• 8 months ago

Category

📺
TV
Transcript
00:00:00 [MUSIC PLAYING]
00:00:03 [MUSIC PLAYING]
00:00:07 [MUSIC PLAYING]
00:00:11 [MUSIC PLAYING]
00:00:15 [MUSIC PLAYING]
00:00:22 [MUSIC PLAYING]
00:00:26 [MUSIC PLAYING]
00:00:29 [MUSIC PLAYING]
00:00:33 [MUSIC PLAYING]
00:00:36 [MUSIC PLAYING]
00:00:40 [MUSIC PLAYING]
00:01:08 [MUSIC PLAYING]
00:01:12 [MUSIC PLAYING]
00:01:37 [MUSIC PLAYING]
00:01:41 [SCREAM]
00:02:03 [WATER SPLASHING]
00:02:07 [WATER SPLASHING]
00:02:10 See him?
00:02:35 [WATER SPLASHING]
00:02:38 Yeah, it's him right enough, Todd Loman.
00:02:42 What are we waiting for?
00:02:43 Hold it, Tom.
00:02:45 He's got a lame horse.
00:02:47 He'll make a stand.
00:02:49 There's no point in charging in on his rifle.
00:02:53 And when the herd covers us, we'll fan out
00:02:55 and go in behind him.
00:02:57 [WATER SPLASHING]
00:03:01 [WATER SPLASHING]
00:03:05 [HORSE NEIGHING]
00:03:12 [HORSE NEIGHING]
00:03:15 [HORSE NEIGHING]
00:03:23 [SCREAM]
00:03:39 [GUNFIRE]
00:03:42 [HORSE NEIGHING]
00:04:08 [HORSE NEIGHING]
00:04:12 He's hurt bad.
00:04:28 Bring up the wagon.
00:04:29 We can catch him, Senor Tom.
00:04:38 His horse cannot run far.
00:04:39 I can see that.
00:04:42 Well, wait till he thinks he's safe.
00:04:43 I'll go after him.
00:04:44 Along?
00:04:45 Let me go with you.
00:04:47 I have to do this by myself.
00:04:49 Now, you and the others just get Otis home.
00:04:51 Senor Tom, I hope your father won't kill us all.
00:04:54 I'll make him happy.
00:04:55 I'll bring him Loman's ears.
00:04:57 [HORSE NEIGHING]
00:05:01 [HORSE NEIGHING]
00:05:05 All right, roll them fast.
00:05:23 [GRUNTING]
00:05:30 Get up there.
00:05:31 Now, wheel him.
00:05:36 Now, wheel him.
00:05:38 Get up there.
00:05:49 Get up there.
00:05:50 [GRUNTING]
00:06:00 Paco's writing for the doctor, Patron.
00:06:02 We found Loman at Copperhead Creek.
00:06:04 He said stampede.
00:06:06 Senor Otis, he fell among the ranch horses.
00:06:10 Where is Tom?
00:06:11 After Loman, Patron.
00:06:13 Get him in the house.
00:06:14 [KNOCKING]
00:06:18 [FOOTSTEPS]
00:06:23 [FOOTSTEPS]
00:06:27 [DOOR OPENS]
00:06:30 [FOOTSTEPS]
00:06:33 [WIND BLOWING]
00:06:38 [WIND BLOWING]
00:06:41 [DOOR CLOSES]
00:07:01 [WIND BLOWING]
00:07:04 Stand right there.
00:07:24 Drop your rifle.
00:07:29 Now drop your pistol.
00:07:31 Left hand.
00:07:33 Now move out.
00:07:44 That's far enough.
00:07:54 [SUSPENSEFUL MUSIC]
00:07:57 I'm glad you're not just one of the board riders,
00:08:16 because what I got to say is for your family.
00:08:19 The night your brother Shorty died,
00:08:20 I couldn't make anybody listen because everybody was panicky.
00:08:23 So now you listen.
00:08:24 I didn't kill your brother Shorty.
00:08:26 He fell on his own knife.
00:08:28 You think I'm lying.
00:08:33 Ain't you proof enough I'm not killing you?
00:08:35 You could be lying about that, too.
00:08:38 You go back and you tell your people
00:08:40 that I never kill nobody and I don't intend to.
00:08:43 The only reason I'm running away is to prevent it happening.
00:08:47 Just leave me alone. That's all I ask.
00:08:49 Now get!
00:08:51 [SUSPENSEFUL MUSIC]
00:08:54 [SCREAMS]
00:09:03 I could have put that bullet right between your eyes.
00:09:09 Remember that, and remember that good.
00:09:11 Now get up!
00:09:13 Get out of here.
00:09:17 [SUSPENSEFUL MUSIC]
00:09:20 [BREATHING HEAVILY]
00:09:23 [SUSPENSEFUL MUSIC]
00:09:44 [FOOTSTEPS]
00:09:47 Well, they won't run you anymore anyway.
00:10:00 [GUNSHOT]
00:10:10 [SCREAMS]
00:10:12 [SUSPENSEFUL MUSIC]
00:10:15 [HORSE NEIGHING]
00:10:32 Time's coming.
00:10:37 [SUSPENSEFUL MUSIC]
00:10:40 Hunter, I don't know whether he'll live or not.
00:11:05 In a couple of days, he'll answer that.
00:11:07 But I'm sure of one thing.
00:11:09 He'll be paralyzed if he does live.
00:11:12 Give the doctor a good breakfast, and a room where he can rest.
00:11:24 [FOOTSTEPS]
00:11:27 Six men with guns and fast horses.
00:11:49 Six, Carmody.
00:11:52 [FOOTSTEPS]
00:11:55 And they let this drifter stampede their herd...
00:11:57 ...and ride away on a crippled nag.
00:11:59 Otis was calling all the turns out of the road right down in there after him.
00:12:02 Your brother paid for his mistake.
00:12:04 How are you gonna pay for yours?
00:12:06 Instead of taking Miguel with you, you try to play cat with a mouse...
00:12:09 ...and the mouse ate the cat.
00:12:10 I was doing what you'd do. You'd have gone after him by yourself.
00:12:13 What do you think I am?
00:12:14 One of those fools that wants to be a big man with a quick trigger?
00:12:18 The only time I ever went alone was when I didn't have money to hire guns.
00:12:22 I'd ambush if I'd have known he was that fast with a rifle.
00:12:25 I ain't never seen a man get off a shot the way he did.
00:12:27 And let me tell you something, it wasn't luck either.
00:12:29 I'm not interested in why he got away.
00:12:31 I'm only interested 'cause he did.
00:12:33 He doesn't have a horse now.
00:12:38 What?
00:12:40 I shot his horse.
00:12:42 You shot his horse?
00:12:44 I'm not gonna take a beating off you now. I've had enough for one night.
00:12:48 You men, clear out of here for now.
00:12:51 He shot his horse.
00:12:54 You men, clear out of here for now.
00:12:56 He shot his horse.
00:13:20 (clink)
00:13:21 Carm...
00:13:29 When I was a bound and servant boy to a dirt farmer in Tennessee...
