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Short filmTranscript
00:00Every day he works hard to get better.
00:02He kicked me out of the restaurant.
00:05Why?
00:06Because I told him I was tired of receiving his humiliations
00:10and he fired me.
00:12You don't know how happy he made me leave.
00:16I'm happy for you.
00:17What is this? What is this cell phone doing here?
00:33There is something strange here, Felix.
00:35It turns out that my uncle Pepe was the one who signed.
00:38But this document was signed after he left Lima.
00:44Suspicious.
00:48I have come to leave a notification of the judicial power to your nephew.
00:53Can you give it to him?
00:54No way!
00:57Let's see.
00:58Put your signature here, please.
00:59Enough!
01:04I love it when a plan is made.
01:07What are you doing here?
01:08I thought you were in your classes.
01:09How did it go?
01:11It's trucha, mom.
01:13What?
01:14And the teacher is a smoker who just finished school.
01:19That's what Valentino taught you, right?
01:22Sorry.
01:23I'm going to teach you.
01:24You're going to start living with much higher goals.
01:28You're going to be passionate about business.
01:32I'm going to teach you how to plant yourself in life
01:35so that no one, absolutely no one, including your old man,
01:39will doubt your abilities.
01:42So you're the famous Jimmy González.
01:48How do you know me?
01:50The boy that Koki Reyes wants as a son.
01:53Oh, right.
01:55And what about Joel? Why isn't he here?
01:57It seems that the incident has affected Joel a lot.
02:02He said he had more important things to do.
02:06I can't give up.
02:07I have to be with my dog, Flaco.
02:09Because it will be so difficult to delinquir in our country today.
02:13Let me take care of him for a few months
02:14and you'll see how I give him back to you like a shark.
02:18Teach him not to be so snobby.
02:21That he does not settle for so little.
02:25Be careful.
02:27Be in good hands.
02:35Mr. Tete, don't be mad.
02:38Mr. Tete, you don't know how grateful I am to you.
02:40You are grateful all my life.
02:42And I will come to visit you every year.
02:44And I'm going to leave soon because I'm innocent.
02:49Gordillo.
02:50Tell me, uncle.
02:52Why are you in prison?
02:53It's recorded, uncle.
02:54But I'm innocent, uncle.
02:57Guerra.
02:58Old man.
02:59Why are you here?
03:01For traffic.
03:02But I'm innocent.
03:03You see?
03:04We are all innocent here.
03:06No, but I'm really innocent, uncle.
03:10Yes, I admit that I screwed up my daughter's father.
03:13But it wasn't that bad.
03:14And he deserved it.
03:16Look, until a year ago, I was a boy from his house.
03:20My mom woke me up every day and cooked for me.
03:22But she had to go far from the country
03:24because she went through a very big shame.
03:26Listen, listen.
03:27Sanazo.
03:28You are not in the confessional of a church.
03:31You are in Piedra Flaca.
03:32I've already told you.
03:33Here, if they hear you talking like that,
03:35they'll shoot you.
03:38Look around you.
03:41Here, everyone is a wild beast.
03:44For them, you are cannon fodder.
03:46An easy prey.
03:48The first careless, you are.
03:52Mr. Taita.
03:54Didn't you tell me you were going to protect me?
03:57I can't watch you 24 hours, Pepe.
04:00I have a pavilion to control.
04:01And it's not an easy task.
04:04Please, Mr. Taita.
04:05Don't leave me alone, okay?
04:09From what I see,
04:10Koki Reyes didn't transfer any of his wisdom to you.
04:14But no, no.
04:15Don't worry.
04:17I'm going to do it.
04:26I love my son.
04:27I swear.
04:29But the truth is that I hate what he is doing with his life.
04:33I understand you perfectly.
04:36You know my story with Nicolás.
04:39I hope you can put an end to it.
04:42The truth is that I don't know what to do.
04:44And on top of that, I have the issue of Alesia.
04:47Don't worry.
04:49I'm going to convince him
04:51to forget about González completely.
04:54And start behaving like a real Montalban.
04:58Well, I'll leave you.
05:00My son.
05:02You tell me the progress with Cris.
05:05And thank you again.
05:06You have nothing to thank me for.
05:07You know we are like brothers.
05:23I'm going to turn your son
05:27into a real Montalban.
05:30That's the favor I'm going to do to you, my dear brother.
05:35But
05:38I'm also going to turn him
05:41into my unconditional ally.
05:45It is convenient for me to have an ally
05:48in the future of the Maldini Corporation.
05:52And if he is one of the heirs, better.
05:56That's how business is,
05:58my dear Dieguito.
06:00That's how we are.
06:31You have to listen to me.
06:33I did everything for...
06:34Why?
06:35For love?
06:36In the end, your love
06:38killed us.
06:41Enough!
06:42Enough!
06:43You know very well how things were.
06:46For everything I sacrificed.
06:48For everything I lost.
06:49I finally deserve to be happy.
06:52I'm sorry, Mother.
