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Short filmTranscript
00:00Come in.
00:01Excuse me, Mr. Tomas.
00:03Tormento wanted to talk to you.
00:05Let him in.
00:08Excuse me, boss.
00:10I came to give me the day's tasks.
00:13Tormento, what happened to you?
00:19What did they do to you, Tormento?
00:21What happened to me?
00:23The same thing that they did to me.
00:26They were the same people who hit me the last time.
00:28Did you recognize them?
00:29Yes.
00:30Yes, one of them.
00:32How is that possible?
00:34Who were they?
00:35What did they want?
00:36I think they were already sent.
00:40Are you sure?
00:42I mean, because if someone sent them to leave you as a school member,
00:47what would you do?
00:48Tomas, nothing justifies that someone would do something like that to a person
00:53and much less to leave him in that state.
00:55No, of course, if I find him regrettable.
00:57But if it's the second time the same thing happens to him,
00:59I don't know, he's going to ask himself some questions, right?
01:02You have to report him to the police, Tormenta.
01:04To the police?
01:05Yes.
01:06Outside of setting up a scandal, nothing is going to happen.
01:08If the police officers are used to it,
01:09the guys here grab a bottle and their weekend is in the middle.
01:12Where did he go?
01:13He went to the countryside.
01:15Today?
01:16No, last night.
01:17Four guys got out of a car.
01:20They kicked me out of mine, and they took my phone.
01:23Well, if he went off the field,
01:24unfortunately, you can't associate him with anything.
01:27Well, I'm going to make the report,
01:28and let the police officer investigate it better.
01:30Now can you give me my homework for the day, please?
01:32No, no, no, you take the day.
01:34Go make the report to the police officer,
01:36and then go to the post office to check for injuries.
01:38Sorry?
01:39I haven't received any memo saying that now the boss of Tormenta is you, Alex.
01:42If you are in good condition,
01:43go out to drive the hurricane and then the windmill.
01:45Let's see, don't you forget that there is something called the law.
01:48Make the report to the police officers, call them,
01:50and then go to the post office.
01:51It is very likely that you will have to check for injuries, Tormenta.
01:54Well, I'm going to do that.
01:56Excuse me.
01:57Go ahead.
02:01Can you let me do my job, Alexandra, please?
02:03I'm sorry, it wasn't my intention.
02:05But don't you see how they left him?
02:07I don't want to create controversy,
02:09but my sister is right.
02:12Excuse me.
02:14Mr. Tomas, Mr. Raimundo wants to talk to you.
02:16My father-in-law, I'm going to the office.
02:18Well, I also have to go back to work.
02:21Cristina.
02:23Cristina.
02:26Alex.
02:29Can we talk a little bit?
02:35How...
02:36What does the law have to do with this?
02:39I don't know.
02:41How...
02:42What does the law have to do with my reintegration here at the post office?
02:45I don't understand.
02:46Let's see.
02:47Maybe it wasn't the answer you expected,
02:49but I think it's for the best.
02:52It's...
02:53Let's see.
02:55The relationship I have with the law, Angel,
02:57is a relationship that belongs to the private sphere.
03:01It has nothing to do with the work environment.
03:04It is something that does not affect the functioning here at the post office,
03:07and it is something that should not affect your decisions either.
03:11Look, I hope you understand me,
03:13but you are like a nephew to me,
03:15and believe me, I'm doing it for your own good.
03:18Okay?
03:19Well...
03:20I'm sorry, Angel, but I'm not your nephew.
03:23Okay?
03:24I am an adult person who does not need anyone to care for his own good.
03:28You told me that if I wanted to return here to the post office,
03:30then the doors of this place would be open to me.
03:33Well, now I'm asking you, okay?
03:35And don't worry, because my relationship with Ivette
03:38is really something that we can regulate.
03:40The fact that I come back here will not affect the functioning of the post office at all.
03:43Okay?
03:44We are two adult people.
03:46I'm not so sure.
03:48But I am sure.
03:52Unless...
03:53that's something else that bothers you.
03:56What?
03:58Don't you want me to be near Ivette?
04:01Of course not.
04:03Why are you saying that?
04:04Well, then prove it.
04:06Prove it.
04:07If it doesn't bother you that I'm near Ivette,
04:09then let me reintegrate here at the post office.
04:13If what worries you is my well-being,
04:16then let me come back.
