Hoshyarian | Haroon Rafiq | Saleem Albela | Agha Majid | Comedy Show | 27th April 2024
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00:00As-salamu alaikum, viewers. I am Haroon Rafiq and you are watching Hoshiyariyan.
00:05Friends, whenever you read about the lives of successful people,
00:09read biographies, read autobiographies,
00:12then you realize one thing. Whenever I read,
00:15I saw that usually we know that people start gaining knowledge
00:20and gradually become very intelligent, very smart, very prudent,
00:25become very virtuous.
00:27But there comes a time when their journey of loneliness stops.
00:33Although they become very successful, become intelligent,
00:36but then that journey does not move forward.
00:39At the age of 40, or 45, or 50, or 35,
00:42whenever it stops, it does not move forward.
00:46And the very successful people, when you read about their lives,
00:50then I saw that they all have common values.
00:53There is one thing which is in all of them, and that is perspective.
00:57This is the thing which does not allow the journey to stop.
01:01For example, when you read about a particular theory,
01:06then you are confirmed that you know it very well.
01:11You put it aside and start learning a new thing.
01:14There never comes a time in life when you
01:17look at your dogmas, your understandings, your perspective.
01:22Look at it again.
01:24Think about it again.
01:25Rethink it.
01:27Books are being written about this in the world.
01:30Very famous people are trying to explain that
01:33whatever you have learnt in life,
01:36although you have learnt it,
01:37but before moving forward,
01:39look at it again.
01:42When you look at it again,
01:44that I may be wrong.
01:45It is possible that at the age of 20,
01:48the thing which I had understood, learned,
01:50and I still believe that it was right,
01:52if you look at it again,
01:54you will get two results.
01:56Either you will be more confirmed,
01:59or you will realize your mistake.
02:01This is the thing which stops you from moving forward.
02:04Let's start today's show with this message.
02:06Today, let's take you to the neighborhood
02:09and see what the situation is there.
02:13Greetings, wrestler.
02:15Greetings. How are you?
02:17Thank God. How are you?
02:19Thank God.
02:22How is the shop doing these days?
02:24What kind of humanity is this?
02:26What is this?
02:27It is a curse.
02:28If there is a shop,
02:29I will leave it and go to another shop.
02:31Why are you cursing yourself?
02:33What has happened?
02:34I am not myself.
02:35I have left this shop.
02:38Yes, yes. I can see all of this.
02:40What?
02:41Yes, yes.
02:42Someone has tied this up.
02:43He will come now.
02:44Who has tied this up?
02:45Who has tied this shop up?
02:47Who has tied this shop up?
02:49You have never been abroad.
02:50You have never been to the UK, America, England, Australia.
02:53Very good.
02:54If you don't have a job,
02:55you can go to the UK or America.
02:57I think Sarfaraz must have thrown this garbage in front of his house.
03:01Come out.
03:06Come inside.
03:10Come out.
03:11What is this?
03:12What is this mess?
03:13What is this mess?
03:16You have come early in the morning.
03:18Didn't you go to sleep?
03:20This is a mess.
03:21Why are you sleeping here?
03:22Did he open the shop early in the morning
03:24or did I open the house?
03:25Whose mess is this?
03:26This is all my mess.
03:27Look at this.
03:28My shop is of milk, not of clothes.
03:31Sarfaraz, I have a doubt on him.
03:33Yes, yes.
03:34He was cleaning the shop early in the morning.
03:36Whenever I have cleaned the shop,
03:38I have never cleaned it.
03:41Look, there is no shame in cleaning.
03:44There is no shame.
03:45It is not a bad thing.
03:46It is not a small thing.
03:47It is a great thing.
03:48By cleaning, your depression ends.
03:51Your OCD ends.
03:52Your sadness goes away.
03:54Your life becomes happy.
03:56There is no problem in cleaning.
03:58Do it.
04:00Look, if there is no garbage here,
04:02there will be cleanliness.
04:03Our country will be clean.
04:05Yes, yes.
04:06Get lost.
04:08Sir, I thought of something.
04:09What did you think of?
04:11He is talking about boxes.
04:13He is talking about eggs.
04:14He is talking about eggs.
04:15He is talking about this.
04:17Yes, this can be done.
04:19Absolutely.
04:20Because it has a store too.
04:21Yes, this one.
04:22I have given him the rent.
04:23I will show him.
04:24I will teach him a lesson.
04:25Call the whole family.
04:27Hey, come out.
04:28Call your father.
04:30Give him a clutch plate.
04:31Give him a tight one.
04:33Because he will get angry.
04:35What is the matter?
04:36What is the matter?
04:37Come here.
04:38What is the matter?
04:39What is this?
04:40You have cleaned the shop.
04:41Keep it here.
04:42The car will come in the morning.
04:43Brother has called you for garbage.
04:45Your aunt is not at home today.
04:48Hello.
04:49Okay, I will wait and see.
04:50Why is there no garbage here?
04:51Do I look like a garbage collector to you?
04:53You don't even look like a garbage collector.
04:55You have thrown everything.
