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00:00Do you think she can make it?
00:02Why not?
00:03We'll prepare her properly.
00:04We'll make sure she doesn't have a single drop of oil on her face.
00:07She'll make it.
00:08The problem is how she might look useful to us later.
00:11Why not?
00:12She's not a beggar.
00:13She's not even Einstein.
00:14Will she be able to get the information we need from Anna?
00:18We have to find a way to get into her space.
00:21In her house, in her atelier.
00:23To get her agenda maybe.
00:25The server didn't know anything.
00:27It was just an organ.
00:28She knows a lot.
00:30She's very involved in the plot.
00:33Here it is.
00:34I know it's political.
00:36I said good morning to them at the theater this morning.
00:41There she is again.
00:42What does she want?
00:43I'm not going to watch the show, you moron.
00:46I'm fed up with her.
00:47Bitch.
00:48I'm going to tell your cousin to find out.
00:51Of course I'll find out.
00:52I'll record the video and watch it.
00:53You're leaving on the 22nd.
00:55I almost forgot.
00:56Angela, you have to go.
00:57I'll tell you where the others are.
00:58They're at home.
00:59Spyros will talk to Amalia.
01:01Go now.
01:02Three, two, one.
01:07Ladies and gentlemen, good evening.
01:08I'm Fotis Voulinos.
01:09You're watching Del Tio Edition.
01:27Good evening, Frida.
01:29What a fool he is.
01:56What a fool he is.
02:27Don't repeat it, please.
02:29Do you want to go?
02:30Yes, very much.
02:31Yes, come on.
02:33We'll help you as much as we can.
02:36And the five of us.
02:37But then I want you to promise me that you'll help us too.
02:40Whatever you want.
02:41Bravo, Amalia.
02:42I want to be good.
02:43I want you to kiss me.
02:44We don't want you to be bad.
02:46The first thing you have to do is prepare for the interview.
02:50We already have the appearance.
02:52We're not afraid.
02:54Thank you very much.
02:56Yes.
02:57In this interview...
03:01How can I say it now?
03:04How many letters does the Greek language have?
03:0624.
03:07Bravo.
03:08We only want 22.
03:11You didn't understand it.
03:12It doesn't matter.
03:13You'll understand it along the way.
03:15Tell me this now.
03:16How are you going to go with the graduation?
03:18Will you be able to learn everything?
03:21All of it.
03:22Yes.
03:23Oh, that's great.
03:24At school, I used to know all the history by heart.
03:28We only want the sigma.
03:30Don't you want it?
03:32No.
03:54I don't want it.
03:55I don't want it.
03:56I don't want it.
03:57I don't want it.
03:58I don't want it.
03:59I don't want it.
04:00I don't want it.
04:01I don't want it.
04:02I don't want it.
04:03I don't want it.
04:04I don't want it.
04:05I don't want it.
04:06I don't want it.
04:07I don't want it.
04:08I don't want it.
04:09I don't want it.
04:10I don't want it.
04:11I don't want it.
04:12I don't want it.
04:13I don't want it.
04:14I don't want it.
04:15I don't want it.
04:16I don't want it.
04:17I don't want it.
04:18I don't want it.
04:19I don't want it.
04:20I don't want it.
04:21I don't want it.
04:22I don't want it.
04:23I don't want it.
04:24I don't want it.
04:25I don't want it.
04:26I don't want it.
04:27I don't want it.
04:28I don't want it.
04:29I don't want it.
04:30I don't want it.
04:31I don't want it.
04:32I don't want it.
04:33I don't want it.
04:34I don't want it.
04:35I don't want it.
04:36I don't want it.
04:37I don't want it.
04:38I don't want it.
04:39I don't want it.
04:40I don't want it.
04:41I don't want it.
04:42I don't want it.
04:43I don't want it.
04:44I don't want it.
04:45I don't want it.
04:46I don't want it.
04:47I don't want it.
04:48I don't want it.
04:49I don't want it.
04:50I don't want it.
04:51I don't want it.
04:52I don't want it.
04:53I don't want it.
04:54I don't want it.
04:55I don't want it.
04:56I don't want it.
04:57I don't want it.
04:58I don't want it.
04:59I don't want it.
05:00I don't want it.
05:01I don't want it.
05:02I don't want it.
05:03I don't want it.
05:04I don't want it.
05:05I don't want it.
05:06I don't want it.
05:07I don't want it.
05:08I don't want it.
05:09I don't want it.
05:10I don't want it.
05:11I don't want it.
05:12I don't want it.
05:13I don't want it.
05:14I don't want it.
05:16Where were you born?
05:17In Tripoli.
05:20You mean Arcadia?
05:21Origny or Pedigny?
05:22Under the sea.
05:23You can't even say Arcadia, my Christian.
05:25I want specific places.
05:27What does Arcadia have to do with it?
05:29Where exactly in Arcadia would they tell me?
05:31You don't want Origny, Pedigny, Tripoli.
05:33In the end you'll make me say I'm from Brasilia.
05:39Dear singer, Kourkoulis.
05:45Hatzigiannis.
05:46You'll say Barrios.
05:47Giannis.
05:48Barrios Ketton.
05:50Kalan.
05:51Dear singer.
05:53Pay attention, my dear.
05:54There's a million you can say.
05:56Vissi.
05:57Vandi.
05:58Penguizina.
05:59Kokinou.
06:00Paparizou.
06:01Mariana Pieridi.