04:28Are you kidding me?
04:30What do you mean you messed with Juan Pablo's asshole?
04:32I know, Gonza, but it was only once.
04:34So what? Because you messed with him once, so it's okay?
04:37No, but if I'm telling you all this because you're my friend,
04:39if it doesn't happen, I'm going to stand in front of the court.
04:42Look, I know it sounds weird, but...
04:45But I...
04:46But what?
04:48I didn't want it to happen, and it did.
04:50But how?
04:51I felt it was a way to close my relationship with Juan Pablo.
04:54But cut it out, no.
04:56I mean, no one closes anything by messing with their ex.
04:59Rather, open something.
05:00Yeah, I know, I know, but I want to be with Samuel.
05:03And I don't know, what happened to me with Juan Pablo
05:05was like something more...
05:07more physical.
05:08But Lu, don't you remember how you ended up with him?
05:12I had to pick you up from the floor with a shovel
05:14when this Juan got fired.
05:15Yes, I know, Gonza.
05:16Then?
05:17But now that I know that Juan Pablo,
05:19I'm not going to fall for his game again.
05:21Lu, you already fell for his game.
05:24And the last thing Juan Pablo is looking for
05:26is to close your relationship.
05:27Well, I don't care.
05:28I don't care what he does.
05:29I...
05:30I changed my phone.
05:32Last night your sister came to talk to him.
05:35Ah, of course.
05:37Since you don't know where your apartment is,
05:39or your job,
05:40not to mention that the best friend of your grandfather...
05:42Yes, Gonza, I would love to continue talking.
05:44No, but I think you're right.
05:45But I have to go interview the internal service people.
05:48Okay.
05:49Start if you want.
05:51But as a friend, I have to tell you the truth.
06:00What is this about you going to my brother's hotel
06:03to advise him on buying horses?
06:07Well, because I find it so strange.
06:09If your brother grew up just like you,
06:11surrounded by horses,
06:12I find it the most normal thing in the world
06:14that he wants to have his own stable.
06:15And if he grew up surrounded by horses,
06:17why did he need advice?
06:19Much less yours,
06:20you have no idea about that.
06:22Well, I know I haven't been around much,
06:25but since he's just getting here,
06:27I thought he was a little out of context.
06:30Ah, and since he was out of context,
06:34you felt the duty to contextualize it.
06:39Well...
06:40Bad, Tomás.
06:42Bad.
06:43For the crest.
06:45But in what language do I have to speak to them
06:47so that they understand
06:48that that asshole
06:49all he wants is to hurt me?
06:52And this time,
06:53how long will it take you to tell me?
06:57Father-in-law, I'm sorry, I didn't...
07:00I didn't give it much importance
07:01because, frankly,
07:02it's a topic that doesn't have much to do
07:04with our company, and...
07:05Well, if it's a topic that doesn't have to do
07:07with our company,
07:08what's the point?
07:09Why didn't you tell me from the beginning?
07:12I don't know, Father-in-law.
07:13I don't know.
07:14I don't know.
07:15I don't know.
07:16I don't know.
07:17I don't know.
07:18I don't know.
07:19I don't know.
07:20I don't know, Father-in-law.
07:21I didn't...
07:23I didn't want you to think badly.
07:24Stop making up shit
07:26to justify yourself.
07:28And tell me the truth.
07:31Why did you go to talk to my brother?
07:34Tell me the truth, grandfather.
07:37Or do you want me to think that you're betraying me?
07:47What do you want to talk to me about, Samuel?
07:51Alex, I messed up, but I'm not an idiot.
07:54What are you talking about?
07:55About Tormento.
07:56What else am I going to be talking about?
07:59Yes, how terrible what they did to him, right?
08:01Look, I'm going to be direct.
08:03I don't buy it that four guys
08:05took the shit out of him
08:06just to steal his cell phone.
08:09Sorry for the question,
08:10but wasn't it like that, Tomás?
08:13What are you talking about?
08:15It's the second time they've taken the shit out of Tormento.
08:18So be honest with me.
08:19Tomás knows what's going on between you and Tormento, doesn't he?
08:23What's wrong with you, asshole?
08:25There's nothing going on between Tormento and me.
08:27Okay?
08:29Are you sure that's over?
08:31That.
08:32If there was never anything,
08:33that's your business, Samuel.
