Sing Sing Prison Concert (1972)
Category
🎥
Short filmTranscript
00:00:00Hi, uh, what's your name, sir?
00:00:27Uh, yeah, behind me is the, uh, the Hudson River and, uh, panorama of the Palisades.
00:00:40Maybe you think that I'm up in, uh, Cascades somewhere, but, uh, you're wrong.
00:00:48Though I'm here and the river is behind me, it's true, I'm up the river.
00:00:54I'm up in a place where I'm just a number and a face among 1,200 other faces and other names and numbers.
00:01:09This is a place where people such as, uh, the famous Willie Sutton, the Rosenbergs, uh, Trigger Burke, Joe Bellacci, they all pass through here.
00:01:23This is the, uh, arson and correction facility known the world over as the famous Sing Sing Prison.
00:01:35Goin' on a journey up the Hudson, goin' on a lonesome train.
00:01:50Goin' on a journey up the Hudson, goin' on a lonesome train.
00:02:02They can put me in the death house or keep me in the same same jail.
00:02:15I wrote and asked the warden why they call the jail the same same.
00:02:27I wrote and asked the warden why they call the jail the same same.
00:02:39He said, stand here by this rock pile and listen to them hammers ring.
00:02:52Big tunes in the courthouse, paper sellin' for 50 cents.
00:03:03Big tunes in the courthouse, paper sellin' for 50 cents.
00:03:15All the judge tryin' to jail me, my lawyer pleadin' self defense.
00:03:26River, I'll send me to that mean old jail.
00:03:35You can send me up the river, I'll send me to that mean old jail.
00:03:48I killed my man, and I don't need no bail.
00:03:59This is my cell here, where I keep all my supplies, where I can get them handy.
00:04:04My fish tank is over here, at night I pass away my time, look at my fish.
00:04:09And I got my refrigerator here out in the window, where I keep all my supplies, keep it fresh and cold.
00:04:16There's a little cabin here, where I keep my underwear and other shirt and stuff.
00:04:21Then here I keep my, my tuna fish and sardines and stuff, whatever I need when I cook down the hill.
00:04:31And this is my bed here at night, this is where I sleep.
00:04:35Good morning, B.B.
00:04:40How's it going, man?
00:04:45All right now, I guess.
00:04:54Had a good day today?
00:04:56Yeah, it's gonna be a fine day.
00:05:00I'm like an old engine, I'm gonna start turning now, once I start turning I'm all right.
00:05:06I'm ready.
00:05:08I'm surprised they haven't taken down my clothes line, because they usually say people hang out with them, you know.
00:05:15My desk, my chair, you know, the only thing they let you have, you know, when you come in here, man, is like what you see.
00:05:23Tallest bowl, six inches from my head, and a, and a wash basin, man, that's it.
00:05:30All these years went by when everybody thought I didn't wear makeup.
00:05:35It was this big image, you know, natural.
00:05:39I wore makeup the whole time.
00:05:41I just smeared it around a little bit so they couldn't tell.
00:05:46Some prisons you're not allowed to wear perfume in.
00:05:50I don't want to excite anybody at the warden.
00:05:56They don't have no ownership in here.
00:05:59These little things, they intensify their meanings, man, like the books is all really I have.
00:06:07Then the pictures from home means a great deal.
00:06:11Several of them I had to put them down because I just couldn't take looking at them no more.
00:06:17A woman representing, you know, like to me, beauty.
00:06:21She has a beautiful, beautiful face.
00:06:23And a short ass piece, you know.
00:06:26Hey, man, you don't got a short ass piece, you're just not a con.
00:06:31Hey, yeah, hey, look at him, Dick.
00:06:35Yeah, I like that, don't you like that?
00:06:38Now, how about a brown?
00:06:40Yeah, yeah, get a brown, brown, brown shirt.
00:06:45Yeah, I like that.
00:06:47And then we'll wear brown shoes with the, with, you know.
00:06:51I think the fellas ought to dig that.
00:06:54This is the, uh, decorations for backstage.
00:07:02We're doing, uh, we did, uh, Joan Baez, B.B. King and the Voices.
00:07:08And they're gonna get equal billing.
00:07:11I've been involved for almost a year now.
00:07:14And, uh, since I was given the assignment as stage manager, I feel that this is my, part of my responsibility.
00:07:21He didn't do all this kind of stuff. What did this stage look like?
00:07:23Like a piece of shit.
00:07:25Oh, we're gonna start working on a film today.
00:07:28And this is the first time we have a film take on Cin Cin.
00:07:31First time, and I hope it won't be the last one either.
00:07:34And we thank you, all you guys, for everything you've done.
00:07:37It's coming.
00:07:38And we're gonna have B.B. King, the Voices of East Highland, Joan Baez, and all the guys from the Cin Cin.
00:07:44All right. Back to work.
00:08:14Well, we're going to Cin Cin.
00:08:34I've never been to it before.
00:08:36I've played many recombinatories.
00:08:41Never been up here.
00:08:45Want an interview about something?
00:08:47Want an interview?
00:08:48We're supposed to have turkey today, but them seagulls is gone up there.
00:08:52You understand?
00:08:54They got you good, boy.
00:09:04We have turkey, dressing, cranberry sauce, peas, pie, coffee, milk.
00:09:15The regular procedures that you have in any institution.
00:09:19This is about the best Thanksgiving that I had since last Thanksgiving.
00:09:26First of all, I didn't do it.
00:09:28I didn't do it.
00:09:30The food in here is terrible.
00:09:32I really mean it.
00:09:33You cannot eat this food.
00:09:35If it wasn't for my parents and the other parents of the guys that I hang out with, we never would be eating.
00:09:40How much time do you got?
00:09:42Oh, I got many.
00:09:43I got five years.
00:09:44I should be going home by next month anyway.
