Bad Mans River
Category
🎥
Short filmTranscript
00:00:00 [Batman theme song]
00:00:02 Meet the baddest man on Batman's river.
00:00:05 Yes sirree!
00:00:07 He's the rattlesnake in a bowler hat,
00:00:09 The lowdown ornery river rat,
00:00:12 And my credit's up his hat,
00:00:14 He's bad clean crew.
00:00:16 Take a look at his close-set beady eyes,
00:00:19 And hear his king-size line of lies,
00:00:21 And it should come as no surprise,
00:00:23 He's bad, bad news,
00:00:25 He's bad, bad news,
00:00:27 He's the baddest man
00:00:30 On Batman's river,
00:00:32 Where virtue is a sin,
00:00:36 And along the banks
00:00:39 Of Batman's river,
00:00:41 They call this man the king.
00:00:46 He's a murderous man in a dirty fight,
00:00:48 His middle name is dynamite,
00:00:50 Although he's always most polite,
00:00:53 He's bad clean crew.
00:00:55 And if you just inquire at any bank,
00:00:57 You'll sure find his credit's sank,
00:01:00 In fact you'll find his feet were drank,
00:01:02 He's bad, bad news,
00:01:04 He's bad, bad news,
00:01:06 He's the baddest man
00:01:09 On Batman's river,
00:01:11 Where virtue is a sin,
00:01:15 And along the banks
00:01:18 Of Batman's river,
00:01:20 They call this man the king.
00:01:25 He's a rattlesnake in a bowler hat, a lowdown, ordinary rat.
00:01:30 And my friend, his love is that he's mad clean through.
00:01:34 Take a look at his nose, that beady eyes.
00:01:37 And hear his king-sized pile of lies.
00:01:39 And it should come as no surprise.
00:01:41 He's mad, mad news.
00:01:43 He's mad, mad news.
00:01:45 He's mad, mad news.
00:01:48 He's mad, mad news.
00:01:50 He's mad, mad news.
00:01:52 He's mad, mad news.
00:01:55 He's mad, mad news.
00:01:57 He's mad, mad news.
00:02:00 [WHISTLING]
00:02:02 Say, when did you put that in?
00:02:06 Right after the last King Gang holdup.
00:02:09 It's fireproof and burglarproof, and only I
00:02:12 know the combination.
00:02:16 Uh, mind turning around, please?
00:02:18 [WHISTLING]
00:02:21 Come on in and have a look.
00:02:39 [CHUCKLING]
00:02:46 [KNOCKING]
00:02:47 Solid.
00:02:47 Solid.
00:02:52 Solid.
00:02:55 Solid.
00:02:56 [CRASHING]
00:02:59 Boys, boys, where's your manners?
00:03:04 Put your guns away.
00:03:05 Come on, go away.
00:03:06 Shh.
00:03:09 [GUN CLICKS]
00:03:12 Angel, hit it.
00:03:18 [EXPLOSION]
00:03:28 [SHOUTING]
00:03:31 [EXPLOSION]
00:03:34 [EXPLOSION]
00:03:39 [SHOUTING]
00:03:43 [MUSIC PLAYING]
00:03:46 1, 2, 3.
00:03:57 1, 2, 3.
00:03:58 1, 2, 3.
00:03:59 1, 2, 3.
00:04:01 1, 2, 3.
00:04:03 1, 2, 3.
00:04:04 What?
00:04:06 You are hopeless.
00:04:09 King?
00:04:10 Watch.
00:04:21 [MUSIC PLAYING]
00:04:48 Beautiful.
00:04:51 Excuse me, gentlemen, but we're coming into Omaha.
00:04:54 [MUSIC PLAYING]
00:04:57 Cody, here is your ship.
00:05:10 You have to get off here.
00:05:12 My childhood sweetheart's waiting,
00:05:14 and she's been waiting for a long time.
00:05:17 Well, you better hurry up.
00:05:19 Cody.
00:05:22 You know, where you're going, you won't need this.
00:05:25 Kansas City.
00:05:32 Why don't you come with me to Chicago, Angel?
00:05:34 I got big plans.
00:05:35 I got little ones.
00:05:36 House full of little ones.
00:05:38 I think maybe I marry her now.
00:05:40 So you're going to blow all of that on one woman?
00:05:42 Her name is Annie.
00:05:43 She was made in heaven.
00:05:45 [MUSIC PLAYING]
00:05:49 You look worried.
00:05:54 I once knew an Annie in Kansas City.
00:05:59 Any time, Annie.
00:06:00 [MUSIC PLAYING]
00:06:04 Farewell, old pals.
00:06:05 Farewell, old gang.
00:06:07 Together we work, but together we--
00:06:11 We got to take care of old pal.
00:06:13 So we must part and with a tear, each
00:06:18 will take with him a small souvenir.
00:06:21 Of all the good times we had while it lasted,
00:06:29 but now the very last safe has been blasted.
00:06:36 We'll drink a toast to the old gang,
00:06:43 as we remember every sweet band.
00:06:51 In with the new, out with the old,
00:06:55 and may all our pathways be covered with gold.
00:07:01 The time has come to end the refrain,
00:07:06 and though to part tears at our hearts,
00:07:14 we hope that we'll never say farewell again.
00:07:21 [MUSIC PLAYING]
00:07:28 [GROANING]
00:07:30 [CHUCKLING]
00:07:32 Oh, forgive me.
00:07:35 I thought this was the dining car.
00:07:38 Hold it, lady!
00:07:39 [MUSIC PLAYING]
00:07:43 Nice car.
00:07:48 You must be a very important man.
00:07:52 I wish.
00:07:53 There's pictures of me all over the place.
00:07:55 [MUSIC PLAYING]
00:07:59 What business are you in, Mr. King?
00:08:02 Uh--
00:08:03 [CHUCKLING]
00:08:07 Thank you.
00:08:09 I transfer funds from one place to another.
00:08:12 [MUSIC PLAYING]
00:08:15 [MUSIC PLAYING]
00:08:19 What do you admire most in a woman?
00:08:29 Well, actually, all parts.
00:08:33 What do you look for first in a man?
00:08:40 Honesty.
00:08:41 Uh, same.
00:08:43 [MUSIC PLAYING]
00:08:46 How long have you been a widow, Alicia?
00:08:58 Oh, since the 4th of July.
00:09:03 That night, we were sort of celebrating, Charlie and I.
00:09:08 We could see the firecrackers going off
00:09:10 from our bedroom window.
00:09:13 Well, Charlie got a--
00:09:15 a little too excited, you might say.
00:09:17 And, well, he went out just like one of those firecrackers.