08:34How dare you insinuate
08:35that there's something going on between Tormento and me.
08:37Please.
08:39But do you forget that I took a picture of you
08:41kissing him?
08:42Did you kiss him?
08:46Look, that was just a matter of one time.
08:50That's not why there's going to be a romance
08:51between Tormento and me.
08:52That's your business.
08:54I gave you the look of horror
08:55you put on your face when you found out what happened to him.
08:57Because it's to be scared, then.
09:00You should be insensitive
09:01so you don't care.
09:02Didn't you see how they left the poor guy?
09:06You want to make me believe
09:07that your interest in Tormento is
09:09purely work-related.
09:10Is that it?
09:11Purely and strictly work-related.
09:13Okay?
09:14So stop asking stupid questions.
09:16Stop harassing me
09:17because you're going to get it wrong.
09:19I don't think you want me
09:20as an enemy in this company.
09:21No, I don't care.
09:23I don't want to harass you.
09:24I don't want anything to do with you.
09:25All I'm saying is
09:27that if Tomas knows
09:29what's going on between you and Tormento,
09:31it doesn't matter if it was him or not.
09:33You hit yourself in the head.
09:36Tomas would be unable to do something like that.
09:39Unable.
09:42Jealousy is the worst thing, Alex.
10:03Yes, about you.
10:05You're right.
10:06Your brother didn't call me to talk about the horses.
10:08He was spying on me
10:10because he's thinking of opening a new vineyard.
10:13Ivan wants to open a new vineyard?
10:15That's right.
10:17And why did he want you?
10:19Well, he...
10:22wants me to be the manager.
10:24And you accepted?
10:25No, of course I didn't, father-in-law.
10:28Now, I can't deny
10:29that the offer he made me was quite tempting.
10:31You can't imagine
10:32how many things he offered me to convince me.
10:34But still, I didn't accept.
10:37What, do I have to thank you
10:38for not betraying me?
10:40No, of course not, father-in-law.
10:44Let's see.
10:46Father-in-law, I know I was wrong a while ago.
10:48But if I lied to him about the hotel,
10:50it was because I didn't...
10:51because I didn't want to disappoint him.
10:53But, father-in-law, believe me,
10:54I would never betray him.
10:56You got back together with him.
10:58Probably more than once.
10:59To me, that's betrayal.
11:00No, father-in-law, please.
11:01Look, I'm going to make something clear to you, Tomas.
11:04My brother doesn't have the slightest idea
11:06of running a business.
11:09He's never been interested.
11:11All this he's doing
11:12is just to hurt me.
11:14Get that in your head.
11:15Yes, I've got it well in my head.
11:17And that's exactly what I thought, too.
11:19That's why I rejected him anyway.
11:21Father-in-law, believe me.
11:23I told your brother
11:24that it didn't correspond to...
11:25Let's see.
11:26That with the hotel,
11:27with the hotel,
11:28with the hotel,
11:29with the hotel,
11:30that...
11:31Let's see.
11:32That with the antecedent
11:33of the money mess
11:34that was between you,
11:35it didn't correspond
11:36to you offering me
11:37anything at all.
11:38I made it very clear to you.
11:39I don't want to hear again
11:40that you set foot
11:41in my brother's hotel.
11:43Is that clear?
11:47Instead of listening
11:48to my little brother's siren songs,
11:50take care of what I asked you.
11:54Alex?
11:55Yes, your wife.
11:59The poor thing can't even ride
12:01because she has a problem
12:02in her leg now.
12:05She needs support.
12:07Yes, of course.
12:08She needs support.
12:12Well.
12:18Let's see, father-in-law.
12:20Do you also take care
12:21of Martina's happiness,
12:22Juan Pablo?
12:24I don't need to do it
12:26because my daughter
12:27is happy with him.
12:30See you.
12:55Terfina?
12:56Yes?
12:57The folder is full.
12:58In the red folder.
13:00I see.
13:28I really don't think it's a good idea for your husband to be here.
13:39He could be watching us through the cameras.
13:40No, don't worry.
13:41If Tomás is here, he's meeting with my dad in the house.
13:44Tell me something.
13:45Did you call the police?
13:46Yes.
13:47Yes.
13:48They told me that I have to go give the statement and then I have to go with some
13:54I think I will tell you everything.
13:55You're not leaving us alone.
13:56I think I will be around two and a half hours.