06:53But you will never be happy.
07:00No.
07:09Diego!
07:11I know what you're going to tell me.
07:13I don't have time.
07:14You are committing an injustice to Jimmy.
07:16And you know it.
07:17You are not going to justify his violent behavior
07:19for his ADN.
07:21Look, look.
07:22Deep down in your heart,
07:23however gray and small it may be,
07:24you know that Jimmy is a good guy.
07:26The fact that you don't like him for your daughter
07:28is not a reason to send him to prison.
07:29No, I sent him to jail because he attacked me.
07:31And you provoked him until he exploded.
07:33Oh yeah? You were not there.
07:34Well, that's not how it was.
07:35Look, I know that guy is like your son,
07:38that you love him a lot and blah blah blah.
07:40But that González is already an adult
07:42and has to pay for his misdeeds.
07:43Enough, enough, enough.
07:44I'm going to talk to him to apologize.
07:46There could even be a civil reparation.
07:48I'll talk to the family to see how we cost him, okay?
07:51I'm not going to withdraw my complaint.
07:53It is my last word.
07:55Until we talk.
07:55Diego, Diego, Diego, Diego, Diego.
07:57Diego, Diego, the culprit, the culprit.
08:00Diego!
08:01♪♪
08:05Let me be how I am.
08:07Look, life in Cana is very complicated.
08:11Yes, I realize.
08:12Especially if you are in the eye of the storm.
08:16You're right.
08:17I'm scared of how some people see me.
08:19Yes, yes, but I'm talking about me.
08:21Ah.
08:21Carrying the title of Taita on your shoulders
08:24is a very big responsibility.
08:25Of course.
08:26Ah?
08:27But going back to what you said,
08:28do you know why they look at you like that?
08:30Yes.
08:32Why?
08:33Because for them you are a chicken
08:34that is coming out of the shell.
08:36♪♪
08:39Here you have to look brave,
08:41thug life, do you understand me?
08:43Here you have to be and look like.
08:45Yes, yes, Mr. Taita, but I am neither brave nor a thug.
08:48Ah, but well, you're going to have to learn.
08:50Ah.
08:51And I know something that can help you.
08:54What?
08:55Let's see.
08:55Pass me the eel.
08:57This one here is going to be very good.
09:03Let's see.
09:04There it is.
09:05Ah, there it is.
09:06Ah, something else, come on.
09:09Is it better?
09:09Yes, but, but it's still, it's still missing.
09:15There it is.
09:17Ah.
09:17Now yes, something else, let's see.
09:20You nailed it, huh?
09:20Of course.
09:21Ah, there it is.
09:22There, little plate.
09:22It's fine, it's fine, it's fine, nephew.
09:25Ah, well, now you're done, huh?
09:28What's up, brother?
09:30Ah, I like that.
09:32That, I'll give it back to you.
09:33There it is.
09:35Very good.
09:35Of course.
09:37Hello daughter, how are you?
09:40No, I don't need anything.
09:44I was just calling to say hello.
09:47Ah, you're busy.
09:50Well, when I can, call me.
09:56Rafaela, one more thing.
10:01I love you.
10:05No, I'm not in the clinic.
10:08I'm not sick either, no.
10:11No, I just wanted you to know.
10:15Well, take care of yourself too.
10:20I love you.
10:29Well, now let's move on to your name.
10:33What's my name?
10:35What do you mean, what's my name?
10:38Jimmy sounds like a neighborhood hairdresser.
10:42Already, already, already, already.
10:44Oh, you have to get one that goes well, right?
10:47That inspires fear.
10:50I think so.
10:53I already have it.
10:54Let's see.
10:55Yes.
10:56Let's see, huh?
10:57Let's see, let's see, let's see.
10:58What do you think of Freezer?
11:00Ah, with the enemy Goku.
11:06No, no, hold on, hold on.
11:09No, I already have it, huh?
11:11Let's see.
11:12From today on, you will be Bronco.
11:18Bronco González, the adoptive son of the great Kokirreye.
11:23What do you think?
11:24Apulenta.
11:26Of course, yes, yes.
11:28Okay, okay, nephew.
11:29But now we go to the following.
11:31What?
11:32Come, follow me, we're going to mark you.
11:35Mark me?
11:36How do you mark me?
11:40Mr. Taita.
11:41Wait for me.
11:43Technician, fence.
12:00No!
12:03Honey, what's going on?
12:04Honey, what is this?
12:07Oh my God.
12:09What's going on?
12:10It's my mom's painting that's on the wall.
12:12Be very careful how you express yourself, huh?
12:14Sorry, love, it was the impression, but why don't you tell me?
12:18Grandma, but what's the problem?
12:20Such a beautiful photo of my mom on the wall.
12:23She, who is an angel who takes care of us from heaven.
12:25Honey, one thing that takes care of us from heaven,
12:28and another one on top of the bed.
12:31Oh, come on, don't be so exaggerated.
12:34Look at her sweet face.
