Salón de té La Moderna - Ep 198
Transcript
00:00A FEW HOURS LATER
00:12Dear niece,
00:15I'm impressed with the final result.
00:17I never imagined it would be so exciting to have it in my hands.
00:21What do you think, Teresa?
00:23Well, it perfectly reflects the essence of the tea room.
00:27You can see the quality of the products.
00:30We look very handsome.
00:33Thank you very much, but the credit goes to Celia.
00:42May I come in?
00:43Yes, Esperanza, tell me, do you need anything?
00:45Yes, Mr. Fermin.
00:47I can't wait to see the brochure.
00:50It's the first time I'm in a book.
00:52Besides, I have to talk to you about an important and personal matter.
00:55First of all, don't worry, you can see it as many times as you want.
01:00One of the copies is for you.
01:03Teresa, I'll take care of it.
01:05And secondly, if you don't mind...
01:07With pleasure, ladies.
01:09The door was open, I heard the brochure was finished.
01:12And I've never been in a book, Mr. Fermin.
01:14Let me see it, Mrs. Teresa.
01:16Well, don't get nervous.
01:18Excuse me, ma'am, anxiety took over me.
01:21Let's see.
01:23Look, I look like a Hollywood actress.
01:27I didn't know she was so beautiful and so photogenic.
01:30Let's see.
01:32Look.
01:33But even Elia did well.
01:35That's a merit.
01:37I already told my mother.
01:38I always had an air of Rodolfo Valentino.
01:40Look at him.
01:42If it is that...
01:43My mother.
01:44Well, and Cayete?
01:46Well, he didn't come out so favored.
01:48And Pietro?
01:49Well, well, well.
01:50You will have time to criticize.
01:53But now is not the time or the place.
01:55Mr. Fermin has a lot of work and so do we.
01:57So come on, to work.
01:58Yes, yes.
01:59Well, if you'll excuse us.
02:00Mr. Fermin, the matter of which I wanted to talk about,
02:02about the wedding of Antonia and Pietro.
02:04Ah, yes, yes.
02:05I thought so.
02:06We'll talk about it later.
02:07Esperanza.
02:19How happy I am to see you.
02:22And already dressed and working.
02:25I am also glad to see the mother.
02:28And I wanted to thank her for everything she is doing for me.
02:32I thought you were still angry with me.
02:35But it seems that leaving you alone here at home has been very good for you.
02:38You can't imagine how much.
02:41Since that change has come, dear.
02:44As is evident, I have a lot of time to think.
02:47And also to recuperate.
02:50And I wanted to thank you for everything you are doing to keep me safe.
02:54I know it has not been easy and that you are having a lot of patience with me.
02:59Well, I only do what any mother would do for her daughter.
03:04Although I still think it is a mistake that you want to stay here.
03:07Every day that passes, the chances that they catch us are increasing.
03:13Mother, I will do what you want.
03:15But at the right time, right now, I could not leave.
03:19I could not live knowing that Íñigo and Matilde are dating.
03:23I would rather be dead.
03:26Really dead. Before that.
03:31And since I know you don't like me to talk about my plans with the Peña-Albert couple.
03:37Because we don't change the subject.
03:39Let's talk about the company.
03:41Do you have any good news?
03:43Fabio del Moral has managed to change the law to be able to build the hotels?
03:48Fabio already knows what he has to do.
03:51But I can't insist more.
03:53Why not?
03:55You said that with the change of government everything would be much easier.
03:58Because Fabio is a very straight person and he is very honest.
04:01He is committed to helping us.
04:04Going against his principles will take his time.
04:07And what about me, mother?
04:09Because you yourself have said that this situation is unsustainable.
04:12Maybe you are being too soft with him.
04:18So, did you like it?
04:20What if I liked it?
04:22I'm anxious to tell our most important clients.
04:25When could they have it?
04:27I knew you were going to ask me, so I anticipated.
04:30You just have to give me a good look at the list and tomorrow I'll start sending them.
04:35The truth is that everything has gone very well.
04:38Well, especially you.
04:41Look, look, what a plan you have.
04:44And what a clean look.
04:46So I'm sure that if the elections were presented, many people would vote for you.
04:49Well, well, well.
04:53Laurita, yesterday I was very happy to see Inés yesterday at the inauguration.