00:09:48What are you here for?
00:09:49Oh, I'm here for armed robbery.
00:09:52You want robbery?
00:09:53Oh, yeah.
00:09:54Is that right?
00:09:55Sure.
00:09:56I'm not proud of it.
00:09:58In fact, I don't get enough understanding.
00:10:01I hope the sun doesn't come out.
00:10:05See you inside.
00:10:06Yeah.
00:10:29Lord, Lord, they shut your Judson down.
00:10:33Lord, Lord, they laid him in the ground.
00:10:37Push it back up on the bar.
00:10:41Where is this going?
00:10:43That's the organ speaker.
00:10:45That's the organ?
00:10:46That's the organ.
00:10:47Put the organ over there.
00:10:48On the other side of the organ.
00:10:49You can put one over there and keep one over there.
00:10:50Ain't that the organ?
00:10:52No, that's the piano.
00:10:53Keep one over there and keep one over there.
00:10:56Hey, watch my back.
00:10:57What are you?
00:10:58This goes on the other side of the organ.
00:11:00I told you that.
00:11:01No, I told you that.
00:11:02I don't know.
00:11:03Because I gave him the keys this morning.
00:11:05You gave him the keys then?
00:11:07Yeah, I gave them to Pat Canavan to open up that room.
00:11:10Hey, Sarge, he's down at Crystal Science Room.
00:11:12Hey, come on.
00:11:13You want to let me out?
00:11:14Open it up.
00:11:15You want to let me out, Sarge?
00:11:16No.
00:11:17No, you stay.
00:11:18Visit 149628 Hoffman.
00:11:245292
00:11:273960151433
00:11:33152302 visit.
00:11:54152302 visit.
00:12:08Well, I think that we are here to provide as much protection for outside people as possible
00:12:14because anything can happen.
00:12:17We are nervous and excited.
00:12:19We're going to do everything we can to put as much protection on these people as possible.
00:12:22Not that we expect anything.
00:12:24We don't expect the population to be tough.
00:12:26We expect them to get all excited, yes.
00:12:28We don't expect anything.
00:12:29You think you can handle anything that might happen?
00:12:30I think we can.
00:12:31I know we can.
00:12:33Right now, everybody's coming in,
00:12:36and they're trying to get themselves situated in a seat.
00:12:41I'm nervous because I'm anxious for this thing to start
00:12:45so once we get started, we start picking up one, two, three,
00:12:48and I won't be nervous no more.
00:12:50We need some princes.
00:12:51Anybody want to donate some?
00:12:54All inmate performers report to the chapel.
00:12:59Right now.
00:13:03Yes?
00:13:04Can I have everybody else that's going to help us here on stage,
00:13:07and then we'll get everything together so that we're together.
00:13:09We got it here.
00:13:10Okay.
00:13:11That's the village of, how do you pronounce it, Austin?
00:13:14Austin.
00:13:15Austin, yeah.
00:13:18Well, we're here.
00:13:21Excuse me.
00:13:23This is Dave Hoffman.
00:13:25He's the executive producer and director of this picture
00:13:29and the institution today.
00:13:30Would you like to say a few words?
00:13:35My partner and I have been working for this concert for about a year.
00:13:40You haven't seen most of us, and I guess I haven't seen most of you,
00:13:43but it took us a year to get this thing to come off,
00:13:45and I still don't know what it's going to be like.
00:13:47Joan Baez and B.B. King aren't even in here yet.
00:13:50There's some hang-up outside.
00:13:52I understand that people don't want to be photographed,
00:13:55so anyone who's behind that line will not be shot by the cameras.
00:13:59Okay?
00:14:04Remember, Thursday night is Latin night at the Cheetah.
00:14:07Stop it, fellas.
00:14:09The food, the man with the food.
00:14:11There he is.
00:14:14Hey, wait, wait, wait.
00:14:16It's the comida, brother.
00:14:18Hey, ¿qué te adelanto? What's happening?
00:14:20What took you so long?
00:14:21Hey, not them, us.
00:14:23What's happening with this dude?
00:14:24He's one of us.
00:14:26They're beating us in that concert.
00:14:29You go over there, you think you're in Shop Rite.
00:14:32Listen, if you can't see a dude that look like a Martian, don't worry.
00:14:35It's only the camera crew.
00:14:38Joan Baez just came in.
00:14:39I just got the wire, fellas.
00:14:42Joan Baez just came in, man.
00:14:44She got her together self in here.
00:14:46She'll be in soon.
00:14:48There it is, fellas.
00:14:50Yeah?
00:14:52There it is.
00:14:55There's the wall.
00:14:58Good.
00:14:59God, look at that.
00:15:00Yeah, man.
00:15:02Anyway, I want you all to know that we're going to have a hip happening
00:15:04with Indio in the front.
00:15:07Let's go, let's go.
00:15:15Indio, gentlemen.
00:15:16Indio.
00:15:17Indio right here.
00:15:18Come on, let's go get an F for Indio.
00:15:37Beat him.
00:15:38Beat him.
00:15:39Beat him.
00:15:40Beat him.
00:15:41Beat him.
00:15:42Beat him.
00:15:43Beat him.
00:15:56Indio.
00:15:57Yeah.
00:15:58Tournament's happening, man.
00:16:00Yes?
00:16:01BB King, part of the group for the concert today.
00:16:05BB King.
00:16:06So you going inside or what?
00:16:07Yes, sir.
00:16:08I think they're having a dinner inside there.
00:16:10Let me check over here.
00:16:11All right.
00:16:16What do you think about the show that's taking place today, man?
00:16:19Well, the damn thing haven't started yet.
00:16:26It ain't started yet.
00:16:27We're waiting for, is Joan Baez going to be here or what?
00:16:29Yes, sir.
00:16:30Yeah, well, I think this is going to be nice.