12:36She's looking at me, right?
12:39No, she's giving us the blessing.
12:42Oh, please, honey, come on.
12:44Relax.
12:47As you can see, Mr. Judge,
12:49law number 30, no, 20, no, let's see.
12:54Excuse me, Mr. Judge.
12:55Law number 30229, in its second article,
13:00states that to be effective a due process,
13:03it is necessary to notify,
13:05and not only notify,
13:07but to supervise the notifications in due time.
13:13And my sponsor, Jaime González Lórez,
13:16has not received any notification at his home,
13:20nor have they been registered in his mailbox.
13:24There are only a few signatures out there
13:26that are not even from his relatives,
13:28nor from his legal representative, that is, me.
13:32Therefore, I ask,
13:34I demand that my sponsor, Jaime González Lórez,
13:38be released immediately.
13:42The lawyer of the hungry dead is a pichiruchi.
13:48But I can't trust him.
13:51I need legal help.
13:54Someone who is willing to defend my interests
13:58at any cost.
14:04I need legal help.
14:18How lucky we found Cupo in that academy for mapping, right?
14:22And at the right price.
14:24Are you going to take it tomorrow?
14:26Tomorrow and every day.
14:28I will be a witness in the first row
14:30of the road to the success of our puppy.
14:33What a pity that Pepe lost it.
14:36What are you looking for?
14:38Some round gold earrings I had here.
14:41Haven't you seen them?
14:43No.
14:44I'm sure I left them here.
14:47Someone will know.
14:50Do you think that...
14:52Who else?
14:53I knew that sooner or later things were going to start getting lost.
14:59Mr. Miguel Ignacio should have arrived by now.
15:11Give me back what you stole, rat!
15:13And probably everything you've kept, rat!
15:16I don't want to have any problems with you, Juana,
15:18so give me my earrings or we're going to the police station, rat!
15:22Earrings? What earrings?
15:24I don't know what you're talking about.
15:25Look at her with her mosquito face, rat.
15:27I'm not a rat.
15:28Give it back.
15:29What's going on here?
15:30That here the friend of a stranger became one of hers again
15:33and stole my wife's earrings.
15:37Juana!
15:39Juana!
15:54Do you have to press so hard?
15:56She didn't cry.
16:01Until they finally turned that off.
16:03That sound was already locking me.
16:06But it's ready, right?
16:08Let's see.
16:09Yes, let's see.
16:13A little heart with an arrow?
16:16Do you have a problem with the emblem of our pavilion?
16:19No, Taita, but I thought it was going to be something more masculine, baby.
16:24But, but it's very nice.
16:26Yes, yes, yes.
16:27If I made one for real, I would like it to be like that.
16:30Ah, that's good.
16:31Look, if you want to frame yourself at some point, just show it.
16:35Like this, look.
16:39Ah.
16:41Let's see.
16:44Ah, it's good.
16:46Nobody messes with me.
16:47No, nobody is going to tell you anything because it is under the law of the pavilion.
16:51Of my pavilion.
16:52It's nice, huh?
16:56Cousin, I swear I don't have them.
16:58Cousin, really.
16:59Hey!
17:00We're going to check you from head to toe.
17:02Are you sure?
17:03There are earrings there.
17:04No, no, no, Teresa, don't you dare, huh?
17:05And I told you I don't have them.
17:07And I told them I have changed and I am not the same.
17:09We didn't believe you at that moment and we don't believe you now either.
17:12Teresa, go ahead.
17:13No, no, no, no, no, no, no, no, no, no, no, no.
17:16No, no, no, no, no, no, no, no, no, no, no, no.
17:18No, no, no, no, no, no, no, no, no, no, no.
17:20What's going on?
17:21That this sausage stole your mother's gold earrings and they are looking for it again.
17:26Which ones are these?
17:27I have them.
17:28Sorry for not notifying you.
17:31You see?
17:33And you attacking me without grounds.
17:36What a cousin.
17:38I don't know why you don't believe that I have changed.
17:42I should be ashamed to be accusing you without grounds like Philistines.
17:47I'm sorry, Juana, really, forgive me.
17:49No, love, don't apologize either.
17:51We had every right to suspect, right?
17:53Yes, I don't apologize either.
17:55Excuse me.
17:56Yes.
17:57Terrible.
17:58Terrible.
18:00Sorry.
18:18Cris, tell me.
18:20Tell me.
18:26I just wanted to congratulate you for the good decision you are making regarding the job.
18:33The uncle convinced me.
18:35I really didn't want to because I didn't want to cross paths with you.
18:40I hope you learn from him.
18:42More from him than from another.
18:45Cristobal.
18:47I know I seem to do things to bother you.
18:51But I really do it to protect you.
18:55Protect me?
18:57Yes, of course.
19:00That's why I thought it would be good for you to communicate with Princess Duperron.
19:05She must have forgiven you by now.
19:08Dad, changing Yuli for Ana Lucia and Ana Lucia for Anastasia has been the worst mistake I have made.