00:09:24 [GUNSHOT]
00:09:27 Goodbye, Charlie.
00:09:28 [MUSIC PLAYING]
00:09:39 A lady like you shouldn't be traveling alone.
00:09:42 I'm not.
00:09:46 [MUSIC PLAYING]
00:09:50 So you're the lucky man.
00:09:53 Happy, darling?
00:09:54 [MUSIC PLAYING]
00:09:58 If the gentleman would please remove his hat.
00:10:05 As a lady person, dearly beloved,
00:10:08 we are gathered here--
00:10:09 [MUSIC PLAYING]
00:10:12 A penny for your thoughts, Mrs. King.
00:10:20 Has there ever been any insanity
00:10:24 in your family, Mr. King?
00:10:27 You can't do this to me.
00:10:28 We're supposed to be married.
00:10:35 [MUFFLED SCREAMING]
00:10:40 How long do you think he'll have to be committed, doctor?
00:10:43 At least six months, Mrs. King.
00:10:45 Here, I want you to see that he has the best of--
00:10:50 the best of care.
00:10:51 [MUFFLED SCREAMING]
00:10:54 Bye-bye, darling.
00:11:00 [MUSIC PLAYING]
00:11:01 Ding-dong, ding-dong, ding-dong.
00:11:05 And we will bill and coo if you become my true prisoner
00:11:12 of love, my loving wife.
00:11:16 [MUSIC PLAYING]
00:11:20 Hello, old pals.
00:11:31 Hello, old game.
00:11:34 Together we'll work and together we'll hang.
00:11:39 So we must say hello with a tear,
00:11:45 each bringing with him a small souvenir of all the good times
00:11:53 we had while it lasted.
00:11:57 But now there is a new safe to be blasted in with a new,
00:12:05 out with the old.
00:12:08 May all of our pathways be covered with gold.
00:12:13 The time has come to end the refrain.
00:12:18 And we hope that we'll never say farewell again.
00:12:26 Bad, bad news.
00:12:28 [LAUGHTER]
00:12:31 Bad, bad news.
00:12:34 Bad, bad news.
00:12:36 [LAUGHTER]
00:12:38 [BELL RINGING]
00:12:43 What will you have?
00:12:44 A beer.
00:12:45 A big one.
00:12:46 Make it three.
00:12:49 I think he's crazy bringing us back to this town.
00:12:52 We knocked that bank over twice, but three times.
00:12:55 Maybe he ain't coming.
00:12:58 Maybe he never sent for us.
00:13:01 Maybe it's a trap and we have no guns.
00:13:02 Let's go before they recognize us.
00:13:04 Wait a minute.
00:13:04 Go where?
00:13:05 Who is paying?
00:13:12 We're waiting.
00:13:21 Yeah, we got an appointment.
00:13:23 With a very important man.
00:13:25 Yeah.
00:13:26 Listen, bums, either you pay or I'll give you something.
00:13:34 Party's upstairs, boys.
00:13:41 You took your time getting here.
00:13:54 [DOOR OPENS]
00:13:57 How do you propose we split it, Sheriff?
00:14:00 Half for me and half for you.
00:14:02 Oh, there's one of you.
00:14:05 There's eight of us.
00:14:07 That gives you one share, and that makes it 11%,
00:14:11 or $2,750 for you.
00:14:14 It's my town.
00:14:15 I sent for you.
00:14:16 I won't take less than $5,000.
00:14:20 Four?
00:14:22 That's my final offer.
00:14:23 It's a deal.
00:14:28 Friends, to the dying day.
00:14:31 [SPEAKING FRENCH]
00:14:32 To the end.
00:14:33 To the end.
00:14:34 Partner, what business are we in?
00:14:39 Yeah, I can hardly wait to start working.
00:14:41 Yeah, it's a new experience.
00:14:43 What business are we in?
00:14:45 Personal service.
00:14:48 Personal-- sounds great.
00:14:51 [MUSIC PLAYING]
00:14:53 Are we going to start a revolution?
00:15:17 [MUSIC PLAYING]
00:15:20 The area?
00:15:32 She'll be docked in about 10 minutes.
00:15:34 Boys, we're going to take a boat ride.
00:15:39 Oh, uh, pepper sell.
00:15:40 Hey, where's everybody?
00:15:46 Gus, nobody here.
00:15:49 Hey, give me a drink, will you?
00:15:51 Yes, just one.
00:15:54 Come on.
00:15:55 [MUSIC PLAYING]
00:15:58 One drink.
00:15:59 Give me a drink.
00:16:03 Yeah.
00:16:04 [MUSIC PLAYING]
00:16:08 [HORN HONKING]
00:16:11 [MUSIC PLAYING]
00:16:35 [GUNSHOTS]
00:16:39 [MUSIC PLAYING]
00:16:42 [GUNSHOTS]
00:16:51 [GUNSHOTS]
00:17:20 [GUNSHOTS]
00:17:23 [MUSIC PLAYING]
00:17:29 [ROARING]
00:17:32 [MUSIC PLAYING]
00:17:40 [MUSIC PLAYING]
00:18:09 Then everything's arranged, Mr. King.
00:18:12 I wanted to hear right from you, Senior Montero.
00:18:16 Come here.
00:18:19 Tomorrow night at this time--
00:18:22 Mr. King, please.
00:18:24 Listen, tomorrow night at this time,
00:18:32 the boat will have carried us to within 20 kilometers
00:18:34 of the St. Joseph mission.
00:18:37 That's the place.
00:18:38 That's it.
00:18:39 That's what?
00:18:41 Hey, King.
00:18:43 All the Mexican army's using the mission as an arsenal.
00:18:46 All Senior Montero wants to do is blow it up.
00:18:48 Why does he want us to blow it up?
00:18:50 What the hell do we care?
00:18:51 We're getting paid to blow it up, so we blow it up.
00:18:55 When do we get paid?
00:18:57 Senior Montero says we get paid when we get back to the boat.
00:19:01 $10,000 in gold.
00:19:03 How do we know he'll pay?
00:19:05 I know about Senior Montero.
00:19:07 If he gives his word, that's good enough for me.
00:19:09 Right, King?
00:19:10 [MUSIC PLAYING]
00:19:14 [KNOCKING]
00:19:24 I've been expecting you.
00:19:35 I had a hard day at the office.
00:19:37 I did you dirty.
00:19:46 Easy come, easy go.
00:19:48 You're a big man to forgive so easily.
00:19:51 Your need was greater than mine.
00:19:53 My conscience still bothers me.
00:19:55 You're too sensitive.