00:13:35 plowing from sunrise to moonset...
00:13:38 I swore I'd make a mark in this world that people could see after I was dead.
00:13:44 I raised my sons to own it, keep the name on it.
00:13:49 Now Shorty's killed.
00:13:51 Maybe Otis, too.
00:13:54 That saddle tramp has come close to washing my mark out.
00:14:00 You and me are going after him this time, Carm.
00:14:04 How many men do we take?
00:14:07 True blood. Morgan.
00:14:09 Bayless is fast, isn't he?
00:14:11 Fast enough.
00:14:13 Bayless, then.
00:14:14 And Tom...
00:14:17 Go tell him.
00:14:19 (footsteps)
00:14:21 (music)
00:14:26 (horses galloping)
00:14:45 (music)
00:14:47 He's right down there.
00:14:52 He's packing all his gear.
00:14:57 Won't get very far.
00:14:59 First thing we'll find is the saddle.
00:15:02 Came out of the gold share, heading north first.
00:15:06 (horses galloping)
00:15:10 (music)
00:15:13 (music)
00:15:15 (music)
00:15:17 (music)
00:15:22 (music)
00:15:26 (music)
00:15:30 (music)
00:15:35 (music)
00:15:43 (music)
00:15:45 Hey!
00:15:55 He's in tracks!
00:15:57 Over here!
00:15:58 He went this way!
00:16:00 (music)
00:16:03 (horses galloping)
00:16:09 (music)
00:16:13 (music)
00:16:15 (music)
00:16:41 (music)
00:16:43 (music)
00:16:48 (music)
00:16:52 (music)
00:16:58 (music)
00:17:02 (music)
00:17:10 (music)
00:17:12 (music)
00:17:19 (music)
00:17:24 (music)
00:17:29 (music)
00:17:33 (music)
00:17:39 (music)
00:17:41 Before you move, let's talk.
00:18:02 I got nothing more to say.
00:18:05 Well, let's try and think of something.
00:18:08 I'm gonna need you.
00:18:10 What are you doing here?
00:18:14 No horse, no pack, just a rifle.
00:18:16 You people ain't friends of the Boyds?
00:18:20 Neither.
00:18:21 This young fella might be that drifter that a hundred Boyds men have been beating the bush about.
00:18:25 Doesn't look worth all the trouble, does he?
00:18:27 That's a fact.
00:18:30 Here, boy, take a fix on this.
00:18:34 I ain't much for whiskey, mister.
00:18:37 What does it say?
00:18:39 Kinda starts fireburning again, don't it?
00:18:50 My name is Bradley. I live on the other side of Socorro.
00:18:53 This is my daughter, Nita.
00:18:55 You don't have anything to be scared of from us.
00:19:00 As long as we don't have anything to be afraid of from you.
00:19:03 I reckon that's fair enough.
00:19:06 All right, let's get up.
00:19:08 I spec it's been a long time since you were here.
00:19:14 We better camp here.
00:19:16 Nita, fix up some corn cakes and bacon and cut that bacon lean about a half inch thick.
00:19:20 Let's break out that jug of blackstrap molasses and pour it over the corn cakes.
00:19:24 Sound good, boy?
00:19:26 Yes, sir, it sure does.
00:19:28 All right. Come on, get going.
00:19:32 Come on.
00:19:34 You must have gone straight across the lava bed.
00:19:43 If you can't cross that, we'll cut the horses to pieces.
00:19:46 It's still an hour's light. We'll spread and come around.
00:19:50 Whichever group picks up his trail on the other side will build a fire for a signal.
00:19:55 Then I had this job riding fence for Mr. Restov over the mountains.
00:19:59 I'd done my work and I got my pay and I was heading out the next morning.
00:20:04 Well, there's this dance at the schoolhouse. I don't know why I went because I can't dance.
00:20:08 But this girl there, she asked me to pump her a glass of water.
00:20:12 What girl?
00:20:14 What difference does it make? And quit interrupting.
00:20:16 Go on, boy.
00:20:18 I'm going to get you a drink.
00:20:20 What girl?
00:20:22 What difference does it make? And quit interrupting.
00:20:24 Go on, boy. Get to that knife.
00:20:26 It was Shorty Boyd's girl, Miss Spradley.
00:20:29 Well, I pumped her a drink and Shorty Boyd came over and braced me.
00:20:34 He drew a knife on me and I knocked him down.
00:20:37 I didn't even know he was hurt until I saw the blood.
00:20:41 Then I picked him up and I carried him back into the schoolhouse.
00:20:45 That was a mistake.
00:20:47 I found that out. I've been running ever since.
00:20:50 Know the boy's father, Hunter Boyd?
00:20:52 No, I never saw him.
00:20:54 Hardly any people do see him anymore.
00:20:56 I remember him 15 years back when he and that shatter of his calamity...
00:20:59 ...come riding up out of the branco on a couple of half-broke horses.
00:21:02 Hunter's three kids sitting on a flatbed wagon pulled by a skinny old mule.
00:21:06 Then Hunter staked his ranch.
00:21:08 He began to spread out.
00:21:11 He spread fast.
00:21:13 Son, he's a powerfully wicked man.
00:21:16 He's got nothing standing in his way.
00:21:19 Except he's got a queer sense of justice that's all his own.
00:21:23 But I reckon you ain't gonna come in for a share of that.
00:21:28 No, sir, I reckon not.
00:21:30 I'm about a mile widths in, Mr. Bradley.
00:21:32 I bet you they're out there someplace right now just hunting for me.
00:21:36 You got a right to defend yourself.
00:21:38 You could drop a couple of boyed men.
00:21:40 Maybe the rest of 'em wouldn't be too eager.
00:21:44 Mrs. Leaf, not do that if I can help it.
00:21:46 Why? It's your life. You afraid to fight for it?
00:21:49 I reckon if I weren't some afraid, Miss Bradley...
00:21:53 ...I wouldn't be here right now to admit it.
00:21:55 That's comforting, Matt.
00:21:58 What are you most afraid of, boy?
00:22:00 Being killed or killing?
00:22:02 I don't think I ever could kill a man, or would, even if I had to.
00:22:07 Well, a man's not always allowed time to think those things out.
00:22:12 And that's a hard fact in this country.
00:22:15 Maybe it's even a harder fact to try to forget what you've been taught...
00:22:19 ...and what you believe.
00:22:21 Food's ready.
00:22:24 [♪♪♪]
00:22:53 He's headed down towards the river.
00:22:55 Dragging his feet. Easy tracking.
00:22:57 All right, we stay here. Move at first light.
00:23:01 Here, boy. Try this on for dessert.
00:23:09 - What is it? - Ginuwine California Orange.
00:23:15 I traded for a dozen down in Fort Kingdom.
00:23:17 What do I do with it?
00:23:20 - Just bite right in? - Give it to me.
00:23:23 [GIGGLES]
00:23:25 - Where you from, Clark? - Iowa.
00:23:31 - Folks there? - No.
00:23:34 No, I'm fixing to join up with my pa out here.
00:23:36 - Where is he? - Well...
00:23:39 ...someone down in Santa Fe said he was up around Socorro.