19:14And until now I regret it.
19:16Time will make you change your perspective.
19:20If you don't look at your sister, no matter how much time passes, she keeps falling lower and lower.
19:25Why don't you talk to her and advise her?
19:29I already knew you wanted to get to that, Dad.
19:31Son, but don't worry about her future.
19:33She's not thinking, she's not reasoning.
19:35Excuse me, Dad.
19:36Son.
19:37Yes.
19:43And you're worried about him?
19:48How will Jimmy be?
19:52We have to trust Cookie.
19:54He won't let anything bad happen to Jimmy.
19:57If they lied to him and are torturing Jimmy,
20:00tell me that he is his father.
20:03Sorry.
20:04No.
20:05Forgive me.
20:06Dad, what if we stay positive?
20:09Yes, you're right.
20:11I don't know, I'm worried about Jimmy and tomorrow is my first day of face-to-face academy.
20:19How will it be for him?
20:35How will it be for him?
20:40Oh my God, oh my God.
20:42A spoon, don't break it.
20:43Shut up.
20:46Shut up.
20:47Calm down.
20:48Leave Bronco alone.
20:51Let's see, Bronco.
20:56Put your hand under your foot.
21:06Soon you will sleep in your bed again, skinny dog.
21:12Why do you have it so bad?
21:14Why don't you let it come to graze?
21:16I need my sponge.
21:28Hi Joel.
21:30Hi Maca.
21:32Alessia told me about Jimmy.
21:36Yes, you can imagine how we are here.
21:39Don't worry, everything will be solved.
21:44Yes.
21:48Maca.
21:52How nice it would be if you were here.
21:56How nice it would be if you were here.
22:05I miss you.
22:09I miss you too, Joel.
22:14It has been a hard day for you.
22:17I let you rest.
22:19No, no, no.
22:21Wait, I'm not sleepy.
22:26What do you think if we talk until we get tired?
22:32I think it's a great idea.
22:56Yes!
23:26Oh!
23:33Oh!
23:35Oh!
23:39In health and in sickness.
23:44Another bread with torreja, please.
23:52Let the abortion know.
23:56Oh!
24:03I think they all fell asleep.
24:06Do we take advantage of the time?
24:08No.
24:11Come here, my love.
24:17Don't talk to me like that, you know how I get, right?
24:20Oh my God!
24:21We saved Prince of Wakanda, that's it.
24:24No!
24:26No!
24:29What's wrong, Gaspar?
24:30It's the second time you get scared by my mom's picture.
24:33But she's there, she's looking at me.
24:34But my mommy is always with us,
24:36next to Lord God and Angel Gabriel.
24:39What's the difference?
24:40Honey, if she's looking at us from heaven,
24:43so that she stays there, down here,
24:45you have to put a ...
24:47Hey, come here!
24:48Honey!
24:49What's up, Lizura?
24:50You're going too far.
24:51Look, I'm going to forgive you this time,
24:53but don't go too far.
24:56Let's go back to sleep.
24:58Huh?
24:59Let's go back to sleep.
25:00No, my love.
25:01Look, we better go to sleep,
25:03because tomorrow I have to do a lot of things in the workshop.
25:07Yes, yes.
25:08My love, see you tomorrow, see you tomorrow.
25:10Well, see you tomorrow.
25:12Yes.
25:25What is that noise?
25:39The savages of the front, for sure.
25:42It must be one of their patronal parties.
25:45Hey, hey, hey!
25:46What do you think you're doing?
25:47It's 7 in the morning!
25:48Hey, hey, hey!
25:49What do you think you're doing?
25:50It's 7 in the morning!
25:51Hey, hey, hey!
25:52What do you think you're doing?
25:53It's 7 in the morning!
25:54Hey, hey, hey!
25:55What do you think you're doing?
25:56It's 7 in the morning!
25:57Hey, hey, hey!
25:58What do you think you're doing?
25:59It's 7 in the morning!
26:00Hey, hey, hey!
26:01What do you think you're doing?
26:02It's 7 in the morning!
26:03Hey, hey, hey!
26:04What do you think you're doing?
26:05It's 7 in the morning!
26:06Hey, hey, hey!
26:07What do you think you're doing?
26:08It's 7 in the morning!
26:09Hey, hey, hey!
26:10What do you think you're doing?
26:11It's 7 in the morning!
26:12Hey, hey, hey!
26:13What do you think you're doing?
26:14It's 7 in the morning!
26:15Hey, hey, hey!
26:16What do you think you're doing?
26:17It's 7 in the morning!
26:18Hey, hey, hey!
26:19What do you think you're doing?
26:20It's 7 in the morning!
26:21Hey, hey, hey!
26:22What do you think you're doing?
26:23It's 7 in the morning!
26:24Hey, hey, hey!
26:25What do you think you're doing?
26:26It's 7 in the morning!
26:27Hey, hey, hey!
26:28What do you think you're doing?
26:29It's 7 in the morning!
