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00:00:00 (police sirens)
00:00:02 - Honey, you sure you don't want to invite
00:00:09 your friend, the photographer?
00:00:12 Peter Parker?
00:00:13 - Oh, positive.
00:00:15 - Thought he was your pal.
00:00:18 - Peter Parker?
00:00:19 - Yeah.
00:00:20 - He's just a great big jerk.
00:00:24 - The world's full of great big jerks.
00:00:27 - You're adorable.
00:00:29 - It's just a uniform.
00:00:31 - Lean your head back for me.
00:00:37 - Put my head back?
00:00:37 - Yeah, just do it.
00:00:39 - Just put my head back?
00:00:42 - Mm-hmm.
00:00:43 - Okay.
00:00:44 (dramatic music)
00:00:48 - Hiya.
00:00:58 - Surprised?
00:00:58 - Mary.
00:00:59 - Thanks for coming.
00:01:02 - Everything okay?
00:01:04 - You might say so.
00:01:06 This is funny, I'm not sure how to begin.
00:01:11 You know how our minds play tricks on us.
00:01:17 - Tell me about it.
00:01:18 - Well, mine did a real number on me.
00:01:21 Some part of me heard what you had to say
00:01:24 after the show that night, that you were different.
00:01:28 I didn't want to listen.
00:01:30 I was afraid to trust you.
00:01:32 But I've been thinking about it.
00:01:36 - Listen, there's more for me to say.
00:01:39 I maybe rushed into things.
00:01:46 I thought--
00:01:48 - Wait a minute, what are you saying?
00:01:51 - I'm saying I...
00:01:53 I...
00:01:54 I thought I could be there for you, Mary Jane.
00:02:02 But I can't.
00:02:03 My mind was playing tricks too.
00:02:09 - Do you love me or not?
00:02:16 (dramatic music)
00:02:19 - I...
00:02:24 don't.
00:02:29 - You don't?
00:02:45 - Kiss me.
00:02:46 - Kiss you?
00:02:50 - I need to know something.
00:02:52 Just one kiss.
00:02:55 (dramatic music)
00:02:58 No!
00:02:59 (dramatic music)
00:03:02 (dramatic music)
00:03:05 (dramatic music)
00:03:08 (dramatic music)
00:03:11 (dramatic music)
00:03:14 (dramatic music)
00:03:17 (dramatic music)
00:03:19 (dramatic music)
00:03:22 - What's happening?
00:03:43 (dramatic music)
00:03:45 (dramatic music)
00:03:48 - Peter Parker.
00:03:54 And the girlfriend.
00:03:57 - What do you want?
00:03:59 - I want you to find your friend, Spider-Man.
00:04:04 Tell him to meet me at the West Side Tower at three o'clock.
00:04:07 - I don't know where he is.
00:04:09 - Find him.
00:04:13 Or I'll peel the flesh off her bones.
00:04:17 - If you lay one finger on her, you'll do what?
00:04:21 (dramatic music)
00:04:25 (screaming)
00:04:32 (dramatic music)
00:04:35 (screaming)
00:04:37 (dramatic music)
00:04:40 (screaming)
00:04:42 (dramatic music)
00:04:45 (screaming)
00:04:48 (dramatic music)
00:04:50 (screaming)
00:04:53 (dramatic music)
00:04:55 (screaming)
00:04:58 (dramatic music)
00:05:00 (screaming)
00:05:03 (dramatic music)
00:05:06 (screaming)
00:05:08 (dramatic music)
00:05:11 (screaming)
00:05:13 (dramatic music)
00:05:16 (screaming)
00:05:18 (dramatic music)
00:05:21 (dramatic music)
00:05:24 (dramatic music)
00:05:26 (speaking foreign language)
00:05:30 - Stevie.
00:05:31 (dramatic music)
00:05:35 (speaking foreign language)
00:05:39 (dramatic music)
00:05:41 (speaking foreign language)
00:05:45 (dramatic music)
00:05:48 (speaking foreign language)
00:05:51 (dramatic music)
00:05:54 (speaking foreign language)
00:06:05 (dramatic music)
00:06:19 (speaking foreign language)
00:06:24 (dramatic music)
00:06:27 (speaking foreign language)
00:06:31 (speaking foreign language)
00:06:50 (dramatic music)
00:06:53 (dramatic music)
00:07:02 - This is for the ones who never go unnoticed.
00:07:05 Embracing the authentic, sharing the thrill,
00:07:10 the emotions.
00:07:12 (dramatic music)
00:07:17 Keeping it smooth, striving for an unexpected journey.
00:07:22 (dramatic music)
00:07:25 Experiencing new sensations, expressing their imagination.
00:07:33 Always moving to a new horizon.
00:07:36 Always open to what's possible together.
00:07:40 Camel, beyond the ordinary.
00:07:44 (dramatic music)
00:07:48 (speaking foreign language)
00:07:51 - This is for the ones who never go unnoticed.
00:08:05 Embracing the authentic, sharing the thrill,
00:08:10 the emotions.
00:08:12 (dramatic music)
00:08:15 (speaking foreign language)
00:08:18 (dramatic music)
00:08:21 (speaking foreign language)
00:08:26 (dramatic music)
00:08:28 - Experiencing new sensations, expressing their imagination.
00:08:33 Always moving to a new horizon.
00:08:36 Always open to what's possible together.
00:08:40 Camel, beyond the ordinary.
00:08:44 (dramatic music)
00:08:46 (speaking foreign language)
00:08:50 (dramatic music)
00:08:53 (speaking foreign language)
00:08:56 (speaking foreign language)
00:09:01 (dramatic music)
00:09:04 (speaking foreign language)
00:09:07 (speaking foreign language)
00:09:16 (dramatic music)
00:09:19 (speaking foreign language)
00:09:32 - This is for the ones who never go unnoticed.
00:09:35 Embracing the authentic, sharing the thrill,
00:09:40 the emotions.
00:09:42 (dramatic music)
00:09:45 (speaking foreign language)
00:09:47 Keeping it smooth, striving for an unexpected journey.
00:09:52 (dramatic music)
00:09:55 Experiencing new sensations, expressing their imagination.
00:10:03 Always moving to a new horizon.
00:10:07 Always open to what's possible together.
00:10:10 Camel, beyond the ordinary.
00:10:14 (dramatic music)
00:10:17 - Still no word on the whereabouts of your son's fiance.
00:10:22 Sorry, gentlemen.
00:10:23 - It's all my fault.
00:10:26 I drove Spider-Man away.
00:10:29 - He was the only one who could have stopped Octavius.
00:10:33 - Yes.
00:10:36 Spider-Man was a hero.
00:10:40 I just couldn't see it.
00:10:45 He was a thief, a criminal.
00:10:49 (gun firing)
00:10:49 He stole my suit.
00:10:51 He diminished the entire city.
00:10:53 I want that wall crawling arachnid prosecuted.
00:10:56 I want him strung up by his web.
00:10:58 I want Spider-Man!
00:11:01 (dramatic music)
00:11:06 (dramatic music)
00:11:08 - Where is she?
00:11:31 - Oh, she'll be just fine.
00:11:33 Let's talk.
00:11:34 (dramatic music)
00:11:36 (dramatic music)
00:11:39 (grunting)
00:11:41 (grunting)
00:11:44 (screaming)
00:11:51 (dramatic music)
00:11:54 (grunting)
00:12:00 (dramatic music)
00:12:03 (grunting)
00:12:06 (dramatic music)
00:12:10 (grunting)
00:12:12 (dramatic music)
00:12:15 - What the hell?
00:12:24 (dramatic music)
00:12:27 (grunting)
00:12:29 (dramatic music)
00:12:32 (screaming)
00:12:35 (dramatic music)
00:12:38 (grunting)
00:12:42 (dramatic music)
00:12:45 (screaming)
00:12:49 (dramatic music)
00:12:52 (grunting)
00:12:54 (dramatic music)
00:12:57 (screaming)
00:13:02 (dramatic music)
00:13:05 (grunting)
00:13:09 (screaming)
00:13:11 (dramatic music)
00:13:14 (dramatic music)
00:13:17 (dramatic music)
00:13:23 (screaming)
00:13:25 (dramatic music)
00:13:28 (screaming)
00:13:47 (dramatic music)
00:13:50 (screaming)
00:13:52 (dramatic music)
00:13:55 (gunshots)
00:14:04 (dramatic music)
00:14:07 (screaming)
00:14:16 (dramatic music)
00:14:19 (gunshots)
00:14:22 - You have a train to catch.
00:14:26 (gunshots)
00:14:28 (screaming)
00:14:31 - I can't stop it, it'll break the car!
00:14:35 (gunshots)
00:14:38 (dramatic music)
00:14:41 (explosion)
00:14:43 (dramatic music)
00:14:46 (dramatic music)
00:14:52 - It's firing me!
00:14:53 - Oh my gosh, this is it!
00:14:55 - Tell everyone to hang on!
00:14:56 - Break it down!
00:14:58 (dramatic music)
00:15:00 (grunting)
00:15:03 (screaming)
00:15:05 (gunshots)
00:15:07 (screaming)
00:15:10 (dramatic music)
00:15:12 - Any more bright ideas?
00:15:21 - I got a few, yeah!
00:15:23 (dramatic music)
00:15:26 (gunshots)
00:15:30 (explosion)
00:15:34 (explosion)
00:15:39 (explosion)
00:15:40 (screaming)
00:15:43 - Whoa, watch out!
00:15:45 (dramatic music)
00:15:48 (screaming)
00:16:01 (dramatic music)
00:16:06 (screaming)
00:16:08 - We're slowing down!
00:16:17 (screaming)
00:16:19 (explosion)
00:16:27 (dramatic music)
00:16:30 (screaming)
00:16:33 (explosion)
00:16:35 (dramatic music)
00:16:38 (grunting)
00:16:43 (dramatic music)
00:16:45 (dramatic music)
00:16:49 (dramatic music)
00:16:52 (dramatic music)
00:16:55 - Next thing you see, I'm gonna go down.
00:17:21 - Go slower, gently.
00:17:22 - Is he alive?
00:17:28 - He's just a kid.
00:17:34 And older than my son.
00:17:38 (dramatic music)
00:17:41 (dramatic music)
00:17:44 - It's all right.
00:17:58 - We found something.
00:18:04 (dramatic music)
00:18:07 - We won't tell nobody.
00:18:15 - It's good to have you back, Spider-Man.
00:18:32 (dramatic music)
00:18:34 (screaming)
00:18:44 - He's mine!
00:18:51 - You wanna get to him, you gotta go through me.
00:18:55 - And me.
00:18:56 - Me too.
00:18:58 (dramatic music)
00:19:01 - Very well.
00:19:04 (screaming)
00:19:06 (dramatic music)
00:19:09 (glass shattering)
00:19:19 (dramatic music)
00:19:23 (dramatic music)
00:19:25 - Where do you want him?
00:19:33 - And the tritium?
00:19:42 (glass shattering)
00:19:44 (dramatic music)
00:19:50 (grunting)
00:19:53 (dramatic music)
00:19:55 - Yes!