04:56These are all the boxes of your shop.
04:58No, sir.
04:59Where did I get the garbage?
05:00These are eggs.
05:01My wife sends shamiya inside.
05:05I don't have eggs.
05:06Where did I leave them?
05:07These boxes.
05:08These boxes.
05:09Where did I leave them?
05:10These are from the garbage set.
05:11Can I get up from the shop?
05:14Look at him.
05:15These are eggs from the garbage set.
05:17Can I get up from the shop?
05:22You have opened the shop so early in the morning.
05:24I told you that the garbage has gone to my aunt.
05:26It is not mine.
05:28Do you know what this is?
05:29What?
05:30Think about it.
05:31Where did I leave the garbage?
05:32I will tell you.
05:33Go and find it.
05:36I will tell you.
05:37Do you have curd in it?
05:39I don't have curd.
05:40You don't have it.
05:42I am surprised.
05:43What?
05:44Neither you have it nor I have it.
05:48Where is it?
05:53Hey!
05:56Uncle, did you die?
05:57Yes.
06:00If I had died,
06:01I would have been buried in the shed.
06:03If you had died,
06:04I would have been buried there.
06:07What is the matter?
06:08Why are you troubling me?
06:09Where is the garbage?
06:10Where is the garbage?
06:11Leave the garbage there.
06:13Where is it?
06:14The garbage is there.
06:17Yes, brother.
06:18What?
06:19Where is the garbage?
06:20Do you know where the garbage is?
06:27Don't touch my face.
06:30If no one believes me,
06:31let's do a forensic test.
06:32Do you have the garbage?
06:34Hey!
06:35Where is it?
06:36I don't have it.
06:37Where is it?
06:38I will tell you.
06:39Where is the garbage?
06:43Yes, it was mine.
06:44I remember now.
06:45Wait a minute.
06:46My handi.
06:47Wait a minute.
06:48My handi.
06:49My handi.
06:50Come here.
06:51Your handi.
06:52My garbage.
06:53Look,
06:54the curd is on it.
06:56Is it mine or your garbage?
06:58My garbage.
06:59No.
07:00You leave my shop.
07:01Come here.
07:02Show it to me.
07:03Yes, brother.
07:05Yes, it was mine.
07:06The garbage.
07:07Bring the garbage.
07:08No, brother.
07:09Don't take Shoghi's work all the time.
07:11Uncle, do you know?
07:12My father's mind is not balanced.
07:14It will happen.
07:15He has trapped your father's mind.
07:18No, I had kept it here.
07:20I sold it.
07:21Leave it.
07:22You don't know this.
07:23This is my grandfather's stamp.
07:25Okay.
07:26My grandfather used it as a necklace.
07:29He used it for money.
07:30My grandfather's?
07:31My grandfather belonged to the Paan family.
07:33Okay.
07:34And he used it for gambling.
07:35Your grandfather was such a big gambler.
07:38No.
07:39Uncle, this is mine.
07:40It's my grandmother's dowry.
07:42Which grandmother?
07:43Your grandmother came to Mughlal.
07:45No, it's mine.
07:46Wait.
07:47I am telling you the truth.
07:49Now you tell me.
07:50Our business.
07:51Yes.
07:52Is this thing related to it or not?
07:54Yes, it is related.
07:55Yes, it is.
07:56But what does it mean?
07:57In this,
07:58my grandfather and his mother
07:59had made one.
08:00Okay.
08:01They used to make buttermilk.
08:02Yes.
08:03Who makes buttermilk in the morning?
08:04Brother, my wife.
08:06Believe me.
08:07Whenever she makes buttermilk,
08:08she uses it.
08:09Because
08:10the things that are made
08:11Yes.
08:12have a cold effect.
08:15Brother, this is our business.
08:17Our business
08:18is related to it.
08:19What is your business?
08:20Cable.
08:21Cable.
08:22Cable?
08:23Yes.
08:24What does cable have to do with it?
08:26They put papers on it
08:27and make screens.
08:28Yes.
08:32Listen to me.
08:33You have seen
08:34such a thing.
08:35Everyone has accepted
08:36that you are his son-in-law.
08:37Swear on me
08:38that this son-in-law is mine.
08:39Swear on me
08:40that this son-in-law is mine.
08:43Mr. Roon,
08:44if you don't want to listen to me,
08:45then listen to me.
08:46We don't want to listen to you.
08:47Then tell me.
08:48Actually,
08:49my mother's son-in-law
08:53had given this to my mother
08:55by my grandfather.
08:56After that…
08:57After that…
08:58After that…
08:59My mother used to beat me a lot.
09:01Okay.
09:02After that,
09:03my father said
09:04that I should really
09:05sell this.
09:06This is Chinese.
09:07That's why…
09:08Is this your mother's?
09:09Yes.
09:10So, you are her future son-in-law.
09:12Yes.
09:13I am her future son-in-law.
09:14That means
09:15you are her son-in-law.
09:16Yes.
09:17I met my mother
09:18in this.
09:19What did your mother
09:20do with this?
09:22She used to study
09:23Chinese.