26:30Hey, hey, hey!
26:31What do you think you're doing?
26:32It's 7 in the morning!
26:33Hey, hey, hey!
26:34What do you think you're doing?
26:35It's 7 in the morning!
26:36Hey, hey, hey!
26:37What do you think you're doing?
26:38It's 7 in the morning!
26:39Hey, hey, hey!
26:40What do you think you're doing?
26:41It's 7 in the morning!
26:42Hey, hey, hey!
26:43What do you think you're doing?
26:44It's 7 in the morning!
26:45Hey, hey, hey!
26:46What do you think you're doing?
26:47It's 7 in the morning!
26:48Hey, hey, hey!
26:49What do you think you're doing?
26:50It's 7 in the morning!
26:51Hey, hey, hey!
26:52What do you think you're doing?
26:53It's 7 in the morning!
26:54Hey, hey, hey!
26:55What do you think you're doing?
26:56It's 7 in the morning!
26:57Hey, hey, hey!
26:58What do you think you're doing?
26:59It's 7 in the morning!
27:00Hey, hey, hey!
27:01What do you think you're doing?
27:02It's 7 in the morning!
27:03Hey, hey, hey!
27:04What do you think you're doing?
27:05It's 7 in the morning!
27:06Hey, hey, hey!
27:07What do you think you're doing?
27:08It's 7 in the morning!
27:09Hey, hey, hey!
27:10What do you think you're doing?
27:11It's 7 in the morning!
27:12Hey, hey, hey!
27:13What do you think you're doing?
27:14It's 7 in the morning!
27:15Hey, hey, hey!
27:16What do you think you're doing?
27:17It's 7 in the morning!
27:18Hey, hey, hey!
27:19What do you think you're doing?
27:20It's 7 in the morning!
27:21Hey, hey, hey!
27:22What do you think you're doing?
27:23It's 7 in the morning!
27:24Hey, hey, hey!
27:25What do you think you're doing?
27:26It's 7 in the morning!
27:27Hey, hey, hey!
27:28What do you think you're doing?
27:29It's 7 in the morning!
27:30Hey, hey, hey!
27:31What do you think you're doing?
27:32It's 7 in the morning!
27:33Hey, hey, hey!
27:34What do you think you're doing?
27:35It's 7 in the morning!
27:36Hey, hey, hey!
27:37What do you think you're doing?
27:38It's 7 in the morning!
27:39Hey, hey, hey!
27:40What do you think you're doing?
27:41It's 7 in the morning!
27:42Hey, hey, hey!
27:43What do you think you're doing?
27:44It's 7 in the morning!
27:46Out!
27:47That's it!
27:48My freedom!
27:49What did you say?
27:50My freedom!
27:51My freedom!
27:52My freedom!
27:53My freedom!
27:54One day with those animals and my daughter is already throwing tomatoes,
28:01churning her pot, poor thing, my daughter.
28:04Diego, if you withdraw the complaint ...
28:08You too, Fran?
28:10That will never happen!
28:15It's a terrible stain.
28:18It must be the fault of the rebellious,
28:20mischievous and unadapted of the forehead.
28:23I don't think the Gonzalez have to do with that.
28:26Let me be how I am.
28:28The massacre, the massacre, the massacre, the massacre, the massacre, the massacre, the massacre.
28:34Baby!
28:35Chibi!
28:36Chibi!
28:37Chibi!
28:38Chibi!
28:39Chibi!
28:40Chibi!
28:41Chibi!
28:42Chibi!
28:43Chibi!
28:44Chibi!
28:45Chibi!
28:46Chibi!
28:47Chibi!
28:48Chibi!
28:49Hey neighbors, this is not the Plaza San MartĂn,
28:53so you go home or I call the police.
28:55What are you doing?
28:56This is none of your business.
28:58Trini!
28:59Call Colonel Fajardo.
29:01We need anti-disturbance police.
29:05Calling.
29:06Family, family, family.
29:08I think we'd better go home
29:10because if the police arrive, they can stop the situation for Jimmy.
29:13That's correct.
29:15Mister Diego can deduce you are being harassed and intimidated
29:18to influence the trial.
29:21Then let's get the house!
29:24Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimich
29:54Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Chimichanga, Ch
30:24Chimichanga.
30:25Of course, Gaspar. It's easy for you to say that because your compadre, El Alma, didn't leave the house because of the sentimental outburst that this little woman caused.
30:34Oh, why don't you believe me?
30:36Why would it be?
30:38Stop criticizing Juanita. She is the cousin of my little turtle. Please, you have to trust her word.
30:49Well, yes, I have to eat quickly because today is my first day at the presidential academy.
30:54Juanita, but you have to have a good breakfast so you have energy.
30:57Look, I'm going to show you what champions' breakfast is like.
31:00First, you grab your bread. You cut it like this, very nice.
31:06Then you put, let's see what we have here, a tamale. There it is, the tamale.
31:13From there you put a little blood on top.
31:18Mmm, my mouth is watering.
