Sueños de Libertad - Capítulo 101
Sueños de Libertad - Capítulo 101
Transcript
00:30But no. The collection is complete.
00:35And they are sorted by year. 1952, 1953...
00:41How strange. In 1953, one is missing.
00:49What are you telling me? Are we a team or not?
00:51Let me go! Let me go!
00:53Animal, look what you've done!
00:55I'm sorry, mother. Let me help you.
00:58She's not your daughter, liar.
01:02Mercedes...
01:03She's not your daughter! She's mine!
01:06She's not yours! She's mine!
01:09Shut up!
01:10She's not yours!
01:11Shut up!
01:27To fly, wherever the soul wants.
01:31Dreams of freedom, the heart does not wait.
01:35It's asking for another chance.
01:39Dreams of freedom, although the past hurts.
01:44Start again, love whoever I want.
01:48Shout my truth, live without fear and without looking back.
01:57Dreams of freedom.
02:11Dreams of freedom.
02:15Dreams of freedom.
02:19Dreams of freedom.
02:23Dreams of freedom.
02:27She has high blood pressure.
02:28But it's normal if she's so upset as you say.
02:30It will go down as she relaxes.
02:32Well, now she's much better.
02:34Right, mom?
02:35And what happened to make her so nervous?
02:38Nothing out of the ordinary, doctor.
02:40I came to look for Julia and when the baby came out,
02:42she started screaming out of herself.
02:44Without any reason?
02:45Without any reason.
02:47She was saying incongruous things.
02:50And since I couldn't calm her down, I told Begoña.
02:53I don't know.
02:54It's weird that she got like that without coming to tell me.
02:59Sometimes she confuses me with Julia.
03:01She thinks it's me as a baby.
03:02Do you think that could be it?
03:04Maybe she's reliving the trauma of when she was separated from you.
03:07And she has associated Julia's departure with your separation.
03:11But do you think it's bad for Julia?
03:13No, I don't think so.
03:14But we would have to talk to the specialist in the sanatorium.
03:17Maybe it wasn't a good idea to get her out of there, right?
03:20On the contrary.
03:21I don't think she's going to be anywhere better than with her daughter.
03:24What happens is that she needs a little patience and affection until she gets used to it.
03:28And wouldn't it be good for a tranquilizer if it happened to her again?
03:31No, she's already taking her medication.
03:33What would be good for her is to rest in her room for a while.
03:36Well, what worries me is the tension.
03:39Because the other day she had a sudden down and now...
03:42Look, if she's under surveillance, there shouldn't be a problem.
03:45Let's hope so.
03:47Anyway, if it happens again, you know you can call the dispensary if Dr. Berenguer isn't here.
03:53Thank you.
03:55Go back to the consultation.
03:56Mercedes, rest.
04:00You know you can call me when you need it, whatever time it is.
04:06Good day.
04:07Thank you.
04:12Well, I also have a lot of things to do.
04:15If you need anything, I'll be in the office.
04:18Thank you.
04:24Well.
04:26Are you better?
04:30He's bad.
04:34Who's bad?
04:37He's bad.
04:40He avoided me.
04:43Who yelled at you, Mom?
04:45That man.
04:49That man is bad.
04:52He scares me.
04:54But how?
05:12I don't know how I'm going to dry my father's furniture.
05:15It's very wet.
05:17You should take it out in the sun, like all the papers.
05:21But I'm sorry, I can't help you get it out now because my foot hurts again.
05:27Again?
05:28You forced your ankle, didn't you, going to Toledo?
05:31You see the bus and there you go, without ordering anyone.
05:35No, I was careful, really.
05:38Don't answer it.
05:40Why?
05:42Because it's our free time and they never leave us alone.
05:46Well, Gemma, but it could be a personal call.
05:48Maybe it's from your friend Maria.
05:50We like to talk on the phone at two.
05:54Yes.
05:56Hello, Luis.
05:59Ah.
06:08Look, up there.
06:15Thank you very much, Tasio.
06:16You're welcome, woman.
06:17Besides, you're not here to make any effort and you know you can ask me anything.
06:21Is that okay?
06:22That's perfect.
06:24Do you need anything else?
06:25No.
06:26These are things I bought for the baby, for when it's born.
06:29I'll ask you to help me get them down before I go to town.
06:32To town for what?
06:33Well, at some point I'll just have to tell my mother, I mean.
06:38Although I'd rather not, because the first thing she'll do is give him a heart attack.
06:41And then she'll send me to hell.
06:44To all that, you have to prepare for the arrival of the child.
06:46I'll buy the crib and whatever is needed.
06:48No, Tasio, that's very expensive.
06:50I don't want you to spend the money you don't have on that.
06:52Really, Claudia, don't worry, I'll take care of everything.
06:55How are you?
06:57Better.
06:58I no longer have nausea at night and I can sleep well.
07:01Well, that's very good.
07:03I'll leave you, I have to go to work.
07:09Tasio.
07:11Carmen.
07:12Don't go.
07:14But I have to go to work.
07:16We have to talk to you.
07:22I still have to finish tidying up the floors so that Mother can come.
07:26Yes.
07:28Ah.
07:30Great, I would appreciate it very much.
07:33Very well.
07:35Thank you very much.
07:36Thank you very much.
07:37See you later, brother.
07:41My brother.
07:42He'll come by this afternoon to help with the furniture and the papers for our father.
07:47Look, that's great.
