@Mrwhosetheboss Original Video: https://www.youtube.com/watch?v=V8e_Ocuc5gw
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Main Channel: https://www.youtube.com/miniminter
2nd Channel: https://www.youtube.com/user/MM7Games
Extra Channel: https://www.youtube.com/miniminterextra
Side+: https://www.sideplus.com/
Sidemen Clothing: https://www.sidemenclothing.com/
Sidemen Channels:
Josh: https://goo.gl/VgeDWX
Tobi: https://goo.gl/MqGC4K
JJ: https://goo.gl/dxn9YW
Vik: https://goo.gl/9xLpVD
Ethan: https://goo.gl/5GBDTg
Harry: https://goo.gl/nJHyMA
HOW I RECORD MY GAMEPLAY: http://e.lga.to/mm
Music from: https://artlist.io/
Video uploaded by
Simon/Miniminter/MiniminterClips
Twitch: https://www.twitch.tv/miniminter
Instagram: https://www.instagram.com/miniminter/
TikTok: https://www.tiktok.com/@miniminter
Twitter: https://twitter.com/miniminter
Main Channel: https://www.youtube.com/miniminter
2nd Channel: https://www.youtube.com/user/MM7Games
Extra Channel: https://www.youtube.com/miniminterextra
Side+: https://www.sideplus.com/
Sidemen Clothing: https://www.sidemenclothing.com/
Sidemen Channels:
Josh: https://goo.gl/VgeDWX
Tobi: https://goo.gl/MqGC4K
JJ: https://goo.gl/dxn9YW
Vik: https://goo.gl/9xLpVD
Ethan: https://goo.gl/5GBDTg
Harry: https://goo.gl/nJHyMA
HOW I RECORD MY GAMEPLAY: http://e.lga.to/mm
Music from: https://artlist.io/
Video uploaded by
Simon/Miniminter/MiniminterClips
Category
🎮️
GamingTranscript
00:00We have the finale of MrWho'sTheBoss building his dream house, and apparently, from what I've heard,
00:08this is the best one. This is the Dream Studio, which, it makes sense that that is the best one.
00:13But I'm excited to see it.
00:14🎵
00:25Here we go, MrWhoIsTheBoss. MrWho'sTheBoss.
00:34Oh, I'm excited for this one, because this is the best one, right?
00:39I don't know if you guys, has anyone seen it? And if you have seen it, is this the best?
00:43Yes or no? Yes, yes, yes, yes, yes, yes.
00:46All right, here we go.
00:48How much over the room will be covered in RGB over under 15%?
00:51I'm gonna say over.
00:53All right, let's go.
00:55The time has come to build the future of the MrWhoIsTheBoss studio.
00:59We have one key goal with this.
01:01Something that's going to allow us to make more videos than we've ever made,
01:03and also better videos than we've ever made.
01:06So we've got two studios in this new house.
01:08We've got Studio A, which is what we're sitting in right now.
01:10I want this to be a really similar style of room to what we used to film in.
01:14You know, camera, then me at my desk, and then a really cool background,
01:17but just, you know, very much upgraded from what we had.
01:21And then Studio B, which is the outbuilding,
01:23that is where we can go absolutely crazy.
01:25Bro has two studios.
01:28Studio A, and the fact that you've got Studio A and B.
01:31Easy, and just build the room of our fantasies.
01:34So let's talk cameras.
01:36Previously, we used to use a really high-end Sony FX6 camera for our main studio,
01:40but then any time that we film in any other room,
01:43which over time we have started to do a lot more of,
01:45we've been filming with one of these much smaller,
01:47much less good Sony A7S III cameras.
01:50So I think the goal here should be to film every single video
01:54taken in this entire home on an FX6,
01:57which means we are going to have to get three of them.
02:03Oh my God.
02:04I mean, I have already somewhat come to terms with the fact that
02:07we are investing a large part of what we've earned so far
02:10to make our videos better in the future.
02:11But still, $21,000!
02:14To be fair, you watch his videos and you are like,
02:20these look amazing.
02:22So I get it, but I don't.
02:25The fact that there's three is crazy.
02:27But I do get it.
02:31Seeing figures like this in your basket is...
02:33Yeah, he has an 80K mattress!
02:35So then the microphone we've been using for a really long time,
02:38actually, is the Sennheiser MKH416.
02:41It's already a really good mic,
02:42and it's actually such a good mic that
02:44you probably have noticed the difference in past videos
02:46anytime I move from filming in the studio
02:48to filming out and about
02:50where I'm having to wear one of these little lav mics.
02:52Those sound terrible compared to the main Sennheiser one.
02:55But the thing we can do here,
02:57because we're building this from the ground up,
02:59is A, get an even better mic.
03:01Yes, I did say 80K mattress.
03:04I said 80K mattress.
03:06It's in one of the other videos we've already reacted to.
03:09Yes.
03:09And B, make sure that each of those mics is pre-rigged up
03:13to each of those Sony FX6 cameras that we're getting,
03:15which means that any video we film in this house,
03:17we can have prime audio quality.
03:20Okay, so let's see if there's anything better.
03:21Me too.
03:22The MKE600, the MKH418, MKH30.
03:28What is up with these names?
03:29Part of the reason...
03:30See, none of these give you any clue what they do.
03:32I don't know what I'm ordering with this.
03:34The microphone market is so convoluted,
03:36is that sometimes there isn't just a better and a worse.
03:39Different microphones are designed with different pickup patterns.
03:42So some will collect all the sound in a 180 degree radius.
03:46Others will be super narrow and focused on exactly what's in front of them.
03:49And that's kind of what we want,
03:50because we want to be able to hear me really clearly,
03:53and then nothing else.
