Aired (August 28, 2023): Nag-rumba papuntang ‘Fast Talk’ ang legendary choreographers na sina Maribeth Bichara at Geleen Eugenio! Pinag-usapan nila ang takbo ng kanilang karera at ang pagiging choreographer nila sa mga kilalang pangalan sa industriya, pati na rin kung ano ang tingin nila sa isa’t isa! May rivalry nga ba?
Watch the latest episodes of 'Fast Talk with Boy Abunda’ weekdays at 4:05 PM on GMA Afternoon prime, starring Boy Abunda. #FastTalkwithBoyAbunda
Watch the latest episodes of 'Fast Talk with Boy Abunda’ weekdays at 4:05 PM on GMA Afternoon prime, starring Boy Abunda. #FastTalkwithBoyAbunda
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00:00 [MUSIC PLAYING]
00:03 [CHEERING]
00:12 [NON-ENGLISH SPEECH]
00:18 And welcome to Fast Talk with Boy Abunda.
00:25 [CHEERING]
00:28 [NON-ENGLISH SPEECH]
00:31 Thank you.
00:49 [NON-ENGLISH SPEECH]
00:52 We have very, very special guests.
00:55 [NON-ENGLISH SPEECH]
00:58 Our two legendary choreographers.
01:12 [NON-ENGLISH SPEECH]
01:15 Please welcome Marie Beth Beltsara and Jelene Eugenio.
01:20 [MUSIC PLAYING]
01:23 [CHEERING]
01:27 [NON-ENGLISH SPEECH]
01:30 [LAUGHTER]
01:34 Come on!
01:35 Go!
01:36 Woo!
01:37 [LAUGHTER]
01:39 [NON-ENGLISH SPEECH]
01:45 Love you!
01:46 Love you.
01:47 Thank you for being here.
01:48 [NON-ENGLISH SPEECH]
01:49 Wow!
01:50 Wow!
01:52 [NON-ENGLISH SPEECH]
01:54 Could have been possible in the '80s and the '90s?
02:00 No.
02:01 [LAUGHTER]
02:02 [NON-ENGLISH SPEECH]
02:04 That means no!
02:05 [LAUGHTER]
02:06 [NON-ENGLISH SPEECH]
02:07 What an honor.
02:09 [NON-ENGLISH SPEECH]
02:13 Thank you also to the boys.
02:14 Thank you.
02:15 So honored to be here.
02:16 Yeah.
02:17 Ladies, I know this is not very proper,
02:19 but I'll have to begin here.
02:20 Who is older?
02:23 You!
02:24 You!
02:24 [LAUGHTER]
02:27 You!
02:28 You!
02:28 You!
02:29 Wait.
02:29 OK.
02:30 Boy, it's like this.
02:32 [NON-ENGLISH SPEECH]
02:34 [LAUGHTER]
02:36 [NON-ENGLISH SPEECH]
02:37 [NON-ENGLISH SPEECH]
02:39 [LAUGHTER]
02:42 OK.
02:43 [NON-ENGLISH SPEECH]
02:44 [LAUGHTER]
02:47 [NON-ENGLISH SPEECH]
02:48 [NON-ENGLISH SPEECH]
02:51 She owned a disco.
02:54 I was just there because I love to go to discos.
02:57 I love to dance.
02:58 OK.
02:59 [NON-ENGLISH SPEECH]
03:02 Wow.
03:02 Yes.
03:03 Yes.
03:04 And she couldn't even remember.
03:05 I couldn't even remember.
03:06 [NON-ENGLISH SPEECH]
03:08 [LAUGHTER]
03:10 [NON-ENGLISH SPEECH]
03:12 They owned it.
03:13 So anyway, she called me, and then
03:15 [NON-ENGLISH SPEECH]
03:18 [NON-ENGLISH SPEECH]
03:23 The two of us, it was like we are twins.
03:27 It was like the Aldegraeo sisters.
03:29 I get it.
03:29 We're supposed to do that.
03:31 I really have to look back always.
03:33 [NON-ENGLISH SPEECH]
03:35 I love you, sister.
