You Are Mine Episode 2 (English Dubbed)
Category
🎥
Short filmTranscript
00:00 (dramatic music)
00:02 - Sucron, get the room ready, girl.
00:14 They'll need to clean towels and change the sheets.
00:17 Our guest must be tired from her traveling.
00:19 She will need to get some rest.
00:21 - Right away, ma'am.
00:22 I'll tidy up the bride's room now.
00:23 - Sucron, you will leave that room alone.
00:26 That room will only be open for a suitable bride.
00:29 A bride suitable for our family, one that I accept.
00:32 So may that door remain closed forever.
00:34 - Follow me.
00:45 (dramatic music)
00:48 (birds chirping)
00:51 (dramatic music)
01:08 (dramatic music)
01:11 (dramatic music)
01:14 (dramatic music)
01:16 (dramatic music)
01:19 (dramatic music)
01:22 (dramatic music)
01:25 (dramatic music)
01:28 (dramatic music)
01:48 (dramatic music)
01:51 (dramatic music)
02:09 (dramatic music)
02:12 - Sucron, let's go, let's go.
02:37 Open the window and let the fresh air in.
02:39 Ah, and empty one of the dressers if you would.
02:47 So the new bride here may put her things away.
02:50 (gentle music)
03:02 Where are all of your things, dear?
03:04 - All I have is a suitcase and it's out in the car.
03:08 - That's it?
03:09 - Yeah, that's it.
03:10 - I bet the suitcase is worth more than her clothes.
03:17 - Ejder is like a brother to me and he tells me everything.
03:24 But he has never mentioned you, not once.
03:27 - All things considering, I think it's normal.
03:30 Things all happen so quickly.
03:32 I suppose he just forgot his own.
03:34 (gentle music)
03:36 - Oh no, I think I get it.
03:38 Did he knock you up, girlfriend?
03:40 - No, no, he hasn't.
03:43 - What the hell do you think you're doing, huh?
03:52 What the hell do you think you're doing?
03:54 While Kudret Soylu's daughter waits patiently for you,
03:56 how dare you marry and bring some girl we don't even know,
03:59 huh, how could you dare do such an absurd thing?
04:02 - I damn well could and I damn well did.
04:05 And there's nothing more to say on the matter.
04:07 - What a shame that is Ejder.
04:08 Huh, do you not respect him?
04:11 How can you speak to your elders like this?
04:15 We are your family, buddy.
04:17 - No, no, no, no, Mr. Ejder here is right.
04:19 Mr. Ejder here is right.
04:21 Who are we, huh, who are we?
04:22 We are half his brothers, so I guess he's off the hook.
04:25 - Try to understand this from my point of view.
04:27 - No, no, no, no, no, don't try to strain yourself
04:29 because I understand everything.
04:30 Now you look here, I want you to listen closely
04:33 and don't forget this.
04:34 After our father passed away,
04:35 I was the one who has protected this family.
04:38 I have kept this company afloat
04:39 and sent you away to get the best education money can buy
04:41 and this is how you thank me?
04:43 I appreciate everything you've done for me,
04:47 but I can't in good faith marry someone who I don't love
04:49 in return just to make you happy.
04:50 I followed my heart and it led me to her.
04:55 I have fallen in love.
04:57 Do you understand me?
04:58 I have fallen in love.
05:00 (dramatic music)
05:02 So you're in love.
05:04 You say you're in love.
05:08 You're daydreaming because didn't you also say
05:11 that our house will have pink shutters, huh?
05:12 Well, ain't that something?
05:13 I'll alert the media
05:14 and we'll get on those pink shutters immediately, hmm?
05:18 So if it was you who was sitting in my chair,
05:20 is that how you'd run this company?
05:21 Would you say you're in love
05:22 and let all we have built crumble?
05:25 My personal life is one thing
05:26 and my professional life, another.
05:28 (dramatic music)
05:31 I don't expect you to understand me anyway.
05:35 What about you, Alice?
05:36 You married Aunt Besame because you had fallen in love.
05:39 I bet you haven't regretted one day for doing so.
05:41 Don't get me involved in this matter, H.D.
05:46 Whether you like it or not,
05:50 Nagme is my wife and she will always remain so.
05:53 Nobody makes these decisions for me, nobody.
05:58 (dramatic music)
06:01 We'll leave you alone so you can settle in.
06:10 Get some rest.