00:20:00 I couldn't get you out of my mind.
00:20:03 So you married Montero.
00:20:04 I had to forget you.
00:20:06 We never did have a honeymoon.
00:20:08 I'm afraid I wasn't a very good wife.
00:20:11 What makes you say that?
00:20:14 I could have tried harder.
00:20:16 True.
00:20:18 Of course, I did get you this job.
00:20:22 I still think you owe me a little something.
00:20:25 I often wondered what would happen
00:20:27 if we had a second chance.
00:20:34 We will.
00:20:37 Aren't you getting familiar?
00:20:40 We've met before.
00:20:43 My husband is right out there.
00:20:46 Then don't make a noise.
00:20:47 You're looking for trouble.
00:20:55 I've come to the right place.
00:21:01 [HORN BLOWING]
00:21:05 [HORN BLOWING]
00:21:09 [HORN BLOWING]
00:21:12 [HORN BLOWING]
00:21:16 [HORN BLOWING]
00:21:19 [HORN BLOWING]
00:21:23 [HORN BLOWING]
00:21:27 [BEEPING]
00:21:30 [BEEPING]
00:21:34 There's the shipper.
00:21:58 I am very thirsty.
00:21:59 Can I--
00:22:00 Be quick about it.
00:22:07 [MUSIC PLAYING]
00:22:23 [CHATTER]
00:22:27 Sit down.
00:22:49 Let go, you pig.
00:22:52 I'll buy you a drink.
00:22:54 I only drink with officers.
00:22:55 I have gold.
00:22:56 Move, old man.
00:23:04 What's your name?
00:23:05 Angel.
00:23:07 I am Conchita.
00:23:08 I think I like you.
00:23:14 That's good.
00:23:15 You got only one piece of gold?
00:23:17 Maybe two?
00:23:18 Maybe three, four, maybe even five.
00:23:21 How would you like me to get?
00:23:23 Real friendly?
00:23:26 Maybe we could visit the church.
00:23:28 That's the arsenal.
00:23:31 Going there, you get your head shot off.
00:23:34 But we'll find a place.
00:23:36 Conchita.
00:23:38 Time to feed the animals.
00:23:40 Time to feed the animals.
00:23:41 [MUSIC PLAYING]
00:23:58 [MUSIC PLAYING]
00:24:02 [MUSIC PLAYING]
00:24:05 How do you find?
00:24:28 [MUSIC PLAYING]
00:24:32 Come up.
00:24:35 Let's go upstairs.
00:24:36 I'm sure you'll like it.
00:24:37 Come on.
00:24:38 Come on.
00:24:39 [MUSIC PLAYING]
00:24:42 Not so fast.
00:24:57 You pay me now all the money you've got, or I'll scream.
00:25:00 Scream.
00:25:01 [MUSIC PLAYING]
00:25:16 [MUSIC PLAYING]
00:25:20 [MUSIC PLAYING]
00:25:24 [MUSIC PLAYING]
00:25:28 [MUSIC PLAYING]
00:25:32 [MUSIC PLAYING]
00:25:35 [MUSIC PLAYING]
00:25:38 [MUSIC PLAYING]
00:25:49 [MUSIC PLAYING]
00:26:17 [MUSIC PLAYING]
00:26:20 Would you like a kiss?
00:26:38 [MOANING]
00:26:46 I don't trust you.
00:26:47 [MUSIC PLAYING]
00:27:00 [SCREAMING]
00:27:03 What are you doing here?
00:27:10 What's going on here?
00:27:12 [SPEAKING SPANISH]
00:27:15 [MUSIC PLAYING]
00:27:18 First things first.
00:27:40 [MUSIC PLAYING]
00:27:44 [MUSIC PLAYING]
00:27:48 [MUSIC PLAYING]
00:27:51 [MUSIC PLAYING]
00:27:54 [MUSIC PLAYING]
00:27:58 [MUSIC PLAYING]
00:28:02 [MUSIC PLAYING]
00:28:06 [MUSIC PLAYING]
00:28:09 [MUSIC PLAYING]
00:28:13 [MUSIC PLAYING]
00:28:16 [MUSIC PLAYING]
00:28:19 [MUSIC PLAYING]
00:28:22 [MUSIC PLAYING]
00:28:49 [MUSIC PLAYING]
00:28:52 [GUNSHOT]
00:28:54 [GASPING]
00:28:55 [GUNSHOT]
00:28:56 [MUSIC PLAYING]
00:29:16 [MUSIC PLAYING]
00:29:19 [MUSIC PLAYING]
00:29:22 [MUSIC PLAYING]
00:29:50 [MUSIC PLAYING]
00:29:53 [GUNSHOT]
00:29:59 [GASPING]
00:30:01 He came with the old shepherd.
00:30:03 [MUSIC PLAYING]
00:30:06 Who are you?
00:30:10 Search him.
00:30:11 [MUSIC PLAYING]
00:30:14 [MUSIC PLAYING]
00:30:17 Check the arsenal.
00:30:33 Let him talk.
00:30:36 Talk, my friend.
00:30:42 [GASPING]
00:30:45 [MUSIC PLAYING]
00:30:48 Give us a hand.
00:30:59 Sergeant, we need help here.
00:31:07 [GUNSHOTS]
00:31:10 [GUNSHOTS]
00:31:13 [GUNSHOT]
00:31:36 [SCREAMING]
00:31:39 [GUNSHOTS]
00:31:41 Hold it.
00:31:42 [GUNSHOTS]
00:31:45 [GUNSHOTS]
00:32:04 [GUNSHOT]
00:32:07 [GUNSHOTS]
00:32:15 [GUNSHOT]
00:32:22 [MUSIC PLAYING]
00:32:25 [GUNSHOT]
00:32:31 [MUSIC PLAYING]
00:32:33 [GUNSHOTS]
00:32:36 Come on.
00:32:37 King.
00:32:38 [MUSIC PLAYING]
00:32:41 Artie?
00:32:56 Yeah?
00:32:57 All clear.
00:32:58 Come on.
00:32:59 Right.
00:33:00 [MUSIC PLAYING]
00:33:04 [GUNSHOTS]
00:33:32 [GUNSHOTS]
00:33:35 [MUSIC PLAYING]
00:33:58 [GUNSHOTS]
00:34:01 They're passing us by, King.
00:34:16 We only got an hour's start.
00:34:22 They'll be catching up with us.
00:34:24 This is no place to make a stand.
00:34:27 They better pick us up.
00:34:28 Pilots on our payroll.
