1994 Fleshtone HiFi UNCUT HOT MILF MOVIE
Painter's life upended when mutilated body mistaken for partner's is found. As victim's identity remains unclear, he gets entangled in a convoluted murder investigation, culprit and motive shrouded in mystery.
Category
🎥
Short filmTranscript
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00:33:20Oh my god
00:33:30Oh
00:34:00Oh
00:34:30Oh
00:34:50Yeah
00:34:53Yeah, yeah, yeah
00:34:57Jesus christ what happened to you you look terrible
00:35:00I got a call from Edna about two o'clock
00:35:03She told me she was in town
00:35:05And this motel in Santa Monica
00:35:07It was terrible
00:35:09I got there she was dead
00:35:11Murdered
00:35:12You know these two guys they jumped me
00:35:14They tried to inject me with this hypodermic needle
00:35:16I got away
00:35:17I mean I know this sounds crazy
00:35:19This is truth
00:35:21It was like
00:35:23It was like having a nightmare with my eyes open
00:35:26Do you remember when Edna and I were talking about murders and stuff like that
00:35:29Well I told her about the famous black Dahlia murder case
00:35:33And um
00:35:35Anyway later on she phoned me up
00:35:37She asked me to change this painting I did of her
00:35:39To make her look like the Dahlia
00:35:41Cut in half with all the blood drained out
00:35:43Later on I had second thoughts
00:35:45So I painted this sheet
00:35:47Over the space in between the two halves
00:35:49You know to try and make her look like as if she's
00:35:51As if she's joined back together again
00:35:56And that's how I found her
00:35:58In exactly that position
00:36:01Just the way she is in the painting
00:36:04What the fuck are you going to do
00:36:11I know what I'm going to do
00:36:14I'm going to get rid of that painting before anyone else sees it
00:36:29I found the painting
00:36:31It's up there just like I said
00:36:33I'm going to go back and get it
00:36:35Okay I'll call you
00:36:42You know it's the perfect set up
00:36:44I painted a picture of a murder before it happened
00:36:47Then why did they try and kill you
00:36:49Maybe
00:36:51I don't know
00:36:53I don't know
00:36:55I don't know
00:36:57Maybe
00:36:59Maybe to make it look like some murder-suicide
00:37:01You know
00:37:03Like crazy artist paints a picture of a woman hacked in half
00:37:05Then hacks woman in half
00:37:07Then tries to kill himself with some
00:37:09Some lethal injection
00:37:11I don't know something like that
00:37:13Maybe I should call the police
00:37:15No don't do that
00:37:17You'll wind up like one of those guys on talk shows
00:37:19Some ex-con who did 40 years in the joint
00:37:21They let him out and they find out he's the wrong guy
00:37:23Hey look
00:37:25I'm Peele
00:37:31I'm Peele
00:37:55According to the grotesque nature of the case
00:37:57One of the photographs was of
00:37:59A painting by Mr. Greco
00:38:01Of the victim in the exact position and condition
00:38:03In which she was found
00:38:05A slightly altered version of the painting
00:38:07Was discovered in Mr. Greco's downtown L.A. studio
00:38:09Miss Peele was one of the key witnesses
00:38:11In last year's investigation
00:38:13Into illegal Middle East arms deals
00:38:15And their connections
00:38:17To high-ranking State Department officials
00:38:19In New York
00:38:21Wait I don't understand
00:38:23You said the girl you talked to
00:38:25In Kansas City
00:38:27Her name is Edna Clare
00:38:29You mean the woman on the phone
00:38:31Yeah Edna
00:38:33Margaret Peele
00:38:35Yeah I'm not necessarily the same person
00:38:37You said she sent
00:38:39Naked pictures of herself
00:38:41No I think Edna sent me
00:38:43Naked pictures of Margaret Peele
00:38:45Where did she get them?
00:38:47I don't know she could have stole them
00:38:49Faked them
00:38:51The photographs make you look like the Queen of England
00:38:53Then what do you think happened?
00:38:55I think Edna is the only one that can tell us
00:38:59That's great
00:39:01I mean you don't even know who the hell she is
00:39:03Where she lives, what she looks like
00:39:05You don't even know what her real name is
00:39:07Pass me the phone
00:39:09Information for what city please?
00:39:11Give me the number for the Sanford Hotel
00:39:13Kansas City
00:39:15816-575-2333
00:39:17816-575-2333
00:39:19Just thought of something
00:39:21Sanford Hotel
00:39:23May I help you?