04:58I know it's silly, but just the fact that she left home I think it's a great advance.
05:02Don't you think so?
05:04Yes, I guess.
05:05And how was she later? I can hardly talk to her.
05:08Was she better, more excited, calmer?
05:11If I'm honest with you, when she got home she locked herself up again and it was difficult to get her words out.
05:17I'm afraid that all this will not happen until she knows the definitive diagnosis.
05:21If it causes us uncertainty, imagine what will be happening in her head.
05:25I can't stop thinking what will happen if they tell her that she can't sing again.
05:29Putting us in the worst will not help us either.
05:32Well, but ignoring it either.
05:33Ignoring it either.
05:38Forgive me, mother.
05:40Excuse me, I ...
05:43Before I was thanking you for the patience you have with me and in the end I am the one who does not have it with you. I'm sorry.
05:51Aren't you going to ask me how the mass was in your honor?
05:55The church was full, there was no room for a pin.
05:59You were the only one missing.
06:01I was about to pass out.
06:04I would have liked to see all those people showing themselves afflicted when in the end they couldn't stand me.
06:11Because they have never accepted that you were so strong.
06:14And you also stood up to him.
06:17Although you are right.
06:19You are definitely you again.
06:21You smile again.
06:23Really nothing has happened.
06:26What's going to happen?
06:28Here, between these four walls?
06:31Yes.
06:34Although it is true that I feel better.
06:37And after a long time and many nightmares, last night I finally had a beautiful dream.
06:44Tell me.
06:46I dreamed that I was invisible.
06:51That I had that power.
06:54I imagine that my mind wanted to escape from this place.
06:57And it was very fun to be able to observe people without being seen.
07:04I was in many places and I felt that life was beautiful.
07:10And that I was finally free again.
07:16But then I woke up.
07:19And you will be free again, daughter.
07:22But not here.
07:23I will have to settle for having that dream again.
07:29I will continue to insist on that blissful law.
07:34I'll come down to see you later.
07:36I'll be here waiting for you.
07:54What are you doing here?
07:56I hadn't seen you in five minutes, but I missed you.
08:00You know you don't have to be so mean to me anymore, right?
08:04I've seen you too serious before.
08:06What happened?
08:08Well, I was thinking about what Matilde told us.
08:12What she saw of Doña Carla in the gallery?
08:15What she believed, but what seemed very real to her.
08:19And what do you think?
08:20What do you think? I get goosebumps just thinking about it.
08:24Don't tell me you also believe in those things.
08:27No, I don't know.
08:29I'd rather not even think about it.
08:31All I know is that Matilde is having a hard time.
08:34Can we do something?
08:37Yes, I guess we have to be very aware of her.
08:40Especially now that it has become clear.
08:42Many things have happened to her in a very short time.
08:45Yes.
08:46Antonia, I wanted to tell you something.
08:49I was thinking about spending the lunch hour
08:51to visit a snack bar that I've been recommended.
08:54And reserve it for the invitation.
08:57And that of postponing the wedding, have you changed your mind?
08:59Yes, because we don't have to give up.
09:03We've come so far, haven't we?
09:05Yes, honey, but it seems to me as if fate doesn't want us to get married.
09:09Oh yeah? And you know what I tell fate?
09:12Fate will never be stronger than our love.
09:14Never.
09:24Oh my God.
09:26No one can stop it, Antonia.
09:28You will be my wife.
09:30I will make you happy.
09:32No one can stop it.
09:34No one.
09:39I'm leaving.
09:44Bye.
09:54Teresa, wait a moment, I want to ask you a question.
09:58Yes, tell me.
10:00Don't you know a nice, affordable place
10:04that is available in three days?
10:08What? What are you talking about?
10:10I was with my things.
10:11It's just that, as you know,
10:13at the snack bar where Pietro and Antonia were going to celebrate the wedding,
10:16they left it there.
10:18Oh, it's true.
10:20Well, let's see.
10:22I know, I know, but not with enough confidence to ask for a favor.
10:26But well, let me think about it.
10:29Well, I also wanted to tell you.
10:32It's just that, as I'm the godmother,
10:34I'm in charge of buying Antonia the wedding gift.
10:37And we want to give it to her today,
10:39taking advantage of the fact that it's also her farewell.
10:41Well, that's great.
10:43What do you want me to tell her?