06:02Charoula Alexiou.
06:03Say it.
06:08Galani.
06:11You'll get it.
06:12You'll get it.
06:13I said it.
06:14It's over.
06:21I can't believe it.
06:22Where is he?
06:23Did you tell me to bring you here?
06:25No, I didn't but whatever.
06:28Where are you going?
06:29Where it looks like you're going, it's nowhere.
06:31We were supposed to meet at Fotis' house.
06:33Who's Fotis?
06:34It doesn't matter, but I can't go.
06:37The other guy is meeting me for some ship and I have to wait for him here in Lithuania.
06:41Natalia? Come here!
06:43Ah! It's time!
06:50I have to tell you that Mrs. Hatzia-Alexandrou was very pleased with this meeting,
06:54but unfortunately she can only have 20 to 25 minutes, not more, due to workload.
07:01Don't worry, one minute is enough.
07:07Excuse me?
07:08Ah, Mr. Petropoulos!
07:11Yes?
07:12What will you do if you see her?
07:14What will I do? Will I reach the end?
07:16What will you do?
07:17No, of course not. I'll stay at her house.
07:19If we find out that she is the one, I'll go and hand her over to someone else.
07:22And if you call the police?
07:23She won't have time to do anything. I'll go in, I'll see her and I'll leave.
07:26Besides, what will you say to the police?
07:28The car is stolen, the real name, I don't know.
07:31There is no evidence, do you understand?
07:33You seem almost certain.
07:34That she is the one?
07:35Yes.
07:36I've approached them so many times that I think that now I'm starting to feel them by my side.
07:40I feel that I'm close, do you understand?
07:42Just...
07:43What?
07:44Go to the car and wait for me.
07:45Why?
07:46I need a cover.
07:47If you see that I'm late, go and tell them that something has gone wrong.
07:55I'm sorry, but it was urgent.
07:57The gentleman?
07:58In the first phase, I'll talk to Mrs. Gatseles alone.
08:01My assistant won't be needed.
08:02Let's say that today is the day of grace of air.
08:05I see.
08:06Let's go then.
08:07Let's go.
08:23Mrs. Dania?
08:24He came to my appointment.
08:26To pass.
08:28By himself.
08:30You go to the bedroom and bring me the mobile phone.
08:34Okay.
08:36Please.
08:48Good morning.
08:51Dania Gatseles Alexandrou.
09:04Mrs. Dania?
09:05He's coming.
09:06Ah, it's time.
09:10Where is he? Where did you see him?
09:17What did you find out?
09:18I found out.
09:19What did I find out?
09:20It's none of your business.
09:21Dania, shut up.
09:22What?
09:23Shut up, I'll do it.
09:24Shut up, I'll do it.
09:25Are you crazy?
09:26Shut up now, it's over.
09:27I have to tell you that Mrs. Gatseles Alexandrou was very pleased with this meeting.
09:32But unfortunately, she can only have 20 to 25 minutes, no more, due to workload.
09:39And what am I going to say to him?
09:41Whatever you want to say, as long as he doesn't laugh at me.
09:43I don't know what I have to do to look like you.
09:46I'm going to sit like a fool and listen to things I don't understand.
09:49And I'm doing it, kid.
09:50That's the role you have.
09:51Don't worry.
09:52I'm going to set it on fire.
09:54Stop it now.
09:55Where are you?
09:56Where are you?
09:57Where are you?
09:58Please.
09:59Please.
10:00Ah, Mr. Petropoulos.
10:02Just a minute.
10:03Yes?
10:04What are you going to do if she sees you?
10:06What am I going to do?
10:07You'll get to the end.
10:08And if she sees me?
10:09What will she say?
10:10The point is that she's talking about me, not you.
10:12But why are you laughing?
10:13I'm not laughing.
10:14My dear.
10:17Eat, my dear, why are you eating?
10:19I'm a big eater.
10:20Okay, now tell me, I'm the good one.
10:22Tomorrow I'll make you a strict diet.
10:24Maltes, Ritzes, Alexides, Kifouros.
10:26I'll have you all.
10:27I'll have you all.
10:28Because a difficult moment is coming and we have to hide and not get caught.
10:31Do you understand?
10:32No.
10:33That's right.
10:34I feel like I'm close, do you understand?
10:35Just...
10:36What?
10:37Go to the car and wait for me.
10:38Why?
10:39I need a cover.
10:40If she sees that I'm late, she'll say that something has gone wrong.
10:47I'm sorry, but it was urgent.
10:49She's ready.
10:50And look what they're doing.
10:54They're coming.
10:55What are we going to do with Alex?
10:56What are we going to do?
10:57You're going to suffocate me with your clothes.
10:59Come on, come on.
11:04Go and let me open the door.
11:27Mr. Antalya?
11:30He came to my appointment.
11:32To pass.
11:35Alone.
11:36You go to the bedroom and bring me the cell phone.
11:41Ok.
11:42Please.
11:56Good morning, I'm Dahlia Hadzi-Alexandrou.
12:09Good morning.
12:12What is round us?
12:14Come on and gather round.
12:16What is round us?
12:18Nobody wears a gown.
12:20Bad guys go running.
12:22It's a pleasure to meet you.
12:24It's a pleasure to meet you.
12:25It's the rootinest, tootinest, shootinest, hootinest cowboy around.
12:29What is...
12:30What's the point of saying that he's a murderer?
12:32I mean that he's a murderer.
12:34That he kills people.