03:54None of the planes, trains, cars happening around me.
03:57And this looks like the absolute highest tier implementation of that.
04:00Let's do it.
04:02Oh my God, we need to get three.
04:03Okay, this is where it gets fun.
04:05Now we get to decide what actually...
04:0721 grand gone.
04:09You know, like right now we have two TV screens,
04:11and then one smaller screen in the middle.
04:13And we kind of put together these cool little backdrops,
04:16themed based on the video we're filming.
04:17How can we take that to a whole other level?
04:19We could get like three massive TVs that span the wall,
04:23but then you'd kind of lose out on some ceiling height.
04:25What's the biggest TV you can buy?
04:29Why am I a hater?
04:29I love this man.
04:31I love this man.
04:32I think this is amazing.
04:34I just...
04:35I'm just like...
04:35The amount of money I'm seeing is crazy.
04:38Seems like it's 98 inches.
04:40£34,000?
04:42I mean, if this was our entire background, then fine.
04:44But even three of those isn't going to come close to covering this wall.
04:48Oh, this is interesting.
04:50Let's ignore the price for now.
04:52So this is...
04:54I...
04:55I...
04:55Look, I know...
04:56I know he just said,
04:57let's just ignore the price for now.
04:59I cannot.
05:00I will not.
05:02I cannot and will not ignore that price.
05:05That is ludicrous.
05:08That's a whole house.
05:09Bro.
05:11A digital signage panel.
05:13It's like a TV, but it's more designed for advertising and billboards, I assume.
05:17Oh my god, wait.
05:18I'm just thinking to myself right now.
05:19Imagine if we're filming videos and the entire background behind me is screen
05:24and we can just swap it out at any moment for anything.
05:28Is there such thing as like a video backdrop for filming virtual production?
05:35No way.
05:36Designed with exactly this in mind.
05:38I mean, this is the kind of thing that like TV shows use nowadays.
05:41You know, like the Mandalorian that was filmed using a massive wraparound.
05:44That is really cool to be fair.
05:46There's one here called Vu, your creative technology partner for next generation.
05:50In it, in it.
05:50He just goes, yeah, like if you could have this background, done.
05:53And he did it.
05:56Although this actually does look really cool.
06:00It is low-key, just an expensive green screen.
06:01So they basically have a massive library of virtual environments that you choose from,
06:07customize yourself and they appear across your entire wall.
06:11We might be able to do something here that no YouTuber has ever done before.
06:15We could film in all of these places.
06:17And because this isn't like a green screen where you use an editing program afterwards
06:21to cut the person out, this is going to look real.
06:24This is actually shot.
06:27I want him to get it.
06:28I know it's going to be a stupid amount of money, but I want him to get it.
06:31I want to see this.
06:32And I want him to have like, I want to see the best studio possible.
06:38Please don't tell me, please tell me he gets this.
06:41I don't think I've ever been as immediately sold on something as I am right now.
06:45I just, I see it.
06:46This is the obvious next step in the mysteries of our studio.
06:50Oh yeah.
06:50This is also where we can fully optimize.
06:54176K.
06:56Our other stuff, like, like, you know, like tripods.
06:59We spend so much time fiddling with each individual leg of our tripod
07:03to make sure our camera is completely level before we shoot.
07:06Automated tripod.
07:08Oh my God.
07:09Wait, this is everything I've been looking for.
07:13It actually just does it on its own.
07:14That's actually, okay.
07:15So you can just pre-program a bunch of different heights that we tend to use.
07:18And never ever touch the legs again.
07:20It even works on uneven ground.
07:22That is so ridiculous.
07:24Wow.
07:24So let's get three.
07:26In terms of desks, we actually found some really good ones.
07:29That is the first thing.
07:30I know that was like three grand, but that was worth it.
07:34That was genuinely worth it.
07:35Wow.
07:373.7K.
07:38Cheapest balls for him.
07:39Yeah.
07:39Once when we were shopping.
07:40I might get a tripod.
07:41The only thing I'm thinking is, you know, when we film,
07:45I put a lot of heavy objects on this table that could end up scratching or breaking it.
07:50Oh, they actually have an even higher end one.
07:52The E7Q.
07:54Max load is 300 kilograms.
07:56I feel like this is the way to go.
07:58We'll get one of these for this Studio A.
08:00I feel like Studio B is going to need something even more extravagant.
08:02Oh my God.
08:03I forgot about Studio B.
08:04The steel case gesture chairs.
08:06They're actually awesome.
08:07I think we'll just get the same brand.
08:09I forgot about Studio B.
08:10We used to have one light from this company, Aputure,
08:13and it is the biggest, best, brightest, softest light that I own.
08:17But then the problem was the rest of our lights are all from different companies.
08:21Before we film each time,
08:22we'd be fiddling around with three or four different apps
08:25to tweak three or four different sets of lights.
08:27They all don't quite match with each other.
08:29So I suppose the dream would be if we can get every single bit of our lighting.
08:34The thing is, right, the way I always see it,
08:36is like this is clearly his biggest passion in life.
08:41Also his job.
08:42Why not spend his money on this?
08:44Like whatever he thinks he wants the best,
08:46like whatever is the best.
08:49Fair enough.
08:49Spend your money on it.
08:50Like what else is he using the money for?
08:53But for it, it's exactly what he wants.
08:56It's a passion and he earns money from it.
08:58From this one company.
08:59And then just use this one app.
09:01Yeah, as long as he doesn't do this and then want to move in a year.
09:03To control it.
09:04That's the only way I won't rate it.
09:05So let's get two of these, the main light sources.
09:07We should get the Light Dome 3 to fit on top.
