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00:00Oh, director Landa, there you are, in the cinema world actor Nanjana.
00:08Sorry, cinema hero.
00:11Thank you so much, sir. Thank you.
00:14So, off to you guys for questions.
00:17Sir, director, sir. Sir, director, sir.
00:20Thank you, sir.
00:22You are very happy.
00:24You are very happy.
00:26You are very happy.
00:28You are very happy.
00:30You are very happy.
00:32You are very happy.
00:34You are very happy.
00:36Yes, sir.
00:38Sir, what is your health issue?
00:40Rajini, sir.
00:42Rajini, sir.
00:44How are you talking about your family?
00:46What are you talking about?
00:48I think he did not want to.
00:51Because he can't talk to me.
00:54Why don't you tell me.
00:56I think he can't talk to me.
00:58I think he can't talk to me.
01:00Because he would have become more emotional.
01:02Because he can't talk to me.
01:06I think he can't talk to me.
01:10But Kamala, sir, when I was in Miami, he called me up.
01:14After the surgery was over, he called me up.
01:16And it was...
01:18That was really touching.
01:19Because my favorite hero calling in U.S.
01:21Now...
01:22I was...
01:23But somebody told that you are this one.
01:26And...
01:27In the...
01:28No...
01:29No problem.
01:30Now I am cancer-free.
01:31I am very happy now.
01:32And he said,
01:33You know how I am now?
01:34Hearing this news.
01:35I am really very overwhelmed.
01:37Tears are there in my eyes.
01:39And so on.
01:40I can never forget that word.
01:41That will be always lingering in my ears.
01:42And it will be always in my heart.
01:44That's right, sir.
01:45That's right, sir.
01:46That's right, sir.
01:47That's right, sir.
01:48That's right, sir.
01:49That's right, sir.
01:50I am not as a man.
01:51I am not as a man.
01:52I am not as a man.
01:54I am not as a man.
01:55And I am not as a man.
01:56I am not a man.
01:57I am not as a man.
01:59As in Abhikasa,
02:00it should be very, very truthful.
02:01Because the rajinis are acting very, very stylish.
02:03But when I say, he's my father, he's there in me, but when I say Amita Bachchan and Kamalasana,
02:15I'll say, I'll say it in many stages, sir, I'll say it in many stages,
02:31I'll say, I'll say, they'll write. Once I wait to go, I'll say,
02:38My father asked, what am I? I'll say, I'll say, I'll stay with you.
02:44He'll hug me. Three days, I'll keep going.
02:50Because I wanted his rara on me, I wanted his smell on me.
02:54I was running. First day, first show, I used to go.
02:58We used to call up from the house saying Rajkumar family is the first show papa.
03:04First show papa is the first show.
03:08I was just like a fanboy for him.
03:11Sir, this show is not a promotion.
03:16You don't want to go to a fresh show.
03:18You don't want to go to a budget or a fan in the air.
03:22You don't want to go to a fresh show.
03:25You don't want to go to a fresh show.
03:29Thank you sir.
03:30Sir, there is a question for you.
03:32In the chat, everyone is in the air.
03:35They are in the air.
03:39So, if you are talking to someone, you are talking to someone.
03:44But the dialect is in the air.
03:47Sir, I don't know about humanity.
03:52We are the first show to the poor people.
03:58Even when we were in the air.
04:00They are in the air.
04:02Now, we can speak to anyone.
04:05They are happy to talk to anyone.
04:07Take a picture to anybody.
04:09They are happy to talk to anyone.
04:11Because at that time, I am wasting money.
04:13Even when you are talking to someone, you are losing money.
04:15Without that way, you will miss something.
04:17Okay, that's the reason.
04:20Sir, Saraj Kumar Sir, you are ruling the cinema for three decades.
04:24You are entering the cinema for four decades.
04:26No, four decades. Almost finishing.
04:28Okay. So, if you look at the technology, you are developing a lot.
04:31If you look at the director, you don't have the usual style,
04:34but you have to approach the whole technique.
04:37So, as an actor, what is your point of view in this technology?
04:42So, as an actor, you have a point of view.
04:44You are trying to train. Almost all the young directors are not.