00:23:42 That's where I was heading when I got that job, fence riding.
00:23:45 - Did you ever hear of my pa around Socorro? - No, I don't think so.
00:23:49 [WATER SPLASHING]
00:23:51 Not that way. Break it and eat the quarters.
00:23:58 Mmm.
00:24:05 - They had something. - I take it your pa got around a lot, Todd.
00:24:10 He never did come home after the war. He just headed out west here.
00:24:13 He was going to send for my ma and me, but things got tough for him out here.
00:24:18 So I came out after my ma died to see if I could give him a hand.
00:24:22 If I can find him, I've been looking for three years now.
00:24:25 He deserted your mother and you're gonna give him a hand?
00:24:28 No wonder you're in trouble, boy. You're just not very bright.
00:24:32 I thank you for showing me how to peel an orange, Miss Bradley.
00:24:37 Todd, I've got six daughters. This one's my oldest.
00:24:40 She's the nearest thing I ever had to a boy.
00:24:43 I put up with her. I'd take it kindly if you'd overlook her bad manners.
00:24:47 [WATER SPLASHING]
00:24:49 Here, you. Here's some soap.
00:24:56 Get in the hot water pool and wash. I'll scrub your clothes while you're bathing.
00:25:00 No, thank you, ma'am. I'm all right.
00:25:03 You smell like a goat. Well, go on. I want to bathe, too.
00:25:07 I always heard it was ladies first.
00:25:12 No ladies here. I can rope and brand, and I don't ride side-saddle.
00:25:16 Maybe you can do all them things, but you can't watch me take no bath.
00:25:21 Then stink, but sleep a hundred feet away from us.
00:25:25 Is she gonna get stark naked?
00:25:37 I asked you not to think unkindly of her.
00:25:41 [WATER SPLASHING]
00:25:43 What's out there?
00:25:53 Nothing.
00:25:55 You don't like this job.
00:25:58 Let Loman ride off, Hunter.
00:26:01 He'll get his chance. I mean off and out.
00:26:07 I got a funny feeling about this.
00:26:10 [♪♪♪]
00:26:14 [♪♪♪]
00:26:17 [♪♪♪]
00:26:20 [♪♪♪]
00:26:23 [♪♪♪]
00:26:34 [♪♪♪]
00:26:42 [♪♪♪]
00:26:45 [♪♪♪]
00:26:55 [♪♪♪]
00:27:04 [♪♪♪]
00:27:07 [♪♪♪]
00:27:30 [WATER SPLASHING]
00:27:33 [WATER SPLASHING]
00:28:01 Hey, get away from them clothes. I'm gonna wash 'em.
00:28:04 Oh, hush up and wash yourself.
00:28:06 You don't behave like any girl I ever knew.
00:28:09 Well, thank you. How many you know?
00:28:11 A couple, I guess.
00:28:13 Would you please pump me a drink of water?
00:28:16 I know that kind. See what you got into?
00:28:19 It's cold in here. I wanna get out. Now!
00:28:23 Well, do your good and relax. Help your blister.
00:28:26 Besides, I'm not finished yet.
00:28:28 Nita? Nita?
00:28:31 That fellow Roman's gone.
00:28:34 Well, I'll be doggone.
00:28:45 Hey, son, that's a good idea. Think I'll join you.
00:28:56 I used to be known as Champion Swimmer down in West Texas.
00:29:00 Hey, feels good.
00:29:11 [LAUGHS] How about that, boy?
00:29:16 Good?
00:29:18 [WATER SPLASHING]
00:29:21 [MUSIC PLAYING]
00:29:24 [MUSIC PLAYING]
00:29:27 [MUSIC PLAYING]
00:29:55 My dearest son,
00:29:58 I have so little to leave behind
00:30:03 which will be of any use to you.
00:30:06 There's just this Bible and my picture.
00:30:10 I ask you never to be without it.
00:30:14 Believe in it. Accept its wisdom.
00:30:17 It will comfort you.
00:30:22 Try to keep the commandments taught
00:30:25 and you will keep your soul.
00:30:28 Always remember, I love you, Mother.
00:30:32 [MUSIC PLAYING]
00:30:39 [MUSIC PLAYING]
00:30:42 [MUSIC PLAYING]
00:30:45 [MUSIC PLAYING]
00:30:48 [MUSIC PLAYING]
00:30:51 [MUSIC PLAYING]
00:30:54 [MUSIC PLAYING]
00:31:00 [MUSIC PLAYING]
00:31:07 [MUSIC PLAYING]
00:31:16 [MUSIC PLAYING]
00:31:19 [MUSIC PLAYING]
00:31:29 [MUSIC PLAYING]
00:31:39 [MUSIC PLAYING]
00:31:42 [GASPS]
00:31:57 [MUSIC PLAYING]
00:32:00 [MUSIC PLAYING]
00:32:03 That ought to make room for you, boy.
00:32:25 That old mule's backsides ain't gonna make for comfortable sitting.
00:32:28 When it starts to gall, I'll change with you.
00:32:31 When we get to my place, I'll loan you a horse and then you can go on into Sikora.
00:32:34 Mr. Bradley, there's just one thing I want to ask.
00:32:37 If we run into any board riders, just let me take care of myself
00:32:40 because I don't want anybody mixing into my trouble.
00:32:43 Well, it looks like I might be mixed in anyway.
00:32:47 Todd, walk around on this kind of slow to my side of the mule.
00:32:51 Easy with that rifle, boy.
00:32:55 Come on.
00:32:58 [HORSE NEIGHING]
00:33:01 - You better stand away from me. - I'll stand where I please.
00:33:15 Mr. Bradley, would you make a getaway?
00:33:17 You kids simmer down.
00:33:19 That's hunter boy and comedy riding down.
00:33:21 If they was gonna shoot at you, you'd already be dead.
00:33:25 [HORSE NEIGHING]
00:33:27 - Morning, hunter. Comedy. - Amos.
00:33:30 - One of your girls Amos? - She sure is.
00:33:35 Neither this is Mr. Hunter Boyd and Mr. Comedy.
00:33:38 Morning, Miss Nita.
00:33:40 And this young fella, he's my guest.
00:33:43 Sure. You aiming to give him a hearing?
00:33:46 If it's short.
00:33:49 Hook it up, boy.
00:33:53 Did Tom tell you what I said?
00:33:56 He told me. I got no reason to believe it.
00:33:59 Short it fell on his night, Mr. Boyd, and that's the Lord's truth.
00:34:02 Trouble is, nobody saw it happen but the Lord.
00:34:05 He don't talk to me.
00:34:07 I got another son, Otis.
00:34:09 He was mashed up in that stampede.
00:34:11 Well, if it was, it wasn't intended.
00:34:13 I couldn't just sit there and hold against six men.
00:34:15 Now, my third son owes you a horse.
00:34:18 The Boyds are not horse killers.
00:34:20 I'm giving you this horse with your saddle.
00:34:23 I figure we owe you some time for that walk you had to take.
00:34:26 I'm giving that time back to you.
00:34:29 You got till noon.