13:57How could they be so stupid to leave you like this?
13:58Don't worry about me.
13:59Remember that he's here.
14:00Yes.
14:01Who do you think are doing this to you, Tormento?
14:05I don't know.
14:06I don't know.
14:09I have a theory, but I'd rather you investigate.
14:14What theory?
14:15Who are you suspecting?
14:16It's better that you investigate.
14:17No, no.
14:18I don't want to involve you.
14:19Not now.
14:20I have a decision.
14:21Let's investigate. I don't want to worry you ahead of time.
14:24How can you not worry me? Look at what they did to you.
14:26I have no proof of anything.
14:28Why did they hit you?
14:32I think it was a miscarriage.
14:35A miscarriage? What?
14:39You're saying that... You think...
14:43You think it was Tomás?
14:46There's no lack of reasons.
14:47No, no, no.
14:48My husband can do a lot of things, but he's not a thug.
14:52He's not a mobster.
14:56Besides, he doesn't suspect us.
15:01He thinks I met up with some friends.
15:03When he called me, he was affectionate.
15:05I'm sure Tomás didn't do it.
15:10You're right. You know him better than I do.
15:14If he doesn't trust you...
15:18It doesn't have to be him.
15:26All right.
15:27Documents reviewed, signed, ready to be delivered.
15:31I thought the gringos would be more crafty with this issue of permits.
15:35I mean, look at this.
15:37And by the way, it's already decided who's going to open the vineyard branch in California, right?
15:43No, it's not decided yet.
15:45Yeah, but the options are...
15:47Alexandra or me, right?
15:49Yes, probably yes.
15:51You two.
15:52It's good that we have these documents.
15:54Now they're going to give us a permit.
16:01What are you laughing at?
16:02Nothing, it's just that when I went to get those documents...
16:07Nothing, it's silly. Don't make fun of me.
16:09No, hey, stop.
16:10You don't do that.
16:11No, tell me.
16:13No, it's just that I saw Alexandra talking to the storm, that's it.
16:18And what's so funny about Alexandra talking to the storm?
16:22Didn't you see that in Tomás' office you can see what the cameras are recording, right?
16:26And...
16:28No, really, it's silly. Let's just keep working, Don Samuel.
16:32No, come on, what did you see?
16:35That for a second I thought...
16:38It can't be him.
16:41No, no, I don't understand.
16:45It can't be Tormento, Alexandra's lover.
16:50What?
16:52What?
16:53That Tormento is with Alexandra?
16:57You see, it was a stupidity, just a stupidity.
17:00I mean, one thing is that your sister is fucking Tomás,
17:03but another very different thing is that she's messing with the guy who takes care of the horses.
17:07Of course.
17:09If I were a girl, I think I would look at him, if he were cleaner anyway.
17:14And one thing is that I tell you something so that you stay a spy,
17:17and another very different thing is that you are sapping my sister.
17:21But if I'm not sapping them, I saw them by chance.
17:23It was just a stupidity that crossed my mind, Samuel.
17:27A stupidity. Perfect.
17:30Let's keep working, don't we?
17:38TORMENTO'S HOUSE
17:55Asshole.
18:03Hey, Yago, what's this costume?
18:06I didn't like this smoke bomb.
18:25Hello, good morning, I could talk to Miss Luciana Prado, please.
18:30Rafael Sotomayor, she told me...
18:32She's...
18:35Oh, she went home.
18:37No, no, don't worry, I'll contact her later.
18:39Thank you very much.
19:02TORMENTO'S HOUSE
19:18Mr. Luis, I'm here to win the Catholic.
19:21Hey, how are you?
19:23Yes, they're going to close the bank, they're going to pay me a few things.
19:26Say hello to Rosita.
19:27Bye, take care.
19:28Bye.
19:33TORMENTO'S HOUSE
19:54Yes, yes, Rafa, they agreed to send me the photos today.
19:57Now, if the report doesn't fit, according to the schedule,
20:00you let me know and I'll cut the last paragraph, it's okay.
20:03As long as Gonzalo approves it, remember.
20:06I have to go, kiss, talk to you later.
20:09Bye, bye, bye.
20:11And you? Didn't you have a meeting?
20:14Yes, I was just having a meeting around here.
20:17Talk, or do you prefer that I go back to life?
20:20No, of course not.