12:35How do you know that?
12:36I know, I know.
12:37Mr. Tantipala, are you kidding me?
12:38Are you crazy?
12:39Have you been arrested?
12:40I can't see you very well.
12:41And why should I?
12:42Sit down.
12:43The man is the financial advisor of the company Lofi, a shipping company.
12:46London-sized.
12:47Yeah, right.
12:48And I'm half the size of his crazy girl.
12:50You see?
12:51You're not well.
12:52You're talking nonsense.
12:53Alex, I don't care if he believes me or not.
12:54What interests me is for him to leave this place as soon as possible,
12:56without realizing that we're hiding something and without seeing me.
12:58Can you help me?
12:59And how is that going to happen?
13:00He's downstairs and he's waiting for you to talk to him.
13:03You're right.
13:04He's not waiting for me to talk to him.
13:05He's already talking to me.
13:06Look at me.
13:07I'm very rich.
13:09And all these girls, Latsides, Niorchises and Yannes,
13:14in front of me are...
13:16Silikants.
13:17I don't see what the girls can do.
13:19But what can you do?
13:21Do you understand?
13:22Of course.
13:24Alex told me you have some ships.
13:27I'd love to buy them.
13:29But I don't want them to move.
13:31Years ago, I went to Mytilene, to St. Raphael,
13:35I stayed in a ship.
13:37That's how we were treated.
13:39We were all in the ship in a bag.
13:42Do you understand?
13:43I understand.
13:44I don't have a problem.
13:46No matter what they do, I buy them.
13:48And bang, bang.
13:49The cashier?
13:51She won't give me a cent, or anything.
13:53I don't like gifts.
13:55Do you understand?
13:56I've put chicken in the oven with potatoes.
13:59I know.
14:00I talked to the cook.
14:01Mrs. Alexandra Xardela loves to help in the kitchen.
14:04How's the meeting with Mr. Orfanopoulos going?
14:07We're talking about it.
14:09Mr. Orfanopoulos, your wish has come true.
14:11You talked to Mrs. Alexandra Xardela.
14:13Her schedule is tight.
14:15Do you understand?
14:16Of course.
14:17I hope you'll have this first meeting,
14:20and that we'll reach an agreement.
14:23Yes, I hope so too.
14:25I'll walk you out.
14:28Bye.
14:29Goodbye.
14:30See you again.
14:32Goodbye.
14:34Goodbye.
14:57She left!
15:02How did she leave?
15:03I don't know, Mrs. Antalya.
15:04I said whatever I wanted.
15:05Maybe I bought some ships.
15:07If you don't want them,
15:09keep them from my salary.
15:14What's that smell?
15:15Oh, man!
15:16I caught the chicken!
15:18The oven!
15:19I was about to turn off the oven!
15:25Excuse me.
15:28Me.
15:33Me.
15:54What happened?
15:56It's Drifos.
15:58Wasn't it her?
15:59No.
16:01What do we do now?
16:02I wish I knew.
16:04Let's go.
16:16Calm down.
16:18Everything is fine.
16:19She left.
16:20She left.
16:33How many hours has she been sleeping?
16:35It's been three hours.
16:36Was what you gave her too strong?
16:38Valeriana.
16:39She's a Vatican.
16:40She doesn't have anorexia.
16:41Just relax and let the tension go.
16:43Wasn't it a bit too much
16:45to go to her house and look for her?
16:47Well, if I were her,
16:48there was no way I could have saved her.
16:50And I was hiding.
16:51Marnel would tell them inside
16:53that she's sick.
16:55How did she get to her house?
16:57Can you tell me?
16:58Yes.
16:59The way we looked for her.
17:01Yes.
17:02The way we look for her,
17:03they look for her too.
17:04Yes.
17:05How did they find Dalia?
17:06They saw you with Spyropet
17:07in the photo.
17:08Dalia?
17:09I saw her somewhere else.
17:10At the camping.
17:11And?
17:12Is that the only reason
17:13to tell Spyritis?
17:14I don't know, kid.
17:15I can't think.
17:16It's stuck in my head.
17:17If...
17:18What?
17:19Come on.
17:20Tell him.
17:23I don't want to stop.
17:24I don't want to clear it up.
17:26But I believe that now that she's going to wake up,
17:29you'll realize the danger she's in
17:31and the most likely thing she'll do is go back.
17:34And this time,
17:35at least for me,
17:36I won't try to change her mind.
17:41Neither will I.
17:42If one of them leaves,
17:43I'll leave too.
17:44And you?
17:45Yes.
17:46All our strength
17:47is in what we have in common.
17:48If this ceases to exist...
18:00I'm sorry.
18:06Did you see what happened
18:07in the forbidden love?
18:08No.
18:09Are you jealous?
18:12I can't watch TV.
18:13And what are you doing so late?
18:15At least I can move on.
18:16When we're done with Amalia,
18:17he'll go to the interview.
18:18That's how it is.
18:20So we're still going?
18:22Yes.
18:23But not now.
18:24Now it's time for the interview.
18:26Time for the interview!
18:30Let's continue.
18:32I like Katranidis very much.
18:35And fast.
18:37I'd like to thank
18:39all of you,
18:40my admirers,
18:41for supporting me for so many years
18:43and I'm sure you'll support me
18:45in this new endeavor
18:47I'm doing
18:48in the field of the morning zone.
18:50Morning company
18:52with Notes and Coffee.