00:16:32You got a whole bunch of sisters up there, too.
00:16:34Yeah, well, I think that's going to be beautiful.
00:16:36I appreciate that.
00:16:38Let me see what's happening here.
00:16:40Are we going to get it together?
00:16:42All right.
00:16:43All right, the voice is ready.
00:16:45Huh?
00:16:46The voice is ready now.
00:16:47Wow.
00:16:48Well, here they are, man.
00:16:52They're getting ready now, man.
00:16:54Is everything cool?
00:16:55I'm going to leave you now and let you have a tremendous happening.
00:16:59Solid, fellas.
00:17:00Hey, the voices will be solid.
00:17:02The voices will be solid, fellas.
00:17:04♪♪
00:17:33♪♪
00:17:53♪♪
00:18:13♪♪
00:18:33♪♪
00:18:53♪♪
00:19:13♪♪
00:19:33♪♪
00:19:53♪♪
00:20:13♪♪
00:20:33♪♪
00:20:45It seemed like they would have told them about it.
00:20:48It seemed like nobody knowing about it here.
00:20:51We have quite a few people in the institution now.
00:20:54We must have your cooperation, especially the ladies on the bus here.
00:20:59We're not used to this sort of thing.
00:21:01But we're trying to put as much protection as we can on each and every one of you.
00:21:06So you have to pay attention or you're going to get lost.
00:21:10And you're going to be confused.
00:21:12If you get lost in here, that means we can't go home and eat Thanksgiving dinner.
00:21:16I can't go home if you don't come out.
00:21:18Don't you understand?
00:21:19That's right.
00:21:21This is the most opportune time for one of these guys to go.
00:21:25Three years ago today, there was two guys that hit out right down there.
00:21:31We couldn't go home until about 11 o'clock Thanksgiving night.
00:21:35We've been here for years.
00:21:37We know what's happening.
00:21:38We know the people that we're dealing with.
00:21:40These people in here that you're dealing with are cunning and they're shrewd.
00:21:45Freedom in the spirit, y'all.
00:21:47Right on.
00:21:48Thank you.
00:22:19Open up your hearts to what I'm in.
00:22:23I'm in the whole world.
00:22:28You've got to know there's a million boys and girls who are young and black.
00:22:46And that's so black.
00:22:54You are young and dead and black.
00:23:00We must begin.
00:23:03We've got to begin tonight.
00:23:08There's a whole lot of world waiting for you.
00:23:16How I long, how I long to know the truth.
00:23:21Said there are times when I look back and I'm haunted.
00:23:33I am haunted by my youth.
00:23:36But my joy, but my joy, but my joy.
00:23:44Is that we can all be proud to say it should be.
00:23:52Young and dead.
00:23:56Young and dead.
00:23:59Young and dead.
00:24:03Young and dead.
00:24:06Young and dead.
00:24:10Young and dead.
00:24:13Young and dead.
00:24:16Young and dead.
00:24:19Young and dead.
00:24:22Young and dead.
00:24:25Young and dead.
00:24:28Young and dead.
00:24:31Young and dead.
00:24:34Young and dead.
00:24:37Young and dead.
00:24:40When they say Harlem, they weren't driving were they fellas?
00:24:45That's sure enough ghetto soul jumping off.
00:24:51Hey listen.
00:24:59Hey listen man, I got Jimmy Walker, the man who always be at that outflow.
00:25:05He's going to do a thing for us.
00:25:07So Jimmy, come on out here man.
00:25:08He's going to let you know about who's really happening.
00:25:11Somebody else.
00:25:12Jimmy Walker.
00:25:15What's happening?
00:25:16God damn.
00:25:17I just finished a thing at the Apollo with Melvin Moore.
00:25:22Nah, shit.
00:25:23You know, when I work with white folks, you know, if I don't do well it don't bother me.
00:25:27But if you don't do well at the Apollo, the backstage leads into alleyway.
00:25:33And dudes be waiting for you back there, you know.
00:25:37You wasn't funny sucker.
00:25:45I was coming in with B.B. and the boys and we was doing a little drinking.
00:25:53And I was sitting in the bar over on 125th Street with the niggas.
00:25:57The niggas are some mayday.
00:25:59I'm glad I won.
00:26:02Shit, it's tough to be a nigga nowadays.
00:26:06All these colored people and negros out here.
00:26:08It's tough to be a nigga.
00:26:10But I was sitting in the bar and there's always an argument in the bar.
00:26:13A guy sitting there says, hold on man, hold on.
00:26:17The woman sat next to me, man.
00:26:22Nah man, the woman sat next to me.
00:26:25Don't be bad mouthing.
00:26:27You talking to sweet Willie Johnson.
00:26:37Pull something out nigga.
00:26:41Pull something out.
00:26:43So you got a gun.
00:26:51Shoot me.
00:26:54Shoot me.
00:26:59Shoot me nigga.
00:27:01What you gonna do?
00:27:03I said shoot me god damn.
00:27:06Thank you.
00:27:18I want to come on back.
00:27:20But right now I want to bring on a fabulous young lady.
00:27:23She's been like an idol of mine for years.
00:27:26And I really dug her.
00:27:27And I think you all will really enjoy what she's doing.
00:27:29Because she's really working, doing her thing in her own way.
00:27:32And need I say any more than Miss Joan Baez.
00:27:35Come on.
00:27:40Important, important man.
00:27:42Listen, 1-3-5-6-2-3.
00:27:44And 1-4-4-5-3-3.
00:27:46The deaf wants to see you immediately man.
00:27:51Hey listen man.
00:27:53Hey.
00:27:54Here she is man.
00:27:56Miss Joan Baez.
00:27:57Come on.
00:27:58Let's hear it for her.
00:27:59She's out of sight.
00:28:02Joan.