09:11This is going to both soften the light,
09:12but also allow you to direct it so it doesn't spill onto the background.
09:16The InfiniBar PB12.
09:18This is kind of amazing because we use tube lights like this all the time.
09:22One really annoying thing about them is when you put them down,
09:25they don't stay still.
09:28That's a very minor.
09:29Square actually makes a whole lot of sense.
09:32Oh, we should get these two for the smaller sections.
09:34Like the hair light that comes directly above me.
09:37Okay, that's enough.
09:38That's a very minor issue.
09:39That Studio B is where we have some real fun.
09:41I'm in toil with a few different ideas about this.
09:43Originally, I thought, okay, it'd be cool to have something really homely and cozy.
09:47But then we've already got our actual house.
09:50I say it doesn't need to be cozy.
09:51Well, it should be cozy, but not.
09:53Why build two living rooms?
09:55So then I realized if we already have the normal desk-style studio,
09:58and we already have the home,
09:59then this can actually just be the...
10:03I know that's an AI image.
10:06The fact he's gonna have this like filming studio and gaming studio.
10:12Nah, man.
10:13That's low-key what I've started wanting is like...
10:15Every now and then I do a video that has like a...
10:18You know, like my second channel videos where it's like me at a desk.
10:21And I might have done one with like Randy, for example.
10:23I kind of wanted to make that section of the room
10:26where the TV is and the couch and stuff.
10:28Put a desk across there and film them there.
10:31I thought about doing that.
10:33Because I'd use that more than what I use it for now.
10:37Who dat boi?
10:38Thank you for the prime.
10:39And Sokka, thank you for the three months.
10:40...ultimate futuristic mystery...
10:43Like, I'd like to have two setups at my disposal.
10:47...other types of videos in.
10:48So there's got to be a TV area in there.
10:50That's where we're going to test the consoles, the controllers, the speakers.
10:54I want everything to feel futuristic.
10:56It'd be really cool if we can actually get a futuristic TV.
11:00Not that kind of future.
11:01I've tested it.
11:02It's not for me.
11:03Wait, what?
11:03Oh, this is kind of perfect.
11:05It's actually got the cabinet baked into the TV itself.
11:08And it's so thin.
11:10Wait, wait, wait.
11:11You pay $9,999 using the promo code...
11:15I don't have a lot of confidence this is going to work.
11:18Oh my god.
11:18It actually did.
11:21Okay, fine.
11:23This is actually so...
11:24I feel like he got baited there.
11:25I'm gonna be honest.
11:26I feel like he got baited.
11:29I feel like he saw a $25k TV and then saw, oh, I could get it for $10k.
11:36That's an amazing discount.
11:38Still $10k.
11:39I feel like he got baited.
11:41You would though?
11:42A hundred percent.
11:45That was the real price all along.
11:46And the occasional person doesn't see that and buys it for $25k.
11:49And then they're like, yeah, cool, done.
11:51So exciting.
11:52You know, because before we didn't have any dedicated spaces to film different products in.
11:57So anytime we test something that basically wasn't a phone,
12:00we would almost always have to specifically clean
12:02and relight an entire new room just for like a one minute section.
12:07But if we build this space with every single type of product in mind,
12:11then when we're testing those products,
12:12we can just slot them into the part of the setup that they're made for.
12:16Okay, so another product that I think we need to get is a central swivelable chair.
12:20But this is going to be such a central piece in the room.
12:22But we have to make sure it reinforces this whole futuristic design language.
12:26Wait, what?
12:28I mean, it just looks like a toilet.
12:30Oh my God.
12:31Wow.
12:32They're cool.
12:32Supremely comfortable.
12:34The only thing...
12:35They're cool, but I wouldn't want it.
12:36This dude is doing quite a lot of wobbling.
12:38Oh, the other option is just that we go for something really, really comfy.
12:42Probably makes sense.
12:43Okay, what else do we need?
12:44212K.
12:46This is the room in which I want to make sure we're getting the absolute highest end stuff.
12:50So that when we test...
12:50212K, but can we remember how much was the...
12:55How much was the first thing that he had?
12:57Wasn't that like 170K or something like that?
13:00What was the filming thing, the screen?
13:03Like 165, yeah.
13:04Test other products.
13:05We know that there are no bottlenecks on our end.
13:08So there is, of course, the Apple Pro Display XDR.
13:10Here's a great display.
13:11It's just 5,000.
13:13To be honest, I think I just want to swallow the bill and use the display
13:17that I already know is very, very good.
13:19And then the Razer Basilisk V3 Pro for the mouse.
13:22The Razer BlackWidow V4 Pro for the keyboard.
13:25This is going to look so good in white.
13:27And obviously, we're not going to put the LEDs like this.
13:29We'll just make them all blue.
13:30It's actually kind of poetic that the first mechanical keyboard I ever bought
13:34was a Razer BlackWidow.
13:35We've got the console here.
13:36I'm so excited to see this, man.
13:38I also think it'd be really...
13:39But as much as this is like exactly how I want my studio,
13:42I love seeing other people's to see what they do
13:44and like see if there is anything I could take for a potential future one.
13:48I don't know what I would...
13:49The only...
13:50Aside from that bit over there,
13:53I don't really know what I would change with this part.
13:56Like a green screen is the only thing I think I could add that I would want.
13:59And even that,
14:01eh, I realize I don't need it.
14:03It's really cool to have a sofa area.
14:07Wow.
14:08Is this real?
14:09And what's the difference between white and ice?
14:12This is perfect.
14:13Every piece of this brand of furniture can come with LEDs inside.
14:17So what if we could match that to the lighting in the rest of the room?
14:20We also have individual chairs.