18:54And let's go to the next song
18:56so we can start our day.
18:59Mrs. Spira?
19:00Yes?
19:01These are for you.
19:02Oh my God, how nice!
19:05Let's see.
19:06What does the envelope say?
19:10Good luck
19:12in your new endeavor.
19:13We are by your side
19:15whenever you need us.
19:16The director of the channel
19:18Hamas Boulinos.
19:20How sweet!
19:22Thank you so much.
19:24Thank you so much.
19:26I can't believe it.
19:27I'm going to cry.
19:30Why are you looking at me?
19:31I don't understand her.
19:32I explained to you what she does.
19:33She's been doing this
19:34since last Sunday morning.
19:36She's been following me
19:37since Portopsanti,
19:38Alexiotis, Alanis.
19:39It's your fault, dad.
19:40What did you give her?
19:41A three-hour morning show?
19:43I want my masks,
19:45I want my hats,
19:47I want my doors,
19:49I want my windows.
19:51I'm so tired, sweetheart.
19:53Let me sit here
19:55next to the flowers
19:57that my friend
19:58Grigoris Ornatis
19:59sent me last Sunday.
20:01Good luck to you too, Grigoris,
20:03in your show
20:05where I learn to sew.
20:07And be sure
20:08that you,
20:09especially since I love you so much,
20:12I can't leave you competitive.
20:14Neither can he.
20:15Don't worry.
20:16And now,
20:17let's take the next line.
20:18She said that if we let her
20:19do the show,
20:20she'll leave the news channels.
20:22Since I've seen her
20:23three times a day,
20:24noon, afternoon, evening,
20:25it's better if she comes
20:26three hours in the morning
20:27and leaves.
20:28Yes, but this way
20:29my show is getting worse,
20:30dad.
20:31I'll take over
20:32all the news channels.
20:33We'll have a presenter
20:34from next week.
20:35If another woman comes here,
20:36she'll be out of luck.
20:37No, she said
20:38she doesn't have a problem.
20:39It's enough for her
20:40if she comes here.
20:41I'm sure
20:42she'll bring
20:43a lot of fans.
20:44I hate Konstantina Petroupoli
20:46because I see
20:47another surprise.
20:59What is this?
21:00I don't believe it.
21:02Let me see
21:03who it is.
21:05Many wishes
21:06for a very
21:07big success.
21:08I hope
21:09we'll be able
21:10to work together
21:11very soon.
21:12With admiration,
21:15Marios Fragoulis.
21:18Me too, Maria,
21:19me too.
21:20Thank you so much.
21:22I love you,
21:23Marios Fragoulis,
21:24I love you.
21:26You've made it
21:27so hard for me
21:28to cry today.
21:30I understand you.
21:31She didn't eat
21:32and now she'll eat.
21:33There's also
21:34a great offer
21:35I've been waiting for
21:36since this morning
21:37and at this point
21:38I'd like to read
21:39what it says.
21:41I may not be
21:42in Greece
21:43because I have
21:44concerts in America
21:45at the moment
21:47but my heart
21:48and my thoughts
21:49are with you.
21:52Agni Baltsa.
21:54Ladies and gentlemen,
21:55what can I say
21:56after this?
21:58Our Agnoula
21:59is one of the greatest
22:00voices this place
22:01has ever produced
22:02and...
22:04I can't.
22:05I'm going to cry.
22:36Slowly,
22:38slowly
22:40and humbly
22:43Ah,
22:44my love,
22:46to foreign lands
22:50my Jivaheri
22:59What did you do?
23:00Now you'll see.
23:02With the other one?
23:03I don't know.
23:04Who's this girl
23:05you want to test her?
23:06Mia, you don't know her.
23:07We can come tomorrow.
23:08But don't tell her
23:09that she's your sister.
23:10I told you,
23:11it's not a test for here.
23:12It's for her to go
23:13to the dressing room
23:14and we want to see
23:15how she does on camera.
23:16Ah, ok,
23:17then bring her.
23:18This was a song
23:19for our Agni
23:20who is in shock.
23:24I'm touched.
23:29What are these?
23:30More?
23:32Come here.
23:34Ah,
23:36my love,
23:37congratulations.
23:39I can't wait
23:40to finally see you
23:41up close.
23:42Maria Kalas.
23:48Who sent this?
23:52Leave me alone, Popi.
23:53I'm not a mediator.
23:54I'm on my way
23:55with the poor girl
23:56I got into trouble with.
23:57We have a lot of work
23:58to do here.
23:59They put her in charge
24:00of the dressing room
24:01and I'm running
24:02and I can't make it.
24:03They put her in charge
24:04of everything.
24:05You can't imagine
24:06how much she knows.
24:09I'm closing,
24:10I'll be right back.
24:19Eat a biscuit.
24:20Me?
24:21Open your mouth.
24:22Open it, I said.
24:23Open it,
24:24or I'll make a mess
24:25in here
24:26if I don't come back.
24:30Blow it.
24:32I've told you
24:33a million times
24:34you can't bring
24:35food in here.
24:36You came to me
24:37with the biscuits
24:38this morning.
24:39I smelled them
24:40from the chandeliers.
24:41Only dogs
24:42smell their biscuits.
24:43What are you talking about?
24:44In my spare time.
24:45I'm going to cut
24:46your spare time.
24:47Get in.
24:48Get up!
24:51Come on, I'm coming.
24:52I'm coming.
25:00What can I do for you?