09:24Yes.
09:25Have you ever seen
09:26a liquor shop
09:27selling Chinese liquor?
09:28Yes.
09:29They sell Chinese liquor.
09:30This is Chinese.
09:31This is not Chinese.
09:32Actually,
09:33we have seven generations
09:34in our family.
09:35That's how
09:36you got to know
09:37about their generation.
09:39Sir,
09:40my great grandfather
09:41used to entertain
09:42them
09:43in the Mughal court.
09:45I see.
09:46That was him.
09:47Yes.
09:48He used to wear
09:49leather pyjamas
09:50and beat them up.
09:51Yes.
09:52He used to beat them up.
09:53Sir,
09:54my great grandfather
09:55used to entertain
09:56them in the Mughal court.
09:57Yes.
09:58He used to
09:59throw ashrafs
10:00at people.
10:01Yes.
10:02He used to throw them
10:03at me.
10:04Please forgive me.
10:05Yes.
10:06I made a mistake.
10:07I am the one
10:08who threw the garbage.
10:09Yes.
10:10I agree.
10:11This is my mistake.
10:12Who cries
10:13for garbage?
10:14This garbage
10:15is mine.
10:16I am the owner
10:17of this garbage.
10:18This garbage
10:19reminds me
10:20of my mother.
10:21This garbage
10:22reminds me
10:23of my mother.
10:24He is not crying
10:25for garbage.
10:26He is crying for gold.
10:27Yes.
10:28Now that the matter
10:29has been cleared
10:30let me tell you
10:33that
10:34I don't know
10:35what to tell you.
10:36I don't know
10:37what to say.
10:39Yes.
10:40If you want to hear the truth
10:41then listen to me.
10:42Did something happen?
10:44Sir,
10:45your location
10:46is very close
10:47to the bus station.
10:48Please stop
10:49talking nonsense.
10:52If you don't know
10:53what to say
10:54then stop talking nonsense.
10:57This looks like
10:58the same pot.
10:59Mr. Arun,
11:00my wife threw the garbage
11:01in the morning
11:02and told me
11:03that the pot is missing.
11:04Call her.
11:05Let's see.
11:06Wife, come out.
11:07Sister-in-law, come out.
11:10Did you call me?
11:11Yes.
11:12I called you
11:13because of her.
11:15You are the one
11:16who threw the garbage.
11:17Where did my garbage
11:18come from?
11:19Then go inside
11:20and throw it.
11:21No, tell me
11:22what happened.
11:23There is a pot
11:24near the pot.
11:25This pot?
11:26Yes.
11:27Yes, yes.
11:28This is our pot.
11:29My pot.
11:30If the pot
11:31opens its mouth
11:32then the neighbor
11:33should feel ashamed.
11:34Sir,
11:35she is my sister.
11:36She is my sister-in-law.
11:37I am not saying
11:38that she is lying.
11:39Right.
11:40But she is saying
11:41that the pot is missing.
11:42Who is saying
11:43that there is mince in it
11:44or someone is cooking food.
11:45My wife has
11:46four brains
11:47and long hair.
11:48She has a long neck.
11:49That is why
11:50she has a cold.
11:51That is why
11:52she has a cold.
11:53That is why
11:54she has a cold.
11:58Sister-in-law,
11:59come out.
12:00Yes, Mr. Dhani.
12:01What happened?
12:02Look, wife.
12:03Our pot.
12:04Our pot.
12:05She is saying
12:06that it is hers.
12:07Yes, yes.
12:08Tell her
12:09what you do in it.
12:10Yes, yes.
12:11I add milk to it
12:12and give it biscuits
12:13every day.
12:14I eat it
12:15in big pieces.
12:16You said
12:17that you give mince.
12:18She is giving you
12:19a box of snacks.
12:22Mr. Haroon,
12:23I keep jewellery
12:24in the jewellery box.
12:25I am saying something
12:26and you say something.
12:27I keep my yellow saran
12:28in the jewellery.
12:29There you go.
12:30Tell her
12:31that we have
12:32two lakh rupees
12:33in our pocket.
12:35What are you looking at
12:36from upstairs for so long?
12:37Actually,
12:38I was looking
12:39for a pot
12:40and I lost it.
12:41I don't know.
12:42I make flatbreads
12:43for it.
12:45Here it is.
12:49I found it.
12:50Hey, hey.
12:51Hey, you old woman.
12:52Your wife is here.
12:55Hello.
12:56Someone is making mince
12:57and someone is making
12:58flatbreads.
12:59What is this?
13:00Actually,
13:01I keep it on the stove
13:02and flip it.
13:03I flip it
13:04and put it on top.
13:06Why do you make flatbreads
13:07on it?
13:08Why do you cook
13:09flatbreads on it?
13:10I cook flatbreads
13:11on it
13:12because
13:13it has a nice design.
13:14As soon as
13:15the flatbreads
13:16get cooked,
13:17the whole design
13:18comes on the flatbread.
13:20Another important thing
13:21is that
13:22when there is
13:23less space
13:24in our cupboard,
13:25I put their clothes
13:26in it.