00:28:13I'd like to start off by singing a song called I Shall Be Released.
00:28:19They say everything can be replaced.
00:28:27They say the distance is not near.
00:28:35Yet I remember every face.
00:28:42Of every man who put me here.
00:28:49I see my light come shining.
00:28:57From the west down to the east.
00:29:05Any day now, any day now.
00:29:13I shall be released.
00:29:24Well yonder stands a man in this lonely crowd.
00:29:31A man who swears he's not to blame.
00:29:39All day long I hear him shouting so loud.
00:29:46Keeps crying out that he was framed.
00:29:53I see my light come shining.
00:30:01From the west down to the east.
00:30:09Any day now, any day now.
00:30:17We shall be released.
00:30:39Hey, I'd like to thank you very much for letting us in this place.
00:30:43I know you're not crazy about being here.
00:30:45But I'm really glad that...
00:30:48I mean, some prisons don't let us in even, you know?
00:30:57And the most thing that we could hope for today is that everybody have a good time.
00:31:03Okay, this is my sister Mimi Farina.
00:31:25Viva mi patria Bolivia.
00:31:28Viva mi patria Bolivia.
00:31:30Una gran nación.
00:31:33Yo te adoro a mi vida.
00:31:36Como la quiero yo.
00:31:39Yo te adoro a mi vida.
00:31:42Como la quiero yo.
00:31:49Eso esta mi canta.
00:31:51Mi canta de amor.
00:31:54Viva mi patria Bolivia.
00:31:57Como la quiero yo.
00:32:00Viva mi patria Bolivia.
00:32:03Como la quiero yo.
00:32:28Viva mi patria Bolivia.
00:32:32Una gran nación.
00:32:35Yo te adoro a mi vida.
00:32:38Como la quiero yo.
00:32:41Yo te adoro a mi vida.
00:32:44Son de mi corazón.
00:32:58I came from Puerto Rico around 1950.
00:33:02I've been had a pretty rough life.
00:33:06My first bus was in 1956.
00:33:09After that, I've been coming in and out of prison.
00:33:12I tried to stay out a few times, but I couldn't get myself together outside.
00:33:18And I have been spending this 14 out of the past...
00:33:23This is my cat, Pinto.
00:33:26I had him since he was a little baby.
00:33:28Be cool. Relax.
00:33:31A little scared.
00:33:33I built a house there for him.
00:33:35And at lunchtime, when I have time, I go in the mess hall.
00:33:41Pick up some leftovers.
00:33:44And I put them in the mess hall.
00:33:48How do you feel about that cat?
00:33:50I like him.
00:33:51Because I got him since he was a little baby.
00:33:53And every time I call him or anything, he just comes running to me.
00:33:56Like I said, Pinto, Pinto. Two, three times.
00:33:59Comes running, he starts meowing.
00:34:01That means he wants food.
00:34:03So I gave him the food and everything's straight.
00:34:07But I'm going to take him home when I get out.
00:34:10I'm going to take him home.
00:34:12I'm going to take him home.
00:34:15But I'm going to take him home when I get out.
00:34:17Right, Pinto?
00:34:18Come on, don't be scared. Go ahead and run.
00:34:20Go ahead.
00:34:23Go ahead.
00:34:25It's a beautiful cat.
00:34:27We're going to bring some fright from the organization on.
00:34:29Do their thing.
00:34:31A little quickie, a little quickie.
00:34:36A little quick thing.
00:34:38I want you all to bring on, because they have a message to deliver.
00:34:41I want you all to dig the message and dig where they're coming from.
00:34:44Let's check out our own workshop, the drama workshop.
00:34:47Come on, let's hear it for them.
00:35:12Hey.
00:35:14Hey.
00:35:16Hey.
00:35:18Hey.
00:35:20Hey.
00:35:22Hey.
00:35:24Hey.
00:35:26Hey.
00:35:28Hey.
00:35:30Hey.
00:35:32Hey.
00:35:34Hey.
00:35:36Hey.
00:35:38Hey.
00:35:40Hey.
00:35:42Hey.
00:35:44Hey.
00:35:46Hey.
00:35:48Hey.
00:35:50Hey.
00:35:52Hey.
00:35:54What happened?
00:35:56No, nothing. You take care.
00:36:01Hey, you, you are going to wrestle right with the reports cards.
00:36:04I didn't do anything.
00:36:06I didn't do it!
00:36:07I didn't do it!
00:36:08I didn't do it!
00:36:16Alright, son, now, since Saint Christ did what we tell you to, I'll...
00:36:21I didn't do it!
00:36:24Good morning! I am the printer's psychiatrist. I'm here to determine your sanity.
00:36:28Did you commit the crime?
00:36:29I didn't do it!
00:36:30Did you commit the crime?
00:36:31I didn't do it!
00:36:32Goodbye!
00:36:36Did you commit this crime?
00:36:37I didn't do it.
00:36:38Did you do it?
00:36:39I didn't do it.
00:36:40I didn't do it.
00:36:41I didn't do it.
00:36:42I didn't do it.
00:36:43Boy, as your employer, I checked your background out.
00:36:44You didn't tell us you had a record of two fives.
00:36:45I didn't do it.
00:36:46Oh, my God.
00:36:47I didn't do it.
00:36:48I didn't do it.
00:36:49I didn't do it.
00:36:50I didn't do it.
00:36:51I didn't do it.
00:36:52I didn't do it.
00:36:53I didn't do it.
00:36:54I didn't do it.
00:36:55I didn't do it.
00:36:56I didn't do it.
00:36:57I didn't do it.
00:36:58I didn't do it.
00:36:59I didn't do it.
00:37:00I didn't do it.
00:37:01I didn't do it.
00:37:02I didn't do it.
00:37:03Don't worry, Carl.
00:37:04I didn't do it.