07:48Yes.
07:50Have you had a scare yet?
07:53Yes, yes, it's just that...
07:55It caught me by surprise.
07:57Yeah.
07:58Let's see if we can go and make that escape.
08:00No?
08:01And we relax a little.
08:03Do you feel like going to dinner this weekend?
08:06Uh-huh.
08:08Are you okay, Gemma?
08:11Are you sure?
08:12You feel a little weird.
08:16Do you love me?
08:20Of course I love you, Gemma.
08:22You are what I love most in this world.
08:25It's just that sometimes I think you could stop loving me.
08:28Why?
08:30Because of the things I do sometimes.
08:33Darling,
08:35if I haven't stopped loving you already,
08:37with the smoke you sometimes spend,
08:39that's because my love for you
08:42is made of bombs.
08:44Joaquín, it's just that I have many defects,
08:46perhaps more than you can imagine.
08:49That's true.
08:51Because you always go impeccable
08:53and today you haven't even noticed that you're a little disheveled.
08:58I'd like to be as good a person as you.
09:00What are you saying?
09:02Darling,
09:05I wouldn't change you for anything in the world.
09:12It's just that...
09:18I'm so disheveled today.
09:19No.
09:20No.
09:21Come on, darling, it was a joke.
09:38The keys to the big house aren't here.
09:41They must be around here.
09:43No, the only place they could be is in my bag,
09:45and they're not in my bag.
09:46Come on, darling, calm down.
09:47Maybe they got lost in Toledo.
09:50It's okay.
09:53Are we a team or not?
09:54Let go of me!
09:56Let go!
09:57You animal, look what you've done!
09:59I'm sorry, Camara, let me help you.
10:03And you took them from someone?
10:05Well, it's okay, woman.
10:07Nobody can know where they're from.
10:09This afternoon we can go get a copy.
10:11What do you think?
10:12Good.
10:13It's not the end of the world, darling.
10:21Is this a lock-up or what?
10:23Come on, Natasio, don't get mad.
10:25Carmen is worried about you, and so am I.
10:27Oh, come on.
10:28So you've been telling Claudia
10:30as if I were a criminal or something?
10:31No.
10:32I told her to help me find out what's wrong with you.
10:34Does she also care that her father and son are okay?
10:36Who told you that I'm not okay?
10:39Natasio, please, tell us.
10:41We just want to help you if you have a problem.
10:44My problem has no solution.
10:46Come on.
10:47All problems have a solution.
10:50Besides, how can we help you
10:52if you don't have any serious consequences?
10:54So you also think I'm stealing money?
10:57What are we going to think, Natasio,
10:59if you don't tell us something else?
11:00All we can think about is
11:02what you've stolen or what you've played.
11:06But tell us, Natasio,
11:07for God's sake, we're here to help you.
11:10Look, you can't trust me without me telling you anything.
11:12Well, no.
11:13Because if you don't tell us anything, something's wrong with you.
11:15What's wrong with me?
11:18Well, you're going to get what you want.
11:19Because where the money comes from, it's just my problem.
11:22Oh, very good.
11:24Very good.
11:25Well, then don't tell me I don't trust you.
11:28With everything I've forgiven you,
11:29the least, the least I deserve is sincerity.
11:33Well, right now I can't be more honest, Carmen.
11:35Yes, I can see that.
11:38You don't know how disappointed I am, Natasio.
11:40I don't even want to think
11:42how far you can go.
11:45I'm sorry.
12:02Darling,
12:04I was going to ask you how your mother was
12:06before I went to the factory.
12:08Well, she's much better.
12:09I managed to calm her down and now she's sleeping.
12:12Great, then.
12:13Let's hope she doesn't run again.
12:15She knows she can avoid it.
12:17Luz didn't seem very convinced
12:18that that change of mood was something spontaneous.
12:21And it seems strange to me, too.
12:23Strange, why?
12:24You yourself have said that she confuses Julia with you, right?
12:26Well, she got nervous
12:28when she saw that the girl was leaving
12:29and that she was left alone, I don't know.
12:32I see.
12:34I'm sure nothing else has happened.
12:36And what else would have to happen?
12:39Begoña, I remind you that your mother
12:40suffers from a mental illness
12:42and that she always has skin-colored nerves.
12:44My mother doesn't get upset
12:45if she doesn't take the opposite
12:46or if she doesn't argue with her.
12:47Well, I was there
12:48and I assure you there was no argument.
12:51But, well, maybe Julia told her something that bothered her
12:53and, I don't know, if you want,
12:54we can ask her when she gets back from school.
12:57That's great, isn't it?
12:58Having children so you can blame them.
13:01Are you insinuating something?
13:03It's obvious.
13:04Do you know what I think, Jesus?
13:06That you've been unpleasant with her
13:07because you don't like her being in this house.
13:10But where did you get that peregrine idea?
13:11Because I know you well enough
13:13and I know my mother's comments aren't funny to you.
13:15Like when I thought Andrés could be my husband.
13:18What nonsense.
13:19How can I be offended
13:20by what someone who doesn't even know what they're saying can say?
13:22Begoña, in case you've forgotten,
13:23I was the one who brought her to this house.
13:26My mother told me you'd avoided her
13:28and I'm convinced
13:29that that was the reason for her high blood pressure.
13:31But how can you think something like that of me?
13:33Well, because we both know
13:34how easily you lose your nerves.
13:35Yes.