00:19:56 (dramatic music)
00:20:19 (dramatic music)
00:20:22 - If only I could cause you the pain that you've caused me.
00:20:30 First we'll see who's behind the mask.
00:20:34 I can look into your eyes as you die.
00:20:37 Peace.
00:20:40 No.
00:20:42 It can't be.
00:20:44 (glass shattering)
00:20:50 (dramatic music)
00:20:50 - Harry.
00:20:51 Where is she?
00:20:55 Where is he keeping her?
00:20:57 He's got MJ.
00:20:59 - No, all he wanted was the tritium.
00:21:02 - Tritium?
00:21:03 He's making the machine again.
00:21:08 When that happens, she'll die along with half of New York.
00:21:12 Now where is he?
00:21:14 - Peter.
00:21:15 He killed my father.
00:21:18 (dramatic music)
00:21:21 - There are bigger things happening here than me and you.
00:21:28 Harry, please, I've got to stop him.
00:21:31 (upbeat music)
00:21:34 (upbeat music)
00:21:37 (speaking in foreign language)
00:21:41 (speaking in foreign language)
00:21:45 (speaking in foreign language)
00:21:49 - This is for the ones who never go unnoticed.
00:22:11 Embracing the authentic.
00:22:14 Sharing the thrill.
00:22:16 The emotions.
00:22:17 Keeping it smooth.
00:22:25 Striving for an unexpected journey.
00:22:28 Experiencing new sensations.
00:22:36 Expressing their imagination.
00:22:39 Always moving to a new horizon.
00:22:42 Always open to what's possible.
00:22:45 Together.
00:22:46 Camel, beyond the ordinary.
00:22:49 (upbeat music)
00:22:55 (speaking in foreign language)
00:22:58 (speaking in foreign language)
00:23:02 (speaking in foreign language)
00:23:06 (speaking in foreign language)
00:23:11 (speaking in foreign language)
00:23:15 (speaking in foreign language)
00:23:19 (speaking in foreign language)
00:23:23 (speaking in foreign language)
00:23:27 (speaking in foreign language)
00:23:52 (speaking in foreign language)
00:23:56 (speaking in foreign language)
00:24:11 (speaking in foreign language)
00:24:14 (speaking in foreign language)
00:24:18 (speaking in foreign language)
00:24:23 (speaking in foreign language)
00:24:27 (speaking in foreign language)
00:24:31 - This is for the ones who never go unnoticed.
00:24:56 Embracing the authentic.
00:24:59 Sharing the thrill.
00:25:00 The emotions.
00:25:02 Keeping it smooth.
00:25:09 Striving for an unexpected journey.
00:25:12 Experiencing new sensations.
00:25:21 Expressing their imagination.
00:25:24 Always moving to a new horizon.
00:25:26 Always open to what's possible.
00:25:30 Together.
00:25:30 Camel, beyond the ordinary.
00:25:34 - Hey!
00:25:46 Hey!
00:25:49 I'm talking to you!
00:25:53 You got what you needed for your little science project,
00:25:55 now let me go!
00:25:56 - I can't let you go, you'd bring the police.
00:25:58 Not that anybody could stop me now that Spider-Man's dead.
00:26:02 - He's not dead.
00:26:02 I don't believe you.
00:26:05 - Believe it.
00:26:05 (gunshots firing)
00:26:13 (dramatic music)
00:26:21 (screaming)
00:26:23 - Surprise.
00:26:24 As soon as you get free.
00:26:30 (screaming)
00:26:32 - I should have known Osborn wouldn't have the spine
00:26:35 to finish you.
00:26:36 - Shut it down, Hawk.
00:26:37 You're gonna hurt a lot more people this time.
00:26:39 - Well, that's a risk we're willing to take.
00:26:41 - Well, I'm not.
00:26:43 (screaming)
00:26:48 (screaming)
00:26:51 - Hang on, Mary Jane!
00:27:18 (screaming)
00:27:21 (screaming)
00:27:23 (screaming)
00:27:26 (dramatic music)
00:27:54 - Let's see you scurry out of this.
00:27:56 (screaming)
00:28:01 - Now what?
00:28:17 (gunshots firing)
00:28:20 (screaming)
00:28:32 (dramatic music)
00:28:41 (gunshots firing)
00:28:44 - Dr. Octavius.
00:28:47 We have to shut it down.
00:28:53 Please tell me how.
00:28:55 - Peter Parker.
00:28:55 Brilliant, but lazy.
00:29:01 - Look at what's happening.
00:29:03 We must destroy it.
00:29:05 (gunshots firing)
00:29:09 (dramatic music)
00:29:11 - I can't destroy it.
00:29:12 (electricity crackling)
00:29:18 I won't!
00:29:19 - You once spoke to me about intelligence.
00:29:27 That it was a gift to be used for the good of mankind.
00:29:31 - A privilege.
00:29:34 - These things have turned you into something you're not.
00:29:39 Don't listen to them.
00:29:40 - It was my dream.
00:29:48 - Sometimes to do what's right, we have to be steady
00:29:52 and give up the thing we want the most.
00:29:55 Even our dreams.
00:29:57 - You're right.
00:30:05 (electricity crackling)
00:30:08 (dramatic music)
00:30:11 - He's right.
00:30:13 Listen.
00:30:17 Listen to me now.
00:30:21 Listen to me now.
00:30:26 - Now, tell me how to stop it.
00:30:33 - It can't be stopped.
00:30:37 It's self-sustaining now.
00:30:39 - Think.
00:30:40 - Unless
00:30:41 the river
00:30:43 drown it.
00:30:47 I'll do it.
00:30:50 (electricity crackling)
00:30:54 (dramatic music)
00:30:56 (dramatic music)
00:30:59 (dramatic music)
00:31:02 (dramatic music)
00:31:17 (gasping)
00:31:22 (dramatic music)
00:31:25 (gasping)
00:31:27 (screaming)
00:31:36 (glass shattering)
00:31:37 (screaming)
00:31:39 (dramatic music)
00:31:42 - Hi.
00:31:46 - Hi.
00:31:49 - This is really heavy.
00:31:53 (glass shattering)
00:31:56 (dramatic music)
00:31:59 - MJ.
00:32:16 In case we die.
00:32:19 - You do love me.
00:32:21 - I do.
00:32:24 Even though you said you didn't.
00:32:25 (dramatic music)
00:32:28 - I will not die a monster.
00:32:30 (dramatic music)
00:32:33 - No!
00:32:35 (dramatic music)
00:32:38 (glass shattering)
00:32:42 (screaming)
00:32:44 (dramatic music)
00:32:47 (screaming)
00:32:51 (glass shattering)
00:32:54 (dramatic music)
00:32:57 (water splashing)
00:33:15 (water splashing)
00:33:17 (dramatic music)
00:33:20 - I think I always knew,
00:33:36 all this time,
00:33:38 how you really were.
00:33:42 And you know why we can't be together.
00:33:44 Spider-Man will always have enemies.
00:33:47 I can't let you take that risk.
00:33:52 I will,
00:33:58 always be Spider-Man.
00:34:02 You and I can never be.
00:34:06 (dramatic music)
00:34:09 (sirens blaring)
00:34:12 (dramatic music)
00:34:17 (tires screeching)
00:34:29 (dramatic music)
00:34:34 (dramatic music)
00:34:37 - Mary Jane!
00:34:44 (dramatic music)
00:34:47 (dramatic music)
00:34:50 (dramatic music)
00:34:52 (dramatic music)
00:34:55 (dramatic music)
00:34:58 (tires screeching)
00:35:09 (dramatic music)
00:35:24 (dramatic music)
00:35:27 (door creaking)
00:35:37 - Hello?
00:35:43 (dramatic music)
00:35:47 (dramatic music)
00:35:49 - Who's that?
00:36:01 - Son.
00:36:02 I'm here.
00:36:05 - Dad?
00:36:07 Is that your--
00:36:10 - No.
00:36:11 I'm alive in you, Harry.
00:36:14 Now it's your turn.
00:36:16 You swore to make Spider-Man pay.
00:36:18 Now make him pay.
00:36:20 - Peter's my best friend.
00:36:22 - And I'm your father.
00:36:24 You're weak.
00:36:26 You were always weak.
00:36:28 You'll always be weak until you take control.
00:36:31 Now you know the truth about Peter.
00:36:35 Be strong, Harry.
00:36:37 Avenge me.
00:36:39 Avenge me!
00:36:43 - No!
00:36:44 (glass shattering)
00:36:47 (dramatic music)
00:36:52 (dramatic music)
00:37:14 (glass shattering)
00:37:17 (glass shattering)
00:37:30 (dramatic music)
00:37:36 (dramatic music)
00:37:38 (dramatic music)
00:37:49 (dramatic music)
00:37:52 (dramatic music)
00:38:14 (glass shattering)
00:38:17 (dramatic music)
00:38:19 (glass shattering)
00:38:32 (dramatic music)
00:38:35 (dramatic music)
00:38:38 (dramatic music)
00:38:41 - Call Deborah.
00:39:04 - The caterer.
00:39:07 - Tell her not to open the caviar.
00:39:09 (dramatic music)
00:39:12 (glass shattering)
00:39:16 (dramatic music)
00:39:19 (dramatic music)
00:39:21 (dramatic music)
00:39:45 (dramatic music)
00:39:48 - I had to do what I had to do.
00:39:50 - Mary Jane.
00:39:53 - Peter.
00:39:56 I can't survive without you.
00:39:59 (dramatic music)
00:40:03 - You shouldn't be here.
00:40:10 - I know you think we can't be together.
00:40:15 But can't you respect me enough
00:40:17 to let me make my own decision?
00:40:19 I know there'll be risks,
00:40:23 but I wanna face them with you.
00:40:25 It's wrong that we should only be half alive,
00:40:30 half of ourselves.
00:40:31 I love you.
00:40:35 So here I am standing in your doorway.
00:40:42 I've always been standing in your doorway.
00:40:45 (dramatic music)
00:40:49 Is it about time somebody saved your life?
00:40:55 Well, say something.
00:41:02 - Thank you, Mary Jane Watson.
00:41:07 - Go get 'em, Tiger.
00:41:12 (dramatic music)
00:41:15 (Mary Jane screams)
00:41:38 (dramatic music)
00:41:41 (dramatic music)
00:41:43 (dramatic music)
00:41:46 (dramatic music)
00:41:49 (dramatic music)
00:41:52 (upbeat music)
00:42:16 (upbeat music)
00:42:19 (dramatic music)
00:42:31 (dramatic music)
00:42:34 (dramatic music)
00:42:36 (dramatic music)
00:42:39 (dramatic music)
00:42:42 (dramatic music)
00:42:45 (dramatic music)
00:43:03 (dramatic music)
00:43:06 (dramatic music)
00:43:09 - Mining.
00:43:19 - Yes, it is.
00:43:20 (guns firing)
00:43:24 - You got a $1.25 on there?
00:43:31 - Is this machine working?
00:43:33 - Is my machine working?
00:43:35 - There you go, five quarters.
00:43:38 All right, got a lot of people in a hurry here,
00:43:39 so whatever you can do.
00:43:41 - Sir, it's what I got.