00:34:30 [CLEARS THROAT]
00:34:31 [GUNSHOT]
00:34:32 [MUSIC PLAYING]
00:34:39 [MUSIC PLAYING]
00:34:42 [MUSIC PLAYING]
00:34:45 [GROWLING]
00:34:59 [MUSIC PLAYING]
00:35:07 [MUSIC PLAYING]
00:35:10 Why don't you pull the trigger?
00:35:26 We still need him.
00:35:27 I can't swing.
00:35:28 I ought to stay with him, King.
00:35:35 I don't think that'll be necessary.
00:35:37 Will it, Captain?
00:35:39 [MUSIC PLAYING]
00:35:42 You will cross to the American side.
00:36:06 Yes, Your Excellency.
00:36:07 And we will chase them on both sides of the river.
00:36:10 If the American cavalry catches you,
00:36:11 I will disown you completely.
00:36:13 What you say, Excellency?
00:36:14 Even I may come useful to Mexico.
00:36:17 If the revolutionaries had gold,
00:36:20 you would be working for them.
00:36:22 Yes, Your Excellency.
00:36:24 You are nothing but a bandit.
00:36:27 Yes, Your Excellency.
00:36:29 Remember, Canales, when the revolution is over,
00:36:34 I promise to hang you.
00:36:36 Yes, Your Excellency.
00:36:37 Where's our 10,000, Alicia?
00:37:01 There is no 10,000.
00:37:04 It's a million or nothing.
00:37:05 Is that good, King?
00:37:08 OK, I'll level with you.
00:37:11 Why do you think we had to blow up the arsenal?
00:37:13 To win the revolution.
00:37:14 Mm-hmm.
00:37:15 Stupid.
00:37:19 The guns you destroyed, they will
00:37:20 have to be replaced by the Mexican government, right?
00:37:23 Right.
00:37:24 Right.
00:37:25 Where's the million dollars?
00:37:26 Yeah, give it to us again.
00:37:28 The Mexican government is sending a million dollars
00:37:32 to El Paso to buy new guns.
00:37:34 And we grabbed the million.
00:37:36 And we grabbed the million.
00:37:38 That's good.
00:37:39 How?
00:37:47 Montero is a revolutionary, but he's also an agent
00:37:51 for the Mexican government.
00:37:54 By taking the check and cashing it for himself,
00:37:58 he serves the revolution.
00:38:00 He's a good agent.
00:38:01 By taking the check and cashing it for himself,
00:38:05 he serves the revolution.
00:38:07 That even makes him patriotic.
00:38:09 Exactly.
00:38:10 And then we split 50-50.
00:38:13 50-50?
00:38:14 50-50.
00:38:15 Great.
00:38:15 Great.
00:38:17 Where do we meet Montero?
00:38:19 Bodies landing.
00:38:24 So why do you need us?
00:38:26 I don't trust him.
00:38:28 That's bad.
00:38:30 She doesn't trust her own husband.
00:38:32 Get it?
00:38:33 Boys, I think we've been stucker than gifted.
00:38:42 Get it?
00:38:43 [MUSIC PLAYING]
00:38:47 [MUSIC PLAYING]
00:38:50 [MUSIC PLAYING]
00:38:54 [MUSIC PLAYING]
00:38:57 [MUSIC PLAYING]
00:39:26 Mr. Montero here.
00:39:28 Number three.
00:39:29 Is he alone?
00:39:30 There's another man with him.
00:39:31 Dreaming of $25,000?
00:39:46 Cut it, Odie.
00:39:48 [KNOCKING]
00:39:50 Who's he?
00:40:00 I guess he had the money.
00:40:01 [LAUGHTER]
00:40:04 [KNOCKING]
00:40:07 [MUSIC PLAYING]
00:40:15 [MUSIC PLAYING]
00:40:19 [MUSIC PLAYING]
00:40:39 [MUSIC PLAYING]
00:40:43 [MUSIC PLAYING]
00:40:47 [MUSIC PLAYING]
00:40:50 [MUSIC PLAYING]
00:40:54 [MUSIC PLAYING]
00:40:58 [MUSIC PLAYING]
00:41:02 [MUSIC PLAYING]
00:41:05 [MUSIC PLAYING]
00:41:22 [MUSIC PLAYING]
00:41:25 [MUSIC PLAYING]
00:41:49 [MUSIC PLAYING]
00:41:52 [MUSIC PLAYING]
00:41:57 [MUSIC PLAYING]
00:42:00 [MUSIC PLAYING]
00:42:22 [MUSIC PLAYING]
00:42:25 [MUSIC PLAYING]
00:42:42 [MUSIC PLAYING]
00:42:45 [GUNSHOT]
00:43:04 [MUSIC PLAYING]
00:43:08 [MUSIC PLAYING]
00:43:11 [GUNSHOT]
00:43:22 [GUNSHOTS]
00:43:27 [MUSIC PLAYING]
00:43:31 [MUSIC PLAYING]
00:43:34 [GUNSHOT]
00:43:54 [MUSIC PLAYING]
00:43:58 [MUSIC PLAYING]
00:44:01 [GUNSHOTS]
00:44:18 [GUNSHOTS]
00:44:21 [GUNSHOT]
00:44:36 [CRASHING]
00:44:39 [MUSIC PLAYING]
00:44:42 [GUNSHOTS]
00:45:02 [GUNSHOTS]
00:45:05 [MUSIC PLAYING]
00:45:22 [MUSIC PLAYING]
00:45:25 [GUNSHOTS]
00:45:35 Come on, come on.
00:45:50 [GUNSHOTS]
00:45:53 [GUNSHOTS]
00:46:18 [GUNSHOTS]
00:46:21 [GUNSHOT]
00:46:38 [CRASHING]
00:46:39 Quick shot.
00:46:46 [GUNSHOT]
00:46:49 Nothing.
00:46:58 Let's go.
00:46:59 Nothing.
00:47:13 [GUNSHOT]
00:47:15 [GUNSHOTS]
00:47:18 Surround them.
00:47:34 They're in the shack.
00:47:35 [GUNSHOTS]
00:47:38 Bring me Adelita.
00:47:49 [GUNSHOTS]
00:47:53 [GUNSHOTS]
00:47:56 This is a trap.
00:48:07 [GUNSHOTS]
00:48:10 [GUNSHOTS]
00:48:13 Right, muchachos.
00:48:37 You can go in now and collect the bodies.
00:48:40 [GASPING]
00:48:43 Timurcio, Luis, go inside and you'll find
00:48:52 the check for a million dollars.
00:48:54 [GUNSHOTS]
00:48:58 [GUNSHOTS]
00:49:01 Mr. King.