06:12 And if you need anything, anything at all,
06:14 you can call for Sucron.
06:15 Thank you for everything.
06:20 (dramatic music)
06:25 (dramatic music)
06:28 Oh my goodness, she's something, isn't she?
06:36 Getting Edgder to go against his family and marry her.
06:38 Priceless.
06:39 What a stupid move Edgder has made.
06:44 But this is pure Edgder.
06:46 You should have married this moron
06:48 instead of Kudret Soylou's daughter, that's for sure.
06:52 You sure are right about that, aren't you?
06:55 Pretty incredible if Edgder married according to your plan,
06:58 you'd have become even more powerful.
07:00 Everyone would have been under your little thumb,
07:02 wouldn't they?
07:02 Not so fast, my dear.
07:08 You can't just waltz in here
07:11 and become the bride of Yenel Mesler so easily.
07:14 She walked through the door toting her little husband,
07:17 but her fairy tale is about to get a reality check.
07:20 (dramatic music)
07:23 I must say I admire you.
07:25 A conniving little housewife you are.
07:26 (dramatic music)
07:30 (footsteps thudding)
07:59 I know this wasn't the warm welcome you deserve.
08:01 I'm sorry about that, about this whole mess.
08:06 She really isn't as bad as you've seen.
08:19 She's just well overprotective of me
08:23 and the rest of the family.
08:24 Still, I'm sorry you have to deal with this.
08:29 You don't have to apologize for anything.
08:31 I'm sure when my mother finds out about us,
08:34 she'll react the same way.
08:35 Everything will work out.
08:40 I promise you it will.
08:42 Edgder,
08:47 do you think that we made a mistake?
08:52 Of course not.
08:54 Don't ever think that.
08:58 (dramatic music)
09:01 - Sokran.
09:17 - What?
09:18 - This isn't good, is it?
09:19 - It's not great, my dear.
09:22 I haven't seen Mrs. Barakat angry like this,
09:24 and I don't know how many years it's been so long.
09:28 How about taking a nice cup of tea over to the new bride?
09:31 - Yeah.
09:32 - She will never be my daughter-in-law.
09:33 So anyone who treats her as such is dead to me.
09:39 Do you understand me?
09:41 Did you hear what I said?
09:47 - Oh, my lady, my lady.
09:49 Bring that chair over here, hurry up.
09:51 Mother, sit down there.
09:53 Sit down, sit down.
09:54 Slow, get her a glass of water.
09:55 Hurry, hurry, quick.
09:56 (sobbing)
09:58 Leave me alone.
10:00 - Quickly, quickly, quickly.
10:02 - Just.
10:03 - Drink this water a little bit.
10:05 Sip, sip, sip, sip, sip.
10:06 (sobbing)
10:10 This is what happens when you worry yourself so much.
10:12 - What else do you expect, my dear?
10:18 My son was going to marry the girl
10:19 that would have brought this family peace.
10:22 It was going to be a wedding fit for the gods.
10:26 (sobbing)
10:27 - Don't worry, this isn't over, mother.
10:29 He may still marry her end soon.
10:32 - But the damage is already done.
10:33 He has already married and brought her here.
10:35 - She's a girl from the city.
10:40 She's not a country girl, no, no.
10:43 She will get bored and want to leave in two days time.
10:46 Hey, you know better than I do.
10:48 This girl is not suitable for Edgedare.
10:50 She doesn't come from the same stock.
10:54 You will see, mother.
10:56 She may have come with intentions never to leave,
10:58 but believe me, her intentions will change
11:00 in no time at all.
11:01 - But what if you're wrong about her and she stays, Zafika?
11:05 - I got a plan, Boo-Boo.
11:10 And it won't be long until she's begging to leave.
11:25 (soft piano music)
11:28 (soft piano music)
11:31 (soft piano music)
11:34 (upbeat music)
11:56 (upbeat music)
11:59 (upbeat music)
12:01 (upbeat music)
12:24 (upbeat music)
12:27 (upbeat music)
12:50 (upbeat music)
12:52 (upbeat music)
12:55 (upbeat music)
12:58 (upbeat music)
13:26 - Elvan, why are you crying?
13:28 Stop sulking, it isn't like you.
13:30 It looks like you're attending a funeral, not a wedding.
13:33 - That's enough, stop touching my hair,
13:34 I'll finish it myself.