31:20How delicious. You put a little ham on top and that's it, the sauce on top, all the onion.
31:50And the most important thing, before you bite it, you soak it in milk like this.
31:57No!
31:58No what?
32:00Don't you think it's too much combination?
32:03Why don't you take an anisito? You may not like it.
32:07Oh, please, love. How can I not like it? As if you didn't know me. This is normal.
32:15Emilia.
32:16Don't you feel like having breakfast?
32:19Breakfast, lunch or dinner? I don't know, I'm a little confused. How are you, Alicia?
32:24The same, with jet lag.
32:25Yes, well, no.
32:26And what?
32:27I'll leave you, I have to do some things.
32:33Oh, it's still weird. My cousin's situation has affected him in a different way.
32:40I'm so sorry to see him like this. I would like to hug him all day.
32:46What?
32:48He's sad, love.
32:50We are all worried about Jimmy's trial.
32:53Tomorrow they will give him the sentence.
32:57Now yes.
32:58What will the poor man be having for breakfast?
33:00Hard bread.
33:01If the prices don't take it away.
33:03Of course, because surely they are like you, cry.
33:06Why do you get me nervous?
33:08Please, calm down.
33:10Give me the olive oil, please.
33:12You have to taste it.
33:13No, I'm going to eat olive oil.
33:19Oh, your mother eats so well here.
33:23Don't get confused, that's my love because you're part of my clan.
33:27Thank you, Taita.
33:29Now, Bronco, keep telling me about your love story in China.
33:33What you told me yesterday was fine, cool, it looked like a novel.
33:36Here all the people looked at a very cool light of Puna.
33:40But you tell me, you tell me what the story was like.
33:43I keep telling you.
33:46So I arrived in China, I passed through Shanghai,
33:49and I had to look for Alessia everywhere.
33:52And I didn't know, but she was always thinking about me.
33:56Oh, how beautiful, how beautiful.
34:00But when they finally met and saw each other face to face,
34:04what did she tell you?
34:06She told me, I love you, Jimmy Gonzalez.
34:10No, but say it with the voice of your germ.
34:13No, but say it with the voice of your germ.
34:15No, but how am I going to say it like that?
34:17No, say it with the voice of your germ.
34:19I love you, Jimmy Gonzalez.
34:22That's what she told me.
34:24Another thing.
34:26The only thing missing was the romantic song in the background of the lion of Puna.
34:30Forgive me, my love.
34:33No, beautiful, beautiful.
34:35Another thing.
34:37Do you want me to keep telling you?
34:39Please.
34:40I imagined the Chinese wall.
34:46Felix.
34:47So you can eat blood and have a coffee.
34:51How's the defense?
34:53Fine, very good, the defense.
34:55What is not very good is me because I am very tired.
34:58I have not slept at all.
35:00Read, let me read you.
35:02Well, maybe I can help you by reading and subtracting some things, right?
35:05In total, I am Alessia Pandoro's lawyer.
35:07True, huh?
35:08Yes, help me with this.
35:10This, read well.
35:12Okay.
35:13Well, Felix, I think you better change the coffee for a tea.
35:16What you need is to sleep.
35:18Fortunately, my work as a watchman has taught me to reconcile sleep for short periods
35:25and wake up fresh like a lettuce.
35:28Look, I'm going to do a demonstration.
35:38Did he really sleep?
35:40It seems so.
35:47Is that normal?
35:49I could not tell you.
35:51Oh, my lip is falling off.
35:53Felix.
35:54Felix.
35:55What am I?
35:56Why am I like this?
35:57Who has taken my patch?
35:59Fresh like a lettuce.
36:01Ah.
36:05That, how handsome.
36:21Sister.
36:23Hi, Juli.
36:31Hi.
36:49Thank you, love, for preparing my lunch.
36:52Oh, my life, I do it with all the love in the world.
36:55But why don't you go look for Mappy?
36:57Because it's actually getting a little late.
37:00I'll be right back.
37:01Yes.
37:07Flatulin Extra Forte.
37:09Your solution for flatulence.
37:11Oh, my God, I hope it works.
37:16One, two, three, four.
37:18Already.
37:20Maybe we put a little more.
37:23There it is.
37:25Already.
37:27Mom, I'm going to the kitchen, my love.
37:30This is yours, daughter.
37:32May you do very well.
37:35May we have an extraordinary day.
37:37And this is yours, my love.
37:39Enjoy it.
37:57I hope the owner appears quickly.
38:00You are a good, skinny dog.
38:02What do you think you're doing?
38:04Oh, you are the owner.
38:06Oh, no, I already lost.
38:07I already lost, but that's it, that's it.
38:09Oh, so you're Choro.
38:10Affirmative, I'm Choro.
38:11Chorizo, yes.
38:12Affirmative.
38:13And who told you that you can come here to work in my area?
38:15Oh, no, no.
38:16What?
38:17What?
38:18If you want to work here, you have to pay a fee like the others.
38:22Hey, hey, hey.