00:49:25 I hear you.
00:49:26 I do not wish to fight with you.
00:49:28 I can tell that.
00:49:30 I coming.
00:49:32 Here I come.
00:49:34 Come on.
00:49:35 Have you got the check?
00:49:37 He didn't have it on him.
00:49:39 You know about the check too?
00:49:47 Everyone knows.
00:49:48 All these dead and no money.
00:49:51 I would like to make you a deal, Mr. King.
00:49:55 You already got a deal.
00:49:57 Look, I'm a bandit and you rob banks, right?
00:50:01 Get to the point.
00:50:02 So we both want the same thing, other people's money, right?
00:50:13 So you and I are on the same side.
00:50:16 We are amigos.
00:50:19 [CHUCKLING]
00:50:22 Listen, amigo, who does that money come from?
00:50:27 The Mexican government.
00:50:29 And who is the Mexican government?
00:50:33 The Mexican people.
00:50:35 And who is the Mexican people?
00:50:38 I am a Mexican person.
00:50:40 And who are you?
00:50:42 My friend, mi amigo.
00:50:44 [CHUCKLING]
00:50:45 So what can I do for you, amigo?
00:50:49 Listen, that's Senora Monteo.
00:50:52 She's not to be trusted.
00:50:54 A bad woman.
00:50:56 You give her to me and I'll find the money, OK?
00:51:00 How will you do that?
00:51:02 You know.
00:51:04 Yeah, I'd rather do it myself.
00:51:17 Did you-- did you catch him?
00:51:19 We caught him.
00:51:21 Is he dead?
00:51:23 Your window, it can't--
00:51:25 Oh, I'm just bad luck.
00:51:28 You mustn't blame yourself.
00:51:29 I'll never marry again.
00:51:32 Don't punish yourself.
00:51:35 I'm better off dead.
00:51:37 You mustn't give up hope.
00:51:39 If only I had one good reason to go on.
00:51:42 You've got billions of good reasons.
00:51:45 You had a check on him?
00:51:48 I'm not looking for a change of underwear.
00:51:50 You know damn well he never had that check.
00:51:52 You can figure that we kill Montero and the fantasy kill us.
00:51:58 You can blow with a whole million and leave two dead husbands.
00:52:06 Never figured Canales--
00:52:08 I'm sorry.
00:52:10 Go on.
00:52:12 He never wanted me, he wants you.
00:52:14 To marry me?
00:52:19 No.
00:52:21 The money.
00:52:22 He says you have the money.
00:52:25 Search me.
00:52:26 I will.
00:52:30 You wouldn't.
00:52:40 I never loved him.
00:52:43 He forced you to marry him.
00:52:46 I had reached the end of my rope.
00:52:49 He took advantage.
00:52:52 If only I knew where to find you.
00:52:56 Ships are fast in the night.
00:52:58 I hope it's not too late.
00:53:00 We'll have to start at the bottom.
00:53:09 I'll scrub floors.
00:53:12 I'll climb mountains for you.
00:53:15 You're all I ever wanted.
00:53:21 We'll make history.
00:53:24 Together.
00:53:25 You stay here.
00:53:38 I'll go.
00:53:39 He's shot.
00:54:00 I shot him.
00:54:01 He was shooting at the bandit.
00:54:04 He's a tough guy.
00:54:06 He's tough.
00:54:07 Like a board.
00:54:08 Don't tell me you're the maid.
00:54:29 Okay.
00:54:32 I'm not the maid.
00:54:34 What are you looking for?
00:54:35 A man.
00:54:36 You can do better than that.
00:54:40 I'm looking for Montero.
00:54:42 You're looking in the wrong place.
00:54:44 He's dead.
00:54:45 He's alive and he's on this boat.
00:54:48 Honey, if the Montero I saw wasn't dead,
00:54:51 he was putting on one hell of an act.
00:54:54 The Montero you saw was an impersonator.
00:54:57 What makes you say that?
00:54:59 You didn't find the bandit, did you?
00:55:01 What the hell are you talking about?
00:55:03 Does everyone know about the bank draft?
00:55:06 You can't keep a million dollars a secret, Guru B.
00:55:11 I want to look into your eyes.
00:55:29 Why?
00:55:31 Because I want to see you.
00:55:33 Damn liar.
00:55:35 What is it this time?
00:55:37 Where did you hide the real Montero?
00:55:39 He's back in Mexico.
00:55:43 You're lying again.
00:55:44 Where is he?
00:55:45 Safe from you.
00:55:47 Safe from me?
00:55:49 You're worried about him?
00:55:51 He got what he wanted.
00:55:55 Then he staked you out as a hostage and let you sweat it out.
00:55:58 You're worried about him.
00:56:00 It bothers you, doesn't it?
00:56:03 A man like that needs to be shot.
00:56:07 Because of the money or because he's my husband?
00:56:10 Not in there.
00:56:18 Don't shoot.
00:56:20 Paco.
00:56:32 It's getting hot in here.
00:56:45 You're going to get hot too soon.
00:56:47 Are you going to shoot me, Mr. King?
00:56:51 You killed the man in the closet.
00:56:54 It's your turn now.
00:56:55 I didn't kill anyone.
00:56:56 A common acquaintance of ours killed the man you mentioned.
00:56:59 Politics.
00:57:00 You're still a killer.
00:57:02 A man who kills for political reasons is not a killer.
00:57:05 He's an assassin.
00:57:06 I don't like to associate with killers.
00:57:08 I'll get you for that draft.
00:57:11 I don't have it.
00:57:13 Where is it?
00:57:14 It's a little complicated.
00:57:16 Make it simple.
00:57:17 Maybe you know the Wells Fargo office at Bode's Landing.
00:57:20 I saw the place.
00:57:22 That's where I got the draft.
00:57:24 I had the money sent to Laredo.
00:57:26 Sent to whom?
00:57:27 To me, of course.
00:57:28 Who else would I trust?
00:57:30 That's a gun you're looking for, Montero.
00:57:33 Go ahead.
00:57:34 It's not.
00:57:35 It's my receipt.
00:57:36 It clearly states that the receiver must be...
00:57:39 ...possibly identified as Francisco Montero.
00:57:43 You see?
00:57:44 I told you he was safe from you.
00:57:46 Okay, Montero.
00:57:50 We'll reach Laredo together.
00:57:53 We're not going to reach Laredo.
00:57:56 Not by boat.
00:57:58 The engine stopped running a while ago.
00:58:04 We're just drifting with the currents.
00:58:12 You had to hire your ex-husband.
00:58:15 When I married him, he was a pussycat.
00:58:17 The engine's wrecked.