00:43:42 - There you go.
00:43:48 Hey, the machine's working.
00:43:49 - $1.25.
00:43:50 - All right, have a seat.
00:43:51 (dramatic music)
00:43:58 - Take her up there.
00:44:04 (screaming)
00:44:06 (dramatic music)
00:44:17 - Sir, I don't even know what you're talking about.
00:44:28 - So you don't know what I'm talking about?
00:44:29 - No, sir, no, I do not.
00:44:32 - Well, that's interesting because we have you
00:44:34 and your little (beep) money on camera,
00:44:37 getting all nice and cozy with the same guy
00:44:40 in the parking lot.
00:44:41 So I'm gonna ask you again.
00:44:43 Who is this (beep) guy and where's our (beep) money?
00:44:48 - I don't know.
00:44:52 - There's only so many ways that I can ask you nicely.
00:44:55 - This is nice for you?
00:44:56 (beep)
00:45:01 - No.
00:45:02 - Dammit, let go of me.
00:45:06 - Baby, baby, I'm so (beep) sorry.
00:45:08 - Baby, what have they done to you?
00:45:10 - We don't know who he is.
00:45:12 - Okay.
00:45:13 Who the (beep) is?
00:45:16 - You didn't mean it, did you?
00:45:17 You didn't mean it.
00:45:19 - Eric!
00:45:20 Eric!
00:45:22 Eric!
00:45:23 - That's not always the answer.
00:45:26 (ominous music)
00:45:29 Funny thing about these e-cigarettes,
00:45:36 it's the satisfaction of burning something
00:45:38 on the asses of your hand.
00:45:40 My apologies.
00:45:45 Derek can be a little overzealous at times.
00:45:48 - Mr. Pope, this is just a--
00:45:53 - I'm not finished.
00:45:55 You see, I've been Derek's mentor for a while now.
00:45:57 I taught him everything he knows.
00:45:59 How to run a casino floor, how to run a business,
00:46:02 how to really run a business.
00:46:05 But most importantly, how to spot a thief.
00:46:08 Because in our business, the number one rule is
00:46:11 never let anyone steal from you.
00:46:14 Because if even one person steals from you,
00:46:17 even as little as--
00:46:19 - 10 Gs.
00:46:20 - $10,000, it's a sign of weakness.
00:46:23 It's a drop of blood in shark-infested waters,
00:46:26 a hole in your defense.
00:46:27 And when people think you're weak,
00:46:29 they come in droves to take what's yours.
00:46:32 Like "Fly" is in the proverbial.
00:46:33 Normally I'd give Derek here all night
00:46:35 to make you regret stealing from me.
00:46:37 - No, but we didn't, we didn't.
00:46:38 - But now, you may be late for my own surprise party.
00:46:41 So here's what we're gonna do.
00:46:42 I'm gonna give you both 10 seconds
00:46:43 to tell me where the money is
00:46:45 and whose idea it was to take it in the first place.
00:46:47 Or Derek here kills you both.
00:46:50 I lose out on 10 grand.
00:46:53 Which frankly means to me, 'cause you know what?
00:46:55 This is about principle, not money.
00:46:57 (crying)
00:46:58 - No, please.
00:46:59 - So back soon.
00:47:00 - No, Mr. Pope, please.
00:47:01 - 10, nine.
00:47:02 - We don't know who took the money.
00:47:04 - Eight, seven.
00:47:05 - We need money, we need your money, please.
00:47:07 - Six, five.
00:47:07 - Oh no, Mr. Pope, Mr. Pope.
00:47:10 - Four.
00:47:11 - Mr. Pope, please, we don't know who he is.
00:47:12 Please, don't.
00:47:13 - Three.
00:47:14 - Mr. Pope, we don't have your money.
00:47:15 - Two.
00:47:16 - Oh, (beep)
00:47:17 - One.
00:47:18 - Glenn Haley, Glenn (beep) Haley.
00:47:19 Stay in a can of 1451.
00:47:20 I mean, it's all her (beep) idea.
00:47:22 It's all her (beep) idea.
00:47:23 - I can't believe it.
00:47:24 (gunshot)
00:47:25 - Oh, (beep)
00:47:26 - You see, Derek?
00:47:27 - No.
00:47:27 - That's not always the answer.
00:47:28 When it comes down to it, when it's you or them,
00:47:30 as a species, it's in our DNA of every nature.
00:47:33 It's your self-preservation.
00:47:34 I don't care if your mother's a racist,
00:47:35 and I'm a guy in the air, (beep)
00:47:37 and Flanders, we're chips or die,
00:47:38 we choose the life of a loved one every time.
00:47:40 God, you know.
00:47:42 - Can I, can I go now, Mr. Pope?
00:47:44 - Sure, you can go now.
00:47:45 Derek's home to you.
00:47:46 (upbeat music)
00:47:49 (gunshot)
00:47:51 (crowd cheering)
00:47:59 - 30 years.
00:48:00 30 years, not one vacation, not one sick day.
00:48:03 Now he's leaving us.
00:48:04 - Oh, I'm going to miss you, Mr. Pope.
00:48:05 - I'll miss you.
00:48:06 - He's leaving us for good.
00:48:07 He owes you some money, you better get it quick,
00:48:09 'cause he's out of here next week, okay?
00:48:10 (crowd laughing)
00:48:12 Close to the man himself.
00:48:14 The hope, our savior, Pope.
00:48:18 (crowd laughing)
00:48:21 ♪ Bring down the sails ♪
00:48:22 ♪ We've reached the bottom ♪
00:48:24 ♪ I can't let the ship sail ♪
00:48:27 ♪ Can't you see ♪
00:48:30 ♪ Into the hills I go ♪
00:48:33 - Ain't much of a trick if you can't finish it, pal.
00:48:36 - Is that your garden?
00:48:38 - How'd you do that?
00:48:41 - I can't tell you that, that's why it's magic.
00:48:43 Sleight of hand, my friend,
00:48:44 while you're busy washing the deck in the left hand,
00:48:47 magic was happening in the right.
00:48:49 - I'm sure I want you handling my cards, friend.
00:48:52 - Can you excuse me for a moment?
00:48:55 Deal changer.
00:48:56 - Very nice party, Mr. Pope.
00:48:59 You are a very loved man.
00:49:01 - Thank you, Mr. Tyrell,
00:49:03 but whoever said money can't buy love
00:49:05 clearly just didn't have enough.
00:49:06 (laughing)
00:49:08 - This place would never be the same without you.
00:49:09 I fear your absence may change my luck at the tables.
00:49:12 - You've got nothing to worry about, Mr. Tyrell.
00:49:13 Mr. Prince will make sure the swans' tables
00:49:15 are still the luckiest in the city.
00:49:17 - That's all I needed to hear.
00:49:18 (coughing)
00:49:19 - I'm fine, good to see you.
00:49:20 - Can I get some water?
00:49:21 - I'm okay, I just need a minute in the office.
00:49:24 - Mr. Pope, Mr. Pope.
00:49:27 What do you need?
00:49:30 - I'd like to have a word with him.
00:49:31 - Not tonight.
00:49:31 (dramatic music)
00:49:34 (people chattering)
00:49:37 (dramatic music)
00:49:41 - You've reached Sydney.
00:49:54 Please leave your name and number
00:49:55 and I'll get back to you as soon as possible.
00:49:57 - Hey, Syd, it's me.
00:49:59 I was really hoping to see you tonight.
00:50:01 I know you're busy,
00:50:02 but I'll give you a call when you get this.
00:50:05 Bye.
00:50:06 (door slams)
00:50:09 (upbeat music)
00:50:14 (speaking in foreign language)
00:50:22 - Marlboro Filter Black.
00:50:30 Pursue flavor.
00:50:31 (dramatic music)
00:50:34 (speaking in foreign language)
00:50:44 (speaking in foreign language)
00:50:48 (speaking in foreign language)
00:50:53 (speaking in foreign language)
00:51:02 (dramatic music)
00:51:08 (speaking in foreign language)
00:51:12 (dramatic music)
00:51:19 (speaking in foreign language)
00:51:23 - Marlboro Filter Black.
00:51:30 Pursue flavor.
00:51:31 (upbeat music)
00:51:35 (speaking in foreign language)
00:51:39 (speaking in foreign language)
00:51:43 (speaking in foreign language)
00:51:47 (speaking in foreign language)
00:51:52 (speaking in foreign language)
00:51:56 (dramatic music)
00:52:19 (speaking in foreign language)
00:52:23 - Marlboro Filter Black.
00:52:30 Pursue flavor.
00:52:31 (dramatic music)
00:52:34 (speaking in foreign language)
00:52:44 (speaking in foreign language)
00:52:48 (speaking in foreign language)
00:52:53 (speaking in foreign language)
00:53:03 (dramatic music)
00:53:08 (upbeat music)
00:53:11 (singing in foreign language)
00:53:24 (upbeat music)
00:53:35 (speaking in foreign language)
00:53:39 (speaking in foreign language)
00:53:44 (speaking in foreign language)
00:53:48 (speaking in foreign language)
00:53:52 (speaking in foreign language)
00:53:56 (dramatic music)
00:54:19 (speaking in foreign language)
00:54:23 (dramatic music)
00:54:26 - Hey.
00:54:48 - Hey.
00:54:49 - Any changes?
00:54:53 - No.
00:54:54 Jesus, Luke.
00:55:02 It's not gonna cover what we all last month built.
00:55:06 - I'm doing the best I can, Julie.
00:55:08 What?
00:55:09 What is it?
00:55:11 - I'm sorry, Mr. Vaughn, but we've given you ample time.
00:55:15 There comes a time when we have to accept reality.
00:55:17 - So what, I'm supposed to sit by helplessly
00:55:19 and watch my little girl suffer?
00:55:22 - I'm not talking about my little girl here.
00:55:25 You give me until the end of the week.
00:55:27 You understand, you give me until the end of the week.
00:55:30 I'll get you every penny by Friday.
00:55:32 Just listen to me, please.
00:55:34 Every penny by Friday.
00:55:35 You keep her name on that list.
00:55:37 She's gonna get that surgery.
00:55:39 I will get you every penny.
00:55:40 Please.
00:55:43 - Friday, Mr. Vaughn.
00:55:46 - Friday.
00:55:50 (gentle music)
00:55:53 - Hey.
00:55:58 Talking about Princess Riley and her best friend, Monkey.
00:56:02 And they were gonna go into,
00:56:06 was it a very enchanted, magical forest,
00:56:09 or was it a very scary forest?
00:56:11 - Scary forest.
00:56:12 - Oh my goodness, of course it is.
00:56:15 Okay, so Princess Riley and her best friend, Monkey--
00:56:18 - Stop.
00:56:20 I don't wanna be the hero tonight.
00:56:23 - But you're the bravest little girl I know.
00:56:28 - I want you to be the hero.
00:56:29 I want you to save me.
00:56:31 - Okay.
00:56:39 I think that is a great idea.
00:56:42 Princess Riley and Monkey,
00:56:44 they've got to the very creaky bridge,
00:56:48 and there's an ogre that comes out from underneath
00:56:51 and rids with the ogre's hair.
