Al Fondo Hay Sitio 12 Capítulo 16 Completo en Linea HD
Al Fondo Hay Sitio 12 Capítulo 16 Completo en Linea HD
Al Fondo Hay Sitio 12 Capítulo 16 Completo en Linea HD
Al Fondo Hay Sitio 12 Capítulo 16 Completo en Linea HD
Al Fondo Hay Sitio 12 Capítulo 16 Completo en Linea HD
Al Fondo Hay Sitio 12 Capítulo 16 Completo en Linea HD
Al Fondo Hay Sitio 12 Capítulo 16 Completo en Linea HD
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🎥
Short filmTranscript
00:00And your friend, the owner of the restaurant, can know where to locate Alicia.
00:10Joe, please tell me that this is not going to end like the last time.
00:16No, it's not going to end like before.
00:30This taste is... it's hard to explain. It's like... I haven't tasted anything like this since Lima.
00:45It must be because it's a dish made by someone you know.
00:51Alicia.
00:56Ready. End of my turn.
01:00Alicia! Alicia!
01:08What's going on?
01:09I'm your fan. I'm sorry for being so rude. I wanted to spend more time with you.
01:21She just left. Again.
01:30I love you.
02:00I love you too.
02:31The most beautiful. She is an angel who lives on earth. I don't know.
02:39Each of these cards has come out directly from my heart.
02:44And I hope you get something of yours.
02:48I love you. And it doesn't matter where you are.
02:54Very soon I will be standing in front of you.
03:00No matter where you are, there is no one like her in the world.
03:07I have 21 more cards for you.
03:12Jimmy, how did you know?
03:15Chris told me he was coming, but how am I going to believe him?
03:20When I read my name.
03:24I love you, Jimmy Gonzalez.
03:30I love you too.
04:01Tito! What a good little dance you got me.
04:05I'm dancing. What's wrong with you?
04:07You have to increase the pace.
04:10I don't want to dance, Felix. Don't bother me.
04:13Yes, Tito. It's a good rhythm, but I don't like it.
04:21I don't know what you're talking about.
04:23The one you put me on, love. It's comfortable.
04:27But I'm sleepy.
04:29You're making it up.
04:33Hello.
04:38What's wrong with him?
04:40I don't know. He moves like you.
04:44What do you think?
04:54The bill I'm going to put that old man in to sign.
05:00My favorite manager.
05:02Miss Zapayal?
05:04Let me help you.
05:06This is my job now, thanks to you.
05:08Don't worry, I'm done.
05:11How can I thank you for what you did for me?
05:14Just tell me, and I'll fulfill all your whims.
05:23Doing your work punctually and efficiently
05:26will be the best proof that I wasn't wrong to defend you.
05:31Count on it, Mr. De Las Casas.
05:34I owe you everything. Everything.
05:37And if you ever need anything, anything, whatever,
05:43Juanita Zapayal is at your disposal, day and night.
05:52I'll take that into account.
05:55Now, if you'll excuse me, I'm in a hurry.
06:10Everything on time.
06:13Everything on time.
06:15Everything on time.
06:21Something doesn't add up.
06:23I don't feel myself.
06:27This thing tightens me up everywhere.
06:33Hey!
06:35That's mine.
06:37Huh?
06:38What's yours if Lorena bought me these underpants?
06:40I swear, look.
06:41Hey!
06:44Look what I have.
06:46Keep it.
06:49Huh?
06:50Where did you get that thing?
06:52I put it on my clothes.
06:53Well, it's clearly a mistake, because that thing is Mr. Gil's.
06:59You're right.
07:01Now, take it off.
07:03Give me my underwear.
07:05This thing tightens me up everywhere.
07:07I don't understand how you can wear this thing.
07:09Here.
07:11I'll keep going.
07:18Well.
07:20To Pelayo.
07:25Another thing.
07:27Now, it's me.
07:29There it is.
07:30Congratulations.
07:31Now, what do I wear?
07:32This thing tightens you up, Mr. Gil.
07:34No, thank you.