14:23That sofa looked so hard.
14:25So I feel like that's most of the loose products that are going to go in the room.
14:29I feel like it'd be so cool if you had a massive Mr. Who's the Boss logo that you saw.
14:33Well, thank you to the brand.
14:35And like acoustic paneling all across the walls to keep the noise levels really low.
14:39And also, if we can find a way to actually...
14:41Why was Jinx's video message an unlisted YouTube video link?
14:46Because I had the idea to basically...
14:49Well, Harry said, send him a video and say like,
14:52oh, you're not invited.
14:53And then say, oh, just kidding, you are.
14:55So I said, oh, let's take it even further.
14:56Make a fake Twitch account, make a fake YouTube account,
14:59unlisted video, send that from the Twitch account saying like,
15:04oh my God, the Sidemen mentioned you.
15:06Put that into his stream with like some bits.
15:09He'll go, what?
15:10What do you mean?
15:10Watch it.
15:11Then there was that black screen where he stopped it and was like, oh, what the fuck?
15:14Oh, they haven't invited me.
15:15And yeah, already heard the story.
15:17I know, but someone just asked.
15:18Fake lighting into the room itself.
15:21The whole thing could be like one switch,
15:23but that's definitely going to need to be a custom job.
15:25So...
15:27In fact, we're getting to see two studios, by the way.
15:29So we did.
15:30Surely this could have been two videos.
15:32We made a lot of calls.
15:33These two studios have been by far the most complex,
15:36but easily also the most rewarding room.
15:38That's so nice though.
15:39We got the massive cinema quality,
15:41wrap around screen set up in studio A,
15:43which took many, many individual panels,
15:45each fitted one by one by hand.
15:47Oh my God, we got it.
15:48By falling into the thing, I was reviewing it.
15:51So we got it made again.
15:53And then as for the second studio,
15:54well, everything has changed.
15:56We created a brand new floor that allowed us to hide sockets everywhere.
15:59We created a new ceiling using this layer of tracking
16:02that allowed us to mount acoustic fabric on top to improve the sound.
16:05Oh my days.
16:06We added air conditioning in the middle of it and lighting.
16:08We spent four months rigging this room up
16:11with an industrial quality lighting setup,
16:13all finished off with translucent stone panels with, you guessed it...
16:17This is going to be nuts.
16:18...bang in the middle.
16:21So let's start with studio A.
16:24I, I've already guessed.
16:26How are you going to have two sick studios?
16:28If it was like one sick one and then one like half decent one
16:30that was just like a big room, fair enough.
16:32Used to be the garage,
16:34which is about the worst room in the house that you could film in.
16:37Because right in front of us, we had this thin metal door
16:39that lets every bit of outside noise in
16:41and bounces every bit of inside noise back at you.
16:44So you get tons of echo.
16:45So we haven't actually removed it.
16:46We've just buried the thing with about 20 centimetres of rockwool,
16:49which is incredibly good for absorbing sound
16:51because it's really fibrous.
16:52There's a board on top of that
16:53and then even more acoustic panelling on top,
16:56as well as on every other inch.
16:58I mean, I think it looks nice.
16:59The lighting is an even bigger upgrade though.
17:01Because we've now got about three times as much space
17:03compared to the old setup to work with,
17:05we've got two massive dome lights.
17:07Okay.
17:07The one that we used to have.
17:08These are way brighter than smaller lights.
17:10But it's...
17:12Ugh.
17:14Ugh.
17:15Room, clean, nothing too much.
17:19You know what?
17:20I say nothing too much.
17:21There is a screen behind him.
17:23That is ridiculous.
17:26That doesn't look...
17:27Does it look like 200k?
17:28I mean, that screen alone was like 165.
17:31And to be fair, right now, no.
17:34But I know he'll show it from the camera's point of view
17:37and it's going to look ridiculous.
17:39It's going to look so good.
17:40It's not just about brightness.
17:41The other benefit of having larger light sources like this
17:43is that they spread the light so it looks softer on your face.
17:47And I actually look pretty for it.
17:49That's all relative.
17:51We've got four light...
17:52I don't like the background we have there.
17:53...compared to the one that we used to.
17:55You might have noticed on some old videos,
17:56this very subtle outline around me,
17:58that is from the side light.
18:00It's been really good for separating from the background.
18:02So just as an example, if we turn all the room lights off now,
18:07so you see this light on my cheeks and on the side of my face?
18:10Yeah.
18:11That's because of these guys.
18:12It creates so much more shape.
18:14There's a tiny little hair light up here.
18:16This is like the cream on the cake for lighting.
18:18It just means that you can see the entire outline of my face
18:21and the top half doesn't disappear into the background.
18:24And then it's all finished off with the dome lights,
18:26which are the cake itself.
18:29And then this...
18:29You know what it is?
18:30I think it's because of the...
18:31I think it's because of the...
18:34He's got like a blue chair that you can see behind his head,
18:38but then he's sat with a living room that's like a warm, different colour.
18:41...is where we keep all of our spare tube lights.
18:44These are basically the easiest, quickest way to light up any room.
18:48So anytime that we're filming in a room that's not a studio,
18:50that already has all the lights kind of baked into it,
18:53we can take two tubes from here,
18:54we plop them in the room we're filming in,
18:56and we are good to go.
18:57And then the second we're done, we put them back in this case,
18:59and they are all automatically charging.
19:00Back there you've got the three months.
19:02Such a good system.
19:03The desk...
19:07Concrete floors.
19:08So this desk is the FlexiSpot E7Q.
19:11And this thing is...
19:11Good desk.
19:12God sent.