04:48So, when you are doing a young person,
04:52you have to look at their vision.
04:54Because they know that this one.
04:56Where do you want to talk about it?
04:58Actually, you have to look at the camera.
05:01You have to look at the camera.
05:03You have to look at the camera.
05:05But he wants it.
05:08But very risky, but still it's very interesting.
05:11You can tell me.
05:12You can tell me.
05:13And I'm going to look at the camera.
05:14I will follow what they say.
05:15And I go like that.
05:16And I see all the films.
05:17I see all the films.
05:18You can see the films.
05:19There are all the films.
05:20You can see the super-stars.
05:23All the films.
05:24You can see the movies.
05:27I love watching films.
05:28You can see it.
05:29A lot of films.
05:30You can see the sweet artists.
05:32You can see it.
05:33What is interesting?
05:35Any films come and watch,
05:36the dragon.
05:37then I felt very happy seeing that from the screenplay and I felt that that he
05:42was playing he has done amazing job I felt that another ganush has come back I
05:52heard that my from my heart so beautiful and many films Malyan papa Telugu papa
05:59Hindi papa English papa French films papa lot of films I see as a good if you've
06:05been there in the web series that start pandayi and Pornalada
06:08Nivedita and China Pondrika other our soli soli soli in the kovid time that I
06:12started watching the three other way Muna Parkway Marta because I was so busy but
06:16if a busier the kudo I'll see that at least one or two hours I watch this one
06:20if there's no shooting full day I'll be in front of home theater just watching
06:24something so another updating comes like that seeing viewing level and the
06:30updating waro no sir upendurra sir upendurra sir upendurra sir upendurra
06:37You can share an experience with the T-cell.
06:40You can see a dog who is a short shot.
06:44How is that experience in real time?
06:46I am a man who is a man who is a man who is a man who is a man who is a man.
06:54That is an exercise.
06:56That is a portrait.
06:58Director Arjun sir.
07:01Mr. Rajesh.
07:02Sir, here.
07:04Why is there something to say the biography of an uruwakara?
07:08How can I tell you?
07:10No.
07:11There is nothing to say.
07:14No.
07:16No sir.
07:17No.
07:18Have there a biography of an uruwakara?
07:20How many stars have you been there?
07:22No.
07:23Not the idea.
07:25I don't want, because Rajeshma is one, unique.
07:29I don't want him to be.
07:31I can't see anybody else in Rajeshma's place.
07:34Face the fear, sir.
08:04mother kawari plan pundhudha.
08:07Ado, ado
08:09Definitely, definitely try pundhudha. Thank you, sir. Thank you.
08:31Director, sir. Face the fear in the tag name.
08:34If you said about our health issues in the shivana,
08:38how do you overcome that?
08:41That's a strong message to the audience.
08:43Definitely, sir.
08:44This is the tagline of the tagline.
08:48But the tagline of the shivana is correct.
08:53If you face a fear,
08:56if you face a fear,
08:58if you face a fear,
08:59whatever option, face the fear.
09:01If you face a fear,
09:03if you face a fear,
09:05if you face a fear,
09:07you face a fear.
09:08Fantastic, sir.
09:13So beautifully said.
09:14Fantastic.
09:15Director Arjun, sir.
09:16Yes, Rajesh.
09:17Sir, as a director,
09:18you have a good movie.
09:19All the best.
09:20So now you are doing the 130 movies.
09:22So that's why I ask you a question.
09:24In the recent times,
09:25you are using the Tamil,
09:26you are using the old hit songs.
09:30How do you feel as a music director?
09:33Sir,
09:35in this stage,
09:37the song is not the Ome.
09:39The Ome song is composed by Hamsalika sir.
09:42It's an original song.
09:44I went to Hamsalika sir and used to bless him.
09:49He used to be a song.
09:50He used to be a song in his head.
09:51He used to be a song in his head.
09:53So I used to be a song.
09:54In the song,
09:55there is a Ome song.
09:57The tune is to be a song in the tune.
09:58The tune is to be a lyric song.
09:59The character is to match the song.
10:01So he used to be a song.
10:02So he used to build it.
10:03So that's why
10:04he used to be a song.
10:06If you have a song,
10:07you have no permission to give you a complete objection.