00:34:31 Leak out of this region fast.
00:34:33 But sleep with one eye open and ride on the far side of your horse.
00:34:37 Amos, you plan to take part in this?
00:34:41 I ain't sure.
00:34:46 I ain't sure.
00:34:48 You're gonna ride with us.
00:35:14 I'll get you some grub.
00:35:16 You've got to make him ride with us.
00:35:30 Look, they're gonna kill him if he goes by himself.
00:35:35 Papa, please don't let him go by himself.
00:35:38 I'm not gonna let him go by himself.
00:35:40 Papa, please don't let him go by himself.
00:35:43 Here you are, Todd.
00:35:50 Neal and I are traveling the mission trace, but I wouldn't advise you to take it.
00:35:55 It's open country. They could see you for miles.
00:35:58 There's three other ways you can get out of this valley.
00:36:00 You could follow the river up to the Divide.
00:36:02 Then there's the pass to the south.
00:36:04 Then through the north, but that's Comanche country.
00:36:06 Either way, you can get to Socorro.
00:36:10 I'm much obliged to you, Mr. Bradley.
00:36:12 Godspeed, boy.
00:36:15 [♪♪♪]
00:36:18 [♪♪♪]
00:36:20 [♪♪♪]
00:36:22 [♪♪♪]
00:36:46 [♪♪♪]
00:36:48 He's riding up the river.
00:36:54 He might switch off.
00:36:56 All right? He's got four hours.
00:36:59 Well, I can't figure it out.
00:37:01 I live to be 100 years old. I'm never gonna be able to figure you out.
00:37:04 [♪♪♪]
00:37:13 [♪♪♪]
00:37:15 Sun's straight up. It's noon.
00:37:21 Honey, are you blaming me for not trying to do more for that boy?
00:37:25 Nope.
00:37:27 Now, I want everybody to profit from Tom's experience with Lowman's rifle.
00:37:39 Whoever gets on his tail, don't give him a chance to snap a shot at you.
00:37:42 He won't miss. I'll take Tom and go over the river.
00:37:46 Morgan, you and Trueblood cut through Comanche country.
00:37:49 Carmody and Bayless will go over the pass.
00:37:51 Or you can take Bayless with you.
00:37:53 I'll travel alone. I got a notion.
00:37:55 Suit yourself. We'll join up in Socorro.
00:37:58 [♪♪♪]
00:38:01 [♪♪♪]
00:38:04 [♪♪♪]
00:38:07 [♪♪♪]
00:38:10 [♪♪♪]
00:38:12 [♪♪♪]
00:38:15 [♪♪♪]
00:38:17 [♪♪♪]
00:38:19 [♪♪♪]
00:38:21 [♪♪♪]
00:38:24 [♪♪♪]
00:38:52 [♪♪♪]
00:38:54 [♪♪♪]
00:38:56 [♪♪♪]
00:38:59 [♪♪♪]
00:39:01 [♪♪♪]
00:39:03 [♪♪♪]
00:39:14 [♪♪♪]
00:39:22 [♪♪♪]
00:39:24 [♪♪♪]
00:39:44 [♪♪♪]
00:39:46 [neighing]
00:40:04 [neighing]
00:40:13 [gunshot]
00:40:15 [gunshot]
00:40:22 [gunshot]
00:40:29 [gunshot]
00:40:34 [gunshot]
00:40:36 [gunshots]
00:40:47 [gunshot]
00:41:03 [gunshot]
00:41:05 [gunshots]
00:41:08 [neighing]
00:41:31 [gunshot]
00:41:33 [gunshot]
00:41:37 [gunshot]
00:41:46 [gunshot]
00:41:53 [gunshot]
00:41:55 [♪♪♪]
00:42:00 [♪♪♪]
00:42:02 [♪♪♪]
00:42:05 [♪♪♪]
00:42:07 [♪♪♪]
00:42:30 [♪♪♪]
00:42:32 [gunshot]
00:42:59 [♪♪♪]
00:43:01 [gunshot]
00:43:06 [♪♪♪]
00:43:09 [♪♪♪]
00:43:21 [♪♪♪]
00:43:23 [neighing]
00:43:32 Go away! Get out of here!
00:43:38 [♪♪♪]
00:43:40 [grunts]
00:43:54 [♪♪♪]
00:44:02 [♪♪♪]
00:44:04 [♪♪♪]
00:44:17 [♪♪♪]
00:44:19 [whistles]
00:44:45 [neighing]
00:44:47 Hate being alone, huh?
00:44:53 I can't say as I blame you.
00:44:56 [♪♪♪]
00:44:59 [♪♪♪]
00:45:01 [♪♪♪]
00:45:21 [♪♪♪]
00:45:23 Come on. Come on.
00:45:47 [♪♪♪]
00:45:49 Whoa!
00:45:56 Mr. Leffertfinger?
00:46:01 I know you?
00:46:04 Yes, sir. Down at Santa Fe.
00:46:06 I traded with you for this rifle.
00:46:08 I'll recollect.
00:46:10 Both these horses yours?
00:46:14 No, just this one. The other one's trailing.
00:46:17 You're Loman?
00:46:21 Yes, sir.
00:46:23 I'd like to buy some rifle shells if you got 'em for my gun.
00:46:26 I got 'em.
00:46:28 Would you give me $2 worth, please?
00:46:30 Where you heading?
00:46:32 Sikora.
00:46:34 Here. Here's some money.
00:46:36 Well, that's where I'm going. Why don't you ride with me a piece?
00:46:39 I reckon you know that the Boyds are looking for me.
00:46:43 Sure. But if I were you, I'd forget about the Boyds for a while.
00:46:46 This is Comanche country.
00:46:48 You can go through safe with me. I'd trade with 'em.
00:46:51 I reckon I'd just take the rifle shells.
00:46:56 Well, it's up to you.
00:46:58 Seems kind of stupid to have the Boyds and the Indians chasing you, too.
00:47:02 Get there!
00:47:10 Get there!
00:47:12 Mr. Lapidinger!
00:47:21 Get there!
00:47:23 Get there!
00:47:25 Get there!
00:47:28 (HELICOPTER WHIRRING)
00:47:30 Behind.
00:47:56 Pull up. I'll saddle my horse.
00:47:58 No. Get up here with your rifle.
00:48:00 Pull up, Mr. Lapidinger. You don't owe me anything.
00:48:03 Boy, you sure do work hard at doing the wrong thing.
00:48:06 Look, I got a reputation with a gun darn near as good as you.
00:48:10 Now, if them are Boyd men, they'll think twice before they jump the two of us.
00:48:13 Now, do like I say. Get up here.
00:48:17 (GRUNTING)
00:48:19 Still there?
00:48:42 Still there.
00:48:44 Well, maybe we'd better pull up and see if they'll show their hands.
00:48:47 You keep your own on your rifle. Let me do the talking.
00:48:50 (GRUNTING)
00:48:54 (GRUNTING)
00:48:56 (GRUNTING)
00:48:58 (WATER SPLASHING)
00:49:01 (WATER SPLASHING)
00:49:03 (WATER SPLASHING)
00:49:05 Howdy.
