calm down.
00:36:16Is your superior here?
00:36:17Where is your superior?
00:36:18I'd like to talk to him.
00:36:20Your superior?
00:36:21Where is your superior?
00:36:22Please.
00:36:23All good?
00:36:25Can I help you?
00:36:26I'm trying to explain to this lady that...
00:36:29Will you come with me, please?
00:36:30Yes.
00:36:39I've lived my whole life trusting the police.
00:36:43And the more I need help, the less I can count on them.
00:36:47I know you're having a hard time with all this, but...
00:36:49If he were the commissioner's son, not everyone would be looking for him.
00:36:53But he's my daughter.
00:36:54The missing one.
00:36:55One more, right?
00:36:57And you don't do anything.
00:36:59I'm doing it, Ms. Villacastil.
00:37:00I'm listening.
00:37:01I see.
00:37:02And what good is it to me that you listen to me to find my daughter?
00:37:04Ana.
00:37:06She's lending you a hand.
00:37:08She didn't get us out of the police station to drink this guacherre.
00:37:11Right?
00:37:12I see.
00:37:13Well...
00:37:14If she wants to help, let her go out and look for him.
00:37:17Where are you going?
00:37:18I'm going to do what she has to do.
00:37:21Ana!
00:37:25You're right.
00:37:27It's impossible for me to know how you're doing.
00:37:32Ana.
00:37:40And if it helps you,
00:37:43I also find it hard to trust the police.
00:37:48You don't know how many times I feel just as alone,
00:37:51as impotent and frustrated as you are.
00:37:54And how many times I wonder if this is worth it.
00:37:58Why are you still a cop?
00:38:02Because I refuse to give up and let them beat us.
00:38:06Just like you, who don't give up and do whatever it takes to find Gema.
00:38:13Ana, I really want to help you.
00:38:16Just like all mothers.
00:38:18But I need time.
00:38:20I mean...
00:38:22Five months ago, I didn't know how to recognize an abstinence syndrome.
00:38:27I'm learning about marching.
00:38:29Like me.
00:38:32Like all of you.
00:38:45Manuel Arroyo is still very weak,
00:38:46but his testimony can't be clearer or more distinct than that of Inspector Montesinos.
00:38:50And you're going to give more credibility to a mugger than to one of yours.
00:38:53He swears he didn't shoot a gun.
00:38:55And my agents say he did.
00:38:57So someone is lying, right?
00:39:00I suppose you didn't come all the way here to give us the testimony of a mugger.
00:39:04No.
00:39:05Then tell us what you want.
00:39:06A case between Arroyo and Inspector Montesinos.
00:39:09The court order, the inspector, if he has any inconvenience...
00:39:12On the contrary.
00:39:13We are the first ones interested in clarifying any doubts that may arise with Inspector Montesinos
00:39:18and, by extension, with this police station.
00:39:20I appreciate your willingness.
00:39:23Have a good day.
00:39:25You'll have to look for the medal elsewhere.
00:39:28And close the door when you leave, please.
00:39:36Fuck my life.
00:39:39We're going to get in trouble between Arroyo and the girl, yes or yes.
00:39:42And you expected something else.
00:39:43I don't know who protects Abelarden and why,
00:39:47but the bastard has a white card.
00:39:49And it's your fault.
00:39:51For being stupid.
00:39:53Instead of sitting her down and giving her the key,
00:39:55as they have done with the others in all police stations, fuck.
00:39:57I'm not going to waste a good agent behind a table.
00:40:00I'll take care of it.
00:40:01We've had enough of you taking care of it.
00:40:03As if you were responsible for her.
00:40:06In everything.
00:40:07Of course.
00:40:24What do you want to talk about, boss?
00:40:25It's about the fight with Manuel Arroyo.
00:40:28Save it.
00:40:29We both knew this moment would come sooner or later.
00:40:31Sit down and listen, please.
00:40:36There's something you should know about all this.
00:40:39I should have told you before, really.
00:40:41What?
00:40:42That deep down, you're insignificant to Abelarden.
00:40:46It's not you she loves, she loves me.
00:40:49You're just the instrument.
00:40:52Let's just say we were intimate colleagues, really.
00:40:57Ass and shit, speaking of money.