10:45That if I can go out at the time of the break,
10:48I promise I'll be here like a nail in the afternoon.
10:51Good, don't worry.
10:53God will reward you with whatever you prefer.
10:57Ah, Esperanza.
10:59Look, I'd like to participate in the wedding gift.
11:02How much do I have to pay?
11:04But if you're not invited, you don't have any obligation.
11:08What's the big deal?
11:09I've been friends with him all my life and I appreciate him a lot.
11:12So I insist on participating.
11:14How much is it?
11:16Well, I'll tell you later, when we do the math.
11:18And please tell Mr. Fermin that I have to talk to him.
11:21Let him give me a break this afternoon.
11:23Esperanza, don't you think you have your head in many places at the same time?
11:26I'm not saying this for myself, I'm saying it for Mrs. Lázara.
11:29She's not as permissive as I am and you have to have your head at work.
11:32It's just that I'm a godmother for the first time
11:35and I want to be up to date and not fail my boyfriends.
11:38Well.
11:40Go see Mr. Fermin in ten minutes.
11:43I'm sure he'll like it.
12:03By the way,
12:04did you know that Calabas del Castillo
12:07forbade him to be portrayed face-to-face
12:09and that's why there are only portraits of him in profile?
12:11What are you saying?
12:13Come on, girl, you have a lot of art to carry things.
12:16I'm serious.
12:18Less wasa.
12:20I thought that after the fight that Esperanza had thrown at you
12:22you were going to be softer.
12:24A lot of fights are needed for me to get scared.
12:26You look cool.
12:28No, it's not that.
12:30It's just that, deep down, what happened the other day wasn't a fight.
12:32I realized how much I appreciate you as a woman
12:35and that I just wanted to protect you.
12:37Besides, I understand that people like me get angry.
12:40And what happens to people like you?
12:43That they are usually judged
12:45by their appearance
12:47and I can understand what I saw in me.
12:49A good boy from a good family,
12:51capricious, spoiled, that everything goes well for him.
12:54I'm used to carrying a lot.
12:56And with reason or without reason?
12:58Dare to meet me and you'll see.
13:02Poor rich boy.
13:04I agree.
13:06I know I shouldn't complain so much.
13:08But you can't imagine what it's like to have a father like mine.
13:10All day on top of me,
13:12controlling all my movements,
13:14determined to decide for my life.
13:16Yours at least cares about you.
13:19I didn't even know mine.
13:22And your mother?
13:24My mother still lives in the village.
13:27I had to come here to the city
13:29to look for a life with an uncle of mine.
13:30Then I met Antonia,
13:32one of the dependants,
13:34and well, she took me in
13:36and she's like a mother to me.
13:38And in between, well...
13:42In between what?
13:45Nothing, nothing.
13:47In between nothing.
13:49What happened with your uncle?
13:51Why didn't you stay to live with him?
13:53I get the impression that you're hiding something from me.
13:55Well, it's a long and very complicated story
13:57to tell you here.
13:58Then we'll have to meet somewhere else.
14:00If that hope leaves us, of course.
14:02Yes, that's what I was thinking.
14:04Maybe I should go clean up
14:06and stop being such a mess.
14:08As you can see, my hair is going to fall out.
14:10By the way, shouldn't you be working
14:12instead of being here reading the newspaper?
14:14Are you going to make fun of me like my father?
14:17I'm resting for a while.
14:19Look at me, I'm starting to nag you.
14:22And you have more face than a back.
14:24Don't you really worry about letting Miguel go
14:26and losing his job?
14:28You're right, but
14:30at least you're going to think about it.
14:33About what?
14:35If you want to get to know me better.
14:59I'm sorry, I couldn't help it.
15:01I'm sorry.
15:03I'm sorry.
15:08Mr. Fermin,
15:10Teresa told me she could see me.
15:12I'm sorry to insist so much,
15:14but it's a very important matter.
15:16And I'm not going to let you go.
15:18I'm going to tell you everything.
15:20I'm going to tell you everything.
15:22I'm going to tell you everything.
15:24I'm going to tell you everything.
15:26I'm going to tell you everything.
15:28Yes, yes, Esperanza, come in, come in.
15:30These days I've had a lot of trouble
15:32and I haven't been able to attend to you until now.
15:34Sit down, please.
15:36And tell me.