38:23Excuse me.
38:24Are you a criminal?
38:25No, I'm Chayan.
38:26Hey, hey, hey.
38:27No, listen to me.
38:28I'm not Choro, I'm not Chorizo.
38:30I just want to be put in jail.
38:32Oh, you think what I'm telling you is funny.
38:35No, no.
38:36Let me explain to you.
38:37Let me explain to you.
38:38What?
38:39I like that you are.
38:41Your lump and your polo.
38:44My love.
38:55What?
38:56Are you crazy?
38:57My love.
38:58My love.
38:59My love.
39:00My love.
39:01My love.
39:02My love.
39:05My love.
39:13This could work.
39:14Yes.
39:15Lay...
39:29Salvador!
39:30Alesia!
39:31Come in.
39:32Yes?
39:33I'll give Yuli the voice now.
39:35Of course.
39:36Wait for me.
39:37Yes?
39:39I'll be direct.
39:41Does it bother you that Yuli and I are dating?
39:45I'm glad you mention it.
39:47No.
39:48Not at all.
39:49Quite the opposite.
39:50I'm very happy for you two.
39:52Yes, you two are excellent people and you make a nice couple.
39:56I was afraid because, well, you know...
40:00No.
40:01The story.
40:02No, don't worry.
40:03I'm a fan of yours.
40:05That's great.
40:06Well, I'll call her.
40:07Yes, of course.
40:12But I'm more of a fan of Chrisley.
40:20For now, your job is to learn.
40:22See me and learn.
40:24See and learn.
40:25Watch my movements.
40:27Watch how I move, how I speak, how I laugh, how I get angry, how I look.
40:34I'm going to take you to all my meetings.
40:36I'm going to introduce you as my right hand.
40:38And for that, you have to behave as such.
40:43Thank you very much, uncle, for the opportunity.
40:45I will try.
40:46No, I don't want you to try.
40:48I want you to do it.
40:50This is not the school where you are awarded to try.
40:52Here the facts are recognized.
40:55I understand.
40:56I have told you that I see a lot of potential in you.
41:00But you lack attitude.
41:03You have to see life with hunger.
41:04Understand that only the strongest win.
41:08Can you do it?
41:10I can.
41:11I don't hear you.
41:13I can.
41:14Louder.
41:15I can.
41:17That's the attitude.
41:19Now, to begin, I'm going to give you some advice.
41:24Bronco, you always have to be alert here.
41:29The first carelessness of the one you least expect, Sass, gets you in trouble.
41:34Your look communicates many things.
41:37It depends on how people will treat you.
41:40For example, the look you have right now only says,
41:44I'm good people, hold me like an idiot.
41:48But that's how I always look.
41:49Bad.
41:51Look inside your hunter look.
42:04How was it?
42:06No, no.
42:07You look too pale, bro.
42:09What? How?
42:10No, it's just that you have to relax your face a little.
42:13Have you been to the park of legends?
42:15Uh-huh.
42:16Have you seen the lion's cage?
42:17Have you seen how the lion looks?
42:18Yes, yes.
42:19As if he had no respect for anyone.
42:21Exactly.
42:22And that's the same thing you have to do.
42:24Of course, of course.
42:25Ah, because you know that with a slap, the head tears off.
42:28You have to look with fury.
42:30Lion's gaze.
42:32Let's see.
42:35Lion's gaze.
42:40Like this?
42:43Better.
42:45With time you will do better.
42:47But you have to practice more.
42:49Second step.
42:50The port.
42:51How it stands in front of your life.
42:53The place you enter, the place that belongs to you.
42:57People see you and say,
42:59this guy doesn't dance.
43:02Now the walk.
43:03You have to walk firmly, safe, determined.
43:08With your back straight.
43:09That the people who walk around here open up.
43:11And you turn, right?
43:13You turn, that's it.
43:15Walk firmly.
43:17That's it.
43:18Now turn to the other side.
43:20That's it.
43:21Let's see.
43:22You alone, you alone.
43:23I want to see you.
43:24That's it.
43:26Turn, turn.
43:27There it is.
43:28Drag your feet.
43:29That's it.
43:30That's it.
43:33That's it.
43:38What is that?
43:40Is that your safe step?
43:42Yes, what's wrong with it?
43:43Everything.
43:45Keep practicing.
43:57Yes, I love that movie.
43:59Incredible.
44:00And besides,
44:01don't you remember that part
44:02when the girl was there next to the dog
44:04and, no, you can't see her.
44:06Oh, I don't remember that.
44:08Well,
44:09well,
44:10but now
44:11I choose the movie.
44:13Oh, no.
44:15Give it a chance.
44:16It's yours.
44:17It's mine, it's mine.
44:19Oh, but what else can we do?
44:21Let's go on a picnic.
44:22Yes, yes, yes.
44:23Yes, yes, yes.
44:24We can also, I don't know,
44:26go bowling.
44:27Yes, but you know what?
44:28If we go bowling,
44:29I'll stay.