13:35 - But you're not even halfway done yet.
13:37 - I said I don't want you to.
13:41 Now get out.
13:42 - What?
13:43 - I said get out of the room.
13:45 Elvan, what is it?
13:48 What are you shouting for?
13:49 - I can't do this.
13:50 I don't like this stupid wedding dress.
13:52 I don't want to wear this stupid wedding dress
13:54 and I don't want to marry Feaz.
13:55 Marrying Feaz means death for me.
13:57 I'd rather be buried alive than to marry him.
14:01 I can't do this and I can't stay here anymore.
14:04 I will leave.
14:05 I'll find somewhere to go where they won't find me again.
14:08 - So then you think you're gonna wait for Eshter
14:10 to come and rescue you?
14:12 Oh sure, sure.
14:14 I hate to burst your bubble.
14:15 You really think Eshter would leave his new wife
14:17 and come for you?
14:19 - Why are you saying this?
14:24 Why are you saying this?
14:26 Why are you saying this?
14:28 Why are you saying this to me?
14:30 - Are you deaf?
14:31 Can you hear me?
14:33 While you're here crying to yourself,
14:35 Eshter is deflowering his bride.
14:37 He already locked up a girl from the city.
14:39 It happened so fast it surprised everyone.
14:42 - No, you're lying to me.
14:43 You're all lying to me.
14:49 (crying)
14:51 (crying)
14:53 - Oh my dear girl.
15:05 You have no other choice but to wear this wedding dress.
15:11 Do you understand me?
15:14 You have no choice but to marry this man.
15:19 (crying)
15:21 (upbeat music)
15:40 (footsteps)
15:42 (upbeat music)
15:45 - Nagmi?
16:11 Where have you been in the last two days, dear?
16:13 Where did you go?
16:14 Did something happen to you?
16:15 I've been worried sick about you.
16:17 - I'm fine, mom.
16:18 Everything's fine.
16:19 Nothing bad has happened to me.
16:20 On the contrary, something really good happened.
16:24 - She's on the phone with someone.
16:34 - Off you go and mind your own business.
16:36 Take care of that husband of yours.
16:40 You know the only way to keep a husband
16:41 is to keep him happy in the ways only a woman knows how.
16:44 Now go.
16:47 - Mom, I never made it to Paris.
16:58 - You never made it to Paris?
16:59 - Listen, I've gotten married.
17:07 (dramatic music)
17:10 - What's that?
17:14 You said married?
17:18 What on earth do you mean?
17:20 - You need to calm down and listen.
17:21 - Where are you?
17:23 Tell me immediately.
17:24 And who is this guy?
17:26 Who is this swindler?
17:27 Who tricked you?
17:28 Who brainwashed you, my dear?
17:29 - I'm with my husband's family right now.
17:31 - I can't believe this.
17:36 Oh.
17:37 Oh God, tell me this is a nightmare, huh?
17:40 That this is a joke.
17:41 How could you do this
17:42 without even asking your mother first?
17:45 - Mom, I'm in love for the first time in my entire life.
17:48 I listened to my heart and followed my spirit like you said.
17:51 - So you're serious, right?
17:53 How dare you do such a thing?
18:02 I have given so many years for you, daughter.
18:05 How could you throw away everything
18:06 that you and I worked for?
18:08 - Well, because those weren't my dreams, Mom.
18:10 I don't want you to sacrifice your life for me anymore.
18:13 Mom, please.
18:17 Just try to calm down, okay?
18:20 - Okay, I'll try.
18:26 Look, look, you decided out of passion
18:30 and you didn't think of the outcome, okay?
18:33 Just tell me where you are.
18:35 And I will come for you and we'll figure all of this out.
18:38 But you will not give up this chance in Paris,
18:40 do you hear me?
18:41 - Mom, I don't care about my opportunity in Paris.
18:44 I am interested in my new life as a wife.
18:46 My husband is my priority, not my education.
18:49 I'll call you when I'm settled
18:50 and invite you over to my new home.
18:52 You'll come over and see for yourself that I was right.
18:55 - Nagme, don't hang up on me.
19:04 - The person you have dialed
19:05 cannot be reached at this time.
19:06 Please hang up.
19:07 - Daphne?
19:32 Why don't you tell Sucron
19:34 to make us a pot of strong black coffee, okay?
19:36 We will drown our sorrows in caffeine.