07:36Now, where are my underpants?
07:39Let's see, write it down.
07:42Ten bags of kilo each.
07:46Ten...
07:48bags...
07:52of...
07:54kilo...
07:56Please!
07:58I don't have all day!
08:00Why are you talking to me like that?
08:03I'm still helping you.
08:05You're a great help!
08:06You're a great help!
08:08I could do it better on my own!
08:10Mr. Gil!
08:12Why are you talking to me like that?
08:14You're always a gentleman to me.
08:19Oh, damn.
08:22It's like...
08:24something came out of me.
08:31I knew that at some point I was going to face Francesca.
08:35But, well, I put her in her place.
08:37Now she knows who's in charge.
08:40She can't be firing ten-year-old people.
08:43No.
08:44That's my place.
08:46Who does she think she is?
08:49Well, you can't play with Juanita, can you?
08:54Or can you?
08:59Trini, call Greta.
09:05Hello, Cuchi. Are you coming for lunch?
09:08Yes.
09:09And we have guests today.
09:11Are you asking me to cook?
09:13No, please.
09:14Don't even think about it. I'm not crazy.
09:16I saw a delivery and it arrived in 15 minutes.
09:23This is bread eaten.
09:26That old man signed the law session today
09:29and tomorrow he'll put me in jail.
09:34Hello.
09:35Did you send for me?
09:37Yes, Miss Zapayal.
09:39We have a matter to discuss with you.
09:42Ah, good.
09:43It will be to sign my new contract.
09:45Something like that.
09:47Just in case I had nothing to do with it.
09:51Proceed, Dr. Gross.
09:54This is your new contract with the corporation.
09:57With the specifications given by Mr. Zapayal.
10:00Miguel Ignacio de las Casas.
10:02As you will see, it has a substantial increase.
10:07How nice!
10:08Juanita, if you don't want to, don't sign it.
10:11Shh, Bruno, please.
10:13Oh, Mr. Brunito.
10:15But I'm not here to stay as an assistant.
10:22There you go.
10:23Ready?
10:24Now I give you the opportunity to sign the contract.
10:27Ready?
10:28Now I give you the opportunity to resign.
10:31What?
10:32No, crazy.
10:33I want to do a career in this company.
10:35We'll see about that.
10:36Diego?
10:38Do you recognize...
10:41this?
10:45It's a doll of...
10:48one of the players in the national team.
10:51It's not Pablo.
10:52It's not Pablo.
10:54It's not Advíncula either.
10:55Advíncula is Boneno.
10:57Yes.
10:59No, it's not Cueva.
11:01Cueva is Trenchudo.
11:02But if it were blond, it would be Oliver, right?
11:06It's Franco.
11:07No, no, no, no.
11:08It's Corzo.
11:09It's Corzo, yes, yes.
11:10It's Corzo.
11:11The same.
11:12It's the doll of the nuclear man...
11:15that you stole from my house...
11:17and appeared in the house of the González.
11:20It has no proof.
11:22I have the...
11:23confession signed by ten witnesses.
11:28The González.
11:31Well, but that's a thing of the past.
11:34In addition, the owner of the houses...
11:36has not given authorization to fire me.
11:39Miss Sapallal.
11:41Let me read you paragraph B...
11:43of article 314...
11:45of the internal regulation of hiring...
11:47and firing.
11:48Section B.
11:49Section B.
11:51Robberies, thefts and misappropriation of any property.
11:54Come on, man!
11:57And it says...
11:59In the event of evidence of theft of any asset...
12:01or property of the corporation...
12:03the immediate and definitive expulsion...
12:05of the criminal will be carried out.
12:08Without the right to liquidation...
12:10or enjoyment of water.
12:11The withdrawal will be automatic...
12:13without subjecting oneself to voting...
12:15or consideration of any class.
12:17Clearer the water, right?
12:19Neither Miguel Ignacio nor anyone...
12:21can save you from this, Juana Sapallal.
12:25But I have not stolen the corporation.
12:27I just found that doll...
12:29and I gave it to Pepito.