15:39For once, I ask you
15:41not to see me as your cleaning boss,
15:43but as a friend.
15:45Because I'm here
15:47to talk to you about godmother, godfather.
15:50I understand.
15:52Go ahead, Mrs. Esperanza.
15:54I'm listening.
15:56Well, first of all, let me tell you
15:58that I'm proud to share this responsibility with you.
16:02With the plant you have,
16:04which looks like an archduke.
16:06And when I get better,
16:08which I also do a lot,
16:10when we get to church,
16:12the guests will ask who the grooms are.
16:14And we...
16:16Sorry, Esperanza.
16:18Look, I'll tell you like this,
16:20I've made a hole for you,
16:22but that doesn't mean you have it all day.
16:24So if you like it, let's get to the point.
16:26Well, it turns out
16:28that they've messed with the dates
16:30and they've scheduled the wedding
16:32the same day they have their first communion.
16:34And of course,
16:36they can't serve two guests at the same time.
16:38I don't follow.
16:40Let's see.
16:42Three days before the wedding,
16:44Antonia and Pietro have nowhere to celebrate it.
16:46But that's terrible.
16:48That's why I thought of you.
16:50Because I say that maybe
16:52you, who have contacts,
16:54can find a cheap place for you.
16:55Well...
16:57I'll think about it.
17:00I'm also impressed
17:02by the amount of people at the mass.
17:04Some even had to stay out.
17:07If Carla could have seen him,
17:09I would be proud.
17:11You know what they say,
17:13the greatness of a person is measured
17:15by the attendants at his funeral.
17:17And you should also be proud.
17:19After all,
17:21a daughter is her mother's work.
17:23Yes, I'm proud.
17:26You haven't told me anything
17:28about the notes I gave you in the report
17:30about the reduction of expenses.
17:32If you think it's ridiculous,
17:34tell me honestly.
17:36I don't know how you did it,
17:38but you managed to make the accounts fit.
17:40How did you do it?
17:42Well, I suppose I've been listening
17:44to businessmen for many years,
17:46talking about business,
17:48and something must have stuck to me.
17:50But if I learned from someone,
17:52it was Carla.
17:53She used to share with me
17:55her plans for the future,
17:57her business vision.
18:01That's why it's of vital importance
18:03that those hotels are built
18:05in Bilbao and Barcelona.
18:07It was her dream.
18:09And carrying it out
18:11would be a way of keeping her present.
18:14A very beautiful idea.
18:17I was wondering
18:19if you would have made any progress
18:21in that regard.
18:23The new government?
18:25I was talking to the new minister
18:27of public works.
18:29I know him from seeing him at the racetrack.
18:31I knew I could count on you.
18:33Not so fast, dear.
18:35As I feared,
18:37one of his most imminent measures
18:39is not to change the law of the land.
18:41I'm sorry to disappoint you,
18:43but I've done my best.
18:45From now on...
18:47From now on,
18:49we'll have to take less correct paths.
18:51Everyone has a price.
18:53I imagine that minister
18:55is no exception.
18:57Are you talking about bribing him?
18:59Bribing him is a very ugly word, Fabio.
19:02I prefer to think
19:04that it's like buying his will
19:06or that of his assistants
19:08so that his decisions favor us.
19:15But you're right.
19:18We've done what we could.
19:20Forget everything I've told you.
19:22Anyway,
19:24even if I haven't changed the law,
19:26at least I've got some invitations
19:28for the opera.
19:30Would you like us to go together tonight?
19:32I think you need to distract yourself a bit, dear.
19:35Yes, without a doubt.
19:38Order of the day.
19:40Can we have a car
19:42to take the bride to church?
19:44I'll take care of it.
19:46That's great.
19:48Mr. Iñigo Peñarvés will take me.
19:49I haven't asked him yet,
19:51but I don't think there's a problem.
19:53As for the wedding ring,
19:55I could be the one to give it to you
19:57if you don't mind.
19:59I don't know the protocol
20:01because I've never been a godfather at a wedding.
20:03So if you don't mind,
20:05I'm fine with it.
20:07We're done.
20:09I thought I'd get in trouble.
20:11So I...
20:13That's it.
20:15Esperanza.
20:17I was looking for you.
20:19There's a lot of dust on the piano.
20:21Could you clean it, please?
20:23That's unbearable.