03:36 No, no, no, but it's true.
03:38 Right.
03:38 It's true.
03:39 I'm like that with the people who
03:41 help me in the industry.
03:43 I always look back.
03:44 I know.
03:45 Yeah.
03:45 [NON-ENGLISH SPEECH]
03:48 You don't have to be obsessed with the past,
03:50 but it is good to know our beginnings.
03:53 Who is the better dancer?
03:55 Me.
03:55 Me.
03:56 [LAUGHTER]
03:57 Of course, me.
03:58 Me.
03:58 [NON-ENGLISH SPEECH]
04:00 Actually, in fairness--
04:01 Very different.
04:02 Very different styles.
04:03 Yes, different styles.
04:04 You were about to say something.
04:05 Mine was-- my style was more on stagey.
04:09 It's like Bollywood.
04:12 [NON-ENGLISH SPEECH]
04:17 [NON-ENGLISH SPEECH]
04:19 I was with a recording company.
04:21 Yes.
04:22 So Mr. Ramon Chuey and James Lee discovered me,
04:26 and they looked for me, and then I already
04:30 got involved with Weeya Records.
04:32 [NON-ENGLISH SPEECH]
04:33 Even the costume.
04:34 Costume.
04:34 [NON-ENGLISH SPEECH]
04:35 [LAUGHTER]
04:37 [NON-ENGLISH SPEECH]
04:38 [NON-ENGLISH SPEECH]
04:40 [NON-ENGLISH SPEECH]
04:42 Yes.
04:42 Yes.
04:43 You did films.
04:44 Yes.
04:44 So who is the better actor?
04:46 Of course, me.
04:47 Of course, me.
04:48 [LAUGHTER]
04:50 Me.
04:50 [NON-ENGLISH SPEECH]
04:51 Definitely.
04:52 In the wild.
04:53 Yeah.
04:53 And then [NON-ENGLISH SPEECH] that you became so
04:56 identified with Ate Guy, and you were identified with Ate V.
05:01 So you know, that rivalry.
05:03 Yes.
05:03 So between Ate V and Ate Guy, who is the better dancer?
05:07 [LAUGHTER]
05:09 [NON-ENGLISH SPEECH]
05:10 [LAUGHTER]
05:11 [NON-ENGLISH SPEECH]
05:12 [LAUGHTER]
05:13 [NON-ENGLISH SPEECH]
05:14 No.
05:15 [NON-ENGLISH SPEECH]
05:16 [NON-ENGLISH SPEECH]
05:17 [NON-ENGLISH SPEECH]
05:19 We cannot compare.
05:20 Uh-uh.
05:20 We cannot.
05:21 We cannot.
05:21 Because Vilma really dances so well.
05:23 Nora sings so well.
05:25 So it can't be.
05:26 [NON-ENGLISH SPEECH]
05:27 [NON-ENGLISH SPEECH]
05:28 [NON-ENGLISH SPEECH]
05:29 [NON-ENGLISH SPEECH]
05:30 [NON-ENGLISH SPEECH]
05:31 [NON-ENGLISH SPEECH]
05:32 [NON-ENGLISH SPEECH]
05:35 [NON-ENGLISH SPEECH]
05:36 [NON-ENGLISH SPEECH]
05:37 [NON-ENGLISH SPEECH]
05:38 [NON-ENGLISH SPEECH]
05:39 [NON-ENGLISH SPEECH]
05:40 [NON-ENGLISH SPEECH]
05:41 The superstar, I would teach her 30 minutes before the show.
05:44 OK.
05:45 She can get the steps immediately.
05:47 Wow.
05:48 Yeah.
05:48 She's bionic.
05:50 Memory.
05:51 While Ati V--
05:52 Actually, they're the same.
05:53 Because during those times, the artists were really dedicated.
05:57 They were there.
05:58 They were so focused on what they were doing.
06:01 But were you affected by the rivalry of Ati Guy and Ati V?
06:06 Yes.
06:07 [NON-ENGLISH SPEECH]
06:12 [NON-ENGLISH SPEECH]
06:15 [NON-ENGLISH SPEECH]
06:16 Yeah.