00:58:19 Somebody threw in a monkey wrench.
00:58:21 You know the River Angle.
00:58:28 Can we make it to Laredo?
00:58:29 Without steam, we'll be drifting so slow...
00:58:33 ...the bandits can ride in and take us.
00:58:35 Tell Odie to stay for the Mexican side.
00:58:37 Okay.
00:58:38 That's a mistake.
00:58:40 You'd rather go to the American side.
00:58:43 That would be a fatal mistake.
00:58:45 We'll have to take the chance, sweetheart.
00:58:47 Surrender, amigo.
00:58:58 You are a prisoner of the revolution.
00:59:03 [music]
00:59:05 [music]
00:59:07 [explosion]
00:59:34 [music]
00:59:36 You have all been denounced.
00:59:56 For what?
00:59:57 For enemies of the revolution, there is only one punishment.
01:00:02 You can't mean her.
01:00:04 This lady is my wife.
01:00:06 She's my wife.
01:00:07 A marital dispute.
01:00:09 I'll settle it.
01:00:11 Shoot the lady.
01:00:13 Lieutenant, I want to speak to the commandant.
01:00:16 You know the commandant?
01:00:18 Colonel Fiera was my valet at the academy.
01:00:20 Well, how times have changed.
01:00:23 Yes, but...
01:00:25 ...for old times' sake, I think I shall ask the colonel to have you shot.
01:00:30 Well, if you're a friend, be careful.
01:00:33 Hey!
01:00:45 Enrique!
01:00:46 Paco!
01:00:47 We meet again.
01:00:50 Once more on the wrong side.
01:00:52 There you have the prisoner.
01:00:57 Huh?
01:00:58 [laughs]
01:01:07 Ah, you forgive me?
01:01:10 I know you.
01:01:22 Stop the firing squad!
01:01:24 Where did we meet?
01:01:26 Maybe you saw my face on the poster.
01:01:28 In America, he's a famous bandit.
01:01:32 Mm-hmm.
01:01:34 And how much are you worth?
01:01:37 Ten thousand dollars last I heard.
01:01:40 [whistles]
01:01:41 Mm-hmm.
01:01:43 And, uh...
01:01:44 ...your friends?
01:01:48 Twenty-five thousand altogether.
01:01:52 Package deal.
01:01:55 I think you're holding out on me.
01:01:57 [laughs]
01:01:59 Oh, Luis.
01:02:02 Hmm.
01:02:04 Luis, how many times must I tell you not to interrupt when I'm interrogating?
01:02:10 I forget, Your Excellency.
01:02:11 Oh, remember?
01:02:13 Remember, hmm?
01:02:15 [thud]
01:02:16 Oh!
01:02:17 Dolores, querida.
01:02:21 [laughs]
01:02:22 Tell me again about the one million dollar bank draft paper delivery, hm?
01:02:27 I delivered the chicken.
01:02:30 Don't break the eggs.
01:02:32 [laughs]
01:02:34 Smart girl, hm?
01:02:36 Lock 'em up.
01:02:38 [sighs]
01:02:39 [music]
01:03:02 Merci.
01:03:03 Enrique.
01:03:07 [music]
01:03:23 [laughs]
01:03:24 Do I know you?
01:03:29 Not yet.
01:03:31 [laughs]
01:03:34 [laughs]
01:03:35 [sighs]
01:03:39 Have some coffee.
01:03:42 Oh, I'm starved. I haven't had any breakfast.
01:03:45 What would you like?
01:03:46 Uh...
01:03:47 Colonel, can I shoot him now?
01:03:49 Uh...
01:03:50 Excuse me.
01:03:52 Paco.
01:03:58 How much can I collect for you?
01:04:01 Like yourself, I am poor. A servant of the people.
01:04:04 [laughs]
01:04:05 To be poor is nothing to be ashamed of.
01:04:08 On the other hand, it's nothing to be proud of.
01:04:11 But, Paco, to stay alive in these times,
01:04:15 you must have some value.
01:04:18 Like me.
01:04:20 You must have something important to say, hm?
01:04:28 I'm the goose that lays the golden eggs, as Dolores.
01:04:32 That's what I've been trying to tell you.
01:04:34 Of course.
01:04:37 What did I say about him, Dolores?
01:04:41 That's Paco.
01:04:42 My old friend Paco, eh?
01:04:45 I used to polish your boots at the academy, didn't I?
01:04:48 Lock him up with the greencoats.
01:04:52 Senor.
01:04:56 Remember, Enrique, no matter who wins this revolution,
01:04:59 you will end up shining my shoes again.
01:05:02 Dolores.
01:05:13 Now, how can we do business?
01:05:23 What do you admire most in a woman, Colonel?
01:05:26 Fidelity.
01:05:30 And second?
01:05:33 Don't you think we'd all be better off
01:05:46 if we behaved in a more civilized manner?
01:05:49 What's that mean?
01:05:50 What the hell does she see in you?
01:05:52 I'm afraid you could never understand.
01:05:55 I think I'm gonna do it now.
01:05:56 Now wait a minute.
01:05:57 Tell you what, Montel.
01:05:59 You talk about being civilized.
01:06:02 I got a proposition for you.
01:06:05 We share.
01:06:07 We share what?
01:06:08 Why, we share everything.
01:06:10 Including the wife.
01:06:12 With all the money that we're gonna get in Laredo,
01:06:15 we're planning to live in Paris.
01:06:17 Paris vu Francais.
01:06:20 You hear what he called you? You're gonna stand for it.
01:06:23 You see, you'd have a language problem.
01:06:25 In Paris, they don't drink booze, they drink wine.
01:06:28 To you, that'll taste like perfume.
01:06:30 The only excitement is an evening at the opera.
01:06:33 On Sundays, it's a stroll in the Bois de Boulogne.
01:06:35 The park, to you.
01:06:37 Where you live it up by feeding the swans.
01:06:40 No, I don't think you'd be happy with us.
01:06:43 Well, I'd rather be dead.
01:06:45 You see...
01:06:46 You see...
01:06:47 Fire!
01:06:57 Fire!
01:07:00 Get out of the way!
01:07:08 Over the door!
01:07:13 Get going! Get going!
01:07:15 Get going! Get going!
01:07:17 Get going! Get going!
01:07:18 (Tires screeching)
01:07:21 (Explosion)
01:07:22 (Tires screeching)
01:07:32 (Explosion)
01:07:36 (Explosion)
01:07:42 (Explosion)
01:07:46 (Explosion)
01:07:47 (Explosion)
01:08:08 (Explosion)
01:08:11 (Explosion)
01:08:12 I wonder what would Napoleon do at a time like this.