00:56:53 (gentle music)
00:56:56 (water splashing)
00:56:59 (gentle music)
00:57:01 (water splashing)
00:57:04 (water splashing)
00:57:20 (water splashing)
00:57:23 (water splashing)
00:57:35 (gentle music)
00:57:38 (water splashing)
00:57:59 (gentle music)
00:58:02 - Smoke?
00:58:11 - Nah, I quit.
00:58:14 - Health?
00:58:15 - Money, actually.
00:58:18 - This one's free.
00:58:19 - Thank you.
00:58:24 - Too long.
00:58:27 - Bet you've seen some crazy (beep).
00:58:29 - Yeah, man, I've seen some crazy (beep).
00:58:31 - Been here about three or four months myself,
00:58:34 and I've seen some crazy (beep).
00:58:35 Pick this fat Chinese guy who comes in every week.
00:58:38 Biggest loser, this guy.
00:58:40 This guy drops a buttload of money every Thursday,
00:58:44 just like clockwork.
00:58:45 - Wow.
00:58:46 He play long enough, the house always wins.
00:58:50 - It's the way this guy loses.
00:58:54 Making all the wrong.
00:58:57 Holding when he's not splitting when he should.
00:59:00 Guy wants to lose a load of money every Thursday night.
00:59:03 Nobody's got that kind of money to burn.
00:59:06 You know what's even crazier?
00:59:08 Every Friday night, a different Chinese guy
00:59:10 comes in the high rollers room.
00:59:12 Plays roulette and wins huge.
00:59:15 I'm talking statistic anomalies
00:59:18 every Friday night in clockwork.
00:59:20 - Why don't you just cut to the chase
00:59:21 and tell me what's on your mind?
00:59:24 - The way it appears to me is they're taking
00:59:26 a (beep) load of money every Thursday night
00:59:28 and laundering it out through the casino.
00:59:31 - You're telling me that's because?
00:59:33 - Put them in an awful bad spot.
00:59:35 Someone wanted to rob them of their money.
00:59:37 It's not like they're gonna go crying to the police
00:59:40 while someone's stealing their dirty cash.
00:59:42 - Well, sounds like you got this all figured out.
00:59:47 - I do, except for one piece.
00:59:50 Need a guy who's been here too long.
00:59:55 Smoke and have it he can't afford.
00:59:57 And access to the vault.
01:00:00 - Thanks for the cigarettes.
01:00:07 - So, any thoughts on the matter?
01:00:08 - Yeah.
01:00:11 - Stealing from the Pope?
01:00:12 A suicide.
01:00:14 (coughing)
01:00:24 (laughing)
01:00:26 (phone ringing)
01:00:38 - The number you have reached is not in service
01:00:41 at this time and there is no new number.
01:00:44 Please be sure--
01:00:45 - Yeah.
01:00:46 - Got that address you wanted.
01:00:50 Also, let me move on once a minute.
01:00:53 - All right, send him in.
01:00:54 - Well, Vaughn, what can I do for you?
01:01:01 Sit down.
01:01:02 - I was wondering if we could have a word in private.
01:01:06 - Everything we say here is private.
01:01:08 - How are you, sir?
01:01:10 - Still breathing, Vaughn, still breathing.
01:01:14 - Well, that's good.
01:01:14 I suppose that's more than something.
01:01:16 - Oh, indeed.
01:01:17 So how's that pretty little wife of yours?
01:01:19 - Ex-wife now, actually.
01:01:21 She's--
01:01:22 - Well, I hope you've trained it up.
01:01:23 - So, Mr. Pope, I'm here to ask a favor, a big one.
01:01:29 - How big?
01:01:31 - $300,000 big, at least.
01:01:33 - What do you need $300,000 at least for, Vaughn?
01:01:35 - You remember my daughter, Riley?
01:01:37 She's sick in the hospital and needs an operation.
01:01:41 - Insurance?
01:01:42 - Insurance doesn't even cover the treatments.
01:01:44 Been paying out of pocket for a month and I'm behind.
01:01:48 So far behind that if I don't come up with money
01:01:50 by Friday, she's gonna lose her spot.
01:01:53 - You know I don't run a charity here.
01:01:54 Rule number three.
01:01:56 - It's not a business if you give the money away.
01:01:58 I remember the rules.
01:02:00 This isn't charity.
01:02:02 It's a favor.
01:02:03 - $300,000 that I'm never gonna see again
01:02:05 sure sounds like charity to you.
01:02:06 - No, sir, I will pay it back.
01:02:09 - I signed your paycheck, Vaughn.
01:02:10 Who are you kidding?
01:02:11 - Mr. Pope, you're my only option.
01:02:15 - I don't make exceptions.
01:02:16 - Let me ask you something.
01:02:18 What if it were you?
01:02:19 What if you were in my shoes and your kid was sick?
01:02:22 What if Cindy was sick?
01:02:23 Nobody's talking to you.
01:02:25 - All right, it's all the time you get.
01:02:26 - No, it's not all the time I get.
01:02:28 - Come on, let's go.
01:02:28 - I don't accept this answer.
01:02:30 - God damn it, get your hands off me.
01:02:33 - I don't care what you don't accept.
01:02:34 Get the fuck out of here.
01:02:35 - What about the shit that I've done for you?
01:02:37 - What do you want, a cookie?
01:02:38 What you did for me, you didn't do shit for me.
01:02:40 You ran away, I let you go away.
01:02:42 You wanna start a new life, you found a job.
01:02:43 - I didn't want my little girl growing up hating me
01:02:45 for the man I've become.
01:02:47 - You got what you want, I got what I want.
01:02:49 Go.
01:02:50 - You, God damn it.
01:02:51 - Bad bet.
01:02:52 - Get your fucking hands off me.
01:02:54 (thudding)
01:02:56 Hey.
01:02:56 (thudding)
01:02:59 - Fuck, get the fuck out of here.
01:03:06 That was awkward.
01:03:16 - Yeah, well.
01:03:17 - What's with that guy, what's his deal?
01:03:18 - That guy would've been you,
01:03:19 but he fell in love with religion.
01:03:21 He just left everything.
01:03:23 He turned it all down.
01:03:24 I don't know, Derek, what do you think?
01:03:26 Maybe I should've just given him the money.
01:03:29 - I don't think a younger you
01:03:30 would've even considered that an option.
01:03:32 Don't listen to McCloud, you're judgment.
01:03:34 Relationships come and go, but principles,
01:03:37 principles are here to stay.
01:03:38 Frank Pope.
01:03:41 - Glad someone was listening.
01:03:44 (dramatic music)
01:03:46 (people chattering)
01:03:49 - I'm in.
01:04:08 But I was just fired, so if you want the vault codes,
01:04:13 it's pretty much gonna have to be tomorrow night.
01:04:17 - Let's do it.
01:04:18 (upbeat music)
01:04:22 (upbeat music)
01:04:26 (upbeat music)
01:04:28 (upbeat music)
01:04:31 (speaking in foreign language)
01:04:35 (upbeat music)
01:04:57 (speaking in foreign language)
01:05:25 (people chattering)
01:05:28 - Look at these guys.
01:05:46 - Boy, Dante.
01:05:48 - Mickey.
01:05:50 - Hey, man.
01:05:53 - This isn't what we agreed to.
01:05:55 - I've known this guy since we were kids.
01:05:58 His favorite color is blue.
01:05:59 He lost his virginity to Peck McCormick.
01:06:01 Of course I fucked him first.
01:06:03 Anything you wanna know, just ask.
01:06:04 - What's his dick taste like?
01:06:07 (laughing)
01:06:09 - Relax.
01:06:14 Dante's bringing the guns, Mickey's got the car.
01:06:16 - I'll say anything about guns.
01:06:18 Feel free to leave yours with your fucking mommy.
01:06:22 - I'm not walking in there with just my dick in my hand.
01:06:24 - You do know who we're dealing with, right?
01:06:27 We go in there with guns, Pope catches us, we're dead.
01:06:30 - This is my operation, boy.
01:06:36 The gun stay.
01:06:37 You don't like it, take a fucking walk right now.
01:06:42 Otherwise, nobody else here has a problem with it.
01:06:46 So we good?
01:06:48 (distant chattering)
01:06:51 - What's your plan?
01:06:53 - Walk in there just after closing.
01:06:56 Stick our shotguns in their fucking faces.
01:06:59 You'll be all tired, you're not gonna do anything.
01:07:02 Grab the green stacks, we'll fuck out by dawn.
01:07:04 Keep it simple.
01:07:06 - Well, as simple as is usually best,
01:07:09 but what you've got here is the simplest way
01:07:10 for us to get our asses shot off.
01:07:12 - If you got a better fucking idea, we'd love to hear it.
01:07:15 (dramatic music)
01:07:18 - Swan, Swann.
01:07:28 You got the vault, transformer room, pepper's the vault.
01:07:34 - Sugar should be the vault.
01:07:35 - What?
01:07:36 - It's sweet, everybody wants it.
01:07:38 Makes sense for the money to be the sugar.
01:07:40 - Fine.
01:07:44 Sugar's the vault.
01:07:45 - Cox, you're the ketchup, Mickey sweet and low.
01:07:50 I'm the salt, Dante, you're the pepper.
01:07:52 - Why do I gotta be the pepper?
01:07:55 - 'Cause I'm running out of fucking condiments.
01:07:57 - Dante, shut the fuck up.
01:07:58 - Nobody steals from the Swan,
01:08:00 but that's because they're afraid of the Pope,
01:08:02 not because it's Fort Knox.
01:08:03 Now, the way I see it, we've got three things going for us.
01:08:06 One, we have the access codes, that's on me.
01:08:08 Two, we have the inside man, that's you.
01:08:11 Three, we have knowledge of a certain security
01:08:14 guard that likes his donuts and coffee
01:08:16 at precisely 325 every night.
01:08:18 - Every night?
01:08:19 - Every night.
01:08:20 Everybody with me so far?
01:08:22 Mickey, you following me?
01:08:26 - Yeah, I'm following you.
01:08:27 - This is you with the car.
01:08:30 Can I trust the car won't link back to us?
01:08:32 You're gonna pick Dante and I up,
01:08:34 right here at this bar at 3 a.m.
01:08:37 - Where am I?
01:08:38 - You're at work.
01:08:39 Finish your shift, clock out, don't leave.
01:08:43 Find your way to the transformer room and wait.
01:08:45 - Until?
01:08:46 - 3.30.
01:08:48 There'll only be a few employees hanging around by then.
01:08:51 You, you're gonna be parked up here.
01:08:53 - All right, I'm gonna scramble that, cool.
01:08:55 - This gives you a straight direction south,
01:08:58 the freeway.
01:08:59 Don't fuck it up.
01:09:00 - You said you got a street shot.
01:09:02 Now we got a street shot.
01:09:04 - There is no way.
01:09:05 We make it out of the Swan alive,
01:09:07 I'm on my own.
01:09:11 You have a problem with that?
01:09:12 As long as we got our money, I don't give a rat's ass
01:09:13 where you go.
01:09:14 - Let me know if you need a quick tutorial.