00:39:25Yeah put me through to the clothing boutique
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00:40:05Ma'am, what are you going to do?
00:40:07Go to Kansas City
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00:51:47I'm a sick son of a bitch and you're treating me like an animal.
00:51:52Look, can we just get out of here?
00:51:57Okay. There's a plane to L.A. at nine o'clock.
00:52:01You know it's a good thing you have a gun.
00:52:04Listen, Edna, I was bluffing. I had a tape recorder.
00:52:07Oh, God, I'm in good shape.
00:52:10Look, my name's not Edna. It's Jennifer.
00:52:17I'm Edna.
00:52:44Jan?
00:52:45Yeah?
00:52:48I'm just getting used to the new name.
00:52:50You know, you keep changing names and faces on me.
00:52:55So were you telling me the truth about him and this guy I killed?
00:52:58Mm-hmm.
00:53:00I went out with this married guy for about four years.
00:53:02Well, one day he decides he's gonna leave his wife and settle down with me.
00:53:05You know, make babies and play house and all the things he thinks that I want.
00:53:09And the problem was is I had already met Teddy and I really...
00:53:13I really liked him.
00:53:16So I left the guy.
00:53:20It was the day he gave me the ring.
00:53:24Anyway, he went kind of crazy and he threatened to mess me up.
00:53:28And I knew he would really do it.
00:53:30So I... I had Teddy call a couple of his friends.
00:53:35It was self-defense, you know?
00:53:37Phew. Man.
00:53:41I was scared out of my mind.
00:53:44What of? Getting messed up or getting married?
00:53:47Oh, that's a smart question.
00:53:49You know, I didn't want to take any more abuse from that scumbag.
00:53:54What were you doing with Teddy?
00:54:07Step on it, kid.
00:54:38No!
00:54:57Get out of the car!
00:55:03Come on!
00:55:07Come on!
00:55:37Come on!
00:56:08Come on!
00:56:19Get inside!
00:56:29Shit.
00:56:31All right, listen. We should split up.
00:56:34You hide down there.
00:56:38Come on.
00:56:44Kid, you get the girl. I'll get the guy.
00:57:07Come on.
00:57:37Come on.
00:58:07Come on.
00:58:37Come on.
00:59:01Come on, let's get to the airport.
00:59:03Still make the man I brought to L.A.
00:59:07Come on.
00:59:16This is the final boarding call for flight number 272 to Los Angeles.
00:59:21Now boarding at gate 19.
00:59:24We made it.
00:59:26Yeah, I hope so.
00:59:28Will a doctor and Mrs. Christopher Henson please contact the information counter?
00:59:33Doctor and Mrs. Christopher Henson to the information counter, please.
00:59:37Thank you.
01:00:08You know what I'd like to do?
01:00:11What?
01:00:13Do you like a whole series of paintings of just the two of us?
01:00:17Fooling around?
01:00:21These aren't the things couples do apart from fooling around, you know.
01:00:24Oh, yeah? Like what?
01:00:26I don't know, like simple things.
01:00:28Like going for dinner, walking.
01:00:32You know, just like looking at each other.
01:00:33They're fantastic things to paint.
01:00:36And fooling around.
01:00:39And fooling around. I'll do one just for you of us fooling around.
01:00:43It won't be as good as it is.
01:00:46But I'll do it.
01:00:52Come on, what's wrong?
01:00:57I'm worried about something.
01:01:00What?
01:01:02Well...
01:01:05You know, when we get to L.A., then...
01:01:08Then this becomes real, you know what I mean?
01:01:13Yeah.
01:01:17So you think we can handle it?
01:01:21You listen, Edna, we've handled it so far, right?
01:01:24It's been good.
01:01:26Yeah, except my name is Jennifer.
01:01:29My name is Jennifer.
01:01:31Remember that?
01:01:41Yeah.
01:01:59Wait, wait.
01:02:30Would you fasten your seat belt, please, sir? We're about to land.
01:02:35Hey.
01:02:37Hey.
01:02:39Hey.
01:02:41Hey.
01:02:45Hey.
01:02:47Hey.
01:02:49Hey.
01:02:51Hey.
01:02:53Hey.
01:02:55Hey.
01:02:57Hey.
01:02:59No!
01:03:30Once everyone has left the plane, I'll take you to security and we'll make the appropriate arrangements.
01:03:40Look, they'll take care of all the arrangements.