44:45Tortolita,
44:48I'm ashamed to use my basin
44:50knowing that Juana is there.
44:52But
44:53don't worry.
44:55Act as if she weren't there.
44:57Besides, the curtains cover everything.
45:00I can't concentrate.
45:03I think she's listening to everything.
45:06Keep going, Mr. Gilberto,
45:07just in case you can't hear anything.
45:10You see?
45:13Now I'm going to have to stand up
45:15to go to the bathroom.
45:17Oh, but I told you
45:18you couldn't hear anything.
45:27No.
45:31We're nothing.
45:33We're nothing.
45:37I don't even have privacy
45:39in my own room anymore.
45:44Besides, I have to run to the bathroom.
45:47If not,
45:49I'll lose it.
45:50The academy was super cool.
45:52The teacher explains super well.
45:54They have patience.
45:55I think this time
45:56I'll be able to pass the admission test.
45:58I'm sure you will, honey.
46:00We're very proud of you, honey.
46:04Well, get some rest.
46:05I'm going to sleep.
46:06Okay, bye.
46:07Good night.
46:08Bye.
46:12Oh, no.
46:14What's wrong, Tito?
46:16Love,
46:18I feel
46:19something weird in my stomach.
46:21Yes.
46:22It's like
46:23I'm constipated,
46:24as if I had the guts.
46:26I was researching on the internet
46:28and it seems very serious.
46:30It seems
46:31it's fatal.
46:32I didn't want to worry you, but...
46:34No, no.
46:35No, Tito.
46:36It's nothing serious.
46:39That's the attitude.
46:40Thank you, love.
46:41That's the attitude in cases like mine
46:43where I don't have much time left.
46:45No.
46:47No.
46:48I swear you're not serious.
46:50It's just that I
46:52mixed
46:53your soda
46:54with a little bit of flatulin
46:56and it seems
46:57I overdosed.
46:59Flatulin?
47:01What's that about flatulin?
47:02It's a remedy
47:03that helps you
47:04with digestion.
47:05You're a concert
47:06at night, Tito.
47:09The worst betrayals
47:12are always those
47:13you least expect.
47:15But why do you call me a betrayal?
47:17I just wanted to help you.
47:20Now I feel
47:21like I ate cement.
47:23Tito, don't say that, love.
47:25I just wanted to help you
47:26with digestion.
47:27You know what?
47:28Good night.
47:29This natural gas plant
47:31is going to sleep
47:32in pain
47:33and betrayal.
47:34No.
47:35Don't say that.
47:36No.
47:37No, I swear
47:38I didn't want to hurt you.
47:40What a relief!
47:41Tito!
47:43You started it.
47:47Good night.
47:48Good night.
47:52I'm so tired.
47:54Now I'm going to sleep
47:55like a baby.
47:58For God's sake!
48:01What happened?
48:03Now you're in trouble.
48:04Now you're in trouble.
48:07Love,
48:08if you put a picture
48:09of your mom,
48:10I also have the right
48:11to put one of mine.
48:12You're not doing it
48:13out of love.
48:14You're doing it
48:15to bother me.
48:16Mom, I told you
48:17that your mom's picture
48:18intimidates me.
48:19But you insist
48:20on seeing her.
48:21And she's not going
48:22to move from there.
48:23Now much less.
48:24Excuse me.
48:26It's time to sleep.
48:28Are you going to sleep?
48:29Say goodbye to your mother-in-law.
48:31Hey, Gaspar,
48:32don't play with fire.
48:33Give her a kiss.
48:34No, no.
48:35You can burn yourself.
48:36I'm just warning you.
48:37You know, right?
48:38Now.
48:51Good morning.
48:55Hello, uncle.
48:58Straight back.
48:59You walk safely.
49:00What did we talk about yesterday?
49:01Yes, yes.
49:02Let's go.
49:03Let's go.
49:04Mr. González.
49:05From whom?
49:06We have received
49:07an anonymous call
49:08accusing him of theft
49:09and commercialization
49:10of stolen cars.
49:11We have received
49:12an anonymous call
49:13accusing him of theft
49:14and commercialization
49:15of stolen cars.
49:16We have received
49:17an anonymous call
49:18accusing him of theft
49:19and commercialization
49:20of stolen cars.
49:49We have received
49:50an anonymous call
49:51accusing him of theft
49:52and commercialization
49:53of stolen cars.
49:54We have received
49:55an anonymous call
49:56accusing him of theft
49:57and commercialization
49:58of stolen cars.
49:59We have received
50:00an anonymous call
50:01accusing him of theft
50:02and commercialization
50:03of stolen cars.
50:04We have received
50:05an anonymous call
50:06accusing him of theft
50:07and commercialization
50:08of stolen cars.
50:09We have received
50:10an anonymous call
50:11accusing him of theft
50:12and commercialization
50:13of stolen cars.
50:14We have received
50:15an anonymous call
50:16accusing him of theft
50:17and commercialization