19:38 - I don't want any.
19:40 I am not in the mood for coffee.
19:42 - You'll change your mind once the scent hits the air,
19:45 I can assure you.
19:46 - What's going on?
20:02 - I've got some good news to share with you.
20:05 You're not the only mother opposing this marriage.
20:08 The girl's mother also doesn't want this.
20:11 She wants to come and take her daughter away,
20:14 but she doesn't know where her daughter is.
20:16 - How did you come by this knowledge, my dear?
20:19 - I heard it straight from the horse's mouth herself.
20:23 Now listen closely.
20:26 Let's call her mom and give her the address.
20:28 She will come and take her daughter away
20:29 and all of our problems will be solved.
20:31 Of course, there's always the alternative.
20:34 You accept she is your daughter-in-law
20:35 and all that we've worked for is lost.
20:39 - Uh-huh.
20:40 (upbeat music)
20:49 (men cheering)
20:52 - This is what being a soldier is all about
21:13 and in no time we'll be done with our toy.
21:15 It'll be finished in the blink of an eye.
21:17 I guarantee you once his military service is over
21:21 and done with, he'll find his way back here
21:22 and never leave again.
21:23 I'm telling you.
21:24 Excuse me, I gotta get going.
21:25 Whoa, whoa, whoa, where you going?
21:26 Where you off to?
21:27 Ah, this guy. - Ah, come on.
21:31 - This guy.
21:33 - Right? - He can't even walk.
21:36 - Yeah, I'll be back, cheers.
21:37 - Yeah, I'll take you to the movies.
21:40 - Yeah, like a real man.
21:41 - Ah, shut up, man.
21:42 (men laughing)
21:45 Yeah, right?
21:46 - You're right, you're right.
21:48 - He's gonna come back.
21:49 - Yeah, don't worry about it.
21:52 - No, I can't.
21:54 - Yeah, later, guy.
21:55 (upbeat music)
21:58 (men shouting)
22:00 (upbeat music)
22:03 (men shouting)
22:06 (upbeat music)
22:08 (men shouting)
22:11 (upbeat music)
22:22 (guns firing)
22:25 (upbeat music)
22:27 (guns firing)
22:48 (upbeat music)
22:51 (guns firing)
23:01 (men shouting)
23:04 (guns firing)
23:12 (men shouting)
23:14 (upbeat music)
23:17 (dramatic music)
23:35 (dramatic music)
23:38 (guns firing)
23:50 (dramatic music)
23:53 (dramatic music)
23:56 (phone ringing)
24:12 - Yes, hello, who is this?
24:16 - Hello, good afternoon.
24:17 Is this Nagme's mother I'm talking to?
24:20 - May I ask who's calling?
24:21 - Nevermind who I am, that's not important.
24:24 - So listen to me carefully now.
24:26 Here's the address where you can find your daughter.
24:30 - You have my attention.
24:32 (upbeat music)
24:40 (men shouting)
24:42 (dramatic music)
24:56 - Edgerton.
25:10 Edgerton, wait for me.
25:11 Where are you going?
25:14 - I'm going home.
25:16 - You can't even stand, you shouldn't be walking alone.
25:19 - I'm walking just fine.
25:20 - That may be true, but let me help you.
25:22 (upbeat music)
25:35 (men shouting)
25:37 (dramatic music)
25:40 (men shouting)
25:43 (dramatic music)
26:06 (dramatic music)
26:09 (dramatic music)
26:12 (dramatic music)
26:15 (dramatic music)
26:17 (dramatic music)
26:20 (dramatic music)
26:23 (dramatic music)
26:26 (dramatic music)
26:29 (dramatic music)
26:31 (dramatic music)
26:34 (dramatic music)
26:37 (dramatic music)
26:57 (dramatic music)
26:59 (dramatic music)
27:19 (dramatic music)
27:22 (dramatic music)
27:24 (dramatic music)
27:42 (dramatic music)
27:45 (dramatic music)
28:12 (dramatic music)
28:15 (dramatic music)
28:26 (dramatic music)
28:29 - What are you doing?
28:48 - Edgerton, you don't know how long
28:49 I've waited for this moment.
28:50 How long I've waited for you.
28:56 To look into your eyes and touch you like this.
28:58 - Don't, don't do this to me!
29:17 Leave me alone, please!
29:18 Please don't hurt me, let me go!