19:13The main difference from my old desk,
19:14just being the fact that this is rock solid,
19:17like I cannot actually move the thing an inch,
19:19which is so great...
19:20Yeah, I don't know if I like the chair being...
19:22...rickety piece of cardboard that we used to use to film our own videos.
19:25That one's blue,
19:26but I like the fact that you can't see it when he just sits straight on.
19:30Like, I feel like he needs to get rid of the top part of it.
19:34Plus, the fact that we've managed to go for a way bigger surface than before,
19:37means that we no longer have to cram everything together
19:40when we're testing a bunch of products.
19:41We've got the same steel case gesture...
19:44Whoa!
19:45And I genuinely need like speed ramps around here.
19:48Stop me doing that, please.
19:50We've got the same steel case gesture chairs that we have in the office,
19:53but since this room is like...
19:55the Mr. Who's the Boss command center,
19:57we got a custom Mr. Who's the Boss version of it.
20:00But let's not kid around.
20:01Yeah...
20:01Just before we get to Studio B,
20:03this is really the hero feature of Studio A.
20:06This is the Vu One,
20:08which is a combination of a massive screen specifically designed for filming.
20:12How sick is that?
20:12Imagine that you could just be streaming,
20:14your background is just your logo on this,
20:16like that, looking like that.
20:18That's a joke.
20:19So it's very bright,
20:20very customizable and absorbs pretty much all reflections,
20:24with a powerful computer that sits in this rack here,
20:27which allows you to make the most of that screen.
20:29So this is the new studio.
20:32I'm of course kidding.
20:33This is the new studio.
20:35It's actually our old studio.
20:36That's actually so cool that we can perfectly recreate that here.
20:39And now I'm outside,
20:41which makes a change.
20:42I feel like with the focus, it's...
20:44Someone else's house.
20:45We're in a desert.
20:46I can literally be anywhere.
20:49Is that an antelope?
20:51And this right here is an antelope.
20:54It's natural habitat.
20:55Was that bad?
20:57So I think for me,
21:01the focus
21:05doesn't...
21:05It kind of ruins it a little bit
21:09because the point is he's meant to look like he's there,
21:12but it's so blurry.
21:15It doesn't...
21:16You don't really get to...
21:17It doesn't feel real.
21:19Then also just this bit of the chair.
21:22I don't know.
21:24Still sick.
21:25Still like unbelievably sick,
21:27but that's just my two cents.
21:29Okay.
21:30As long as she's happy.
21:31So at its base level,
21:33this is the Vue Studio software.
21:35It's a webpage, not an app
21:36because they're changing things far too often
21:38for it to be worth getting approval from Apple
21:40every time they want to do something.
21:41So we scroll through the lists
21:42of probably tens of thousands of backgrounds.
21:44You pick one and that is displayed all across.
21:47That is so crazy.
21:48And unlike filming in front of, let's say, a green screen,
21:51this is real.
21:53I wonder how hot it gets in there though.
21:55And that matters
21:56because let's say we change the scene
21:57to something with much more obvious pink sunset lighting.
22:01That light is actually bleeding onto me,
22:03the desk, and everything.
22:05Yeah, that's so nuts.
22:06Which would not happen
22:07if the environment was just edited in afterwards.
22:09Plus things like the reflections on...
22:11Yeah, like that is crazy.
22:13Like that.
22:13The fact that it looks like he's there.
22:16Take away the focus part,
22:17but the fact that he'll have like the pink skies
22:20like coming out.
22:20Oh my...
22:22Wow.
22:23Products or objects that have any kind of transparency.
22:27These are things that would previously kill
22:29the green screen illusion,
22:30but here they just further immerse you in it.
22:33It's kind of like if you ever watched Star Wars,
22:34The Force Awakens.
22:35Yes, not the best Star Wars movie.
22:37Don't kill me.
22:38Even though the lightsabers in that film,
22:40obviously they weren't real.
22:41When they filmed that movie,
22:42the actors would actually hold prop sabers
22:45that still emitted that light
22:46because seeing that light bounce onto things
22:48is the best way to make your effect convincing.
22:51Plus something that you would very much struggle
22:52to do with the green screen.
22:53Here, you can get a second camera
22:55and actually get a real second angle of the same scene.
22:59And with every background,
23:00there's a whole load of settings.
23:01Yeah, oh my days.
23:03Yeah, the fact that you could have two angles,
23:05you'd have this straight on
23:06and then you have another one here
23:07that gets like side of face.
23:10I want it.
23:11I want it.
23:12But it's so much.
23:14That's so expensive.
23:16Hundred.
23:18Hundred and sixty.
23:24Would you ever consider buying it though?
23:25I want to.
23:27Mr. Who's the boss?
23:28If you ever see this,
23:29can I come to your house?
23:31Can I, can I?
23:32Actually, I might see him soon.
23:34I'm going to ask him if I can come to his house.
23:36I want to see it.
23:37Like, I want to see, does this,
23:40like, can you go in there?
23:42And when you're sat in front of it for ages,
23:44does it get warm?
23:45Does it get, I don't know.
23:47I know 170K is insane.
23:49I know. I'm fully aware of that.
23:51Things like exposure,
23:52things like color saturation blur,
23:54which is particularly handy
23:55because let's say I want to make this background
23:56seem like it's further away from me
23:58than it actually is.
24:01Done.
24:01I don't like the blur as much.
24:02I can scale up and down the background.
24:03Whoa.
24:04Oh my goodness, that looks terrible.
24:06Welcome to the new studio, guys.
24:08This is where it all comes together.
24:10So cool.
24:11This is pretty cool, right?
24:13Nice little fire in the background.
24:14But it's not as convincing as...
24:16I was going to say, the quality of that one isn't as good.