13:27Okay.
13:28Do their clothes
13:29come in it?
13:30They come in it
13:31in a roll.
13:32They come in it.
13:33They come in it.
13:34Okay.
13:35Your nonsense
13:36has stopped.
13:38Give me something.
13:39I want to make lassi.
13:40Give me something.
13:41I want to eat.
13:42All of you are liars.
13:43None of you
13:44have anything.
13:45Actually,
13:46this is the problem
13:47of our locality
13:48and I know
13:49how to solve it.
13:50How?
13:51How?
13:52Have you heard
13:53the story of the woods?
13:54Yes.
13:55Have you heard it?
13:56Yes.
13:57Have you heard it?
13:58Yes.
13:59Have you heard it?
14:00Yes.
14:01Have you heard it?
14:02Yes.
14:03Have you heard it?
14:04Yes.
14:05Have you heard it?
14:06If my husband
14:07allows me
14:08then I will give him.
14:09Give him.
14:10Give it.
14:11What is it?
14:12Allow?
14:13Okay.
14:14Very bad.
14:15Show me.
14:16Very bad?
14:17What is it?
14:18Actually,
14:19Mr. Arun,
14:20it is an antique.
14:21Okay.
14:22I don't even know
14:23the price of it.
14:24There is a goldsmith
14:25in the lane of Eknaal.
14:26We have got him.
14:27Go from number 18
14:28He is a jeweler.
14:29He will get the right price.
14:30He is Nawad Raj Shinas.
14:32No, sir,
14:33his name is Akbar.
14:34Akbar.
14:35Hey, does anyone have a mobile?
14:36Yes, give it to me.
14:38Hello.
14:39Yes, who is this?
14:41Greetings, Mr. Akbar.
14:42Greetings.
14:43I am Sarfaraz from Laabaras Gali.
14:47Yes.
14:47Do you have a milk and curd shop?
14:49Yes.
14:50I want to show you something.
14:52Is it a gold coin?
14:54Something like that.
14:55Come quickly.
14:56I will be there in a minute.
14:58I am standing behind you.
14:59I will teach you a lesson.
15:05Me?
15:05I will keep you safe.
15:07What?
15:07Where will you teach me a lesson?
15:09I am not here.
15:10Where did she go?
15:10Listen to me.
15:11Yes.
15:12She is a magical lady.
15:14I will teach you a lesson.
15:16Suddenly?
15:18She is a magical lady.
15:20Where is my lady?
15:21She will be here in a minute.
15:26Look at this.
15:28Look at this.
15:30I will teach you a lesson.
15:32Greetings.
15:33Greetings.
15:34Mr. Akbar, you are here.
15:36Yes, I am here, Mr. Sarfaraz.
15:38We are in a rush.
15:40Let him sit first.
15:42No, sir. Come.
15:43Give him a chair.
15:44Sit.
15:45Listen to me carefully.
15:48We don't talk openly.
15:51Okay.
15:51I will talk about 24 carats.
15:54Wow.
15:55You don't even have 10 carats.
16:00I have been collecting diamonds all my life.
16:05Then leave it.
16:06You are of no use to us.
16:09We didn't call you to sell.
16:10We are asking you how much can you sell for?
16:14No.
16:15Sir, how much will it cost?
16:17Select it and pay us.
16:22Okay. What is this?
16:23Sir, this is a very old item.
16:26What is this?
16:27This is Mr. Mirza Nausha's bowl.
16:30I have understood that you don't have a bowl.
16:33You can't sell it.
16:35Right, Mr. Akbar?
16:36Yes.
16:37Because if you sell it, you will be arrested.
16:40Yes.
16:41Tell me, how much will it cost?
16:46If I take a crore from you..
16:49..will you give me a share of it?
16:52Yes, we will give you.
16:54Mr. Akbar, what are you saying?
16:55We will give you a share of it.
16:58We will give you a share of it.
17:03Your friend is calling.
17:06Where?
17:07At Maikmanwadrat.
17:09Wow.
17:10Maikmanwadrat?
17:11He buys old things.
17:14Hello.
17:15Hello.
17:16Maikmanwadrat?
17:17Yes, Maikmanwadrat.
17:19If I give you Mirza Asadullah Khan Ghalib's bowl..
17:24..can you give me a crore?
17:26Yes, I can.
17:27Then come here.
17:29Where are you calling from?
17:30I am calling from Lawarish Gali.
17:33We can go there in two minutes.
17:35Are you sitting here?
17:37Yes.
17:38Do you have a crore in your pocket?
17:40Yes, I have a crore or two in my pocket.
17:43Okay.
17:44Then come and meet me in the lane.
17:46Okay.
17:47How lucky are you?
17:49Look at him.
17:50It's me.
17:52He is coming with a crore.
17:55Wow.
17:56What will you do with a crore?
17:58Do you know how many I have?
18:00One, two, three.
18:01She is your wife.
18:03You will get 21.
18:04No, no, no.
18:05Take it.
18:06Take it.
18:07No.
18:08No, no, no.
18:09Take it.