01:09:23 Where'd you learn to do that?
01:09:28 - Poor beginning for boys.
01:09:30 - Army?
01:09:32 - Yeah.
01:09:34 You serve?
01:09:35 - Only thing I serve is fries, my friend.
01:09:38 - Never a guest.
01:09:39 (dramatic music)
01:09:42 - Dante and I will lock bump our way
01:09:55 into the Swan's main floor.
01:09:57 Main casino floor's empty this time of night.
01:09:59 Everyone goes below to close out.
01:10:00 As long as I've known him,
01:10:05 good old Jerry likes to take a leisurely stroll
01:10:06 to break room for a stale donut and coffee,
01:10:09 right at 325.
01:10:12 All the inner doors are mag locked
01:10:13 with a three point security seal.
01:10:15 The vault itself is on a secure circuit.
01:10:17 The rest of the system is hooked
01:10:19 into the ship's old wiring.
01:10:20 So wait for me and Dante to get in position.
01:10:24 At exactly 3.30 a.m., we kill the power.
01:10:35 From the time the lights go out,
01:10:37 we have 10 minutes to get in and out
01:10:38 before backup generators come on
01:10:40 and lock down the ship.
01:10:41 Come on, let's go.
01:10:43 Move, I tell you.
01:10:44 Come on, let's go.
01:10:46 Come on, come on, this way.
01:10:46 Come, move, this way.
01:10:48 Let's hope this fucking code works.
01:10:50 (beeping)
01:10:52 - Whoa, whoa, whoa.
01:10:58 - What?
01:10:59 - Can you come back later, please?
01:11:00 Thank you.
01:11:02 (beeping)
01:11:05 - Bring back all the dirty stuff.
01:11:12 Let's go, let's go.
01:11:15 Hurry.
01:11:16 (dramatic music)
01:11:24 (beeping)
01:11:26 - Come on, let's do this.
01:11:38 Come on, come on, come on.
01:11:40 Come on, guys, come on.
01:11:42 Come on, come on, come on.
01:11:47 Let's go, quit fucking around.
01:11:52 Let's go, come on, get your bags.
01:11:55 (dramatic music)
01:11:58 - If something goes bad, what's plan B?
01:12:16 - Plan B is run for your fucking life.
01:12:18 - Let's go, let's go, let's go.
01:12:21 (gunshots)
01:12:23 (dramatic music)
01:12:26 (gunshots)
01:12:28 (gunshots)
01:12:33 - Ready, go.
01:12:39 (gunshots)
01:12:42 (dramatic music)
01:12:47 - Stop him.
01:12:52 - I got you.
01:12:56 - Get out of here, man.
01:12:58 (gunshots)
01:13:02 (tires screeching)
01:13:09 - What the fuck?
01:13:14 - I can't believe it.
01:13:15 This way, follow me.
01:13:17 - Come on, man.
01:13:18 - Let's go, buddy, come on.
01:13:20 (gunshots)
01:13:23 - Come on, man, get out of here.
01:13:25 - All right, go, go, go, go.
01:13:27 - Morning.
01:13:32 - Yes, it is.
01:13:33 (phone ringing)
01:13:42 - Ma.
01:13:46 - Hi, honey.
01:13:47 - Mom, what are you doing awake?
01:13:51 Your medication isn't working?
01:13:54 - I was thinking of taking Dr. Mabu.
01:13:56 - It's 4 a.m., Ma.
01:13:58 - Don't worry about it.
01:13:59 - I'll be fine.
01:14:00 (gunshots)
01:14:05 - All right, I love you.
01:14:13 Good night.
01:14:14 - Come on.
01:14:16 Keep going.
01:14:21 (gunshots)
01:14:23 - Open up his door.
01:14:27 Open up his door.
01:14:28 (grunting)
01:14:30 Let's go.
01:14:31 (screaming)
01:14:34 - Close the door, come on.
01:14:45 Let's go.
01:14:51 - Everybody be cool, we'll be out here in a second.
01:14:55 - Hugs.
01:14:56 - Take your mask off.
01:15:05 We gotta blend in.
01:15:06 - Everybody act normal, nobody gets hurt.
01:15:14 - This is Officer Bajos.
01:15:15 - We're stopped fire.
01:15:17 I'm in pursuit.
01:15:18 (dramatic music)
01:15:22 (grunting)
01:15:24 (dramatic music)
01:15:53 - She wants me to pull over.
01:15:55 - Keep driving.
01:15:56 (glass shattering)
01:16:04 - Shots fired.
01:16:10 - In pursuit of at least one armed suspect.
01:16:12 - Don't ever put your little (beep) hand on me again.
01:16:15 - I'm sure shooting a cop's not very good for our situation.
01:16:18 - I'm in charge.
01:16:20 - Please describe the bus, over.
01:16:21 - Bus number 657, I repeat, 657.
01:16:24 - I'm in charge.
01:16:28 - Noted.
01:16:28 - I'm doing this real (beep) simple for you.
01:16:37 Lose that cop, or lose your goddamn life.
01:16:40 - Whatever you say.
01:16:41 - We're cool.
01:16:42 - Calling all units, possible hostage situation.
01:16:46 Commuter bus, bus number 657.
01:16:49 I repeat, bus 657.
01:16:51 - Head heights and west.
01:16:54 - Doc, what are you doing?
01:16:55 - Improvising.
01:16:56 - Head heights and west.
01:16:58 - Go that way.
01:16:59 (siren blaring)
01:17:02 - Suspect appears to be headed towards interstate.
01:17:07 - Send on ramp, over.
01:17:08 - Can't let them get on the highway.
01:17:10 - All units, we have suspects headed
01:17:12 toward the Russell on ramp.
01:17:13 Set up stinger.
01:17:14 Just west of Waterloo, right before the on ramp.
01:17:16 (siren blaring)
01:17:20 (siren blaring)
01:17:22 - So what do you suppose they're up to now?
01:17:37 - Setting up a roadblock.
01:17:38 - What the (beep) do you know?
01:17:39 - Stop your vehicle.
01:17:40 We're setting up a roadblock.
01:17:42 There's nowhere for you to go.
01:17:44 - I need a phone.
01:17:47 Who's got a phone?
01:17:49 - Who's got a lipstick?
01:17:50 (siren blaring)
01:17:54 - Thank you.
01:17:57 What's your name?
01:17:58 - Rebecca.
01:17:59 - All right, Rebecca.
01:18:00 What's your phone number?
01:18:01 - Give me the (beep) cops on this thing.
01:18:03 - Zero one.
01:18:04 - Give me the (beep) cops on this thing.
01:18:05 - All right, all right, all right.
01:18:07 Dispatch, this is 657.
01:18:09 Put me through to PD.
01:18:11 - Please stand by, bus 657.
01:18:13 - I can't stand by.
01:18:14 Patch me through to PD.
01:18:15 - Do you need assistance?
01:18:16 - The (beep) cops.
01:18:18 - Get the (beep) around.
01:18:19 - I can't wait.
01:18:20 I just need it now.
01:18:21 - Hey, I need you to back off.
01:18:22 - You know I can't do that.
01:18:24 - Why?
01:18:25 - 'Cause I'm the cop and you're the robber.
01:18:26 That's the game.
01:18:27 It's pretty black and white, pal.
01:18:28 - No gray area?
01:18:29 - No.
01:18:30 - Oh, come on.
01:18:31 There's always a gray area, officer.
01:18:33 - Almost.
01:18:34 - All right, you got a first name?
01:18:36 - Out, out.
01:18:37 - Patch me through to the police.
01:18:39 - Get the (beep) around.
01:18:40 - Chris, I need you to clear the roadblock.
01:18:43 - Well, I need you to pull over.
01:18:44 - Don't clear the roadblock.
01:18:45 - Just give me a second.
01:18:46 I'm working on it.
01:18:47 - Clear the goddamn roadblock.
01:18:49 - Listen to me.
01:18:49 I'm gonna need you to trust me.
01:18:51 - Chris, I can't help these people on the bus
01:18:55 if you don't give me this one.
01:18:56 Stay right there.
01:18:58 Keep your eyes on us.
01:18:59 But I need you to clear that roadblock.
01:19:01 We gotta get on the interstate.
01:19:03 - Tell him to clear the roadblock.
01:19:05 - You do this for me.
01:19:07 - And I promise you, I give you my word,
01:19:09 no one gets hurt.
01:19:10 - Tell them people are gonna start dying.
01:19:16 - Captain Michael, I need you to remove all roadblocks.
01:19:19 I repeat, removal of all roadblocks, over.
01:19:21 - Negative, bobbles, I'm not letting them on interstate.
01:19:23 - But sir, I have one of the one that-
01:19:24 - The roadblock stays bobbles.
01:19:26 - It's out of my control.
01:19:29 - Chris, we have at least 10 people on this bus,
01:19:31 including a little boy and a pregnant girl.
01:19:33 - Tell them to clear the roadblock.
01:19:35 - I can't control him if this bus stops.
01:19:37 - You better take your word.
01:19:41 (dramatic music)
01:19:44 (sirens blaring)
01:19:55 - Go there!
01:20:01 - Chris, are you there?
01:20:10 You okay?
01:20:11 - Eat a dick.
01:20:12 (explosion)
01:20:17 (upbeat music)
01:20:21 (singing in foreign language)
01:20:25 (speaking in foreign language)
01:20:34 (laughing)
01:20:37 - Excuse me.
01:20:40 (speaking in foreign language)
01:20:44 (upbeat music)
01:20:46 (speaking in foreign language)
01:20:50 (speaking in foreign language)
01:20:54 (speaking in foreign language)
01:20:58 (speaking in foreign language)
01:21:02 (speaking in foreign language)
01:21:32 - How much?
01:21:33 - Three mil.
01:21:34 - I'm sorry, maybe I just had a stroke on my way over here,
01:21:37 'cause I thought I just heard you say $3 million.
01:21:41 - Yeah.
01:21:42 - Tell me it wasn't Tom's cash.
01:21:44 Who?
01:21:47 - Vaughn.
01:21:48 Two of us.
01:21:49 - You sure?
01:21:50 - Positive.
01:21:51 - Where are they?
01:21:53 - They're on a bus.
01:21:55 - Let's recap.
01:21:57 A man we fired yesterday stole $3 million.
01:22:02 That if recovered by the police,
01:22:03 implicates us in connection to money laundering
01:22:05 for some of the city's most well-known criminal families,
01:22:08 and you let 'em get on a bus?
01:22:11 - No, I didn't let them, they hijacked it.
01:22:14 The cops got involved and I had to pull back.
01:22:16 - So what are you gonna do about it?
01:22:18 - I'm gonna find 'em.
01:22:19 The money will be back in this vault by tonight.
01:22:22 - Good, Derek.
01:22:24 I believe you.
01:22:27 (dramatic music)
01:22:30 - Now I wanna speak with Vaughn before we finish this.
01:22:36 - All right, we are following the situation
01:22:40 of a runaway bus.
01:22:42 Suspected hijackers are on this bus
01:22:44 and there is a very heavy police presence
01:22:47 following the bus down the highway.
01:22:50 (dramatic music)
01:22:52 (tires screeching)
01:22:55 - Sorry, kiddo.