12:30You have to believe me.
12:32Yes, of course, you found it in my room.
12:35And since the Maldini Mansion...
12:37belongs to the corporation...
12:39everything that is inside...
12:41also belongs to it.
12:43Therefore...
12:44Therefore, the nuclear man...
12:46belongs to the Maldini Corporation.
12:48And at this moment...
12:49justice will be done by his own hands.
12:52It is not necessary, Diego.
12:54Sorry, I got excited.
12:55I'm sorry, Juanita.
12:57It was good while it lasted.
12:59Take care.
13:00No, no, no.
13:01You can't do this to me.
13:03It's done.
13:05I'm leaving.
13:15Have lunch?
13:17Obviously.
13:18My Cuchi told me to invite you.
13:21You're not Cuchi?
13:23No.
13:24My Cuchi.
13:26Do you understand this woman?
13:30I don't understand anything, but...
13:32if she invites us to lunch,
13:34what can we lose?
13:36Less and less people come to the winery.
13:39At least we'll eat well.
13:40Obviously.
13:42Then we'll wait for you.
13:44Goodbye.
13:46Do you want to fart?
13:48No.
13:50I said goodbye.
13:53What is this lady talking about?
13:55Lady?
13:58Yes.
13:59Soon, lady of the houses.
14:04Goodbye.
14:06Now she said goodbye, didn't she?
14:10Well, if they invited us to lunch,
14:12we'll have to take something, right?
14:28And now?
14:30Where am I going to go?
14:34I have nothing or no one.
14:40I have nothing or no one.
14:42I have nothing or no one.
14:44I have nothing or no one.
14:46I have nothing or no one.
14:48I have nothing or no one.
14:50I have nothing or no one.
14:52I have nothing or no one.
14:54I have nothing or no one.
14:56I have nothing or no one.
14:58I have nothing or no one.
15:00I have nothing or no one.
15:02I have nothing or no one.
15:04I have nothing or no one.
15:06I have nothing or no one.
15:08Hey!
15:10What's going on here?
15:15Oh, he had a gun.
15:17Come on, lady.
15:19And you?
15:21Did you put a gun in your engine?
15:24Who has everything under control?
15:26Your aunt Mac,
15:28who trusts Haggis Dermaker,
15:30the softest diaper to protect your skin.
15:32The only one with vitamin E.
15:34Ultra soft and thin.
15:36With protection up to 12 hours.
15:38Baby knows the softest diaper
15:40for your skin.
15:50Stop doing what you're doing
15:52and raise your hands.
15:54Come on, Diego, sit down.
15:56You don't scare anyone with that banana.
16:00You're boring today.
16:02Admit you're not good for that.
16:04Did you find out anything?
16:06A lot and nothing.
16:08I just want to know if Leonardo
16:10is no longer dangerous.
16:12It doesn't seem like it.
16:14All his stay in prison
16:16he spent trying to set up musicals.
16:18And did he set something up?
16:20No, no, no one wanted to participate
16:22in his madness.
16:24Then he was more successful
16:26forming the theater group
16:28Dramas y Barrotes.
16:30And what did he do after he fulfilled his sentence?
16:32He killed his son, but he doesn't have
16:34the talent to kill his own son.
16:36So he spent it on gambling.
16:38Knocking on doors.
16:40But Diego, forget it, that guy is a loser.
16:42That doesn't make him less dangerous.
16:44Look, without his mother
16:46and without his sister,
16:48Leonardo is a zero on the left.
16:50I hope you're right.
16:52He didn't inherit the talent
16:54for the evil that his family has.
16:56That's it.
16:58Yes, yes, I'll still be alert.
17:00That guy with Francesca.
17:02Well, he's her son-in-law, but he'll get over it.
17:04I hope he gets over it soon.
17:24Hi!
17:26Taxi!
17:28Hello.
17:30Hello, where are you going, miss?
17:32Where are you taking me
17:34for five soles and a smile?
17:36Sorry? I'm not taking you anywhere.
17:38What?
17:40Sir, don't do that!