00:37:05Get out of my house.
00:37:06Get out.
00:37:07You go back with Robbie.
00:37:10I hate him.
00:37:13Let's go.
00:37:14Let's go.
00:37:15All right.
00:37:16Let him dance.
00:37:17Let him jive.
00:37:18I didn't do it.
00:37:19I didn't do it.
00:37:20Rob my neck.
00:37:21I didn't do it.
00:37:22Rob my neck.
00:37:23Don't you close the door without me.
00:37:24I didn't do it.
00:37:25You should leave me alone.
00:37:26Get out.
00:37:27Get out.
00:37:28I wasn't gonna tell you.
00:37:29I didn't do it.
00:37:30Come here!
00:37:31Hey, did you hear me call on the line?
00:37:50What's your number?
00:37:51T-block.
00:37:52Solitary confinement.
00:37:53The hole.
00:37:54Give me a loan, dammit, alright, alright, I did it, dammit, I did it, I did it, dammit,
00:38:01I did it, dammit, I did it, dammit, I did it, dammit, I did it, dammit, I did it, dammit,
00:38:10I did it, dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit,
00:38:15dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit,
00:38:20dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit, dammit,
00:38:24Next case.
00:38:26The federal government, they want to get rid of all this, what they call crime in the street.
00:38:30They should take the ex-con, right, and have jobs prepared for the man out there.
00:38:40A job that not only could pay my, uh, uh, uh, uh, no, $40 or $50 a week, because that ain't gonna make it.
00:38:46$40 or $50 a week, man, I can get a gun and buy me a gun for $40 and I make me two or three hundred a day.
00:38:52Like, they have the alleviation of going to them streets, man, and going to their wives and their kids
00:38:58and having a little bit of love, that's what they have, that's what they want to consider it, you know?
00:39:03Having a little bit of love out there, man.
00:39:05We don't have none of this, man.
00:39:06We gotta wait for visits, we have to wait for mail, we have, we have to go through all the changes,
00:39:12we have to go to the service unit, everything, man, is dependent upon them.
00:39:15We don't have no self-reliant thing, except our minds, and few of us know how to use it,
00:39:20because, you know, it's conditioned already, man, to react to four walls.
00:39:24I rapped to a guy, I was in Auburn, and, uh, I talked to a guy that did, like, 38 years, you know,
00:39:31and, uh, he, 38 years behind the wall, I tried, I got stabbed in the joint, you know,
00:39:36and, uh, and that was a hell of an experience for me, man, and, like, this guy was, like, telling me, like,
00:39:41that ain't nothing, kid, it was an old guy, and he's telling me, like, uh, 38 years in here, man, and, uh,
00:39:48don't worry, you know, you'll get over it, you know, and finally, I remember when he was going home,
00:39:52and this guy was, like, 70-something years old, he was acting like a young boy, man, you know,
00:39:57hey, kid, they're letting me go, you know, they're letting me go, kid, you know,
00:40:01I said, right, doc, we used to call him doc, he wasn't a doctor, he just was the cook, man, in the hospital.
00:40:07This next little song is just, like, three stories, and I don't know whether you guys have the patience
00:40:12to listen all the way through, but it will be nice, okay? And they're all true.
00:40:23Billy Rose was a low rider, Billy Rose was a night fighter,
00:40:28Billy Rose knew trouble like the sound of his own name.
00:40:34Busted on a drunken charge, driving someone else's car,
00:40:39the local midnight sheriff's claim to fame.
00:40:44In an Arizona jail, there is some who tell the tale
00:40:49how Billy fought the sergeant for some milk that he demanded.
00:40:55Knowing he would pay the cost, knowing they'd remain the boss,
00:41:00they saw he was severely reprimanded.
00:41:06In the blackest cell on A block,
00:41:11he hanged himself at dawn
00:41:16with a note stuck to the bunkhead.
00:41:21Don't f*** with me, just take me home.
00:41:26Come on, lady, help us lay young Billy down.
00:41:36Luna was a Mexican, the law calls an alien
00:41:41for coming past the border with a baby and a wife.
00:41:47While the clothes upon his back were wet, still he thought
00:41:51that he could get some money and things to start a life.
00:41:57But it hadn't been too very long when it seemed like everything went wrong.
00:42:02Didn't even have the time to find themselves a home
00:42:07when this foreigner, a brown-skinned male thrown inside a Texas jail
00:42:12left the wife and baby quite alone.
00:42:19He's the pain inside him
00:42:24with a needle in his arm.
00:42:29But the dope just crucified him
00:42:34and he died to no one's great alarm.
00:42:39Come on, lady, help us lay poor Luna down.
00:42:48And then we'll raise, raise the prisons to the ground.
00:42:59Leela Ward was an aging con of 65 who stood a chance
00:43:04to stay alive and leave the joint and walk the streets again.
00:43:10At the time he was to go to near, he suffered all the joy and fear
00:43:15of leaving 35 years in the pen.
00:43:20Then on the day of his release, he was approached by the police
00:43:25and he took him to the warden walking slowly by his side.
00:43:31The warden said, you won't remain here, but it seems the state retainer claims
00:43:36another 10 years of your life.
00:43:43Stepped out in the Texas sunlight
00:43:48and the cops all stood around.
00:43:53The old king of water and 50 yards
00:43:58then threw himself down on the ground.
00:44:02They might as well just to lay that old man down.
00:44:11And we're gonna raise, raise the prisons to the ground.
00:44:21Help us raise, raise the prisons to the ground.
00:44:32Let's go for it! Fire!
00:44:41Listen, 135-623-144-533.
00:44:46The temp is still looking for you. When he find you, up.
00:44:49What's your name?
00:44:50Cherry Oster.
00:44:52What are you here for?
00:44:53I'm a reporter for the New York Daily News.