13:36Yes, but I would never face
13:37a poor sick woman.
13:40Begoña, I...
13:41All I care about is your happiness.
13:44And I'm willing to do anything.
13:45Stop promising things
13:46and behave like a normal person.
13:48But why are you so sure it was me?
13:51Do you prefer to believe her before me,
13:52despite how unbalanced she is?
13:54Stop repeating that, Jesus!
13:55Darling, darling.
13:56I swear, for all you know,
13:57I've never yelled at your mother.
14:01I don't know, maybe...
14:02Maybe she imagined it.
14:03Just like she imagines
14:04that you're Julia
14:05and that I'm Andrés.
14:07Look, look, look.
14:08Let's leave it.
14:11Okay, let's leave it.
14:14I'll be at the factory.
14:15If you need anything,
14:18call me.
14:36You'll see that later
14:37there's a break and no problem.
14:39Or we'll meet at the canteen...
14:41Mateo.
14:45Can I talk to you for a moment?
14:46Sure.
14:47What do you need?
14:48You'll think I'm waiting
14:50for you to come by to talk to you, but...
14:51No, no, no.
14:52What would I think about that?
14:53No, no.
14:55I have to ask you a favour.
14:56Sure, tell me.
14:57What do you need?
14:58Well, Vera,
14:59it's about Tasia.
15:01Carmen and I are a bit worried about him.
15:03Don't tell me he's back
15:04in one of his troubles
15:05with the way he was.
15:06That's what we suspect.
15:08We don't know what he's up to.
15:11Everything was great
15:12until he quit his job as a driver.
15:16He quit his job as a driver?
15:17But why?
15:18That's what we'd like to know.
15:20We were happy
15:21with Mr. Damián,
15:22with the job.
15:23He even asked Mr. Damián
15:24to be the boy's godfather.
15:26Yes, yes, yes.
15:27Carmen and he told me.
15:29Besides, he has a lot of respect for Mr. Damián.
15:31Now he doesn't want to know anything
15:32about him,
15:33about the job,
15:34much less that he's the boy's godfather.
15:36That's very strange.
15:37Yes, yes, yes.
15:38But I'll tell you something.
15:39Tasia has suddenly...
15:41No, but he wasn't like that, Mateo.
15:43He was much calmer.
15:45Besides, now Carmen says
15:46he's at his lowest,
15:47that he's always angry.
15:50He even wanted to leave the factory.
15:53What about the boy?
15:54Come on,
15:55he told you not to go.
15:58Imagine how serious it must be.
16:00Of course it is.
16:02I don't know,
16:03maybe he argued with someone
16:04and you know how Tasia is.
16:06I don't know, Mateo.
16:07The thing is, that's not the worst part.
16:10The worst part is that Carmen has discovered
16:13a lot of money
16:14among her belongings.
16:16My God.
16:17And she doesn't want to tell us where it comes from.
16:20I see.
16:21Well, yes, I understand you're worried.
16:23Of course, since she doesn't want to tell us where it comes from,
16:25the only thing we can think about
16:27is that she's gone back to nothing,
16:28to the dumps,
16:29or that she stole from me.
16:30Of course.
16:31Yes, yes, I understand.
16:33Of course.
16:34Well,
16:35she doesn't want to tell us anything,
16:36but maybe you do.
16:37Really?
16:38If you ask her as a friend and not...
16:39As a priest.
16:41No, but you know
16:42that it's simply because he rejects
16:44everything that sounds...
16:46religious, Mateo.
16:47Let's see, Claudia,
16:48don't underestimate a conversation from faith.
16:55You're good at convincing people.
16:58You're the best person we could turn to.
17:05Andres, you don't have to.
17:06I've already told you I'm better.
17:08Lilipe is very treacherous.
17:09She could fall again if you don't take good care of her.
17:11Especially in your condition.
17:13How dare you go for a walk in the garden?
17:15I wanted to stretch my legs.
17:17What happened?
17:19Nothing.
17:20I've already found my wife's crazy head
17:21walking around the garden.
17:22With her big nose.
17:27Are you okay, Gemma?
17:28Yes, yes.
17:29I was cutting some onions before
17:30and my eyes got a little irritated.
17:32Nothing else.
17:33Would you mind going with her upstairs?
17:35I have to go and...
17:36I'd like a glass of milk with honey.
17:38Sure.
17:39Before you go to bed.
17:40No, I'm not going to bed at this hour.
17:42I'm going to the distributor.
17:44Can you bring me a blanket and some pillows?
17:47Keep an eye on her, please.
17:48If she gets worse,
17:49it could be terrible for her pregnancy.
17:51Don't worry, I'll take care of her.
17:53Thank you, Gemma.
17:57Well, maybe you should look for a substitute
17:59as a bodyguard counselor.
18:01Why?
18:03I don't have much time in this convent.
18:07Well...
18:08I've been called to the archbishop's office
18:10and they want to find me a...
18:12a destination where I can be of greatest use.
18:16I'm sorry, Claudia.
18:17I wanted to meet you to tell you,
18:19but everything happened so fast...
18:22So you won't be able to baptize my daughter?
18:25No, no, no.
18:26I'm going to baptize your son,
18:27whatever it takes.
18:28I have to come from Patagonia.
18:31I hope it doesn't seem so far away.
18:35Is that what you really want?
18:37Yes.
18:38Well...
18:39Don Agustín is...