29:20 - Get up, let me go. - Please, please,
29:21 just leave me alone! - Get up!
29:23 - You can't take me home, Edgerton.
29:24 - You do as I say, woman!
29:25 - You're going! - My brother will kill me!
29:27 Please don't break me! - You're going!
29:28 Let's go!
29:29 - No, please!
29:30 - Open the door right now! - Please, no!
29:31 - Open the door right now!
29:33 Open the door, I said!
29:34 Open up! - Don't do this to me!
29:35 - Open the door, I'll break it down!
29:36 Open the door!
29:38 Open the door already!
29:40 Basir!
29:40 Open the door!
29:43 Basir, where's Basir?
29:45 Basir, Basir!
29:46 Basir!
29:49 Where are you? - You don't do this to me!
29:51 Please don't do this to me! - Basir!
29:53 Where the hell are you?
29:56 What's going on? Tell me.
29:58 - Where is he?
29:59 - The hell's going on, Feas?
30:01 - I brought your sister back!
30:03 She's yours to do what you want with.
30:07 - What on earth are you talking about?
30:09 - What is it you don't understand?
30:12 - What the hell do you think you're doing, Feas?
30:22 Huh?
30:23 Are you out of your mind?
30:24 Are you out of your mind?
30:26 Why don't you ask your sister why I've lost my mind?
30:28 I cannot accept such a person as my wife!
30:31 I'm divorcing you!
30:33 I'm done!
30:34 Done!
30:35 Elphab!
30:44 - No!
30:45 - I'm still gonna kill you!
30:46 - Stop!
30:47 - I'm gonna kill you!
30:48 - Don't do this!
30:49 - Don't do this!
30:50 - Stop it!
30:51 - What are you doing?
30:52 - Stop!
30:53 - This prostitute, you whore!
30:54 - Stop hitting her!
30:55 - Fasir!
30:56 - Die, you whore!
30:57 - No!
30:58 No!
30:59 No!
31:00 - Stop it right now!
31:01 Stop it right now!
31:03 - She's made a mockery of our last name!
31:09 - Stop!
31:10 Look at me!
31:11 I gave birth to this girl!
31:15 Let her stay with me tonight.
31:19 Let me take care of the girl.
31:22 And tomorrow I'll bring her back to you.
31:25 - Fuck.
31:26 Fuck.
31:28 Fuck.
31:30 Fuck.
31:58 - Who the hell is here this late?
32:00 Don't knock!
32:06 Who is it at this hour?
32:07 Gosh, who are you?
32:09 Who is it?
32:10 - Nagme.
32:12 I'm her mother.
32:13 Bring me straight to Nagme.
32:14 Nagme!
32:15 Nagme!
32:16 Where are you, Nagme?
32:18 Nagme!
32:20 - You have not been given permission to search this house.
32:24 One should greet the owner first.
32:27 Did you not learn any manners in the big city?
32:29 - It's you, huh?
32:30 Well, after we met before, I don't think I'll listen to you.
32:34 You're nothing but an old cow on his last leg.
32:36 Where's my daughter?
32:37 Where is she?
32:39 Nagme!
32:41 Nagme!
32:42 Mother?
32:46 Oh, good.
32:47 Mother!
32:48 Oh, I found you.
32:50 Nagme.
32:54 What on earth are you doing here?
32:56 Mom, but how did you know where I was?
32:58 That doesn't matter.
32:59 I have come to take you, my dear.
33:01 Take you where you belong.
33:03 My dear, you can't cast off your dreams like this.
33:06 You can't give up everything you've worked for.
33:08 Now go and get your things.
33:11 You're coming with me.
33:12 - Mom, wait.
33:13 I can't go home with you.
33:14 Just come inside.
33:16 We'll sit and talk about everything.
33:17 What will we talk about?
33:18 It's clear to me that you have made a wrong decision.
33:21 Come on, you're coming with me and that's all.
33:23 - I'm not going.
33:24 You're making the wrong decision.
33:25 Come on, you're coming with me and that's fine.
33:27 Mom, come on, you can't do this.
33:29 The hell I can't.
33:30 I'm doing this.
33:31 I won't hear another word about it.
33:32 Now forget your things.
33:33 You're coming with me.
33:34 - Stop.
33:35 Let's go.
33:36 I'm not going anywhere, you hear me?
33:37 Mom, this is my new home.
33:45 Oh, really?