17:42I'm not a beggar here!
17:44Come on!
17:58Oh, no!
18:00It's horrible!
18:02It's horrible!
18:04Oh, no!
18:06It's horrible!
18:08Oh, no!
18:10Oh, no!
18:12I don't have anything left!
18:14Oh, no!
18:16Oh, no!
18:18Oh, no!
18:20Oh, no!
18:22Oh, no!
18:24Oh, no!
18:26Oh, no!
18:30Now what do I say?
18:32Come in, come in!
18:34Welcome!
18:36Thank you, thank you very much.
18:38Good afternoon.
18:40You know, look, we brought you
18:42a macerado from my land.
18:44Oh, a macerado from the land?
18:46There was no fruit?
18:48No, from my land, from Chahuanca.
18:50Well, if you like it, but I only drink green juice.
18:52I told you it would have been better
18:54if we brought a lion.
18:56Yes, I told you it was too strong
18:58for a lunch.
19:00Yes, you're right, Olivia.
19:02Yes, it all depends on the marriage.
19:04I'm her husband.
19:06Vizcacha Estrellida.
19:08My name is Olinda, Mr. Vizcacha.
19:10Olinda.
19:12Sorry.
19:14Yes, Olinda, Olinda.
19:16Trini, a little music
19:18to honor our guests.
19:20A little music to honor our guests.
19:34Let's go in marching.
19:36What an honor.
19:38Yes, yes.
19:40We feel very honored.
19:42Trini,
19:44put something more appropriate
19:46for the occasion.
19:48Put something more vernacular.
19:50Putting vernacular music.
19:54Oh,
19:56how beautiful.
19:58How beautiful,
20:00really.
20:02Can you sing,
20:04El Guainito?
20:06Rio Grande, Chahuanca.
20:10Trini,
20:12silence.
20:14Shall we have lunch?
20:16What have you prepared, Greta?
20:18I didn't prepare anything.
20:20You told me to order some tapas.
20:22Are we going to eat tapas?
20:24From a pan.
20:26You don't eat that.
20:28No, it's a Spanish food.
20:32The Spaniards are kind of weird.
20:34Haven't you heard that
20:36they eat callos?
20:38Yes, I remember.
20:40Fortunately, we brought our chocolate cake.
20:42Let's see, Greña.
20:44Greta, my love,
20:46and I'm not the maid.
20:48Trini,
20:50can you distribute this equally?
20:52I'm not trained for that task.
20:54Of course,
20:56I'll teach you.
20:58Where are you?
21:00Olivia, it's Trini.
21:02Well,
21:04let's talk business,
21:06Mr. Gilberto.
21:08Sit down, please.
21:14Let's talk business, Mr. Gilberto.
21:16Sit down, please.
21:30I can't get a cab.
21:34My house is far away.
21:40Damn nuclear man!
21:42It's all his fault!
21:48I'm hungry.
21:54I'll put my bag here.
22:00I'm so lucky!
22:04I'm so lucky!
22:12It's so good!
22:16This tastes like glory!
22:24Excuse me.
22:26Excuse me.
22:28Don't touch my empanada!
22:30It's the only thing I have!
22:42Sign it, Mr. Gilberto.
22:44You already read it in the morning.
22:46But now it has
22:48only 10 pages.
22:50It doesn't look like it. It must be the translation.
22:52To Quechua?
22:54No, to English. Just sign it.
22:56We're friends.
22:58Well, I'll do it, but
23:00after eating the chocolate cake.
23:02No!
23:04I mean, why waste time?
23:06Surprise your wife,
23:08Mr. Gilberto.
23:10She'll thank me
23:12when she gets the money.
23:14Okay.
23:18I'll put 100 flowers.
23:20No, Mr. Gilberto.
23:22Don't be silly.
23:24You have to put all your money.
23:26The blueberries
23:28are a safe business.
23:30Give it back to me in less than a year.
23:32A year and six months.
23:34Ginger!
23:36Don't you know that Trini
23:38has an artificial intelligence?
23:40I'm not surprised.