18:41well, he's speaking very well of me
18:43at the archbishop's office.
18:46And...
18:47and, well, with his contacts,
18:49I think they can give me a destination
18:51that's...
18:53quite important.
18:57Yeah, you're going to tell him.
18:59He's doing everything he can
19:00to get you as far away as possible.
19:03And he's doing it so well
19:04that he'll have to thank me.
19:06Don't talk about him with that grudge, Claudia.
19:10What's wrong with him staying here alone?
19:12He's always been like that.
19:17I know you.
19:19Something had to happen in my absence
19:20for you to distrust him like that.
19:22You distrusted him too
19:23when you found out about the boy and the hospital.
19:26Yeah, well, he apologized
19:27and told me it was the first time he'd done it.
19:31But, well, we can't judge a book by its cover, can we?
19:33The cover says, Mateo, please,
19:35an entire book with a cover.
19:36Don Agustín is not clean.
19:38Neither was nor is he now.
19:40What are you trying to tell me, Claudia?
19:43Mateo, let me tell you.
19:45Face to face.
19:47Man of God to man of God.
19:57Can you tell me what's wrong with you?
20:02Don't tell me it's because of that
20:04arrogant and arrogant character.
20:06And a shameless one.
20:07And a swindler, María.
20:10What are you saying?
20:21What's going on?
20:22Néstor is not a nobleman
20:23or anything he's sold me.
20:25What?
20:26He tried to seduce me
20:27to steal my liver.
20:29How can that be?
20:30It can't be, this is incredible.
20:32I should have realized.
20:34You were right.
20:35How could a man like that
20:37have fallen for someone like me?
20:39Gemma, please.
20:40Gemma, you're gorgeous.
20:43And very nice.
20:44Don't say that.
20:45I've been an idiot.
20:47How could I fall for a...
20:48for a scoundrel like that
20:50having a wonderful man in my house?
20:52What's going on?
20:53Tell me, what did he tell you?
20:57Gemma, what?
20:58Tell me.
21:00He asked me to help him
21:01to steal here.
21:03What?
21:05Here?
21:06To steal in this house?
21:07He stole my keys.
21:08What? The keys?
21:09The house keys?
21:10Gemma, please, we have to go
21:11to the civil guard.
21:12No, don't even think about it.
21:13Gemma.
21:14No, Joaquín could find out
21:15and it would be terrible.
21:16Or even worse,
21:17that man could come in
21:18and do whatever he wants.
21:19María, please,
21:20I'm begging you, don't do anything.
21:21I'll stay here all night
21:23watching in case
21:24that scoundrel dares to come.
21:25And what?
21:26What are you going to do?
21:27Face him?
21:28What if he comes alone?
21:29What if he comes with more men?
21:30If he comes,
21:31I'll give the alarm.
21:32I promise.
21:34Please, María,
21:35don't call.
21:37I'll risk my marriage with this.
21:41Oh, God.
21:56Here you go, Mateo.
21:58Thank you.
21:59Maybe one day
22:00you'll have less trouble
22:01and you'll tell me
22:02how life is at the seminary.
22:03It has to be like
22:04a student residence, right?
22:06Well, more or less.
22:08Only that there
22:09you can only pray
22:10and study.
22:12A verbena.
22:13Come on.
22:14Come on, Gaspar, no.
22:15Yes, I'm going, I'm going.
22:16Well, I've told you
22:17and you're going.
22:18Since you came back,
22:19you haven't taken off your clothes.
22:21I was thinking about you
22:22and I find you here.
22:24May I?
22:25Please.
22:31Yesterday I doubted
22:32whether to tell you or not,
22:34but I want you to know
22:35that the secretary of the dean
22:36has told me
22:37that they are evaluating
22:38your file,
22:39so it's practically done.
22:40Aren't you happy, Mateo?
22:42I would be happier
22:43if they promoted me
22:44for my own merits
22:46and not for their interests.
22:48Why do you say that?
22:49Please, Mr. Agustín.
22:51If you see the pen
22:52since the first time we saw each other.
22:54Can you tell me
22:55what happened
22:56so that you come to me now with that?
22:57Well, the truth
22:58always comes to light in the end.
22:59But come on,
23:00if you want to keep lying,
23:01go ahead.
23:02Lying?
23:03Lying, Mateo, about what?
23:04Aren't you really going to be honest
23:05once and for all?
23:06That all this
23:07doesn't do it for me,
23:08it does it for you.
23:09To keep doing your own
23:10without any brat
23:11just out of the oven
23:12watching over you.
23:13I'm going to tell you
23:14the truth.
23:15I'm going to tell you
23:17the truth.
23:23Good afternoon.
23:24Hi son.
23:30Anything new?
23:32That's what I was going to ask you.
23:33This morning
23:34I heard you talking to someone
23:35a little tense.
23:36I even heard
23:37some more
23:38than the other one.
23:40Where?
23:42In the house's office.
23:44Did you talk on the phone?
23:45What were you talking about on the phone with a client?
23:47Oh, yes.
23:49I made him an offer to Perfumería Sirera,
23:51and they thought it was very interesting.
23:55Well, they're finally going to be our clients.
23:59It's more than likely.
24:01They've negotiated hard, but I've been firm.
24:04And that's why I gave him a higher word than others, I guess.
24:07Well, I'm glad to hear that, son.
24:09It looks like you're coming from a funeral.
24:12What has it been again?