00:44:55What do you think about the concert today?
00:44:57Well, I think it's a remarkable event.
00:44:59I've never seen anything quite like it where the audience and the performers
00:45:04and the people on stage are all kind of part of a big happening.
00:45:08It's really a happening more than anything else.
00:45:10Here he is, Tommy Fairchild.
00:45:13Is he Fairchild, brother?
00:45:18Yeah, this is a little poem I hope y'all, it's called A Game in the Apple.
00:45:24A Game in the Apple.
00:45:26Dig it?
00:45:28In a player's game, you need no fame.
00:45:33Around town, uptown, or downtown.
00:45:37Morning, noon, and evening too.
00:45:40You've been in that scuffle too.
00:45:42Smoking bush, dealing stuff.
00:45:45Popping pills, curing ills.
00:45:47Rubbing thighs, checking fives, and getting high.
00:45:51Miss the big stuff, pushing tough.
00:45:54That angel dust, dumping the scene with plenty green.
00:45:58Your brother, man, extending his hand to give you the muscle to put in your hustle.
00:46:03Got beat, blew that cash.
00:46:06Got the crash, got no stash.
00:46:08Can't lay it low today.
00:46:10You name it, they gave it.
00:46:12Making plays to top those trades.
00:46:15Morphine, opium, codeine, methadrine, protein, cocaine.
00:46:21DMT, STP, LSD, E, A, T, H.
00:46:28Black, yellow, and brown.
00:46:30Not black, red, and green.
00:46:32Popping out of L's.
00:46:34Sporting gear so well.
00:46:35Popping out of L's.
00:46:37Giving suckers hell.
00:46:38Popping out of L's.
00:46:40Sending chicks to hell.
00:46:42Yeah, I saw you niggas.
00:46:44Old niggas, young niggas, little niggas, big niggas, slow niggas, fast niggas.
00:46:49Afro niggas and borinqua niggas.
00:46:52Yeah.
00:46:53Black, yellow, and brown niggas.
00:46:55War niggas, niggas.
00:46:57What a time you had.
00:46:59Nodding off that gag.
00:47:01How you dig that bag.
00:47:03Nodding off that coat.
00:47:05If that's the life you dig, don't call that man a pig.
00:47:09Can you dig it?
00:47:10All right.
00:47:11All right.
00:47:14I'm reading Rolf Ellison's The Invisible Man.
00:47:19I've saw it around, man, but I've never picked it up.
00:47:24I've been through the Marxist theory, man.
00:47:28The communist theory and so on.
00:47:33I have over here,
00:47:36help with L's psychoanalysis.
00:47:39To me, this is what's happening, man.
00:47:41This is how I want to fight this battle.
00:47:43Because now I have really dug into myself.
00:47:46I'm not saying I have found myself,
00:47:49but I know where I'm going.
00:47:51I know what I want to do.
00:47:53Ain't nobody that can stop me.
00:47:55To stop me is going to have to take what I stand for,
00:47:58and that right there is my life.
00:48:01One, three, five, six, two, three.
00:48:03One, four, four, five, three, three.
00:48:06Watch you.
00:48:07Watch out.
00:48:09One, four, seven, nine, six, six, man.
00:48:12Get out there.
00:48:14That's one, four, seven, nine, six, six.
00:48:16Jimmy.
00:48:18All right.
00:48:22Nine, seven, seven, six, four, five, seven, 15, 95.
00:48:29Yeah.
00:48:32You know what I'm waiting for?
00:48:34I'm waiting for the first black president.
00:48:37I could have manned the cat now.
00:48:39Walks out on an inaugural day, says,
00:48:42thank you very much for electing me
00:48:44president of the United States,
00:48:46and I really thank you for electing me
00:48:48the first black president of the United States.
00:48:51Right now, I'd like to give you the State of the Union address,
00:48:54but first, the number for today.
00:49:01754.
00:49:03Anybody 754?
00:49:06Y'all ready?
00:49:08They're ready.
00:49:09All right, then.
00:49:10I'm used to warming people up.
00:49:12See, that's my job.
00:49:13I just warm the crowd up,
00:49:16and as they're at their peak of ecstasy,
00:49:18I'll bring the big one on.
00:49:21That's my job.
00:49:22See, I'm not the professional type of comic.
00:49:25I'm what they call in the business a jazz comic.
00:49:28You see that last five minutes?
00:49:30That was a rip.
00:49:39But anyway, I want to bring on the big one,
00:49:42and I guess y'all know who it is.
00:49:44Y'all all set up?
00:49:45They getting everything together?
00:49:46Because you're going to be setting up.
00:49:47I want y'all to make them feel at home
00:49:49because the man's been traveling,
00:49:50and he's kind of tired,
00:49:51but I want y'all to make them really feel at home.
00:49:53Let's hear it for him.
00:49:54Come on, now.
00:49:56Come on.
00:50:09Reese?
00:50:11At the apartment.
00:50:13He's balling right now.
00:50:16While they're getting it together,
00:50:18I was told that some of you dudes
00:50:20don't know anything about blues.
00:50:26That's what they told me,
00:50:27so I want to say this to you.
00:50:29I came to swap some with you.
00:50:31I imagine that quite a few of you dudes
00:50:33have the blues already.
00:50:36But today...
00:50:39That's my signal to shut up.
00:50:42Today being Thanksgiving,
00:50:46this is Thanksgiving, right?
00:50:50Thanksgiving?
00:50:51All right.
00:50:53Well, let me say this to you.
00:50:55It seems like a lot of things
00:50:57have been happening today,
00:50:59and when I came in,
00:51:01I had to sign in.
00:51:07And I noticed...
00:51:08I noticed one of the members of my group
00:51:10you seem to know very well.
00:51:15How'd it make me feel?
00:51:16Make me feel good,
00:51:17because he works with me.