24:19Everything else has been really good,
24:21but that one, I feel like the flame,
24:22you can see, like, it could be.
24:24Because if there was a fire that big, that close to me,
24:27then you would expect there to be
24:28not just a little bit of flicker on the table over here,
24:30but the entire scene would be flickering, right?
24:33So one tap on here,
24:35and those are now orange.
24:36So they're bleeding that fire's color onto my sides.
24:39Another tap, and the hair light
24:41will now match that same orange hue.
24:43But even these massive domes,
24:45each one can display every single color,
24:48so I can even have it on my face.
24:49And it's not even just flat colors.
24:51There are literally programmable special effects with this lighting.
24:54For example, this is a fire...
24:56Because of the cameras.
24:58I mean, it's just concerningly good, really, isn't it?
25:01Vootiful, as some may say.
25:03There's one more thing.
25:04One little sprinkle of magic.
25:07So if I click here, this is Vu's AI.
25:09And the idea is that you can use this AI
25:11to do everything you could want to do on the screen.
25:14Let me upload the original Windows XP wallpaper,
25:17and then let's just ask it to turn it into a seamlessly looping video.
25:21So this isn't something we're going to get right on first go.
25:23There's a lot to learn.
25:25That's a pretty damn good start.
25:26I'm so excited.
25:28And then the thing that's shitting on this content
25:30is one of the FX6 cameras that we bought.
25:33Now, you might be wondering at this...
25:34What?
25:35That's ridiculous.
25:36It must be like a boiler in summertime.
25:38He talks about the heat giving off of those screens
25:40in Nothing But Tech's video,
25:41where she was given a tour of his house.
25:43And what did he say?
25:45Did he say that it is really hot or not?
25:47He gives no heat.
25:48Oh, wait. Yes.
25:49He said it was calm.
25:50Say what?
25:52Okay, I'm getting mixed messages here.
25:54Okay.
25:54Why did we buy three of them?
25:56Well, one is here.
25:57The second is over here.
25:59This is the rig that we're planning on showing
26:02every video around the house with.
26:04And I won't lie to you.
26:05This is one of my proudest achievements.
26:07This one rig is everything that you need
26:09to shoot a YouTube video,
26:11all stuck together into one contraption.
26:13So it's this very high-end cinema camera,
26:15which we have made wireless,
26:16thanks to this chunk of a battery on the back,
26:18which gives the whole system
26:20three and a half hours of runtime.
26:21And notably charges with USB-C.
26:24That's the best microphone that we could find,
26:26permanently connected to the rig
26:27and always powered on by it.
26:29And this is a special kind of awesome
26:32because we've pre-decided
26:33what is the optimal distance for me to stand
26:35from this camera,
26:36based on the lens that we're using.
26:37And this mic is set up
26:39so that it will sound its best
26:40when I'm standing in that optimal position.
26:42We've got cushion wheels,
26:44which means it's not just easy to move around,
26:45but you can also film while moving it around
26:48to get these beautiful cinematic sweeping style shots.
26:51And then the whole thing is carried
26:52by this self-leveling tripod that we bought,
26:54which fixes pretty much the final remaining issue of,
26:58well, messing around with tripod legs.
27:00If you've been there-
27:01That is crazy though.
27:02Like, it just has this beautiful view now.
27:06And then it will correct its own angle
27:08and it's not been wrong once.
27:10And then the third camera is sitting in Studio B.
27:15It's finally time to go see it.
27:17So the reason that we even have two studios at all
27:19is that while Studio A is insanely cool
27:22and it's going to make our videos easier and better-
27:23Oh, bro, we haven't even seen the other studio.
27:26That studio was a stupid studio.
27:28Like, that was so ridiculous.
27:30Is specifically designed for presenting.
27:32But there are also plenty of times when we're filming,
27:34when you want to plug something into a computer-
27:35I forgot there was a studio for a second.
27:37Or just run around generally and interact with products.
27:39That's why I quit using cameras, too many sweats.
27:42That is the essence of studio.
27:44You know what?
27:45I love the fact that,
27:46because we saw this room when he did the garden,
27:50we could see this room, like, in the background.
27:52So the fact that he just has this, like,
27:54nice garden view with his house and everything,
27:56that is, it's such, like, it's a lovely setup.
28:01Hendrik, thank you for the six months.
28:03Yeah, I want to go to my other studio real quick.
28:05Yeah, that, the way it's, the way it is all laid out
28:09and the fact that it is all this glass window is beautiful.
28:18Hey, fair enough, man, fair enough.
28:21I love it.
28:23I love it.
28:23It is a lot.
28:25I love it.
28:27Wow.
28:29I don't, they don't look comfortable.
28:31The seats don't look comfortable.
28:33But I'm willing to hear him out.
28:40So, so there are three things that,
28:43so he's not filming in this.
28:45I'm confused.
28:49So is this somewhere he films or not?
28:51I have one annoying hair that keeps falling down.
28:54Piss me off.
28:55I'm really confused.
28:57Make this room particularly special to film videos in.
29:01One is the lighting.
29:02So on first glance, you might look around this room and think,
29:04oh, cool, you went and bought some Philips Hue lights.
29:08Nuh-uh.
29:09Don't get me wrong, Philips Hue is fantastic
29:11for adding some ambience to your living room.
29:13But to actually create a next generation-
29:14Next stop in here?
29:15Yeah, but what's he, was it, what's he filming it with?
29:18But does he, like, test it in here
29:19and then he takes it into the other studio and films that?
29:23Is that what you're saying?
29:25Or is this, like, all handheld?
29:26I don't know.
29:27B-roll room.