24:17I've had an altercation with Mercedes.
24:20It was a matter of time before something like this happened.
24:24It would be strange for her stay at home to go unnoticed,
24:29without pity or glory.
24:31I realize that I rushed out of the sanatorium.
24:34Instead of serving so that Begoña looks at me with other eyes,
24:39things are getting worse.
24:41But Begoña is delighted to have her mother at home.
24:44She was until today.
24:46Mercedes has suffered a surge of tension
24:48because, well, I yelled at her for a silly thing.
24:51She had to come to Dr. Borrell to visit her.
24:54I don't like that woman coming home, I've told you.
24:57Father, if Begoña wants her to be, she will be.
24:59The important thing is that Begoña is happy.
25:01You said it yourself, didn't you?
25:03And has Begoña seen you yell at her mother?
25:05No, she hasn't seen anything.
25:07But her mother has told her.
25:09Curious, I would swear that woman is incapable of being more coherent.
25:13That's what I told Begoña when she asked me for explanations.
25:17And can you tell me why you yelled at the good Mercedes?
25:22Because you took me out of my box when you told me that Julia was not my daughter.
25:26How? How?
25:28Did Begoña tell you about Julia's paternity?
25:32No, man, no, no.
25:33What's going on? That's nonsense.
25:35Mercedes, with her thing, confuses Julia with Begoña when she was a girl.
25:39And sometimes she thinks she's her daughter, even.
25:42Ah, we're done. Then you don't have to give it the least importance.
25:48I do care.
25:51I thought I had overcome the fact that Julia is the daughter of Valentín, of that miserable.
25:58But Mercedes has managed to put her finger in the wound and yes, I have lost my nerves.
26:06Thank you.
26:08Tell me something, Jesus.
26:11What does it mean to you, Julia?
26:16Well, she's my daughter and I love her above all things.
26:21Well, that's the only thing that counts. Julia is your daughter.
26:24Because it has always been that and it can't stop being so.
26:28And for you? What does Julia mean?
26:31We've never talked about this since I told you what it is.
26:34Julia is my granddaughter and I love her as such.
26:36The only thing I feel is that Digna can't know the truth.
26:41That woman is unfair what she has lost in this life.
26:45She lost her son, she lost all her money.
26:48We took her from her granddaughter.
26:51She won't be thinking about...
26:53Telling her? No, I wish I could.
26:55No, don't do it, father.
26:57Don't worry, I have my priorities.
27:00They are the same as yours, so you know what you have to do.
27:04You have to be brave and start treating Mercedes like she is,
27:08Begoña's mother.
27:10Jesus, you have to take deadly steps if necessary to please Begoña.
27:22Who told you the story?
27:24Carmelo or Claudia?
27:29You don't know what it's like to have needs.
27:32You're right.
27:34But I gave up all my privileges when I joined the seminary.
27:39Instead, I joined the seminary to be able to eat.
27:43My sister and I were so poor that we had nowhere to go.
27:48Joining Cura was my salvation.
27:50I put a plate of food on my table, but my sister...
27:53I abandoned my sister to her luck.
27:55That's why I've always felt indebted to her.
28:00I already know that story.
28:02And I even understood why she kept part of the money I was collecting.
28:08But, of course, even if I find it reprehensible,
28:13the point is that she lied to me.
28:15About what?
28:17That it wasn't the first time she did it.
28:19And that she's been doing it all this time.
28:22No.
28:23For what it has served me.
28:25God has ended up punishing me through my sister.
28:28Has something happened to her?
28:30No, no, no. She's fine.
28:32I was the one who ended up beaten.
28:35She set me up with a miserable man and stole everything from me.
28:38She has betrayed me.
28:41I thought that this way I had paid for my sins
28:44and that from now on I would live devoted to my pastoral work.
28:48But no one escapes their past, Mateo.
28:51No one.
28:54I deserve everything bad that happens to me.
28:57Father.
28:59I haven't heard from her again.
29:02I don't want to know.
29:03But that's the least I can do.
29:06It's time to confess to everyone where they sent me and leave this place, no matter how hard it is.
29:10No one is asking you to leave, Father.
29:13But my Lord hasn't forgiven me yet.
29:15Despite my repentance and my intention to do good,
29:18that's why he sent you here.
29:20So that you can help me get on well with him.
29:25You know that God's mercy is infinite.
29:29And if your repentance is sincere,
29:32you are forgiven.
29:34But there are still people who look at me with bad eyes.
29:37Even you, who are a pure soul, turn your back on me.
29:41I don't, Father.
29:42And to prove it,
29:44I'm going to reject the promotion of the archbishop
29:47and I'm going to stay here with you.
29:50I'm going to help you clear your name.
29:52Hello.
30:18Hello, Begoña.
30:20Hello.
30:21Digna told me you were here with your mother
30:23and she wanted to know how Mercedes was doing.
30:26I just took her to her bedroom because she was a little tired.
30:28She had a busy day today.
30:30Yes, I already found out about the attack she had
30:32and that's why I wanted to know how she was doing.
30:35She's fine, don't worry.
30:37And you?
30:39I guess you'll be happy to have your mother around.
30:42Although I guess it won't be easy
30:44to see the damage the disease does to someone you love.
30:48She's my mother, Don Damián.
30:50I don't mind being with her in good times and bad.
30:52And we're here to support you.
30:54What I mean is that
30:56anything you need, you can count on me
30:59and my son, Jesus, of course.