20:25What? But I just cleaned it.
20:27Well, you'll have to do it again.
20:29No, actually, we were done.
20:31Ms. Esperanza,
20:33it's been a pleasure talking to you.
20:35I'll tell you the same.
20:37From godmother to godfather.
20:41Goodbye.
20:43Goodbye.
20:45I'm going to clean the piano.
20:49I'm more and more surprised
20:51by this woman's shame.
20:53I hope I haven't bothered you with your nonsense.
20:55This time it wasn't nonsense.
20:57It was about Antonia and Pietro's wedding.
20:59As you know, she's the godmother
21:01and I'm the godfather.
21:03And you don't have to say anything.
21:05I'm aware
21:07that we're a strange couple.
21:10By the way,
21:12I've already bought the tickets
21:14to see Margarita Sirgo.
21:16Here's yours.
21:17I can't wait to see how it works.
21:19The reviews say it's brilliant.
21:23Why don't you keep them?
21:25Because they're in separate places.
21:27You're in the patio of Butacas.
21:29It's the best entrance I've ever had.
21:31I'm in the henhouse.
21:33In the henhouse?
21:35I thought
21:37we were supposed to go together.
21:39Yes, yes, yes, of course.
21:41We'll go together and come back together.
21:43But you're a gentleman,
21:45well-known and respected.
21:47Much less than the owner of La Moderna.
21:49I'm just an employee, Mr. Fermin.
21:51And what's the problem?
21:53Well, I...
21:55I know how to recognize my place
21:57and I'd never do anything to hurt you.
21:59Mrs. Nazara...
22:01No, no, no, please, listen to me.
22:03Listen to me, it's best for you.
22:05Excuse me.
22:18Lamp stand.
22:20Discard.
22:22Frame for the photo.
22:25But why are you discarding everything, Esperanza?
22:28I don't know, I think it's a good idea.
22:30For it to be a good gift,
22:32it has to be something personal,
22:34made with a lot of love.
22:36We're talking about Antonia and Pietro,
22:38not some strangers.
22:40And do you have a better idea?
22:42Well, I don't know if it's better,
22:44but more than anything,
22:45a frame for the photo,
22:47a pressure cooker,
22:49one of those modern ones
22:51that make the stew
22:53and the stew in a pot.
22:55In a pot?
22:57And how can that be?
22:59Well, I don't know,
23:01but I've heard it said
23:03to some customers who were drinking tea
23:05and were excited.
23:07It's known to be an invention
23:09of one from Zaragoza,
23:11so that later they say
23:13that all inventions are made by Germans.
23:15So Antonia doesn't have to worry
23:17about the stews.
23:19I'd like to have something like that.
23:21Well, you have it easy.
23:23You get married and you ask for it as a gift.
23:25Maybe they won't give you a discount.
23:27Well, I'll tell her
23:29that with how dressed up I am,
23:31the one who asks for it, I'll say yes.
23:33Come on.
23:35My God, Trini.
23:37Sometimes it's so easy
23:39that you still want to fall in love.
23:41Well, and get married, by the way.
23:42Then you'll fall in love.
23:44Especially with that one,
23:46the little sardine.
23:48And go for it with the cup, Esperanza.
23:50Besides, as you said,
23:52we don't have anything in common.
23:54We're very different.
23:56I won't have studies,
23:58but I'm not stupid.
24:00Mrs. Teresa,
24:02I'll be right back in my place.
24:04No, no, no, don't worry.
24:06If I come to give Esperanza a tip for the gift,
24:08she'll tell me what's left or what's missing.
24:10Very good.
24:12I have a very personal gift for you.
24:14A pressure cooker.
24:16So that Antonio doesn't have to worry about Isa
24:18and his husband is happy.
24:20Does that sound good to you?
24:22Well, if that's what you've all decided,
24:24I won't say no to this.
24:31Wow.
24:33I don't know.
24:35Wanting to participate without being invited
24:38is a gesture that I make a lot of her, right?
24:40Well, the truth is that it's a good gesture.
24:42It's just that it's a small wedding,
24:44only for the closest.
24:47Well, then, Trini,
24:49do you dare to get married?
24:51So, are you going to be the next one?
24:53I guess so.
24:55Well, look, if you want, I can be your godmother.
24:57It seems that I was born for them.