06:17 We don't know each other.
06:18 I don't know your dancers.
06:19 She doesn't know my dancers.
06:20 We don't know each other.
06:21 We get out of my way.
06:22 [NON-ENGLISH SPEECH]
06:23 [NON-ENGLISH SPEECH]
06:24 [NON-ENGLISH SPEECH]
06:25 [LAUGHTER]
06:26 [NON-ENGLISH SPEECH]
06:27 [NON-ENGLISH SPEECH]
06:28 [NON-ENGLISH SPEECH]
06:29 [NON-ENGLISH SPEECH]
06:30 [NON-ENGLISH SPEECH]
06:31 [NON-ENGLISH SPEECH]
06:32 OK.
06:33 [NON-ENGLISH SPEECH]
06:34 [NON-ENGLISH SPEECH]
06:35 [NON-ENGLISH SPEECH]
06:36 Of course I'm just cute.
06:39 But you're just quiet.
06:41 I'm just cute.
06:42 You're just cute.
06:43 How about Maribeth?
06:44 Oh, she's loud.
06:46 I'm not loud.
06:47 It's just that I'm not--
06:49 Because her dancers are so good.
06:52 But you can't tell us why.
06:54 But you can't tell us why.
06:54 You can't tell us why.
06:56 Why can't you tell us that Maribeth is so good?
06:58 Of course she's good.
07:00 We agree with you.
07:02 Oh my God!
07:03 Thank you, Lord!
07:05 Thank you, Lord!
07:05 You're so good.
07:07 Our creativity is different.
07:09 Who's better than the two of you?
07:11 Who's better than the two of you?
07:13 Just her.
07:15 Just her.
07:17 How many boyfriends have you had?
07:19 None. Zero.
07:21 How about you?
07:23 A lot. That's why I'm better than you.
07:25 They're all the same.
07:27 I'm good.
07:29 I'm good.
07:31 I love you.
07:33 Okay, let's see who's better at this fast talk.
07:35 Let's do a fast talk.
07:37 We have two minutes to do this
07:39 and our time begins now.
07:41 Beth, what's your first job in Showbiz?
07:43 Secretary.
07:45 Your hidden talent?
07:47 Dancing and cooking and a lot.
07:49 Younger or older?
07:51 Any.
07:53 Heart or face?
07:55 Heart.
07:57 The most expensive gift from Ate Vee?
07:59 Her love.
08:01 Her professionalism.
08:03 Complete the sentence.
08:05 As long as it's a dancer?
08:07 As long as it's a dancer,
08:09 dancing is in the heart.
08:11 Complete the sentence.
08:13 I feel sexy when?
08:15 I feel sexy every day.
08:17 Complete the sentence.
08:19 Sometimes, I'm a jerk.
08:21 Sometimes, I'm a jerk but I'm so kind.
08:23 Yes or no?
08:25 Are you in love now?
08:27 I'm in love every day.
08:29 Marie Beth,
08:31 describe Jeline Eugenio
08:33 in one word.
08:35 She's sweet.
08:37 Jeline,
08:39 Riku Mambo or Shake Body Body Dancer?
08:41 Shake Body Body Dancer.
08:43 Street Boys or UMD?
08:45 UMD Street Boys.
08:47 P-pop or K-pop?
08:49 P-pop.
08:51 An artist that's famous?
08:53 All of them.
08:55 An artist that's hard to teach?
08:57 Oh no!
08:59 None! None! None!
09:01 Favorite celebrity dancer?
09:03 Maricel Soriano.
09:05 Complete the sentence.
09:07 I'm a legend because?
09:09 I'm creative.
09:11 Complete the sentence.
09:13 I'm sour because?
09:15 I'm beautiful.
09:17 Jeline, how's your heart?
09:19 It's getting bigger.
09:21 Describe Marie Beth Bichara
09:23 in one word.
09:25 Amazing!
09:27 For you two, lights on or lights off?
09:29 Lights on!
09:31 Off!
09:33 I'm off!