29:29We've decided to go with something called DMX lighting.
29:31It has meant that the lighting we've been able to put into this room
29:34is the same lighting that you see across,
29:36like, the biggest buildings in the world.
29:38Which one?
29:39Exhibitions and concert stadiums.
29:41Because the first problem it solves is brightness.
29:44Can you hear me?
29:46Side note, Philip, how have we ended up in a situation
29:49where we have more cable than light strip?
29:52Anyway, let's plug you into there.
29:54The point I wanted to make is a Philips Hue light strip
29:56will emit about 500 lumens of light per meter.
29:59Okay.
30:00Cheap light strip that you get on Amazon, probably closer to 300.
30:03The light strips that we fitted into this room
30:05emit 1,100 lumens.
30:09And there are 180 of them.
30:10Before we put these stone panels on top,
30:12we had to make absolutely sure that the lighting behind the stone
30:15was bright enough that you could still see it even through it.
30:18But also even enough that you can't see the individual LEDs
30:22when you're looking at the panel.
30:23This is really cool.
30:24We actually tested this using a miniaturized version of this full wall,
30:28which even has the exact same kinds of cutouts on the back
30:31to make these waved shape parts brighter than the rest of the wall.
30:34What the hell?
30:35We figured out that 180 strips allowed us to have that perfect final result.
30:39There's another benefit though.
30:40With a typical household lighting solution like Philips Hue,
30:43you'll also reach a limit.
30:45Would I take this studio of yours?
30:47I would take both of his studios over mine.
30:50Neither of his studios does what I do as in it doesn't,
30:54but like combined, they obviously do.
30:56But he doesn't film the same type of videos.
30:59His are more like, I mean, you know what his videos are.
31:02So he's got like both.
31:07In terms of the number of different lights you can add,
31:10something between 30 to 50 and above and problems will ensue.
31:14But here, every single one of those 180 light strips
31:18and the 20 lamps in the ceiling and the furniture,
31:23all of these things are based on the DMX protocol,
31:25which means each of them is individually addressable.
31:28Yeah, I mean, yeah, don't get me wrong.
31:30Like, I think this one, like mine seems cozier.
31:34Don't get like, his is just, his is ridiculous.
31:37Own different color, but also every single one can sync together.
31:40You can't say that lacks personality, that is.
31:42Which is going to make for some amazing backgrounds for B-roll shots.
31:45And we've hidden away controllers and drivers,
31:48which is the stuff that takes in what we're asking this thing to do
31:50and converts it into the results that are very high end.
31:53So that the lighting responds immediately to what you do
31:56and animates in a way that is more fluid and dynamic
32:00than I think I've ever seen before.
32:02That's ridiculous.
32:03It's surreal, isn't it?
32:04But the biggest reason that a lot of industry chooses to use DMX
32:08is that you can do absolutely anything with it.
32:10The interface is not as pretty as you,
32:12but let's say for one video,
32:14we wanted to make it look like it's blue and icy on this side of the room,
32:17and it's red and fiery,
32:18and there's a real flickering flame racing towards the ice
32:21and eating it up during the video.
32:23We could do that.
32:25There's one more finishing touch we can add to the lighting.
32:27It's Lepro, our sponsor.
32:29And the crazy thing about these things
32:31is that they have an AI lighting design assistant,
32:34and you just basically tell it what you want.
32:37Red and green, for some reason.
32:40And then look, instantly,
32:41every single one of these lights will change at once to mimic those colours.
32:45And if you look at this,
32:46you can even choose how they display those colours.
32:49But because this is AI,
32:50you don't have to be as rigid with your commands.
32:53So, Christmas party.
32:58And look at that, it's got the green, it's got the white,
33:00it's got the yellow, the red.
33:02That is exactly what I assumed to be for Christmas.
33:04It's decent to be there.
33:05Yeah, don't get me wrong,
33:06I don't think I'd ever use the AI feature of it,
33:09but it is cool.
33:11Has to be.
33:11I feel like you should have showed that before.
33:13So, you can get music syncing on basically all smart lights,
33:15but they all work in the same way.
33:17They use their microphone to basically just reflect the intensity of the music,
33:21whereas these use Lepro's Lightbeats technology
33:24to simulate human hearing,
33:26and actually make them dance the way that you think they should.
33:30Link in the description below.
33:31They are kind of cool.
33:32The second key pillar of this room is sound.
33:35We wanted it to feel like you're walking into a bubble when you come in here.
33:38This separate world where all we need to think about is filming.
33:41Okay, so he does have the, he can take the camera in there.
33:43Doesn't matter if there are planes flying over.
33:45In our old place, we would have to stop filming
33:47probably on average once every 20 minutes
33:49because of something or another.
33:51And I was very aware when planning out this room
33:53that this was our one chance to make sure that doesn't happen again.
33:56So, we've got blackout blinds over here,
33:58which is useful both to give us full control over lighting,
34:01but also these things have an extra layer of material inside of them
34:04to cut the sound traveling through them by about 50%.
34:07The entire ceiling is fitted with sound-absorbing fabric.
34:10Nice.
34:11Fabric on the walls.
34:11What is that behind him?
34:14What is that?
34:14What is that statue kind of thing?
34:18Pretty dense sound-absorbing foam directly behind that fabric.
34:21And then finally, this long runner rug,
34:24which just helps to take out a little bit of that echo in the space.
34:27And that leads me to the final pillar of the room, the gear itself.
34:31The ASMR thing.
34:32Audio.
34:33We finally have a way to test audio.
34:36This right here is a very high-end binaural microphone
34:39designed to mimic how...
34:40I have one of these.
34:42Well, I say I have one.
34:43It was JJ's one.