00:49:32 Mighty chilly, ain't it?
00:49:34 Yeah, kinda.
00:49:37 Heading up Socorro way, are you?
00:49:39 Not directly, no.
00:49:41 Gotta go to Magdalena first. Got a load to pick up there.
00:49:44 So you got some extra horses?
00:49:47 Yeah, it's awful rough country on horses.
00:49:49 We lost one just last week.
00:49:51 Be seeing you.
00:49:58 Well, what are you waiting for?
00:50:00 What?
00:50:02 They're Boyd's men. Cut down on 'em.
00:50:04 I'll help you bury 'em, the horses, too. Nobody'll know.
00:50:07 I can't do that.
00:50:11 Just trying to be constructive.
00:50:15 (HORSES GALLOPING)
00:50:24 (HORSES GALLOPING)
00:50:26 Get up there! Hey!
00:50:30 Come up there!
00:50:32 How are you?
00:50:34 (HORSES GALLOPING)
00:50:36 (HORSES GALLOPING)
00:50:38 First time I've ever been followed by people ahead of me.
00:51:00 Makes me nervous.
00:51:03 (HORSES GALLOPING)
00:51:05 When they get out of sight, stop and let me off. I'll saddle up and cut back.
00:51:10 Run, huh? Afraid to kill a man?
00:51:13 I did kill a man. I killed Carmody.
00:51:17 Carmody?
00:51:19 Son, if you got them kind of guts, you can sure swat these flies.
00:51:23 People understand. Killing sickens a man.
00:51:27 A man's got a right to convictions, I guess.
00:51:30 The only thing is, they don't help anybody, including himself,
00:51:33 unless they fit the time and the place.
00:51:35 Oh, boy, this ain't the time and the place.
00:51:38 Those birds up there are gonna ambush us in them rocks.
00:51:41 The kid may be on to us. We should have made our move back there.
00:51:55 I would have, except for that rifle.
00:51:57 I'd sooner face that than Hunter Boyd if we'd lose Loman.
00:51:59 We won't lose...
00:52:01 Come on, boy.
00:52:06 (HORSES GALLOPING)
00:52:08 Here they come back. I'm not gonna risk my neck for no fool.
00:52:20 Get your saddling horse.
00:52:22 Wait a minute.
00:52:29 (HORSES GALLOPING)
00:52:31 (SPEAKING FRENCH)
00:52:37 The four of us can stand them off.
00:52:39 Them Indians are friends of mine. You're Boyd's men. You're after this kid to kill him.
00:52:42 Now get away from us! Get up!
00:52:44 Them Indians is after horses. Let 'em have 'em.
00:52:50 Get in the back of the wagon and cut 'em loose.
00:52:53 (HORSES GALLOPING)
00:52:55 (HORSES GALLOPING)
00:53:01 (HORSES GALLOPING)
00:53:04 (GUNSHOT)
00:53:06 (SCREAMS)
00:53:16 (GUNSHOTS)
00:53:25 (GUNSHOTS)
00:53:27 (GUNSHOTS)
00:53:52 (GUNSHOT)
00:53:54 (GUNSHOTS)
00:53:59 (GUNSHOT)
00:54:03 (GUNSHOT)
00:54:14 If he ain't gonna shoot you, ought to be good for something. Cut the lead team off.
00:54:20 (HORSES GALLOPING)
00:54:22 (GUNSHOT)
00:54:36 (HORSES GALLOPING)
00:54:38 (HORSES GALLOPING)
00:54:41 (HORSES GALLOPING)
00:54:43 (HORSES GALLOPING)
00:54:45 (HORSES GALLOPING)
00:54:47 (HORSES GALLOPING)
00:54:49 (HORSES GALLOPING)
00:55:08 (HORSES GALLOPING)
00:55:10 Just can't figure why them Comanches attacked me.
00:55:24 That last barrel of whiskey I sold them must have been bad.
00:55:27 I don't like to have customers complain like this.
00:55:30 (HORSES GALLOPING)
00:55:32 Papa? Hmm?
00:55:56 Papa?
00:55:58 I didn't know it happened that way.
00:56:04 What?
00:56:07 I thought a boy would come courting...
00:56:11 for maybe a year.
00:56:14 And then one day we'd just sort of decide we were in love.
00:56:19 I didn't know it could happen so quick.
00:56:25 Neither did I.
00:56:27 You know something?
00:56:30 What?
00:56:32 He might make it.
00:56:36 (HORSES GALLOPING)
00:56:44 (HORSES GALLOPING)
00:56:46 (HORSES GALLOPING)
00:56:48 (DOG BARKING)
00:56:59 (HORSES GALLOPING)
00:57:01 Whiskey.
00:57:26 (DOOR OPENS)
00:57:28 You got any messages there for me?
00:57:45 I don't know. Who are you?
00:57:48 Hunter Boyd.
00:57:52 Nope. Not a thing.
00:57:54 If Carmen had got him, he'd have sent you a message from Fort Walker.
00:57:57 Messages go to the hotel.
00:57:59 Do you mind if I stay for a while, Mr. Boyd? I'm sort of drying out.
00:58:04 See that you don't pass out.
00:58:06 I'm surprised you didn't recognize him.
00:58:19 I did. But I just don't like him.
00:58:23 You? Or his money?
00:58:25 I've been expecting you, Mr. Boyd. Got a message for you.
00:58:37 Came down from Fort Walker this morning.
00:58:40 Hold on.
00:58:42 What's the matter?
00:58:55 It's from home.
00:59:00 Otis is dead.
00:59:05 (SUSPENSEFUL MUSIC PLAYING)
00:59:07 Dad?
00:59:26 If you want to go on home, I'll stay here and wait for the others.
00:59:32 I won't go home while Lowman lives.
00:59:35 I'll join you. Soon as I stable this team.
00:59:52 Get up there, you. Hey!
00:59:54 Get up there, you. Hey!
00:59:57 (THUD)
01:00:00 (BIRDS CHIRPING)
01:00:03 (DOG BARKING)
01:00:05 (DOG BARKING)
01:00:34 (DOOR CREAKING)
01:00:36 Howdy. What'll it be?
01:00:44 You got anything to eat?
01:00:47 Yeah, I guess so, if you don't want it hot.
01:00:49 It don't matter. Anything you got.
01:00:51 Eggs?
01:00:54 -You like cheese? -Sure.
01:00:56 -What do I owe you? -A quarter.
01:01:04 A quarter?
01:01:06 Want something to wash that down with?
01:01:11 -Yeah, a glass of water, please. -Water.
01:01:13 Did you ever know anybody around here named Charlie Lowman?
01:01:31 Yeah, I remember him.
01:01:33 Do you know where he is now?
01:01:35 Seems to me that somebody told me he was working as a carpenter out at the Spanish Mission.
01:01:39 That's, uh, about... About 20 miles up the river.
01:01:45 Hey, mister.
01:01:53 Didn't you forget to pay?
01:01:55 There's a dollar. Ain't that enough?
01:01:58 That's Boyd money.
01:02:00 I told you before, I don't want it.
