• 5 months ago
Discover the interview with Ulysse Ancele & Flavio Fernandez, nominees and winner of the "Best visual effects" category, with the music video : "REEVE – WAX ON YOU".

Check the full music video : "REEVE – WAX ON YOU":
https://www.youtube.com/watch?v=jAfmzy06ZDg

Find more of their work:
https://www.instagram.com/orage_studio/
https://www.henry.tv/

Credits :
Interview and edit by Sebastian Sheath and Yannick Solandt (unsigned Berlin): https://www.youtube.com/@unsignedberlin

Do you want to be part of the Berlin Music Video Awards as well? Submit your video here: https://www.berlinmva.com/submit/ We are now taking submissions.

Category

🎵
Music
Transcript
00:00First of all, can you introduce yourselves, what are your names and what do you do?
00:15I'm Louis Ancel and I was a producer on Wax Audio by Reeve, directed by Attaca 51.
00:22I'm Savio from Oresh Studio and we did the Vertix album.
00:27How does it feel to win?
00:29It's an incredible feeling and we're very, very thankful for the jury to have chosen
00:34Attaca for the great nominees that were in the selection this year.
00:39It's incredible.
00:40It's a very, very big and happy surprise.
00:43You're obviously winners for Best VFX, what do you think about the VFX sets the video
01:04for Wax Audio apart from the other projects you've worked on this year?
01:08I think that these guys have worked very, very hard and have done an amazing job.
01:13The VFX set are really subtle at times, there are things that were really difficult to achieve
01:18that maybe people watching wouldn't know.
01:20Yeah, but I think the directors were very aware about the VFX too, so it was very cool
01:26to work with them and it was a collaboration with them and us, so it's this kind of collaboration
01:34that brought Attaca to Bremen.
01:37How early were you brought on to the project?
01:41Was it before shooting or did it come after?
01:43It was before the shooting, yeah.
01:46It was a very lengthy process, so even before we started, even from the storyboard point
01:53of view, we approached OVAGE and were like, we know we want to make something really difficult,
02:01do you guys think this could be it?
02:03And they were very happy to do this challenge with us.
02:07And that is, were there any unexpected challenges when you were making the video that so many?
02:12Could you give an example, maybe?
02:14Not all of them, but I think all the little things, all the big issues was one plan, one
02:20shot, sorry.
02:21And so we need to put in the shots, call it one shot, a lot of shots to work on them.
02:33On the video, there's some special thanks at the end to RBZ, Anne-Marie Massol, who
02:44were they for the video?
02:46So RBZ is one of the leading equipment providers in Paris when it comes to cameras, light,
02:52grip, and we're very thankful to them because they let us use some of the equipment at a
02:58discount rates for this music video.
03:00And it's essential that the renting companies in Paris and elsewhere work with the music
03:06videos with a small budget so that we can make those happen.
03:10So many thanks to them.
03:11Marine Pessard also worked with CNC, which is in French National Grants.
03:19That is a special aid, financial aid, so that music videos can be made.
03:23So again, a shout out to the French government that helps us have a little more money to
03:29make those projects exist.
03:30So thanks to them too.
03:39Reeve is a fairly small artist on the scale of things.
03:42How does that change the production that goes into the video?
03:47So this, I think we would like to thank Savoir Faire, who are also the label for Reeve.
03:53This was a big challenge because they chose Attaquettes de C1 to design the entire art
03:56direction for me with this video.
04:00And we all hope that this is going to launch her career.
04:03We're sure that she's a great artist.
04:05And we're very thankful that she chose Attaquettes de C1 to do this first music video.
04:09Awesome.
04:10Thank you very, very much.
04:11Peace.
04:16Peace.

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