18:10No, no, no.
18:12Listen to me.
18:1321.
18:14Two of them.
18:1633.
18:17You will get two.
18:19You can share all the shares.
18:21I will also get two.
18:22But, sir, we pay for the lotion too.
18:24Yes.
18:26What will you take for 20?
18:27I will buy a new car.
18:29No need to buy a car for anyone.
18:31Why?
18:32You have to buy a car, sir.
18:34Who are you?
18:35I have come from Nawazabad.
18:37Okay.
18:38The car is big.
18:39Everyone will fit in it.
18:40Yes.
18:41The car is big.
18:42Come, sir.
18:42Take it.
18:44Yes.
18:45Police?
18:46What is happening?
18:47Police?
18:47He has a crore.
18:48Stealing is not a good thing.
18:51We have kept him here because of you.
18:54Yes.
18:54He was running.
18:55He was running.
18:56People call us Mirza Ghalib's crockery.
19:00Yes.
19:00If we kill such people,
19:03so many bad things will end in the society.
19:05He was saying that he will make rotis on this.
19:08He says that Mirza Ghalib is my father-in-law.
19:10My blood pressure is high.
19:12First tell me how many thefts have I committed from you?
19:14Mr. Haroon, one crockery is really Mr. Ghalib's.
19:17Okay.
19:18And it was stolen in Jaipgarh last night.
19:21We were throwing words at him.
19:22He is at least 16 years old.
19:25How old is he?
19:2716 years.
19:29He is 16 years old.
19:30He is 16 years old.
19:32Yes.
19:32He is 16 years old.
19:34Yes.
19:35He is beating us with sticks.
19:38Get out.
19:40He is 16 years old?
19:42Yes, 16 years old.
19:43I will give you a bigger one.
19:44You will stay for 32 years.
19:47You have promised a bigger one.
19:49I will give you a bigger one.
19:55Ladies and gentlemen, we will take a short break.
19:57We will meet you after the break.
20:02Welcome back, ladies and gentlemen.
20:03So, did you do the Hehrat Kadha today?
20:05Yes.
20:06We are late.
20:07Okay, today..
20:08Greetings, brother. How are you?
20:09Greetings.
20:10Greetings. What are you doing?
20:11Praying.
20:13Oh, who are you?
20:15We are from Shahnoor.
20:17We are the fighters of Punjabi films.
20:20Oh, I am sure we have a lot of terror as well.
20:23Brother, believe me, our work has stopped.
20:25Yes.
20:27All the houses in Shahnoor have been built.
20:28We don't get work even in those houses.
20:30Yes, Shahnoor has shut down.
20:32Many big studios have shut down.
20:34Yes, brother.
20:35Brother, we have come here..
20:36Yes.
20:37..because there is comedy in your show.
20:40Yes.
20:41You talk about information.
20:43Yes.
20:44There are songs as well.
20:45Yes.
20:46Brother, you should fight a little.
20:48Your show's ratings will go up.
20:51Mr. Sultan Rai.
20:53Yes.
20:53Mr. Ajay, as we call him.
20:54Yes.
20:55He has left the world and has come to work.
20:57He was a very big man.
20:59Wow.
21:00Wow.
21:02He is my brother.
21:03He is from our group.
21:05Believe me, if you see him, you will say
21:06that he is from Rawali Redi.
21:07Or he is from Shikanjmi.
21:08Or he is from Satu Bechan.
21:10Brother, have you worked with a big name?
21:12Sir, he is a China fighter.
21:14Yes.
21:15He is not from our country.
21:16No, he is from China.
21:19He is a China fighter.
21:20Believe me.
21:22And Mr. Majji Shah.
21:23Wow.
21:23He is not a fighter.
21:24Wow.
21:25Mr. Mastana.
21:26Wow.
21:27Wow.
21:28Mr. Manzoor Musafar.
21:29Mr. Manzoor Musafar.
21:30Manjiya also pays the rent.
21:31Have you worked in the film Sudhi Bhatt?
21:34No, I have not.
21:34He sings a lot.
21:36Okay, then stay here.
21:37Otherwise, I will fire you.
21:38I don't know why he has this habit.
21:42What?
21:42Even father has a voice.
21:46He has worked in Punjabi films.
21:48I have worked in Urdu films as well.
21:50Okay, you have worked in Urdu films.
21:51Yes, sir. Your servant has slapped Mr. Muhammad Ali five times.
21:56And he counted and slapped him.
21:58I am sure you don't watch English films.
22:00Have you watched Die Hard?
22:02Yes, I have.
22:03Okay.
22:06The style in which you hit the leg, you look like Haleem Bipka.
22:10Look at their hard work.
22:13There is a big wound on his face.
22:15He got this wound during the fight in the film scene.
22:18Sir, you know that you have to do it for a living.
22:20No doubt.
22:20The director said that we have to reach at 8 o'clock.
22:22We have to fight with 11 people.
22:23All of them have sticks.
22:24I am alone.
22:26Okay. You have to fight with so many people.
22:27Yes, sir.
22:28Then you got this wound in the fight.