25:02I spoke to
25:03the organizers
25:04and they told me...
25:05Come on, Christos.
25:06I told you to sit down.
25:07No.
25:08Get up.
25:10I spoke to the organizers
25:11and they told me
25:12they were thinking
25:13about choosing
25:14the finalists
25:15for the Palladium
25:16film festival
25:17in Hallandri.
25:18They want to know
25:19if you agree.
25:20I've seen
25:21the film
25:22at the Gremlins.
25:23I'll see them
25:24there this year.
25:25What can I tell them?
25:26Tell them I didn't
25:27suggest running
25:28to Hallandri.
25:29This is where
25:30they all come
25:31to get lost.
25:32I see.
25:33They also asked me
25:34how many production assistants
25:35do you want
25:36to be sent
25:37on the day
25:38of the Acroats.
25:39What assistants?
25:40Assistants.
25:41Do you know
25:42how long
25:43this thing
25:44will last?
25:45If you need anything,
25:46coffee,
25:47food,
25:48anything.
25:49Oh, assistants like that.
25:50Yes.
25:51They don't agree.
25:52They say
25:53the whole critical committee
25:54should be present
25:55at the selection.
25:56Yes.
25:57They should be present.
25:58Did you explain that to them?
25:59We said
26:00at the first meeting
26:01with the Acroats
26:02I'll be alone
26:03and then we'll all
26:04watch the interview
26:05together
26:06and we'll get 40.
26:07Yes.
26:08They don't agree.
26:09Fine.
26:10I'll talk to them
26:11and I'll tell you
26:12if they agree.
26:13Anything else?
26:14No.
26:15Fine.
26:16Coffee, croissants
26:17and my cheesecake.
26:18Why are you looking at me?
26:19Did you eat
26:20the croissants
26:21and the cheesecake
26:22this morning?
26:23I said
26:24I won't eat them.
26:25I didn't say
26:26you won't bring them.
26:27Because I'll be on a diet
26:28it doesn't mean
26:29I'll have you out
26:30to pay you to sit.
26:31You'll go normally
26:32every morning
26:33and you'll bring them.
26:34Should I go for a walk
26:35with your dog
26:36that died last year?
26:37Go for a walk?
26:38No.
26:39But you should go
26:40and find him.
26:41Yes!
26:42You're making me
26:43laugh.
26:44If I wanted a writer
26:45with humor
26:46I'd hire Woody Allen.
26:47The place is beautiful
26:48but I can't keep you
26:49because you're so
26:50antipathetic
26:51that he can't
26:52use that
26:53on something.
26:54I just haven't
26:55discovered it yet.
26:56Are all the photos
26:57with the brides
26:58in here?
26:59Yes.
27:00Good.
27:01Disappear.
27:04Door.
27:11Oh no.
27:12Oh no.
27:13Oh no.
27:15Sarah, Mara
27:16and the bad answer.
27:19Let me think.
27:23Oh my God.
27:25My God.
27:30Hey buddy.
27:31What a beautiful girl.
27:33See?
27:34She's getting ready
27:35for the wedding.
27:39She is compassionate
27:41and the company
27:42that is accompanying her
27:43is chic.
27:45There you are.
27:46How are you?
27:48I don't know.
27:49I don't know.
27:50I don't know.
27:51I don't know.
27:52I don't know.
27:53I don't know.
27:54I don't know.
27:55I don't know.
27:56I don't know.
27:57I don't know.
27:58I don't know.
27:59I don't know.
28:00I don't know.
28:01I don't know.
28:02I don't know.
28:03I don't know.
28:04I don't know.
28:05I don't know.
28:06I don't know.
28:07I don't know.
28:08I don't know.
28:09I don't know.
28:10I don't know.
28:11I don't know.
28:12I don't know.
28:13I don't know.
28:14I don't know.
28:15I don't know.
28:16I don't know.
28:17I don't know.
28:18I don't know.
28:19I don't know.
28:20I don't know.
28:21I don't know.
28:22I don't know.
28:23I don't know.
28:24I don't know.
28:25I don't know.
28:26I don't know.
28:27I don't know.
28:28I don't know.
28:29I don't know.
28:30I don't know.
28:31I don't know.
28:32I don't know.
28:33I don't know.
28:34I don't know.
28:35I don't know.
28:36I don't know.
28:37I don't know.
28:38I don't know.
28:39I don't know.
28:40I don't know.
28:41I don't know.
28:42I don't know.
28:43I don't know.
28:44I don't know.
28:45I don't know.
28:46I don't know.
28:47I don't know.
28:48I don't know.
28:49I don't know.
28:50I don't know.
28:51I don't know.
28:52I don't know.
28:53I don't know.
28:54I don't know.
28:55I don't know.
28:56I don't know.
28:57I don't know.
28:58I don't know.
28:59I don't know.
29:00I don't know.
29:01I don't know.
29:02I don't know.
29:03I don't know.
29:04I don't know.
29:05I don't know.
29:06I don't know.
29:07I don't know.
29:08I don't know.
29:09I don't know.
29:10I don't know.
29:11I don't know.
29:12I don't know.
29:13I don't know.
29:14I don't know.
29:15I don't know.
29:16I don't know.
29:17I don't know.
29:18I don't know.
29:19I don't know.
29:20I don't know.
29:21I don't know.
29:22I don't know.
29:23I don't know.
29:24I don't know.
29:25I don't know.
29:26I don't know.
29:27I don't know.