09:35 Happiness or chocolates?
09:37 Happiness!
09:39 Best time for happiness?
09:41 Every day!
09:43 Marie Beth, if you were to do a dance,
09:45 what would it be?
09:47 Rumba.
09:49 Rollercoaster!
09:51 Rollercoaster!
09:53 Rollercoaster!
09:55 A few questions.
09:57 First,
09:59 among the stars today,
10:01 who's the best dancer?
10:03 And why?
10:05 Second, I want to talk about you.
10:07 I want to talk about
10:09 Marian and you.
10:11 How did you create the "Sabay Sabay Tayo"?
10:13 And if you guys were to be
10:15 remembered for a dance move
10:17 or a dance,
10:19 what would that be?
10:21 Let's talk about that
10:23 in our Fast Talk with Boy Abunda.
10:25 We're back with
10:29 Fast Talk with Boy Abunda.
10:31 We're still here with
10:33 the great choreographers,
10:35 Jelaine Eugenio and Marie Beth Bichara.
10:37 But a lot of celebrities
10:39 have come to you.
10:41 Are they all grateful?
10:43 Are they all thankful?
10:45 Do they all know how to
10:47 look at the inside?
10:49 Sometimes, no.
10:51 Not all.
10:53 But most of them do.
10:55 Who's the hardest to teach?
10:57 Where?
10:59 Here in the Philippines.
11:01 I can't say.
11:03 But my dancers are bad.
11:05 They fell.
11:07 They fell.
11:09 Because they're bad.
11:11 Prima Donna and everything.
11:13 And you do not tell me,
11:15 "Please change your choreography."
11:17 There's someone like that.
11:19 She's changing her choreography.
11:21 Oh my God.
11:23 So the dancers told me,
11:25 "What can you do? Let's not change it."
11:27 "Because it's a show."
11:29 So there. It's like a lift.
11:31 Okay.
11:33 Marie Beth, have you experienced
11:35 I mean, some stars would say,
11:37 "I don't like your choreography."
11:39 No. Not at all.
11:41 But when I see them already awkward,
11:43 I change it already right away.
11:45 So there's no more discussion.
11:47 But I always ask my artists,
11:49 "Are you comfortable?"
11:51 Now, among the stars
11:53 who are working and you're watching,
11:55 who do you think
11:57 is the most capable?
11:59 For me, Marian Rivera is
12:01 she's like a total package.
12:03 Projection, right?
12:05 She's a projection because she's a "dea chai."
12:07 Projection.
12:09 She's a total package.
12:11 She's a total package.
12:13 "Dea chai."
12:15 Projection.
12:17 She's not only sexy,
12:19 but very graceful.
12:21 She's a miracle.
12:23 Marian Rivera is one of a kind.
12:25 She's a goddess.
12:27 Marie Beth, who comes to mind?
12:29 I have several.
12:31 I really love Yassie Pressman.
12:35 She dances so well.
12:37 But since there's no grace involved
12:39 in the dances now,
12:41 I have to change.
12:43 And then, Maha is a good dancer also.
12:45 But given the chance to work with them,
12:49 I will have to change their style.
12:51 Because I know…
12:53 How will you change their style?
12:55 I will remove
12:57 the stiffness of their dance.
12:59 And the over-sexiness
13:01 that it can be…
13:03 I can change it a bit.
13:05 I can jazz it a bit.
13:07 Because you will know
13:09 that you can jazz it.
13:11 You have it.
13:13 Yassie also has it.
13:15 Who else?
13:17 I don't know anyone else.
13:19 Sheline, you?
13:21 Marian. I worked with her.
13:23 She's good.
13:25 But if you say,
13:27 "I will make her a little more jazzy,"
13:31 like Maj or Yassie,
13:33 what does that mean?
13:35 What is the meaning of that?
13:37 Let's stand.
13:39 I want to understand.
13:41 For example.
13:43 No, no, no.
13:45 Because the dance now is more
13:47 on the boom, boom, pak.
13:49 They're all like that.
13:51 And they're all singing.
13:53 Okay.