22:29No, sir. I was going to the studio for the fight.
22:31When I slipped on the bike on the way, I got cut.
22:35That guy found out that there is a dig gap there.
22:38He came there and hit me.
22:40Sir, your servant got beaten up by Mr. Rai.
22:43Wow! In the films?
22:44No, no. I hit him a lot when he broke the window of his car.
22:47Actually, he used to eat a lot of betel leaves.
22:50Okay.
22:51He used to eat that too.
22:52He was cutting betel leaves by breaking the window of his car.
22:55Sir, have you seen the film, Chaad Da Surai?
22:57Yes.
22:57I am sure your servant died 10 times in that film.
23:00The director was trying to hit me for 11 months.
23:03He ran away.
23:04Sir, we went to Balagod with Mr. Rai.
23:06Okay.
23:07Believe me, Mr. Rai pushed me from the mountain.
23:10In the scene?
23:11No, no.
23:11Okay.
23:12I didn't listen to him.
23:15Okay, tell us a memorable fight scene from your life.
23:17Sir, there was a fight between two buses.
23:19Okay, two buses were going and there was a fight.
23:21No one was getting on the bus.
23:22They said, no, I will push you.
23:23Wow!
23:24Mr. Rai didn't want to hit me.
23:26Okay.
23:26I stood up for the second time.
23:28Wow! Then?
23:29I went there.
23:30Mr. Rai did this and I did that.
23:31He didn't want to hit me.
23:33Okay.
23:33I stood up.
23:34Then?
23:35I went to Multan to find him.
23:38Then what?
23:38I didn't want to hit him.
23:40He was here and I didn't want to hit him.
23:43I went there and found out that he was at his mother's house.
23:46He duplicated a lot of people.
23:48Whose duplicate?
23:49Babra Sharif's.
23:53So, I..
23:53Babra Sharif's duplicate.
23:55Babra Sharif's..
23:56He kept on swearing.
23:57Yes, I know.
23:58He was wearing hair and riding a motorcycle.
24:01It was a film.
24:02It was a mirror.
24:03Okay.
24:04He was riding a motorcycle.
24:06Then?
24:07I sprained my ankle.
24:09You have worked in old movies.
24:12Yes.
24:12Then why aren't you old yet?
24:14What?
24:15I have brought colour.
24:16I haven't painted my face black.
24:18I have brought colour.
24:18Okay.
24:19All the letters are on the floor.
24:20Let me fight a little.
24:21I am sorry, sir.
24:22You must have misunderstood my character.
24:25Because I was a star dancer, sir.
24:26Oh!
24:28Sir, Mr. Rai was a fighter.
24:30Yes.
24:30Whereas Mr. Cheema was a fighter.
24:32Absolutely.
24:32He has improved.
24:34Yes.
24:34Look, I didn't improve.
24:36Have you heard of Shobran?
24:38Shobran is a very high place.
24:40It's an ocean.
24:41It was a river.
24:42It was an ocean.
24:43What is an ocean in Shobran?
24:45It's a river.
24:46Okay, it's a river.
24:47I didn't become a fighter.
24:50Okay, the river..
24:50Wait a minute. This is getting interesting.
24:52You had to jump in the river.
24:54Yes.
24:54And no fighter was ready to fight.
24:56It was your fault.
24:57Then?
24:58He was giving me Rs. 200.
24:59Yes.
25:00I said, I will give you Rs. 400.
25:01Then?
25:02The director said, I will give you Rs. 1000.
25:04Okay.
25:04The producer said, I won't give you Rs. 1000.
25:06He said, I will take it if I get it.
25:08The payment for the hero
25:11is the same as the payment for the heroine.
25:15What did you say?
25:16I said, I will give you Rs. 1000.
25:18Rs. 80 for Rs. 1000 and I think Rs. 40 for Rs. 400.
25:22Have you ever broken a mirror?
25:24One or two.
25:25Yes.
25:26Believe me, it's a luxury shock.
25:28Okay, what happened?
25:29Because of this, they said, you are getting Rs. 1000.
25:31Yes.
25:31You should go in the mirror.
25:33How?
25:34Like this.
25:34Okay, wow.
25:36I didn't do anything wrong. I went straight in the mirror.
25:38Then?
25:39The guy hit me.
25:40Why?
25:41He said, where else will you go?
25:43He always goes to the wrong place.
25:45Will you keep talking or fight?
25:48Sir, there was another technique.
25:50The hero used to jump and go to the roof.
25:53He used to jump and go to the roof.
25:54Yes, I remember that.
25:55I remember that.
25:56I remember that.
25:57Okay, I..
25:59I saw him flying with my own eyes.
26:02The hero used to jump and go to the roof wearing a sweatshirt.
26:05He used to shoot bullets with a gun.
26:07He used to shoot bullets with a gun.
26:08He used to shoot bullets with a gun.
26:11He used to hit him with a stick.
26:12He used to jump and go to the hero's house.
26:19The name of the film is Danda Peer.
26:20Okay.
26:20A few sticks were hit by me.
26:22In the scene?
26:23No, no.