20:22Hey, I'm just hungry, but brutal.
20:25What do you want to eat?
20:27I don't know, what do you think I want to eat?
20:28Me, obviously.
20:32Hey, you're good, you took advantage of me and you're a liar.
20:36Why? What did I do?
20:38You took advantage because it's obvious that you want to take advantage of me and you're a liar.
20:42Because you told me you had a meeting with someone who lives around here.
20:45And of course your people don't live around here.
20:47Why can't I live around here?
20:49Because those magnates live where you live.
20:52Here, my king, you only live with ordinary people.
20:55I see, and you're ordinary?
20:58Of course I am.
21:00There's something I like about you, you're nothing ordinary.
21:25Oh, I'm so relieved that I finally got a raise, doctor.
21:30Do I have to do the exercises you're telling me to do?
21:33Of course, Alexandra.
21:35It's so that you can fully recover the functions that your foot had before the injury.
21:40I'm going to leave you an order so that you can do five, okay?
21:46I think with ten sessions we're done.
21:49Ten?
21:50That's right.
21:51Please, Alexandra.
21:52See you later.
21:53Thank you, doctor.
21:59You have to do these with Gaby.
22:01Close your eyes, she's the best here.
22:03You can give me the instructions later, kid.
22:05Now explain to me what's that stupidity that made you move in with Ivan.
22:10Alex, I'm really happy to have come back to work here.
22:13I bet I'm going to ruin my day with this issue.
22:16And in any case, I didn't move in with Ivan.
22:18I stay there, in his hotel, sometimes.
22:21Yeah, as if dad made that difference.
22:23Please, can you apologize to him and come back home?
22:26Why do I have to apologize to dad?
22:28Have you gone crazy?
22:30Why? For wanting to be happy?
22:32For loving a woman?
22:34Because I get along with uncle Ivan?
22:36Why would I have to apologize to him?
22:38Because you can't be mad at him all your life.
22:40Alex, but how can you be so rude?
22:43You fight with dad every now and then,
22:45and I'm not looking for you to give you advice.
22:46Don't you think it's a little too much?
22:48Leave me alone, do what I do.
22:50I know what I'm doing.
22:52You don't know what you're doing.
22:54How can you not care about the damage Ivan has done to the family?
22:58Those are things of the past, Alex.
23:00No one else cares about them than dad.
23:03I care about them.
23:05Look, I'm going to tell you something.
23:08I think you have a prejudice against Ivan.
23:12Yeah?
23:13Yes.
23:15He's actually a good person.
23:17He advises me without judging me,
23:19and I think it's good that you give yourself a chance to get to know him.
23:22The best thing is that he's understanding,
23:25he's welcoming,
23:27something that dad has never been.
23:29How can you say something like that?
23:31What?
23:33Dad would give his life for the family.
23:35Ivan is also family.
23:37Like it or not.
23:39Like it or not.
23:44Can you tell Tomas to bring me the shoe that's in the car, please?
23:49I can tell him.
23:51But you're very serious.
23:53I think you need a smile.
23:55And if you don't smile, you'll have to go out with the boot,
23:58alone, to look for Tomas.
24:00I'm dead.
24:02Well, but I give the orders here.
24:04Not you.
24:06So smile.
24:08Smile.
24:10Serious.
24:38You scared me.
24:47Wait, they're calling me.
24:49Honey, I didn't answer.
24:51Juan Pablo.
24:55Hello, Juanpa.
24:57Yes, tell me, brother-in-law, what happened?
24:59Hey, I'm with the agronomist in line,
25:01we had a tie in the line field,
25:03I need you to come.
25:05We need your authorization and your signature
25:06so I can start moving.
25:08Yeah, yeah.
25:10Tell Alex to sign the authorization.
25:12Do the same.
25:14No, no, your sister is not available,
25:16she is in a control, in the doctor.
25:18Wait, Luciana.
25:20Come on, my love, if you love her,
25:22cut it out.
25:25Hey, Samuel, I'm serious.
25:27What's up?
25:29We don't have all the time in the world.
25:31Yes, don't worry.
25:33I'll take responsibility for that later, okay?
25:36Okay.
25:40What's up?
25:42What's up?
25:44Hey, I'm not talking to the agronomist.
25:46Wait, wait, let's see.
25:48Old man, I told you to solve it later, right?
25:50Yeah, perfect.