29:28I don't know.
29:29I don't know.
29:30I don't know.
29:31I don't know.
29:32I don't know.
29:33I don't know.
29:34I don't know.
29:35I don't know.
29:36I don't know.
29:37I don't know.
29:38I don't know.
29:39I don't know.
29:40I don't know.
29:41I don't know.
29:42I don't know.
29:43I don't know.
29:44I don't know.
29:45I don't know.
29:46I don't know.
29:47I don't know.
29:48I don't know.
29:49I don't know.
29:50I don't know.
29:51I don't know.
29:52I don't know.
29:53I don't know.
29:54I don't know.
29:55I don't know.
29:56I don't know.
29:57I don't know.
29:58I don't know.
29:59I don't know.
30:00I don't know.
30:01I don't know.
30:02I don't know.
30:03I don't know.
30:04I don't know.
30:05I don't know.
30:06I don't know.
30:07I don't know.
30:08I don't know.
30:09I don't know.
30:10I don't know.
30:11I don't know.
30:12I don't know.
30:13I don't know.
30:14I don't know.
30:15I don't know.
30:16I don't know.
30:17I don't know.
30:18I don't know.
30:19I don't know.
30:20I don't know.
30:21I don't know.
30:22I don't know.
30:23I don't know.
30:24I don't know.
30:25I don't know.
30:26I don't know.
30:27I don't know.
30:28I don't know.
30:29I don't know.
30:30I don't know.
30:31I don't know.
30:32I don't know.
30:33I don't know.
30:34I don't know.
30:35I don't know.
30:36I don't know.
30:37I don't know.
30:38I don't know.
30:39I don't know.
30:40I don't know.
30:41I don't know.
30:42I don't know.
30:43I don't know.
30:44I don't know.
30:45I don't know.
30:46I don't know.
30:47I don't know.
30:48I don't know.
30:49I don't know.
30:50I don't know.
30:51I don't know.
30:52I don't know.
30:53I don't know.
30:54I don't know.
30:55I don't know.
30:56I don't know.
30:57I don't know.
30:58I don't know.
30:59I don't know.
31:00I don't know.
31:01I don't know.
31:02I don't know.
31:03I don't know.
31:04I don't know.
31:05I don't know.
31:06I don't know.
31:07I don't know.
31:08I don't know.
31:09I don't know.
31:10I don't know.
31:11I don't know.
31:12I don't know.
31:13I don't know.
31:14I don't know.
31:15I don't know.
31:16I don't know.
31:17I don't know.
31:18I don't know.
31:19I don't know.
31:20I don't know.
31:21I don't know.
31:22I don't know.
31:23I don't know.
31:24I don't know.
31:25I don't know.
31:26I don't know.
31:27I don't know.
31:28I don't know.
31:29I don't know.
31:30I don't know.
31:31I don't know.
31:32I don't know.
31:33I don't know.
31:34I don't know.
31:35I don't know.
31:36I don't know.
31:37I don't know.
31:38I don't know.
31:39I don't know.
31:40I don't know.
31:41I don't know.
31:42I don't know.
31:43I don't know.
31:44I don't know.
31:45I don't know.
31:46I don't know.
31:47I don't know.
31:48I don't know.
31:49I don't know.
31:50I don't know.
31:51I don't know.
31:52I don't know.
31:53I don't know.
31:54I don't know.
31:55I don't know.
31:56I don't know.
31:57I don't know.
31:58I don't know.
31:59I don't know.
32:00I don't know.
32:01I don't know.
32:02I don't know.
32:03I don't know.
32:04I don't know.
32:05I don't know.
32:06I don't know.
32:07I don't know.
32:08I don't know.
32:09I don't know.
32:10I don't know.
32:11I don't know.
32:13What is wrong with me?
32:19Goodbye.
32:24He remembered well!
32:26Miss Ethoma, a young woman remembered you well!
32:29So, Amhaelia, these are the questions regarding the interview.
32:31There are fifty statues of questions.
32:34I bet you know how to answer quite a few.
32:38Good.
32:39Why good? To get us out of the mud?
32:41So that the other girls will have a hard time.
32:43Your babies and the other girls won't have a hard time at all.
32:46We'll have a good time here.
32:48You'll sit here today and wait to see them
32:50and tomorrow we'll examine you.
32:51And we'll look at them together.
32:52Both the questions and the answers that you'll give.
32:55I got it for you, basically, because I graduated from high school.
33:00Why aren't you talking?
33:01Very quiet, I hear.
33:03No drama, no gossips.
33:05Let's say we've been here for so long,
33:07where have they come to see what we're doing?
33:09Your grandma and her friend?
33:10Yes.
33:12Amalia!
33:14Your answers have to be like this
33:16so that the problem you have doesn't show up.
33:18What problem do I have?
33:19Forget it.
33:20Learn the parrots so that we can write them down
33:22and God help you.
33:24I'm going out for a bit and I'll be back.
33:26Amalia!
33:31Where is she?
33:35Grandma!
33:45Karantzaferis is coming.
33:46What?
33:47What is this? Why are you like this?
33:49Aren't you a national player today?
33:51We're going to the match with Georgia.
33:53It's worse, my God.
33:54Why? What did you say again?
33:56Grandma, okay.
33:57You say you're tired and you want to go to the match.
33:59Why are you carrying all this, Theopoula?
34:01You're taking responsibility for it, don't you understand?
34:03We decided it together and she wants to go.