26:24I haven't done the action yet.
26:25The stick has already gone somewhere.
26:27Sir, this is a silly thing.
26:29The stick was hitting him.
26:30Why should we object?
26:32It is called boomerang.
26:33Yes.
26:33It is called boomerang.
26:34The stick was hitting him.
26:36Sir, you should take a break and complete the fight.
26:39Let me see your rating.
26:41Okay, fight and show me.
26:42Sir.
26:43It's okay.
26:44Please forgive me if I have made any mistake.
26:45No, Prahag.
26:46You have to forgive me.
26:48Sir.
26:49Because I had slapped you in Sherkhan.
26:51I am apologizing for that too.
26:52Sir, believe me.
26:54There was nothing between us.
26:56Sir, you are a saint.
26:57Oh, man.
26:58Do you want to fight or not?
27:00What?
27:00Do you want to fight or not?
27:02First, apologize to each other.
27:04Life is a game of death.
27:05That's how it is.
27:06When there is an emergency in the plane,
27:08there is a code.
27:09The co-pilot has to say,
27:10it was an honor serving with you.
27:11That's what we are doing.
27:12I see.
27:14May God bless you both.
27:16Fight carefully.
27:16Okay, sir.
27:17Do you want to do a ritual?
27:19Let me do it.
27:21It's a big ritual.
27:22I will kill you.
27:23Come on.
27:24You are fighting on the set.
27:25Sir, the fight should be like this.
27:27The camera should be close.
27:29Bring the camera closer.
27:30If you want to bring the camera closer,
27:32bring the oiled camera closer.
27:36It will be a good scene.
27:50Fight with your hands.
27:51Leave the sticks.
27:52Keep it here.
27:53Keep it here.
27:55Keep it.
27:55Okay.
27:56It won't come.
28:02Come on.
28:05Come on.
28:06Take it closer.
28:09Take your hand closer.
28:10Praha, it's very hard.
28:12You should get hit on his face.
28:14Sorry?
28:15You should get hit.
28:16That wasn't a camera.
28:17You don't do it.
28:19Come on.
28:19He is saying,
28:21Are you a fighter or a solider?
28:24Shoot me
28:25but I am a fighter.
28:26You know how to avoid bullets?
28:27Yes.
28:32Hey, what took you so long?
28:33The camera was right in front of us.
28:37That's great.
28:40I was in the lion's den.
28:42I see.
28:42The director said, come here.
28:44He brought all the horses.
28:46He brought my horse.
28:49Then?
28:50When I came, the film was over.
28:54I was left with the horse's fare.
28:56I was left with the horse's fare.
29:00Ladies and gentlemen, it's time for a short break.
29:01We'll meet you after the break.
29:03Beware! Beware!
29:06Welcome back, ladies and gentlemen.
29:07Now we have Dr. Tahir Shaheer with us.
29:11Wow!
29:15You said in the monologue that every successful man
29:18always looks back.
29:20Yes.
29:20Goga's father has also looked back at everything.
29:23Then?
29:24He is his parents' only son.
29:27Goga's father is his only son.
29:29Tell me something.
29:30Yes, sir.
29:31You need a lot of courage.
29:31People get angry very easily.
29:34They say, who is this person who says this to me?
29:36Who is this person who troubles me?
29:39So, how do you tolerate when people..
29:41No, sir..
29:42He has kept this in his heart that
29:44what's the use of looking at the truth now?
29:48You can't fight with the truth.
29:49You can't.
29:50Let me tell you something.
29:51A person with a good heart should be good, Goga.
29:53No, sir. Who looks at the heart?
29:55Goga, a person with a good face should be good.
29:58Sir, it's very difficult.
30:00I go to his house and tell his wife
30:02to make coffee quickly.
30:04I'll go to the terrace.
30:05What do you do with coffee?
30:08Normally, I read a book.
30:11Mr. Goga, which was the last book you read?
30:13He took a Pakistan Jintri from here.
30:17Goga, if a person gets injured,
30:18the doctor doesn't treat him.
30:19Why?
30:20He says, go. You'll be fine.
30:22Okay.
30:24Goga, when you dip biscuits in your coffee
30:27and it breaks and the biscuit is floating in the coffee,
30:30what do you do?
30:31He cries.
30:32First, let me ask him.
30:33Which coffee has biscuits in it?
30:35Biscuits.
30:36That's the point.
30:37I drink coffee with biscuits.
30:39Do you have a tube of biscuits like yours?
30:43Goga eats brownies with coffee.
30:45I think Goga eats chocolate.
30:48Gogi, do you eat chocolate with coffee?
30:50No, I eat croissants more.
30:51Croissants!
30:53Croissants!
30:55Goga, why don't you introduce yourself?
30:57Introduction?
30:59I don't know.
31:03Goga, if a dog comes to you,
31:05ask it to come to you.
31:08If it doesn't come to you,
31:09take my card and show it to me.
31:12It's written on the back, brothers should cooperate.
31:16Doctor, what is the topic today?
31:18There are different topics, Ghazal.
31:19I would like to tell you one.