01:23:05 (dramatic music)
01:23:22 - Bus 657, please respond.
01:23:24 Bus 657. - Can I goddamn throw down?
01:23:26 - Bus 657?
01:23:27 - Give it to me.
01:23:29 - Are you (beep) kidding me?
01:23:35 What the (beep) is wrong with you?
01:23:36 Give me your goddamn phone.
01:23:37 Did you take my picture?
01:23:38 - No, I swear.
01:23:39 - Everybody, give me your goddamn phone.
01:23:41 Give me your (beep) phone.
01:23:43 Give me your (beep) phone.
01:23:44 Give me your goddamn phone.
01:23:46 What the (beep) phone is that?
01:23:47 - No, no, no. - Goddamn phone.
01:23:48 - Me and Rebby no speak English.
01:23:49 - Oh, no.
01:23:50 You speak English now?
01:23:52 - Okay, fine.
01:23:53 - Sorry.
01:23:53 Just a little episode there, man.
01:23:55 - Give me your phone.
01:23:56 - I'm looking.
01:23:57 - Give me your goddamn phone.
01:23:58 - I'm looking.
01:23:59 - Give me your-- - Sorry, I just don't know
01:23:59 where to--
01:24:00 (dramatic music)
01:24:03 - I got it, I got it.
01:24:07 (dramatic music)
01:24:10 - You're a good one.
01:24:21 - You're a good one, what the?
01:24:22 - Get scared, all right?
01:24:23 - Don't give a (beep)
01:24:25 or move anybody else.
01:24:26 - Jesus Christ, you're a real pleasure to be around,
01:24:28 you know that?
01:24:30 All right, everybody, just stay calm, all right?
01:24:34 I know this isn't how you wanted to start your day.
01:24:36 You work with us here,
01:24:37 we promise you to get off this bus safely.
01:24:40 (tires screeching)
01:24:49 - How you feeling?
01:24:51 - Pretty cold, my son.
01:24:53 - Put some goddamn pressure on.
01:24:56 All right, listen up.
01:24:59 Anybody here, a doctor, nurse, EMT,
01:25:02 anybody got any kind of medical knowledge whatsoever?
01:25:07 - I'm a veterinarian student.
01:25:08 - Yeah, bring her up.
01:25:10 Ingress, get your ass up here and help her.
01:25:13 - Okay, okay.
01:25:16 Hi.
01:25:18 - Hi.
01:25:19 - Honey, I know this is really scary.
01:25:22 We're gonna get off this bus.
01:25:24 They're not gonna hurt us.
01:25:27 Is that a rabbit?
01:25:30 Does he have a name?
01:25:31 - Big Ear.
01:25:33 - Big Ear?
01:25:33 - He used to be Big Ears, but my sister ripped him.
01:25:39 - Aw.
01:25:40 Well, I think he still looks adorable, one year or not.
01:25:46 What's your name, sweetheart?
01:25:49 - Joseph.
01:25:50 - Joseph.
01:25:51 Honey, why are you all alone on this bus?
01:25:54 Just keep breathing.
01:26:08 - I can unfuck this.
01:26:09 I know this guy in Texas.
01:26:11 Runs one of those small, dirt airfields.
01:26:13 He's right on the border, man, it's perfect.
01:26:15 We get there, we jump on a plane,
01:26:17 he can take us wherever the fuck we wanna go.
01:26:19 South America, Central America.
01:26:21 - Hey.
01:26:24 - What are you doing, man?
01:26:26 - You're gonna get us all killed.
01:26:28 - There's three of them and 10 of us.
01:26:30 If we charge 'em, they don't stand a chance.
01:26:32 - They've got guns.
01:26:33 - I'm in a beaver suit, so?
01:26:36 - Mexico, I didn't say Mexico.
01:26:38 Just on the border.
01:26:40 Jump on a plane, go wherever.
01:26:41 It's a plan.
01:26:42 - Why don't we just drive into Mexico?
01:26:44 - We're not going to Mexico.
01:26:46 I'm gonna get us out of this.
01:26:48 (alarm ringing)
01:26:52 - Jono.
01:26:56 - Sorry I put you in this situation.
01:27:02 - Me too.
01:27:03 - Remember that time you fucked my sister?
01:27:10 - No.
01:27:11 - Yeah, it's 'cause it never happened.
01:27:13 - I want it to happen.
01:27:14 Do me a favor.
01:27:16 - Is he okay?
01:27:22 - He ran away from home.
01:27:23 His sister picks on him,
01:27:25 and his parents take her side every time, apparently.
01:27:29 - I hear that.
01:27:32 - This is not gonna end well for you.
01:27:37 Go ahead, take the shot.
01:27:39 - No, I'm not fucking kidding you.
01:27:40 Big-ass bags of money, man.
01:27:42 - You're a hero, man.
01:27:44 What if you miss?
01:27:45 Cox says he's gonna turn around
01:27:46 and he's gonna shoot immediately.
01:27:48 Maybe he misses.
01:27:49 Maybe he doesn't.
01:27:50 What if he hits?
01:27:52 What's your name?
01:27:53 - Pauline.
01:27:53 - She for sure is gonna be collateral damage.
01:27:56 And the MassDat guy?
01:27:57 He's dead.
01:27:59 You're not gonna do this?
01:28:01 (grunting)
01:28:03 - Be seeing you soon.
01:28:05 You're three hours out.
01:28:06 - What's your name?
01:28:08 - Eric.
01:28:08 - Eric.
01:28:09 (grunting)
01:28:10 - Get in your fucking seat.
01:28:13 - We're on our way.
01:28:18 - What's going on?
01:28:20 - We need to head to Galveston, Texas.
01:28:22 - Galveston?
01:28:23 I'll take you wherever you want, Chief.
01:28:25 We're not even gonna make Slide L on these fumes.
01:28:29 - Cops, this is Roberts.
01:28:33 - What the fuck are you doing?
01:28:35 - We're out of fuel.
01:28:40 - We're ready to make a deal.
01:28:42 - You're tight, man.
01:28:47 - You disobeyed a direct order.
01:28:51 Endangered not only your life
01:28:53 and the life of your fellow officers,
01:28:54 but dozens of citizens' lives as well.
01:28:57 Anyone dies on that bus and it's on you.
01:28:59 Hand over your badge and gun.
01:29:01 - But sir--
01:29:02 - I think we're a long fucking way from but, sir, boss.
01:29:05 - I hope I'm not interrupting anything.
01:29:06 - Now which of you decided to endanger a bus
01:29:10 full of civilian hostages with an unauthorized roadblock?
01:29:14 You must be--
01:29:18 - Who the fuck are you?
01:29:19 - Detective Marconi, lead investigator
01:29:21 on this little shit show.
01:29:22 I was sent here by Deputy Chief Braddock
01:29:24 and Chief outranks Captain.
01:29:27 So I officially release you of your duties
01:29:31 and responsibilities and I officially reinstate you.
01:29:34 Officer Bajos, grab your shit.
01:29:36 - Come with me.
01:29:37 - But--
01:29:38 - I think we're a long fucking way
01:29:39 from but, Detective Captain.
01:29:40 - Well, that's what Ball's doing what you did.
01:29:44 Why'd you do it?
01:29:45 - There's a little kid on that bus, sir.
01:29:46 - I hate to be the bearer of bad news,
01:29:47 but there's still a little kid on that bus.
01:29:49 - When I spoke to one of the kidnappers,
01:29:51 there was something protective in his voice.
01:29:54 It's almost like he was thinking straight,
01:29:56 like a cop or a soldier.
01:29:57 - Or a sociopath.
01:29:59 - I don't think so, Detective.
01:30:00 - You don't think so?
01:30:01 - Probably the gut feeling.
01:30:02 - How many are we dealing with?
01:30:03 - At least two, the psycho and the soldier,
01:30:05 possibly more.
01:30:06 - Great.
01:30:07 - Sir, why did you reinstate me?
01:30:09 - I didn't.
01:30:10 The hijackers did request you personally.
01:30:12 - You drive a fuel truck, Bajos?
01:30:14 - Does it have wheels?
01:30:15 (speaking in foreign language)
01:30:25 (speaking in foreign language)
01:30:29 (speaking in foreign language)
01:30:34 (speaking in foreign language)
01:30:37 (speaking in foreign language)
01:30:41 (speaking in foreign language)
01:30:45 (speaking in foreign language)
01:30:49 (speaking in foreign language)
01:30:53 (speaking in foreign language)
01:30:57 (speaking in foreign language)
01:31:03 (speaking in foreign language)
01:31:07 (speaking in foreign language)
01:31:16 (speaking in foreign language)
01:31:20 - You're a real (beep) moron, you know that?
01:31:46 Driving the same car to your job
01:31:48 as you drove to the crack house.
01:31:50 - I don't want a party.
01:31:51 - You made it easy for me.
01:31:53 - Where are they headed?
01:31:56 - Did they have an escape plan?
01:31:58 - Some friends?
01:31:59 - Yeah, let me see what you got.
01:32:01 - Oh, look at that.
01:32:02 Let me see.
01:32:05 - I'll do it.
01:32:08 Oh, oh, oh, oh.
01:32:09 I don't (beep) know.
01:32:12 I don't know.
01:32:13 I don't (beep) know.
01:32:15 Okay, okay.
01:32:16 - Go ahead.
01:32:17 - Okay.
01:32:18 - Shut up.
01:32:19 - Cox.
01:32:22 - Jason Cox.
01:32:23 - Cox said he's gonna kill him.
01:32:24 - Cox said he's gonna kill him?
01:32:25 - Cox said he's gonna kill him.
01:32:26 Please don't hurt my baby.
01:32:27 - Cox said he's gonna kill him.
01:32:28 (guns firing)
01:32:31 - All right, boys.
01:32:33 That bus is gonna stop on that (beep) bridge.
01:32:36 So what are our options?
01:32:38 - We can hit 'em hard with tear gas.
01:32:40 - I'm not ready to gas civilians on live television,
01:32:43 but thanks for playing.
01:32:44 - Full on assault.
01:32:45 - Civilian casualties?
01:32:46 - Inevitable in that scenario, but manageable.
01:32:49 - Snipers?
01:32:50 - We're gonna need two clean shots lined up from the air,
01:32:52 but it's gonna be risky.
01:32:53 - All right, start mapping out the assault just in case.
01:32:56 In the meantime, get our best guys in that chopper.
01:32:58 They get a clean shot, we take it.
01:33:00 - Roger that.
01:33:01 - You heard him.
01:33:02 Let's move.
01:33:02 - All right, Bajos, you good?
01:33:04 - You're working the hell out of that vest.
01:33:06 - All right, stay alert.
01:33:07 Stay alive.
01:33:08 Make note of anything useful.
01:33:11 And if you can, get us a clean visual on the gunman.
01:33:14 - Copy that.
01:33:17 - No, hell no.
01:33:29 Give 'em old man death
01:33:30 and that green-haired hooker back there.
01:33:32 - Look, we give 'em the kid, that woman.
01:33:35 They think we're reasonable.
01:33:36 They see it as a victory.