34:05Does Theopoula want to go to the match?
34:07Yes.
34:08It doesn't matter if Theopoula knows who's going today.
34:10Nikopolidis, Kapsis, Seiteridis, Delos, Kyriakos, Katsoureli.
34:14Enough!
34:15And at the peak of the attack, Frieza!
34:17Frieza!
34:18We said enough!
34:19Sit down.
34:20But...
34:21There's no but, sit down.
34:23One, two.
34:29So, you're not going to the pitch.
34:31Why?
34:32Why can't I?
34:33I forbid you to go to the pitch.
34:35That's a nice way to talk to a woman who raised you.
34:37The woman who raised me has also grown up.
34:40And she'll understand that you're not the age to go to the pitch.
34:43What are you talking about?
34:44That's what you should listen to.
34:45There should be no episodes.
34:47And we'll see how you protect two women on your own.
34:49But we won't be on our own.
34:51No, of course not.
34:52There will be 30,000 more people you'll find shouting.
34:55And I repeat, I didn't think of yourself.
34:58That's how nothing happens.
35:00To the son and the daughter.
35:01The short one.
35:02The short daughter, yes.
35:03Of Theopoula.
35:04What are we going to say?
35:05Oh, I'm sorry.
35:06Did she get a sprain in her head?
35:07Theopoula knows how to take care of herself and protect herself.
35:11And she'll do whatever she wants.
35:13Thank God, she's got 400.
35:15My dear Spira, we don't need to deal with so many people.
35:19We'll be fine on our own.
35:22What?
35:23No, my dear Theopoula.
35:25We'll support Greece.
35:27Yes, I know.
35:29But you didn't say we were going to go to the stadium with Georgia.
35:32Hold on a minute.
35:34There's a problem here.
35:37You're not telling me, Theopoula, that you've got 400.
35:41Which Georgia are you talking about?
35:43The one across the street.
35:44Oh, you're talking about...
35:46Mr. Vangelis' wife, aren't you?
35:48Yes.
35:49That's why I bought her a coffee maker.
35:51I married her daughter and I didn't give her a present.
35:54There you go.
35:55My dear Theopoula, I meant the country Georgia, not the case.
35:59Really?
36:00Really.
36:01Come on, forget about it now.
36:02Oh, my God, thank God.
36:04I was so worried.
36:06When you told me we were going to the stadium with her,
36:09I wanted to tell you that she's a whore.
36:11Last year, we saw a game with Euro, and we lost.
36:15The same thing happened with Russia.
36:17Now I'm relieved.
36:19Come on, let's go.
36:20I'll leave the coffee maker here.
36:22I'll give it to her tomorrow.
36:24Do you understand?
36:25I'll go inside and get the camera
36:28so we can take a picture with Otto.
36:34It's not a good idea to go to a funeral.
36:40You look troubled, Vita.
36:42Why?
36:43Maybe I should talk to Consuela
36:46and tell her what really happened that night with Alfonso.
36:50That's the only way the misunderstanding will be solved.
36:53But again, I don't know if I should do it.
36:56You idiot!
36:58We've been asking you to talk to Consuela for ten episodes,
37:00and you're not doing it.
37:02I don't want to watch this show again.
37:04I'm going to buy them,
37:05so I can put everything in order.
37:11Yes?
37:12Come on, it's me.
37:13Come on, Fotis, what's going on?
37:15It's bad.
37:16What? You don't understand the questions?
37:18What questions?
37:19We haven't gotten to the questions yet.
37:21If you have a problem, let it go.
37:23What problem?
37:24It's out of the question.
37:25If Athenia comes, you're going to lose your mind.
37:27Are you crazy?
37:28I'll go inside,
37:29people will say good morning to me,
37:30and I won't say anything.
37:31I'll say good morning too.
37:32Or you'll say,
37:33hello, how are you?
37:34I'll say good morning.
37:36Bad news and bad luck.
37:37Listen.
37:38I'm listening.
37:39Aren't you going to tell me what happened?
37:41I'm waiting for Alexis to come and tell me.
37:44I'll tell you, Fotis.
37:45What do you want?
37:46Call Zumbulia, she's upset.
37:49I'm not answering.
37:50Come on, Fotis.
37:51I said no.
37:52I'm hanging up because I have work to do.
38:01Hello.
38:02What happened? Did you ask?
38:03I did.
38:04Why did they tell you?
38:05There's no orphan boy
38:08representing Lofin Company in Greece.
38:10You see?
38:11When I told you he wasn't here for work,
38:13you didn't believe me.
38:15Did you go to the office you met?
38:17The office doesn't exist anymore.
38:19It used to be a private space,
38:20and now it's empty.
38:21So there's no way to find him?
38:23Unfortunately, no.
38:25Oh, I wish I had known.
38:27But what can I do?
38:28My hands are all over the place.
38:30I won't talk.
38:31Do you want anything else?
38:32Yes.
38:35Look here.
38:36Consuela's tears.
38:37Find where the serial is shot and buy it.
38:40The serial?
38:41The serial, the studio,
38:42the channel you're shooting.
38:43I don't know what you need.
38:44Find what you need and buy it.
38:45The situation with Mepita has become unbearable.
38:47And you're going to buy the channel in Mexico?
38:49What are you going to do with it?
38:50Why?
38:51I'm going to buy the tube in Kyrgyzstan.
38:52What am I going to do with it?
38:53It's an investment.
38:54Go now!