31:03And I won't keep you any longer.
31:04I just wanted you to know
31:06that you have your family here for whatever reason.
31:09Don Damián.
31:10Tell me, daughter.
31:13How kind of you.
31:17Do you think it's bad that I'm worried about your mother?
31:19I think it's hypocrisy
31:21after how she threatens me over and over
31:23to lock her up in the worst sanatorium she can find.
31:25This is my house.
31:26And if anything, I'm a good host.
31:29I don't wish any harm on your mother,
31:31or on you.
31:33And what does she want with that?
31:35To clear her conscience?
31:37Because I doubt she'll get it
31:38with the number of secrets she keeps.
31:42If you want to be kind, leave my mother alone.
31:45Wait, Begoña.
31:47As I just told you,
31:49I'm a good host,
31:51and your mother is my guest here.
31:53But that doesn't mean that outside these walls
31:55things can get very ugly for her
31:57if you keep this attitude.
32:02I sincerely hope
32:03that your marriage to my son
32:05continues on the good path you have begun.
32:16I love you.
32:27Are you leaving?
32:28Yes, do you need anything?
32:30Well, yes.
32:32Can you explain why you have to go to the big house?
32:36I don't understand, Gemma.
32:37It's very bad that Maria is there.
32:38I don't know why you have to sacrifice yourself.
32:41She's pregnant.
32:42She doesn't want to infect Andrés.
32:44And you can get infected.
32:46Joaquín, really.
32:47I'll be in the room next door.
32:49Just in case I have to give him cold water
32:51in case he has a fever,
32:52or if I have to tell Jaime
32:53if he's feeling worse.
32:54That's it.
32:55Can't your husband do that?
32:56Joaquín, she's pregnant.
32:58It's not good to do the opposite.
32:59I'm not bad at doing it.
33:01It's okay, really.
33:04Did you find the keys?
33:06Yes.
33:07Yes, they were in the door lock.
33:10I'm so stupid.
33:14Well, I'm leaving now.
33:15Why don't you take advantage
33:16and throw away the useless things?
33:18That way we can make room for the clothes
33:20that we always have packed.
33:23Goodbye, Luis.
33:24Wait, wait, wait.
33:25Wait a minute, honey.
33:29What's wrong?
33:30I'm going to miss you a lot tonight.
33:34A kiss.
33:37Me too.
33:38Goodbye, Luis.
33:39Goodbye.
33:44We should varnish the mother's room again.
33:47Not to mention all the traces
33:48that are accumulating in my room,
33:50which should all go to the garbage.
33:52Yes.
33:53It's the best option.
33:55Because some furniture is fine,
33:57but others are rotting the wood.
34:00Father's file.
34:05Didn't you empty it?
34:06It weighs very little.
34:12I can't believe it.
34:13There's something interesting.
34:14They're father's formulas.
34:15Well,
34:17evidence.
34:18Many of them are evidence.
34:22Would you mind if I took all this
34:24to take a look at it?
34:26No, I wouldn't mind.
34:28On the contrary, you've already heard Gemma.
34:30She wants us to clear all this up.
34:32Well, before we clear anything up,
34:34we have to check it well
34:36to see if there's anything
34:37that's worth keeping, right?
34:40Very well.
34:41By the way,
34:42why didn't you take all the furniture?
34:44I can help you load it in my car.
34:45That's true.
34:46Can you help me?
34:53I also brought a couple of boxes.
34:55A couple.
34:56And a bag of bread.
34:58A couple.
34:59Can you shut up and get me another one, please?
35:02I'll call you tomorrow.
35:12I'll give you one,
35:13and you can go to sleep.
35:15You're drunk.
35:17I know.
35:19Look, you're drunk.
35:20You don't even have any reflexes left.
35:21But leave me the bottle, man.
35:22I won't leave without paying.
35:24Look.
35:28Where did you get that money?
35:29Another one.
35:30What's the matter?
35:31Can't you earn what's rightfully yours?
35:33Look, I don't care if you can pay.
35:34I'm not going to leave you the bottle.
35:42What are you doing, asshole?
35:43What are you doing?
35:45If you can't pay me,
35:46at least you can light a cigarette for me.
35:48What's the matter?
35:49Look, you're finally here.
35:50Here.
35:51Your husband.
35:52He's lost his mind.
35:53He's burning bills like they were diapers.
35:56That's how you earn what's rightfully yours.
36:06Do you mind if I come with you?
36:08No.
36:09Do you mind if I come with you?
36:11Please.
36:13You're in your house, Dina.
36:16This is the best moment of the day.
36:18When the house is quiet.
36:20And on top of that,
36:21I can spend some time alone with you.
36:24Can I ask for more?
36:26I'm still a little confused.
36:29That's true.
36:31You don't like sleeping outside your house.
36:34And you spend almost all day here.
36:36But my house...
36:37Yes, it's your house.
36:40You're being very generous, Damián.
36:43And not just with me.
36:45With Isidro,
36:47and now also with Mercedes.
36:49You're my family.
36:51Including Isidro,
36:52who was always like an older brother to me.
36:55God willing, he'll heal completely.
36:58Even Julia.
36:59She asked me to buy her a box of chocolates
37:01for her recovery.
37:03Look how smart she is.
37:04How does she know she's going to eat them?
37:06That girl is very smart.
37:09The smartest of all.
37:11You say so.
37:14And she grows up too fast.