24:59And I can also tell Mr. Fermin
25:01so that he repeats as godfather.
25:03What a couple we make.
25:06Pressure cooker.
25:12Congratulations.
25:28Congratulations.
25:30What?
25:32What do you think of how the table is looking?
25:34Well, I was told a few months ago
25:36that I was going to be preparing the table
25:38for my bachelor party and I'm laughing my ass off.
25:40How was it at the restaurant they recommended?
25:43The good thing is that it's on the price,
25:45but the problem is that there's no room
25:47until next week, Antonia.
25:49What?
25:51Yes, I can't think of another place
25:53where I can ask.
25:55I'm sorry.
25:57If a miracle doesn't happen,
25:59we'll be left without an invitation.
26:01And what am I going to tell the people
26:03who come from Andalusia to see, right?
26:05Pietro, at least don't feed him or give him a baby.
26:07I know, Antonia, I know.
26:09But I don't know what to do.
26:10Should we cancel the wedding or change the invitation?
26:12No, no, it won't be necessary.
26:14Neither one nor the other.
26:16But what are you doing here, Mr. Fermin?
26:18Precisely, this morning Esperanza told me
26:20about the problem they had with the snack bar
26:22they had reserved and that, well,
26:24at the moment they don't have a place
26:26to celebrate the wedding invitation.
26:28Is that so?
26:30That's right, yes.
26:32It looks like we've been fooled.
26:34There's only one left, Mr. Fermin,
26:36that is free and that we can pay.
26:38It turns out that I know one
26:40and that you know very well.
26:44What do you think about celebrating
26:46the wedding invitation at La Moderna?
26:52Thank you, Mr. Fermin, thank you.
26:54But I'm afraid it's out of our modest budget.
26:58Oh, yeah, well, maybe I haven't explained myself well.
27:01You see, I've been thinking about
27:03what gift I could give them for the wedding
27:05and I can't think of a better gift.
27:09Honey, I know how we could get married
27:11without arousing suspicion.
27:14What are you looking at?
27:16No, nothing, the button that flew out,
27:18which is in its place.
27:20I'm all ears.
27:22Well, it's much easier than we thought.
27:24I just have to tell Antonia
27:26that when she's going to get married
27:28and she's going to launch the raffle,
27:30she's going to do it.
27:32I don't know, I don't know,
27:34I don't know, I don't know.
27:35I just have to tell Antonia
27:37that when she's going to get married
27:39and she's going to launch the raffle,
27:41she's going to point to my address
27:43and if I take it, you know what that means?
27:45That we'd be the next ones to get married.
27:48What are you doing, throwing a book at me?
27:50Are you stupid?
27:52Take it, I was just checking
27:54that you still have the same reflexes as always,
27:56few.
27:58What happens if you don't take the raffle?
28:00It's too risky.
28:02It's just that now you've caught me off guard.
28:03It's not necessary to do anything extraordinary
28:05and the most difficult thing is done.
28:07Convince them that we're in love
28:09to get married as soon as possible.
28:11Well, then we tell them
28:13that Antonia and Pietro
28:15are a reference in love for us
28:17and that's why we want to follow their path.
28:19Ah, very good.
28:21That's having reflexes.
28:23I can't wait to finish this madness.
28:25When do you want us to announce it?
28:27I don't know, as soon as possible.
28:29I don't know, today?
28:30No, no, no.
28:32It'll be like when we gave our first kiss in front of them.
28:34At first they were surprised,
28:36but then they got it right.
28:38They got the idea.
28:40But my love, it won't be believable.
28:42Besides, today is Antonia and Pietro's farewell
28:44and what are we going to do?
28:46Tell them it's the star of the show?
28:48Well, it's true, I know, you're right.
28:50I'll think of something.
28:52I don't know, I'll tell you something.
28:54We'll do it before their wedding.
28:56Are you sure?
28:58Yes, yes.
29:01You, you go first.
29:03No, you go first.
29:05No, you go first.
29:12Love is so beautiful.
29:14It's a pity I don't have the pandeiro
29:16to accompany this moment.
29:18What are you talking about?
29:20That if I don't find out
29:22that you've just made love,
29:24I'll think you're married.
29:26And because of how you look at each other,
29:28it's been a long time.
29:30What's wrong?
29:32Why are you so nervous?