01:03:42Okay.
01:03:44Listen, I forgot something on the plane.
01:03:46You go on ahead, I'll meet you outside.
01:03:49All right, Matthew, hold it right there.
01:03:51Put your hands behind your head and walk toward me.
01:03:55Slowly.
01:03:56Walk toward me.
01:03:58Slowly.
01:04:07Okay, spread them.
01:04:16You have the right to remain silent.
01:04:18You do not have to answer any questions now or at any future time.
01:04:21Anything you say can and will be used as evidence against you in a court of law.
01:04:26You have the right to talk to an attorney before answering questions.
01:04:29You have the right to have an attorney present...
01:04:31Okay, Phil, let's start on the plane.
01:04:33Could be an ice pick or a needle we're looking for.
01:04:36Two chicks in two days.
01:04:38This guy's a kinky son of a bitch, isn't he?
01:04:41Yeah, I know.
01:04:42There's gonna be a lot of paperwork on this one.
01:04:46Who tipped us?
01:04:48I don't know.
01:04:49Jackson got the call that the guy would be on this flight.
01:04:52From there, he doesn't know who tipped him.
01:04:55It's too bad we didn't get here in time to save the girl.
01:04:59At least we got the bastard off the streets.
01:05:02Come on, Matthew.
01:05:04You paint a picture of a murder, and it happens just the way you painted it.
01:05:09You get on a plane with a woman, go to sleep, and you wake up, she's dead.
01:05:16It don't look too good for you, Matthew.
01:05:19Why don't you make it easy on yourself, Matthew, and just tell us the truth?
01:05:23It's really hard to believe this whole conspiracy thing.
01:05:26Why not?
01:05:28Huh?
01:05:30I mean, these weren't ordinary women.
01:05:33One knew about secret arms deals, crooked government officials and stuff like that, so they killed her.
01:05:39The other one tried to set me up for her murder, so they killed her too.
01:05:43If she could have told you everything...
01:05:46We'll never know now, will we?
01:05:50Yes, we will.
01:05:52But where's my tape recorder?
01:05:56Chuck, get it.
01:06:10You have something on tape?
01:06:12Yeah.
01:06:14Everything.
01:06:20Okay.
01:06:23This is the part I recorded in Kansas City.
01:06:26It's in the van going to her boyfriend's house.
01:06:29I guess you know the real story.
01:06:31Look, I don't know anything.
01:06:33They told me what to say and what to do, and I did it.
01:06:35So who are they?
01:06:37I don't know.
01:06:39Some wise guys from back east.
01:06:41My boyfriend set it up.
01:06:43Why me?
01:06:45I don't know.
01:06:46I don't know.
01:06:48I mean, maybe out of all the guys who answered the ad, you were number one on their hit parade.
01:06:53I mean, you told me right away about your weird paintings.
01:06:57You see?
01:06:59And we set up both times.
01:07:01Once in the motel and once in the airplane.
01:07:05Yeah.
01:07:07So they listened to everything we said.
01:07:09Right.
01:07:11And they gave you the pictures to send me?
01:07:13Yes, and I had to give them the pictures you sent me.
01:07:16And they told you to get me to change my painting, right?
01:07:19Yeah, because you told me that Black Dahlia story.
01:07:22I did what they told me to do.
01:07:24This is weird stuff.
01:07:26Detective Brewer.
01:07:29I got you to make plans to come to LA.
01:07:31Yes, sir.
01:07:33Stop the tape.
01:07:35Let him go.
01:07:37Let him go.
01:07:38Let him go.
01:07:48You can go now, Matthew.
01:07:52What do you mean?
01:07:54You're free to go.
01:07:56What?
01:07:58Just like that?
01:08:00Just like that.
01:08:03It's okay.
01:08:05We believe your story.
01:08:06So who did it then?
01:08:09We'll take care of that.
01:08:12Hang on, hang on.
01:08:14Two women were killed here.
01:08:16One I cared a lot about.
01:08:18Now I want to know what's going on.
01:08:25The women were killed because they knew too much.
01:08:28If you find out what's going on, then you'll know too much.
01:08:31Why don't you just go home?
01:08:32Why don't you just go home?
01:08:40So, you're in the clear.
01:08:42Yeah, I suppose so.
01:08:44Who do you think set ship?
01:08:46Do you think they'll come back after you?
01:08:48No, I don't think so.
01:08:50None of those three cops are further to take.
01:08:52They're witnesses too.