37:16Although she still likes someone to read her a story at night.
37:19Yes, that's what I'm talking about.
37:21But she told me nothing about stories.
37:23What she wanted was for us to talk.
37:26But she...
37:27She wanted to tell you something.
37:29She's told me a lot of things.
37:31She told me about school,
37:32about her friends.
37:33I thought she was never going to shut up.
37:35And suddenly,
37:37she fell asleep.
37:39She'll be very happy to have you here,
37:41now that Begoña can't take care of her so much.
37:44The only thing that worries me is that
37:46she'll end up exhausting you.
37:47No, for God's sake.
37:49On the contrary.
37:50I'm delighted
37:51to enjoy you more than my little one.
37:54You have a wonderful granddaughter.
37:56And I'm very happy to have you.
37:58Begoña,
37:59you have a wonderful granddaughter.
38:02You're very lucky.
38:09What do you think, Norma?
38:13I'm fed up, Carmen.
38:15That's what I think.
38:17And the truth is that people care about me a lot.
38:20Really?
38:22Look at me.
38:24I told you to look at me.
38:28I care about you too.
38:31And our marriage,
38:32and the family we want to have,
38:33I care about that too.
38:36You're breaking my heart, Tassio.
38:40I was born with a broken heart.
38:41Now you know.
38:43Why do you say that?
38:45Because it's the truth.
38:48My whole life is a lie.
38:50A lie as big as a house.
38:53No one has ever loved me.
38:55Even you are fed up with me.
38:58No, honey.
39:00I'm here to help you.
39:04Look, if you're like this because of the money,
39:05you give it back and that's it.
39:07Okay?
39:09You know what's worse?
39:11You give it back to its owner and to Pechuga.
39:15But tell me what's wrong with you,
39:16because if not, I can't help you.
39:18I can't tell you anything.
39:20Yes you can.
39:22Listen to me, I'm your wife.
39:24And I love you more than Ana in this life.
39:26I'm not going to leave you alone for anything in the world.
39:31Come on, tell me.
39:36Promise me you won't tell anyone.
39:38I swear on the most sacred thing.
39:44The money is from Don Damián.
39:50Did you steal it from the boss?
39:55But why, honey?
39:57Shut up, Carmen, shut up.
39:59Because you don't even know anything.
40:02You'd better shut up.
40:07I'm going to miss you a lot when you come back home.
40:12I've been here all my life.
40:14You said it.
40:16Yeah, but it's not the same.
40:17The house is too empty when you leave,
40:19when you go out that door every night.
40:22There are a lot of you here.
40:24But you know that the only person I really trust is you.
40:29And that was evident yesterday when you opened your heart to me
40:32and you told me about your relationship with Gervasio.
40:36Well, I could do it because I had already told my children.
40:41Otherwise, I would never have dared.
40:45I also need to tell you something.
40:54It's...
40:58something that affects your sister.
41:04You know that I always loved her with all my soul.
41:09But despite that...
41:11Despite that what?
41:14I was unfaithful to her.
41:17It's horrible, I know.
41:18And it was only once, a slip.
41:21But unfortunately, it had consequences.
41:24That woman...
41:26had a son of mine.
41:30A son?
41:31Yes, now he is a man made and right.
41:34And I recently told him that I am his father.
41:38And you know him?
41:41Who is he?
41:43Estasio.
41:45Estasio.
41:48That's why I offered him the job as a driver,
41:50but since he knows the truth, he doesn't want to show up here.
41:56Lina.
42:07Good night. Come on, get some rest.
42:15Good night.
42:16Good night, Gaspar.
42:18I'm about to close, but if you want another sandwich,
42:21I'll make you a pariquete.
42:22I'd rather an omelette. Double.
42:25Well, you've been lucky because I've had my omelette left over.
42:28I was going to eat it for dinner, but I think you need it more than me.
42:31Thank you, Gaspar. You are the best.
42:33Okay.
42:34May I?
42:36Hello.
42:37Hello.
42:38Excuse me, I didn't realize you had come in.
42:40No.
42:41Right now I think you're unable to see anything other than those papers.
42:45How are you?
42:47How has Sara San Sebastián been?
42:49Fine.
42:50Fine.
42:51Although we haven't spoken for two days.
42:54And you were still in a relationship despite the distance, right?
42:57No.
42:59We've decided that each one follows his own path.
43:02Well, I'm sorry.
43:03I saw you two very happy together.
43:06It hasn't taken long
43:08for us to get to know each other well.
43:11We've become good friends and...
43:14Who knows?
43:16You never know.
43:18Are you okay?
43:19Yes.
43:20Now it's best for both of us.
43:25Doctor, I've cut the omelette in half,
43:27as if it were two skewers.
43:29I'll bring you the plate tomorrow and I'll pay you.
43:31Very well, but take a breath, please.
43:34It's not going to be all work.
43:35Yes, I live off work.
43:37And what about the student?
43:39He hasn't looked at the papers for a while
43:41and look at the time.
43:44That's why he's excellent at everything he does.
43:46See you tomorrow, guys.
43:48See you tomorrow.
43:51But, Luis...
43:53What?
43:54You should have invited her to dinner with you.
43:56You're freezing.
44:00What are you saying?
44:01I'm sure she has other things to do.
44:02Yes.
44:03Boring herself like a doll.
44:05But come on, with how still you are,
44:07I'm sure she's gone with the urge to share the omelette with you.