00:51:45One, two, three, four.
00:52:15One, two, three, four.
00:52:45I've been downhearted, baby
00:52:59Ever since the day we met
00:53:11I say I've been downhearted, baby
00:53:14I've been downhearted, baby
00:53:19Ever since the day we met
00:53:26You know love is nothing but the blues, woman
00:53:34Baby, how blue can you get?
00:53:42You're so evil when I'm with you, baby
00:53:49And you are jealous when we're apart
00:53:58I say you're evil
00:54:03You're so evil when I'm with you, baby
00:54:07And you are jealous when we're apart
00:54:10How blue can you get, baby?
00:54:15The answer's right here in my heart
00:54:23I gave you a brand-new phone
00:54:26But you said I went and called the line
00:54:30I bought you a ten-dollar dinner
00:54:34And you said thanks for the snack
00:54:37You lived in my pet's house
00:54:40You said it was just a shack
00:54:44I gave you seven children
00:54:48And now you want to give them back
00:54:51How blue can you get?
00:55:04You know love is nothing but the blues, woman
00:55:10Baby, how blue can you get?
00:55:21How blue can you get?
00:55:44Fellas, we would like to do a tune for you since today is Thanksgiving.
00:55:50And as John said a while ago, a lot of people do care.
00:55:56And this is our little contribution to you.
00:55:59The title of it you'll hear in the song.
00:56:03Someone really loves you
00:56:10Guess who?
00:56:18Someone really cares
00:56:28Guess who?
00:56:32Something in your heart
00:56:38Oh, that surely you'll see
00:56:46Oh, not the someone who really cares
00:56:55It's me
00:57:16It's me
00:57:46It's me
00:57:56Someone will wait eternally
00:58:10Someone who wants your love
00:58:15Oh, so desperately
00:58:23Something in your heart
00:58:29Oh, that surely you'll see
00:58:36Oh, not the someone who really cares
00:58:47Who really cares is me
00:59:06Thank you.
00:59:37All of your affection is gone
00:59:45And your love is growing cold
00:59:55I say all of your affection is gone, baby
01:00:06And your love is growing cold
01:00:13Hey, but I've got a new story to tell you this evening, baby
01:00:21One that ain't never been told
01:00:28I went to work the other day
01:00:32But I thought that I'd double back
01:00:36And that car I saw sitting in the front of my door
01:00:40It looked like a brand-new Cadillac
01:00:47Hey!
01:00:51I think you're cheatin' on me, baby
01:00:56I think you're trippin' on me, baby
01:00:59I leave you my soul, baby
01:01:05Have you given me some outside help
01:01:09That I don't think I really need
01:01:13The ice man came by this morning
01:01:17And you know he didn't leave no ice
01:01:21The postman came by later, baby
01:01:25And he didn't even ring twice
01:01:37I think you're cheatin' on me, baby
01:01:41I think you're trippin' on me, baby
01:01:44I leave you my soul, baby
01:01:50Have you given me some outside help
01:01:54That I don't think I really need
01:01:58Now I want you to tell the ice man
01:02:02The next time he better leave some ice
01:02:06And I want you to tell the postman
01:02:10He better ring more than twice
01:02:14And when I come home from work in the morning
01:02:17There better still be some groceries on the shelf
01:02:21And I want you to tell that slick insurance man
01:02:25That he better write some insurance on his desk
01:02:41I think you're cheatin' on me, baby
01:02:47I think you're trippin' on me, baby
01:02:51I leave you my soul, baby
01:02:55Have you given me some outside help
01:02:59That I don't think I really need
01:03:03The ice man came by this morning
01:03:07And you know he didn't leave no ice
01:03:11The postman came by later, baby
01:03:15Just told, just told by my man there
01:03:19That it's gonna take a little break
01:03:22I think he can tell you a little better than I can
01:03:24I don't know
01:03:26Come on over here with me
01:03:29I know I don't look like Joan Baez
01:03:31And I ain't gonna kiss you
01:03:32But go ahead and tell the people what you got to tell me
01:03:34Hey, listen, man
01:03:36Remember that God set fire with Mikey
01:03:38And B.B. King is saying soul with himself
01:03:41Jack, here it is
01:03:43We're having a boss time, man
01:03:45I wish we had more time
01:03:46You don't wanna leave
01:03:47We're gonna have a 15-minute break
01:03:49And they're gonna feed you Captain Sandwiches
01:03:51They been promising you
01:03:52Then we're gonna do it again
01:03:54We ain't going nowhere
01:03:55We're gonna stay
01:03:57No way
01:04:13Hey, listen
01:04:15Remember that God set fire with Mikey
01:04:18And B.B. King is saying soul with himself
01:04:21Jack, here it is
01:04:22We're having a boss time, man
01:04:24I wish we had more time
01:04:26You don't wanna leave
01:04:28We're gonna have a 15-minute break
01:04:30And they're gonna feed you Captain Sandwiches
01:04:32They been promising you
01:04:34Then we're gonna do it again
01:04:36We ain't going nowhere
01:04:37We're gonna stay
01:04:39No way
01:04:41Get back!
01:04:43Get back!
01:04:45Get back!
01:04:50What's happening?
01:04:52Yo, fellas, listen up
01:04:54May I have it quiet a minute?
01:04:57Everybody sit down for a minute
01:04:59So we can get on with the show
01:05:03All right, fellas, let's be quiet a minute
01:05:07We have a problem of time
01:05:10Please cooperate because we have a deadline
01:05:14The more we can get in
01:05:16The less we have to cut out
01:05:19Now, is this understood?
01:05:24How long you been driving the bus?
01:05:26Three years
01:05:27Is that a choice job in here?
01:05:29Yep, my picnic
01:05:31I've been riding this bus for a long time
01:05:33And you seem to know a lot about the prison here
01:05:38How do you feel about this place?