01:33:37 It buys us more time.
01:33:38 - No, if we keep the pregnant chick and the kid,
01:33:40 it gives us more leverage if shit goes bad.
01:33:43 - We have one medical emergency on board already.
01:33:45 That chick goes into labor.
01:33:47 They storm the bus, hostages be damned.
01:33:49 All they're gonna give a crap about
01:33:51 is saving that baby in time for the six o'clock news.
01:33:53 - We're at the bridge.
01:33:57 - Talk to me, Forbes.
01:34:08 Get your boys in position.
01:34:10 - We have eyes on the prize, sir.
01:34:12 Bus is heading into position.
01:34:13 - This is all you, bar host.
01:34:16 - Copy that.
01:34:17 - Bus has stopped.
01:34:26 Bus has stopped.
01:34:28 (dramatic music)
01:34:30 - Three people in the bus.
01:34:46 One suspect, a woman, and a kid.
01:34:49 - You got a clear shot?
01:34:51 - Negative.
01:34:51 Too many bogies, too many bogies.
01:34:53 Come back around.
01:34:54 (dramatic music)
01:34:57 - Suspect one with a fuel tank.
01:35:09 That's too risky.
01:35:10 May ignite.
01:35:11 - So, what's the big plan?
01:35:14 - I don't know that I have one.
01:35:15 Maybe start a bus company and go head to head with Graham.
01:35:19 - Or you could turn yourself in
01:35:21 and let the rest of the people off the bus.
01:35:23 - Can't do that yet, Chris.
01:35:24 Hopefully soon.
01:35:26 - What about their families?
01:35:28 What about your family?
01:35:29 Is there gonna be someone out there that cares about you?
01:35:33 Could find them, bring them here?
01:35:35 Just need your name.
01:35:38 - Good try, officer.
01:35:41 - All right, well,
01:35:45 at least let me check out the hostages.
01:35:47 - You keep putting the gas in the tank
01:35:50 and do whatever you want.
01:35:51 - They're headed into the bus, sir.
01:35:52 No visual on the second gunman.
01:35:54 (dramatic music)
01:35:57 - What the (beep) do you think
01:35:59 you're bringing a cop on the bus?
01:36:00 - Relax.
01:36:01 She just wants to make sure everybody's all right.
01:36:03 We haven't hurt anybody.
01:36:05 - One of yours?
01:36:05 - Yeah.
01:36:06 - He needs medical attention.
01:36:08 Let me take him out of here.
01:36:09 - You're not taking him anywhere.
01:36:11 You're gonna get your ass on the bus.
01:36:13 (dramatic music)
01:36:15 - I always thought there was nothing sexy
01:36:20 in the woman's (beep) back.
01:36:22 - You're a man.
01:36:22 - Make one more (beep) move.
01:36:26 - D, this bitch shoots me.
01:36:29 Kill her and everybody else on this (beep) bus.
01:36:33 - You got it, man.
01:36:35 - All right, Chris.
01:36:36 - See you.
01:36:37 - Tell your boss everybody's okay.
01:36:39 - Sir, suspect Blanton, officer Bottles,
01:36:46 have exited the bus.
01:36:47 (dramatic music)
01:36:52 (gunshot)
01:36:54 - You got eyes on the other perp?
01:37:00 - Negative, sir.
01:37:01 And we have a clean shot at suspect one.
01:37:03 - I don't know why you're doing this,
01:37:05 but let me help you.
01:37:06 Let me help you with your problems.
01:37:08 - You have no idea what my problems are.
01:37:10 - Come on, let's get the (beep) out of here.
01:37:13 - If you get a minute, have a chance.
01:37:17 Will you let me know how the girl is?
01:37:20 - Sir, should we take a shot?
01:37:22 It's now or never, sir.
01:37:23 - I have it.
01:37:24 - Report, report.
01:37:26 Let him go.
01:37:26 - Go for Marconi, this is officer Bajos.
01:37:42 - Well done, Bajos.
01:37:44 What have you got for me?
01:37:45 - Plus six five zero,
01:37:48 still proceeding toward Texas.
01:37:50 (upbeat music)
01:37:52 (upbeat music)
01:37:56 (speaking in foreign language)
01:38:00 (speaking in foreign language)
01:38:04 (laughing)
01:38:06 (speaking in foreign language)
01:38:10 (speaking in foreign language)
01:38:18 (speaking in foreign language)
01:38:22 (upbeat music)
01:38:26 (speaking in foreign language)
01:38:31 (speaking in foreign language)
01:38:58 - Here you are, there you go.
01:39:00 (coughing)
01:39:02 Can I help?
01:39:03 - You're a hard girl to find, Sid.
01:39:08 - What are you doing here, dad?
01:39:09 - What, a father can't look for his daughter
01:39:12 and then find her in some grimy shelter?
01:39:14 Missed you at the party.
01:39:18 - I was busy.
01:39:19 - You don't live in town?
01:39:22 - Good for you.
01:39:23 - I'm not sure I want.
01:39:25 - You need me to water your plants?
01:39:26 Feed the cat?
01:39:27 - I was hoping to give you something.
01:39:29 This says you own 51% of the swan.
01:39:39 Derek will run the whole thing.
01:39:41 You won't have to lift a finger.
01:39:43 The money will just be in a trust
01:39:45 with you as a sole beneficiary.
01:39:46 - You can't buy me.
01:39:49 I don't want your money.
01:39:52 - Sidney.
01:39:53 - Dad, I know how this money is made.
01:39:56 - Oh, come on, don't be so naive.
01:39:58 Nothing's like black and white.
01:39:59 This money just cleans the rest.
01:40:00 - What is this?
01:40:02 This empire you carved out for yourself?
01:40:04 - For you.
01:40:05 - For yourself.
01:40:06 It has a price.
01:40:08 It cost you your wife and it cost you me.
01:40:10 - Sidney, please, just sign the paperwork.
01:40:14 I just want you to have it.
01:40:14 - Why the urgency?
01:40:16 Why now?
01:40:17 What?
01:40:26 - What's the trick?
01:40:28 - There's no trick.
01:40:29 It's in my...
01:40:30 - Are you dying?
01:40:37 - It's in my lungs, my blood, my bones.
01:40:44 That's the only thing I can do, so...
01:40:47 - And you're leaving?
01:40:50 And you think this might be the last time you see me?
01:40:55 - Yeah, we saw a smart one, Sid.
01:40:58 - Then you should hear this before you walk out that door.
01:41:09 You want to give me your empire, your beloved swan,
01:41:14 that place, that boat, that's been a cancer for me
01:41:19 and for Mom and for everything good inside of you.
01:41:24 That's what you're gonna be leaving behind in this world.
01:41:27 That's your legacy.
01:41:28 If you loved me, if you ever really loved me,
01:41:32 you would take it and you would burn it all to the ground.
01:41:37 - You're not making any sense, Sid.
01:41:40 This is real.
01:41:41 - Love is built on sacrifice, not dollars.
01:41:44 - What can I do to fix it?
01:41:50 (somber music)
01:41:53 - Oh my God, Joseph, Joseph!
01:42:11 - So, are there any names you can remember?
01:42:15 Any details at all?
01:42:17 - Um, yeah, they kept calling the one guy the crazy one,
01:42:22 Cox.
01:42:23 - Cox.
01:42:24 Did they mention anything about a destination?
01:42:27 Maybe why they hijacked the bus?
01:42:29 - I think they were being chased.
01:42:31 - Chased by who?
01:42:33 - I don't know.
01:42:34 - Did you see anyone chasing them?
01:42:36 - I didn't, but they were running and sweaty
01:42:40 and they kept looking out the window.
01:42:42 So, I mean, I don't know, maybe I'm wrong.
01:42:44 - I'll say.
01:42:46 - Perfect.
01:42:47 - What do you think? - It's pretty,
01:42:48 it's pretty close.
01:42:49 - I'll go run a search.
01:42:51 - Thanks, Tim.
01:42:53 - Listen, is this gonna take much longer?
01:42:55 There's just somewhere I really need to be.
01:42:57 - All right, well, yeah, we're done here.
01:43:00 We'll be in contact if we need anything else.
01:43:01 So, thank you for your time.
01:43:03 - Of course, anything I can do to help.
01:43:05 - All right, bye.
01:43:06 (suspenseful music)
01:43:12 (indistinct chatter)
01:43:15 - I don't know if I can make it.
01:43:21 (speaking in foreign language)
01:43:25 (upbeat music)
01:43:28 (speaking in foreign language)
01:43:32 (upbeat music)
01:43:35 (speaking in foreign language)
01:43:39 (upbeat music)
01:43:41 (speaking in foreign language)
01:43:45 (upbeat music)
01:43:48 (speaking in foreign language)
01:43:52 (upbeat music)
01:43:55 (speaking in foreign language)
01:43:58 (upbeat music)
01:44:01 (cheering)
01:44:03 (speaking in foreign language)
01:44:07 (waves crashing)
01:44:29 (tires screeching)
01:44:32 - Is that your kid?
01:44:36 - Yep, two tours Iraq, one Afghanistan.
01:44:40 He's a company commander now, stationed in Italy.
01:44:44 - That's a good assignment.
01:44:46 - You serve?
01:44:47 - I did, long time ago.
01:44:51 - Thought they trained you guys to be heroes.
01:44:53 - No, I seem to be letting everyone down
01:44:57 in that department lately.
01:44:59 - Everything's gonna be okay.
01:45:03 You just keep breathing, okay?
01:45:05 - What's your name?
01:45:09 - Rebecca.
01:45:09 - Thank you.
01:45:12 If I die.
01:45:17 - You're not gonna die.
01:45:19 - I just...
01:45:20 I'm sorry.
01:45:23 (dramatic music)
01:45:26 I'm gonna be right back.
01:45:29 Tom, high pressure here.
01:45:31 (Tom grunting)
01:45:35 - So, where's my apology?
01:45:38 - You got this.
01:45:41 Now, go (beep) yourself.
01:45:44 - My name is Jason Cox.
01:45:48 My bill was slightly higher than usual this month.
01:45:50 I believe my son has been using my cell phone
01:45:52 to call his girlfriend, who unfortunately moved to Texas.
01:45:55 Have there been any outgoing calls to Texas
01:45:58 within the past week or so?
01:45:59 - I'll just need the last four of your social
01:46:01 in order to proceed.
01:46:02 - Sure, no problem.
01:46:04 1120.
01:46:06 - Oh, yes, sir.
01:46:07 Several calls to Galveston, Texas.
01:46:09 405, five...
01:46:11 (phone beeping)
01:46:13 (phone ringing)
01:46:22 (phone ringing)
01:46:24 - Yeah, tell me something good.
01:46:29 - Looks like they're headed to Texas,
01:46:31 making a run for the borders.
01:46:34 - Cliché.
01:46:35 - I'm gonna send one of our guys out
01:46:36 to pick up Vaughn's daughter.
01:46:37 That way we can do an exchange.
01:46:38 - No, no, no, no, no.
01:46:39 - What, but no exchange?
01:46:41 - No daughter, Derrick, no daughter.