00:40:59And I'm sorry about what happened to her.
00:41:03I should have waited.
00:41:05But she was alone in that warehouse.
00:41:07She liked to act like a hero.
00:41:10And she took a shot.
00:41:12An ugly one.
00:41:14I could have killed her, but I hit her on the knee.
00:41:18And that forced her to leave the street service.
00:41:21That's it.
00:41:22And it didn't hurt her.
00:41:24She's got a bureaucratic soul, that son of a bitch.
00:41:26And she can go around selling that crap about the new police force.
00:41:29But there's no old or new here.
00:41:31There's only dead cops here.
00:41:32Who leave their skin for this badge.
00:41:35Like Olvieta, like Flores.
00:41:38Or like you, or like me.
00:41:40The rest?
00:41:42Smoke.
00:41:44Do you follow me?
00:41:47Fuck.
00:42:18Where is it?
00:42:19Here.
00:42:21The machine.
00:42:23Since you don't want it, I'm going to give it back.
00:42:26It's late and I've already done it.
00:42:34And the money?
00:42:39Where's the money?
00:42:40What's it for? To play cards?
00:42:42I told you I don't play anymore, fuck.
00:42:44What have you been drinking?
00:42:46You did it for me, didn't you?
00:42:49What? You don't believe me?
00:42:50No, I don't believe you.
00:42:51I won't say a word until you admit you have a problem with the game.
00:42:54I don't have any problem.
00:42:59You're sick.
00:43:01I'm what?
00:43:04What you've heard.
00:43:07You think you're better than me?
00:43:09You?
00:43:10You only know how to clean up the shit of others?
00:43:14You also know how to prevent us from going to ruin?
00:43:16What the fuck are you saying?
00:43:17That I've paid Rufo his share.
00:43:18And you should be grateful to me because I haven't told him you've played again.
00:43:41Take this.
00:43:42Your brother is one of us.
00:43:44And while he's in jail, I'll make sure you get everything you need.
00:43:46Deal?
00:43:48Go on.
00:43:49Buy your daughter a present from Uncle Rufo.
00:44:12Do you have a light?
00:44:34Yes?
00:44:39Who is it?
00:44:41Hello.
00:44:42It's Mario.
00:44:44I'm calling about Gemma.
00:44:45What happened to her?
00:44:54It all happened very quickly, ma'am.
00:44:56But I remember she was pointing her gun at me.
00:45:01In your statement, you say that...
00:45:04I put my hand in the back pocket of my pants to take out my card and identify myself when I was shot.
00:45:10Yes, that's it.
00:45:12According to the jury's statement, Inspector Montesinos, you took out this gun first.
00:45:18Of course not.
00:45:20And you know that?
00:45:22That's not true. I had your fingerprints.
00:45:24Why would you put them on me?
00:45:27Ma'am.
00:45:28Ma'am.
00:45:30I've never taken a gun in my life.
00:45:31I don't care if you lie or ask anyone.
00:45:42I don't know what else to tell you.
00:45:45I said I was armed, he said he wasn't.
00:45:48It's his word against mine.
00:45:49You have no word.
00:45:51If you're going to accuse me of lying, don't tell the judge.
00:45:56Tell me.
00:45:58Why are you looking at me like that?
00:46:02Tell me I shot you.
00:46:06I'm not going to repeat what you've heard.
00:46:09What's the point of not lying twice if you're going to end up like Rosita?
00:46:15No one's going to believe a fucking junkie.
00:46:18Because that's what I am to you, right?
00:46:21Tell me.
00:46:28You don't even have the balls to tell me the truth.
00:46:33If I hadn't shot, I'd be in that bed right now.
00:46:36Or dead.
00:46:42Are you sure, Inspector?
00:46:44I remind you that you can commit perjury.
00:46:50I reaffirm my statement, ma'am.
00:46:52I shot in self-defense.
00:46:58Let's go.
00:47:17Let's go.
00:47:20Times have changed. Things are changing in this country.
00:47:24The same shit from the same people.
00:47:26It's disgusting.
00:47:29And you...
00:47:31You're the worst of them all.
00:47:36Don't listen to him.
00:47:51Clara.
00:47:52Clara.
00:47:55Clara.
00:47:58You did what you had to do.
00:48:22You did what you had to do.