01:08:54I can't identify anyone, so I'm not threatening them.
01:08:56All right.
01:08:58Who are you thinking of, guys?
01:09:00People in high places who would get away with murder.
01:09:04I don't think we're ever going to know.
01:09:07I think we're going to have to live with it.
01:09:29I think we're going to have to live with it.
01:09:59I think we're going to have to live with it.
01:10:29I think we're going to have to live with it.
01:10:30I think we're going to have to live with it.
01:10:31I think we're going to have to live with it.
01:10:32I think we're going to have to live with it.
01:10:33I think we're going to have to live with it.
01:10:34I think we're going to have to live with it.
01:10:35I think we're going to have to live with it.
01:10:36I think we're going to have to live with it.
01:10:37I think we're going to have to live with it.
01:10:38I think we're going to have to live with it.
01:10:39I think we're going to have to live with it.
01:10:40I think we're going to have to live with it.
01:10:41I think we're going to have to live with it.
01:10:42I think we're going to have to live with it.
01:10:43I think we're going to have to live with it.
01:10:44I think we're going to have to live with it.
01:11:05I think we're going to have to live with it.
01:11:12I think we're going to have to live with it.
01:11:17I think we're going to have to live with it.
01:11:22I think we're going to have to live with it.
01:11:27I think we're going to have to live with it.
01:11:32I think we're going to have to live with it.
01:11:37I think we're going to have to live with it.
01:11:40I think we're going to have to live with it.
01:11:41I think we're going to have to live with it.
01:11:42I think we're going to have to live with it.
01:11:43I think we're going to have to live with it.
01:11:44I think we're going to have to live with it.
01:11:45I think we're going to have to live with it.
01:11:46I think we're going to have to live with it.
01:11:47I think we're going to have to live with it.
01:11:48I think we're going to have to live with it.
01:11:49I think we're going to have to live with it.
01:11:50I think we're going to have to live with it.
01:11:51I think we're going to have to live with it.
01:11:52I think we're going to have to live with it.
01:11:53I think we're going to have to live with it.
01:11:54I think we're going to have to live with it.
01:11:55I think we're going to have to live with it.
01:11:56I think we're going to have to live with it.
01:12:17I think we're going to have to live with it.
01:12:43I think we're going to have to live with it.
01:13:11I think we're going to have to live with it.
01:13:12I think we're going to have to live with it.
01:13:13I think we're going to have to live with it.
01:13:14I think we're going to have to live with it.
01:13:15I think we're going to have to live with it.
01:13:16I think we're going to have to live with it.
01:13:17I think we're going to have to live with it.
01:13:18I think we're going to have to live with it.
01:13:19I think we're going to have to live with it.
01:13:20I think we're going to have to live with it.
01:13:21I think we're going to have to live with it.
01:13:22I think we're going to have to live with it.
01:13:23I think we're going to have to live with it.
01:13:24I think we're going to have to live with it.
01:13:25I think we're going to have to live with it.
01:13:27I think we're going to have to live with it.
01:13:28I think we're going to have to live with it.
01:13:29I think we're going to have to live with it.
01:13:30I think we're going to have to live with it.
01:13:31I think we're going to have to live with it.
01:13:32I think we're going to have to live with it.
01:13:33I think we're going to have to live with it.
01:13:34I think we're going to have to live with it.
01:13:35I think we're going to have to live with it.
01:13:36I think we're going to have to live with it.
01:13:37I think we're going to have to live with it.
01:13:38I think we're going to have to live with it.
01:13:39I think we're going to have to live with it.
01:13:40I think we're going to have to live with it.
01:13:41I think we're going to have to live with it.
01:13:42I think we're going to have to live with it.
01:13:43I think we're going to have to live with it.
01:13:44I think we're going to have to live with it.
01:13:45I think we're going to have to live with it.
01:13:46I think we're going to have to live with it.
01:13:47I think we're going to have to live with it.
01:13:48I think we're going to have to live with it.
01:13:49I think we're going to have to live with it.
01:13:50I think we're going to have to live with it.
01:13:51I think we're going to have to live with it.
01:13:52I think we're going to have to live with it.
01:13:53I think we're going to have to live with it.
01:13:54I think we're going to have to live with it.
01:13:55I think we're going to have to live with it.
01:13:56I think we're going to have to live with it.
01:13:57I think we're going to have to live with it.
01:14:19I think we're going to have to live with it.
01:14:20I think we're going to have to live with it.
