Just Having His Suicidal Dinner As Usual - The Way of Emir
Feriha Yilmaz is an attractive, beautiful, talented and ambitious daughter of a poor family. Her father, Riza Yilmaz, is a janitor in Etiler, an upper-class neighbourhood in Istanbul. Her mother Zehra Yilmaz is a maid. Feriha studies at a private university with full scholarship. While studying at the university, Feriha poses as a rich girl. She meets a handsome and rich young man, Emir Sarrafoglu. Feriha lies about her life and her family background and Emir falls in love with her without knowing who she really is. She falls in love with him too and becomes trapped in her own lies.
Cast: Hazal Kaya, Çağatay Ulusoy, Vahide Perçin, Metin Çekmez,
Melih Selçuk, Ceyda Ateş, Yusuf Akgün, Deniz Uğur, Barış Kılıç.
Production: Fatih Aksoy
Director: Merve Girgin Neslihan Yeşilyurt
Screenplay: Melis Civelek, Sırma Yanık
Cast: Hazal Kaya, Çağatay Ulusoy, Vahide Perçin, Metin Çekmez,
Melih Selçuk, Ceyda Ateş, Yusuf Akgün, Deniz Uğur, Barış Kılıç.
Production: Fatih Aksoy
Director: Merve Girgin Neslihan Yeşilyurt
Screenplay: Melis Civelek, Sırma Yanık
Category
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TVTranscript
00:00 Come on, sister Vara. Let's drink and get better.
00:03 Look, I'll drink a double, then you won't extend it, okay? I won't drink more.
00:07 Oh, we said we'd give you a permission day at the beginning of the 40th year.
00:11 Come on, let's do a welcome first.
00:15 Should we have made fondue first to understand your language?
00:24 It's about Yavuz Sancaklar, isn't it?
00:27 If I were you, I'd be curious too. I'm not saying anything anyway.
00:30 It's a long and painful story, I guess.
00:33 Or is it a broken heart or an old love that smells?
00:39 What are you saying? You're watching a Turkish movie, aren't you?
00:43 Oh, leave these feet.
00:45 Such a great hatred can only explain a half-left love story.
00:49 Maybe a half-left life.
00:55 Interesting. Let's continue.
00:57 I wanted to be a police officer as I knew myself.
01:02 That's how my father raised me.
01:05 For justice, for justice, for truth.
01:10 He cared a lot about all this.
01:13 Because he took a big part of his life away from them.
01:23 You know my father, my father.
01:25 He was the jackal of Yavuz Sancaklar's father.
01:29 Then I don't know what happened.
01:38 Whatever he lived, whatever he saw, he gave up being a jackal.
01:43 He left the studio.
01:47 He spent the rest of his life regretting.
01:52 He melted in front of our eyes.
01:54 He was sick, very sick, but he didn't want treatment.
02:02 He wanted a long, painful death.
02:06 Not in a moment.
02:08 My father got sick because of his conscience.
02:11 He couldn't wipe the mud that the jackals were smearing.
02:15 He destroyed himself.
02:21 Can, I don't think you should be involved in this Sancaklar issue.
02:25 I mean, how do they say?
02:28 This is your soft heart.
02:30 It's very personal and heavy for you.
02:33 The Sancaklar issue won't end.
02:36 That man will pay for the shit he did one by one.
02:39 Then it will end.
02:41 Look, what we talked about will stay here.
02:46 This is our last talk.
02:48 But if you regret what I told you, one day I will regret listening to you.
02:53 Can, you know what?
02:55 One of my greatest talents is to turn the subject at lightning speed.
02:58 Look, this is a classic example.
03:01 Oh, man.
03:05 I don't know the name of our fire piece, okay?
03:10 I'll ask you something.
03:12 Do you like this girl or are you kidding?
03:15 I don't understand.
03:17 Girl, I'm like this.
03:18 It's not clear when I'm serious and when I'm not.
03:20 And this is how we live.
03:22 We can't be as serious as you are.
03:24 So, good police, bad police, you are changing the serious police into the solo police.
03:30 Exactly.
03:32 The world is small.
03:39 The tower is even smaller.
03:42 The mountain is small.
03:43 Wow, so he is the idol.
04:03 You shot him yesterday, today you are drinking rakı with meyhane.
04:10 You are a real hero.
04:11 No, no, I'm definitely the idol.
04:14 But he is the king.
04:27 Look, he drinks rakı with meyhane.
04:29 He is a real king on the table.
04:32 He is not a social activist.
04:34 I'm a suicide worker.
04:37 Here you are.
04:39 I'm saying that he wants to die all the time.
04:41 I mean he wants to die.
04:43 We will meet in this dead world.
04:46 Look, we said it before.
04:49 Is it a spoiledness?
04:50 It's nothing else.
04:52 He has no purpose.
04:53 It's a purposelessness.
04:54 If you are a rich man,
04:56 if you have money like a whore,
04:58 what would you do?
05:00 Should I go to the bathroom today?
05:02 And then,
05:04 I want to die today.
05:06 Do something like that.
05:07 Do something else.
05:09 What are you doing?
05:10 Put it.
05:11 I invited you here.
05:13 Don't you know the rules?
05:14 Don't be silly.
05:15 What rules?
05:16 We will pay in common.
05:17 Come on.
05:37 What is he doing?
05:38 He is calculating.
05:40 I say he should be a good man.
05:43 He should be a good man without money.
05:44 He comes and eats a bite of bread.
05:47 He doesn't drink a sip of water.
05:49 He takes his rakı and drinks it.
05:52 Then he gets up,
05:54 cleans the shop,
05:55 and leaves.
05:56 What a night.
05:59 It's a social activist, isn't it?
06:04 (speaking in foreign language)