01:08:21 Soldiers of the Revolution, your moment of glory has arrived.
01:08:27 You are about to become a legend.
01:08:29 Your names will be engraved forever in the book of heroes.
01:08:33 Because of what you are about to do, bells will ring throughout the land.
01:08:38 (Bell rings)
01:08:39 Onward to victory!
01:08:45 (Explosion)
01:08:46 Senora Montero tells me that you know something about explosives.
01:09:03 We've blown up a few things.
01:09:06 What?
01:09:07 The Federal Cannon.
01:09:09 (Explosion)
01:09:10 I find it very annoying.
01:09:16 Silence that cannon.
01:09:19 And I'll release you.
01:09:22 It's a deal.
01:09:27 Ah!
01:09:31 First, tell me your plan.
01:09:35 Well, I'm not going to go charging down that hill waving a sword.
01:09:38 No, I'm sure your devilish mind is better equipped for treachery.
01:09:44 Takes one to know one.
01:09:47 Venga.
01:09:52 Aqui mismo.
01:09:55 Avalalo.
01:09:58 (Music)
01:10:00 (Music)
01:10:01 (Music)
01:10:30 We are not bandits.
01:10:31 We respect the flag of truce.
01:10:34 Let them through.
01:10:35 (Horn honks)
01:10:38 (Horn honks)
01:10:45 Are you the boss, amigo?
01:10:55 Excellency. Call him, Excellency.
01:10:57 Si, si.
01:10:59 What, Excellency?
01:11:00 Wait, Excellency.
01:11:03 I know these men.
01:11:05 Hey!
01:11:10 (Laughs)
01:11:14 But where?
01:11:16 Who is your spokesman?
01:11:19 Me, Excellency.
01:11:23 Why does he not speak?
01:11:25 Yeah, why don't you speak?
01:11:28 What kind of officers are you?
01:11:30 Where do you come from?
01:11:32 He is my cousin. We come from the same village.
01:11:35 Excellency.
01:11:37 Now I remember.
01:11:39 Sure.
01:11:41 I saw those faces a little time back.
01:11:44 I am positive.
01:11:46 I know that man like my own brother.
01:11:49 But who is he?
01:11:56 Tell Colonel Fierro that I will only accept unconditional surrender.
01:12:00 No terms.
01:12:02 Understand what that means?
01:12:04 Unconditional surrender?
01:12:06 Oh, no, no.
01:12:10 Well, anyway, we didn't come to talk about surrender.
01:12:14 We came for something else.
01:12:15 What else?
01:12:17 What?
01:12:18 Well, Excellency, it's about the cannon.
01:12:22 It's very annoying to the Colonel.
01:12:25 So you came to ask me to stop firing the cannon.
01:12:28 Yeah, I see.
01:12:31 We want to buy the cannon.
01:12:33 You hear that?
01:12:36 Our friend wants to buy our cannon.
01:12:40 And what will you pay for it?
01:12:44 A million dollars.
01:12:47 Of course.
01:12:49 Montero and a million dollars.
01:12:53 You have Montero in the fort.
01:12:55 Tell Fierro that I'm not interested in his offer.
01:12:59 No! With my cannon I will pulverize your fort.
01:13:02 I will get the money.
01:13:04 I will get Montero.
01:13:06 I will hang Fierro and shoot you all.
01:13:08 Remember the flag of truce, Excellency?
01:13:11 One minute to get back to the fort.
01:13:15 One minute to get back to the fort.
01:13:17 Look out!
01:13:30 What are you doing?
01:13:31 Idiot!
01:13:33 Stop them!
01:13:38 Stop them!
01:13:43 Stop them!
01:13:44 Fire! Fire!
01:14:01 Fire! Kill them all!
01:14:03 Excellency!
01:14:05 Now I remember.
01:14:07 What? Shoot!
01:14:09 Do you know who they were?
01:14:12 I never forget a face, Excellency.
01:14:14 We won! We won!
01:14:20 We won!
01:14:21 We lost.
01:14:42 We lost.
01:14:45 We lost.
01:14:46 We lost.
01:14:48 We lost.
01:14:50 We lost.
01:14:52 We lost.
01:14:54 We lost.
01:14:56 We lost.
01:14:58 We lost.
01:15:00 We lost.
01:15:02 We lost.
01:15:04 We lost.
01:15:06 We lost.
01:15:08 We lost.
01:15:10 We lost.
01:15:14 I told you!
01:15:15 I told you!
01:15:17 I never forget a face!
01:15:19 Enrique.
01:15:27 Do you know the general who is besieging us?
01:15:30 Duarte?
01:15:32 We went to the academy together.
01:15:34 Is he rich?
01:15:36 His family owns half of Mexico.
01:15:39 Is he married?
01:15:41 No.
01:15:42 Why?
01:15:47 The battle is going badly, Colonel.
01:15:50 Last night you said you loved me.
01:15:54 Let's be practical, Enrique.
01:15:56 What do you want me to do?
01:16:00 Surrender.
01:16:02 To Duarte? Never!
01:16:04 I used to polish his boots at the academy.
01:16:10 You're so cute.
01:16:11 Colonel!
01:16:30 They are digging for cannon.
01:16:32 Where is the colonel?
01:16:34 Whoever built this fort is stupid.
01:16:36 It's a prison for anyone inside.
01:16:39 I promised to release you.
01:16:40 I didn't promise to go to Laredo.
01:16:42 Where is Montero?
01:16:44 I told you to watch him.
01:16:46 Why didn't you watch him?
01:16:48 Are you worried about me?
01:16:50 Look what I found.
01:16:53 What is it?
01:16:55 It's what it looks like.
01:16:57 An old map of the fort.
01:16:59 Put your foot in that corner.
01:17:04 You, over there.
01:17:07 Colonel, if you please.
01:17:09 What do you see?
01:17:11 It looks like a tunnel.
01:17:17 Where does it lead?
01:17:19 To the river.
01:17:22 Where does it start?
01:17:24 In the church.
01:17:27 What does that suggest?
01:17:29 Come on, Colonel.
01:17:34 Even if you are at the foot of the cliff,
01:17:35 it means something to you.
01:17:37 I got it.
01:17:42 He got it.
01:17:44 If the well is dry, we can get water from the river.
01:17:48 It's an escape route.
01:17:51 It's an escape route.
01:17:53 That's what I said.
01:17:58 That's what I said.
01:17:59 Are you afraid of the dark, my dear?
01:18:22 The only thing she's afraid of is poverty.
01:18:25 Poverty.