01:14:21I think we're going to have to live with it.
01:14:22I think we're going to have to live with it.
01:14:23I think we're going to have to live with it.
01:14:24I think we're going to have to live with it.
01:14:25I think we're going to have to live with it.
01:14:26I think we're going to have to live with it.
01:14:27I think we're going to have to live with it.
01:14:28I think we're going to have to live with it.
01:14:29I think we're going to have to live with it.
01:14:30I think we're going to have to live with it.
01:14:31I think we're going to have to live with it.
01:14:32I think we're going to have to live with it.
01:14:33I think we're going to have to live with it.
01:14:35Hello?
01:14:37Hi, it's me again.
01:14:38I was just thinking.
01:14:40Yeah?
01:14:41Can you change a painting any time you want?
01:14:44Yeah, of course.
01:14:46I can do what I want to my pictures.
01:14:48Can you change the painting you did of me?
01:14:52Yeah.
01:14:53What did you have in mind?
01:14:55Just fulfilling a little fantasy of my own.
01:15:05Okay.
01:15:31It's finished.
01:15:34Incredible.
01:15:36Exciting.
01:15:37It's perverse beyond belief.
01:15:39I don't think I can let anyone else see it.
01:15:42Do you think I'm shameful?
01:15:44Shameful?
01:15:46No, I think we're too much alike for me to think like that.
01:15:50I know exactly how you were feeling when you thought of it.
01:15:53Anyway, I took a picture of it.
01:15:55I'll send it to you.
01:15:56Oh, good.
01:15:57I can't wait to see it.
01:15:58Yeah.
01:15:59I can't wait to see you.
01:16:02Yeah, me too.
01:16:05So what's wrong?
01:16:07Nothing.
01:16:08Maybe I'm a little nervous about next week.
01:16:12Yeah, I know.
01:16:14It's kind of scary.
01:16:15Yeah, scary.
01:16:21Hello?
01:16:22Hi.
01:16:24It's Matthew.
01:16:26You know that painting of you?
01:16:28Yeah.
01:16:29It freaked me out.
01:16:30Later on I had second thoughts.
01:16:32So I painted this sheet over the space to try and make it look different.
01:16:36Sounds interesting.
01:17:00Okay.
01:17:27Hello?
01:17:28Matthew?
01:17:30It's Edna. I hope I didn't wake you.
01:17:32No, it's okay.
01:17:34What's wrong?
01:17:35I'm not going to be able to come in today.
01:17:37My boss got fired and I can't leave.
01:17:40I'm really sorry.
01:17:42Yeah, me too.
01:17:44I'm going to try to come out next week, okay?
01:17:46Okay.
01:17:48You're not mad at me, are you?
01:17:50No, no.
01:17:52Look, I'll speak to you tomorrow.
01:17:54Okay, bye.
01:17:58Shh.
01:18:06Hello?
01:18:07Surprise.
01:18:09I'm coming in tomorrow night.
01:18:11Is that okay?
01:18:12Okay.
01:18:13Yes, fantastic.
01:18:15Look, let me get off the phone and make some arrangements.
01:18:19Like what?
01:18:20You'll see.
01:18:22Lonely people.
01:18:23Lost people.
01:18:25You know, people who think about the end of the world.
01:18:28People like you and me.
01:18:30I want to see you.
01:18:32Yeah, I want to see you.
01:18:33Why don't you send me pictures of your paintings and of yourself
01:18:37and I'll send you pictures of myself.
01:18:39Yeah, yeah, pictures of your face.
01:18:42No, no, your body.
01:18:44I want to see you naked.
01:18:46Okay, but only if you will to.
01:18:48Pictures of your face, your body and your paintings.
01:18:51You got a pen?
01:18:53Yeah, hang on.
01:19:01Yeah, go on.
01:19:02Okay, send them to Edna Clare, P.O. Box 428, Kansas City, Missouri, 64105.
01:19:11Yeah, I will.
01:19:12Okay.
01:19:13Look, I got to go now.
01:19:14It's been quite a conversation.
01:19:16Are you going to call me again?
01:19:18Probably in five minutes.
01:19:20Make it tomorrow night, same time.
01:19:22Yeah, you can count on it.
01:19:24Bye.
01:19:25Bye.
01:19:35Where are you from, the land of Oz?
01:19:37You're like a regular Alice in Wonderland here.
01:19:40If you'd heard the conversation, you'd know it was special.