23:46Here's the strained biscuit.
23:48It's encouraging me
23:50to invest
23:52all my money
23:54in the blueberry business.
23:56All your money
23:58in a blueberry business?
24:00That's scary.
24:02What if the business doesn't work?
24:04We'll be left with nothing.
24:06I'm so sure
24:08that I'll give you the money.
24:10Really?
24:12Of course.
24:14You just have to fill out a form
24:16that I have here.
24:18How much could it be?
24:20$50,000?
24:22Perfect.
24:24$50,000.
24:26$50,000.
24:30It says you have to put something
24:32as a guarantee.
24:34Do you have any value?
24:36Do you still have the cart?
24:38No, I don't have it anymore.
24:40Then,
24:42do you have any value?
24:44My basin!
24:46Your basin!
24:48How funny, Mr. Gil.
24:54I know.
24:56It could be the land.
24:58Don't worry.
25:00It's just a formality.
25:02You can sign it.
25:04The land of the house.
25:06In six months,
25:08we'll get the double.
25:10Yes, but our little house...
25:12Don't worry.
25:14It's just a formality.
25:16Sign it, Gil.
25:18Sign it.
25:28Delicious.
25:32Perfect, Mr. Gil.
25:34Perfect.
25:36You've done a great business.
25:40But what is this?
25:42It says opa.
25:44What does it mean?
25:48You think I'm opa?
25:50Disgraced biscuit?
25:52But, Mr. Gil, it's just a business.
25:54Nothing more.
25:56Do you think I'm stupid?
25:58First, you try to take
26:00my basin.
26:02And now, you want to do it
26:04with my house?
26:06That can't be.
26:08Trashy Germany.
26:10Well said, Mr. Gil.
26:14Let's go.
26:16And take the cake.
26:18He doesn't deserve it.
26:20Don't take it.
26:22It was delicious.
26:24But it doesn't matter.
26:26Just like tapas.
26:40Do you want a tapita?
26:42I don't want tapas.
26:46I want that house.
26:52Thank you, Lucio.
26:54No problem, Mrs. Francesca.
26:56I don't want to bother you,
26:58but could we talk
27:00about my fees?
27:02Lucio, didn't you say you didn't want to bother us?
27:04Yes, sir.
27:06Then don't bother us.
27:08But, sir, I don't know how much...
27:10I have to talk in private with my wife.
27:12Bye.
27:14What do we have to talk about?
27:16Are you still seeing Leonardo?
27:18I haven't seen him
27:20since the afternoon
27:22Leonardo is just a nexus
27:24to remember Isabella.
27:26I just want to ask you
27:28to be very careful.
27:30The guy is useless,
27:32but he is still dangerous.
27:34Do me a favor.
27:36Yes.
27:38Totally.
27:40Today I helped you.
27:42And I thank you.
27:44The nuclear man appears
27:46at the right time.
27:48You were great.
27:50Just tell me one thing.
27:52How did you get the confessions
27:54of the González?
27:56Check it yourself.
28:08They're blank.
28:10Fran, you know them all.
28:12Juana has a dirty conscience.
28:14She knows she's guilty of theft.
28:16And after this,
28:18I don't think we'll see her again.
28:20At the corporation?
28:22No.
28:24And Miguel Ignacio
28:26I don't think he'll be able
28:28to protect that little woman.
28:36Who are you?
28:38Mrs. Normita, it's me.
28:40Juanita.
28:42Juana Zapayal?
28:44Zapayal?
28:46What happened to you?
28:48You look horrible.
28:50Yes, yes, I know.
28:52I'm embarrassed.
28:54Please let me in
28:56to change my bathrobe.
28:58No, I'm sorry.
29:00You owed me two months of rent.
29:02I was waiting for you all day.
29:04Oh, forgive me.
29:06I've been walking from far away.
29:08But I swear I'm going to pay you
29:10all together.
29:12Yes, of course.
29:14Bye.
29:16I already rented your room.
29:18No, no, no, ma'am.
29:26Here.
29:28Ma'am.
29:42Ma'am.