29:34I've seen many couples in love
29:36and I know what I'm telling you.
29:38Well, it's obvious you're wrong
29:40because I'm nervous about something else.
29:43Have you talked to your father?
29:45Yes, he was angry
29:47for exaggerating your progress.
29:50Something slipped me.
29:52He trusted you a lot,
29:54but you disappointed him.
29:56You know him.
29:58Do you think he could
30:00consider...
30:02saying goodbye?
30:04Well, I don't know, really.
30:07He's always appreciated you,
30:09but it's true that you're one of those
30:11who don't like anyone,
30:13especially if he feels betrayed.
30:15And you couldn't
30:17talk to him?
30:19I have to organize something
30:21in another store.
30:24What are you going to organize?
30:31Are you beautiful?
30:35If it weren't for Antonio,
30:37I wouldn't forgive myself.
30:39I'd rather stay at home.
30:41No, we've already talked about this.
30:43You have to go with your friends
30:45and have a good time.
30:47And stop thinking about Carla, right?
30:49Well, I didn't say that.
30:53I know.
30:55Forgive me.
30:57Forgive me.
30:58Forgive me.
31:00Hey, why don't you pick me up later
31:02in La Corrala and we'll go home together?
31:04Although I understand that
31:06a goodbye at Madrid Cabaret
31:08will last longer.
31:10But I don't know if I want to be alone
31:12and less at night.
31:14But I don't want to be alone at parties either.
31:16Honey, don't worry,
31:18because I'll make any excuse and I'll leave earlier.
31:20Well, look, it doesn't matter.
31:22It's not necessary.
31:24Because today is a special day
31:26and I don't want to bother you.
31:28Go.
31:36Indigo Peñalvera, speak.
31:38Indigo, I'm Clarita.
31:40Clarita.
31:44Clarita.
31:46Hello, my love.
31:48How are you?
31:50How was the trip? Have you arrived in Jerez?
31:52Sure. The trip was long, but it went well.
31:54I'm with Aunt Concha and Pablo.
31:56They send you lots of kisses.
31:58By the way, Clarita,
32:00I want to ask you something.
32:02Yesterday, before you left,
32:04did you go out to the terrace
32:06or did you take a notebook
32:08that I use as an agenda?
32:10No.
32:12And I didn't go out to the terrace either.
32:14Why would I do that?
32:16Listen, I told Aunt Concha
32:18that we have to go and do some errands.
32:20I'll call you again tomorrow.
32:22I love you.
32:24And I love you a lot.
32:29Clarita didn't go out to the terrace
32:31and she didn't take the notebook either,
32:33which means I was right and someone came into the house...
32:35Listen, my love.
32:37Let's think logically.
32:39If someone had come into the house,
32:41it would have been a thief.
32:43And if he had taken a jewel or stolen something,
32:45he didn't take anything.
32:47The only thing that has happened
32:49is that a notebook has moved.
32:51What if it wasn't a thief?
32:56It's getting late, my love.
32:58We have to go.
33:00Besides, I think it's a good idea
33:02not to think too much.
33:05Come on, let's go.
33:29Laurita,
33:31I just got a call from the doctor.
33:33The results of the tests will be tomorrow.
33:36Perfect.
33:38Well, I'll go with you.
33:40No, no, if you don't mind,
33:42it's a bad habit that I prefer to go alone.
33:44What do you mean if I don't mind?
33:46Ines, do you really think I'm going to leave you alone
33:48in a situation like this?
33:50You don't know me.
33:52You also take advantage of my brother, right?
33:54No, no, it's not that.
33:56I just want to accompany you
33:58and I'm sure you'll make us happy.
34:00Trust me.
34:02Good afternoon.
34:04Wow,
34:06the store looks great, doesn't it?
34:08Thank you,
34:10although we have barely made any changes.
34:12Ines,
34:14I was just going to ask your sister about you
34:16and I just saw you enter the store.
34:18Yes, tomorrow I'll get the test results.
34:20I'm sure they will be favorable.
34:22Yes, we all are.
34:24Yes, I think it's great that you are so convinced,
34:26but I don't think anyone understands
34:28what I'm going through.
34:30Laurita, where is the bathroom?
34:32The front door of the office.
34:34Yes, of course, thank you.
34:40Let's see, you have to understand that
34:42she is so nervous,
34:44it is completely understandable.