13:55 So, I can change it
13:57 to make it more look good for them.
13:59 Because I will teach them first
14:01 how to walk.
14:03 That's important.
14:05 You can't be graceful
14:07 if you cannot walk
14:09 exactly how you want
14:11 to express yourself.
14:13 Oh.
14:15 So, there is the walk,
14:17 the way you move your shoulder,
14:19 the way you move it,
14:21 the way you put it around,
14:23 and the way you make hawe.
14:25 That's not there now.
14:27 All of them, suddenly,
14:29 they're all like that.
14:31 That's LA style.
14:33 Yes.
14:35 What is it, Jelene? The canto?
14:37 The canto and everything.
14:39 That.
14:41 But, from LA,
14:43 the choreographers of LA go to Korea.
14:45 And the Koreans go to LA
14:47 and to New York.
14:49 That's where they get all the...
14:51 What happens in the dance?
14:53 Is there a merging?
14:55 Yes, there is a merging.
14:57 They collaborate.
14:59 But if you will notice, like BTS,
15:01 my God, they're jazz dancers.
15:03 Yes.
15:05 It's really important.
15:07 They're jazz dancers.
15:09 They're jazz dancers.
15:11 So, for sure, they're given those kind of
15:13 classes also.
15:15 Jelene, let's do it together.
15:17 How did you compose
15:19 Marian Rivera?
15:21 Did you compose that, right?
15:23 Yes, I composed it.
15:25 She did?
15:27 I composed it.
15:29 How can that not be a legend?
15:31 Right?
15:33 But how did you invent that whole
15:35 choreography?
15:37 She inspired me so much.
15:39 Okay.
15:41 How is that movement?
15:43 Let's do it together.
15:45 It's one, two, three, and
15:47 four.
15:49 And raise your hands.
15:51 And then, one, two,
15:53 three, and four.
15:55 Step your feet.
15:57 And
15:59 turn your head.
16:01 Turn your head, boy.
16:03 Turn your head.
16:05 Put your hands here.
16:07 When you're on the set or in the dance studio,
16:09 can we have music?
16:11 [music]
16:13 One, two,
16:15 [music]
16:17 four, and
16:19 [music]
16:21 Come on, boy.
16:23 [music]
16:25 (upbeat music)
16:28 (upbeat music)
16:31 - Open up, open up!
16:36 (upbeat music)
16:38 (laughing)
16:48 (cheering)
16:56 - If you were to be remembered for a dance,
16:59 if you were to be remembered for a step or a move,
17:03 what would be the most epic dance you've done?
17:05 For example, if someone says,
17:07 "Jelene, what dance is that?"
17:09 If someone says, "Betshy, Marybeth, what dance is that?"
17:11 - I'll just do one.
17:13 They always know me.
17:14 - Okay, do it.
17:15 - This.
17:16 - Ah!
17:19 - After a dance.
17:21 - After a dance.
17:21 - After a dance.
17:22 For example, I dance like this.
17:25 - Camera!
17:26 - Oh!
17:28 - So that's Betshya, that's Marybeth.
17:34 Ikaw, Jelene.
17:35 - Sige.
17:35 Five, six, seven, eight.
17:37 Boom, boom, pa!
17:38 Boom, boom, pa, pa!
17:39 Boom, boom, pa!
17:40 Boom, boom, pa, pa!
17:41 Boom, boom, boom!
17:43 Boom, boom, boom!
17:44 Boom, boom, boom, boom!
17:46 - Oh!
17:46 (clapping)
17:49 (speaking in foreign language)
17:53 (speaking in foreign language)
17:55 - Can we have music, please?
17:57 (upbeat music)
17:59 (laughing)
18:13 (upbeat music)
18:15 (speaking in foreign language)
18:21 - Thank you very much.
18:22 (speaking in foreign language)
18:26 Stay kind.
18:29 (speaking in foreign language)
18:30 Hashtag say thank you.
18:32 Let's talk again tomorrow.
18:33 Goodbye for now, and God bless.
18:36 (upbeat music)
18:39 (yelling)
18:41 (upbeat music)