29:56You should have seen
29:58how he got, my Gilguerito.
30:00He got the Indian, Mr. Gil.
30:02I got the demon.
30:04That guy thought
30:06he could fool me.
30:08You have to be careful
30:10with Ignacio.
30:12He almost made him sign some papers.
30:14What? Be careful with that.
30:16He could take the house.
30:18What's wrong with you?
30:20Do you think I'm a fool?
30:22Mr. Gil, Mr. Gil, don't get like that.
30:24Your heart is going to do something to him.
30:26I'm not talking to you, Green.
30:28Oh, Gilguerito, what's wrong with you?
30:30Yes, you are always very gentlemanly.
30:32Why are you talking like that?
30:34Because the duck bites me.
30:36Wait, wait.
30:38He's using my underpants.
30:40What? What are you talking about?
30:42Of course.
30:44You mixed the clothes
30:46and Mr. Gil touched my underpants.
30:48That's why he's talking like that.
30:50Stop joking around.
30:54I'm going
30:56for a walk.
30:58He definitely has
31:00Uncle Ray's underpants.
31:02How ugly.
31:04Don't worry. I'll take care of it.
31:06An old man's underpants.
31:10Don't laugh.
31:12Enjoy.
31:36Don't laugh.
31:38Enjoy.
31:40Enjoy.
31:42Enjoy.
31:44Enjoy.
31:46Enjoy.
31:48Enjoy.
31:50Enjoy.
31:52Enjoy.
31:54Enjoy.
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38:32Hurry up and make me breakfast.
38:38Oh, it's me, Juana Acha.
38:41Help me, please, Cousin.
38:44What are you doing here?
38:47I need to talk to you and Pepito.
38:52You never learn, do you, Juana?
38:54Oh, Cousin, please.
38:56It's urgent. I need to talk to him.
38:57He's not here.
38:59Oh, well, then I'll go.
39:01No, he's not here because he went on a trip
39:03and no one knows when he'll be back.
39:05Not even Tito.
39:07What?
39:08Yes, well, he left because of someone
39:11who hurt him a lot.
39:14But he was the one who threw me out like a dirty rag.
39:17Of course.
39:18Because you took advantage of his nobility and his money.
39:22He also found out that you are a liar
39:25and a friend of the stranger.
39:27Oh, Cousin, what ugly things you say.
39:30Those ugly things I say are all the truth, Juana.
39:34Tell me, just once,
39:37and speak quickly before someone sees us
39:39and they think I'm the one from San Quentin.
39:41What do you want from us?
39:42What have you done now?
39:44No, no, nothing.
39:45It's just that I lost my job
39:47and I don't have money to pay my rent.
39:50And I don't have a place to sleep.
39:51So I wanted to ask you and Pepito
39:54if I could stay here.
39:58Oh, please, Cousin, have mercy on me.
40:05No, Juana.
40:06You are not welcome here.
40:09Cousin, Cousin, Cousin,
40:11I know I have behaved badly,
40:13but I swear, I swear, I swear that I will change.
40:17Why would I trust you again?
40:21I don't trust you.
40:23I don't trust you.
40:25I don't trust you.
40:27I don't trust you.
40:29I don't trust you.
40:31I don't trust you.
40:34Why?
40:36Because I'm like your sister.
40:39And despite my mistakes,
40:42you know that I'm a good soul.
40:47What happened at work?
40:49I'm sure they found you stealing, right?
40:52No, no, no, no, no, no, no, no, no.
40:55What happens is that I was working
40:59at Mrs. Francesca's company
41:03as an assistant to her ex-husband, Mr. Tom Bruno.
41:07But what's wrong with you, girl?
41:11How can you think of such a barbarity
41:15after all the problems you had with the lady?
41:19Cousin, Cousin, the street is hard
41:22and there was no one who wanted to pay me fair.
41:24So I went to work without her knowing,
41:27but then she found me
41:29and she fired me unjustly.
41:31Unjustly?
41:32You tried to steal her safe
41:34when you were working there in front of the house.