25:52We'll talk later then.
25:56I swear.
25:58Hello, Samuel.
26:00Samuel.
26:02Motherfucker!
26:03Son of a bitch!
26:15How did it go with the police?
26:17They told me they were going to investigate.
26:19Pato, leave it here. I'll take care of it.
26:23Look, Tormento, I don't want to disappoint you,
26:25but I don't think I got too far.
26:27The police always say they're going to investigate.
26:29In the end, they don't know anything.
26:31What did they tell you?
26:33That I have to rest.
26:35I have a fractured rib.
26:39Shit.
26:43Did those devils mess with you?
26:49Did they hit you bad there?
26:53Did it hurt? Sorry.
26:55You were lucky, man.
26:57I told you.
26:59Imagine if they had hit you in the nose.
27:01You would have been crushed like a tomato.
27:03Or your teeth would have been blown forward.
27:05And a woman would look at you again in your life.
27:07With luck, a blind woman out there.
27:09You wouldn't be able to eat chocolate in the summer.
27:23Hi, how are you?
27:25Hi, how are you?
27:27I'm Isabela.
27:29Sorry to call you here,
27:31but I think this is yours.
27:33No, it's not mine.
27:35But good luck.
27:43Why?
27:47Now I have your phone.
28:19Miranda, please.
28:21React to the meeting with Sánchez Lozada.
28:23I have a video conference with Germany on Tuesday.
28:25I don't want to be in a hurry.
28:27Perfect.
28:29Do you need anything else?
28:33It's too late, Miranda.
28:35Yes, a little.
28:37Why didn't you tell me?
28:39Because I finish work
28:41when you finish work.
28:45That's not right.
28:47I'm going to complain to your boss.
28:49I see you're in a better mood.
28:51I say that because...
28:55Forget it.
28:57No, tell me.
29:01I thought it bothered you
29:03that I saw the broken photo.
29:09Well, yes.
29:11It's a stage in my life
29:13that I don't like to remember.
29:15I wish it was easy
29:17to get those memories out of my head,
29:19just like breaking a photograph,
29:21but no.
29:23Can I know why?
29:25No, no.
29:29What seemed to be
29:31a...
29:35happy stage of my life
29:37stopped being
29:39that of the night and the morning.
29:46My son Conas had just been born.
29:51I felt full.
29:53I was doing very well.
29:57I felt that nothing
29:59could stop me,
30:01except the loss
30:03I suffered.
30:05What loss?
30:09Are you talking about your wife?
30:11Yes.
30:13Did she die in the accident?
30:23No, it wasn't an accident.
30:33My wife took her own life.
30:35My wife took her own life.
30:41Are you sure?
30:43Yes.
30:45Finally, my love.
30:47We were waiting for you.
30:49I had to stay until late
30:51because someone let us
30:53wait in the office.
30:55I want to tell you something
30:57very important.
30:59What is it?
31:01What is it?
31:03I'm going to ask Luciana
31:05to marry me.
31:07That's great news!
31:09It's not great news,
31:11it's a terrible idea.
31:13What's on your mind, Samuel?
31:15How do you know you're going
31:17to ask Luciana to marry you?
31:27I think, Val,
31:29that before you get out of the boat
31:31you should go to the movies.
31:33It's been a long time since you've
31:35used that foot.
31:37Maybe.
31:39But seriously,
31:41you're a professional
31:43kinesiologist.
31:45I'll see about that.
31:47Do you know what they told
31:49Tormento at the post office?
31:51No, I have no idea.
31:53But I guess they told him
31:55that he was out of the boat.
31:57Do you think it's funny?
31:59No, of course not,
32:01but it wouldn't have been so serious
32:03if they didn't even give him a break.
32:05I think they gave it to him
32:07and he didn't take it.
32:09And how did you know he gave it to you?
32:11No, it's my thing.
32:13What happened to Tormento
32:15is serious, Tomás,
32:17very serious.
32:19I think he asked for it.
32:21What do you mean?
32:25I don't know.
32:27Maybe he's in a bad mood
32:29and they're trying to get him out.
32:31I bet he's in a bad mood.
32:41You went to my office
32:43to make me jealous of Tormento.
32:47You left your glue
32:49to go see me.
32:53What's that supposed to mean?
32:57You had something to do with it, Tomás.
33:01You told them to hit Tormento.