34:46JJ had one of these and he used it for a video
34:48and then was like he was going to throw it out.
34:49So, I was like, yeah, I'll have it.
34:52Have I ever used it?
34:53I don't know.
34:55It's weird.
34:55I don't like it.
34:56I'm pretty certain JJ licked the ear as well.
34:58So, I don't know if I want to use it.
35:00Sound is picked up by the human ear.
35:02So, you know all those times where I've tested audio products in the past
35:05I can hear them perfectly because I'm with them.
35:07But it's been really hard for you to appreciate them on your end.
35:10Well, this...
35:11Or should I say this?
35:13It's going to go a long way towards fixing that.
35:17I'm really sorry if I freaked you out with that.
35:19That did freak me out.
35:19The camera in this room is ident...
35:21Did that come...
35:21That didn't come through for you, did it?
35:23That did come through for you.
35:24Like left and right.
35:26It did?
35:30I would love to do...
35:31I would love to do a...
35:33Like...
35:34Oh, I'd love to do a...
35:37You know, the carry the glass game.
35:38Play something like carry the glass but using the ASMR thing.
35:43I think that'd be so funny.
35:45That kind of shit.
35:46...to the second rig you saw which is perfect for this space
35:50because this is the room where we don't want any trailing wires
35:53because all we want to do is grab the camera
35:55wheel it into the position we want and hit record.
35:58That is exactly what I want.
36:00...that the central chair can also swivel
36:02because just moving this camera around this room,
36:05following this chair,
36:06that alone will give us like 20 different filming angles.
36:09This LG TV is definitely the largest,
36:12highest picture quality TV that I have ever owned
36:14and the benefit to that is,
36:16let's say we're testing a new games console.
36:17If there's any imperfections,
36:19then with a screen like this,
36:20we're going to be able to see them.
36:21So it makes this a really good reference area
36:24specifically for testing.
36:26But also, I really appreciate how instead of having a wire
36:29dangling out the back of the TV,
36:30the TV plugs into its stand first,
36:33which then plugs into the mains,
36:34which allows you to make every cable disappear.
36:37This is good product design.
36:39Then we've got the desk setup.
36:40It is, but it did cost 10 grand.
36:43So, you know, if I paid 10 grand for a TV
36:46and I see wires, I would be a bit pissed.
36:48...desk setup.
36:49So any keyboards, mice...
36:50Hopefully, not 10 grand screens,
36:54we'll start using that.
36:55...computer accessories, all of that kind of stuff,
36:57we can test here.
36:58Empowering this setup is something actually kind of bonkers.
37:01So this is from PC Specialist.
37:03What the hell?
37:03It's actually a one-to-one mirror of the PC
37:05that we have in the cinema room in terms of specs.
37:07So 24 core up to 6 gigahertz i9 processor,
37:11RTX 4090 graphics, and 8 terabytes of M.2 SSD storage.
37:15But the PC case is completely different.
37:17When I found this one online, my first thought...
37:20Well, my first thought was actually,
37:21why is it called Job...
37:23John...
37:24John...
37:25John's Bow?
37:26It's like the least cool name for the coolest PC case ever.
37:30But I also knew that we needed this thing here.
37:32So yeah, these guys killed it.
37:33They even managed to get LED cabling into it,
37:35which just looks so epic.
37:37So this is definitely one of those rooms
37:39that's going to evolve over time.
37:40We're gonna move stuff.
37:41We might decide that these shelves
37:42are actually the perfect place...
37:43Even that, like without the lights on,
37:45without the wall lights on, that actually looks cool.
37:48Have a little hall of fame
37:49where only the best products get to stay on them.
37:51Whatever happens, a lot of good memories
37:53are gonna happen here.
37:55So this is the end of the Dreamhouse series.
37:58And I guess, welcome to chapter two.
38:04Yeah, it's crazy, isn't it?
38:06I mean, the screen in the background, the big screen,
38:11just from the flame,
38:13I'm gonna give that room alone a nine.
38:18Just because I was like,
38:19I didn't see the screen look perfect.
38:24And I also don't know if it gets hot.
38:26So I'm gonna go with a nine, realistically 9.5.
38:31That room, I'm gonna go with a 9.5.
38:35And combined, as a studio,
38:40it's like 100 out of 100.
38:45It's not, I can't put it out of 10.
38:47Out of, it is 100.
38:49As a studio, like combine them,
38:52he said that is his studio, right?
38:53He has two rooms.
38:55It's a 10 out of 10.
38:57It's ridiculous.
38:58I'm being purposefully picky with things
39:03just to not be like,
39:04ah, it's 10 out of 10, best thing ever.
39:07But out of combining the two,
39:09you can't fault it.
39:11That is ridiculous.
39:12And it's made me want that.
39:14We should know, very, very few studios
39:17have made me look at and go, I want that.
39:20This one has.
39:21I'm sad this series is over as well.
39:23We need to find a new series to start.
39:25But Mr. Who's the Boss, what a goat.
39:27Whole house overall rating?
39:29I'll go like a 8.5.
39:34I'll go like a 8.5.
39:36The studios and the cinema
39:41were both 10 out of 10s.
39:42The kitchen was very nice.
39:45Maybe like a nine.
39:46The living room wasn't for me, I'll be honest.
39:49The office was very sick.
39:50What other rooms?
39:51The garden was sick, but again, didn't have any...
39:54He said he liked to keep you up some stuff
39:56and play with the football and stuff.
39:57So that lowered down to like an 8.58.
40:02Bedroom wasn't for me that much.
40:04You know what?
40:06Yeah, 8.9.
40:09I'd go 8.9 overall as a house.
40:11But lovely, lovely house.