00:48:32Pretty girl, have a nice trip.
00:48:36Don't do it all of a sudden.
00:48:53Clara.
00:48:55Clara.
00:48:58Clara.
00:49:22Gemma?
00:49:26What are you doing here?
00:49:28I came to look for you.
00:49:31Call another one.
00:49:32What are you doing?
00:49:33Let's go.
00:49:34Let's go home, Gemma.
00:49:35No, I'm going with you.
00:49:36No, I'm going for the goods.
00:49:37For the goods or the bad ones?
00:49:38Is there a problem, ma'am?
00:49:41Who are you?
00:49:43I'm the owner of this.
00:49:44And you?
00:49:45Your mother.
00:49:47I don't want her here.
00:49:48Gemma?
00:49:50Do you know her?
00:49:52We all know each other here.
00:49:54This is a big family, isn't it, Gemma?
00:49:58Gemma is a good girl.
00:50:00She's going to listen to you.
00:50:01And she's going with you.
00:50:02Right, Gemma?
00:50:06Problem solved?
00:50:09Yes, thank you.
00:50:11Tell her.
00:50:14Like I said, she's a good girl.
00:50:16But if you knew, you would.
00:50:22Let's go.
00:50:53Hey.
00:50:57What's up, kid?
00:51:01What do we have for dinner?
00:51:11What's up?
00:51:13What's up?
00:51:15What's up?
00:51:17What's up?
00:51:18What's up?
00:51:19What's up?
00:51:21What's up?
00:51:35Hey, hey, hey.
00:51:37Montesinos.
00:51:39A little silence.
00:51:41A little silence.
00:51:43A little silence.
00:51:45Because the Montesinos inspector will say a few words.
00:51:48No, no, no.
00:51:50Whenever you want, miss.
00:51:56Well, I don't know.
00:51:58Thank you for your support in all of this.
00:52:03One day, someone told me that the South-East is like a family.
00:52:07And today, I can finally say that I feel like a part of it.
00:52:11For the South-East.
00:52:12For the South-East!
00:52:15And for Montesinos.
00:52:16And for Montesinos!
00:52:18And because he has more balls than the horse of Espartero.
00:52:21Let's take a picture.
00:52:24What picture?
00:52:25A family picture. We don't have one with you.
00:52:27That can't be.
00:52:28Excuse me for denying it.
00:52:29Excuse me for denying it?
00:52:31I'm very proud of you.
00:52:37Girl.
00:52:39Come here.
00:52:42You and I, for whatever reason, haven't started off on the right foot.
00:52:45But from now on, we're going to die.
00:52:50Friends?
00:52:52Friends.
00:52:54Hey, watch out with this one.
00:52:56What's wrong with you?
00:52:57You shake his hand and he takes everything else from you.
00:52:59You're stupid. What's wrong with you?
00:53:00You're stupid.
00:53:01What's wrong with you?
00:53:04Antonio, where's Antonio?
00:53:05Antonio!
00:53:06Come on, take a picture.
00:53:08Do you want the picture to look good?
00:53:11What the hell is wrong with you?
00:53:12Fucking hell.
00:53:14If you don't smile, I'll take you to the traffic police.
00:53:18Three, two, one.
00:53:41Won't you have dinner with me?
00:53:44I don't feel like it.
00:54:07Don't touch me.
00:54:10Don't be like that.
00:54:14You know I'm not...
00:54:22I'm sorry.
00:54:24I lost my mind, okay?
00:54:28I thought I was going to give you the best time of your life,
00:54:30with the fucking machine, and...
00:54:33Fuck, I never thought you'd get like this.
00:54:36Is it my fault?
00:54:38No.
00:54:40But I swear I didn't mean to hurt you.
00:54:45Please, forgive me.
00:54:50Look.
00:54:55Here.
00:54:57From now on, you're in control of everything.
00:54:59You don't have to worry about anything.
00:55:06Forgive me.
00:55:08Please, forgive me.
00:55:15Forgive me, I'm sorry.
00:55:20I'm sorry, please, I'm sorry.
00:55:26I'm sorry, I'm sorry, I'm sorry.
00:55:45Crazy head, you forgot the plant.
00:55:47And now I hope no whore or cop steals it from your door.