31:21When the wife's needle got stuck on the demands.
31:24When the wife's needle got stuck on the demands.
31:28When the husband saw the bill, he felt like a chicken.
31:31Wow!
31:32Let's share a poem in the name of Malaika.
31:34Wow!
31:36When the make-up was washed away by the rain, he felt like this.
31:39Wow!
31:42From the rain.
31:43When the husband saw the bill, he felt like a chicken.
31:45When the make-up was washed away by the rain, he felt like this.
31:49Like the white dust from the wall.
31:51Wow!
31:54Very good.
31:56Wow!
31:57It's good that you can't share your beauty.
32:00You are very beautiful even without make-up.
32:03You understood it, right?
32:05Yes, doctor.
32:06Like the white dust from the wall.
32:09And the face on the innocence.
32:12Wow!
32:13The face on the innocence.
32:16You are not a friend.
32:17You will say it yourself.
32:19It's ruined.
32:20Wow!
32:22Wow!
32:23You will say it yourself.
32:25It's ruined.
32:27And on the weekend, the tension of the youth is one.
32:31And on the weekend, the tension of the youth is one.
32:34The net feels like it's dead again.
32:36Wow!
32:38The net feels like it's dead again.
32:41And the whole city was the victim of the enemy.
32:44The whole city was the victim of the enemy.
32:47I said, I love you, but you slapped me.
32:50Wow!
32:51And while taking a selfie, the mouth looks like a pout.
32:55Wow!
32:55How do you make a pout?
32:57Yes, like this.
32:58And you make a pout like this?
32:59Yes, while taking a selfie, the mouth looks like a pout.
33:03As if there is a knot on the nose.
33:05Wow!
33:07And what if the battery of the cell phone dies?
33:10Wow!
33:10And what if the battery of the cell phone dies?
33:13It feels like the world is ruined till it's recharged.
33:16Wow!
33:17It feels like that.
33:19It feels like the world is ruined till it's recharged.
33:22And ask me how much I had saved up.
33:25Ask me how much I had saved up.
33:28A cockroach ruined everything.
33:30Wow!
33:32Wow!
33:32It was delicate and delicate.
33:34After marriage, it was like a honey bee.
33:39Wow!
33:40Wow!
33:42Wow!
33:44It was like a honey bee.
33:47And on batting, it was like dead or flat.
33:52Wow!
33:52On batting, it was like dead or flat.
33:55We play and it seems like the back is broken.
33:58Wow!
34:00When the wife's finger got stuck on the wife's wish.
34:03Wow!
34:04When the husband saw the bill, he was shocked.
34:06Wow!
34:09Very good.
34:10Very good.
34:11We have some poets in the audience.
34:14I have heard a couple of singers.
34:17Wow!
34:17Give the mic to the audience.
34:19Yes.
34:20Greetings.
34:20Greetings.
34:21My name is Muhammad Adeel.
34:22Yes, Adeel.
34:23I want to sing.
34:24You want to sing?
34:25Wow!
34:26Here? In front of everyone?
34:27Yes.
34:28My love, my love, I have found you
34:34The way I thought, I found you
34:39A face like the rays of the sun
34:45I have seen you, but I have not
34:50Every moment of my love
34:56I have lost it in you
35:01I am not a lover, nor am I crazy
35:06Tell me, my love
35:13Your and my love is eternal
35:17If you want, I can give my life for you
35:24What is this life, if you ask for it
35:29My love, my love, I have seen you
35:33Wow!
35:34Wow! Very good.
35:35My love, my love, I have found you
35:41Next.
35:41Greetings.
35:42Greetings.
35:43My name is Shah Zaman.
35:45Okay, Shah Zaman.
35:46I want to recite a poem to all of you.
35:47Recite a poem to all of us.
35:49Go ahead.
35:50Every moment, I waited for that moment
35:53Wow!
35:55Every moment, I waited for that moment
35:58It came for a moment
36:00Wow!
36:02He uses the word, moment.
36:04Every moment, I waited for that moment
36:07It came for a moment
36:10Now, every moment is a prayer for that moment
36:13Wow!
36:13Now, every moment is a prayer for that moment
36:16I wish it would come for just a moment
36:19Oh, wow!
36:20Wow!
36:23Sir, I've heard this a lot.
36:26Sir, the answer is yes, Ghazal.
36:28Yes.
36:29Pal, pal, pal, pal.
36:30Pal, pal, pal, pal.
36:32Wow!
36:33Wow!
36:34Add a couple of pals to it.
36:37Next scene.
36:38Hello, my name is Mohsin.
36:40Yes, Mohsin.
36:40I just remembered a poem like this.
36:43Don't say no, no, this is not the time to say no.
36:46Yes.
36:47Don't say no, no, this is not the time to say no.
36:51Your no, no, has left me for good.
36:53Wow!
36:54Wow, wow, wow.
36:55That was great.
36:56Wow, wow, wow.
36:59Viewers, this was today's show.
37:00We'll meet you in the next show, God willing.
37:02Take care of yourselves.
37:04Allah Hafiz.