01:02:02 But I'll take yours.
01:02:04 Just hold right still.
01:02:12 Up against this wall.
01:02:16 Face it.
01:02:20 Don't buckle your belt.
01:02:23 (door slams)
01:02:25 The Boyds are in the street. Get out the back way. I'll bring your horse around.
01:02:42 There's a back door.
01:02:46 You, move.
01:02:48 Quick, quick, move!
01:02:50 (footsteps)
01:02:52 Go and get Bayless.
01:02:57 Hey, Dad?
01:03:04 This is Carmody's horse, but this ain't his saddle.
01:03:09 Lowman's.
01:03:12 (music playing)
01:03:14 You got a little trouble, Mr. Boyd?
01:03:22 Don't you remember me? Jake Leffertfinger.
01:03:24 I used to haul freight down in your country.
01:03:26 Get out of my way.
01:03:28 Where's Bayless?
01:03:34 Who's Bayless?
01:03:36 The man who was in here with me a few minutes ago.
01:03:38 Oh, him? He what, how?
01:03:40 There's a back door.
01:03:42 (music playing)
01:03:44 (door slams)
01:04:06 (music playing)
01:04:08 (music playing)
01:04:26 (birds chirping)
01:04:33 (bell tolling)
01:04:35 We cared for him as best we could.
01:04:42 There were days when he felt stronger,
01:04:44 worked a little about the mission,
01:04:46 or traded for us in Socorro.
01:04:48 But he had no wish to leave.
01:04:50 He was waiting for death.
01:04:52 Didn't he ever say anything about my mother and me?
01:04:56 Yes.
01:04:58 He spoke about his wife often, and of you.
01:05:00 But he spoke of you as if you were a child.
01:05:02 Yeah, that was a long time ago.
01:05:06 She, uh, I just don't understand
01:05:10 why he just kept on going,
01:05:12 why he never came back to us.
01:05:14 We can't understand everything.
01:05:16 Some men seek the meaning of life for themselves.
01:05:18 Some think to find it across another river,
01:05:22 beyond another mountain.
01:05:24 Perhaps this man was one of those.
01:05:28 (chanting)
01:05:30 (chanting continues)
01:05:32 (chanting continues)
01:05:34 (chanting continues)
01:05:36 (chanting continues)
01:06:04 Did he owe you anything?
01:06:06 No, nothing.
01:06:08 Thanks for looking after him, Father.
01:06:14 (chanting continues)
01:06:16 (singing in Spanish)
01:06:34 (singing continues)
01:06:36 (singing continues)
01:06:38 (singing continues)
01:06:40 (singing continues)
01:06:42 (singing continues)
01:06:44 (singing continues)
01:07:12 Mr. Bradley?
01:07:14 Todd Loman.
01:07:18 Well, good Lord, boy!
01:07:20 I never expected to lay eyes on you again.
01:07:22 Me neither.
01:07:24 Look like you've been drugged to a keyhole.
01:07:26 On the words, you managed to shake him off.
01:07:28 Well, I'm not so sure I have yet.
01:07:30 Well, you sure are welcome here. Come on in.
01:07:32 No, I think I'd better not. I just want to borrow a horse, if you'd let me.
01:07:34 I got a board horse over there under the trees.
01:07:36 I'd sure like to get a share of him.
01:07:38 Sure, I'll let you have a horse. How much time you think you got?
01:07:40 I figure I'm out in front.
01:07:42 I'm heading over the San Cristo Mountains.
01:07:44 Unless the board wants to follow me all the way to Montana, I'm running free.
01:07:46 Well, good. Now, come on in this house.
01:07:48 No, I just...
01:07:50 Come on in here.
01:07:52 Mama! Cardita! Manuela!
01:07:54 Cardita, there's a horse in the grove.
01:07:56 I want you to unsaddle him, turn him loose,
01:07:58 and bring the saddle to the stable and put it on the black mare.
01:08:00 You savvy? All right, get going.
01:08:02 Manuela!
01:08:04 Manuela!
01:08:06 Now, I want a lot of grub.
01:08:08 I want it hot, fast.
01:08:10 We've got a hungry man here, and we want to feed him good.
01:08:12 I want you to make some chile rellenos, tacos, tamales, enchiladas,
01:08:16 fried beans and rice.
01:08:18 Oh, come on, you know how to do it.
01:08:20 No, no, he just wants food.
01:08:22 Now, hurry! Andele, andele!
01:08:24 Todd, I'm giving you the best horse I got.
01:08:32 He'll take you far and fast.
01:08:34 And, oh, I want you to meet my wife, Mariana.
01:08:37 Mama, this here is Todd Lohmann.
01:08:39 I thought it might be.
01:08:42 We have talked of you, Mr. Lohmann.
01:08:44 And, Todd, this is the rest of my heifer ring.
01:08:46 My daughters Rosita, Conchita, Saffronia, Lapita,
01:08:50 and that one there is Mary.
01:08:52 Of course, you already know Nita.
01:08:54 Yes, sir, I know her.
01:08:56 Hello.
01:08:58 Hello.
01:09:00 [all talking at once]
01:09:02 Wait a minute, now, be polite.
01:09:04 Speak English.
01:09:06 He's awful skinny.
01:09:08 [all talking at once]
01:09:10 Maybe you better speak Spanish.
01:09:12 [all talking at once]
01:09:14 This boy has come from very far away.
01:09:16 We must make him feel very welcome.
01:09:18 Go on in the kitchen.
01:09:21 [all talking at once]
01:09:23 Please take Mr. Lohmann to the big bedroom.
01:09:25 I will get hot water.
01:09:27 Yes, my dear. Come with me, Todd.
01:09:29 How do you like my family, son?
01:09:31 That's a real nice family, Mr. Bradford.
01:09:33 Come on.
01:09:35 [door opens]
01:09:37 [door closes]
01:10:06 A man rode in here today, named Lohmann.
01:10:09 Which way did he ride out?
01:10:11 Many travelers come here.
01:10:13 We don't ask their names
01:10:15 or where they come from or where they go.
01:10:17 I just want to know about one traveler, Lohmann.
01:10:20 You're disturbing the prayers of my people.
01:10:24 Do you know who we are?
01:10:26 I know this man.
01:10:28 He's Mr. Hunter Boyd.
01:10:30 All right, then, why don't you just tell us
01:10:32 which way Lohmann rode?
01:10:34 Am I being threatened only with death?
01:10:37 Nothing else?
01:10:39 You. You and Baker, wait outside.
01:10:42 What's Lohmann done for you?
01:10:53 Why do you protect him?
01:10:55 Wherever this man goes,
01:10:57 somebody turns a hand to help him.
01:10:59 They don't even know him.
01:11:03 Why?
01:11:05 You ask a difficult question, Mr. Boyd.
01:11:08 You've asked me to explain the human heart.
01:11:11 Well, what do we do, senor?
01:11:27 Wait for morning and start tracking again?
01:11:30 No.
01:11:32 Might have made one more stop.
01:11:34 We'll see.
01:11:36 I'm sorry to hear about your father, boy.