01:19:43Sure, that's why she'll probably charge you more for the photos.
01:19:46Look, every hooker makes every guy feel like he's the one.
01:19:50And every guy goes for it.
01:19:52She's no hooker.
01:19:55You know, she didn't even place the ad.
01:19:58She never did anything like this before.
01:20:00Yeah, and I never shot pool before. You want to play for money?
01:20:02Matt, you got to wake up and smell a rat.
01:20:04She gets a piece of the phone bill.
01:20:06The more you talk, the more she makes.
01:20:08She sells you naked pictures of herself or anything else.
01:20:11I mean, that's how it works.
01:20:13She never said anything about paying for photos or anything like that.
01:20:17You know, we connected in a really intense way.
01:20:22It was erotic beyond belief.
01:20:26It was fucking amazing.
01:20:29I don't know, there's a lot of that in my life.
01:20:32Yeah, mine too.
01:20:34Alcohol, suicide.
01:20:37Maybe that's why I'm so fascinated by death.
01:20:40You know, this may sound weird,
01:20:43but there was a time
01:20:45I was so obsessed by violent crimes,
01:20:47you know, like the Ted Bundy killings
01:20:50or the Hillside Strangler.
01:20:53I spent a whole year doing imaginary drawings
01:20:55of famous murder cases.
01:20:59Like the woman they called the Black Dahlia
01:21:01here in LA in the 40s.
01:21:04They found her body in a vacant lot,
01:21:07cut in half with all the blood drained out.
01:21:11You know, I just couldn't get that picture out of my mind.
01:21:14So I just drew it over and over again.
01:21:17I know what you mean.
01:21:18It's like you're repulsed but fascinated at the same time.
01:21:21Exactly, exactly that.
01:21:23I did a whole series of paintings
01:21:25based on photos of murder victims.
01:21:28It's pretty weird.
01:21:30I don't think you're weird at all.
01:21:32I think you're romantic.
01:21:38You know, it was fantastic.
01:21:40We must have talked for hours about everything
01:21:42from suicide to serial murders.
01:21:45Oh, that sounds romantic.
01:21:47It is.
01:21:49You know, your trouble, you just don't understand
01:21:50what a turn on that kind of fantasy can be.
01:21:53No, I'm an old-fashioned guy.
01:21:54I like women I have sex with
01:21:55to be in the same room with me.
01:21:57You know what?
01:21:58You want to hear the best part?
01:21:59I'm afraid to ask.
01:22:01She's coming to LA in two weeks.
01:22:03You did make reservations to the morgue, right?
01:22:06Listen, I do want to do something special, though.
01:22:08You know, something romantic.
01:22:09Yeah, what's that?
01:22:11I need your help.
01:22:12What?
01:22:13Well, you know that etching you love?
01:22:15Is the butler holding the wine glass? Yeah.
01:22:18You can have it if you help me out.
01:22:20Who do I have to kill?
01:22:23You know, I told her how this is my favorite spot.
01:22:26I love coming up here on my own.
01:22:28I thought maybe before we have dinner
01:22:30I could bring her up here and see the view.
01:22:34And when we come through the trees
01:22:36you'll be waiting for us.
01:22:40You won't say a word.
01:22:42We'll just wait on us in the moonlight.
01:22:44It'll be fantastic.
01:23:10That's crazy. Forget it.
01:23:12You want the etching?
01:23:14Do I have to wear the tux?
01:23:16Yeah, it's important.
01:23:18You know, it's part of the deal.
01:23:20Look, I was just thinking,
01:23:22what if she turns out to be an old guy
01:23:24with a high voice, huh?
01:23:26You know, you have no sense of romance.
01:23:28Thanks.
01:23:40It was five years ago,
01:23:42so I figure your business
01:23:44has doubled since then.
01:23:46Besides, every shrink should have
01:23:48paintings of depressed, suicidal people.
01:23:50How incisive.
01:23:52Excuse me, guys.
01:23:55Hey, I think we upset him.
01:23:57What?
01:23:59I think we upset him.
01:24:01What?
01:24:03I think we upset him.
01:24:05What?
01:24:07I think we upset him.
01:24:09He seems to be very sensitive about his work.
01:24:11I would suspect that in some way
01:24:13they're all self-portraits.
01:24:15You know, he's always by himself,
01:24:17painting those weird pictures.
01:24:19I don't know.
01:24:21Yes, well, I'm happy for him tonight.
01:24:23There's such a big turnout for his opening.
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