41:36I know, I know, Cousin.
41:38I know, Cousin, that my past condemns me,
41:40but I swear I've changed.
41:42Cousin, please help me.
41:44Please, I beg you.
41:46I need your help.
41:47I'm just going to stay for a few days
41:49until I get a new job.
41:53No, Juana.
41:55I can't help you.
41:58Oh...
42:00Oh...
42:02Well...
42:04There's no way.
42:06I'll have to reason with everyone
42:09and...
42:11dedicate myself to a bad life.
42:13To...
42:14To steal.
42:16To...
42:17To swindle.
42:19Total.
42:21What do I have left?
42:23I'm sorry, Cousin.
42:25I'm sorry.
42:26I'm sorry for bothering you.
42:28I swear it won't happen again.
42:57I do what I do with faith.
43:01No way.
43:02The taxi cancelled.
43:03Damn it.
43:07Nephew!
43:08Hi, Uncle.
43:09What are you doing?
43:11Trying to get a taxi.
43:13When we played soccer.
43:15I remember you were so beautiful.
43:17Can you give me a ride to your house?
43:19At least I have a car.
43:21I'll give you a lift to my house.
43:23I can give you a ride.
43:25I remember you were as good a player as I am.
43:28Yes, one of these days, uncle.
43:29Uncle, I'll let you go. I'm going to look for a taxi on the corner to see if I can catch it, okay?
43:33Come on, Jalo!
43:34Really?
43:35Come on!
43:36Thank you, uncle.
43:46Juanacha, what a stick face to come all the way here
43:50to ask for asylum after all the problems it caused.
43:55Ha! Ha!
43:57And on top of that, he threatens me!
43:59He threatens me by saying that he's going to dedicate himself to a bad life.
44:04Oh, to a bad life.
44:08To a bad life.
44:12And it just so happens today
44:15that I dream of her again.
44:17¿Y si mi prima me estará diciendo la verdad?
44:27¿Y si mi prima está en la última lona?
44:31No puedo permitir que se hunde en el pozo de la delincuencia.
44:35Si existe una posibilidad de salvarla,
44:38tengo que intentarlo.
44:42¡Prima!
44:43¡Espérame!
44:44¡Allá voy!
44:46¡Cállate, Juana!
44:50So you're working at the restaurant
44:53that Francesca set up for your dad.
44:55Yes.
44:56I also work as a photographer.
45:00Don't stay, nephew.
45:02You have to aim for bigger things.
45:04When I was your age, I was already a junior manager.
45:08I don't know, you have to aim for executive positions, politics,
45:11or finally, a millionaire and famous photographer.
45:15But never settle for being a poor and sad man.
45:19¿Entendiste?
45:20I understand.
45:27¿Y por qué nunca tu papá te dio un cargo decente en la corporación?
45:34Well, one, because I haven't asked for it.
45:37And two, because I spent all the money
45:40that he gave me for the university
45:42to travel around Europe.
45:46¿Pero ganaste el mundo?
45:48¿Eso es una gran experiencia? ¿Conociste otra realidad?
45:51My dad doesn't see it that way.
45:53Bueno, tu papá es un hombre cuadriculado.
45:55Por eso se quedó en la cocina.
45:57Pero es el mejor chef de Sudamérica.
46:00Mira, sobrino.
46:02Él ya hizo su camino.
46:04Ahora te toca a ti hacer el tuyo.
46:08Mira, tú tienes que aprovechar tu pinta, tu inteligencia,
46:12tu apellido, tu posición social,
46:15para conseguir trabajos a tu altura.
46:18El potencial lo tiene, sobrino.
46:20Solo es cuestión de que lo uses correctamente.
46:25Gracias, tío.
46:28¡Ahorita viene!
46:32¡Juanacha!
46:36¡Prima!
46:37¿Dónde estás?
46:39Ahí estás.
46:41Prima.
46:42¡Juanacha!
46:46¡Prima!
46:47¿Dónde estás?
46:49Ahí estás.
46:50¡Prima!
46:52¡Juanacha!
46:53Prima.