01:46:43 - Mr. Pope, I think this is just our best chance to--
01:46:46 - Let me make this clear.
01:46:47 We are not gonna kidnap a bedridden little girl
01:46:50 with (beep) cancer.
01:46:51 You're not gonna touch a hair on her head.
01:46:52 If there's any (beep) hair left
01:46:53 on that poor little girl's head,
01:46:54 you're gonna leave her alone.
01:46:55 You're gonna leave her mom alone.
01:46:57 And if she has a (beep) teddy bear,
01:46:58 you're gonna leave the (beep) teddy bear alone as well.
01:47:00 Our problem's with Vaughn, not them.
01:47:02 Is that understood?
01:47:03 Is that understood?
01:47:06 - Understood.
01:47:08 - Now, get me my money back.
01:47:10 (phone beeping)
01:47:13 (phone ringing)
01:47:17 - Gowden Air Cargo.
01:47:20 - Donald speaking.
01:47:21 (phone beeping)
01:47:23 (woman screaming)
01:47:32 - Anyone there?
01:47:36 - Hey, cocksucker, someone pick up.
01:47:38 Pick up, pick up, pick up, pick up, pick up.
01:47:40 - Detective.
01:47:43 - So how about a little mono-e-mono meet and greet?
01:47:46 - Who makes you think we wanna do that?
01:47:48 - I hear your compadre isn't doing too good.
01:47:50 - Word on the street is he's having
01:47:52 a serious allergic reaction to bullets.
01:47:54 - Come on, Vaughn, let me get him some medical supplies.
01:47:58 At least give him a chance.
01:47:59 - I'll get back to you in a minute.
01:48:05 How's he doing?
01:48:10 He's (beep) dying.
01:48:12 - He needs blood.
01:48:14 Not blood, he needs fluids, IV, something,
01:48:17 or he's gonna die.
01:48:18 - He needs a hospital, right?
01:48:20 - I'm not going to the (beep) hospital.
01:48:22 - You want him to die?
01:48:23 - (beep) just asked me?
01:48:26 Listen to me, my (beep).
01:48:27 That guy, Dain, we grew up together.
01:48:32 He's the only (beep) friend I've ever had.
01:48:35 Don't (beep) ask me if I want him to die.
01:48:38 - I don't wanna die.
01:48:41 I don't wanna die.
01:48:42 - We get you the shit you need, can you keep him alive?
01:48:44 - Hey, (beep) IV, we get it, can you keep him alive?
01:48:48 Yes or no?
01:48:49 - Definitely for longer, but I don't know how long.
01:48:51 - You there?
01:48:59 - Yeah.
01:49:00 - All right, we need to get IVs, pain meds,
01:49:06 bandages, clotting agents, can you do that?
01:49:09 - I can get all that for you.
01:49:11 I just need to deliver it in person.
01:49:13 - Of course you do.
01:49:14 Here's the catch, we're not stopping.
01:49:19 - I can work with that.
01:49:20 - Go for Marconi.
01:49:25 - Detective Marconi, this is Officer Bajos.
01:49:27 - Yeah, what you got?
01:49:28 - I've got an ID on one of the hijackers, a Luke Vaughn.
01:49:32 Looks like he did some time in Bibb's Correctional
01:49:35 and served in the Army.
01:49:36 - You get an address?
01:49:37 - I'm actually standing out front right now.
01:49:40 Looks like he was evicted.
01:49:42 Neighbors say that he moved in with his sister.
01:49:44 - Any ID on the sister?
01:49:45 - No, no one knows anything about her.
01:49:48 - What's the start?
01:49:49 Anything else?
01:49:50 - Yeah, I was thinking about heading over
01:49:51 to the Swan Casino, Vaughn works there.
01:49:53 I don't know, ask a few questions.
01:49:55 - No, no, no, no, no, I'll send one of my guys, okay?
01:49:58 You just, you've had a rough one, Bajos, just hang
01:50:01 at the station, I'll hit you back when I need you.
01:50:04 (dramatic music)
01:50:08 (car beeping)
01:50:10 - Get started.
01:50:34 - Okay, okay.
01:50:36 - Nice little party you got here.
01:50:38 - What's this?
01:50:38 - Lucky there's a doctor on the bus.
01:50:40 - She's not a doctor, she's a med student.
01:50:43 - Not so lucky then.
01:50:45 - What's this?
01:50:48 - Pain meds.
01:50:49 - Okay, careful.
01:50:51 - Laugh, then faints.
01:51:04 - Oh my God, oh my God.
01:51:06 - What do you mean he's dead?
01:51:08 What do you mean he's dead?
01:51:10 What the fuck did you do?
01:51:12 - Ask the vet.
01:51:14 - What the fuck did you do?
01:51:16 - I didn't do anything.
01:51:17 I didn't do anything.
01:51:19 - Well, you better do something.
01:51:20 You CPR something, work on him.
01:51:22 - It wasn't her.
01:51:23 - Oh my God, okay, okay, what's the vet?
01:51:26 Okay, okay, okay, okay.
01:51:28 Top check his pulse.
01:51:30 - Okay, okay, okay, okay.
01:51:33 - Top check his pulse.
01:51:35 - I think it's for you.
01:51:38 - Mr. Pope.
01:51:47 - You know, I see you every day,
01:51:48 every day on that floor for the past five years.
01:51:51 And every day I think to myself, today's the day
01:51:53 Luke is gonna come to the office.
01:51:55 He has to come back.
01:51:57 That day never comes.
01:52:01 (dramatic music)
01:52:03 - This isn't how I wanted it to go down.
01:52:06 - I know, son, but we do have a bit of a situation
01:52:08 on our hands, wouldn't you say?
01:52:10 - Yeah.
01:52:11 - Wasn't soon to be a whole lot out.
01:52:13 - Well, here's one you might not have considered.
01:52:15 Put a bullet in Cox, turn yourself and my money
01:52:17 into the man standing in front of you.
01:52:19 Everyone gets off the bus.
01:52:21 No one knows about my money or its origins.
01:52:22 You get carted off to jail, except you never make it.
01:52:25 Instead, you disappear with enough cash to save Riley
01:52:28 and start a new life far away from here.
01:52:30 - I wish I could believe you, Mr. Pope.
01:52:32 But you and I both know you're a man
01:52:35 that lives by his rules.
01:52:37 - I'd make an exception for an old friend.
01:52:40 But this is a right now, one time deal, only pal.
01:52:42 You need to fold your hand and walk away from the table
01:52:45 or I'm taking your whole stack.
01:52:47 - I appreciate the out.
01:52:48 You and I both know that's a sucker's bet.
01:52:51 You don't make exceptions.
01:52:54 Sorry.
01:52:57 - No deal.
01:52:57 (somber music)
01:53:00 - Me too.
01:53:02 (Riley crying)
01:53:10 - I need help.
01:53:12 - What the (beep) is going on?
01:53:14 - Detective Marconi here is in Mr. Pope's back pocket.
01:53:17 - What'd you do?
01:53:20 What the (beep) did you do?
01:53:23 You killed my friend, you piece of (beep).
01:53:27 - Is that what you did?
01:53:29 You killed my (beep) friend?
01:53:31 - You can't kill him.
01:53:36 Just listen to me.
01:53:37 To us, he's Pope's errand boy.
01:53:39 The rest of the world, he's a cop.
01:53:41 We kill a cop, the whole world comes crashing down on us.
01:53:44 - Get him off this (beep) bus or I'm gonna kill him.
01:53:49 - Something is happening.
01:53:57 This is the bus 657 hostage situation.
01:53:59 It appears that the bus is slowing down now
01:54:02 and the doors are opening.
01:54:04 We're seeing now and--
01:54:06 - Whoa!
01:54:07 - Oh my goodness.
01:54:08 (tires screeching)
01:54:11 (upbeat music)
01:54:16 (upbeat music)
01:54:21 (speaking in foreign language)
01:54:25 (speaking in foreign language)
01:54:29 (speaking in foreign language)
01:54:32 (speaking in foreign language)
01:54:42 (speaking in foreign language)
01:54:53 (speaking in foreign language)
01:54:57 (upbeat music)
01:55:21 (sirens blaring)
01:55:23 - We got a problem.
01:55:43 - What do you see?
01:55:44 - Small bikes.
01:55:48 - Everybody get down.
01:55:49 - On the floor.
01:55:50 (engine revving)
01:55:53 - Coming up on both sides.
01:55:56 - Get on the floor.
01:56:01 - Get out of here.
01:56:02 - I can't see anything.
01:56:14 - Everybody get down.
01:56:19 (guns firing)
01:56:22 - They're on the roof.
01:56:42 (guns firing)
01:56:44 (sirens blaring)
01:56:47 (speaking in foreign language)
01:56:51 (tires screeching)
01:56:54 (screaming)
01:57:00 (guns firing)
01:57:03 (sirens blaring)
01:57:05 (guns firing)
01:57:14 (tires screeching)
01:57:18 (engine revving)
01:57:21 - Find the yellow bar.
01:57:22 (guns firing)
01:57:25 (sirens blaring)
01:57:28 - Get off the road.
01:57:29 (tires screeching)
01:57:32 - Keep rolling.
01:57:34 (tires screeching)
01:57:36 (guns firing)
01:57:47 (tires screeching)
01:57:50 - I can't control it.
01:57:51 (tires screeching)
01:57:54 - The 657 has crashed just outside of Galveston, Texas
01:58:05 as the police--
01:58:06 (groaning)
01:58:09 (groaning)
01:58:12 - Stay below the window line.
01:58:20 - Stay down.
01:58:21 - Let's get the (beep) to your door.
01:58:26 - Let's go.
01:58:27 Come on.
01:58:28 - We're surrounded, we're sitting ducks.
01:58:38 - Oh, what'd you do now, boy?
01:58:41 Look out the (beep) window, man.
01:58:46 - Got any more paint?
01:58:48 - Wise round (beep)
01:58:54 - Don't wanna interrupt here,
01:58:55 but we do need to go to a live.
01:58:58 - So what's the plan, detective?
01:58:59 - One wrong move, we're 10 million hits on YouTube.
01:59:02 Call your sniper section.
01:59:02 I want your boys in position 10 minutes ago.
01:59:04 - Roger that.
01:59:05 - Sniper.
01:59:08 (guns firing)
01:59:10 - What the (beep)
01:59:13 - Your (beep) news on the phone.
01:59:16 - Cox, what the (beep) are you doing?
01:59:17 - I'm fixing something.
01:59:18 - Cox, what the (beep) are you doing?
01:59:23 - You don't have to do this.
01:59:23 - What are you doing?
01:59:24 - You don't have to do this.
01:59:25 - Shut the (beep) up.
01:59:27 - Got him?
01:59:29 (groaning)
01:59:30 - Please, Mr. Cox.
01:59:31 - You're on the phone?
01:59:33 - Cox, what are you doing, man?
01:59:36 - I don't think you can even see this.
01:59:37 - We're live now to the Butt 657 hostage situation
01:59:40 where we have one of the hijackers
01:59:42 apparently on the line ready to speak with us.
01:59:45 (screaming)
01:59:46 - Teleconfirm back off.
01:59:48 (screaming)