01:18:27 [whistling]
01:18:28 [music playing]
01:18:31 [music playing]
01:18:33 [music playing]
01:18:35 [music playing]
01:18:37 [music playing]
01:18:39 [music playing]
01:18:41 [music playing]
01:18:43 [music playing]
01:18:45 [music playing]
01:18:48 [whistling]
01:18:49 [music playing]
01:18:52 [whistling]
01:18:54 [music playing]
01:18:57 [whistling]
01:18:59 [music playing]
01:19:01 [music playing]
01:19:03 [music playing]
01:19:05 [music playing]
01:19:07 [music playing]
01:19:09 [music playing]
01:19:11 [music playing]
01:19:13 [music playing]
01:19:16 (dramatic music)
01:19:19 (dramatic music)
01:19:21 (dramatic music)
01:19:24 (dramatic music)
01:19:27 (dramatic music)
01:19:30 (dramatic music)
01:19:32 (dramatic music)
01:19:35 (dramatic music)
01:19:38 (dramatic music)
01:19:41 (dramatic music)
01:19:44 (dramatic music)
01:19:46 (dramatic music)
01:19:49 (dramatic music)
01:19:52 (dramatic music)
01:19:55 (gunshots)
01:20:12 (dramatic music)
01:20:15 (gunshots)
01:20:17 (dramatic music)
01:20:20 (dramatic music)
01:20:23 (dramatic music)
01:20:25 (explosion)
01:20:52 - See anything, soldier?
01:20:54 - I don't know, Excellencia.
01:20:56 They are very busy up there building something.
01:20:59 - Building what?
01:21:00 - I can't really figure it out.
01:21:02 Don't you hear it?
01:21:06 - Silencio!
01:21:08 Silencio! - Silencio!
01:21:10 Silencio! - Shh, shh, shh.
01:21:20 - Sounds like sawing wood and hammering nails.
01:21:24 - Of course, they're spending their last few hours
01:21:26 by making their own coffins.
01:21:29 (laughing)
01:21:31 (dramatic music)
01:21:35 (dramatic music)
01:21:38 (dramatic music)
01:21:40 (dramatic music)
01:21:43 (dramatic music)
01:21:46 - I dreamed of riding in that car
01:22:12 down the boulevard in Mexico City.
01:22:15 The crowds cheering, "Fiaro, Fiaro, viva el Presidente."
01:22:19 - Who did you steal it from?
01:22:23 - It's a gift from a dead bad girl.
01:22:27 - Come with us, Enrique.
01:22:30 - But you already have two husbands.
01:22:35 What would you do with me?
01:22:37 - I'll think of something.
01:22:39 (dramatic music)
01:22:42 - What do you see?
01:22:50 - A naughty general watching us.
01:22:52 (dramatic music)
01:22:55 (dramatic music)
01:22:58 - Goodbye, Enrique.
01:23:22 Do you have any last message for your wife?
01:23:24 (dramatic music)
01:23:27 - Remember, Enrique, a brave man dies only once.
01:23:32 (dramatic music)
01:23:36 - Remember the Alamo?
01:23:48 The Alamo.
01:23:50 The Alamo.
01:23:52 - That's the battle we won, Excellency.
01:23:54 (gasps)
01:23:55 - I know.
01:23:56 (dramatic music)
01:23:58 - Cannons are ready, Excellency.
01:24:10 (dramatic music)
01:24:22 - Now we'll blast those gates open.
01:24:25 (dramatic music)
01:24:27 - Fire!
01:24:34 Fire at will!
01:24:35 - Fire!
01:24:36 (guns firing)
01:24:39 (dramatic music)
01:24:41 (guns firing)
01:24:44 (explosions booming)
01:24:47 (explosions booming)
01:24:51 (explosions booming)
01:24:54 (explosions booming)
01:25:17 (explosions booming)
01:25:20 (explosions booming)
01:25:49 - Hey, I'm a bandit.
01:25:52 But you, how did you get here?
01:25:55 - It wasn't easy.
01:26:01 (dramatic music)
01:26:07 (dramatic music)
01:26:10 - You two should be friends.
01:26:30 After all, you have a lot in common, me.
01:26:33 - I don't think he'd share you.
01:26:35 - Were you suggesting a switch man's picnic?
01:26:38 - Oh, what do you think I am?
01:26:40 - Shall we answer that?
01:26:42 - In a few minutes, you'll be rich.
01:26:45 You can have any girl you want.
01:26:48 I got to work on you while you're still poor.
01:26:50 - First thing I'm gonna do is buy you a new velvet dress.
01:26:55 One that comes off easy.
01:26:57 (laughing)
01:26:59 (dramatic music)
01:27:02 (dramatic music)
01:27:04 - Mr. Francisco Monteiro.
01:27:26 - Signed here.
01:27:28 (dramatic music)
01:27:30 - Signature checks.
01:27:51 You've got the identification.
01:27:57 (dramatic music)
01:28:00 (dramatic music)
01:28:03 (dramatic music)
01:28:06 (dramatic music)
01:28:08 (dramatic music)
01:28:11 (dramatic music)
01:28:40 - Signed here, Mr. Monteiro.
01:28:42 (dramatic music)
01:28:45 - Take him out.
01:28:46 Take him out!
01:28:49 (dramatic music)
01:28:52 - Coming, honey.
01:28:55 - Be right with you, Jesse.
01:28:58 (dramatic music)
01:29:00 (dramatic music)
01:29:03 (dramatic music)
01:29:06 (dramatic music)
01:29:35 - How am I doing, Papa?
01:29:37 - Just like your dear mama.
01:29:40 (gun firing)
01:29:43 (dramatic music)
01:29:46 (dramatic music)
01:29:49 (gun firing)
01:29:51 (gun firing)
01:30:02 (gun firing)
01:30:06 (gun firing)
01:30:16 (dramatic music)
01:30:19 (gun firing)
01:30:22 (gun firing)
01:30:26 (gun firing)
01:30:33 (dramatic music)
01:30:38 (dramatic music)
01:30:41 (dramatic music)
01:30:43 (dramatic music)
01:30:46 (dramatic music)
01:30:49 (dramatic music)
01:30:52 (dramatic music)
01:30:54 (dramatic music)
01:30:57 (dramatic music)
01:31:01 (dramatic music)
01:31:03 (dramatic music)
01:31:19 (dramatic music)
01:31:22 (dramatic music)
01:31:25 (dramatic music)
01:31:28 (dramatic music)
01:31:31 (dramatic music)
01:31:34 (dramatic music)
01:31:36 [BLANK_AUDIO]