44:10No, man, no.
44:12Look, Gaspar, she's taken two skewers of omelette.
44:14I'm sure she's not going to eat them alone.
44:16What do you have in your hands?
44:18What is it?
44:19A new formula?
44:20No.
44:21They are some papers that I found in an old archive of my father.
44:26The truth is that you don't know what you can find
44:28when you look back.
44:30Well, I think you should look a little more at what the present offers you.
44:34Because I've seen how the doctor looked at you,
44:37and where there was fire...
44:41Look, I won't bother you anymore.
44:43Besides, I have to prepare something in the kitchen
44:45because the doctor took my dinner.
44:59No, son.
45:00Father.
45:01What are you doing up?
45:03I was going to sleep.
45:04And you?
45:06To think.
45:08Everything will be fine, son.
45:09Begoña will return to the Redil.
45:14Father.
45:18How dare you threaten the Redil?
45:21I don't know.
45:23I don't know.
45:25I don't know.
45:26I don't know.
45:27I don't know.
45:28How dare you threaten her when she was with her mother?
45:31I've heard her talk to my wife before.
45:34I had to do it to prevent her from reporting you.
45:40In that case, I have no choice but to thank her.
45:43I don't know what it would be like without her help.
45:45Well, you could start putting something on your side.
45:49A while ago, I wanted to be kind to your wife,
45:52taking interest in her mother,
45:54and Begoña demanded that I stay away from her.
46:00That woman will only bring us trouble.
46:03I think it's time to take her back to the sanatorium.
46:06Begoña will oppose and will fight tooth and nail.
46:10We'll have to convince her in a good way.
46:13Do you think you can?
46:15Because I consider it an impossible task.
46:18And I'm not comfortable with that woman at home either.
46:21I see.
46:23And as long as she's around,
46:25so much more lost than a mill, Begoña will only have eyes for her.
46:30I'm having a hard time with that woman's presence, really.
46:33What you have to do is win your mother-in-law over.
46:37Make Begoña see you as if you were the best man in the world.
46:41She knows I'm not.
46:42Everyone can change.
46:45And you're going to become a saint.
46:48Think that when Begoña returns to the sanatorium,
46:51she won't be able to take care of her mother so much.
46:54I don't think she wants to go back to work,
46:56now that she's dedicated to her body and soul.
46:58You don't know your wife.
47:00She's not good enough to be locked up at home.
47:03You'll see how she'll get back to work as soon as she can.
47:06Why not, Father?
47:07It's not necessary there.
47:09They're two doctors.
47:10You could even say there are too many hands.
47:13Begoña herself will have realized that it would be too much.
47:17Then you'll have no choice but to get along with Mercedes.
47:22And even convince her that you adore her.
47:25No.
47:27What I have to do is find a way to get that woman out of the house.
47:30And the sooner the better.
47:33Don't rush it, son.
47:36Do you hear me?
47:38Trust me, Father.
47:40Trust me.
47:47Okay.
47:55I find it incredible that no factory worker has ever looked around.
47:59Yeah.
48:01What surprises me is that Mrs. Evaristo
48:03would never have worried about something so important.
48:07I had it among my priorities.
48:09But I ended up so exhausted from the vaccination campaign
48:12that I left it for later.
48:14Maybe some of us are angry about having to wear glasses.
48:17No.
48:19When they discover the world through glasses,
48:21they will adore us.
48:24Dr. Borrell told me what it meant for him to wear glasses as a child.
48:28It was so funny.
48:30How he discovered that you could see the leaves of the trees from a distance.
48:33The bricks of the houses.
48:39Do you want an infusion or a coffee?
48:44Well, maybe an infusion.
48:46If I have a coffee, I'm not going to hit anyone.
48:49The same happens to me.
48:52Hey, we have to admit that Gaspar has a good hand.
49:05Jaime!
49:06Jaime, what's going on?
49:09I'm very nervous.
49:11Don't worry.
49:12I'm going to get an analgesic for the pain, okay?
49:30Drink slowly.
49:33That's it.
49:34Careful.
49:35It's okay.
49:39It won't take long to be perfect.
49:42Don't worry.
49:44Don't worry.
49:46Catalina knew.
49:49She knew?
49:50And not only did she forgive me,
49:52but she asked me to never misunderstand her.
49:55I want to get out!
49:56It's okay.
49:57I want to get out!
49:58It's okay.
49:59I'll call her right now.
50:03Are you happy?
50:04Do any of you know where my mother is?
50:06She's not in her room, honey.
50:08No, no, not in her room or anywhere else.
50:10I've looked all over the house.
50:11You can tell me what's wrong with you,
50:13and everything will be sealed by the secret of confession.
50:17My father is Don Damián de la Reina.
50:19My God.
50:21Besides, I don't have to give you explanations.
50:24Much less if you treat me like that.
50:25What did I do wrong?
50:27Tell me.
50:28Those dresses that you liked to borrow were yours.
50:31Leave me alone!
50:32Very well, I have to talk to your husband.
50:35I'll go to the factory and ask for Joaquín Medino.
50:39What you're telling me,
50:40you had no idea what it could mean
50:44to have found Valentín's ring.
50:47No.
50:49I'm just guilty of covering it up.
50:51Maybe quite a lot.
50:53Isidro went out for a walk
50:54and saw that the lock of the south part was open.
50:56No, no, no, no, please.
50:58We have to warn the Civil Guard.