46:55¿Dónde estás?
46:56Prima!
46:58Prima, Jonacha!
46:59No, no, no, no, no, no.
47:01If you're going to come and rub my mistakes in my face,
47:04I ask you please not to do it.
47:06I...
47:08I didn't understand...
47:10how trashy a person you are.
47:12No.
47:13No, no, no, don't say that.
47:15You are not a trashy person.
47:19Forgive me for treating you like this.
47:21No, no, no, no, no, no.
47:23I would have expected it from anyone.
47:25But, but...
47:26that you turn your back on me.
47:29You have nailed a bullet in my heart.
47:32I wanted to teach you a lesson, but...
47:36what I really should give you is my support.
47:41Forgive me.
47:43Look.
47:45We're going to do something, Prima.
47:48We're going to go home.
47:51We're going to gather the whole family.
47:55We're going to tell them about your situation.
48:01As nicely as we can.
48:06No.
48:09No, Prima, no, Prima.
48:10I don't want to bother you.
48:13Just leave me alone and sad.
48:17It's what I deserve.
48:19No, of course not.
48:22You, if you really regret it, you deserve another chance.
48:27And like me, everyone will understand and forgive you.
48:38Oh, baby, you're the best.
48:42It's cute, it's cute.
48:48Pick up your things.
48:52Oh, uh, uh...
48:55Prima, there's something I haven't told you.
49:01It's about a condition that I have.
49:13Hello, hello. Sorry I'm late.
49:15Did you forget what your entrance time is?
49:18No, Dad, it's just that the taxi canceled me.
49:20I don't care about your excuses.
49:22Look at Velazquez.
49:23He lives on the tip of a miserable hill,
49:25but he's here on time, as he should be.
49:28And Mrs. Lee had to fix all the tables.
49:30Why?
49:31Because Mr. Tardón didn't come because he fell asleep.
49:34I'm going to discount you, okay?
49:36Do whatever you want, Dad.
49:39Sorry?
49:41Do whatever you want.
49:43On top of that, you get insolent.
49:46Look, Cristóbal.
49:47I remind you that you are not my son here.
49:50From the door to the outside, yes.
49:52But not here.
49:53Here you are an employee.
49:54And not the most efficient of all, just in case.
49:57Now, go to work.
50:09Ah, damn it.
50:11Whatever.
50:13I already had it, Mr. Gilberto.
50:14That old motorist deceived me.
50:18Ah, well.
50:21Today is a new day.
50:24So it will be a reason to...
50:27ask all the favors of Miss Zapayal.
50:34As she herself said, she is very grateful to me.
50:42Please, send me the coffee shop manager.
50:46And photocopy.
50:50I want to be the fifth Teletubbies.
50:54I want...
50:55Did you call me?
50:56Yes, Juanita, come in, please.
50:58Ah!
50:59But who are you?
51:01Where is Juana?
51:02I mean, Miss Zapayal.
51:04Mrs. Maldini fired her for robbery.
51:07What?
51:08I bring you a coffee.
51:10Let me go!
51:18What do you like about this hobby?
51:22It's not like that.
51:23No?
51:24No.
51:25It's a very nice career with a lot of options to specialize.
51:28I can do television, cinema, digital content, even radio.
51:33I would like you to listen to someone who wants more forgiveness.
51:38More than anything in this world.
51:51Hello, dear family.
52:00Is there anything I can help you with?
52:02You brought the wrong order.
52:04No, I brought you the right one.
52:06I'll take care of it right away, okay?
52:08Hey, idiot.
52:09How are you going to contradict the beginner?
52:11I'm going to change his plan.
52:12No, you're not going to do anything.
52:13I'll take care of it.
52:14No, I'll take care of it.
52:15No, you shut up and get in the kitchen, idiot.
52:17I'm not an idiot.
52:18Yes, you are an idiot.
52:19Get in the kitchen and don't make trouble.
52:21Or else what?
52:22Or else you leave this restaurant forever.
52:24Take your things and leave.
52:26You would be doing me a favor, dad.