01:11:42 I'm glad you found him.
01:11:44 Yeah, so am I.
01:11:46 For what it was worth.
01:11:48 You know, if there's ever a law in this territory,
01:11:51 some of the law besides Boyd's law,
01:11:53 and you'd like to come back,
01:11:55 I'd sure be proud to have you help me with this ranch.
01:11:58 I'd sure like that.
01:12:00 If I live that long.
01:12:02 Sure gave you a chasing, didn't it?
01:12:04 But you left your mark on him, too.
01:12:07 That don't pleasure me none.
01:12:09 Four men are dead because of me.
01:12:12 Well, son, you got a right to defend yourself.
01:12:15 Is my life worth more than four men's lives?
01:12:18 You don't have to answer that.
01:12:20 I'm your boy. It has to answer that.
01:12:22 Now, I'm gonna tell you something else,
01:12:24 and I might as well talk real plain to you.
01:12:26 It's about Nita.
01:12:28 She's my adopted daughter,
01:12:30 and I feel very close to her.
01:12:32 She's apt to want to go with you when you leave here tonight.
01:12:35 She's awfully young, headstrong,
01:12:37 and quick to make a decision.
01:12:39 Todd, she'd leave with you tonight here
01:12:42 if you just so much as cut your finger at her.
01:12:45 You got nothing to worry about, Mr. Bradley.
01:12:50 Thank you, boy.
01:12:55 Now, come on. We gotta get you some plain clothes.
01:12:58 Betcha.
01:13:00 Looks like I'm rich as gonna fetch ya.
01:13:15 Hot water for you, Mr. Lova.
01:13:20 Thank you, ma'am.
01:13:22 (speaking Spanish)
01:13:24 Looks like my women folks are dead set on washing you, ain't they, Todd?
01:13:31 Come on, boy.
01:13:50 No, come over here. Sit down here.
01:13:53 Come on.
01:13:55 Sit down and dig in.
01:13:57 Ain't nobody else gonna eat?
01:13:59 We've already had-- We'd be glad to sit with you.
01:14:01 Come on, girl. Sit down. Sit down there.
01:14:04 Look good, boy.
01:14:17 My gosh, Mother. I never realized it.
01:14:21 She's really a grown-up woman.
01:14:24 Is that a fact?
01:14:28 Won't you sit down?
01:14:46 It's getting cold.
01:14:48 Hmm?
01:14:49 Why don't you eat?
01:14:51 Oh, sure.
01:14:53 Oh, it's so nice to have another man at the table.
01:14:56 Mr. Bradley and I always wanted to have a half a dozen boys on one side...
01:14:59 and as many girls on the other.
01:15:01 Oh, sure.
01:15:03 Why don't you, Mama? We already have the girls.
01:15:07 Well, what's your plan, honey, is one thing, and what you--
01:15:11 I'm not unhappy about you.
01:15:13 I wouldn't trade any of you for a pair of mules.
01:15:15 But, Todd, I'd just like to have one boy in this house...
01:15:18 to back me up in my arguments with all these females.
01:15:21 Then let the stork have another chance, Papa.
01:15:24 Mariquita, niña.
01:15:26 Oh.
01:15:28 How much farther is this Bradley place?
01:15:43 Next big bend in the river.
01:15:46 This is a pretty place.
01:16:04 Hills ringing all around and the river.
01:16:10 I'd like to stay here for a while.
01:16:13 I mean, I was never in a home like this before.
01:16:17 You're going over the Sangre de Cristo?
01:16:20 Yes, ma'am.
01:16:22 Can't you call my name?
01:16:27 Niña?
01:16:29 I know the way over the Sangre de Cristo.
01:16:34 I wouldn't be surprised if you did.
01:16:38 Been almost everywhere.
01:16:41 As far north as Pueblo.
01:16:44 Yeah, it's a real nice home you got here.
01:16:52 After a while, it's gonna even be a better place...
01:16:54 when the country grows up a little bit.
01:16:57 Your dad told me there are new wagons coming in here all the time.
01:17:00 They're pushing the Comanches further back...
01:17:02 and pretty soon we'll be safe out here.
01:17:04 Why can't you stay here with us?
01:17:08 I'd only get you all into a lot of trouble.
01:17:11 Suppose we want to share your trouble.
01:17:13 Suppose we just feel that way about it.
01:17:15 Wouldn't that make any difference to you?
01:17:18 Well, you've done all you can.
01:17:21 Call my name again.
01:17:32 Niña.
01:17:35 Niña.
01:17:37 I'm going with you.
01:17:55 No, no, you can't.
01:17:57 - I am. - You can't. I don't even know where I'm going.
01:18:00 I don't care.
01:18:03 I'll come back.
01:18:05 Hold out!
01:18:11 It's Carmody's horse.
01:18:15 Looks like you guessed right.
01:18:18 Senor, there's room for one more.
01:18:20 - I'm not going. - You're not?
01:18:22 - I'm not going. - You're not?
01:18:24 - I'm not going. - You're not?
01:18:26 - I'm not going. - You're not?
01:18:28 - I'm not going. - You're not?
01:18:30 - I'm not going. - You're not?
01:18:32 - I'm not going. - You're not?
01:18:34 - I'm not going. - You're not?
01:18:36 - I'm not going. - You're not?
01:18:38 - I'm not going. - You're not?
01:18:40 - I'm not going. - You're not?
01:18:42 - I'm not going. - You're not?
01:18:44 - I'm not going. - You're not?
01:18:46 - Senor, there's riders by the river. - How many?
01:18:48 - Three, I think. - Mama, take the kids in the house.
01:18:51 - Muchachas, Rosita. - Get Senor Loman's gun.
01:18:54 - Sí, senor.
01:18:56 Todd?
01:18:59 Todd!
01:19:01 There's three riders by the river.
01:19:06 Now, Cardido will take you through a ravine.
01:19:13 That'll put you on a trail over the Sangre de Cristo.
01:19:15 - Are you gonna have any trouble, Mr. Brannock? - Trouble?
01:19:17 If it's Boyd, I'll stall him for a while.
01:19:19 Come on, boy, you better get out of here.
01:19:21 Hurry, senor.
01:19:37 Come on.
01:19:39 Come on.
01:19:41 Come on.
01:19:43 Come on.
01:19:45 Come on.
01:19:47 Come on.
01:19:49 Come on.
01:19:51 Come on.
01:19:54 Come on.
01:19:57 Come on.
01:19:59 Come on.
01:20:01 Come on.
01:20:03 Come on.
01:20:05 Come on.
01:20:07 Come on.
01:20:09 Come on.
01:20:11 Come on.
01:20:39 Howdy, Hunter.
01:20:41 Kinda late to be visitin', ain't it?
01:20:43 One question, Amos.
01:20:46 Is he here or isn't he?
01:20:49 And don't lie to me.
01:20:51 I know he's been here.
01:20:53 We found that horse down the road.
01:20:55 Mm-hmm. He's here.
01:20:59 And here he's gonna stay.
01:21:02 I got no quarrel with you, but I'm taking him.
01:21:08 He's got a bead on us from our window.