34:46Things are different from the outside,
34:48but I think you have to put yourself in her place.
34:51Yes.
34:53Excuse me,
34:55the doctor who said yesterday that he did miracles,
34:56is that true?
34:58Well,
35:00I don't know him personally,
35:02but his successes praise him.
35:04Listen to me,
35:06I would never joke with a situation as delicate
35:08as your sister's.
35:10Let me doubt it,
35:12after your performance as a cashier,
35:14I don't trust your sincerity very much.
35:16You must understand that I was joking,
35:18that there was no bad intention at all.
35:20You have to differentiate a joke from a bad intention.
35:22And you must understand that you don't know me at all.
35:27Can you tell me what you are doing?
35:29Starting again,
35:31starting from scratch.
35:33Imagine that we don't know each other,
35:35that is, we haven't spoken yet, right?
35:37Hi, I'm Agustín Comas,
35:39theater entrepreneur
35:41and proud owner
35:43of several movie theaters in the city,
35:45including the one in the gallery.
35:47And I was passing by here and I said,
35:49I'm going to show you my respects.
35:52And what am I supposed to do now?
35:53Well, now you have to introduce yourself,
35:55as I did.
35:57Okay.
35:59Hi, I'm Laura Valbuena,
36:01proud co-owner of this business
36:03and I also deal with advertising promotions
36:05and event organization.
36:07Wow, how interesting.
36:09Would you like to have a coffee with me
36:11so you can continue talking to me about you?
36:13But isn't it a bit shameless
36:15to invite me to have a coffee
36:17if we just met?
36:19It's true,
36:20I'd better save it for the next one, right?
36:22No, no, it's fine,
36:24I accept your coffee.
36:27Did I miss something?
36:29Nothing, no,
36:31a shameful performance
36:33by a bad actor
36:35who luckily dedicates himself
36:37to other tasks that are better for him.
36:39And as they say in the theater,
36:41a lot of shit for his medical appointment.
36:43Did he say shit?
36:45A lot, yes.
36:47Yes, that's what they say
36:48to wish you luck.
36:50It's been a privilege to see you.
36:52It's very difficult to find
36:54two sisters so beautiful
36:56and interesting both.
36:58Good afternoon.
37:01I thought you didn't like her.
37:03That's how it is.
37:05But then,
37:07why are you looking at her like that?
37:09Like what?
37:11Laurita, what happened between you two?
37:18I don't know.
37:27Come on, Esperanza,
37:29take out the gift.
37:31I'm like crazy to see how the gorge works,
37:33it's wonderful.
37:35What do you mean, take it out?
37:37But did you think I was going to bring that stuff in my bag?
37:39You didn't have to bring it.
37:41No, cousin, I thought you were in charge.
37:43And now what do we do?
37:45Potato omelette!
37:46With what I like.
37:48Well, don't worry,
37:50because soon you'll have to
37:52stop worrying about preparing the stews.
37:54Not so fast, girl.
37:56With a misunderstanding here with Trini,
37:58we forgot the gift.
38:00What a shame, Antonia, I'm sorry.
38:02What a shame, I'll give it to you.
38:04Come on, let's eat.
38:06I'll tell you something, it was my idea.
38:08Yes, it's an invention of a Saragossan bath,
38:10that will make your life easier
38:12and that will make Pietro very happy.
38:14A Saragossan bath?
38:16Yes, yes, yes.
38:18Well, that's not the important thing,
38:20the important thing is that it was my idea.
38:22Well, but for the gift,
38:24what did you give Fermin to the grooms?
38:26Tell him, Antonia,
38:28they're going to fall for it.
38:30Well, he gave us the invitation in La Moderna.
38:32What?
38:34He's a very generous man.
38:36Well, well, don't be surprised,
38:38I know it was his thing.
38:40Long live the godmother!
38:42Long live!
38:44Long live the bride too!
38:46Let's go!
38:54We have a scandal!
38:56Don't worry, I have spoken to the neighbors
38:58and they've not put any bullets in me,
39:00so there's no excuse not to dance.
39:02Well, Esperanza, you're very good
39:04at maintaining cleanliness,
39:06but peeking with your nose won't beat me.
39:08Look at her, she's going to teach me a lesson.
39:11Come on, go dance with us.
39:16♪♪
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