10:10If he is very happy and if he blesses,
10:12you can use it.
10:14If you call it
10:16As it is a very important thing,
10:18My name is the beat pulitum.
10:19So it is the song to sing the song.
10:21So it has to be a song.
10:23The song is singing to Sarnathana.
10:24For the sake of the song,
10:25there is a song to sing the song to Farnathana,
10:27and even if is Amil at Tamil,
10:28the song to say Sarnathana is to be a song.
10:33He also said something to speak to Sarnathana.
10:35And he goes to Sarnathana.
10:38This song is the song to write down.
10:39In this story,
10:40the song will be answered.
10:43Sir, tell all the things that you have to respect and respect, respect and respect.
10:50If you say, respect and respect, respect and respect, respect and respect.
10:55Here, sir. Chalini here.
10:57Sir, Philly Shivraj sir and Ubayendra sir and Rajpi sir.
11:00Sir, there are three people in Karnataka.
11:04So, three people come to a screen.
11:07What questions are you asking?
11:09You can tell both of them, Ubayendra sir and Shivraj sir.
11:12What questions are you asking?
11:14Three people come to a screen.
11:17The characters, what we are playing.
11:19What is positive or negative one?
11:21One confusion in Karnataka.
11:23That's a lot of attack.
11:25And Rajpi said his performance.
11:27One way, you can see the screech in him.
11:30And the pace of the screech.
11:33Everybody will have that screech.
11:36One frustration.
11:37And the screech in Karnataka, what pain is going through.
11:41And the pain is going through very cool and comical.
11:45It's not that,
11:46It's not that,
11:48If you say a message or a Swami or a Swami,
11:50It's not that,
11:51It's not that,
11:52It's not that,
11:53It's not that,
11:54It's not that,
11:55Not that,
11:56It's not that,
11:57It's not that,
11:58It's not that,
11:59It's not that,
12:00It's not that,
12:01It's not that.
12:02You can tell them,
12:03small small examples.
12:04So that understanding,
12:06And one moment, he comes with him, when Upendra comes, and he says, I'll kill him, you should
12:17save him.
12:18And the tune of the original, I love you, you should love me, I'll kill him, you must
12:30save him.
12:31So that way, you understand what happens, why it doesn't happen, you should come and watch
12:42that.
12:43So I can't say the full story.
12:44I'm afraid I can tell you.
12:47But what I have committed, what is my responsibility?
13:03What is going to happen next, I don't know.
13:11But what I have committed, what is my responsibility?
13:17What is going to happen after going, anything might happen.
13:20So, it should be completed.
13:21So, I have the fear in this actually.
13:23But doctor was very sure.
13:24But 100% doctor was sure.
13:25I'm sure nothing will happen in this.
13:26But apart from that, there is no fear.
13:28Suppose I have to do this.
13:29Family will be.
13:30The producers will be.
13:31Whatever I have committed, what will happen to those people?
13:33So, when I come to sets, I don't know what comes to me or what energy comes to me, I don't
13:37know.
13:38How it comes to me, I don't know how it comes to me.
14:04I don't know how it comes to me.
14:08And I forget, even now, after I came back from surgery, from last month, I started shooting.
14:16I started shooting.
14:18My daughter had a film release out here, 24th.
14:22First time she was producing.
14:24She was a producer there.
14:28I started dancing.
14:32I just wanted to see whether I can.
14:34Because the crowd was so...
14:35Other than the Taguru music put on.
14:37And the Taguru music put on, automatically on the Kai will be thrown.
14:39And the body, it starts pulling me.
14:42I thought, let me try at least, whether I'm feeling tired or not, honestly.
14:46But it took me.
14:48I don't feel tired at all.
14:52Why won't you try like this?
14:54I tried, but I'm not tired.
14:57Then, then, then, then it's good.
14:59Then, so it gives me some pleasure also in that.
15:03But I'm trying my best.
15:05Huh?
15:07I'll be sure.
15:08That's it.
15:09That's it.
15:10That's it.
15:11That's it.
15:12You've been doing a lot in the Tamil Nadu.
15:14You've got a lot of them.
15:15There's a lot of them here.
15:16You've been doing a lot of them.