33:53 This place and people are suitable for you?
33:55 You do not belong here, okay?
33:57 These people are not your family.
33:59 Now let's go.
34:00 - That's enough now, Mom.
34:01 You can't interfere with my life anymore, you hear me?
34:04 Go away, Mom, and don't you ever come back.
34:07 - You ungrateful little...
34:10 (dramatic music)
34:13 - Don't raise your hand to her again.
34:29 She is my wife now, woman.
34:31 - Let go.
34:34 - Nagme is my wife and that's final.
34:36 And I won't let anyone harm her in any way.
34:39 That goes for anyone who's listening.
34:40 Do I make myself clear?
34:42 - By no means is this over.
35:05 Let me make myself clear.
35:06 I won't be going anywhere without my daughter.
35:09 Let me make myself clear.
35:10 I won't be going anywhere without my daughter.
35:12 I won't be going anywhere without my daughter.
35:14 (dramatic music)
35:15 (dramatic music)
35:17 (dramatic music)
35:45 - I'm sorry, my dear, I'm sorry.
35:46 I say leave us alone, won't you, my dear?
36:01 Huh?
36:03 (dramatic music)
36:10 (footsteps)
36:11 - I'm so sorry.
36:23 How on earth did this happen to you?
36:25 What could you have done?
36:28 Tell me.
36:31 Tell me someone else was involved in this madness.
36:33 - It was Esther.
36:38 - Do you mean Yenel Mesler's Esther?
36:39 That coward, that cruel man.
36:43 - No, but he's innocent, Mom.
36:47 It was all my fault.
36:50 Please take me away to that farm, Mom.
36:53 If you don't want to see me die,
36:55 you will take me to that farm.
36:57 I don't have any other choice, Mother.
37:00 Then Esther can rescue me.
37:02 I'm so afraid.
37:05 - I'm so afraid.
37:07 I'm so afraid, Mom.
37:08 And I don't want to die.
37:13 I don't want to die.
37:16 - Okay, dear, okay.
37:18 I will take you there, I promise you.
37:20 - Oh, Mother.
37:23 - After your brother falls asleep,
37:29 I will take you there, as I said.
37:31 (dramatic music)
37:34 (sniffling)
37:35 (dramatic music)
37:40 (sniffling)
37:41 (dramatic music)
37:44 (sniffling)
37:45 (dramatic music)
37:48 (dramatic music)
37:49 (sniffling)
37:51 (dramatic music)
37:53 (sniffling)
37:55 (dramatic music)
37:57 (sniffling)
37:59 (dramatic music)
38:01 (sniffling)
38:03 (dramatic music)
38:05 (sniffling)
38:07 (dramatic music)
38:09 (sniffling)
38:11 (dramatic music)
38:13 (sniffling)
38:15 (dramatic music)
38:18 (dramatic music)
38:19 (dramatic music)
38:21 (dramatic music)
38:23 (dramatic music)
38:25 (dramatic music)
38:27 (dramatic music)
38:29 (dramatic music)
38:31 (dramatic music)
38:33 (dramatic music)
38:35 (dramatic music)
38:37 (dramatic music)
38:39 (dramatic music)
38:41 (dramatic music)
38:43 (dramatic music)
38:46 2A+3T 9.50 (1.00)
38:51 3F 5.30 (1.33)
38:55 FCSp4 3.20 (1.00)
39:09 StSq3 3.30 (1.00)
39:15 StSq3 3.30 (1.00)
39:22 CCoSp4 3.50 (1.00)
39:47 StSq3 3.30 (1.00)
39:56 StSq3 3.30 (1.00)
40:20 StSq3 3.30 (1.00)
40:29 FCSp4 3.50 (1.00)
40:52 StSq3 3.30 (1.00)
41:03 StSq3 3.30 (1.00)
41:24 StSq3 3.30 (1.00)
41:35 CCoSp4 3.50 (1.00)
42:01 StSq3 3.30 (1.00)
42:12 StSq3 3.30 (1.00)
42:23 FCSp4 3.50 (1.00)
42:49 StSq3 3.30 (1.00)
43:00 StSq3 3.30 (1.00)
43:21 StSq3 3.30 (1.00)
43:32 StSq3 3.30 (1.00)
43:53 Skating Skills:7.85 Transitions:7.85 Performance:7.85 Composition:7.85 Interpretation of the Music:7.85