01:21:10 I'll drop you when he shoots.
01:21:12 He's not that kind, and you know it.
01:21:14 Then tell him to come out.
01:21:16 That'd be impolite.
01:21:18 I can't ask the man to leave my house after I've taken him in.
01:21:21 Appointing yourself the defendant?
01:21:23 Why not?
01:21:25 You've appointed yourself as his executioner.
01:21:28 Man's entitled to some defense.
01:21:31 Lowman killed Carmody.
01:21:33 So I heard.
01:21:35 The Lord rest Mr. Carmody's kindly soul.
01:21:38 Otis is dead.
01:21:40 He comes out, Amos, or we go in.
01:21:46 He's not in the house, Hunter.
01:21:48 Well, you sure stretch your story around.
01:21:50 I'll have to see for myself whether he's in there.
01:21:52 My family's there, sir.
01:21:54 More than half my family's dead.
01:21:56 You buffaloed me out on the trail.
01:22:00 Course, there wasn't much I could do about it anyway, being just one man.
01:22:04 Well, some still, just one man.
01:22:06 But I'm standing in front of my home.
01:22:08 Hunter, you go in there, you go in over me.
01:22:12 Follow the ravine, senor.
01:22:22 You'll find the trail.
01:22:24 I must go back.
01:22:27 ( grunting )
01:22:29 Tom!
01:22:39 Help us to carry him in the bedroom, please.
01:22:54 Manuela, trae la medicina, por favor.
01:22:56 Si, senora.
01:22:58 It was Boyd and two other men.
01:23:03 They searched the house.
01:23:05 Tear bandages.
01:23:09 Some hot water, please.
01:23:11 How many times was he hit?
01:23:13 Three.
01:23:15 The neck is just a flesh wound.
01:23:17 The shot through the stomach came out clean.
01:23:19 But he has a bullet in his thigh.
01:23:21 I must remove that one.
01:23:23 If I can stop the blood, I think my husband will live.
01:23:27 You want me to cut out the bullet?
01:23:29 No, no, no. I have done this thing before.
01:23:31 What you come back for?
01:23:46 He's going into the corps for men.
01:23:49 He'll raise an army if he can.
01:23:52 Get out of here, boy, and keep running.
01:23:54 No more talking. Stop talking.
01:23:57 Goodbye, senor. You know how to go.
01:24:16 Yeah, but like the man said, this ain't the time or place for that.
01:24:20 Tom! Tom!
01:24:23 I think he has gone to Socorro, senorita.
01:24:31 What's the matter?
01:24:48 You got too much fat back in your bellies?
01:24:51 You got too much cash in your pockets?
01:24:54 All right. 200.
01:24:57 200 in gold for every man.
01:25:00 You mean I can't get any takers?
01:25:08 200 in gold is more money than half of you'll ever see in one lump.
01:25:12 Maybe so.
01:25:14 $200 ain't very much money for killing a man.
01:25:17 That's not for killing. That's just for riding.
01:25:20 But there's 2,000 in gold for the bullet that gets the job done.
01:25:23 Well, you're talking up now. 200 a man, 2,000 in gold.
01:25:28 You pack that much with you, Mr. Boyd?
01:25:30 Go to the hotel.
01:25:32 Send a message to Fort Walker with a telegram from my bank in Pueblo.
01:25:35 Tell them I want 10,000 in gold waiting for me.
01:25:38 Tell them to shine it. Have it stacked on the bar in the Pueblo saloon.
01:25:42 I want to send a message to Fort Walker.
01:25:46 I want to send a message to Fort Walker.
01:25:50 I want to send a message to Fort Walker.
01:25:54 I want to send a message to Fort Walker.
01:25:57 I want to send a message to Fort Walker.
01:26:24 You better leave your foot there.
01:26:27 (gun cocks)
01:26:29 (gunshots)
01:26:38 (woman screams)
01:26:40 (footsteps)
01:26:42 (gunshots)
01:27:02 (gunshot)
01:27:04 (gunshot)
01:27:29 (gunshot)
01:27:31 (gunshot)
01:28:00 (gunshot)
01:28:02 (gunshot)
01:28:05 Go around the saloon. See if you can get across the road.
01:28:11 I'll keep a word from here.
01:28:13 Tom!
01:28:24 Yo!
01:28:26 Are you hit?
01:28:28 I'm hit!
01:28:30 Tom!
01:28:34 You got that shotgun loaded?
01:28:36 It's loaded!
01:28:38 Menace is here with me.
01:28:41 Wait for us to make a move.
01:28:43 (footsteps)
01:28:45 (gunshot)
01:29:01 Tom!
01:29:08 (gunshot)
01:29:10 (gunshot)
01:29:28 (gunshot)
01:29:32 (footsteps)
01:29:34 (gunshot)
01:29:42 Menace!
01:29:54 Menace!
01:29:59 Menace!
01:30:01 Menace!
01:30:06 Tom!
01:30:14 Shoot out that light!
01:30:16 When I fire, cut that end with that shotgun!
01:30:20 All right, I'm with ya!
01:30:22 (breathing heavily)
01:30:24 (gunshot)
01:30:37 (gunshots)
01:30:44 (siren wails)
01:30:46 (gunshots)
01:30:50 (gunshots)
01:30:52 (siren wails)
01:30:55 (siren wails)
01:31:03 (gunshot)
01:31:15 (footsteps)
01:31:17 (gasps)
01:31:43 (coughs)
01:31:45 (siren wails)
01:31:51 (siren wails)
01:31:59 (rooster crows)
01:32:08 (rooster crows)
01:32:10 (phone buzzes)
01:32:34 (footsteps)
01:32:36 Long after we are dead, you and me both,
01:33:03 we'll be in the same boat.
01:33:05 We'll be in the same boat.
01:33:07 We'll be in the same boat.
01:33:09 We'll be in the same boat.
01:33:11 We'll be in the same boat.
01:33:13 We'll be in the same boat.
01:33:15 We'll be in the same boat.
01:33:17 We'll be in the same boat.
01:33:19 We'll be in the same boat.
01:33:21 We'll be in the same boat.
01:33:23 We'll be in the same boat.
01:33:25 We'll be in the same boat.
01:33:27 We'll be in the same boat.
01:33:29 We'll be in the same boat.
01:33:31 And I have no doubt but that you will, Mr. Boyd.
01:33:34 (footsteps)
01:33:39 (train whistle blows)
01:33:55 (train whistle blows)
01:33:57 (train whistle blows)
01:33:59 (footsteps)
01:34:26 (footsteps)
01:34:28 (sighs)
01:34:34 Hello, you beautiful Spanish devil.
01:34:53 (laughter)
01:34:56 A rider's coming.
01:34:58 (laughter)
01:35:00 (music)
01:35:03 (music)
01:35:06 (music)
01:35:08 (music)
01:35:10 (music)
01:35:13 (music)
01:35:16 (music)
01:35:19 (music)
01:35:21 (music)
01:35:23 (music)
01:35:25 (music)
01:35:27 (music)
01:35:29 (music)
01:35:31 [BLANK_AUDIO]