00:55:51This flower is the first one you planted in our attic.
00:55:54You should have it.
00:55:55Give it to me.
00:56:14What are you doing in my house?
00:56:16Well, breaking the rules, I guess.
00:56:19At the fair, I saw the fear in your face, Montesinos.
00:56:21I saw the doubt, I saw the remorse.
00:56:25Calderón and Romero are old dogs.
00:56:28They've taught you well how to protect the house, but...
00:56:32Do you know what sets you apart from them?
00:56:38That you do have conscience.
00:56:41Is that why you came to analyze me?
00:56:43No, no, no.
00:56:47I came to tell you that I'm also an old dog,
00:56:50and I also have a house to take care of.
00:56:53It's called a cop's body.
00:56:55And if I see that someone,
00:56:57I don't care who it is,
00:56:59puts it in danger, then I bite and I don't let go.
00:57:10Is that clear, Inspector?
00:57:15I'm glad.
00:57:18Rest, if your conscience allows it, of course.
00:57:41Gema.
00:57:43Gema, dinner is ready, honey.
00:57:50Gema?
00:57:53No!
00:57:55No!
00:57:56No, Gema!
00:57:58Gema!
00:58:00Gema, wake up!
00:58:02Gema, wake up!
00:58:05Gema, wake up!
00:58:07Gema, wake up!
00:58:08Gema, wake up!
00:58:12Please!
00:58:14Gema!
00:58:15Gema, please!
00:58:16Gema, wake up!
00:58:23Help!
00:58:26Help!
00:58:32That's it.
00:58:33I don't know if it will be the same next month.
00:58:35With the stupas, we have two candles left.
00:58:37We're after a new source of supply.
00:58:39Urbieta has identified the intermediary
00:58:40that supplies the little camels.
00:58:42A guy named Tomás Casas.
00:58:45As soon as I get in touch with him, we'll have the source.
00:58:47We only know they're from abroad
00:58:48because they drive a high-purity heroin.
00:59:07Oh, my God!
00:59:38Excuse me.
00:59:39To the maternity ward, please.
00:59:41Hurry up!
00:59:44Start!
01:00:07Start!
01:00:08Start!
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01:00:11Start!
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01:00:18Start!
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01:00:36Start!
01:00:37Start!
01:00:38Start!
01:00:39Start!
01:00:40We have a social worker ready to stay with your two daughters.
01:00:43I swear, if anything happens to them, I'll kill you, bitch.
01:00:45Your South-East friends have detained someone extremely useful for my clients.
01:00:49We're in the best private clinic.
01:00:51We've been coming here all our lives.
01:00:53How did you sleep last night?
01:00:54I won 20,000 dollars in poker.
01:00:56What's going on here in Montesinos?
01:00:58There was a defect in the form of his detention
01:01:00and he can't be questioned.
01:01:02How did you find me in Boston?
01:01:03And where did that come from now?
01:01:05I got a cab, okay?
01:01:06Have you talked to your wife?
01:01:10Have you caught him?
01:01:11No, no, no, no.
01:01:12I'm also trying to leave her.
01:01:14I find it funny that you bring me to this bar.
01:01:16They don't hit you, do they?
01:01:17Come on, I'm your man.
01:01:18Are you hiding something from me?
01:01:19No.
01:01:20A friend of mine called me and we got into a fight and she left.
01:01:22She said she'd stayed with you.
01:01:23I've already told you I'm sorry.
01:01:24Are you playing with me or what?
01:01:25Can we talk about this some other time?
01:01:27Okay, fine.
01:01:28That's it.
01:01:35Let's go.
01:01:41It took me less effort to tighten his nuts than to comb my hair in the morning.
01:01:44Whatever it is, if you don't get what you have inside out,
01:01:46he'll end up killing you.
01:01:47Do you have anything else, boss?
01:01:49No.
01:01:50Let's see if now, with democracy,
01:01:51it's going to turn out that you can't let go of a good milk.
01:01:54There's only one damn thing in there.
01:01:56And we have to watch out for chewing on a pile of Indians.
01:02:00Who gives you the horse?
01:02:02What's wrong with you?
01:02:03I need you.
01:02:04They have to put them on you.
01:02:05Let's get out of here.
01:02:06You can't hit a woman.