39:05Good morning, Pepita.
39:07Did you call me?
39:08Yes, Consuela.
39:09I wanted to talk to you about something,
39:11but I changed my mind.
39:14Ah!
39:15Your bread is not enough, Pepita.
39:19I'm going crazy!
39:20I'm going crazy!
39:21Stop bringing trouble to the salon and sit down.
39:24What do you mean sit down?
39:25Am I supposed to sit down?
39:26I'm supposed to fall into the sea and drown.
39:28Should I call a taxi?
39:29Are you crazy?
39:30I told you I lost my wallet.
39:32I had 110 euros in it.
39:33Slow down.
39:34Slow down?
39:35I had it all in there.
39:37My ID, my photo, my happiness.
39:39I lost my happiness.
39:40I lost my photo.
39:41I lost my photo.
39:42This is really tragic.
39:43I don't think you'll find anything of the two.
39:45What do you mean?
39:46You had a man.
39:47You lost him.
39:48I don't think you expect to find a second one.
39:50What are you saying, Mari?
39:51If I did that, they wouldn't get together.
39:54And if you want to know,
39:55I also had an earlier acquisition.
39:57Ah, I see.
39:58You didn't just lose your wallet,
39:59you also lost your logic.
40:02Who is it?
40:03Do you think the ten you're waiting for are starting to get together?
40:07Who is it?
40:08Zoumoulia Odomasi.
40:09I'm Fotis' father.
40:12I'll show you now.
40:17Hello.
40:18How are you?
40:19I'm very happy to see you again.
40:21Me too.
40:25You forgot your wallet on the channel.
40:28Thank you, my God.
40:30Channel?
40:31Do you work at a TV station?
40:34Not exactly.
40:35I'm the owner of the TV station.
40:38Ah, I hear you're the owner.
40:40Come in.
40:43Marilene Androkofiki.
40:45Thomas Voulinos.
40:46I'm very happy to meet you, Mr. Voulinos.
40:49And I think it's necessary
40:51to reciprocate your generosity
40:53with our hospitality.
40:55Please, have a seat.
41:04She's got a taste.
41:07Question number 22.
41:09What is the position of the modern Greek woman in today's society?
41:13And how much do you think she has changed in recent years?
41:19The modern Greek woman
41:21has made great progress in today's society.
41:24She is involved in politics,
41:26which is very important for a woman to have her own voice in the parliament.
41:30And she does jobs she couldn't do before.
41:35Are you done?
41:36Yes.
41:40How many?
41:43Six yeses and eight nays.
41:45In one answer.
41:46What's the first correction?
41:48Why are you noting down my answers?
41:50We like them a lot, that's why.
41:52Ah.
41:53Guys, she doesn't do anything.
41:56What can I change?
41:58How can she say modern?
42:00How can she say Greek?
42:01How can she say society?
42:03Leave it.
42:04You'll find something.
42:05You'll replace all the words that have yes and no with the ones that don't.
42:08It's like going to the university.
42:10I study computer science at the university.
42:12I don't study the word.
42:14And she forgets the most important one, which we haven't solved yet.
42:17How can she be introduced?
42:18Will she go in and say Amalia?
42:21Guys, isn't there a Haidtian of Amalia?
42:23Haidtian of Amalia?
42:25Amalitsa and Litsa.
42:27Do you want one of the two?
42:31Amy?
42:32Very American.
42:35Amy?
42:36I don't like Amy.
42:37Neither do I.
42:38I don't like her either.
42:39We haven't asked you yet.
42:43Melio?
42:44Melio doesn't come from Amalia.
42:49Ama?
42:50What is this Ama?
42:52I don't know, the first half of her name.
42:54It's a prototype.
42:55It's not a name.
42:56Ama?
42:57What can she say Ama?
42:59Guys!
43:00Lia!
43:06Of course, of course.
43:07Thailand.
43:09The East.
43:10The land of fire.
43:12I've been on so many trips.
43:15I'm fed up with trips.
43:17What about you?
43:19We had a lot of trouble.
43:21Last night we went to Bulgaria with Fofo and Vangelio.
43:24Vangelio lost the key to his suitcase.
43:26I called the locksmith to change the lock.
43:28What are you waiting for?
43:29If a man doesn't have the key to his adventure.
43:32Maris Elea didn't have the key.
43:34What key?
43:36With my first husband.
43:37He was a diplomatic follower.
43:40I can't believe I'm bothering you.
43:42What are you saying?
43:43I'm hanging from your lips.
43:45And she will hang from your lips too.
43:48Marinela?
43:50Come here.
43:51Do you need me?
43:52A lot.
43:54Thomas, I'll be back in a minute.
44:10What do you want?
44:11Do you want me to catch you and cut you into pieces?
44:13I don't understand.
44:14Why are you so surprised?
44:16Don't you understand?
44:17Thomas came here for me.
44:19Really?
44:20I don't see that.
44:21What do you mean?
44:22You have him all to yourself again.
44:23He doesn't seem to bother you.
44:25The truth is that I find him very attractive.
44:28He reminds me of my third husband.
44:30Which third?
44:31The fat one?
44:32The third from the end.
44:33I'm going now because I have left him alone for so long.
44:39There will be blood in here.
44:41Do you want war, Marinela?
44:42You will have war.
44:52I saw it in my sleep, I was holding a gun
44:56And a lot of robbers were passing by me
44:59And in the storm and in the snow
45:02I was shooting and I was skiing