01:05:40I like it
01:05:42Fine
01:05:44Got no problem
01:05:46You think it's a strange job being inside a prison?
01:05:50No
01:05:52Prison's in the mind
01:05:57What happens if you don't act tough to the inmates?
01:05:59I mean, what happens if you try and be a nice guy?
01:06:01I don't act tough
01:06:03I just be me
01:06:06But I mean, if a guy's too nice to these people, what happens?
01:06:10Take him for a ride
01:06:12A bad ride
01:06:14Make a fool out of him
01:06:16You think this place is giving some of these guys a chance to get themselves back together?
01:06:23It is if they think right
01:06:26They'd sit down and look at themselves first
01:06:32That's what time does
01:06:36It gives you a chance to look yourself over and find out what you are
01:06:41Everybody shows a sad side
01:06:44There's a hell of a lot of humor in it, too
01:06:47Tell us something of funny things you've seen
01:06:49Huh?
01:06:50Tell me something funny that you've seen
01:06:51Well, I've seen a guy in here the day everybody put down as a kook
01:06:55Used to work for me in the brush shop
01:06:59Used to work for me in the shop
01:07:02He'd laugh in the morning, laugh at night
01:07:04He did his time the best he could
01:07:06A lot of guys despised him because he couldn't find humor in the place
01:07:10I got a little story
01:07:12The other day I had about four or five apples in my hands
01:07:16And Officer Swinney was coming down and he says,
01:07:19Tony, what you doing with all them apples?
01:07:21So I said, well, here, I threw him an apple
01:07:23Like this
01:07:25Right?
01:07:27And two days later he saw me
01:07:31And he says to me, well, how many, what happened to the apple?
01:07:36Four worms
01:07:37He had four worms
01:07:39So ever since then, he calls me apples
01:07:43Isn't that right, Officer Swinney?
01:07:44Applehead
01:07:45Applehead, right?
01:07:48Who made that?
01:07:50An inmate made that
01:07:51He laid it on the floor and he traced himself
01:07:53He painted his likeness on it for me
01:07:56And then he copied the stripes out of a book
01:07:59Do you have that personal relationship with the inmates?
01:08:03Oh yes, I have
01:08:05Inmates I've known in some cases all my life
01:08:08I know some inmates better than I know my own family
01:08:13They pass the time of day
01:08:15I know not long ago I met an inmate that
01:08:19He was in almost every institution I was in
01:08:22We used to sit and talk about the good old days
01:08:25It's not like this or not like that
01:08:29They realize prison as it is
01:08:33Sing Sing is a very corrupt
01:08:39Foul, stinking, so-called correctional facility
01:08:46It is one of the lowest
01:08:49Dirty concentration camps New York State has devised
01:08:55To incarcerate young men of good will
01:08:58And in fact, yeah, get that right
01:09:01Yeah, I like to scream all the time
01:09:05All right, thank you
01:09:08All right, Jimmy Walker
01:09:14All right, now we're gonna have our finale
01:09:16The dynamite part of our show
01:09:18Y'all been waiting for it
01:09:19Come on, let's hear it for him
01:09:21You know who it is
01:09:22Let's welcome back the fabulous voices of East College
01:09:24Come on
01:09:48Come on, everybody, put your hands together
01:10:11Come on, come on
01:10:18Come on, come on
01:10:19Come on, come on
01:10:20Come on, come on
01:10:21Come on, come on
01:10:22Come on, come on
01:10:23Come on, come on
01:10:24Come on, come on
01:10:25Come on, come on
01:10:26Come on, come on
01:10:27Come on, come on
01:10:28Come on, come on
01:10:29Come on, come on
01:10:30Come on, come on
01:10:31Come on, come on
01:10:32Come on, come on
01:10:33Come on, come on
01:10:34Come on, come on
01:10:35Come on, come on
01:10:36Come on, come on
01:10:37Come on, come on
01:10:38Come on, come on
01:10:39Come on, come on
01:10:40Come on, come on
01:10:41Come on, come on
01:10:42Come on, come on
01:10:43Come on, come on
01:10:44Come on, come on
01:10:45Come on, come on
01:10:46Come on, come on
01:10:47Come on, come on
01:10:48Come on, come on
01:10:49Come on, come on
01:10:50Come on, come on
01:10:51Come on, come on
01:10:52Come on, come on
01:10:53Come on, come on
01:10:54Come on, come on
01:10:55Come on, come on
01:10:56Come on, come on
01:10:57Come on, come on
01:10:58Come on, come on
01:10:59Come on, come on
01:11:00Come on, come on
01:11:01Come on, come on
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01:19:01Arsoning, what a thing to be
01:19:07A thousand men locking that pen
01:19:11On a winter's day
01:19:13With the sky so gray
01:19:15That the heavens froze
01:19:17The front gate closed
01:19:19On the river outside
01:19:21Of the wall so high
01:19:23And the stone so cold
01:19:25But the men so bold
01:19:27That when the tears
01:19:29Rose to my eyes
01:19:31I broke right down
01:19:34And cried
01:19:47For I know full well
01:19:49In those cells
01:19:51Where dreary hells go by
01:19:55They're serving time
01:19:57For you and I
01:19:59So when we walk by
01:20:01Suspicious eyes
01:20:03That will not cry
01:20:05Might ask us why
01:20:07We love them not
01:20:10At all
01:20:21Sing, sing
01:20:23B.B. King
01:20:25The voices of East Harlem
01:20:29A thousand men
01:20:31Rose from their chairs
01:20:33Fists in the air
01:20:35While the music blared
01:20:37And the visitors shared
01:20:39The joy that bared
01:20:41As emotions flared
01:20:43And freedom's heirs
01:20:45Turned to declare
01:20:47You can't keep men in cages