15:18You've supported all of them.
15:19You've got a lot of them.
15:20There's a lot of them in the cinema.
15:21But it's not that the Tamil cinema should be able to go to Kanadu,
15:23and try to do a lot of them.
15:25You're talking about the politician,
15:26you're talking about the drop and stop.
15:28stop, stop, stop, stop.
15:29It's a place that's all.
15:43Otherwise, another language of cinema is released in the film.
15:51And nobody speaks, even we don't speak about it or we don't comment.
15:55Because art doesn't have any language.
16:00Some people are there.
16:04Where there's positive, there's the negativity.
16:07So, if you think about negativity, it's not.
16:11If you think about poetry, then you think about positive poetry.
16:14Sir, it's not in our hands.
16:20It's not in our hands.
16:27See, it's all...
16:29It depends on how both the politicians will gel and bring the proper issue.
16:37It's not in our hands.
16:38It's not in our hands.
16:39It's not in our hands.
16:40It's not in our hands.
16:41People, general, people cannot do.
16:42That's that.
16:43Sir.
16:44Sir.
16:45Now, what's the title of 45?
16:48Meaning?
16:5045.
16:51Sir.
16:52The title Deser.
16:53Sir.
16:54You have to face this title.
16:59Sir.
17:00What's the title of the title of the title of the title of the title?
17:02Mr.
17:03Yes sir.
17:04Mr.
17:05Mr.
17:06Mr.
17:09Mr.
17:10Mr.
17:12Mr.
17:17Mr.
17:18Mr.
17:20Mr.
17:21No, I don't feel anything. I feel it.
17:24If you leave a place, you leave a place.
17:27That's a good thing.
17:28Sivaray, sir.
17:30How do you think about your family's family,
17:34your family, your family, your family?
17:35How do you think about this?
17:36How do you think about this?
17:38Do you think about this?
17:39I don't know.
17:41Actually, when I first said,
17:44I was told my wife,
17:45I was told to tell her,
17:47I said,
17:48Why should we?
17:58People should know what's happening.
18:00We are a human,
18:02we have a feeling,
18:03we have to come.
18:04We have to come.
18:06We have to come.
18:08Why?
18:09We have to come.
18:11It has come.
18:13We have to take it, that's all.
18:15But frankly saying,
18:17I was able to find out.
18:21And there are many things in the surgery.
18:25There are a lot of tubes for me.
18:27One, one week, one tube for me.
18:31Four weeks, the tubes became like my friend.
18:34I felt that it became my friend.
18:38I felt that it became my friend.
18:40When they were removing that,
18:41I felt that there was something they were removing from me.
18:43All of the closeness,
18:44how it came.
18:45Because that helped me a lot.
18:50That's all.
18:52Sorry to interrupt.
18:56Sorry.
18:57Sorry.
18:58Sorry.
18:59Where are you?
19:00Where are you?
19:01Where are you?
19:02Where are you?
19:03No.
19:04Okay.
19:05Next time, I will go.
19:06I will go.
19:07I will go.
19:08I will go.
19:09After coming from Miami,
19:10I have not come.
19:11Only now I will come.
19:12Because of 45 days.
19:13But whenever I come,
19:15I always stay.
19:16At least three to four days.
19:17I will go to shooting,
19:18moon down.
19:19Extra two days.
19:20And then two days,
19:22I want to enjoy with my friends.
19:24All the friends are there for me.
19:28And we will be there.
19:30Leela is not there.
19:31The Porsche of the state is not there.
19:33Leela is not there.
19:34That's right.
19:35That's right.
19:36You're not there.
19:37One request,
19:39one last question in the session.
19:41Can you wrap up?
19:43No.
19:44Sir,
19:45Jailer is saying,
19:46you know,
19:47Tamil fans are a lot of fans.
19:49Tamil is saying,
19:50you know,
19:51you have a story.
19:52You have a story.
19:53You have a story.
19:54Now, you have a story.
19:55It's a story.
19:56It's a story.
19:57I have a story.
19:58I think it will start very soon.
20:00It's a direct Tamil film, is it?
20:01Huh?
20:02Yeah.
20:03Yeah.
20:04Lovely.
20:05Thank you so much for the questions.

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